Budd Johnson

Not to be confused with Buddy Johnson.

Budd Johnson
Background information
Birth name	Albert J. Johnson III
Born	(1910-12-14)December 14, 1910 Dallas, Texas, U.S.
Died	October 20, 1984(1984-10-20) (aged 73) Kansas City, Missouri, U.S.
Genres	Jazz
Occupation	Musician
Instrument(s)	Tenor saxophone, soprano saxophone, clarinet
Years active	1920s–1970s
Labels	Atlantic
Formerly of	Earl Hines, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday

Albert J. "Budd" Johnson III (December 14, 1910 – October 20, 1984) was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines.

Life and career

Johnson initially played drums and piano before switching to tenor saxophone. In the 1920s, he performed in Texas and parts of the Midwest, working with Jesse Stone among others. Johnson had his recording debut while working with Louis Armstrong's band in 1932 to 1933, but he is more known for his work, over many years, with Earl Hines. It is contended that he and Billy Eckstine, Hines' long-term collaborator, led Hines to hire "modernists" in the birth of bebop, which came largely out of the Hines band. Johnson was also an early figure in the bebop era, doing sessions with Coleman Hawkins in 1944. Johnson was a key figure in the first bebop group on 52nd Street in NYC, which played at the Onyx Club (1944) and featured Johnson, Dizzy Gillespie, George Wallington (pn), Oscar Pettiford (bs) and Max Roach (drs). Johnson urged Gillespie to write out his melodic ideas for 2 horns (trumpet and saxophone) to play in unison, a sound which became the signature style of small-group bebop. In the 1950s he led his own group, and did session work for Atlantic Records – he is the featured tenor saxophone soloist on Ruth Brown's hit "Teardrops from My Eyes". In the mid-1960s, he began working and recording again with Hines. His association with Hines is his longest lasting and most significant. In 1975, he began working with the New York Jazz Repertory Orchestra. He was inducted into the Big Band and Jazz Hall of Fame in 1993. His grandson, Albert Johnson (aka Prodigy), was a member of the hip-hop duo Mobb Deep.

He died of a heart attack in Kansas City at the age of 73.

Discography

As leader/coleader

• 1958: Blues a la Mode (Felsted)
• 1960: Budd Johnson and the Four Brass Giants (Riverside) with Ray Nance, Clark Terry, Nat Adderley and Harry Edison
• 1960: Let's Swing! (Swingville)
• 1963: French Cookin' (Argo)
• 1964: Ya! Ya! (Argo)
• 1964: Off the Wall (Argo) with Joe Newman
• 1970: Ya! Ya! (Black & Blue)
• 1974: The Dirty Old Men (Black & Blue) with Earl Hines – rereleased as Mr. Bechet
• 1978: In Memory of a Very Dear Friend (Dragon)
• 1984: The Ole Dude & The Fundance Kid (Uptown) with Phil Woods

As sideman

With Cannonball Adderley

• Domination (Capitol, 1965)

With Count Basie

• The Legend (Roulette, 1961)
• Kansas City 8: Get Together (1979)

With Ruth Brown

• Miss Rhythm (Atlantic, 1959)

With Benny Carter

• 'Live and Well in Japan! (Pablo Live, 1978)

With Roy Eldridge

• What It's All About (Pablo, 1976)

With Duke Ellington and Count Basie

• First Time! The Count Meets the Duke (Columbia, 1961)

With Gil Evans

• Great Jazz Standards (Pacific Jazz, 1959)
• Out of the Cool (Impulse!, 1960)

With Dizzy Gillespie

• The Complete RCA Victor Recordings (Bluebird, 1937–1949 [1995])
• Dee Gee Days: The Savoy Sessions (Savoy, 1951–1952 [1976])
• Jazz Recital (Norgran, 1955)

With Coleman Hawkins

• Rainbow Mist (Delmark, 1944 [1992]) compilation of Apollo recordings

With Earl Hines

• The Father Jumps (Bluebird, 1939–1945 [1975])

With Claude Hopkins

• Swing Time! (Swingville, 1963) with Vic Dickenson

With Etta Jones

• Lonely and Blue (Prestige, 1962)

With Quincy Jones

• The Birth of a Band! (Mercury, 1959)
• The Great Wide World of Quincy Jones (Mercury, 1959)
• I Dig Dancers (Mercury, 1960)
• Quincy Plays for Pussycats (Mercury, 1959–65 [1965])

With Jimmy McGriff

• The Big Band (Solid State, 1966)

With Carmen McRae

• Something to Swing About (Kapp, 1959)

With Bud Powell

• Earl Bud Powell, Vol. 1: Early Years of a Genius, 44–48 (1948)

With Carrie Smith

• Carrie Smith (West 54 Records, 1978)

With Jimmy Smith

• Monster (Verve, 1965)

With Sonny Stitt

• Broadway Soul (Colpix, 1965)

With Clark Terry

• Color Changes (Candid, 1960)
• Clark Terry Plays the Jazz Version of All American (Moodsville, 1962)

With Ben Webster

• Ben Webster and Associates (Verve, 1959)

With Randy Weston

• Uhuru Afrika (Roulette, 1960)
• Highlife (Colpix, 1963)
• Tanjah (Polydor, 1973)

As arranger

With Jimmy Witherspoon

• Goin' to Kansas City Blues (RCA Victor, 1958) with Jay McShann

External links

• Budd Johnson at Discogs.com
• Budd Johnson at AllMusic
• Music web
• Budd Johnson manuscript scores collection, Institute of Jazz Studies, Rutgers University
• Albert J. "Budd" Johnson manuscript scores and other material, 1910–1984 at Isham Memorial Library, Harvard University