Cut (2011 film): Difference between revisions
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{{Infobox film |
{{Infobox film |
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| name = Cut |
| name = Cut |
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| screenplay = |
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| story = |
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| based_on = <!-- {{based on|title of the original work|writer of the original work}} --> |
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| narrator = |
| narrator = |
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| starring = [[Hidetoshi Nishijima (actor)|Hidetoshi Nishijima]]<br/>[[Takako Tokiwa]] |
| starring = [[Hidetoshi Nishijima (actor)|Hidetoshi Nishijima]]<br/>[[Takako Tokiwa]] |
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| studio = Tokyo Story |
| studio = Tokyo Story |
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| distributor = Bitters End |
| distributor = Bitters End |
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| released = {{Film date|2011|09|01|[[68th Venice International Film Festival]]|2011|12|17|Japan}} |
| released = {{Film date|df=yes|2011|09|01|[[68th Venice International Film Festival]]|2011|12|17|Japan}} |
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| runtime = 133 minutes |
| runtime = 133 minutes |
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| country = Japan |
| country = Japan |
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==Reception== |
==Reception== |
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Neil Young of ''[[The Hollywood Reporter]]'' described ''Cut'' as "[[Amir Naderi]]'s violent homage to Japanese cinema".<ref>{{cite web|url=http://www.hollywoodreporter.com/review/cut-venice-film-review-230770|title=Cut: Venice Film Review|work=The Hollywood Reporter|author=Neil Young|date=2 September 2011}}</ref> Dan Fainaru of ''[[Screen International]]'' felt that the film is "certainly one of the most significant to come out this year in Venice, both in shape and content."<ref>{{cite web|url=http://www.screendaily.com/reviews/the-latest/cut/5031519.article|title=Cut - Review - Screen |website=Screen Daily|publisher=Screen International|author=Dan Fainaru|date=2 September 2011}}</ref> Chris Cabin of [[Slant Magazine]] gave the film 2 out of 4 stars. He commented that Shuji might be "the most convincingly pretentious and frustrated cinephile to ever be portrayed on film" and [[Hidetoshi Nishijima (actor)|Hidetoshi Nishijima]] is "admirable in conveying Shuji's caustic misanthropy without making him entirely unlikable."<ref>{{cite web|url=http://www.slantmagazine.com/film/review/cut/6223|title=Cut - Film Review - Slant Magazine|work=Slant Magazine|author=Chris Cabin|date=23 April 2012}}</ref> Meanwhile, Ben Umstead of [[Twitch Film]] criticized the film, noting that the film's climax is "so cinema-indulgent that it may perhaps only be tolerated by a cinephile that can knowingly take it in with a sense of humor and a great sense of empathy... and a lot in between."<ref>{{cite web|url=http://twitchfilm.com/2012/04/tribeca-2012-review-cut.html|title=Tribeca 2012 Review: Amir Naderi's CUT And The Healing Power of Cinema|website=Twitch Film|author=Ben Umstead|date=26 April 2012}}</ref> |
Neil Young of ''[[The Hollywood Reporter]]'' described ''Cut'' as "[[Amir Naderi]]'s violent homage to Japanese cinema".<ref>{{cite web|url=http://www.hollywoodreporter.com/review/cut-venice-film-review-230770|title=Cut: Venice Film Review|work=The Hollywood Reporter|author=Neil Young|date=2 September 2011}}</ref> Dan Fainaru of ''[[Screen International]]'' felt that the film is "certainly one of the most significant to come out this year in Venice, both in shape and content."<ref>{{cite web|url=http://www.screendaily.com/reviews/the-latest/cut/5031519.article|title=Cut - Review - Screen |website=Screen Daily|publisher=Screen International|author=Dan Fainaru|date=2 September 2011}}</ref> Chris Cabin of [[Slant Magazine]] gave the film 2 out of 4 stars. He commented that Shuji might be "the most convincingly pretentious and frustrated cinephile to ever be portrayed on film" and [[Hidetoshi Nishijima (actor)|Hidetoshi Nishijima]] is "admirable in conveying Shuji's caustic misanthropy without making him entirely unlikable."<ref>{{cite web|url=http://www.slantmagazine.com/film/review/cut/6223|title=Cut - Film Review - Slant Magazine|work=Slant Magazine|author=Chris Cabin|date=23 April 2012}}</ref> Meanwhile, Ben Umstead of [[Twitch Film]] criticized the film, noting that the film's climax is "so cinema-indulgent that it may perhaps only be tolerated by a cinephile that can knowingly take it in with a sense of humor and a great sense of empathy... and a lot in between."<ref>{{cite web|url=http://twitchfilm.com/2012/04/tribeca-2012-review-cut.html|title=Tribeca 2012 Review: Amir Naderi's CUT And The Healing Power of Cinema|website=Twitch Film|author=Ben Umstead|date=26 April 2012|access-date=6 January 2013|archive-url=https://web.archive.org/web/20130526143851/http://twitchfilm.com/2012/04/tribeca-2012-review-cut.html|archive-date=26 May 2013|url-status=dead}}</ref> |
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Mark Shilling of ''[[The Japan Times]]'' gave the film 3.5 out of 5 stars. He said: "As stills from some of Naderi's 100 favorites flash on the screen amid the blows and blood, ''Cut'' becomes not only a paean to beloved films, but also a rallying cry against the forces of greed and cynicism. The ultra violence, however, threatens to drown out the message. [...] Despite the many shout-outs to Japanese directors in ''Cut'', from [[Akira Kurosawa]] to [[Takeshi Kitano]], Naderi is not simply the latest foreigner trying to make a fake 'Japanese movie.' Instead he has made a Naderi movie, using Japanese cinema as an inspiration, while referencing the local culture's traditional love of the self-sacrificial hero."<ref>{{cite web|url=http://www.japantimes.co.jp/text/ff20111216a3.html|title='Cut'|work=The Japan Times|author=Mark Schilling|date=16 December 2011}}</ref> |
Mark Shilling of ''[[The Japan Times]]'' gave the film 3.5 out of 5 stars. He said: "As stills from some of Naderi's 100 favorites flash on the screen amid the blows and blood, ''Cut'' becomes not only a paean to beloved films, but also a rallying cry against the forces of greed and cynicism. The ultra violence, however, threatens to drown out the message. [...] Despite the many shout-outs to Japanese directors in ''Cut'', from [[Akira Kurosawa]] to [[Takeshi Kitano]], Naderi is not simply the latest foreigner trying to make a fake 'Japanese movie.' Instead he has made a Naderi movie, using Japanese cinema as an inspiration, while referencing the local culture's traditional love of the self-sacrificial hero."<ref>{{cite web|url=http://www.japantimes.co.jp/text/ff20111216a3.html|title='Cut'|work=The Japan Times|author=Mark Schilling|date=16 December 2011}}</ref> |
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==External links== |
==External links== |
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* {{Official website}} {{ |
* {{Official website}} {{in lang|ja}} |
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* {{IMDb title|1720905|Cut}} |
* {{IMDb title|1720905|Cut}} |
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[[Category:Japanese drama films]] |
[[Category:Japanese drama films]] |
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[[Category:2011 films]] |
[[Category:2011 films]] |
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[[Category: |
[[Category:2011 drama films]] |
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[[Category:2010s |
[[Category:2010s Japanese films]] |
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[[Category:2010s Japanese-language films]] |
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[[Category:Japanese-language drama films]] |
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Latest revision as of 01:53, 4 December 2024
| Cut | |
|---|---|
| Directed by | Amir Naderi |
| Written by | Amir Naderi Abou Farman Shinji Aoyama Yuichi Tazawa |
| Produced by | Eric Nyari Engin Yenidunya Regis Arnaud |
| Starring | Hidetoshi Nishijima Takako Tokiwa |
| Cinematography | Keiji Hashimoto |
| Edited by | Amir Naderi |
Production company | Tokyo Story |
| Distributed by | Bitters End |
Release dates |
|
Running time | 133 minutes |
| Country | Japan |
| Language | Japanese |
Cut is a 2011 Japanese drama film directed by Amir Naderi, starring Hidetoshi Nishijima and Takako Tokiwa.
Cast
[edit]- Hidetoshi Nishijima as Shuji
- Takako Tokiwa as Yoko
- Takashi Sasano as Hiroshi
- Shun Sugata as Masaki
- Denden as Takagaki
- Takuji Suzuki as Nakamichi
Production
[edit]Cut was initially inspired by the director Amir Naderi's relationship with the late John Cassavetes. After he met the actor Hidetoshi Nishijima at the Tokyo Filmex festival in 2002, he decided to adapt the story to Japan.[1]
Reception
[edit]Neil Young of The Hollywood Reporter described Cut as "Amir Naderi's violent homage to Japanese cinema".[2] Dan Fainaru of Screen International felt that the film is "certainly one of the most significant to come out this year in Venice, both in shape and content."[3] Chris Cabin of Slant Magazine gave the film 2 out of 4 stars. He commented that Shuji might be "the most convincingly pretentious and frustrated cinephile to ever be portrayed on film" and Hidetoshi Nishijima is "admirable in conveying Shuji's caustic misanthropy without making him entirely unlikable."[4] Meanwhile, Ben Umstead of Twitch Film criticized the film, noting that the film's climax is "so cinema-indulgent that it may perhaps only be tolerated by a cinephile that can knowingly take it in with a sense of humor and a great sense of empathy... and a lot in between."[5]
Mark Shilling of The Japan Times gave the film 3.5 out of 5 stars. He said: "As stills from some of Naderi's 100 favorites flash on the screen amid the blows and blood, Cut becomes not only a paean to beloved films, but also a rallying cry against the forces of greed and cynicism. The ultra violence, however, threatens to drown out the message. [...] Despite the many shout-outs to Japanese directors in Cut, from Akira Kurosawa to Takeshi Kitano, Naderi is not simply the latest foreigner trying to make a fake 'Japanese movie.' Instead he has made a Naderi movie, using Japanese cinema as an inspiration, while referencing the local culture's traditional love of the self-sacrificial hero."[6]
References
[edit]- ^ James Hadfield (17 December 2011). "Amir Naderi: the interview". Time Out Tokyo. Archived from the original on 17 May 2013.
- ^ Neil Young (2 September 2011). "Cut: Venice Film Review". The Hollywood Reporter.
- ^ Dan Fainaru (2 September 2011). "Cut - Review - Screen". Screen Daily. Screen International.
- ^ Chris Cabin (23 April 2012). "Cut - Film Review - Slant Magazine". Slant Magazine.
- ^ Ben Umstead (26 April 2012). "Tribeca 2012 Review: Amir Naderi's CUT And The Healing Power of Cinema". Twitch Film. Archived from the original on 26 May 2013. Retrieved 6 January 2013.
- ^ Mark Schilling (16 December 2011). "'Cut'". The Japan Times.
External links
[edit]- Official website
(in Japanese) - Cut at IMDb
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