Jump to content

Let's All Go to the Lobby: Difference between revisions

This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
No edit summary
Tag: Reverted
 
(48 intermediate revisions by 26 users not shown)
Line 1: Line 1:
{{short description|1957 short film}}
{{Short description|1957 American short film}}
{{Good article}}
{{Use American English|date=May 2020}}
{{Use American English|date=May 2020}}
{{use mdy dates|date=May 2020}}
{{Use mdy dates|date=May 2020}}
{{Infobox film
{{Infobox film
| name = Let's All Go to the Lobby
| name = Let's All Go to the Lobby
| image = Let's All Go to the Lobby.png
| image = Let's All Go to the Lobby.png
| caption = Four [[Anthropomorphism|anthropomorphic]] snack food items are featured in the film.
| caption = Four [[Anthropomorphism|anthropomorphic]] snack food items are featured in the film.
| released = 1957
| released = {{Film date|1957}}
| runtime = 1 minute
| runtime = 1 minute
| language = English
| language = English
Line 15: Line 16:
| music =
| music =
}}
}}
'''''Let's All Go to the Lobby''''' (officially known as '''''Technicolor Refreshment Trailer No. 1''''') is a 1957 animated musical advertisement played in theaters before the beginning of the main film or before [[intermission]], featuring animated food items urging the audience to buy snacks sold in the theater [[Lobby (room)|lobby]]. It was produced for Filmack Studios and directed by [[Dave Fleischer]].<ref name="Komorowski"/><ref>{{cite web |last1=Kubincanek |first1=Emily |title='Let's All Go to the Lobby' Tells the History of the Movie Theater Experience |url=https://filmschoolrejects.com/lets-all-go-to-lobby-history/ |website=Film School Rejects |access-date=July 10, 2020 |date=June 20, 2017}}</ref><ref>[https://www.flickchart.com/movie/EA4FD05C19 ''Let's All Go to the Lobby''] on [[Flickchart]]</ref>
'''''Let's All Go to the Lobby''''' (officially known as '''''Technicolor Refreshment Trailer No. 1''''')<ref name="Komorowski" /> is an American animated musical advertisement that was produced in the mid-1950s for Filmack Studios. It was played in theaters before the beginning of the main film or before [[intermission]], and features animated food items urging the audience to buy snacks sold in the theater [[Lobby (room)|lobby]]. It was directed by [[Dave Fleischer]] with lyrics by Jack Tillar.


Filmack has continued selling copies in the decades since its production. The company estimates that 80% of independent theaters have screened the film at various points, and it is likely the most viewed [[Snipe (theatrical)|snipe]].<ref name="Eagan"/>
Filmack has continued selling copies of ''Let's All Go to the Lobby'' in the decades since its production and estimates that 80% of independent domestic theaters have screened the advertisement. The film historian Daniel Eagan wrote that it is likely the most-viewed [[Snipe (theatrical)|snipe]] and that it was ubiquitous to the American theater-going experience of the 1960s. The well-known scene of the animated concessions has frequently been parodied in popular culture. In 2000, ''Let's All Go to the Lobby'' was selected for preservation in the US [[National Film Registry]] by the [[Library of Congress]] as being "culturally, historically, or aesthetically significant".<ref name="LOCregistry"/><ref name="LOC2000"/>

In 2000, ''Let's All Go to the Lobby'' was selected for preservation in the United States [[National Film Registry]] by the [[Library of Congress]] as being "culturally, historically, or aesthetically significant".<ref name="LOCregistry">{{Cite web|title=Complete National Film Registry Listing |url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/|website=Library of Congress|location=Washington, DC|url-status=live|archive-url=https://web.archive.org/web/20160507094100/https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/|archive-date=2016-05-07|access-date=2020-05-04}}</ref><ref name="LOC2000">{{Cite web|title=Librarian of Congress Names 25 More Films to National Film Registry|url=https://www.loc.gov/item/prn-00-200/librarian-of-congress-names-25-more-films-to-national-film-registry/2000-12-27/|website=Library of Congress|location=Washington, DC|url-status=live|archive-url=https://web.archive.org/web/20190403175921/https://www.loc.gov/item/prn-00-200/librarian-of-congress-names-25-more-films-to-national-film-registry/2000-12-27/|archive-date=2019-04-03|access-date=2020-05-04}}</ref>


== Content ==
== Content ==
The film consists of six shots. The most recognizable of these depicts four animated food items (from left to right: candy bar, sometimes reported as a box of gum,{{efn|name=barorgum}} popcorn, candy, and a soft drink) singing and walking leftwards. In the foreground before these characters are silhouettes of audience members, creating an illusion of depth, a standard technique of the medium. In a later shot, a group of four consumers are depicted enjoying their purchased food items.<ref name="Eagan" />
''Let's All Go to the Lobby'' consists of six shots. The most recognizable of these depicts four animated food items (from left to right: a candy bar,{{efn|name=barorgum|The left-most refreshment is a rectangular wrapped package described by the [[National Film Preservation Board]] and Eagan as chewing gum,<ref name="LOCdescriptions" /><ref name="Eagan2010"/> and by the ''[[Chicago Tribune]]'' as a candy bar.<ref name="Owens2017"/>}} popcorn, candy, and a soft drink) singing and walking leftwards. In the foreground before these characters are silhouettes of audience members, creating an illusion of depth, a standard technique of the medium. In a later shot, a group of four consumers are depicted enjoying their purchased food items.<ref name="Eagan2010" />


The eponymous song of the film is set to the same tune as "We Won't Be Home Until Morning", "[[The Bear Went Over the Mountain (song)|The Bear Went Over the Mountain]]", "[[For He's a Jolly Good Fellow]]", and "[[Marlbrough s'en va-t-en guerre]]" ({{circa|1709}}). While the origins of the melody are lost, it was already well-enough known in the early 19th century to be used for a passage in ''[[Wellington's Victory]]'' (1813) by [[Ludwig van Beethoven]].<ref name="Eagan"/>
The eponymous song of the film is set to the same tune as "We Won't Be Home Until Morning", "[[The Bear Went Over the Mountain (song)|The Bear Went Over the Mountain]]", "[[For He's a Jolly Good Fellow]]", and "[[Marlbrough s'en va-t-en guerre]]" ({{circa|1709}}). While the origins of the melody are lost, it was already well-enough known in the early 19th century to be used for a passage in ''[[Wellington's Victory]]'' (1813) by [[Ludwig van Beethoven]].<ref name="Eagan2010"/>


Daniel Eagan argues that "[w]ith its simple, repetitive lyrics and streamlined animation, ''Let's All Go to the Lobby'' has a hypnotic pull that is as compelling today as it was fifty years ago."<ref name="Eagan"/> He also notes that by choosing not to simply photograph the offered items, the creators of the film avoided using [[brand name]]s for the products for sale.<ref name="Eagan"/>
The film historian Daniel Eagan wrote that "[w]ith its simple, repetitive lyrics and streamlined animation, ''Let's All Go to the Lobby'' has a hypnotic pull that is as compelling today as it was fifty years ago." He also wrote that by choosing not to simply photograph the offered items, the creators of the advertisement avoided using [[brand name]]s of the products for sale.<ref name="Eagan2010"/>


==Background and history==
==Background and production==
The [[Chicago]]-based Filmack Studios, originally known as Filmack Trailer Company, was founded in 1919 by Irving Mack. The company specialized in the production of [[newsreel]]s and [[Promotion (marketing)|promotional material]] for theaters.<ref name="Eagan">{{Harvp|Eagan|2010|p=543–544}}</ref><ref name="Valentine">{{cite book|last=Valentine |first=Maggie |title=The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee |publisher=[[Yale University Press]] |year=1996 |isbn=0300066473 |url=https://books.google.com/books?id=ZZ3UNjXdYvoC}}</ref> The film is technically known as a snipe, which is defined as material displayed on a [[projection screen]] without being part of the [[feature film|featured presentation]]. This includes [[advertising]] material, [[Trailer (promotion)|previews of coming attractions]], courtesy requests for the audience, and notices concerning the [[concession stand]] of the [[movie theater]].<ref name="Eagan" /> By the 1950s, the sales of the concession stands represented a significant portion of movie theaters' [[revenue]]. Filmack commissioned a series of [[Technicolor]] trailers aimed at informing audiences about a theater's newly installed concession stand.<ref name="Eagan"/><ref name="Valentine"/>{{rp|137}} ''Let's All Go to the Lobby'' was one of these films.<ref name="Eagan"/>
The [[Chicago]]-based Filmack Studios, originally known as Filmack Trailer Company, was founded in 1919 by Irving Mack. The company specialized in the production of [[snipe (theatrical)|snipe]]s, an industry term for filmed [[newsreel]]s, [[Promotion (marketing)|promotional material]], [[advertising|advertisements]], [[Trailer (promotion)|previews of coming attractions]], courtesy requests for the audience, and notices concerning the [[concession stand]] of the [[movie theater]].<ref name="Eagan2010" /> In 1951, the sales of concession stands represented approximately 20% of movie theaters' [[movie theater#Revenue|revenue]].<ref name="Valentine1996"/>{{efn|Concession stands had a growing importance for American movie theatres, representing 20% of revenue in 1951 and 80% in 1989.<ref name="Valentine1996" />}} Filmack commissioned a series of [[Technicolor]] trailers aimed at informing audiences about a theater's newly installed concession stand. ''Let's All Go to the Lobby'' was one of these films.<ref name="Eagan2010"/>


The lyrics of the song featured in ''Let's All Go to the Lobby'' were written by Jack Tillar.<ref name="Komorowski" /> [[Dave Fleischer]] is identified as the creator of the advertisement in a catalog of Filmack's releases, which reported that "trailers were produced exclusively for Filmack by Dave Fleischer". Specific details of Fleischer's involvement are lacking, and the original production records are considered lost; other production crew are unknown.<ref name="Eagan2010" /> Production may have started by 1953,<ref>Inspiration - Filmack Catalog. February, 1954. Volume 15, Issue 2. Page 10.</ref><ref name="Eagan2010" /> but Robbie Mack (a later owner of Filmack) estimates that it was completed {{circa|1955}}. The release date is typically estimated to be 1957. Filmack still owns the rights to the advertisement and licenses its use by various theater owners.<ref name="Eagan2010" />
The trailer was animated by [[Dave Fleischer]] and produced by Filmack Studios. Fleischer was identified as the creator of this short film in a list of Filmack's releases which reported that "Both trailers were produced exclusively for Filmack by Dave Fleischer..."


==Legacy==
Specific details for his involvement are lacking, and the rest of the production crew remains unknown.<ref name="Eagan" /><ref name="Valentine" /> Production may have started by 1953,<ref>Inspiration - Filmack Catalog. February, 1954. Volume 15, Issue 2. Page 10.</ref> but Robbie Mack (a later owner of Filmack) estimates it was completed {{circa|1955}}. The release date is typically estimated to 1957. The original production records are considered lost.<ref name="Eagan" /> Filmack sold to various theater owners the right to use the film, which it still owns.<ref name="Eagan" />
Filmack has continued selling copies of ''Let's All Go to the Lobby'' in the decades since its production. The company estimates that 80% of independent theaters in the United States have screened the film,<ref name="Eagan2010"/> and Eagan has said that it is likely the most-viewed snipe.<ref name="Owens2017"/> In 2000, ''Let's All Go to the Lobby'' was selected for preservation in the [[National Film Registry]] by the US [[Library of Congress]] as being "culturally, historically, or aesthetically significant".<ref name="LOCregistry" /><ref name="LOC2000" /><ref name="CinemaJournal" />


The animation historian Thad Komorowski has stated that while the animation was "downright primitive" by the standards of the 1950s, it "outlast[ed] any other trailer of its kind".<ref name="Komorowski"/> John Owens of ''[[The Chicago Tribune]]'' called it "one of the most iconic movies in American cinema history".<ref name="Owens2017" /> Eagan, who wrote a comprehensive guide to National Film Registry titles, called it "a cultural touchstone" and an inherent part of the American theater experience of the 1950s and 1960s.<ref name="Owens2017" />
The lyrics were written by Jack Tillar.<ref name="Komorowski">{{cite web|title=Let's All Go to the Lobby|url=https://www.loc.gov/enwiki/static/programs/national-film-preservation-board/documents/lobby.pdf|last=Komorowski|first=Thad|publisher=Library of Congress|location=Washington, DC |url-status=live|archive-url=https://web.archive.org/web/20190712185843/http://www.loc.gov/enwiki/static/programs/national-film-preservation-board/documents/lobby.pdf|archive-date=July 12, 2019|access-date=May 12, 2020|quote="For one of the more iconic shorts in the National Film Registry, Technicolor Refreshment Trailer No. 1, better known as ''Let's All Go to the Lobby'', easily has one of the murkiest histories."}}</ref>


=== In popular culture ===
=== In popular culture ===
<!--Please do not add unsourced material.-->
The clip of the singing concessions has frequently been parodied in advertisements of the 2000s. These include a 2006 spot for [[Chipotle Mexican Grill]] where a burrito attempts to join the characters,<ref>{{cite web|title=Burritos: You can't take them anywhere|url=https://www.adweek.com/creativity/burritos-you-can-t-take-them-anywhere-18633/|last=Nudd|first=Tim|date=July 26, 2006|website=[[Adweek]]|archive-url=https://web.archive.org/web/20181219185930/https://www.adweek.com/adfreak/burritos-you-can-t-take-them-anywhere-18633/|archive-date=December 19, 2018}}</ref> a 2011 spot for the [[Tribeca Film Festival]] where the characters are mobsters voiced by the cast of ''[[The Sopranos]]'',<ref>{{cite web|title=Concessions Get Wise in Tribeca Film Festival Spot|url=http://www.adweek.com/adfreak/concessions-get-wise-tribeca-film-festival-spot-130777|last=Nudd|first=Tim|date=April 19, 2011|website=[[Adweek]]|archive-url=https://web.archive.org/web/20131007172035/http://www.adweek.com/adfreak/concessions-get-wise-tribeca-film-festival-spot-130777|archive-date=October 7, 2013}}</ref> and a 2013 [[GEICO]] commercial where the characters are chided for speaking on their cell phones.<ref>{{cite web|title='Let's All Go to the Lobby': SVA Faculty Members Recast the GEICO Gecko|url=http://blog.sva.edu/2013/10/lets-all-go-to-the-lobby-sva-faculty-members-recast-the-geico-gecko/|date=2013-10-30|website=[[School of Visual Arts]] Close Up|location=Manhattan, New York|archive-url=https://web.archive.org/web/20131104153349/http://blog.sva.edu/2013/10/lets-all-go-to-the-lobby-sva-faculty-members-recast-the-geico-gecko/|archive-date=2013-11-04|access-date=2017-01-15}}</ref><ref>{{cite web|title=Ad of the Day: Geico's Camel is Back, and Obsessed With a Different Day|url=http://www.adweek.com/news/advertising-branding/ad-day-geicos-camel-back-and-obsessed-different-day-152842|author=<!--staff writers only, no by-line-->|date=October 2, 2013|website=[[Adweek]]|archive-url=https://web.archive.org/web/20131005193005/http://www.adweek.com/news/advertising-branding/ad-day-geicos-camel-back-and-obsessed-different-day-152842|archive-date=October 5, 2013}}</ref> It has also been spoofed in popular entertainment including ''[[Late Show with David Letterman]]'', ''[[2 Stupid Dogs]]'', ''[[The Simpsons]]'',<ref name="Owens2013">{{Cite news|title=Timeless 'Let's All Go to the Lobby' has deep local roots|url=https://www.chicagotribune.com/entertainment/movies/ct-mov-0125-filmack-snipes-20130125-story.html|last=Owens|first=John|work=[[Chicago Tribune]]|date=2013-01-24|access-date=2020-05-13}}</ref> ''[[The Lego Movie 2: The Second Part]]'',<ref>{{cite web|title=Kaplan Vs Kaplan Movie Reviews of the Lego Movie 2: The Second Part|url=https://wehotimes.com/kaplan-vs-kaplan-movie-reviews-of-the-lego-movie-2-the-second-part/|last1=Kaplan|first1=Jeanne|last2=Kaplan|first2=David|date=February 9, 2019|work=Weho Times|publisher=Murillo Media|location=West Hollywood, California|access-date=May 12, 2020}}</ref> and the [[Adult Swim]] film ''[[Aqua Teen Hunger Force Colon Movie Film for Theaters]]''. It also appears in fictional depictions of theaters.<ref>{{cite web|title='Let's All Go to the Lobby' Tells the History of the Movie Theater Experience|url=https://filmschoolrejects.com/lets-all-go-to-lobby-history/|last=Kuvinacanek|first=Emily|date=June 20, 2017|work=[[Film School Rejects]]|access-date=May 11, 2020}}</ref> [[Lionsgate]] produced a quarantine-themed version of the snipe to accompany special presentations of films streamed online during the [[COVID-19 pandemic]].<ref>{{Cite web|title=Not even the coronavirus puts Baby in the corner|url=https://www.latimes.com/entertainment-arts/movies/story/2020-04-21/movie-screenings-raise-funds-for-theater-workers|date=2020-04-21|website=Los Angeles Times|language=en-US|access-date=2020-05-13}}</ref>
''Let's All Go to the Lobby''{{'}}s scene of singing concessions has been frequently parodied in advertisements of the 2000s. These include a 2006 spot for [[Chipotle Mexican Grill]] where a burrito attempts to join the characters,<ref name="Adweek2006" /> a 2011 spot for the [[Tribeca Film Festival]] where the characters are mobsters voiced by the cast of ''[[The Sopranos]]'',<ref name="Adweek2011" /> and a 2013 [[GEICO]] commercial where the characters are chided for speaking on their cell phones.<ref name="Adweek2013" /><ref name="SVA2013" /> It has also been spoofed in popular entertainment including the ''[[Late Show with David Letterman]]'', ''[[The Simpsons]]'',<ref name="Owens2017" /> ''[[Family Guy]]'', <!-- episode: "Once Bitten (season 13) --> and ''[[The Lego Movie 2: The Second Part]]'',<ref name="Kaplan2013" /> and appears in fictional depictions of theaters.<ref name="Kubincanek2017" /> [[Lionsgate]] produced a quarantine-themed version of the snipe to accompany special presentations of films streamed online during the [[COVID-19 pandemic]].<ref name="LATimes2020" />
<!--Please do not add unsourced material.-->


==Footnotes==
==Footnotes==
===Notes===
===Notes===


{{notelist|refs=
{{notelist}}


===References===
{{efn|name=barorgum|The left-most refreshment is a rectangular wrapped package described by the [[National Film Preservation Board]] and Eagan as chewing gum,<ref name="LOCdescriptions">{{cite web|url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/descriptions-and-essays/?loclr=twnav%20Library%20of%20Congress| title=Brief Descriptions and Expanded Essays of National Film Registry Titles |website=[[Library of Congress]] |location=Washington, DC|access-date=2020-05-23}}</ref><ref name="Eagan"/> and by the ''[[Chicago Tribune]]'' as a candy bar.<ref name="Owens2013"/>}}
{{reflist |refs=


<ref name="Komorowski">{{cite web
}}
|title=Let's All Go to the Lobby|url=https://www.loc.gov/enwiki/static/programs/national-film-preservation-board/documents/lobby.pdf
|last=Komorowski
|first=Thad
|publisher=Library of Congress
|location=Washington, DC
|url-status=live
|archive-url=https://web.archive.org/web/20190712185843/http://www.loc.gov/enwiki/static/programs/national-film-preservation-board/documents/lobby.pdf
|archive-date=July 12, 2019
|access-date=May 12, 2020
}}</ref>


<ref name="Kubincanek2017">{{cite web
===References===
|last1=Kubincanek
{{reflist}}
|first1=Emily
|title='Let's All Go to the Lobby' Tells the History of the Movie Theater Experience
|url=https://filmschoolrejects.com/lets-all-go-to-lobby-history/
|website=Film School Rejects
|access-date=July 10, 2020
|date=June 20, 2017
|archive-date=November 12, 2020
|archive-url=https://web.archive.org/web/20201112020933/https://filmschoolrejects.com/lets-all-go-to-lobby-history/
|url-status=live
}}</ref>


<ref name="Eagan2010">{{cite book
===Sources===
|last=Eagan
* {{cite book|last=Eagan|first=Daniel|title=America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry|chapter=Let's All Go to the Lobby|pages=543–544|year=2010|publisher=[[Continuum International Publishing Group]]|isbn=978-0-8264-2977-3|chapter-url=https://books.google.com/books?id=deq3xI8OmCkC&pg=PA543}}
|first=Daniel
|title=America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry
|chapter=Let's All Go to the Lobby
|pages=543–544
|year=2010|publisher=[[Continuum International Publishing Group]]
|isbn=978-0-8264-2977-3
|chapter-url=https://books.google.com/books?id=deq3xI8OmCkC&pg=PA543
}}</ref>

<ref name="LOCregistry">{{Cite web
|title=Complete National Film Registry Listing
|url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/
|website=Library of Congress
|location=Washington, DC
|url-status=live
|archive-url=https://web.archive.org/web/20160507094100/https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/
|archive-date=2016-05-07
|access-date=2020-05-04}}</ref>

<ref name="LOC2000">{{Cite web
|title=Librarian of Congress Names 25 More Films to National Film Registry
|url=https://www.loc.gov/item/prn-00-200/librarian-of-congress-names-25-more-films-to-national-film-registry/2000-12-27/
|date=27 December 2000
|website=Library of Congress
|location=Washington, DC
|url-status=live
|archive-url=https://web.archive.org/web/20190403175921/https://www.loc.gov/item/prn-00-200/librarian-of-congress-names-25-more-films-to-national-film-registry/2000-12-27/
|archive-date=2019-04-03
|access-date=2020-05-04
}}</ref>

<ref name="LOCdescriptions">{{cite web
|url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/descriptions-and-essays/?loclr=twnav%20Library%20of%20Congress
|title=Brief Descriptions and Expanded Essays of National Film Registry Titles
|website=[[Library of Congress]]
|location=Washington, DC
|access-date=2020-05-23
|archive-date=April 28, 2021
|archive-url=https://web.archive.org/web/20210428101524/https://www.loc.gov/programs/national-film-preservation-board/film-registry/descriptions-and-essays/?loclr=twnav+Library+of+Congress
|url-status=live
}}</ref>

<ref name="CinemaJournal">{{cite journal
|first1=Eric
|last1=Schaefer
|first2=Dan
|last2=Streible
|title=Archival News
|journal=[[Cinema Journal]]
|date=Summer 2001
|volume=40
|number=4
|page=105
|publisher=[[University of Texas Press]] for [[Society for Cinema and Media Studies]]
|jstor=1225872
}}</ref>

<ref name="Valentine1996">{{cite book
|last=Valentine
|first=Maggie
|title=The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee
|publisher=[[Yale University Press]]
|page=176 <!--page 95 in Google preview-->
|year=1996
|isbn=0300066473
|url=https://books.google.com/books?id=ZZ3UNjXdYvoC
}}</ref>

<ref name="Owens2017">{{cite news
|title=Timeless 'Let's All Go to the Lobby' has deep local roots
|first=John
|last=Owens
|date=19 November 2017
|work=[[The Chicago Tribune]]
|publisher=[[Tribune Publishing]]
|access-date=May 13, 2020
|url=https://www.chicagotribune.com/entertainment/movies/ct-mov-0125-filmack-snipes-20130125-story.html
|archive-date=December 3, 2020
|archive-url=https://web.archive.org/web/20201203174836/https://www.chicagotribune.com/entertainment/movies/ct-mov-0125-filmack-snipes-20130125-story.html
|url-status=live
}}</ref>

<ref name="Adweek2006">{{cite web
|title=Burritos: You can't take them anywhere
|url=https://www.adweek.com/creativity/burritos-you-can-t-take-them-anywhere-18633/
|last=Nudd
|first=Tim
|date=July 26, 2006
|website=[[Adweek]]
|archive-url=https://web.archive.org/web/20181219185930/https://www.adweek.com/adfreak/burritos-you-can-t-take-them-anywhere-18633/
|archive-date=December 19, 2018
}}</ref>

<ref name="Adweek2011">{{cite web
|title=Concessions Get Wise in Tribeca Film Festival Spot
|url=http://www.adweek.com/adfreak/concessions-get-wise-tribeca-film-festival-spot-130777
|last=Nudd
|first=Tim
|date=April 19, 2011
|website=[[Adweek]]
|archive-url=https://web.archive.org/web/20131007172035/http://www.adweek.com/adfreak/concessions-get-wise-tribeca-film-festival-spot-130777
|archive-date=October 7, 2013
}}</ref>

<ref name="Adweek2013">{{cite web
|title=Ad of the Day: Geico's Camel is Back, and Obsessed With a Different Day
|url=http://www.adweek.com/news/advertising-branding/ad-day-geicos-camel-back-and-obsessed-different-day-152842
|author=<!--staff writers only, no by-line-->
|date=October 2, 2013
|website=[[Adweek]]
|archive-url=https://web.archive.org/web/20131005193005/http://www.adweek.com/news/advertising-branding/ad-day-geicos-camel-back-and-obsessed-different-day-152842
|archive-date=October 5, 2013
}}</ref>

<ref name="SVA2013">{{cite web
|title='Let's All Go to the Lobby': SVA Faculty Members Recast the GEICO Gecko
|url=http://blog.sva.edu/2013/10/lets-all-go-to-the-lobby-sva-faculty-members-recast-the-geico-gecko/
|date=2013-10-30
|website=[[School of Visual Arts]] Close Up
|location=Manhattan, New York
|archive-url=https://web.archive.org/web/20131104153349/http://blog.sva.edu/2013/10/lets-all-go-to-the-lobby-sva-faculty-members-recast-the-geico-gecko/
|archive-date=2013-11-04
|access-date=2017-01-15
}}</ref>

<ref name="Kaplan2013">{{cite web
|title=Kaplan Vs Kaplan Movie Reviews of the Lego Movie 2: The Second Part
|url=https://wehotimes.com/kaplan-vs-kaplan-movie-reviews-of-the-lego-movie-2-the-second-part/
|last1=Kaplan
|first1=Jeanne
|last2=Kaplan
|first2=David
|date=February 9, 2019
|work=Weho Times
|publisher=Murillo Media
|location=West Hollywood, California
|access-date=May 12, 2020
|archive-date=March 31, 2019
|archive-url=https://web.archive.org/web/20190331181405/https://wehotimes.com/kaplan-vs-kaplan-movie-reviews-of-the-lego-movie-2-the-second-part/
|url-status=live
}}</ref>

<ref name="LATimes2020">{{Cite web
|title=Not even the coronavirus puts Baby in the corner
|url=https://www.latimes.com/entertainment-arts/movies/story/2020-04-21/movie-screenings-raise-funds-for-theater-workers
|date=2020-04-21
|website=Los Angeles Times
|language=en-US
|access-date=2020-05-13
|archive-date=December 7, 2020
|archive-url=https://web.archive.org/web/20201207230011/https://www.latimes.com/entertainment-arts/movies/story/2020-04-21/movie-screenings-raise-funds-for-theater-workers
|url-status=live
}}</ref>

}}


==External links==
==External links==
*{{Vimeo|434148552|35mm "Let's all go to the Lobby" Theater Snipe}}
*[https://www.loc.gov/enwiki/static/programs/national-film-preservation-board/documents/lobby.pdf ''Let's All Go to the Lobby''] essay by animation historian Thad Komorowski on the [[National Film Registry]] website
*[http://www.filmack.com/products/ClassicLobbyA.htm ''Let's All Go to the Lobby''] at Filmack
*[http://www.filmack.com/products/ClassicLobbyA.htm ''Let's All Go to the Lobby''] at Filmack
*{{IMDb title|id=0272170|title=Let's All Go to the Lobby}}
*{{IMDb title|id=0272170|title=Let's All Go to the Lobby}}
Line 63: Line 239:
{{DEFAULTSORT:Let's All Go To The Lobby}}
{{DEFAULTSORT:Let's All Go To The Lobby}}
[[Category:1957 films]]
[[Category:1957 films]]
[[Category:1957 animated films]]
[[Category:1957 animated short films]]
[[Category:1957 short films]]
[[Category:1950s American animated films]]
[[Category:1950s American animated films]]
[[Category:1950s animated short films]]
[[Category:United States National Film Registry films]]
[[Category:United States National Film Registry films]]
[[Category:Films set in a movie theatre]]
[[Category:Films set in a movie theatre]]
Line 72: Line 246:
[[Category:Short films directed by Dave Fleischer]]
[[Category:Short films directed by Dave Fleischer]]
[[Category:Food advertising characters]]
[[Category:Food advertising characters]]
[[Category:1950s neologisms]]
[[Category:1957 quotations]]
[[Category:Quotations from film]]
[[Category:Quotations from film]]
[[Category:Quotations from music]]
[[Category:Quotations from music]]
Line 78: Line 252:
[[Category:American advertising slogans]]
[[Category:American advertising slogans]]
[[Category:1950s English-language films]]
[[Category:1950s English-language films]]
[[Category:English-language short films]]

Latest revision as of 23:36, 2 December 2024

Let's All Go to the Lobby
Four anthropomorphic snack food items are featured in the film.
Directed byDave Fleischer
Produced byFilmack
Release date
  • 1957 (1957)
Running time
1 minute
LanguageEnglish

Let's All Go to the Lobby (officially known as Technicolor Refreshment Trailer No. 1)[1] is an American animated musical advertisement that was produced in the mid-1950s for Filmack Studios. It was played in theaters before the beginning of the main film or before intermission, and features animated food items urging the audience to buy snacks sold in the theater lobby. It was directed by Dave Fleischer with lyrics by Jack Tillar.

Filmack has continued selling copies of Let's All Go to the Lobby in the decades since its production and estimates that 80% of independent domestic theaters have screened the advertisement. The film historian Daniel Eagan wrote that it is likely the most-viewed snipe and that it was ubiquitous to the American theater-going experience of the 1960s. The well-known scene of the animated concessions has frequently been parodied in popular culture. In 2000, Let's All Go to the Lobby was selected for preservation in the US National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[2][3]

Content

[edit]

Let's All Go to the Lobby consists of six shots. The most recognizable of these depicts four animated food items (from left to right: a candy bar,[a] popcorn, candy, and a soft drink) singing and walking leftwards. In the foreground before these characters are silhouettes of audience members, creating an illusion of depth, a standard technique of the medium. In a later shot, a group of four consumers are depicted enjoying their purchased food items.[5]

The eponymous song of the film is set to the same tune as "We Won't Be Home Until Morning", "The Bear Went Over the Mountain", "For He's a Jolly Good Fellow", and "Marlbrough s'en va-t-en guerre" (c. 1709). While the origins of the melody are lost, it was already well-enough known in the early 19th century to be used for a passage in Wellington's Victory (1813) by Ludwig van Beethoven.[5]

The film historian Daniel Eagan wrote that "[w]ith its simple, repetitive lyrics and streamlined animation, Let's All Go to the Lobby has a hypnotic pull that is as compelling today as it was fifty years ago." He also wrote that by choosing not to simply photograph the offered items, the creators of the advertisement avoided using brand names of the products for sale.[5]

Background and production

[edit]

The Chicago-based Filmack Studios, originally known as Filmack Trailer Company, was founded in 1919 by Irving Mack. The company specialized in the production of snipes, an industry term for filmed newsreels, promotional material, advertisements, previews of coming attractions, courtesy requests for the audience, and notices concerning the concession stand of the movie theater.[5] In 1951, the sales of concession stands represented approximately 20% of movie theaters' revenue.[7][b] Filmack commissioned a series of Technicolor trailers aimed at informing audiences about a theater's newly installed concession stand. Let's All Go to the Lobby was one of these films.[5]

The lyrics of the song featured in Let's All Go to the Lobby were written by Jack Tillar.[1] Dave Fleischer is identified as the creator of the advertisement in a catalog of Filmack's releases, which reported that "trailers were produced exclusively for Filmack by Dave Fleischer". Specific details of Fleischer's involvement are lacking, and the original production records are considered lost; other production crew are unknown.[5] Production may have started by 1953,[8][5] but Robbie Mack (a later owner of Filmack) estimates that it was completed c. 1955. The release date is typically estimated to be 1957. Filmack still owns the rights to the advertisement and licenses its use by various theater owners.[5]

Legacy

[edit]

Filmack has continued selling copies of Let's All Go to the Lobby in the decades since its production. The company estimates that 80% of independent theaters in the United States have screened the film,[5] and Eagan has said that it is likely the most-viewed snipe.[6] In 2000, Let's All Go to the Lobby was selected for preservation in the National Film Registry by the US Library of Congress as being "culturally, historically, or aesthetically significant".[2][3][9]

The animation historian Thad Komorowski has stated that while the animation was "downright primitive" by the standards of the 1950s, it "outlast[ed] any other trailer of its kind".[1] John Owens of The Chicago Tribune called it "one of the most iconic movies in American cinema history".[6] Eagan, who wrote a comprehensive guide to National Film Registry titles, called it "a cultural touchstone" and an inherent part of the American theater experience of the 1950s and 1960s.[6]

[edit]

Let's All Go to the Lobby's scene of singing concessions has been frequently parodied in advertisements of the 2000s. These include a 2006 spot for Chipotle Mexican Grill where a burrito attempts to join the characters,[10] a 2011 spot for the Tribeca Film Festival where the characters are mobsters voiced by the cast of The Sopranos,[11] and a 2013 GEICO commercial where the characters are chided for speaking on their cell phones.[12][13] It has also been spoofed in popular entertainment including the Late Show with David Letterman, The Simpsons,[6] Family Guy, and The Lego Movie 2: The Second Part,[14] and appears in fictional depictions of theaters.[15] Lionsgate produced a quarantine-themed version of the snipe to accompany special presentations of films streamed online during the COVID-19 pandemic.[16]

Footnotes

[edit]

Notes

[edit]
  1. ^ The left-most refreshment is a rectangular wrapped package described by the National Film Preservation Board and Eagan as chewing gum,[4][5] and by the Chicago Tribune as a candy bar.[6]
  2. ^ Concession stands had a growing importance for American movie theatres, representing 20% of revenue in 1951 and 80% in 1989.[7]

References

[edit]
  1. ^ a b c Komorowski, Thad. "Let's All Go to the Lobby" (PDF). Washington, DC: Library of Congress. Archived (PDF) from the original on July 12, 2019. Retrieved May 12, 2020.
  2. ^ a b "Complete National Film Registry Listing". Library of Congress. Washington, DC. Archived from the original on May 7, 2016. Retrieved May 4, 2020.
  3. ^ a b "Librarian of Congress Names 25 More Films to National Film Registry". Library of Congress. Washington, DC. December 27, 2000. Archived from the original on April 3, 2019. Retrieved May 4, 2020.
  4. ^ "Brief Descriptions and Expanded Essays of National Film Registry Titles". Library of Congress. Washington, DC. Archived from the original on April 28, 2021. Retrieved May 23, 2020.
  5. ^ a b c d e f g h i j Eagan, Daniel (2010). "Let's All Go to the Lobby". America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. Continuum International Publishing Group. pp. 543–544. ISBN 978-0-8264-2977-3.
  6. ^ a b c d e Owens, John (November 19, 2017). "Timeless 'Let's All Go to the Lobby' has deep local roots". The Chicago Tribune. Tribune Publishing. Archived from the original on December 3, 2020. Retrieved May 13, 2020.
  7. ^ a b Valentine, Maggie (1996). The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee. Yale University Press. p. 176. ISBN 0300066473.
  8. ^ Inspiration - Filmack Catalog. February, 1954. Volume 15, Issue 2. Page 10.
  9. ^ Schaefer, Eric; Streible, Dan (Summer 2001). "Archival News". Cinema Journal. 40 (4). University of Texas Press for Society for Cinema and Media Studies: 105. JSTOR 1225872.
  10. ^ Nudd, Tim (July 26, 2006). "Burritos: You can't take them anywhere". Adweek. Archived from the original on December 19, 2018.
  11. ^ Nudd, Tim (April 19, 2011). "Concessions Get Wise in Tribeca Film Festival Spot". Adweek. Archived from the original on October 7, 2013.
  12. ^ "Ad of the Day: Geico's Camel is Back, and Obsessed With a Different Day". Adweek. October 2, 2013. Archived from the original on October 5, 2013.
  13. ^ "'Let's All Go to the Lobby': SVA Faculty Members Recast the GEICO Gecko". School of Visual Arts Close Up. Manhattan, New York. October 30, 2013. Archived from the original on November 4, 2013. Retrieved January 15, 2017.
  14. ^ Kaplan, Jeanne; Kaplan, David (February 9, 2019). "Kaplan Vs Kaplan Movie Reviews of the Lego Movie 2: The Second Part". Weho Times. West Hollywood, California: Murillo Media. Archived from the original on March 31, 2019. Retrieved May 12, 2020.
  15. ^ Kubincanek, Emily (June 20, 2017). "'Let's All Go to the Lobby' Tells the History of the Movie Theater Experience". Film School Rejects. Archived from the original on November 12, 2020. Retrieved July 10, 2020.
  16. ^ "Not even the coronavirus puts Baby in the corner". Los Angeles Times. April 21, 2020. Archived from the original on December 7, 2020. Retrieved May 13, 2020.
[edit]
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Let%27s_All_Go_to_the_Lobby&oldid=1260855824"