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{{short description|Mexican architect (1902-1988)}}
'''Luis Barragán''' ([[Guadalajara]], [[March 9]] [[1902]] - [[Mexico City]], [[November 22]] [[1988]]) was one of the most important [[Mexico|Mexican]] [[list of architects|architects]] of the [[20th century]].
{{for multi|the Argentine painter|Luis Barragán (painter)|the American businessman|Luis Barragan (executive)}}
{{family name hatnote|Barragán|Morfín|lang=Spanish}}
{{Infobox architect
| name = Luis Barragán
| image = Luis Barragán.jpg
| image_size =
| caption = Barragán in 1960s.
| birth_date = {{birth date|1902|3|9}}
| birth_place = [[Guadalajara]], [[Jalisco]], [[Porfiriato|Mexico]]
| death_date = November 22, 1988 (aged 86)
| death_place = [[Mexico City]], Mexico
| practice =
| significant_buildings = [[Torres de Satélite]], Casa Gilardi, Barragán House, Jardines de Pedregal Subdivision
| significant_projects =
| significant_design =
| awards = Pritzker Prize
}}


'''Luis Ramiro Barragán Morfín''' [[Help:IPA/Spanish|[ˈlu.is raˈmi.ɾo βa.raˈɣan moɾˈfin]]] (March 9, 1902 – November 22, 1988) was a Mexican [[list of architects|architect]] and engineer. His work has influenced contemporary architects visually and conceptually.<ref>Estelle Jackson, "Luis Barragán Morfin," in ''[[Encyclopedia of Latin American History and Culture]]'', vol. 2, pp. 293-94. New York: Charles Scribner's Sons 1996.</ref> Barragán's buildings are frequently visited by international students and professors of architecture. He studied as an engineer in his home town, while undertaking the entirety of additional coursework to obtain the title of architect.<ref>{{cite book|last=Barragán|first=Luis|title=Escritos y conversaciones|year=2000|publisher=El Croquis|location=MADRID|isbn=84-88386-17-6|pages=72–89}}</ref>
An engineer by training, he graduated from the ''Escuela Libre de Ingenieros'' in 1923 and was entirely self-taught as an architect. After graduation, he travelled extensively in [[Spain]], [[France]] (where he attended lectures of [[Le Corbusier]]), and [[Morocco]]. He practiced architecture in Guadalajara from 1927-1936, and in Mexico City thereafter. In [[1945]] he created the planification and urbanization plan of the residential ''Pedregal de San Ángel'', and in [[1955]] he rebuilt the historical ''Convento de las Capuchinas Sacramentarias'' in [[Tlalpan]], both located at the southern part of [[Mexico City]]. In [[1957]] he started the design of what would become [[Naucalpan|Naucalpan's Satélite Towers]], and in the same year he designed the residential [[Las Arboledas]], few kilometers away from [[Naucalpan|Satélite City]]. In 1964 he designed alongside architect [[Sordo Madaleno]] the [[Lomas Verdes]] residential, also near the Satélite area, inside [[Naucalpan|Naucalpan, Estado de México]].


In 1980, he became the second winner of the [[Pritzker Prize]]. His house and studio, built in 1948 in Mexico City, is listed as a [[UNESCO]] [[World Heritage Site|World Heritage site]].
Barragán won the [[Pritzker Prize]], the highest award in architecture, in 1980, and his personal home, the [[Luis Barragán House and Studio]], was declared a UNESCO [[World Heritage Site]] in 2004.


==External links==
==Early life==
Barragán was born in [[Guadalajara, Jalisco|Guadalajara]] in [[Jalisco]], Mexico. Educated as an engineer, he graduated from the ''Escuela Libre de Ingenieros'' in [[Guadalajara]] in 1923. After graduation, he traveled through [[Spain]] and [[France]]. While in France he became aware of the writings of [[Ferdinand Bac]], a German-French writer, designer and artist whom Barragán cited throughout his life.<ref>Tim Street-Porter, ''Casa Mexicana'' Stewart, Tabori & Chang (1989) {{ISBN|1-55670-097-0}}</ref> In 1931, he again traveled to France with a long stop-over in New York. In this trip he met Mexican mural painter [[José Clemente Orozco]], architectural magazine editors, and [[Frederick Kiesler]]. In France he briefly met Le Corbusier and finally visited the gardens realized by Ferdinand Bac. He practiced architecture in Guadalajara from 1927–1936, and in Mexico City thereafter.
*[http://www.barragan-foundation.org Barragan Foundation - The Archives of Luis Barragán]
*[http://www.pritzkerprize.com/barragan.htm Barragán's Pritzker Prize citation]


==Career==
{{mexico-bio-stub}}
[[File:JLHernandezMendoza-LuisBarragan 1981.JPG|thumb|Luis Barragán and [[José Luis Hernández Mendoza]]]]
{{architect-stub}}

His Guadalajara work includes over a dozen private homes in the Colonia Americana area of what is today near downtown Guadalajara. These homes, within walking distance of each other, include Barragán's earliest residential projects. One of his first buildings, Casa Cristo, was restored and houses the state's Architects' Guild. The first four houses<ref>{{Cite web |last=Design |first=Mexico |date=2022-08-24 |title=Así fueron las 4 primeras casas que diseñó Luis Barragán |url=https://mexicodesign.com/asi-fueron-las-4-primeras-casas-que-diseno-luis-barragan-en-guadalajara/ |access-date=2023-01-10 |website=México Design |language=es-MX}}</ref> that Barragan were already contemporary architecture.

===Major projects===
In 1945 he started planning the residential development of [[Jardines del Pedregal]], Mexico City. In 1947 he built his own house and studio in [[Tacubaya]] and in 1955 he rebuilt the ''Convento de las Capuchinas Sacramentarias'' in [[Tlalpan]], [[Mexico City]], and the plan for [[Jardines del Bosque]] in Guadalajara. In 1957 he planned [[Torres de Satélite]] (an urban sculpture created in collaboration with sculptor [[Mathias Goeritz]]) and an exclusive residential area, [[Las Arboledas]], a few kilometers away from [[Ciudad Satélite]]. In 1964 he designed, alongside architect [[Juan Sordo Madaleno]], the [[Lomas Verdes]] residential area, also near the Satélite area, in the municipality of [[Naucalpan|Naucalpan, Estado de México]]. In 1967 he created one of his best-known works, the [[San Cristóbal Estates]] equestrian development in Mexico City.
{{Clear}} <!-- don't remove, technical -->
<gallery heights="200px" widths="200px">
File:Fuente de los Amantes.JPG|Fuente de los Amantes
File:Casa Giraldi Luis Barragan.JPG|Casa Gilardi
File:Casa Liraldi Luis Barragán.JPG|Casa Gilardi
File:Cuadra San Cristóbal (17423058118).jpg|San Cristóbal Estates
File:Torres de Satélite - 4.jpg|Torres de Satélite (in collaboration with sculptor [[Mathias Goeritz]])
</gallery>

===Barragán and the Modernist movement===
[[File:Faro de Comercio.jpg|thumbnail|Faro de Comercio]]

Barragán visited [[Le Corbusier]] and became influenced by European modernism. The buildings he produced in the years after his return to Mexico show the typical clean lines of the [[Modernism (architecture)|Modernist]] movement. Nonetheless, according to Andrés Casillas (who worked with Barragán), he eventually became entirely convinced that the house should not be "a machine for living." Opposed to functionalism, Barragán strove for an "emotional architecture" claiming that "any work of architecture which does not express serenity is a mistake." Barragán used raw materials such as stone or wood. He combined them with an original and dramatic use of light, both natural and artificial; his preference for hidden light sources gives his interiors a particularly subtle and lyrical atmosphere.

==Honors==
Barragán worked for years with little acknowledgement or praise until 1975 when he was honored with a [[retrospective]] at the [[Museum of Modern Art]] in [[New York City]]. In 1980, he became the second winner of the [[Pritzker Architecture Prize]]. His [[Luis Barragán House and Studio|house and studio]], built in 1948 in Mexico City, were listed as a [[UNESCO]] [[World Heritage Site|World Heritage site]] in 2004.

== Influence ==
[[File:Satelite Towers and Anillo Periferico BMAC.jpg|thumb|Torres de Satélite, Mexico City (1957–58), in collaboration with [[Mathias Goeritz]]]]

The work of Luis Barragán is often (and misleadingly) quoted in reference to [[minimalism|minimalist]] architecture. [[John Pawson]], in his book ''Minimum'', includes images from some of Barragán's projects. Most architects who do minimalistic architecture do not use color, but the ideas of forms and spaces which Barragán pioneered are still there.{{citation needed|date=September 2018}} There have been several essays written by the Pritzker Prize recipient [[Alvaro Siza]] in prefaces to books that make reference to the ideas of Barragán.{{citation needed|date=September 2018}}

[[Louis Kahn]] informally consulted Barragán on the space between the buildings of the [[Salk Institute]] in La Jolla, California.<ref>{{cite web|url=http://www.galinsky.com/buildings/salk/index.htm |title=Salk Institute by Louis I. Kahn |access-date=2013-08-17 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20000901081805/http://www.galinsky.com/buildings/salk/index.htm |archive-date=September 1, 2000 }}</ref> According to the documents, Kahn's original idea was to place a garden between the buildings; however, Barragán suggested that an open plaza, with only a water feature in between, would better reflect the spirit of the location. This area, possibly designed with Barragán's advice in mind, is arguably the most impressive aspect of the building complex. He was a highly recognized consultor by many Mexican and International architects on landscape design, as he had a particular ability to envision the outdoor spaces and their relation to their interior paradigms and the natural context characteristics.

Barragán's influence can be seen in the work of many of Mexico's contemporary architects, especially in [[Ricardo Legorreta]]'s projects. One of the projects, where Barragán's concepts and colors inspired Legorreta, is the Hotel Camino Real in Polanco, Mexico City. This project reflects the importance of the native culture and its intersection with an elegant modern design.

==Legacy==
Barragán died at the age of eighty-six in [[Mexico City]]. In his will, he designated three people to manage his legacy: [[Ignacio Díaz Morales]], Óscar Ignacio González, and [[Raúl Ferrera]].<ref>{{Cite web|url=https://www.pressreader.com/mexico/caras-m%C3%A9xico/20170601/281797103941533|title=|last=Morales-Casas|first=Gabriella|date=2017-06-01|via=PressReader|access-date=2018-10-09}}</ref> [[Ignacio Díaz Morales]], a friend and fellow architect, was bequeathed Barragán's library. He was tasked with choosing an institution suitable for receiving the book collection. Óscar Ignacio González, a childhood friend, received Barragán's personal objects. [[Raúl Ferrera]], his business partner, received the archives and the copyright to the work. Díaz Morales established the [[Fundación de Arquitectura Tapatía]], a private foundation managed by the [[Casa Barragán]], in co-ownership with the [[Government of the State of Jalisco]]. The house is now a museum which celebrates Barragán and serves as a conduit between scholars and architects interested in visiting other Barragán buildings in Mexico.<ref>[http://www.casaluisbarragan.org/main.html Casa Luis Barragán website] {{webarchive|url=https://web.archive.org/web/20100924032916/http://www.casaluisbarragan.org/main.html |date=2010-09-24 }}</ref> [[UNESCO]] added the Casa Luis Barragán to its [[World Heritage List]] in 2004.<ref>[https://whc.unesco.org/en/statesparties/mx List of Mexican Properties on the World Heritage List]</ref>

Following Raúl Ferrera's passing away in 1993, the archives and related copyright became the property of Mr. Ferrera's widow who, after having unsuccessfully tried to find a collector or institution willing to keep these in Mexico, decided to sell them to the Max Protetch Gallery in New York. The documents were offered to a number of prospective clients, among them the [[Vitra Design Museum]],<ref>[http://www.design-museum.de/ Vitra Design Museum]</ref> which in 1994 was planning an exhibition dedicated to Luis Barragán. Following the [[Vitra (furniture)|Vitra]]<ref>[http://www.vitra.com/ Vitra]</ref> company's policy of collecting objects and archives of design and architecture, the archives were finally acquired in their entirety and transferred to the Barragán Foundation in [[Switzerland]].

The Barragan Foundation<ref>[http://www.barragan-foundation.org/ Barragan Foundation]</ref> is a not-for-profit institution based in [[Birsfelden]], [[Switzerland]]. Since 1996, it manages the archives of Luis Barragán, and in 1997 acquired the negatives of the photographer [[Armando Salas Portugal]] documenting Barragán's work. The Foundation's mission is to spread the knowledge on Luis Barragán's cultural legacy by means of preserving and studying his archives and related historical sources, producing publications and exhibitions, providing expertise and assistance to further institutions and scholarly researches. The Barragán Foundation owns complete rights to the work of Luis Barragán and to the related photos by Armando Salas Portugal.

==Important works==
[[File:Planta baja-he.jpg|thumbnail|House for the architect / Barragán House]]

All finished projects by Barragán are located in Mexico.

*[[Las Arboledas]] / North of Mexico City (1955–1961)
*[[Luis Barragán House and Studio|House for the architect / Barragán House]], Mexico City (1947–48)
*[[Jardines del Pedregal]] Subdivision, Mexico City (1945–53)
*[[Tlalpan Chapel]], [[Tlalpan]], Mexico City (1954–60)
*[[Gálvez House]], Mexico City (1955)
*[[Jardines del Bosque]] Subdivision, Guadalajara (1955–58)
*[[Torres de Satélite]], Mexico City (1957–58), in collaboration with [[Mathias Goeritz]]
*[[Cuadra San Cristóbal]], Los Clubes, Mexico City (1966–68)
*[[Gilardi House]], Mexico City (1975–77)
*[[Cuernavaca Racquet Club]], [[Cuernavaca]], [[Morelos]], Mexico (1976-1980)

===Luis Barragán House and Studio===
{{main article|Luis Barragán House and Studio}}

Luis Barragán set up his studio in Mexico City, the building is currently a museum, but with tours available only by appointment. The building is from 1948 reflecting Barragán's preferred style, where he lived his whole life. Today is owned by [[Jalisco]] and the Arquitectura Tapatía Luis Barragán Foundation. The site became [[World Heritage Site]] by [[UNESCO]] in 2004.<ref>{{cite web|url=http://www.casaluisbarragan.org/main.html|title=Casa Luis Barragán website|publisher=www.casaluisbarragan.org|access-date=2015-08-17|url-status=dead|archive-url=https://web.archive.org/web/20100924032916/http://www.casaluisbarragan.org/main.html|archive-date=2010-09-24}}</ref>

<gallery heights="200px" widths="200px" perrow="4" caption="">
File:Luis Barragan House exterior 01.jpg
<!-- File:Luis Barragan House exterior 02.jpg| -->
File:Luis Barragan - Casa Luis Barragan 張基義老師拍攝 010.jpg
File:Luis Barragan - Casa Luis Barragan 張基義老師拍攝 015.jpg
File:Luis Barragan - Casa Luis Barragan 張基義老師拍攝 039.jpg
</gallery>

==In popular culture==
In [[Tite Kubo|Tite Kubo's]] [[manga]] series [[Bleach (manga)|Bleach]], the character [[List of Hollows in Bleach#Baraggan Louisenbairn|Baraggan Louisenbarn]] is named after Luis Barragán.

==Further reading==
*Ambasz, Emilio, ''The Architecture of Luis Barragán''. 1976.
*Garbutt, Lindsay. September 19, 2018. Casa Luis Barragán, Sacred Space of Mexican Modernism. ''JSTOR Daily'' [https://daily.jstor.org/casa-luis-barragan-sacred-space-of-mexican-modernism/ Web access]
*Jackson, Estelle, et al. ''Luis Barragán: The Architecture of Light, Color, and Form''. Exhibition catalogue for ''Montage Journal'' traveling exhibition 1995.
*"Luis Barragán, arquitecto," in ''Arquitectura'' 70 (March 1989), 51-85.
*Underwood, Max. "Architect of the Intangible," in Americas 43, no. 4 (1991): 6-15.

==References==
{{Reflist}}
*Peñaflor, Osvaldo "Fundación Barragán lanza sitio web que recopila 5 décadas de la obra del arquitecto mexicano" https://www.archdaily.mx/mx/tag/barragan-foundation about Barragan Foundation new site (in Spanish)

==External links==
{{Wikiquote}}
*[http://www.barragan-foundation.org/ Website of the Barragan Foundation]
*[http://www.casaluisbarragan.org/ Luis Barragan's house and studio (in Spanish)]
*[https://www.archdaily.mx/mx/tag/barragan-foundation about Barragan Foundation new site (in Spanish)]
*[https://www.archdaily.com/959639/the-barragan-foundation-compiles-5-decades-of-the-mexican-architects-work about Barragan Foundation new site ]
*{{webarchive |url=https://web.archive.org/web/20071029012341/http://www.pritzkerprize.com/barragan.htm |date=October 29, 2007 |title=Barragán's Pritzker Prize citation }}
*[http://www.arsny.com/ Artists Rights Society, Barragán's U.S. Copyright Representatives]
*[http://www.minimalisti.com/architecture/01/minimalist-architects-luis-barragan.html Luis Barragan's work]
*https://www.admexico.mx/arquitectura/articulos/espacios-luis-barragan-cdmx-edo-mex/5039 {{Webarchive|url=https://web.archive.org/web/20191230002655/https://www.admexico.mx/arquitectura/articulos/espacios-luis-barragan-cdmx-edo-mex/5039 |date=2019-12-30 }}
{{Pritzker Prize laureates}}


{{Authority control}}
[[Category:1902 births|Barragan, Luis]]
[[Category:1988 deaths|Barragan, Luis]]
[[Category:Mexican architects|Barragan, Luis]]
[[Category:Pritzker Prize winners|Barragan, Luis]]
[[Category:People from Guadalajara|Barragan, Luis]]
[[Category:People from Jalisco|Barragan, Luis]]


{{DEFAULTSORT:Barragan, Luis}}
[[de:Luis Barragán]]
[[Category:Modernist architects from Mexico]]
[[es:Luis Barragán]]
[[Category:Architecture firms of Mexico]]
[[eu:Luis Barragan]]
[[Category:Pritzker Architecture Prize winners]]
[[fr:Luis Barragán]]
[[pl:Luis Barragán]]
[[Category:1902 births]]
[[pt:Luis Barragán]]
[[Category:1988 deaths]]
[[Category:Architects from Mexico City]]
[[sv:Luis Barragan]]
[[Category:Modernist architecture in Mexico]]
[[vi:Luis Barragán]]
[[Category:20th-century Mexican architects]]
[[zh:路易斯·巴拉甘]]
[[Category:People from Guadalajara, Jalisco]]

Latest revision as of 16:39, 3 December 2024

Luis Barragán
Barragán in 1960s.
Born(1902-03-09)March 9, 1902
DiedNovember 22, 1988 (aged 86)
Mexico City, Mexico
OccupationArchitect
AwardsPritzker Prize
BuildingsTorres de Satélite, Casa Gilardi, Barragán House, Jardines de Pedregal Subdivision

Luis Ramiro Barragán Morfín [ˈlu.is raˈmi.ɾo βa.raˈɣan moɾˈfin] (March 9, 1902 – November 22, 1988) was a Mexican architect and engineer. His work has influenced contemporary architects visually and conceptually.[1] Barragán's buildings are frequently visited by international students and professors of architecture. He studied as an engineer in his home town, while undertaking the entirety of additional coursework to obtain the title of architect.[2]

Barragán won the Pritzker Prize, the highest award in architecture, in 1980, and his personal home, the Luis Barragán House and Studio, was declared a UNESCO World Heritage Site in 2004.

Early life

[edit]

Barragán was born in Guadalajara in Jalisco, Mexico. Educated as an engineer, he graduated from the Escuela Libre de Ingenieros in Guadalajara in 1923. After graduation, he traveled through Spain and France. While in France he became aware of the writings of Ferdinand Bac, a German-French writer, designer and artist whom Barragán cited throughout his life.[3] In 1931, he again traveled to France with a long stop-over in New York. In this trip he met Mexican mural painter José Clemente Orozco, architectural magazine editors, and Frederick Kiesler. In France he briefly met Le Corbusier and finally visited the gardens realized by Ferdinand Bac. He practiced architecture in Guadalajara from 1927–1936, and in Mexico City thereafter.

Career

[edit]
Luis Barragán and José Luis Hernández Mendoza

His Guadalajara work includes over a dozen private homes in the Colonia Americana area of what is today near downtown Guadalajara. These homes, within walking distance of each other, include Barragán's earliest residential projects. One of his first buildings, Casa Cristo, was restored and houses the state's Architects' Guild. The first four houses[4] that Barragan were already contemporary architecture.

Major projects

[edit]

In 1945 he started planning the residential development of Jardines del Pedregal, Mexico City. In 1947 he built his own house and studio in Tacubaya and in 1955 he rebuilt the Convento de las Capuchinas Sacramentarias in Tlalpan, Mexico City, and the plan for Jardines del Bosque in Guadalajara. In 1957 he planned Torres de Satélite (an urban sculpture created in collaboration with sculptor Mathias Goeritz) and an exclusive residential area, Las Arboledas, a few kilometers away from Ciudad Satélite. In 1964 he designed, alongside architect Juan Sordo Madaleno, the Lomas Verdes residential area, also near the Satélite area, in the municipality of Naucalpan, Estado de México. In 1967 he created one of his best-known works, the San Cristóbal Estates equestrian development in Mexico City.

Barragán and the Modernist movement

[edit]
Faro de Comercio

Barragán visited Le Corbusier and became influenced by European modernism. The buildings he produced in the years after his return to Mexico show the typical clean lines of the Modernist movement. Nonetheless, according to Andrés Casillas (who worked with Barragán), he eventually became entirely convinced that the house should not be "a machine for living." Opposed to functionalism, Barragán strove for an "emotional architecture" claiming that "any work of architecture which does not express serenity is a mistake." Barragán used raw materials such as stone or wood. He combined them with an original and dramatic use of light, both natural and artificial; his preference for hidden light sources gives his interiors a particularly subtle and lyrical atmosphere.

Honors

[edit]

Barragán worked for years with little acknowledgement or praise until 1975 when he was honored with a retrospective at the Museum of Modern Art in New York City. In 1980, he became the second winner of the Pritzker Architecture Prize. His house and studio, built in 1948 in Mexico City, were listed as a UNESCO World Heritage site in 2004.

Influence

[edit]
Torres de Satélite, Mexico City (1957–58), in collaboration with Mathias Goeritz

The work of Luis Barragán is often (and misleadingly) quoted in reference to minimalist architecture. John Pawson, in his book Minimum, includes images from some of Barragán's projects. Most architects who do minimalistic architecture do not use color, but the ideas of forms and spaces which Barragán pioneered are still there.[citation needed] There have been several essays written by the Pritzker Prize recipient Alvaro Siza in prefaces to books that make reference to the ideas of Barragán.[citation needed]

Louis Kahn informally consulted Barragán on the space between the buildings of the Salk Institute in La Jolla, California.[5] According to the documents, Kahn's original idea was to place a garden between the buildings; however, Barragán suggested that an open plaza, with only a water feature in between, would better reflect the spirit of the location. This area, possibly designed with Barragán's advice in mind, is arguably the most impressive aspect of the building complex. He was a highly recognized consultor by many Mexican and International architects on landscape design, as he had a particular ability to envision the outdoor spaces and their relation to their interior paradigms and the natural context characteristics.

Barragán's influence can be seen in the work of many of Mexico's contemporary architects, especially in Ricardo Legorreta's projects. One of the projects, where Barragán's concepts and colors inspired Legorreta, is the Hotel Camino Real in Polanco, Mexico City. This project reflects the importance of the native culture and its intersection with an elegant modern design.

Legacy

[edit]

Barragán died at the age of eighty-six in Mexico City. In his will, he designated three people to manage his legacy: Ignacio Díaz Morales, Óscar Ignacio González, and Raúl Ferrera.[6] Ignacio Díaz Morales, a friend and fellow architect, was bequeathed Barragán's library. He was tasked with choosing an institution suitable for receiving the book collection. Óscar Ignacio González, a childhood friend, received Barragán's personal objects. Raúl Ferrera, his business partner, received the archives and the copyright to the work. Díaz Morales established the Fundación de Arquitectura Tapatía, a private foundation managed by the Casa Barragán, in co-ownership with the Government of the State of Jalisco. The house is now a museum which celebrates Barragán and serves as a conduit between scholars and architects interested in visiting other Barragán buildings in Mexico.[7] UNESCO added the Casa Luis Barragán to its World Heritage List in 2004.[8]

Following Raúl Ferrera's passing away in 1993, the archives and related copyright became the property of Mr. Ferrera's widow who, after having unsuccessfully tried to find a collector or institution willing to keep these in Mexico, decided to sell them to the Max Protetch Gallery in New York. The documents were offered to a number of prospective clients, among them the Vitra Design Museum,[9] which in 1994 was planning an exhibition dedicated to Luis Barragán. Following the Vitra[10] company's policy of collecting objects and archives of design and architecture, the archives were finally acquired in their entirety and transferred to the Barragán Foundation in Switzerland.

The Barragan Foundation[11] is a not-for-profit institution based in Birsfelden, Switzerland. Since 1996, it manages the archives of Luis Barragán, and in 1997 acquired the negatives of the photographer Armando Salas Portugal documenting Barragán's work. The Foundation's mission is to spread the knowledge on Luis Barragán's cultural legacy by means of preserving and studying his archives and related historical sources, producing publications and exhibitions, providing expertise and assistance to further institutions and scholarly researches. The Barragán Foundation owns complete rights to the work of Luis Barragán and to the related photos by Armando Salas Portugal.

Important works

[edit]
House for the architect / Barragán House

All finished projects by Barragán are located in Mexico.

Luis Barragán House and Studio

[edit]

Luis Barragán set up his studio in Mexico City, the building is currently a museum, but with tours available only by appointment. The building is from 1948 reflecting Barragán's preferred style, where he lived his whole life. Today is owned by Jalisco and the Arquitectura Tapatía Luis Barragán Foundation. The site became World Heritage Site by UNESCO in 2004.[12]

[edit]

In Tite Kubo's manga series Bleach, the character Baraggan Louisenbarn is named after Luis Barragán.

Further reading

[edit]
  • Ambasz, Emilio, The Architecture of Luis Barragán. 1976.
  • Garbutt, Lindsay. September 19, 2018. Casa Luis Barragán, Sacred Space of Mexican Modernism. JSTOR Daily Web access
  • Jackson, Estelle, et al. Luis Barragán: The Architecture of Light, Color, and Form. Exhibition catalogue for Montage Journal traveling exhibition 1995.
  • "Luis Barragán, arquitecto," in Arquitectura 70 (March 1989), 51-85.
  • Underwood, Max. "Architect of the Intangible," in Americas 43, no. 4 (1991): 6-15.

References

[edit]
  1. ^ Estelle Jackson, "Luis Barragán Morfin," in Encyclopedia of Latin American History and Culture, vol. 2, pp. 293-94. New York: Charles Scribner's Sons 1996.
  2. ^ Barragán, Luis (2000). Escritos y conversaciones. MADRID: El Croquis. pp. 72–89. ISBN 84-88386-17-6.
  3. ^ Tim Street-Porter, Casa Mexicana Stewart, Tabori & Chang (1989) ISBN 1-55670-097-0
  4. ^ Design, Mexico (2022-08-24). "Así fueron las 4 primeras casas que diseñó Luis Barragán". México Design (in Mexican Spanish). Retrieved 2023-01-10.
  5. ^ "Salk Institute by Louis I. Kahn". Archived from the original on September 1, 2000. Retrieved 2013-08-17.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  6. ^ Morales-Casas, Gabriella (2017-06-01). https://www.pressreader.com/mexico/caras-m%C3%A9xico/20170601/281797103941533. Retrieved 2018-10-09 – via PressReader. {{cite web}}: Missing or empty |title= (help)
  7. ^ Casa Luis Barragán website Archived 2010-09-24 at the Wayback Machine
  8. ^ List of Mexican Properties on the World Heritage List
  9. ^ Vitra Design Museum
  10. ^ Vitra
  11. ^ Barragan Foundation
  12. ^ "Casa Luis Barragán website". www.casaluisbarragan.org. Archived from the original on 2010-09-24. Retrieved 2015-08-17.
[edit]