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'''Stavros Xirellis''', known as '''Titos''' ({{lang-el|'''Τίτος Ξηρέλλης'''}}) (1900/03 - January 24, 1985) was a [[Greek people|Greek]] operatic baritone and composer.
{{Short description|Greek singer and composer}}
'''Stavros Xirellis''', known as '''Titos''' ({{langx|el|'''Τίτος Ξηρέλλης'''}}) (1900/03 - 24 January 1985) was a [[Greek people|Greek]] operatic baritone and composer.


Xirellis was a native of {{ill|Pamfila|el|Πάμφιλα Λέσβου}}, [[Lesbos]];<ref>{{cite book|title=Who's who in Greece|url=https://books.google.com/books?id=t28OAQAAIAAJ|year=1958|publisher=Athens News.}}</ref> the date of his birth is uncertain. He was born into a poor family, the son of a blacksmith.<ref>{{cite web|url=https://www.dimokratis.gr/index.php?article=2011-05-04_titos_xirellis |title=Τίτος Ξηρέλλης |publisher=Dimokratis.gr |date= |accessdate=2020-03-06}}</ref> Early in life he was a [[cantor]]; he also took violin lessons in [[Mytilene]] before traveling to [[Athens]] for study at the [[Athens Conservatory|Conservatory]], where his vocal instructor was [[Nina Foka]]. Other instructors there included [[Philoctetes Economides]], for harmony, and [[Armand Marsik]], for theory, with whom he worked from 1917 until 1919. In the latter year he began studies with [[George Lombianikos]], with whom he stayed until 1920. Throughout this time he remained a pupil of Foka. Xirellis graduated from the Conservatory with a Gold Medal for Excellence in Solo Work and Opera in 1920. Originally intending to be a tenor, he debuted instead as a baritone in 1918 with the Kyparissis troupe. Two years later he bowed at the [[Greek National Opera]] in the title roles of ''[[Rigoletto]]'' and ''[[Der fliegende Holländer]]''. A scholarship allowed him in 1925 to move to [[Milan]] where he undertook lessons with [[Giuseppe Borghi]]; he also studied in [[Berlin]] with [[Mattia Battistini]] from 1926 to 1928, and was offered a position at the [[Berlin State Opera]] by [[Bruno Walter]].<ref name="auto">{{cite web|url=http://virtualmuseum.nationalopera.gr/en/virtual-exhibition/persons/xirelli-tito-1173/|title=Xirellis Titos - Greek National Opera|website=virtualmuseum.nationalopera.gr|accessdate=Mar 6, 2020}}</ref> Acquaintances during this period included the composer [[Nikos Skalkottas]].<ref name="Jaklitsch2003">{{cite book|author=Nina-Maria Jaklitsch|title=Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich|url=https://books.google.com/books?id=VFL0AAAAMAAJ|year=2003|publisher=Hans Schneider|isbn=978-3-7952-1142-4}}</ref><ref name="Mantzourani2016">{{cite book|author=Eva Mantzourani|title=The Life and Twelve-Note Music of Nikos Skalkottas|url=https://books.google.com/books?id=9vaqCwAAQBAJ&pg=PT548|date=3 March 2016|publisher=Taylor & Francis|isbn=978-1-317-02559-7|pages=548–}}</ref> In 1928 and 1929 Xirellis was singing throughout [[Italy]], seeing particular success in [[Genoa]] and singing the works of [[Richard Wagner]] and [[Richard Strauss]], among others. From 1934 until 1936 he was on the roster of the [[Chicago City Opera Company]], appearing in [[New York City]] during the same period as Rigoletto and [[La Traviata|Giorgio Germoont]].<ref name="auto"/>
Xirellis was a native of {{ill|Pamfila|el|Πάμφιλα Λέσβου}}, [[Lesbos]];<ref>{{cite book|title=Who's who in Greece|url=https://books.google.com/books?id=t28OAQAAIAAJ|year=1958|publisher=Athens News.}}</ref> the date of his birth is uncertain. He was born into a poor family, the son of a blacksmith.<ref>{{cite web|url=https://www.dimokratis.gr/index.php?article=2011-05-04_titos_xirellis |title=Τίτος Ξηρέλλης |publisher=Dimokratis.gr |date= |accessdate=2020-03-06}}</ref> Early in life he was a [[cantor]]; he also took violin lessons in [[Mytilene]] before traveling to [[Athens]] for study at the [[Athens Conservatory|Conservatory]], where his vocal instructor was [[Nina Foka]]. Other instructors there included [[Philoctetes Economides]], for harmony, and [[Armand Marsik]], for theory, with whom he worked from 1917 until 1919. In the latter year he began studies with [[George Lombianikos]], with whom he stayed until 1920. Throughout this time he remained a pupil of Foka. Xirellis graduated from the Conservatory with a Gold Medal for Excellence in Solo Work and Opera in 1920. Originally intending to be a tenor, he debuted instead as a baritone in 1918 with the Kyparissis troupe. Two years later he bowed at the [[Greek National Opera]] in the title roles of ''[[Rigoletto]]'' and ''[[Der fliegende Holländer]]''. A scholarship allowed him in 1925 to move to [[Milan]] where he undertook lessons with [[Giuseppe Borghi]]; he also studied in [[Berlin]] with [[Mattia Battistini]] from 1926 to 1928, and was offered a position at the [[Berlin State Opera]] by [[Bruno Walter]].<ref name="auto">{{cite web|url=http://virtualmuseum.nationalopera.gr/en/virtual-exhibition/persons/xirelli-tito-1173/|title=Xirellis Titos - Greek National Opera|website=virtualmuseum.nationalopera.gr|accessdate=Mar 6, 2020}}</ref> Acquaintances during this period included the composer [[Nikos Skalkottas]].<ref name="Jaklitsch2003">{{cite book|author=Nina-Maria Jaklitsch|title=Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich|url=https://books.google.com/books?id=VFL0AAAAMAAJ|year=2003|publisher=Hans Schneider|isbn=978-3-7952-1142-4}}</ref><ref name="Mantzourani2016">{{cite book|author=Eva Mantzourani|title=The Life and Twelve-Note Music of Nikos Skalkottas|url=https://books.google.com/books?id=9vaqCwAAQBAJ&pg=PT548|date=3 March 2016|publisher=Taylor & Francis|isbn=978-1-317-02559-7|pages=548–}}</ref> In 1928 and 1929 Xirellis was singing throughout [[Italy]], seeing particular success in [[Genoa]] and singing the works of [[Richard Wagner]] and [[Richard Strauss]], among others. From 1934 until 1936 he was on the roster of the [[Chicago City Opera Company]], appearing in [[New York City]] during the same period as Rigoletto and [[La Traviata|Giorgio Germoont]].<ref name="auto"/>
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Returning to his homeland in 1938, Xirellis joined the faculty of the National Conservatory and once more began appearing at the Greek National Opera, where he appeared in around 25 productions from 1940 until 1946.<ref name="auto"/> Notably, he appeared as Scarpia opposite the [[Tosca]] of [[Maria Callas]] in 1942, the first time she essayed what was to become one of the definitive roles of her career. Xirellis admired the young soprano greatly and spent much time assisting her in crafting her portrayal of the character, to the point that his wife's suspicions were aroused as to his intentions.<ref name="Petsal_s-Diom_d_sHarewood2001">{{cite book|author1=N. Petsal_s-Diom_d_s|author2=George Henry Hubert Lascelles Earl of Harewood|title=The Unknown Callas: The Greek Years|url=https://books.google.com/books?id=7p56shrE4BoC&pg=PA286|year=2001|publisher=Amadeus Press|isbn=978-1-57467-059-2|pages=286–}}</ref>
Returning to his homeland in 1938, Xirellis joined the faculty of the National Conservatory and once more began appearing at the Greek National Opera, where he appeared in around 25 productions from 1940 until 1946.<ref name="auto"/> Notably, he appeared as Scarpia opposite the [[Tosca]] of [[Maria Callas]] in 1942, the first time she essayed what was to become one of the definitive roles of her career. Xirellis admired the young soprano greatly and spent much time assisting her in crafting her portrayal of the character, to the point that his wife's suspicions were aroused as to his intentions.<ref name="Petsal_s-Diom_d_sHarewood2001">{{cite book|author1=N. Petsal_s-Diom_d_s|author2=George Henry Hubert Lascelles Earl of Harewood|title=The Unknown Callas: The Greek Years|url=https://books.google.com/books?id=7p56shrE4BoC&pg=PA286|year=2001|publisher=Amadeus Press|isbn=978-1-57467-059-2|pages=286–}}</ref>


A composer as well as a singer, Xirellis penned numerous vocal works during his career, as well as pieces for liturgical use. His opera ''Ανοιξιάτικο παραμύθι'' (''Spring Fairy Tale'') was premiered in 1975 by the Greek National Opera.<ref name="auto"/> He acted as lyricist for a number of other composers as well as penning the words to some of his own songs.<ref>{{cite web|url=https://palia.kithara.gr/index.php?cmd=ai&art=ogrellgs+titps |title=Kithara.gr - Ξηρέλλης Τίτος |publisher=Palia.kithara.gr |date=2007-12-06 |accessdate=2020-03-06}}</ref> Xirellis died in Athens, and was interred in Mytilene.<ref name="auto"/> A number of recordings, mainly on the Odeon label, survive.<ref>{{cite web|url=https://www.discogs.com/artist/1905583-Τίτος-Ξηρέλλης|title=Τίτος Ξηρέλλης|website=Discogs|accessdate=Mar 6, 2020}}</ref> A choral festival in Mytilene Municipality bears his name.<ref>{{cite web|url=https://www.lesvosnews.net/articles/news-categories/politismos/1o-panellinio-festibal-horodion-dimoy-mytilinis-titos-xirellis|title=1ο Πανελλήνιο Φεστιβάλ Χορωδιών Δήμου Μυτιλήνης «Τίτος Ξηρέλλης» &#124; Lesvosnews.net|website=www.lesvosnews.net|accessdate=Mar 6, 2020}}</ref>
A composer as well as a singer, Xirellis penned numerous vocal works during his career, as well as pieces for liturgical use. His opera ''Ανοιξιάτικο παραμύθι'' (''Spring Fairy Tale'') was premiered in 1975 by the Greek National Opera.<ref name="auto"/> He acted as lyricist for a number of other composers as well as penning the words to some of his own songs.<ref>{{cite web|url=https://palia.kithara.gr/index.php?cmd=ai&art=ogrellgs+titps |title=Kithara.gr - Ξηρέλλης Τίτος |publisher=Palia.kithara.gr |date=2007-12-06 |accessdate=2020-03-06}}</ref> Xirellis died in Athens, and was interred in Mytilene.<ref name="auto"/> A number of recordings, mainly on the Odeon label, survive.<ref>{{cite web|url=https://www.discogs.com/artist/1905583-Τίτος-Ξηρέλλης|title=Τίτος Ξηρέλλης|website=Discogs|accessdate=Mar 6, 2020}}</ref> A choral festival in Mytilene Municipality bears his name.<ref>{{cite web|url=https://www.lesvosnews.net/articles/news-categories/politismos/1o-panellinio-festibal-horodion-dimoy-mytilinis-titos-xirellis|title=1ο Πανελλήνιο Φεστιβάλ Χορωδιών Δήμου Μυτιλήνης "Τίτος Ξηρέλλης" &#124; Lesvosnews.net|website=www.lesvosnews.net|accessdate=Mar 6, 2020}}</ref>


==References==
==References==
{{reflist}}
{{reflist}}

{{DEFAULTSORT:Xirellis, Tito}}
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{{authority control}}


{{DEFAULTSORT:Xirellis, Tito}}
[[Category:Year of birth uncertain]]
[[Category:Year of birth uncertain]]
[[Category:1985 deaths]]
[[Category:1985 deaths]]
[[Category:Greek baritones]]
[[Category:Greek baritones]]
[[Category:Operatic baritones]]
[[Category:Operatic baritones]]
[[Category:20th-century Greek male opera singers]]
[[Category:People from Mytilene]]
[[Category:Greek opera composers]]
[[Category:Greek male opera composers]]
[[Category:20th-century Greek classical composers]]
[[Category:Greek opera singers]]
[[Category:Greek opera singers]]
[[Category:20th-century Greek singers]]
[[Category:20th-century male singers]]
[[Category:20th-century opera singers]]
[[Category:People from Lesbos]]

Latest revision as of 01:49, 6 December 2024

Stavros Xirellis, known as Titos (Greek: Τίτος Ξηρέλλης) (1900/03 - 24 January 1985) was a Greek operatic baritone and composer.

Xirellis was a native of Pamfila [el], Lesbos;[1] the date of his birth is uncertain. He was born into a poor family, the son of a blacksmith.[2] Early in life he was a cantor; he also took violin lessons in Mytilene before traveling to Athens for study at the Conservatory, where his vocal instructor was Nina Foka. Other instructors there included Philoctetes Economides, for harmony, and Armand Marsik, for theory, with whom he worked from 1917 until 1919. In the latter year he began studies with George Lombianikos, with whom he stayed until 1920. Throughout this time he remained a pupil of Foka. Xirellis graduated from the Conservatory with a Gold Medal for Excellence in Solo Work and Opera in 1920. Originally intending to be a tenor, he debuted instead as a baritone in 1918 with the Kyparissis troupe. Two years later he bowed at the Greek National Opera in the title roles of Rigoletto and Der fliegende Holländer. A scholarship allowed him in 1925 to move to Milan where he undertook lessons with Giuseppe Borghi; he also studied in Berlin with Mattia Battistini from 1926 to 1928, and was offered a position at the Berlin State Opera by Bruno Walter.[3] Acquaintances during this period included the composer Nikos Skalkottas.[4][5] In 1928 and 1929 Xirellis was singing throughout Italy, seeing particular success in Genoa and singing the works of Richard Wagner and Richard Strauss, among others. From 1934 until 1936 he was on the roster of the Chicago City Opera Company, appearing in New York City during the same period as Rigoletto and Giorgio Germoont.[3]

Returning to his homeland in 1938, Xirellis joined the faculty of the National Conservatory and once more began appearing at the Greek National Opera, where he appeared in around 25 productions from 1940 until 1946.[3] Notably, he appeared as Scarpia opposite the Tosca of Maria Callas in 1942, the first time she essayed what was to become one of the definitive roles of her career. Xirellis admired the young soprano greatly and spent much time assisting her in crafting her portrayal of the character, to the point that his wife's suspicions were aroused as to his intentions.[6]

A composer as well as a singer, Xirellis penned numerous vocal works during his career, as well as pieces for liturgical use. His opera Ανοιξιάτικο παραμύθι (Spring Fairy Tale) was premiered in 1975 by the Greek National Opera.[3] He acted as lyricist for a number of other composers as well as penning the words to some of his own songs.[7] Xirellis died in Athens, and was interred in Mytilene.[3] A number of recordings, mainly on the Odeon label, survive.[8] A choral festival in Mytilene Municipality bears his name.[9]

References

[edit]
  1. ^ Who's who in Greece. Athens News. 1958.
  2. ^ "Τίτος Ξηρέλλης". Dimokratis.gr. Retrieved 2020-03-06.
  3. ^ a b c d e "Xirellis Titos - Greek National Opera". virtualmuseum.nationalopera.gr. Retrieved Mar 6, 2020.
  4. ^ Nina-Maria Jaklitsch (2003). Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich. Hans Schneider. ISBN 978-3-7952-1142-4.
  5. ^ Eva Mantzourani (3 March 2016). The Life and Twelve-Note Music of Nikos Skalkottas. Taylor & Francis. pp. 548–. ISBN 978-1-317-02559-7.
  6. ^ N. Petsal_s-Diom_d_s; George Henry Hubert Lascelles Earl of Harewood (2001). The Unknown Callas: The Greek Years. Amadeus Press. pp. 286–. ISBN 978-1-57467-059-2.
  7. ^ "Kithara.gr - Ξηρέλλης Τίτος". Palia.kithara.gr. 2007-12-06. Retrieved 2020-03-06.
  8. ^ "Τίτος Ξηρέλλης". Discogs. Retrieved Mar 6, 2020.
  9. ^ "1ο Πανελλήνιο Φεστιβάλ Χορωδιών Δήμου Μυτιλήνης "Τίτος Ξηρέλλης" | Lesvosnews.net". www.lesvosnews.net. Retrieved Mar 6, 2020.