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{{Short description|1973 film by Sidney Lumet}}
{{Short description|1973 British film by Sidney Lumet}}
{{Use dmy dates|date=July 2014}}
{{Use dmy dates|date=July 2014}}
{{Use British English|date=July 2014}}
{{Use British English|date=July 2014}}
{{more citations needed|date=March 2016}}
{{Infobox film
{{Infobox film
| name = The Offence
| name = The Offence
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| director = [[Sidney Lumet]]
| director = [[Sidney Lumet]]
| producer = [[Denis O'Dell]]
| producer = [[Denis O'Dell]]
| screenplay = [[John Hopkins (screenwriter)|John Hopkins]] (writer)
| screenplay = [[John Hopkins (screenwriter)|John Hopkins]]
| starring = {{Plainlist|
| starring = {{Plainlist|
* [[Sean Connery]]
* [[Sean Connery]]
Line 27: Line 26:
}}
}}


'''''The Offence''''' is a 1973 British [[crime film|crime]] [[neo noir]] [[drama film]] directed by [[Sidney Lumet]], based upon the 1968 stage play ''This Story of Yours'' by [[John Hopkins (screenwriter)|John Hopkins]].<ref name="bray" /> It stars [[Sean Connery]] as police [[detective]] Johnson, who kills suspected [[child molester]] Kenneth Baxter ([[Ian Bannen]]) while interrogating him. The film explores Johnson's varied, often aggressive attempts at rationalizing what he did, revealing his true motives for killing the suspect in a series of flashbacks. [[Trevor Howard]] and [[Vivien Merchant]] appear in major supporting roles. Bannen was nominated for a [[BAFTA award]] for his performance.
'''''The Offence''''' is a 1973 British [[crime film|crime]] [[neo noir]] [[drama film]] directed by [[Sidney Lumet]] and starring [[Sean Connery]], [[Ian Bannen]], [[Trevor Howard]] and [[Vivien Merchant]].<ref name="BFIsearch">{{Cite web |title=The Offence |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150036446 |access-date=13 June 2024 |website=British Film Institute Collections Search}}</ref> The screenplay was by [[John Hopkins (screenwriter)|John Hopkins]] based on his 1968 stage play ''This Story of Yours''.<ref name="bray" />

A police officer suffers a breakdown and kills a suspect.


==Plot ==
==Plot ==
Detective-Sergeant Johnson has been a police officer for 20 years and is deeply affected by the [[murder]]s, [[rape]]s, and other violent crimes he has investigated. He is plagued by images of violence, and he appears to be losing his mind under the strain.
Detective Sergeant Johnson has been a police officer for 20 years and is deeply affected by the murders, rapes, and other violent crimes he has investigated. He is plagued by images of violence, and he appears to be losing his mind under the strain.


His anger surfaces while interrogating Kenneth Baxter, who is suspected of raping a young girl. By the end of the interrogation, Johnson has severely beaten Baxter, who is then taken to the hospital where he later dies.
His anger surfaces while interrogating Kenneth Baxter, who is suspected of raping a young girl. By the end of the interrogation, Johnson has severely beaten Baxter, who is then taken to the hospital where he later dies.
Line 38: Line 39:
The following day, Johnson is interviewed by Detective Superintendent Cartwright. During their long confrontation, [[flashback (literary technique)|flashbacks]] show the events of the previous night, when Johnson beat Baxter.
The following day, Johnson is interviewed by Detective Superintendent Cartwright. During their long confrontation, [[flashback (literary technique)|flashbacks]] show the events of the previous night, when Johnson beat Baxter.


The flashbacks portray Baxter whose guilt or innocence is left ambiguous taunting Johnson, insinuating that Johnson secretly wants to commit the sort of [[sex crime]]s that he investigates. Johnson at first flies into a rage and strikes Baxter, but he eventually admits that he does indeed harbour obsessive fantasies of murder and rape. He then tearfully begs Baxter to help him. When Baxter recoils from him in disgust, Johnson brutally beats him while Baxter continues to taunt and laugh at him.
The flashbacks portray Baxter whose guilt or innocence is left ambiguous taunting Johnson, insinuating that Johnson secretly wants to commit the sort of [[sex crime]]s that he investigates. Johnson at first flies into a rage and strikes Baxter, but he eventually admits that he does indeed harbour obsessive fantasies of murder and rape. He then tearfully begs Baxter to help him. When Baxter recoils from him in disgust, Johnson brutally beats him while Baxter continues to taunt and laugh at him.


The film ends with another flashback, this time of Johnson attacking the police officers who pulled him off Baxter, and muttering "God...my God..." as he realises what he has done.
The film ends with another flashback, this time of Johnson attacking the police officers who pulled him off Baxter, and muttering "God...my God..." as he realises what he has done.
Line 44: Line 45:
==Cast==
==Cast==
{{castlist|
{{castlist|
*[[Sean Connery]] Johnson
*[[Sean Connery]] as Jason Johnson
*[[Trevor Howard]] Cartwright
*[[Trevor Howard]] as Cartwright
*[[Vivien Merchant]] Maureen
*[[Vivien Merchant]] as Maureen
*[[Ian Bannen]] Baxter
*[[Ian Bannen]] as Baxter
*[[Peter Bowles]] Cameron
*[[Peter Bowles]] as Cameron
*[[Derek Newark]] Jessard
*[[Derek Newark]] as Jessard
*[[Ronald Radd]] Lawson
*[[Ronald Radd]] as Lawson
*[[John Hallam]] Panton
*[[John Hallam]] as Panton
*[[Richard Moore (actor)|Richard Moore]] Garrett
*[[Richard Moore (actor)|Richard Moore]] as Garrett
*[[Anthony Sagar]] Hill
*[[Anthony Sagar]] as Hill
*[[Maxine Gordon]] Janie
*[[Maxine Gordon]] as Janie
*[[Hilda Fenemore]] woman on common
*[[Hilda Fenemore]] as woman on common
*Rhoda Lewis woman at school
*Rhoda Lewis as woman at school
*Cynthia Lund child at school
*Cynthia Lund as child at school
*[[Howard Goorney]] Lambert
*[[Howard Goorney]] as Lambert
}}
}}


==Production==
==Production==
When Connery agreed to return as [[James Bond]] in ''[[Diamonds Are Forever (film)|Diamonds Are Forever]]'', [[David V. Picker]], CEO of [[United Artists]], pledged to back two of Connery's own film projects, provided they cost $2 million or less, in association with Connery's own production company, Tantallon Films.<ref>{{cite book|first1=Alan |last1=Barnes |first2=Marcus |last2=Hearn |title=Kiss Kiss Bang Bang: The Unofficial James Bond Film Companion |publisher=BT Batsford Ltd |location=London |year=1997 |page=99 |isbn=978-0713486452}}</ref> ''The Offence'', made under the working title ''Something Like the Truth'' (a line that appears in [[John Hopkins (screenwriter)|John Hopkins]]' original play), was the first. Connery was keen to shake off the image of James Bond and expand his range as an actor.<ref>{{Cite web|url=https://www.theguardian.com/film/2015/jun/14/the-offence-sidney-lumet-dvd-review-sean-connery|title=The Offence review – Connery and Lumet's starkly naturalistic police drama|website=[[The Guardian]]|date=14 June 2015}}</ref>
{{more citations needed section|date=March 2016}}
When Connery agreed to return as [[James Bond]] in ''[[Diamonds Are Forever (film)|Diamonds Are Forever]]'', [[David V. Picker]], CEO of [[United Artists]], pledged to back two of Connery's own film projects, provided they cost $2&nbsp;million or less, in association with Connery's own production company, Tantallon Films.<ref>Alan Barnes and Marcus Hearn, ''Kiss Kiss Bang Bang: The Unofficial James Bond Film Companion'', BT Batsford Ltd, London 1997, page 99</ref> ''The Offence'', made under the working title ''Something Like the Truth'' (a line that appears in [[John Hopkins (screenwriter)|John Hopkins]]' original play), was the first. Connery was keen to shake off the image of James Bond and expand his range as an actor.<ref>{{Cite web|url=https://www.theguardian.com/film/2015/jun/14/the-offence-sidney-lumet-dvd-review-sean-connery|title=The Offence review – Connery and Lumet's starkly naturalistic police drama|website=[[TheGuardian.com]]|date=14 June 2015}}</ref>


Connery had previously worked with Hopkins when the writer had co-scripted ''[[Thunderball (film)|Thunderball]]'' and had seen the play during its original run in London in 1968. Seeing potential in the story, Connery bought the option on the film rights and asked Hopkins to adapt the script for the big screen.<ref>{{cite web |url=http://www.londonpubtheatres.com/this-story-of-yours/4594169452 |title=THIS STORY OF YOURS – londonpubtheatres.com |website=www.londonpubtheatres.com |url-status=dead |archive-url=https://web.archive.org/web/20180620101218/http://www.londonpubtheatres.com/this-story-of-yours/4594169452 |archive-date=2018-06-20}}</ref>
Connery had previously worked with Hopkins when the writer had co-scripted ''[[Thunderball (film)|Thunderball]]'' and had seen the play during its original run in London in 1968. Seeing potential in the story, Connery bought the option on the film rights and asked Hopkins to adapt the script for the big screen.<ref>{{cite web |url=http://www.londonpubtheatres.com/this-story-of-yours/4594169452 |title=THIS STORY OF YOURS – londonpubtheatres.com |website=www.londonpubtheatres.com |url-status=dead |archive-url=https://web.archive.org/web/20180620101218/http://www.londonpubtheatres.com/this-story-of-yours/4594169452 |archive-date=2018-06-20}}</ref>


Having made two films with Sidney Lumet, ''[[The Hill (1965 film)|The Hill]]'' and ''[[The Anderson Tapes]],'' Connery appreciated his straightforward approach and offered him the job of directing. Lumet was keen to work with Connery again and accepted. Ian Bannen, who had also appeared in ''The Hill,'' was hired as co-star.<ref>{{Cite web|url=http://screenanarchy.com/2015/05/learning-from-the-masters-of-cinema-sidney-lumets-the-offence.html|title=Learning from the Masters of Cinema: Sidney Lumet's THE OFFENCE|date=4 May 2015}}</ref>
Having made two films with Sidney Lumet, ''[[The Hill (1965 film)|The Hill]]'' (1965) and ''[[The Anderson Tapes]]'' (1971), Connery offered him the job of directing. Lumet accepted. Ian Bannen, who had also appeared in ''The Hill,'' was hired as co-star.<ref>{{Cite web|url=http://screenanarchy.com/2015/05/learning-from-the-masters-of-cinema-sidney-lumets-the-offence.html|title=Learning from the Masters of Cinema: Sidney Lumet's THE OFFENCE|date=4 May 2015}}</ref>


The film was shot on a small budget of £385,000 in March and April 1972 in and around [[Bracknell]], [[Berkshire]]—notably the [[Wildridings]] Mill Pond area and [[Easthampstead]]'s Point Royal. Interior sets were filmed at Twickenham Studios.<ref name="bray" /> A collection of location stills and corresponding contemporary photographs is hosted at reelstreets.com.<ref>{{Cite web |title=Offence, The |url=https://www.reelstreets.com/films/offence-the/ |url-status=live |access-date=5 March 2022 |website=ReelStreets}}</ref>
The film was shot on a small budget of £385,000 in March and April 1972 in and around [[Bracknell]], [[Berkshire]], notably the [[Wildridings]] Mill Pond area and [[Easthampstead]]'s Point Royal. Interior sets were filmed at [[Twickenham Studios]].<ref name="bray" /> A collection of location stills and corresponding contemporary photographs is hosted at reelstreets.com.<ref>{{Cite web |title=Offence, The |url=https://www.reelstreets.com/films/offence-the/ |access-date=5 March 2022 |website=ReelStreets}}</ref>


The fight sequences between Connery and Bannen were choreographed, uncredited, by [[Bob Simmons (stunt man)|Bob Simmons]], who had designed similar action scenes for the Bond films. The film was [[Harrison Birtwistle|Sir Harrison Birtwistle]]'s only film score.<ref>{{Cite book | url=https://books.google.com/books?id=T83Z0vkHWBcC&q=tantallon+films&pg=PA125 |title = The Films of Sean Connery|isbn = 9780806522234|last1 = Pfeiffer|first1 = Lee|last2 = Lisa|first2 = Philip|year = 2001}}</ref>
The fight sequences between Connery and Bannen were choreographed, uncredited, by [[Bob Simmons (stunt man)|Bob Simmons]], who had designed similar action scenes for the Bond films. The film was Sir [[Harrison Birtwistle]]'s only film score.<ref>{{Cite book | url=https://books.google.com/books?id=T83Z0vkHWBcC&q=tantallon+films&pg=PA125 |title = The Films of Sean Connery|isbn = 9780806522234|last1 = Pfeiffer|first1 = Lee|last2 = Lisa|first2 = Philip|year = 2001| publisher=Citadel Press }}</ref>


United Artists released ''The Offence'' early in 1973. It was a critical success but a commercial failure and did not yield a profit for nine years,<ref name="bray" /> even going unreleased in several markets, including [[France]], where it did not premiere until 2007. Due to the commercial failure of the film, United Artists opted out of the two-film financing deal they made with Connery and his production company.
United Artists released ''The Offence'' early in 1973. It was a critical success but a commercial failure and did not yield a profit for nine years,<ref name="bray" /> even going unreleased in several markets, including [[France]], where it did not premiere until 2007. Due to the commercial failure of the film, United Artists opted out of the two-film financing deal they made with Connery and his production company.


==Reception==
==Reception==
''[[The Monthly Film Bulletin]]'' wrote: "The emphasis is on character – and particularly, of course, that of Johnson, vividly drawn as a man of limited sensibilities, trained to stifle emotion, brutalised by years of police work, and mentally battered into a sado-masochist frenzy... But there is little resolution beyond Johnson's climactic and inarticulate explosion of violence. &nbsp;...The dialogue is too dense and sustained at too high a pitch for cinematic comfort and – no matter how much the camera may sniff restlessly around looking for fresh angles – the static, confined settings add to the general oppressiveness. The acting, too, appears out of sorts, although the parts are meaty enough: Sean Connery's hard, reticent style suits Johnson the acerbic copper, but never suggests the brand of high-tension playing called for in the principal scenes; while both Vivien Merchant and Trevor Howard seem curiously subdued in their set-pieces. The exception&nbsp;... is Ian Bannen who, as Baxter, brings off a minor tour de force with his depiction of bewildered, tormented hysteria. The saddest disappointment, though, is Sidney Lumet's portentous and leaden direction. Had he been able to inject the pace, crispness and audacity of his last film (''[[The Anderson Tapes]]'') into his latest, some of the underlying substance of John Hopkins' script might perhaps have emerged."<ref>{{Cite journal |date=1 January 1973 |title=The Offence |url=https://www.proquest.com/docview/1305834009 |journal=[[The Monthly Film Bulletin]] |volume=40 |issue=468 |pages=13 |id={{ProQuest|1305834009}} |via=ProQuest}}</ref>
{{blockquote|A fascinating look at the human [[Psyche (psychology)|psyche]] based on ''[[Z-Cars|Z Cars]]'' scriptwriter John Hopkins' acclaimed stage play ''This Story of Yours'', ''The Offence'' is an expertly crafted study of [[evil]] and human weakness that demands to be watched in its entirety. ... it still packs quite a punch and features compelling performances from both Sean Connery and Ian Bannen.|''Britmovie''}}


''[[TV Guide]]'' wrote: "A powerful and complex performance by Connery is somewhat weakened by Lumet's typically stiff and stagey direction, which tends to sap the life out of the film."<ref>{{Cite web |title=The Offence |url=https://www.tvguide.com/movies/the-offence/review/2030346510/ |access-date=13 June 2024 |website=TV Guide}}</ref>
{{blockquote|Less well-known than his other British pictures (''[[The Hill (1965 film)|The Hill]]'', ''[[The Deadly Affair]]'', ''[[Murder on the Orient Express (1974 film)|Murder on the Orient Express]]''), this unrelentingly somber policier inaugurates a newfound force in Lumet's work. The story, adapted by John Hopkins from his play, abounds in stylistic tics (recurring visual [[Motif (visual arts)|motif]]s, various events replayed several times, [[colour coding]]), but the flashiness that pockmarked much of the director’s earlier work has been pruned to hushed, concentrated intensity. Likewise, the movie looks ahead to the bathed-in-grey themes of Lumet's later studies of law & order ambivalence—Connery's pressure-cooker copper, plagued with lurid images palpitating inside his brain, is the template for the protagonists of ''[[Prince of the City]]'' and ''[[Q&A (film)|Q & A]]''. Connery pinpoints some fantastic shadings of bullying, dissatisfaction and self-disgust, matched by Bannen’s peerless razzing&mdash;the culminating pounding is less liberating purgation than guilt transference, christened by Bannen's bloodied leer.|Fernando F. Croce, ''Cinepassion''}}


==Accolades==
{{blockquote|A powerful and complex performance by Connery is somewhat weakened by Lumet's typically stiff and stagey direction, which tends to sap the life out of the film.|''TV Guide''}}
Bannen was nominated for a 1974 [[BAFTA award]] for Supporting Actor.<ref>{{Cite web |title=Film, Supporting Actor in 1974 |url=https://awards.bafta.org/award/1974/film/supporting-actor |access-date=14 June 2024 |website=BAFTA}}</ref>


==Home media==
==Home media==
In 2004, [[MGM]] [[UK]] released a [[DVD]] of the film which contained no extras or trailers. Simultaneous releases from MGM were made in other [[PAL]] format countries, such as [[Germany]] and [[Australia]]. On 20 October 2008, the film was again released on DVD in the UK by [[Optimum Releasing]], again without extras or trailers. A French [[DVD region code#2|Region 2]] DVD, preserving the film's original ratio of 1:1.66, became available in 2009. In April 2010, MGM put the film out on a U.S. DVD-R "on demand" for the first time. It is available as an exclusive from [[Amazon.com]] and contains no extras.
In 2004, MGM UK released a [[DVD]] of the film which contained no extras or trailers. Simultaneous releases from MGM were made in other [[PAL]]-format countries, such as [[Germany]] and [[Australia]]. On 20 October 2008, the film was again released on DVD in the UK by [[Optimum Releasing]], again without extras or trailers. A French [[DVD region code#2|Region 2]] DVD, preserving the film's original ratio of 1.66:1, became available in 2009. In April 2010, MGM put the film out on a US DVD-R "on demand" for the first time. It is available as an exclusive from [[Amazon.com]] and contains no extras.


In 2014 the film was released on [[Blu-ray]] in the US, and in 2015 it was released in the UK in the same format.
In 2014 the film was released on [[Blu-ray]] in the US, and in 2015 it was released in the UK in the same format.


==''This Story of Yours''==
==''This Story of Yours''==
[[John Hopkins (screenwriter)|John Hopkins]]' original play, ''This Story of Yours'', takes the form of three dialogues between Johnson and, in Act One, Maureen, then Cartwright in Act Two and Baxter in Act Three. Directed by [[Christopher Morahan]], it opened at London's [[Royal Court Theatre]] on 11 December 1968. The cast was as follows:<ref>''Who's Who in the Theatre'' (15th edition), Pitman Publishing, London 1972, page 155</ref>
[[John Hopkins (screenwriter)|John Hopkins]]' original play, ''This Story of Yours'', takes the form of three dialogues between Johnson and, in Act One, Maureen, then Cartwright in Act Two and Baxter in Act Three. Directed by [[Christopher Morahan]], it opened at London's [[Royal Court Theatre]] on 11 December 1968. The cast was as follows:<ref>{{cite book|title=Who's Who in the Theatre |edition=15th |publisher=Pitman Publishing |location=London |year=1972 |page=155 |isbn=978-0273315285}}</ref>


*Johnson – [[Michael Bryant (actor)|Michael Bryant]]
*Johnson – [[Michael Bryant (actor)|Michael Bryant]]
Line 96: Line 97:
*Policemen – Edward Clayton, Steven Barnes, Oliver Maguire, Colin Pinney
*Policemen – Edward Clayton, Steven Barnes, Oliver Maguire, Colin Pinney


The first major revival of the play was directed by [[Jack Gold]] at London's [[Hampstead Theatre]], opening on 5 February 1987 with the following cast:<ref>''This Story of Yours'' a play by John Hopkins / Hampstead Theatre: programme by Stilwell Darby & Co Ltd: '1987 no 7'</ref>
The first major revival of the play was directed by [[Jack Gold]] at London's [[Hampstead Theatre]], opening on 5 February 1987 with the following cast:<ref>{{cite web|title=This Story of Yours |url=https://theatricalia.com/play/akt/this-story-of-yours/production/1016 |website=Theatricalia.com |access-date=2024-10-07}}</ref>


*Johnson – [[David Suchet]]
*Johnson – [[David Suchet]]
Line 114: Line 115:
* {{rotten-tomatoes|offence}}
* {{rotten-tomatoes|offence}}
* [http://www.ecranlarge.com/movie_video-view-4438-831.php Original theatrical trailer] for ''The Offence''
* [http://www.ecranlarge.com/movie_video-view-4438-831.php Original theatrical trailer] for ''The Offence''
* [[Review bomb|Review]] at [https://www.cinepassion.org/Reviews/o/Offence.html Cinepassion].


{{Sidney Lumet}}
{{Sidney Lumet}}
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[[Category:Films directed by Sidney Lumet]]
[[Category:Films directed by Sidney Lumet]]
[[Category:Films about child sexual abuse]]
[[Category:Films about child sexual abuse]]
[[Category:Films about rape]]
[[Category:Films about rape in the United Kingdom]]
[[Category:Films with screenplays by John Hopkins]]
[[Category:Films with screenplays by John Hopkins]]
[[Category:1970s British films]]
[[Category:1970s British films]]
[[Category:Films about police brutality]]
[[Category:Films about police brutality]]
[[Category:English-language crime drama films]]


[[ru:Оскорбление]]
[[ru:Оскорбление]]

Latest revision as of 21:41, 5 December 2024

The Offence
Theatrical release poster
Directed bySidney Lumet
Screenplay byJohn Hopkins
Produced byDenis O'Dell
Starring
CinematographyGerry Fisher
Edited byJohn Victor-Smith
Music byHarrison Birtwistle
Production
company
Tantallon
Distributed byUnited Artists
Release date
  • 11 January 1973 (1973-01-11)
Running time
112 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$900,000[1]

The Offence is a 1973 British crime neo noir drama film directed by Sidney Lumet and starring Sean Connery, Ian Bannen, Trevor Howard and Vivien Merchant.[2] The screenplay was by John Hopkins based on his 1968 stage play This Story of Yours.[1]

A police officer suffers a breakdown and kills a suspect.

Plot

[edit]

Detective Sergeant Johnson has been a police officer for 20 years and is deeply affected by the murders, rapes, and other violent crimes he has investigated. He is plagued by images of violence, and he appears to be losing his mind under the strain.

His anger surfaces while interrogating Kenneth Baxter, who is suspected of raping a young girl. By the end of the interrogation, Johnson has severely beaten Baxter, who is then taken to the hospital where he later dies.

Johnson is suspended for the beating and returns home for the night, getting into a violent argument with his wife Maureen. Two of Johnson's colleagues come to inform him of Baxter's death and they take him to the police station for questioning.

The following day, Johnson is interviewed by Detective Superintendent Cartwright. During their long confrontation, flashbacks show the events of the previous night, when Johnson beat Baxter.

The flashbacks portray Baxter – whose guilt or innocence is left ambiguous – taunting Johnson, insinuating that Johnson secretly wants to commit the sort of sex crimes that he investigates. Johnson at first flies into a rage and strikes Baxter, but he eventually admits that he does indeed harbour obsessive fantasies of murder and rape. He then tearfully begs Baxter to help him. When Baxter recoils from him in disgust, Johnson brutally beats him while Baxter continues to taunt and laugh at him.

The film ends with another flashback, this time of Johnson attacking the police officers who pulled him off Baxter, and muttering "God...my God..." as he realises what he has done.

Cast

[edit]

Production

[edit]

When Connery agreed to return as James Bond in Diamonds Are Forever, David V. Picker, CEO of United Artists, pledged to back two of Connery's own film projects, provided they cost $2 million or less, in association with Connery's own production company, Tantallon Films.[3] The Offence, made under the working title Something Like the Truth (a line that appears in John Hopkins' original play), was the first. Connery was keen to shake off the image of James Bond and expand his range as an actor.[4]

Connery had previously worked with Hopkins when the writer had co-scripted Thunderball and had seen the play during its original run in London in 1968. Seeing potential in the story, Connery bought the option on the film rights and asked Hopkins to adapt the script for the big screen.[5]

Having made two films with Sidney Lumet, The Hill (1965) and The Anderson Tapes (1971), Connery offered him the job of directing. Lumet accepted. Ian Bannen, who had also appeared in The Hill, was hired as co-star.[6]

The film was shot on a small budget of £385,000 in March and April 1972 in and around Bracknell, Berkshire, notably the Wildridings Mill Pond area and Easthampstead's Point Royal. Interior sets were filmed at Twickenham Studios.[1] A collection of location stills and corresponding contemporary photographs is hosted at reelstreets.com.[7]

The fight sequences between Connery and Bannen were choreographed, uncredited, by Bob Simmons, who had designed similar action scenes for the Bond films. The film was Sir Harrison Birtwistle's only film score.[8]

United Artists released The Offence early in 1973. It was a critical success but a commercial failure and did not yield a profit for nine years,[1] even going unreleased in several markets, including France, where it did not premiere until 2007. Due to the commercial failure of the film, United Artists opted out of the two-film financing deal they made with Connery and his production company.

Reception

[edit]

The Monthly Film Bulletin wrote: "The emphasis is on character – and particularly, of course, that of Johnson, vividly drawn as a man of limited sensibilities, trained to stifle emotion, brutalised by years of police work, and mentally battered into a sado-masochist frenzy... But there is little resolution beyond Johnson's climactic and inarticulate explosion of violence.  ...The dialogue is too dense and sustained at too high a pitch for cinematic comfort and – no matter how much the camera may sniff restlessly around looking for fresh angles – the static, confined settings add to the general oppressiveness. The acting, too, appears out of sorts, although the parts are meaty enough: Sean Connery's hard, reticent style suits Johnson the acerbic copper, but never suggests the brand of high-tension playing called for in the principal scenes; while both Vivien Merchant and Trevor Howard seem curiously subdued in their set-pieces. The exception ... is Ian Bannen who, as Baxter, brings off a minor tour de force with his depiction of bewildered, tormented hysteria. The saddest disappointment, though, is Sidney Lumet's portentous and leaden direction. Had he been able to inject the pace, crispness and audacity of his last film (The Anderson Tapes) into his latest, some of the underlying substance of John Hopkins' script might perhaps have emerged."[9]

TV Guide wrote: "A powerful and complex performance by Connery is somewhat weakened by Lumet's typically stiff and stagey direction, which tends to sap the life out of the film."[10]

Accolades

[edit]

Bannen was nominated for a 1974 BAFTA award for Supporting Actor.[11]

Home media

[edit]

In 2004, MGM UK released a DVD of the film which contained no extras or trailers. Simultaneous releases from MGM were made in other PAL-format countries, such as Germany and Australia. On 20 October 2008, the film was again released on DVD in the UK by Optimum Releasing, again without extras or trailers. A French Region 2 DVD, preserving the film's original ratio of 1.66:1, became available in 2009. In April 2010, MGM put the film out on a US DVD-R "on demand" for the first time. It is available as an exclusive from Amazon.com and contains no extras.

In 2014 the film was released on Blu-ray in the US, and in 2015 it was released in the UK in the same format.

This Story of Yours

[edit]

John Hopkins' original play, This Story of Yours, takes the form of three dialogues between Johnson and, in Act One, Maureen, then Cartwright in Act Two and Baxter in Act Three. Directed by Christopher Morahan, it opened at London's Royal Court Theatre on 11 December 1968. The cast was as follows:[12]

The first major revival of the play was directed by Jack Gold at London's Hampstead Theatre, opening on 5 February 1987 with the following cast:[13]

References

[edit]
  1. ^ a b c d Bray, Christopher (2010). Sean Connery: The Measure of a Man. London, England: Faber and Faber. pp. 174–180. ISBN 9780-571-23807-1.
  2. ^ "The Offence". British Film Institute Collections Search. Retrieved 13 June 2024.
  3. ^ Barnes, Alan; Hearn, Marcus (1997). Kiss Kiss Bang Bang: The Unofficial James Bond Film Companion. London: BT Batsford Ltd. p. 99. ISBN 978-0713486452.
  4. ^ "The Offence review – Connery and Lumet's starkly naturalistic police drama". The Guardian. 14 June 2015.
  5. ^ "THIS STORY OF YOURS – londonpubtheatres.com". www.londonpubtheatres.com. Archived from the original on 20 June 2018.
  6. ^ "Learning from the Masters of Cinema: Sidney Lumet's THE OFFENCE". 4 May 2015.
  7. ^ "Offence, The". ReelStreets. Retrieved 5 March 2022.
  8. ^ Pfeiffer, Lee; Lisa, Philip (2001). The Films of Sean Connery. Citadel Press. ISBN 9780806522234.
  9. ^ "The Offence". The Monthly Film Bulletin. 40 (468): 13. 1 January 1973. ProQuest 1305834009 – via ProQuest.
  10. ^ "The Offence". TV Guide. Retrieved 13 June 2024.
  11. ^ "Film, Supporting Actor in 1974". BAFTA. Retrieved 14 June 2024.
  12. ^ Who's Who in the Theatre (15th ed.). London: Pitman Publishing. 1972. p. 155. ISBN 978-0273315285.
  13. ^ "This Story of Yours". Theatricalia.com. Retrieved 7 October 2024.
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