Jump to content

Elegantly Wasted: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
BASS79 (talk | contribs)
399 edits
No edit summary
Tags: Visual edit Mobile edit Mobile web edit
 
(132 intermediate revisions by 19 users not shown)
Line 44: Line 44:


==Background==
==Background==
In June 1994, INXS ended their [[United States|US]] contract with [[Atlantic Records]], and signed a new worldwide record deal with [[PolyGram]]/[[Mercury Records]];<ref>{{cite magazine |first=Chuck|last=Taylor|url=https://books.google.com/books?id=aA4EAAAAMBAJ&q=inxs+elegantly+wasted+album+sales+billboard&pg=PA20 |title=Mercury's INXS 'Elegantly' Returns From Its Time Off |magazine=Billboard |date=15 March 1997|access-date=2 July 2016}}</ref> however, the group agreed to release one final record through the Atlantic label - ''[[The Greatest Hits (INXS album)|The Greatest Hits]]''.<ref name="Allmusic Biography & History">[http://www.allmusic.com/artist/inxs-mn0000768321/biography "Allmusic | Biography & History - INXS"] Retrieved 21 November 2016</ref> Released several months later on 31 October, the compilation included two new songs: "[[The Strangest Party (These Are the Times)]]" and "Deliver Me".<ref>{{cite web|url=https://www.discogs.com/INXS-The-Greatest-Hits/release/1900600 |title=INXS – The Greatest Hits |publisher=Discogs |access-date=2 July 2017}}</ref>
In June 1994, INXS ended their [[United States|US]] contract with [[Atlantic Records]], and signed a new worldwide record deal with [[PolyGram]]/[[Mercury Records]];<ref>{{cite magazine |first=Chuck|last=Taylor|url=https://books.google.com/books?id=aA4EAAAAMBAJ&q=inxs+elegantly+wasted+album+sales+billboard&pg=PA20 |title=Mercury's INXS 'Elegantly' Returns From Its Time Off |magazine=Billboard |date=15 March 1997|access-date=2 July 2016}}</ref> however, the group agreed to release one final record through the Atlantic label - ''[[The Greatest Hits (INXS album)|The Greatest Hits]]''.<ref name="Allmusic Biography & History">{{cite web|url=http://www.allmusic.com/artist/inxs-mn0000768321/biography|title=INXS Songs, Albums, Reviews, Bio|publisher=[[AllMusic]]|access-date=18 August 2024}}</ref> Released several months later on 31 October, the compilation included two new songs: "[[The Strangest Party (These Are the Times)]]" and "Deliver Me".<ref>{{cite web|url=https://www.discogs.com/INXS-The-Greatest-Hits/release/1900600 |title=INXS – The Greatest Hits |publisher=Discogs |access-date=2 July 2017}}</ref>


After a long break, INXS reconvened in 1996 to record their tenth studio album, ''Elegantly Wasted'', their last with Hutchence. In 1995, Hutchence already began work on his [[Michael Hutchence (album)|self-titled]] solo album;<ref>{{cite web|url=http://www.michaelhutchence.com.au/home/projects/michael-hutchence-solo-album/ |title=''Michael Hutchence'' - Solo Album |publisher=Michael Hutchence: The Complete Official Website of Michael Hutchence|access-date=21 November 2016}}</ref> the project was put on hold until ''Elegantly Wasted'' was completed.<ref>{{cite web |first=Ned |last=Truslow |url=http://www.nedrock.org/elegantly-wasted-the-strange-demise-of-inxs-michael-hutchence/ |title=Elegantly Wasted: The Strange Demise of INXS' Michael Hutchence |publisher=Ned Rock |date=2 January 2015|access-date=21 November 2016}}</ref><ref>{{cite web|url=http://inxsweb.com/tribute/history.shtml |title=An Excess of INXS > Tribute > Album History |publisher=Inxsweb.com |access-date=21 November 2016}}</ref> In an interview with ''The Album Network'' magazine in March 1997, Hutchence said, "We really wanted to get off the old carousel for a while. As a band, we have recorded an album every twelve to eighteen months over the last five or six years. This helped to create a situation resulting in a lot of personal and business friction within the band, as well as the record label, at the time of the completion of our last studio album ''[[Full Moon, Dirty Hearts]]''. With the completion of the album, we also fulfilled our contract with Atlantic Records. So, it just seemed like the logical time to take a break".<ref>{{cite web |first=Michael D.|last=Vogel|url=http://www.vogelism.com/book/inxs-elegantly-wasted/ |title=INXS - Elegantly Wasted |work=Vogelism |publisher=The Album Network Magazine |date=7 March 1997|access-date=10 June 2016}}</ref>
After a long break, INXS reconvened in 1996 to record their tenth studio album, ''Elegantly Wasted'', their last with Hutchence. In 1995, Hutchence already began work on his [[Michael Hutchence (album)|self-titled]] solo album;<ref>{{cite web|url=http://www.michaelhutchence.com.au/home/projects/michael-hutchence-solo-album/ |title=''Michael Hutchence'' - Solo Album |publisher=Michael Hutchence: The Complete Official Website of Michael Hutchence|access-date=21 November 2016}}</ref> the project was put on hold until ''Elegantly Wasted'' was completed.<ref>{{cite web |first=Ned |last=Truslow |url=http://www.nedrock.org/elegantly-wasted-the-strange-demise-of-inxs-michael-hutchence/ |title=Elegantly Wasted: The Strange Demise of INXS' Michael Hutchence |publisher=Ned Rock |date=2 January 2015|access-date=21 November 2016}}</ref><ref>{{cite web|url=http://inxsweb.com/tribute/history.shtml |title=An Excess of INXS > Tribute > Album History |publisher=Inxsweb.com |access-date=21 November 2016}}</ref> In an interview with ''The Album Network'' magazine in March 1997, Hutchence said, "We really wanted to get off the old carousel for a while. As a band, we have recorded an album every twelve to eighteen months over the last five or six years. This helped to create a situation resulting in a lot of personal and business friction within the band, as well as the record label, at the time of the completion of our last studio album ''[[Full Moon, Dirty Hearts]]''. With the completion of the album, we also fulfilled our contract with Atlantic Records. So, it just seemed like the logical time to take a break".<ref>{{cite web |first=Michael D.|last=Vogel|url=http://www.vogelism.com/book/inxs-elegantly-wasted/ |title=INXS - Elegantly Wasted |work=Vogelism |publisher=The Album Network Magazine |date=7 March 1997|access-date=10 June 2016}}</ref>
Line 51: Line 51:


==Recording and production==
==Recording and production==
With both Hutchence and Farriss living in London, the songwriting duo first started talking about a new record over the phone.<ref name="Interview">Michael Hutchence and Andrew Farriss 1997 TV Interview. Retrieved 6 February 2017</ref> After spending months talking about new ideas, the pair finally got together, and began working on new material.<ref name="Interview"/> Using [[Multitrack recording|24-track reels]] and [[ADAT]] (Alesis Digital Audio Tape) recorders, the pair put together a handful of demo tapes,<ref name="soundonsound.com">[https://web.archive.org/web/20150607055936/http://www.soundonsound.com/sos/1997_articles/apr97/brucefairbairn.html "BRUCE FAIRBAIRN: Recording INXS's Elegantly Wasted – INITIAL XS"]. ''Sound on Sound'' (April 1997). Retrieved 7 February 2016</ref> which included an early version of the song "[[Searching (INXS song)|Searching]]". The remaining members of INXS flew out to meet Hutchence and Farriss in London.<ref name="INXSEverything2.com"/> When the entire group got together, they began rehearsing the material that had been previously recorded by Hutchence and Farriss. The rehearsals began in April 1996.<ref name="INXS Archives"/> While visiting friends [[Bono]] and [[Larry Mullen Jr.]] from [[U2]] in [[Dublin]] during mid-1996, Hutchence and Farriss rented a small studio where they continued working on the album.<ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page = [https://archive.org/details/inxsstorytostory00inxs/page/252 252]| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2 }} Retrieved 24 May 2017</ref> They put the finishing touches on the existing demo tapes, as well as compose new recordings.<ref name="soundonsound.com"/><ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page = [https://archive.org/details/inxsstorytostory00inxs/page/253 253]| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2 }} Retrieved 24 May 2017</ref> One of the first songs to be completed during these sessions was "Searching". The band first previewed the song live at the Australian [[ARIA Music Awards]] in September 1996.<ref name="INXS Archives2">{{cite web|url=http://inxsweb.com/news/archives/1996/1996_09.shtml |title=An Excess of INXS > News > Archives – September 1996 |publisher=Inxsweb.com |access-date=21 May 2016}}</ref>
With both Michael Hutchence and Andrew Farriss living in London, the songwriting duo first started talking about a new record over the phone.<ref name="Interview">Michael Hutchence and Andrew Farriss 1997 TV Interview. Retrieved 6 February 2017</ref> After spending months talking about new ideas, the pair finally got together, and began working on new material.<ref name="Interview"/> Using [[Multitrack recording|24-track reels]] and [[ADAT]] (Alesis Digital Audio Tape) recorders, the pair put together a handful of demo tapes,<ref name="soundonsound.com">{{cite web|url=http://www.soundonsound.com/sos/1997_articles/apr97/brucefairbairn.html|archive-url=https://web.archive.org/web/20150607055936/http://www.soundonsound.com/sos/1997_articles/apr97/brucefairbairn.html|title=Bruce Fairbairn: Recording INXS's Elegantly Wasted|work=[[Sound on Sound]]|date=1 April 1997|archive-date=7 June 2015|access-date=18 August 2024}}</ref> which included an early version of the song "[[Searching (INXS song)|Searching]]". The remaining members of INXS flew out to meet Hutchence and Farriss in London.<ref name="INXSEverything2.com"/> When the entire group got together, they began rehearsing the material that had been previously recorded by Hutchence and Farriss. The rehearsals began in April 1996.<ref name="INXS Archives"/> While visiting friends [[Bono]] and [[Larry Mullen Jr.]] from [[U2]] in [[Dublin]] during mid-1996, Hutchence and Farriss rented a small studio where they continued working on the album.<ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page = 252| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2|access-date=18 August 2024}}</ref> They put the finishing touches on the existing demo tapes, as well as compose new recordings.<ref name="soundonsound.com"/><ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page = 253| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2 |access-date=18 August 2024}}</ref> One of the first songs to be completed during these sessions was "Searching". The band first previewed the song live at the Australian [[ARIA Music Awards]] in September 1996.<ref name="INXS Archives2">{{cite web|url=http://inxsweb.com/news/archives/1996/1996_09.shtml |title=An Excess of INXS > News > Archives – September 1996 |publisher=Inxsweb.com |access-date=21 May 2016}}</ref>


Before meeting with Fairbairn, the band sent him all the material they had been working on.<ref name="soundonsound.com"/> Fairbairn had just finished working with Irish rock band, [[The Cranberries]].<ref>{{cite web |first=James|last=Stafford|url=http://diffuser.fm/cranberries-faithful-departed-anniversary/ |title=20 Years Ago: The Cranberries release their third album 'To the Faithful Departed'|publisher=Diffuser.fm |date=29 April 2016|access-date=12 June 2016}}</ref> Upon receiving the material Fairbairn commented, "I was impressed with the feel and the different sounds that they'd been using." He added, "I actually ended up suggesting that we might want to save some of the stuff on the demos – because the chances were that when we were back in the studio we wouldn't be able to recreate that vibe".<ref name="soundonsound.com"/> After listening to the material, Fairbairn flew to London to meet with the band.<ref name="soundonsound.com"/> He spent a few afternoons with Hutchence and Farriss discussing the project.<ref name="soundonsound.com"/> A date was set for production at Fairbairn's own recording studio in Vancouver, with both himself and Farriss producing.<ref name="linernotes"/> When later asked about his role in the production of ''Elegantly Wasted'', Fairbairn said, "Well, I didn't really co-produce with the band, but the record was produced with Andrew Farriss. Andrew was certainly a player at the demo stage, and as we ended up keeping some of the stuff on the demos I felt that it was fair to recognise his contribution in some way".<ref name="soundonsound.com"/>
Before meeting with Fairbairn, the band sent him all the material they had been working on.<ref name="soundonsound.com"/> Fairbairn had just finished working with Irish rock band, [[The Cranberries]].<ref>{{cite web |first=James|last=Stafford|url=http://diffuser.fm/cranberries-faithful-departed-anniversary/ |title=20 Years Ago: The Cranberries release their third album 'To the Faithful Departed'|publisher=Diffuser.fm |date=29 April 2016|access-date=12 June 2016}}</ref> Upon receiving the material Fairbairn commented, "I was impressed with the feel and the different sounds that they'd been using." He added, "I actually ended up suggesting that we might want to save some of the stuff on the demos – because the chances were that when we were back in the studio we wouldn't be able to recreate that vibe".<ref name="soundonsound.com"/> After listening to the material, Fairbairn flew to London to meet with the band.<ref name="soundonsound.com"/> He spent a few afternoons with Hutchence and Farriss discussing the project.<ref name="soundonsound.com"/> A date was set for production at Fairbairn's own recording studio in Vancouver, with both himself and Farriss producing.<ref name="linernotes"/> When later asked about his role in the production of ''Elegantly Wasted'', Fairbairn said, "Well, I didn't really co-produce with the band, but the record was produced with Andrew Farriss. Andrew was certainly a player at the demo stage, and as we ended up keeping some of the stuff on the demos I felt that it was fair to recognise his contribution in some way".<ref name="soundonsound.com"/>


The band first arrived at the Armoury studio in Vancouver in late April 1996 to begin the recording sessions.<ref name="INXS Archives"/> Most of the demos that were brought out to Vancouver had to be reorganised, taking out and discarding certain parts, as well as adding in new drum beats and bass lines.<ref name="soundonsound.com"/> Some members of the band had to provide [[overdubbing]] on the existing demos, including Hutchence who recorded new overdubs on the vocals.<ref name="soundonsound.com"/> Most of the album was recorded digitally;<ref name="soundonsound.com"/> the drums, bass and guitar on the tracks "Girl on Fire", "We Are Thrown Together" and "Bang the Drum"
The band first arrived at the Armoury studio in Vancouver in late April 1996 to begin the recording sessions.<ref name="INXS Archives"/> Most of the demos that were brought out to Vancouver had to be reorganised, taking out and discarding certain parts, as well as adding in new drum beats and bass lines.<ref name="soundonsound.com"/> Some members of the band had to provide [[overdubbing]] on the existing demos, including Hutchence who recorded new overdubs on the vocals.<ref name="soundonsound.com"/> Most of the album was recorded digitally;<ref name="soundonsound.com"/> the drums, bass and guitar on the tracks "Girl on Fire", "We Are Thrown Together" and "Bang the Drum"
(dropped during production) were recorded using analogue equipment.<ref name="soundonsound.com"/> Farris and Hutchence finished the album later in 1996.<ref name="INXSEverything2.com"/> Additional musicians were brought in to provide backing vocals on "[[Don't Lose Your Head (INXS song)|Don't Lose Your Head]]", "Searching" and "I'm Just a Man".<ref name="soundonsound.com"/> After the sessions in Spain had wrapped, the recordings were returned to Vancouver, where engineer Mike Plotnikoff began the initial mixing,<ref name="soundonsound.com"/> before sending them to [[Townhouse Studios]] in London, where music producer [[Tom Lord-Alge]] carried out the bulk of the mixing.<ref name="soundonsound.com"/> Plotnikoff recalls, "I did a mix for him [Lord-Alge] beforehand in Vancouver so that he had a guideline as to roughly what we wanted".<ref name="soundonsound.com"/>
(dropped during production) were recorded using analogue equipment.<ref name="soundonsound.com"/> Farriss and Hutchence finished the album later in 1996.<ref name="INXSEverything2.com"/> Additional musicians were brought in to provide backing vocals on "[[Don't Lose Your Head (INXS song)|Don't Lose Your Head]]", "Searching" and "I'm Just a Man".<ref name="soundonsound.com"/> After the sessions in Spain had wrapped, the recordings were returned to Vancouver, where engineer Mike Plotnikoff began the initial mixing,<ref name="soundonsound.com"/> before sending them to [[Townhouse Studios]] in London, where music producer [[Tom Lord-Alge]] carried out the bulk of the mixing.<ref name="soundonsound.com"/> Plotnikoff recalls, "I did a mix for him [Lord-Alge] beforehand in Vancouver so that he had a guideline as to roughly what we wanted".<ref name="soundonsound.com"/>


==Tour==
==Tour==
INXS embarked on their 20th anniversary tour in support for ''Elegantly Wasted'', beginning with a string of warm-up dates in the US on 17 April 1997 at the [[Irving Plaza]] in [[New York City|New York]].<ref name="Setlist">[http://www.setlist.fm/setlist/inxs/1997/irving-plaza-new-york-ny-43da7767.html "INXS Setlist at Irving Plaza, New York, NY, USA"]. Retrieved 21 November 2016</ref><ref name="oocities.org">{{cite web|url=http://www.oocities.org/sunsetstrip/club/5415/index48.html |title= Elegantly Wasted - 1997 World Tour|publisher= oocities|access-date=25 March 2016}}</ref> During their time in New York, the band were asked to appear on numerous talk shows to perform the album's brand new single, "Elegantly Wasted", including the [[The Rosie O'Donnell Show|Rosie O'Donnell]] show on 16 April and the [[Late Show with David Letterman]] on 22 April. The group would play three more shows in cities across North America, finishing up at the [[Mayan Theater]] in [[Los Angeles]], [[California]] on 24 April.<ref name="oocities.org"/><ref>{{cite web |first=Sara |last=Scribner |url=http://articles.latimes.com/1997-04-26/entertainment/ca-52514_1_band-members |title=INXS' Passion Combines With Crowd's Affection at Mayan | work=Los Angeles Times|date=26 April 1997|access-date=21 November 2016}}</ref>
INXS embarked on their 20th anniversary tour in support for ''Elegantly Wasted'', beginning with a string of warm-up dates in the US on 17 April 1997 at the [[Irving Plaza]] in [[New York City|New York]].<ref name="Setlist">{{cite web|url=http://www.setlist.fm/setlist/inxs/1997/irving-plaza-new-york-ny-43da7767.html|title=INXS Setlist at Irving Plaza, New York, NY, USA|access-date=18 August 2024}}</ref><ref name="oocities.org">{{cite web|url=http://www.oocities.org/sunsetstrip/club/5415/index48.html |title= Elegantly Wasted - 1997 World Tour|publisher= oocities|access-date=25 March 2016}}</ref> During their time in New York, the band were asked to appear on numerous talk shows to perform the album's brand new single, "Elegantly Wasted", including the [[The Rosie O'Donnell Show|Rosie O'Donnell]] show on 16 April and the [[Late Show with David Letterman]] on 22 April. The group would play three more shows in cities across North America, finishing up at the [[Mayan Theater]] in [[Los Angeles]], [[California]] on 24 April.<ref name="oocities.org"/><ref>{{cite web |first=Sara |last=Scribner |url=https://www.latimes.com/archives/la-xpm-1997-04-26-ca-52514-story.html |title=INXS' Passion Combines With Crowd's Affection at Mayan | work=Los Angeles Times|date=26 April 1997|access-date=21 November 2016}}</ref>


The first leg of the international tour brought the band to [[South Africa]], their first and only tour of the country. A few days before playing their first show at the 3 Arts Theatre in [[Cape Town]] on 29 May,<ref name="oocities.org"/> the band was hurriedly asked by the producers of ''[[Face/Off]]'' to shoot a music video for the album's third single, "Don't Lose Your Head".<ref>E! News – Michael Hutchence Interview, 1997. Retrieved 21 November 2016</ref> The video was shot by long-time collaborator and friend [[Nick Egan]], inside a large plane hangar on an airstrip located in Cape Town. After playing a show in [[Durban]],<ref name="oocities.org"/> the group travelled up to [[City of Johannesburg Metropolitan Municipality|Johannesburg]] to play three shows at the [[Ellis Park Arena]] (formerly known as the Standard Bank Arena) beginning on 3 June and finishing on 5 June.<ref name="oocities.org"/> The tour continued across Europe where the band played various arenas and festivals beginning 9 June at the [[Barrowland Ballroom|Barrowland ballroom]] in [[Glasgow]], [[Scotland]],<ref name="oocities.org"/> and ending on 5 July at the [[Midtfyns Festival]] in [[Ringe, Denmark|Ringe]], [[Denmark]].<ref name="oocities.org"/>
The first leg of the international tour brought the band to [[South Africa]], their first and only tour of the country. A few days before playing their first show at the 3 Arts Theatre in [[Cape Town]] on 29 May,<ref name="oocities.org"/> the band was hurriedly asked by the producers of ''[[Face/Off]]'' to shoot a music video for the album's third single, "Don't Lose Your Head".<ref>{{cite web|url=https://www.dailymotion.com/video/x2u5drw|title=E! News – Michael Hutchence Interview, 1997|website=[[DailyMotion]]|year=1997|access-date=18 August 2024}}</ref> The video was shot by long-time collaborator and friend [[Nick Egan]], inside a large plane hangar on an airstrip located in Cape Town. After playing a show in [[Durban]],<ref name="oocities.org"/> the group travelled up to [[City of Johannesburg Metropolitan Municipality|Johannesburg]] to play three shows at the [[Ellis Park Arena]] (formerly known as the Standard Bank Arena) beginning on 3 June and finishing on 5 June.<ref name="oocities.org"/> The tour continued across Europe where the band played various arenas and festivals beginning 9 June at the [[Barrowland Ballroom|Barrowland ballroom]] in [[Glasgow]], [[Scotland]],<ref name="oocities.org"/> and ending on 5 July at the [[Midtfyns Festival]] in [[Ringe, Denmark|Ringe]], [[Denmark]].<ref name="oocities.org"/>


INXS returned to the US on 11 July where they played eight shows along the [[West Coast of the United States|West Coast]].<ref name="oocities.org"/> In late August, the band started making their way across the [[Midwestern United States|Midwest]].<ref name="oocities.org"/> The itinerary included visits to [[Chicago, Illinois]], [[Minneapolis|Minneapolis, Minnesota]] and [[Kansas City, Missouri]].<ref name="oocities.org"/> A show in [[Milwaukee]], [[Wisconsin]] was cancelled on 27 August after it was reported in a newspaper that Hutchence had sprained his ankle.<ref name="Archives3">{{cite web|url=http://inxsweb.com/news/archives/1997/1997_09.shtml |title=An Excess of INXS > News > Archives – September 1997 |publisher=Inxsweb.com |access-date=21 November 2016}}</ref> On 31 August, the tour moved north into Canada, with shows being played in [[Montreal|Montreal, Quebec]] and [[Toronto|Toronto, Ontario]].<ref name="oocities.org"/> While playing a show in Montreal, [[Nicolas Cage]] was spotted by fans in the VIP balcony near the stage. Hutchence dedicated "What You Need" and "Don't Lose Your Head" (used in Cage's movie ''Face/Off'') to the actor.<ref name="Archives3"/> Their last concert with Hutchence was at the [[KeyBank Pavilion|Star Lake Amphitheatre]] in [[Burgettstown, Pennsylvania|Burgettstown]], [[Pennsylvania|PA]] on 27 September.<ref>{{cite web |first=Paul |last=Cashmere|url=http://www.noise11.com/news/inxs-last-concert-with-michael-hutchence-setlist-20140223 |title=INXS Last Concert With Michael Hutchence SETLIST |publisher=Noise11 |date=23 February 2014|access-date=25 March 2016}}</ref>
INXS returned to the US on 11 July where they played eight shows along the [[West Coast of the United States|West Coast]].<ref name="oocities.org"/> In late August, the band started making their way across the [[Midwestern United States|Midwest]].<ref name="oocities.org"/> The itinerary included visits to [[Chicago, Illinois]], [[Minneapolis|Minneapolis, Minnesota]] and [[Kansas City, Missouri]].<ref name="oocities.org"/> A show in [[Milwaukee]], [[Wisconsin]] was cancelled on 27 August after it was reported in a newspaper that Hutchence had sprained his ankle.<ref name="Archives3">{{cite web|url=http://inxsweb.com/news/archives/1997/1997_09.shtml |title=An Excess of INXS > News > Archives – September 1997 |publisher=Inxsweb.com |access-date=21 November 2016}}</ref> On 31 August, the tour moved north into Canada, with shows being played in [[Montreal|Montreal, Quebec]] and [[Toronto|Toronto, Ontario]].<ref name="oocities.org"/> While playing a show in Montreal, [[Nicolas Cage]] was spotted by fans in the VIP balcony near the stage. Hutchence dedicated "What You Need" and "Don't Lose Your Head" (used in Cage's movie ''Face/Off'') to the actor.<ref name="Archives3"/> Their last concert with Hutchence was at the [[KeyBank Pavilion|Star Lake Amphitheatre]] in [[Burgettstown, Pennsylvania|Burgettstown]], [[Pennsylvania|PA]] on 27 September.<ref>{{cite web |first=Paul |last=Cashmere|url=http://www.noise11.com/news/inxs-last-concert-with-michael-hutchence-setlist-20140223 |title=INXS Last Concert With Michael Hutchence SETLIST |publisher=Noise11 |date=23 February 2014|access-date=25 March 2016}}</ref>


In November, the band returned to [[Sydney]], [[Australia]] to prepare for their homecoming tour.<ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page = [https://archive.org/details/inxsstorytostory00inxs/page/255 255]| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2 }} Retrieved 24 May 2017</ref> Before setting off on a thirteen-date trek around Australia on 23 November, the band set up for rehearsal sessions at [[ABC Studios (Australia)|ABC Studios]].<ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page = [https://archive.org/details/inxsstorytostory00inxs/page/274 274]| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2 }} Retrieved 24 May 2017</ref> The homecoming tour was quickly cancelled when the death of Hutchence was announced on 22 November.
In November, the band returned to [[Sydney]], [[Australia]] to prepare for their homecoming tour.<ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page =255| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2|access-date=18 August 2024}}</ref> Before setting off on a thirteen-date trek around Australia on 23 November, the band set up for rehearsal sessions at [[ABC Studios (Australia)|ABC Studios]].<ref>{{cite book | title = INXS: Story to Story: The Official Autobiography | url = https://archive.org/details/inxsstorytostory00inxs | url-access = registration | page =274| last1 = INXS | last2 = Bozza | first2 = Anthony | author-link2 = Anthony Bozza | year = 2005 | publisher = Atria Books | isbn = 978-0-7432-8404-2 |access-date=24 May 2017}}</ref> The homecoming tour was quickly cancelled when the death of Hutchence was announced on 22 November.


==Packaging==
==Packaging==
A mini video shoot was specially shot and directed for the album's cinematic album art. The entire video shoot was directed and photographed by Danish photographer Pierre Winther in locations around California in 1996.<ref name="intro-uk.com.com">[http://www.intro-uk.com/work/inxs-elegantly-wasted/ "INXS 'Elegantly Wasted' - INTRO UK"]. Retrieved 15 April 2016</ref> Winther, famous for his filmic visionary manages to tell a complex story in each of his staged shots; the front cover for ''Elegantly Wasted'' shows a dramatic shot of the band caught up in a cinematic setting where it appears that an attractive girl has emerged safely from a car accident, just under the viaduct at 635-651 S Anderson St, downtown Los Angeles (which no longer exists). A different photograph of the girl getting out of the car was shot and used as the artwork for the "Elegantly Wasted" single. The same girl can be seen wandering the streets of [[San Francisco]] in the music video for the album's second single, "Searching". The album's accompanying booklet contains additional photography of the band near the [[Edwards Air Force Base]] in the Californian [[desert]].<ref>VH1 – ''Elegantly Wasted'' interview with Michael Hutchence & Tim Farriss - 1997. Retrieved 7 June 2017</ref> The artwork for the singles, "Searching" and "Everything" feature photographs as the cover art, which were also taken in the Californian desert.
A mini video shoot was specially shot and directed for the album's cinematic album art. The entire video shoot was directed and photographed by Danish photographer [[Pierre Winter|Pierre Winther]] in locations around California in 1996.<ref name="intro-uk.com.com">{{cite web|url=http://www.intro-uk.com/work/inxs-elegantly-wasted/|title=INXS 'Elegantly Wasted|publisher=Intro UK|access-date=18 August 2024}}</ref> Winther, famous for his filmic visionary manages to tell a complex story in each of his staged shots; the front cover for ''Elegantly Wasted'' shows a dramatic shot of the band caught up in a cinematic setting where it appears that an attractive girl has emerged safely from a car accident, just under the old [[Sixth Street Viaduct]] at 635-651 S Anderson St, ({{CoordDec|34.036667|-118.223056|format=dms}}) near downtown Los Angeles. The photograph shows the original 1932 viaduct, which was demolished in 2016.<ref>{{Cite web |date=2024-06-27 |title=Sixth Street Viaduct Replacement Project |url=https://engineering.lacity.gov/about-us/major-projects/sixth-street-viaduct-replacement-project|publisher=Los Angeles Bureau of Engineering|access-date=18 August 2024}}</ref>
A different photograph of the girl getting out of the car was shot and used as the artwork for the "[[Elegantly Wasted (song)|Elegantly Wasted]]" single. The same girl can be seen wandering the streets of [[San Francisco]] in the music video for the album's second single, "[[Searching (INXS song)|Searching]]". The album's accompanying booklet contains additional photography of the band near the [[Edwards Air Force Base]] in the Californian [[desert]].<ref>{{cite web|url=https://www.youtube.com/watch?v=XOGn094lxLE|title=VH1 – ''Elegantly Wasted'' interview with Michael Hutchence & Tim Farriss - 1997|publisher=[[YouTube]]|date=30 December 2014|access-date=18 August 2024}}</ref> The artwork for the singles, "Searching" and "[[Everything (INXS song)|Everything]]" feature photographs as the cover art, which were also taken in the Californian desert.


Only three songs from the track listing had lyrics printed in the liner notes; "Elegantly Wasted", "Show Me (Cherry Baby)" and "Shake the Tree".<ref name="linernotes"/>
Only three songs from the track listing had lyrics printed in the liner notes; "Elegantly Wasted", "Show Me (Cherry Baby)" and "Shake the Tree".<ref name="linernotes"/>
Line 75: Line 77:
{{Music ratings
{{Music ratings
| rev1 = [[AllMusic]]
| rev1 = [[AllMusic]]
| rev1score = {{Rating|2|5}}<ref name="allmusic">{{cite web|url={{AllMusic|class=album|id=r259863|pure_url=yes}} |title=allmusic ((( Elegantly Wasted > Overview ))) |publisher=allmusic.com |access-date=4 January 2010 }}</ref>
| rev1score = {{Rating|2|5}}<ref name="allmusic">{{cite web|url={{AllMusic|class=album|id=r259863|pure_url=yes}} |title=allmusic ((( Elegantly Wasted > Overview ))) |publisher=[[AllMusic]] |access-date=4 January 2010 }}</ref>
| rev2 = ''[[Q (magazine)|Q]]''
| rev2 = ''[[The Boston Phoenix]]''
| rev2score = {{Rating|2|5}}<ref>{{cite web |url=http://www.qthemusic.com |title=Q Magazine &#124; Music news & reviews, music videos, band pictures & interviews |publisher=Qthemusic.com |access-date=5 January 2012 |archive-date=10 August 2020 |archive-url=https://web.archive.org/web/20200810004354/https://www.qthemusic.com/ |url-status=dead }}</ref>
| rev2score = {{Rating|3|4}}<ref name="The Boston Phoenix">{{cite web|url=https://bostonphoenix.com/archive/music/97/09/18/OTR/INXS.html|title=The Boston Phoenix Review|work=[[The Phoenix (newspaper)|The Phoenix]]|last=Drozdowski|first=Ted|access-date=18 August 2024}}</ref>
| rev3 = ''[[Rolling Stone]]''
| rev3 = ''[[Detroit Free Press]]''
| rev3score = {{Rating|3|4}}<ref name="Detroit Free Press">{{cite web|url=https://www.newspapers.com/article/detroit-free-press-cd-reviews-detroit-f/148511066/|title=CD Reviews|publisher=Newspaper.com|access-date=18 August 2024}}</ref>
| rev3score = {{Rating|2|5}}<ref name="rollingstone">{{cite web |url=//www.rollingstone.com/artists/inxs/albums/album/301526/revhttps://bostonphoenix.com/archive/music/97/09/18/OTR/INXS.htmliew/5945604/elegantly_wasted |title=INXS Album Reviews: Elegantly Wasted |author=Elysa Gardner |date=16 May 2008 |access-date=5 January 2012 |url-status=dead |archive-url=https://web.archive.org/web/20080516073135/http://www.rollingstone.com/artists/inxs/albums/album/301526/review/5945604/elegantly_wasted |archive-date=16 May 2008}}</ref><ref>{{cite book |editor1-last=Brackett |editor1-first=Nathan |editor1-link=Nathan Brackett |editor2-last=Hoard|editor2-first=Christian |year=2004 |title=The New Rolling Stone Album Guide |url=https://archive.org/details/newrollingstonea00brac |url-access=registration |page=[https://archive.org/details/newrollingstonea00brac/page/406 406] |publisher=[[Simon & Schuster]] |isbn=0-7432-0169-8 }}<!--|access-date=26 January 2014--></ref>
| rev4 = ''[[Entertainment Weekly]]''
| rev4 = ''[[Entertainment Weekly]]''
| rev4score = A<ref name="Entertainment Weekly">{{cite web |url=http://www.inxsweb.com/media/archives/articles/ew-reviews.html |title=Reviews of Elegantly Wasted |archive-url=https://web.archive.org/web/20160617093301/http://www.inxsweb.com/media/archives/articles/ew-reviews.html |archive-date=2016-06-17}}</ref>
| rev4score = A<ref name="entertainmentweekly" />
| rev5 = [[Ultimate Guitar Archive|Ultimate Guitar]]
| rev5 = ''[[Houston Press]]''
| rev5score = {{Rating|3|5}}<ref name="Houston Press">{{cite web|url=https://www.houstonpress.com/music/rotation-6570862?storyPage=3|title=Houston Press Review|work=[[Houston Press]]|access-date=18 August 2024}}</ref>
| rev5score = {{Rating|9.5|10}}
| rev6 = [[Boston Phoenix]]
| rev6 = ''[[MusicHound Rock]]''
| rev6score = 4/5 <ref name="MusicHound">{{cite web |url=https://archive.org/details/musichoundrockes0000unse_j0b4/page/578/mode/1up?q=Inxs+Elegantly+wasted |title=INXS |work=music Hound — The Essential Album Guide |access-date=2024-09-06}}</ref>
| rev6score = {{Rating|3|4}}<ref name="Boston Phoenix" />
| rev7 = ''[[The Rolling Stone Album Guide|(The New)Rolling Stone Album Guide]]''
| rev7 = [[Winnipeg Sun]]
| rev7score = {{Rating|2|5}}<ref>{{cite book |editor1-last=Brackett |editor1-first=Nathan |editor1-link=Nathan Brackett |editor2-last=Hoard |editor2-first=Christian |year=2004 |title=The New Rolling Stone Album Guide |page=[https://archive.org/details/newrollingstonea00brac/page/406 406] |publisher=[[Simon & Schuster]] |isbn=0-7432-0169-8 |url=https://archive.org/details/newrollingstonea00brac/page/406 }}</ref>
| rev7score = {{Rating|3.5|5}}<ref name="Winnipeg Sun">https://www.newspapers.com/article/the-winnipeg-sun-inxs-review/135609591/</ref>
| rev8 = [[NME]]
| rev8 = [[The Springfield News-Leader]]
| rev8score = {{Rating|3|4}}<ref name="The Springfield News-Leader">{{cite news |url=https://www.newspapers.com/article/the-springfield-news-leader-the-springfi/154593394/ |title=INXS "Elegantly Wasted", Mercury |newspaper=The Springfield News-Leader |date=1997-04-27 |via=newspapers.com |access-date=2024-09-06}}</ref>
| rev8score = 6/10<ref name="NME">http://web.archive.org/web/20001013081129/http://www.nme.com/reviews/reviews/19980101000912reviews.html</ref>
| rev9 = [[Windsor Star]]
| rev9 = [[Waterloo Region Record]]
| rev9score = A<ref name="Windsor Star">https://www.newspapers.com/article/the-windsor-star-cd-reviews/135027771/</ref>
| rev9score = (favorable)<ref name="Waterloo Region Record">{{cite news |url=https://www.newspapers.com/article/waterloo-region-record-waterloo-region-r/153889767/ |title=INXS Elegantly Wasted, Mercury/Polydor |newspaper=Waterloo Region Record |date=1997-04-17 |via=newspapers.com |access-date=2024-09-06}}</ref>
| rev10 = [[The Sunday Telegraph]]
| rev10 = [[Winnipeg Sun]]
| rev10score = (favorable)<ref name="The Sunday Telegraph">https://www.newspapers.com/article/sunday-telegraph-inxs-review/135398673/</ref>
| rev10score = {{Rating|3.5|5}}<ref name="Winnipeg Sun">{{cite news |url=https://www.newspapers.com/article/the-winnipeg-sun-inxs-review/135609591/ |title=INXS Elegantly Wasted, Mercury/PolyGram |newspaper=The Winnipeg Sun |date=1997-04-25 |via=newspapers.com |access-date=2024-09-06}}</ref>
}}
}}
⚫
Reviews for the album were mixed, ''[[Rolling Stone]]'', ''[[Q (magazine)|Q]]'' and [[AllMusic]] all rated the album two stars, with [[Stephen Thomas Erlewine]] writing in his AllMusic review, "The band does dabble in contemporary dance on Elegantly Wasted, but it all comes out sounding like the lite funk-n-roll of Kick, only without the energy. And without the tunes".<ref name="allmusic"/> In her review for ''Rolling Stone'', Elysa Gardner said that the album "seems like an exercise in nostalgia", and added, "the sinuous dance grooves and crackling bursts of guitar in new songs such as "Elegantly Wasted" and "Don't Lose Your Head" don't seem very fresh".<ref>{{Cite web |date=2008-05-16 |title=INXS: Elegantly Wasted : Music Reviews : Rolling Stone |url=http://www.rollingstone.com/artists/inxs/albums/album/301526/review/5945604/elegantly_wasted |archive-url=https://web.archive.org/web/20080516073135/http://www.rollingstone.com/artists/inxs/albums/album/301526/review/5945604/elegantly_wasted |url-status=dead |archive-date=2008-05-16 |access-date=2024-06-01 }}</ref>


In a more enthusiastic review, ''[[Entertainment Weekly]]'' scored the album an "A", and wrote, "The Jaggersque vocal yowl of Michael Hutchence, matched to the spiky James Brown funk of the Farriss brothers, gives their new melodies swing and tone".<ref name="Entertainment Weekly"/> ''[[GQ]]'' also gave the album a favourable review, calling ''Elegantly Wasted'' "vibrant" and "exciting", and concluded that "the '80s revival starts here".<ref name="Entertainment Weekly"/>


Music writer and musician, Ted Drozdowski wrote in his review for ''[[The Boston Phoenix]],'' giving the CD three out of four stars, he said the group have retained the "big rhythmic stomp necessary to rock—and do it hard when they please. Great dynamics, leaner instrumentation [...] This is a strong simple pop outing worthy of respect. And listening."<ref name="Boston Phoenix">{{Cite web |title=INXS |url=https://bostonphoenix.com/archive/music/97/09/18/OTR/INXS.html |access-date=2023-10-15 |website=bostonphoenix.com}}</ref> In Roger Morton's review for ''[[NME]]'', he called ''Elegantly Wasted'' a "decent old school album".<ref>{{Cite web |date=2000-10-13 |title=NME.COM - INXS - Elegantly Wasted - 29/3/1997 |website=[[NME]] |url=http://www.nme.com/reviews/reviews/19980101000912reviews.html |access-date=2023-11-14 |archive-url=https://web.archive.org/web/20001013081129/http://www.nme.com/reviews/reviews/19980101000912reviews.html |archive-date=13 October 2000 }}</ref>


''[[The Sunday Telegraph]]'' said that INXS' 10th album "suggests that [they] are by no means a spent force. It has that big, breezy sound redolent of so many rock bands of a certain age, from the Rolling Stones to U2. Strong, driving tunes; a touch of bluesy, bottle-neck guitar".<ref>{{Cite news |date=1997-04-06 |title=Inxs review |url=https://www.newspapers.com/article/sunday-telegraph-inxs-review/135398673/ |access-date=2024-04-07 |newspaper=[[The Sunday Telegraph]] |pages=48}}</ref>
⚫
Reviews for the album were mixed, ''[[Rolling Stone]]'', ''[[Q (magazine)|Q]]'' and ''[[AllMusic]]'' all rated the album two stars, with [[Stephen Thomas Erlewine]] writing in his ''AllMusic'' review, "The band does dabble in contemporary dance on Elegantly Wasted, but it all comes out sounding like the lite funk-n-roll of Kick, only without the energy. And without the tunes".<ref name="allmusic"/> In her review for ''Rolling Stone'', Elysa Gardner said that the album "seems like an exercise in nostalgia", and added, "the sinuous dance grooves and crackling bursts of guitar in new songs such as "Elegantly Wasted" and "Don't Lose Your Head" don't seem very fresh".<ref name="rollingstone"/>

In a more enthusiastic review, ''[[Entertainment Weekly]]'' scored the album an "A", and wrote, "The Jaggersque vocal yowl of Michael Hutchence, matched to the spiky James Brown funk of the Farriss brothers, gives their new melodies swing and tone".<ref name="entertainmentweekly">[http://www.inxsweb.com/media/archives/articles/ew-reviews.html "Reviews of Elegantly Wasted"]. Retrieved 5 February 2016</ref> ''[[GQ]]'' also gave the album a favorable review calling ''Elegantly Wasted'' "vibrant" and "exciting", and concluded that "The '80s revival starts here".<ref name="entertainmentweekly"/> Ted drozdowski from The '''"BOSTON PHOENIX"''' gave the "CD" three out of four stars, he said the group have retained, the "Big rhythmic stomp" necessary to rock--and do it hard when they please. "Great dynamics, leaner instrumentation, he said it's a simple "pop outing" worthy of respect. And listening.<ref name="Boston Phoenix">{{Cite web |title=INXS |url=https://bostonphoenix.com/archive/music/97/09/18/OTR/INXS.html |access-date=2023-10-15 |website=bostonphoenix.com}}</ref> Roger Morton of [[NME]], called Elegantly Wasted, a "decent" old school album.<ref>{{Cite web |date=2000-10-13 |title=NME.COM - INXS - Elegantly Wasted - 29/3/1997 |url=https://web.archive.org/web/20001013081129/http://www.nme.com/reviews/reviews/19980101000912reviews.html |access-date=2023-11-14 |website=web.archive.org}}</ref> James Delingpole, from "'''The Sunday Telegraph",''' said there 10th album, suggests that Inxs are by no means a spent force. It has that big breezy sound, redolent of so many rock bands of a certain age, strong tunes; a touch of bluesy, bottle-neck guitar;<ref>{{Cite news |date=1997-04-06 |title=Inxs review |pages=48 |work=Sunday Telegraph |url=https://www.newspapers.com/article/sunday-telegraph-inxs-review/135398673/ |access-date=2023-11-22}}</ref>


===Commercial performance===
===Commercial performance===
The album did not perform as well as anticipated. In the US it only reached number 41 on the ''[[Billboard 200|Billboard Top 200]]''.<ref name="Billboard"/> It did perform better outside the US peaking at number 14 in both Canada<ref name="Canada"/> and Australia,<ref name="Australia"/> and number 16 in the [[United Kingdom]].<ref name="UK"/> ''Elegantly Wasted'' was certified Gold in Canada on 9 May 1997 having sold 50,000 copies.<ref name="MusicCanada"/>
The album did not perform as well as anticipated. In the US it only reached number 41 on the [[Billboard 200|''Billboard'' Top 200]].<ref name="Billboard"/> It did perform better outside the US peaking at number 14 in both Canada<ref name="Canada"/> and Australia,<ref name="Australia"/> and number 16 in the United Kingdom.<ref name="UK"/> ''Elegantly Wasted'' was certified Gold in Canada on 9 May 1997 having sold 50,000 copies.<ref name="MusicCanada"/>


==Track listing==
==Track listing==
Line 154: Line 157:
* [[Tim Farriss]] – guitars
* [[Tim Farriss]] – guitars
* [[Kirk Pengilly]] – guitars, saxophone
* [[Kirk Pengilly]] – guitars, saxophone
* [[Gary Beers]] – bass
* [[Garry Gary Beers]] – bass
* [[Jon Farriss]] – drums
* [[Jon Farriss]] – drums


Line 204: Line 207:
{{album chart|France|30|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=3 February 2017}}
{{album chart|France|30|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=3 February 2017}}
|-
|-
{{album chart|Germany|23|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=3 February 2017}}
{{album chart|Germany4|23|id=2507|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=18 August 2024}}
|-
|-
{{album chart|Hungary|32|year=1997|week=21|rowheader=true|access-date=26 November 2021}}
{{album chart|Hungary|32|year=1997|week=21|rowheader=true|access-date=26 November 2021}}
Line 211: Line 214:
|-
|-
{{album chart|Norway|18|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=3 February 2017}}
{{album chart|Norway|18|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=3 February 2017}}
|-
{{album chart|Scotland|17|date=19970413|rowheader=true|access-date=18 August 2024}}
|-
|-
{{album chart|Sweden|28|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=3 February 2017}}
{{album chart|Sweden|28|artist=INXS|album=Elegantly Wasted|rowheader=true|access-date=3 February 2017}}
Line 217: Line 222:
|-
|-
{{album chart|UK2|16|date=19970413|rowheader=true|access-date=4 August 2023|refname="UK"}}
{{album chart|UK2|16|date=19970413|rowheader=true|access-date=4 August 2023|refname="UK"}}
|-
{{album chart|UKRock|3|date=19970413|rowheader=true|access-date=18 August 2024}}
|-
|-
{{album chart|Billboard200|41|artist=INXS|rowheader=true|access-date=3 February 2017|refname="Billboard"}}
{{album chart|Billboard200|41|artist=INXS|rowheader=true|access-date=3 February 2017|refname="Billboard"}}

Latest revision as of 13:16, 3 December 2024

This article is about the album. For the title track from this album, see Elegantly Wasted (song).

Elegantly Wasted
Studio album by
INXS
Released15 April 1997
RecordedMid-1996
Studio
GenreAlternative rock
Length47:56
LabelMercury
ProducerBruce Fairbairn and Andrew Farriss
INXS chronology
The Greatest Hits
(1994) 		Elegantly Wasted
(1997) 		INXS: Live in Aspen – February 1997
(1997)
Singles from Elegantly Wasted
  1. "Elegantly Wasted"
    Released: March 1997
  2. "Everything"
    Released: May 1997
  3. "Don't Lose Your Head"
    Released: June 1997
  4. "Searching"
    Released: September 1997

Elegantly Wasted is the tenth studio album by Australian rock band INXS. It was released on 15 April 1997, and is the final album recorded with lead singer Michael Hutchence before his death in November that same year.

The band had spent April 1996 rehearsing in London and moved over to Vancouver to record with producer Bruce Fairbairn the same month.[1] Production of the album was completed by Hutchence and songwriter and multi-instrumentalist Andrew Farriss in Spain later the same year.[2] Two songs that did not make the final cut of the album were included on the Bang the Drum EP (2004).

The album's title is from Hutchence, with the single itself trying to recapture the magic and groove of the Kick album, particularly the single, "Need You Tonight".

All three Farriss brothers dedicated the album to their mother, Jill, who died in 1995.[3]

Background

[edit]

In June 1994, INXS ended their US contract with Atlantic Records, and signed a new worldwide record deal with PolyGram/Mercury Records;[4] however, the group agreed to release one final record through the Atlantic label - The Greatest Hits.[5] Released several months later on 31 October, the compilation included two new songs: "The Strangest Party (These Are the Times)" and "Deliver Me".[6]

After a long break, INXS reconvened in 1996 to record their tenth studio album, Elegantly Wasted, their last with Hutchence. In 1995, Hutchence already began work on his self-titled solo album;[7] the project was put on hold until Elegantly Wasted was completed.[8][9] In an interview with The Album Network magazine in March 1997, Hutchence said, "We really wanted to get off the old carousel for a while. As a band, we have recorded an album every twelve to eighteen months over the last five or six years. This helped to create a situation resulting in a lot of personal and business friction within the band, as well as the record label, at the time of the completion of our last studio album Full Moon, Dirty Hearts. With the completion of the album, we also fulfilled our contract with Atlantic Records. So, it just seemed like the logical time to take a break".[10]

PolyGram studios in London paired the band with Canadian producer Bruce Fairbairn, their first and only collaboration.[citation needed]

Recording and production

[edit]

With both Michael Hutchence and Andrew Farriss living in London, the songwriting duo first started talking about a new record over the phone.[11] After spending months talking about new ideas, the pair finally got together, and began working on new material.[11] Using 24-track reels and ADAT (Alesis Digital Audio Tape) recorders, the pair put together a handful of demo tapes,[12] which included an early version of the song "Searching". The remaining members of INXS flew out to meet Hutchence and Farriss in London.[2] When the entire group got together, they began rehearsing the material that had been previously recorded by Hutchence and Farriss. The rehearsals began in April 1996.[1] While visiting friends Bono and Larry Mullen Jr. from U2 in Dublin during mid-1996, Hutchence and Farriss rented a small studio where they continued working on the album.[13] They put the finishing touches on the existing demo tapes, as well as compose new recordings.[12][14] One of the first songs to be completed during these sessions was "Searching". The band first previewed the song live at the Australian ARIA Music Awards in September 1996.[15]

Before meeting with Fairbairn, the band sent him all the material they had been working on.[12] Fairbairn had just finished working with Irish rock band, The Cranberries.[16] Upon receiving the material Fairbairn commented, "I was impressed with the feel and the different sounds that they'd been using." He added, "I actually ended up suggesting that we might want to save some of the stuff on the demos – because the chances were that when we were back in the studio we wouldn't be able to recreate that vibe".[12] After listening to the material, Fairbairn flew to London to meet with the band.[12] He spent a few afternoons with Hutchence and Farriss discussing the project.[12] A date was set for production at Fairbairn's own recording studio in Vancouver, with both himself and Farriss producing.[3] When later asked about his role in the production of Elegantly Wasted, Fairbairn said, "Well, I didn't really co-produce with the band, but the record was produced with Andrew Farriss. Andrew was certainly a player at the demo stage, and as we ended up keeping some of the stuff on the demos I felt that it was fair to recognise his contribution in some way".[12]

The band first arrived at the Armoury studio in Vancouver in late April 1996 to begin the recording sessions.[1] Most of the demos that were brought out to Vancouver had to be reorganised, taking out and discarding certain parts, as well as adding in new drum beats and bass lines.[12] Some members of the band had to provide overdubbing on the existing demos, including Hutchence who recorded new overdubs on the vocals.[12] Most of the album was recorded digitally;[12] the drums, bass and guitar on the tracks "Girl on Fire", "We Are Thrown Together" and "Bang the Drum" (dropped during production) were recorded using analogue equipment.[12] Farriss and Hutchence finished the album later in 1996.[2] Additional musicians were brought in to provide backing vocals on "Don't Lose Your Head", "Searching" and "I'm Just a Man".[12] After the sessions in Spain had wrapped, the recordings were returned to Vancouver, where engineer Mike Plotnikoff began the initial mixing,[12] before sending them to Townhouse Studios in London, where music producer Tom Lord-Alge carried out the bulk of the mixing.[12] Plotnikoff recalls, "I did a mix for him [Lord-Alge] beforehand in Vancouver so that he had a guideline as to roughly what we wanted".[12]

Tour

[edit]

INXS embarked on their 20th anniversary tour in support for Elegantly Wasted, beginning with a string of warm-up dates in the US on 17 April 1997 at the Irving Plaza in New York.[17][18] During their time in New York, the band were asked to appear on numerous talk shows to perform the album's brand new single, "Elegantly Wasted", including the Rosie O'Donnell show on 16 April and the Late Show with David Letterman on 22 April. The group would play three more shows in cities across North America, finishing up at the Mayan Theater in Los Angeles, California on 24 April.[18][19]

The first leg of the international tour brought the band to South Africa, their first and only tour of the country. A few days before playing their first show at the 3 Arts Theatre in Cape Town on 29 May,[18] the band was hurriedly asked by the producers of Face/Off to shoot a music video for the album's third single, "Don't Lose Your Head".[20] The video was shot by long-time collaborator and friend Nick Egan, inside a large plane hangar on an airstrip located in Cape Town. After playing a show in Durban,[18] the group travelled up to Johannesburg to play three shows at the Ellis Park Arena (formerly known as the Standard Bank Arena) beginning on 3 June and finishing on 5 June.[18] The tour continued across Europe where the band played various arenas and festivals beginning 9 June at the Barrowland ballroom in Glasgow, Scotland,[18] and ending on 5 July at the Midtfyns Festival in Ringe, Denmark.[18]

INXS returned to the US on 11 July where they played eight shows along the West Coast.[18] In late August, the band started making their way across the Midwest.[18] The itinerary included visits to Chicago, Illinois, Minneapolis, Minnesota and Kansas City, Missouri.[18] A show in Milwaukee, Wisconsin was cancelled on 27 August after it was reported in a newspaper that Hutchence had sprained his ankle.[21] On 31 August, the tour moved north into Canada, with shows being played in Montreal, Quebec and Toronto, Ontario.[18] While playing a show in Montreal, Nicolas Cage was spotted by fans in the VIP balcony near the stage. Hutchence dedicated "What You Need" and "Don't Lose Your Head" (used in Cage's movie Face/Off) to the actor.[21] Their last concert with Hutchence was at the Star Lake Amphitheatre in Burgettstown, PA on 27 September.[22]

In November, the band returned to Sydney, Australia to prepare for their homecoming tour.[23] Before setting off on a thirteen-date trek around Australia on 23 November, the band set up for rehearsal sessions at ABC Studios.[24] The homecoming tour was quickly cancelled when the death of Hutchence was announced on 22 November.

Packaging

[edit]

A mini video shoot was specially shot and directed for the album's cinematic album art. The entire video shoot was directed and photographed by Danish photographer Pierre Winther in locations around California in 1996.[25] Winther, famous for his filmic visionary manages to tell a complex story in each of his staged shots; the front cover for Elegantly Wasted shows a dramatic shot of the band caught up in a cinematic setting where it appears that an attractive girl has emerged safely from a car accident, just under the old Sixth Street Viaduct at 635-651 S Anderson St, (34°02′12″N 118°13′23″W / 34.036667°N 118.223056°W / 34.036667; -118.223056) near downtown Los Angeles. The photograph shows the original 1932 viaduct, which was demolished in 2016.[26]

A different photograph of the girl getting out of the car was shot and used as the artwork for the "Elegantly Wasted" single. The same girl can be seen wandering the streets of San Francisco in the music video for the album's second single, "Searching". The album's accompanying booklet contains additional photography of the band near the Edwards Air Force Base in the Californian desert.[27] The artwork for the singles, "Searching" and "Everything" feature photographs as the cover art, which were also taken in the Californian desert.

Only three songs from the track listing had lyrics printed in the liner notes; "Elegantly Wasted", "Show Me (Cherry Baby)" and "Shake the Tree".[3]

Reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic[28]
The Boston Phoenix[29]
Detroit Free Press[30]
Entertainment WeeklyA[31]
Houston Press[32]
MusicHound Rock4/5 [33]
(The New)Rolling Stone Album Guide[34]
The Springfield News-Leader[35]
Waterloo Region Record(favorable)[36]
Winnipeg Sun[37]

Reviews for the album were mixed, Rolling Stone, Q and AllMusic all rated the album two stars, with Stephen Thomas Erlewine writing in his AllMusic review, "The band does dabble in contemporary dance on Elegantly Wasted, but it all comes out sounding like the lite funk-n-roll of Kick, only without the energy. And without the tunes".[28] In her review for Rolling Stone, Elysa Gardner said that the album "seems like an exercise in nostalgia", and added, "the sinuous dance grooves and crackling bursts of guitar in new songs such as "Elegantly Wasted" and "Don't Lose Your Head" don't seem very fresh".[38]

In a more enthusiastic review, Entertainment Weekly scored the album an "A", and wrote, "The Jaggersque vocal yowl of Michael Hutchence, matched to the spiky James Brown funk of the Farriss brothers, gives their new melodies swing and tone".[31] GQ also gave the album a favourable review, calling Elegantly Wasted "vibrant" and "exciting", and concluded that "the '80s revival starts here".[31]

Music writer and musician, Ted Drozdowski wrote in his review for The Boston Phoenix, giving the CD three out of four stars, he said the group have retained the "big rhythmic stomp necessary to rock—and do it hard when they please. Great dynamics, leaner instrumentation [...] This is a strong simple pop outing worthy of respect. And listening."[39] In Roger Morton's review for NME, he called Elegantly Wasted a "decent old school album".[40]

The Sunday Telegraph said that INXS' 10th album "suggests that [they] are by no means a spent force. It has that big, breezy sound redolent of so many rock bands of a certain age, from the Rolling Stones to U2. Strong, driving tunes; a touch of bluesy, bottle-neck guitar".[41]

Commercial performance

[edit]

The album did not perform as well as anticipated. In the US it only reached number 41 on the Billboard Top 200.[42] It did perform better outside the US peaking at number 14 in both Canada[43] and Australia,[44] and number 16 in the United Kingdom.[45] Elegantly Wasted was certified Gold in Canada on 9 May 1997 having sold 50,000 copies.[46]

Track listing

[edit]

All tracks are written by Andrew Farriss and Michael Hutchence

Elegantly Wasted – Standard edition
No.TitleLength
1."Show Me (Cherry Baby)"4:17
2."Elegantly Wasted"4:32
3."Everything"3:13
4."Don't Lose Your Head"4:02
5."Searching"4:04
6."I'm Just a Man"4:48
7."Girl on Fire"3:55
8."We Are Thrown Together"5:36
9."Shake the Tree"4:10
10."She Is Rising"5:24
11."Building Bridges"3:55
Total length:47:56
Elegantly Wasted – International edition
No.TitleLength
12."Shine"3:52
Total length:51:48
Elegantly Wasted – Japanese and Australian limited edition
No.TitleLength
13."Let It Ride"3:44
Total length:55:32

Personnel

[edit]

Personnel as listed in the album's liner notes are:[3]

INXS

Additional musicians

  • Luis Conte – percussion
  • Bill Runge – baritone saxophone (7)
  • Tom Keenlyside – tenor saxophone (7), horn arrangements (7)
  • Paul Baron – trumpet (7)
  • Derry Byrne – trumpet (7)
  • Joani Bye – backing vocals (4, 5)
  • Tania Hancheroff – backing vocals (4, 5)
  • Billie Godfrey – backing vocals (6)
  • Caroline MacKendrick – backing vocals (6)

Production

  • Bruce Fairbairn – producer
  • Andrew Farriss – producer
  • Richard Guy – engineer
  • Mike Plotnikoff – engineer
  • Delwyn Brooks – second engineer
  • Paul Silveria – assistant engineer
  • Tom Lord-Alge – mixing
  • Julie Gardner – mix assistant
  • George Marino – mastering at Sterling Sound (New York City, New York)
  • David Edwards – production coordinator
  • Christina de la Sala – production coordinator
  • Mat Cook at Intro – design concept, art direction
  • David Smith – design
  • Pierre Winther – art direction, photography

Charts and certifications

[edit]

References

[edit]
  1. ^ a b c "An Excess of INXS > News > Archives – 1996". Inxsweb.com. Retrieved 5 January 2012.
  2. ^ a b c "INXSEverything2.com". Everything2.com. Retrieved 5 January 2012.
  3. ^ a b c d Elegantly Wasted liner notes. Retrieved 3 February 2017
  4. ^ Taylor, Chuck (15 March 1997). "Mercury's INXS 'Elegantly' Returns From Its Time Off". Billboard. Retrieved 2 July 2016.
  5. ^ "INXS Songs, Albums, Reviews, Bio". AllMusic. Retrieved 18 August 2024.
  6. ^ "INXS – The Greatest Hits". Discogs. Retrieved 2 July 2017.
  7. ^ "Michael Hutchence - Solo Album". Michael Hutchence: The Complete Official Website of Michael Hutchence. Retrieved 21 November 2016.
  8. ^ Truslow, Ned (2 January 2015). "Elegantly Wasted: The Strange Demise of INXS' Michael Hutchence". Ned Rock. Retrieved 21 November 2016.
  9. ^ "An Excess of INXS > Tribute > Album History". Inxsweb.com. Retrieved 21 November 2016.
  10. ^ Vogel, Michael D. (7 March 1997). "INXS - Elegantly Wasted". Vogelism. The Album Network Magazine. Retrieved 10 June 2016.
  11. ^ a b Michael Hutchence and Andrew Farriss 1997 TV Interview. Retrieved 6 February 2017
  12. ^ a b c d e f g h i j k l m n o "Bruce Fairbairn: Recording INXS's Elegantly Wasted". Sound on Sound. 1 April 1997. Archived from the original on 7 June 2015. Retrieved 18 August 2024.
  13. ^ INXS; Bozza, Anthony (2005). INXS: Story to Story: The Official Autobiography. Atria Books. p. 252. ISBN 978-0-7432-8404-2. Retrieved 18 August 2024.
  14. ^ INXS; Bozza, Anthony (2005). INXS: Story to Story: The Official Autobiography. Atria Books. p. 253. ISBN 978-0-7432-8404-2. Retrieved 18 August 2024.
  15. ^ "An Excess of INXS > News > Archives – September 1996". Inxsweb.com. Retrieved 21 May 2016.
  16. ^ Stafford, James (29 April 2016). "20 Years Ago: The Cranberries release their third album 'To the Faithful Departed'". Diffuser.fm. Retrieved 12 June 2016.
  17. ^ "INXS Setlist at Irving Plaza, New York, NY, USA". Retrieved 18 August 2024.
  18. ^ a b c d e f g h i j k "Elegantly Wasted - 1997 World Tour". oocities. Retrieved 25 March 2016.
  19. ^ Scribner, Sara (26 April 1997). "INXS' Passion Combines With Crowd's Affection at Mayan". Los Angeles Times. Retrieved 21 November 2016.
  20. ^ "E! News – Michael Hutchence Interview, 1997". DailyMotion. 1997. Retrieved 18 August 2024.
  21. ^ a b "An Excess of INXS > News > Archives – September 1997". Inxsweb.com. Retrieved 21 November 2016.
  22. ^ Cashmere, Paul (23 February 2014). "INXS Last Concert With Michael Hutchence SETLIST". Noise11. Retrieved 25 March 2016.
  23. ^ INXS; Bozza, Anthony (2005). INXS: Story to Story: The Official Autobiography. Atria Books. p. 255. ISBN 978-0-7432-8404-2. Retrieved 18 August 2024.
  24. ^ INXS; Bozza, Anthony (2005). INXS: Story to Story: The Official Autobiography. Atria Books. p. 274. ISBN 978-0-7432-8404-2. Retrieved 24 May 2017.
  25. ^ "INXS 'Elegantly Wasted". Intro UK. Retrieved 18 August 2024.
  26. ^ "Sixth Street Viaduct Replacement Project". Los Angeles Bureau of Engineering. 27 June 2024. Retrieved 18 August 2024.
  27. ^ "VH1 – Elegantly Wasted interview with Michael Hutchence & Tim Farriss - 1997". YouTube. 30 December 2014. Retrieved 18 August 2024.
  28. ^ a b "allmusic ((( Elegantly Wasted > Overview )))". AllMusic. Retrieved 4 January 2010.
  29. ^ Drozdowski, Ted. "The Boston Phoenix Review". The Phoenix. Retrieved 18 August 2024.
  30. ^ "CD Reviews". Newspaper.com. Retrieved 18 August 2024.
  31. ^ a b c "Reviews of Elegantly Wasted". Archived from the original on 17 June 2016.
  32. ^ "Houston Press Review". Houston Press. Retrieved 18 August 2024.
  33. ^ "INXS". music Hound — The Essential Album Guide. Retrieved 6 September 2024.
  34. ^ Brackett, Nathan; Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide. Simon & Schuster. p. 406. ISBN 0-7432-0169-8.
  35. ^ "INXS "Elegantly Wasted", Mercury". The Springfield News-Leader. 27 April 1997. Retrieved 6 September 2024 – via newspapers.com.
  36. ^ "INXS Elegantly Wasted, Mercury/Polydor". Waterloo Region Record. 17 April 1997. Retrieved 6 September 2024 – via newspapers.com.
  37. ^ "INXS Elegantly Wasted, Mercury/PolyGram". The Winnipeg Sun. 25 April 1997. Retrieved 6 September 2024 – via newspapers.com.
  38. ^ "INXS: Elegantly Wasted : Music Reviews : Rolling Stone". 16 May 2008. Archived from the original on 16 May 2008. Retrieved 1 June 2024.
  39. ^ "INXS". bostonphoenix.com. Retrieved 15 October 2023.
  40. ^ "NME.COM - INXS - Elegantly Wasted - 29/3/1997". NME. 13 October 2000. Archived from the original on 13 October 2000. Retrieved 14 November 2023.
  41. ^ "Inxs review". The Sunday Telegraph. 6 April 1997. p. 48. Retrieved 7 April 2024.
  42. ^ a b "INXS Chart History (Billboard 200)". Billboard. Retrieved 3 February 2017.
  43. ^ a b "Top RPM Albums: Issue 8118". RPM. Library and Archives Canada. Retrieved 3 February 2017.
  44. ^ a b "Australiancharts.com – INXS – Elegantly Wasted". Hung Medien. Retrieved 3 February 2017.
  45. ^ a b "Official Albums Chart Top 100". Official Charts Company. Retrieved 4 August 2023.
  46. ^ a b "Canadian album certifications – INXS – Elegantly Wasted". Music Canada. Retrieved 3 February 2017.
  47. ^ "Austriancharts.at – INXS – Elegantly Wasted" (in German). Hung Medien. Retrieved 3 February 2017.
  48. ^ "Dutchcharts.nl – INXS – Elegantly Wasted" (in Dutch). Hung Medien. Retrieved 3 February 2017.
  49. ^ "Lescharts.com – INXS – Elegantly Wasted". Hung Medien. Retrieved 3 February 2017.
  50. ^ "Offiziellecharts.de – INXS – Elegantly Wasted" (in German). GfK Entertainment Charts. Retrieved 18 August 2024.
  51. ^ "Album Top 40 slágerlista – 1997. 21. hét" (in Hungarian). MAHASZ. Retrieved 26 November 2021.
  52. ^ "Charts.nz – INXS – Elegantly Wasted". Hung Medien. Retrieved 3 February 2017.
  53. ^ "Norwegiancharts.com – INXS – Elegantly Wasted". Hung Medien. Retrieved 3 February 2017.
  54. ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 18 August 2024.
  55. ^ "Swedishcharts.com – INXS – Elegantly Wasted". Hung Medien. Retrieved 3 February 2017.
  56. ^ "Swisscharts.com – INXS – Elegantly Wasted". Hung Medien. Retrieved 3 February 2017.
  57. ^ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved 18 August 2024.
  58. ^ Caulfield, Keith (28 February 2006). "Ask Billboard: INXS, Billboard's singles charts and Madonna". Billboard. Prometheus Global Media. Retrieved 30 June 2017.
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Elegantly_Wasted&oldid=1260948840"