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| label = [[Okeh Records|Okeh]]
| label = [[Okeh Records|Okeh]]
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"'''Rollin' and Tumblin''''" (or "'''Roll and Tumble Blues'''") is a [[blues standard]] first recorded by American singer-guitarist [[Hambone Willie Newbern]] in 1929.<ref>{{Cite book|title=Deep Blues|first=Robert |last=Palmer|year=1981|author-link=Robert Palmer (writer)|publisher=[[Penguin Books]]|page=[https://archive.org/details/deepblues00palm/page/123 123]|isbn=978-0-14-006223-6|url-access=registration|url=https://archive.org/details/deepblues00palm/page/123}}</ref> Called a "great [[Delta blues]] classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by [[Muddy Waters]].<ref>
"'''Rollin' and Tumblin''''" (or "'''Roll and Tumble Blues'''") is a [[blues standard]] first recorded by American singer-guitarist [[Hambone Willie Newbern]] in 1929.<ref>{{Cite book|title=Deep Blues|first=Robert |last=Palmer|year=1981|author-link=Robert Palmer (American writer)|publisher=[[Penguin Books]]|page=[https://archive.org/details/deepblues00palm/page/123 123]|isbn=978-0-14-006223-6|url-access=registration|url=https://archive.org/details/deepblues00palm/page/123}}</ref> Called a "great [[Delta blues]] classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by [[Muddy Waters]].<ref>
{{Cite encyclopedia
{{Cite encyclopedia
| last = Herzhaft
| last = Herzhaft
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==Original song==
==Original song==
Hambone Willie Newbern recorded "Roll and Tumble Blues" on March 14, 1929, in Atlanta, Georgia for [[Okeh Records]]. It shares several elements of "Minglewood Blues", first recorded in 1928 by [[Gus Cannon's Jug Stompers]].<ref name="Obrecht">
[[Hambone Willie Newbern]] recorded "Roll and Tumble Blues" on March 14, 1929, in Atlanta, Georgia for [[Okeh Records]]. It shares several elements of "Minglewood Blues", first recorded in 1928 by [[Gus Cannon's Jug Stompers]].<ref name="Obrecht">
{{Cite web
{{Cite web
| url = http://jasobrecht.com/rollin-tumblin-story-song
| url = http://jasobrecht.com/rollin-tumblin-story-song
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}}</ref> Newbern's "Roll and Tumble Blues" is a solo piece with his vocal and slide-guitar accompaniment.
}}</ref> Newbern's "Roll and Tumble Blues" is a solo piece with his vocal and slide-guitar accompaniment.


The song is performed in the key of A using an open tuning and an irregular number of bars.
The song is performed in the key of A using an open tuning and an irregular number of bars
<ref name=Titon>
<ref name=Titon>
{{Cite book
{{Cite book
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| publisher = [[University of Illinois Press]]
| publisher = [[University of Illinois Press]]
| pages = [https://archive.org/details/earlydownhomeblu00tito/page/121 121]–122
| pages = [https://archive.org/details/earlydownhomeblu00tito/page/121 121]–122
| isbn = 9780252007781
}}</ref> The tempo varies from an initial 140 beats per minute to a final 158 bpm.<ref name="Titon"/> A key feature of the song is that the first verse begins on the IV chord, rather than on the more usual I chord (e.g., in the key of A this would be the D chord rather than the A chord).<ref name="Komara"/> After the first two measures the IV chord resolves to the I chord. Often the IV chord moves to IV♭7 on the second measure or the last two beats of the second measure.<ref name="Obrecht"/>
}}</ref> with an additional bar and a half at the end of each phrase. The tempo varies from an initial 140 beats per minute to a final 158 bpm.<ref name="Titon"/> A key feature of the song is that the first verse begins on the IV chord, rather than on the more usual I chord (e.g., in the key of A this would be the D chord rather than the A chord).<ref name="Komara"/> After the first two measures the IV chord resolves to the I chord. Often the IV chord moves to IV♭7 on the second measure or the last two beats of the second measure.<ref name="Obrecht"/>


The lyrics follow a standard blues AAB pattern and relate a failed relationship:
The lyrics follow a standard blues AAB pattern and relate a failed relationship:
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===Chicago blues===
===Chicago blues===
In 1950, Muddy Waters recorded two early versions of "Rollin' and Tumblin'". On a session for the Parkway label, he was the guitarist with [[Little Walter]] (vocal and harmonica) and [["Baby Face" Leroy Foster|Baby Face Leroy Foster]] (drums).<ref name="Komara">
In 1950, Muddy Waters recorded two early versions of "Rollin' and Tumblin'". On a session for the Parkway label, he provided the guitar with [[Little Walter]] on vocal and harmonica and [["Baby Face" Leroy Foster|Baby Face Leroy Foster]] on drums.<ref name="Komara">
{{Cite encyclopedia
{{Cite encyclopedia
| last = Komara
| last = Komara
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| isbn = 0-316-32849-9
| isbn = 0-316-32849-9
| page = [https://archive.org/details/cantbesatisfied00robe_0/page/100 100]
| page = [https://archive.org/details/cantbesatisfied00robe_0/page/100 100]
}}</ref> Parkway Records released the song as a two-part single (Part 1 backed with Part 2) and listed the artist as the Baby Face Leroy Trio.<ref name="Hall"/> In 2022, this recording was inducted into the [[Blues Hall of Fame]] in the "Classics of Blues Recording{{snd}}Singles" category.<ref name="Hall">{{Cite web|url=https://blues.org/2022-blues-hall-of-fame-inductees/|title=2022 Blues Hall of Fame Inductees|website=Blues.org|date=14 March 2022 |access-date=March 20, 2022}}</ref>
⚫
}}</ref> For [[Aristocrat Records]], Waters sang as well as played guitar with bass accompaniment by [[Ernest "Big" Crawford]].<ref name="Gordon"/> Gordon called their version "exciting", but felt that it did not have the power or passion of the one with Walter and Foster.<ref name="Gordon" /> In 1960, [[Elmore James]] recorded a different arrangement of the song<ref>

⚫
For [[Aristocrat Records]], Waters sang as well as played guitar with bass accompaniment by [[Ernest "Big" Crawford]].<ref name="Gordon"/> Gordon called their version "exciting", but felt that it did not have the power or passion of the one with Walter and Foster.<ref name="Gordon" /> In 1960, [[Elmore James]] recorded a different arrangement of the song<ref>
{{Cite AV media notes
{{Cite AV media notes
| title = Elmore James: King of the Slide Guitar
| title = Elmore James: King of the Slide Guitar
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[[Category:1929 songs]]
[[Category:1929 songs]]
[[Category:Blues songs]]
[[Category:Blues songs]]
[[Category:Delta blues songs]]
[[Category:1950 singles]]
[[Category:1950 singles]]
[[Category:Muddy Waters songs]]
[[Category:Muddy Waters songs]]
[[Category:Elmore James songs]]
[[Category:Elmore James songs]]
[[Category:Songwriter unknown]]
[[Category:Songs with unknown songwriters]]
[[Category:Okeh Records singles]]
[[Category:Okeh Records singles]]
[[Category:Robert Johnson songs]]
[[Category:Robert Johnson songs]]

Latest revision as of 08:28, 8 December 2024

"Roll and Tumble Blues"
Single by Hambone Willie Newbern
Released1929 (1929)
RecordedMarch 14, 1929, Atlanta, Georgia
GenreBlues
Length3:03
LabelOkeh
Songwriter(s)Unknown (Newbern credited on single)

"Rollin' and Tumblin'" (or "Roll and Tumble Blues") is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929.[1] Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters.[2] Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known.

Original song

[edit]

Hambone Willie Newbern recorded "Roll and Tumble Blues" on March 14, 1929, in Atlanta, Georgia for Okeh Records. It shares several elements of "Minglewood Blues", first recorded in 1928 by Gus Cannon's Jug Stompers.[3] Newbern's "Roll and Tumble Blues" is a solo piece with his vocal and slide-guitar accompaniment.

The song is performed in the key of A using an open tuning and an irregular number of bars [4] with an additional bar and a half at the end of each phrase. The tempo varies from an initial 140 beats per minute to a final 158 bpm.[4] A key feature of the song is that the first verse begins on the IV chord, rather than on the more usual I chord (e.g., in the key of A this would be the D chord rather than the A chord).[5] After the first two measures the IV chord resolves to the I chord. Often the IV chord moves to IV♭7 on the second measure or the last two beats of the second measure.[3]

The lyrics follow a standard blues AAB pattern and relate a failed relationship:

And I rolled and I tumbled and I cried the whole night long (2×)
And I rose this mornin' mama and I didn't know right from wrong ...
And I fold my arms lord and I walked away (2×)
Said "that's all right sweet mama your trouble gon' come some day"

"Roll and Tumble Blues" is one of six songs Newbern recorded during his only recording session. It was released before the advent of race records charts, however, it soon became "an oft-covered standard"[6] and Newbern's best-known song. In 1929, Okeh Records issued the song on a 78 rpm record, backed with "Nobody Knows What the Good Deacon Says".

Renditions

[edit]

Robert Johnson

[edit]

Robert Johnson adapted "Rollin' and Tumblin'" with the title "If I Had Possession Over Judgment Day" during his third recording session in San Antonio, Texas, in 1936.[7] Musically, his version is based on the original, but added new lyrics: "where Newbern sang about love, Robert sang about sex and power, combining his own fears of them with the fantasy of controlling them", according to biographers.[8] The song was not released until 1961, when it was included on the first Johnson compilation album, King of the Delta Blues Singers. He also based his "Traveling Riverside Blues" on Newbern's song.[8]

Chicago blues

[edit]

In 1950, Muddy Waters recorded two early versions of "Rollin' and Tumblin'". On a session for the Parkway label, he provided the guitar with Little Walter on vocal and harmonica and Baby Face Leroy Foster on drums.[5] Biographer Robert Gordon described the performance as a "standout track [which] could have easily have disintegrated into an overenthused party record".[9] Parkway Records released the song as a two-part single (Part 1 backed with Part 2) and listed the artist as the Baby Face Leroy Trio.[10] In 2022, this recording was inducted into the Blues Hall of Fame in the "Classics of Blues Recording – Singles" category.[10]

For Aristocrat Records, Waters sang as well as played guitar with bass accompaniment by Ernest "Big" Crawford.[9] Gordon called their version "exciting", but felt that it did not have the power or passion of the one with Walter and Foster.[9] In 1960, Elmore James recorded a different arrangement of the song[11] and a year later, Howlin' Wolf recorded "Down in the Bottom", which employed a new set of lyrics and is credited to Willie Dixon.[12]

Rock adaptations

[edit]
Cream's "Rollin' and Tumblin'"
Studio version sample from Fresh Cream
Problems playing this file? See media help.

Blues historian Edward Komara notes that subsequent versions by rock groups are based on the Muddy Waters versions, with the one recorded by Cream for their debut album, Fresh Cream (1966) as "perhaps the best known".[5] A recording from May 1968 is included on Live Cream (1970), which is described in an album review as a "searing, rollicking high energy rendition".[13] As another noteworthy rendition, Komara includes the Yardbirds' tribute "Drinking Muddy Water" and notes singer Keith Relf's harmonica playing on the Little Games studio version and Jimmy Page's slide guitar solos on the live version that first appeared on Live Yardbirds: Featuring Jimmy Page (1971) (released by Page in 2017 as Yardbirds '68).[5] Versions of "Rollin' and Tumblin'" by Canned Heat and Johnny Winter reached the extended singles charts and were included on their debut albums, Canned Heat (1967) and The Progressive Blues Experiment (1968).[14][15]

References

[edit]
  1. ^ Palmer, Robert (1981). Deep Blues. Penguin Books. p. 123. ISBN 978-0-14-006223-6.
  2. ^ Herzhaft, Gerard (1992). "Rollin' and Tumblin'". Encyclopedia of the Blues. Fayetteville, Arkansas: University of Arkansas Press. p. 468. ISBN 1-55728-252-8.
  3. ^ a b Obrecht, Jas. "Rollin' and Tumblin': The Story of a Song". Jas Obrecht Music Archive. Retrieved August 19, 2013.
  4. ^ a b Titon, Jeff Todd (1978). Early Downhome Blues: A Musical and Cultural Analysis. University of Illinois Press. pp. 121–122. ISBN 9780252007781.
  5. ^ a b c d Komara, Edward (2006). "Roll and Tumble Blues". In Komara, Edward (ed.). Encyclopedia of the Blues. New York City: Routledge. p. 846. ISBN 978-0-415-92699-7.
  6. ^ Ankeny, Jason. "Hambone Willie Newbern: Artist Biography". AllMusic. Retrieved August 19, 2013.
  7. ^ Wald, Elijah (2004). Escaping the Delta: Robert Johnson and the Invention of the Blues (1st. ed.). New York City: HarperCollins. ISBN 978-0060524272.
  8. ^ a b Conforth, Bruce; Wardlow, Gayle Dean (2019). Up Jumped the Devil: The Real Life of Robert Johnson. Chicago Review Press. pp. 181, 214. ISBN 978-1-64160-094-1.
  9. ^ a b c Gordon, Robert G. (2002). Can't Be Satisfied: The Life and Times of Muddy Waters. Little, Brown. p. 100. ISBN 0-316-32849-9.
  10. ^ a b "2022 Blues Hall of Fame Inductees". Blues.org. 14 March 2022. Retrieved March 20, 2022.
  11. ^ Morris, Chris; Haig, Diana (1992). Elmore James: King of the Slide Guitar (Box set booklet). Elmore James. Nashville, Tennessee: Capricorn Records. 9 42006-2.
  12. ^ Fancourt, Les; Morris, Chris; Shurman, Dick (1991). Howlin' Wolf: The Chess Box (Box set booklet). Howlin' Wolf. Universal City, California: MCA Records/Chess Records. p. 29. CHD3-9332.
  13. ^ Bowman, Rob. "Live Cream, Vol. 1 – Review". AllMusic. Retrieved March 14, 2021.
  14. ^ Russo, Greg (1994). Uncanned! The Best of Canned Heat (Compilation booklet). Canned Heat. New York City: EMI Records. pp. 7, 21. E2 29165.
  15. ^ "Bubbling Under the Hot 100". Billboard. Vol. 81, no. 19. May 10, 1969. p. 96. ISSN 0006-2510.
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