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{{short description|1955 film directed by Chuck Jones}}
{{short description|1955 film directed by Chuck Jones}}
{{use mdy dates|date=August 2024}}
{{Italic title}}
{{use American English|date=August 2024}}
{{Infobox film
{{Infobox film
| name = One Froggy Evening
| name = One Froggy Evening
| image = LC OneFroggyEvening color.jpg
| image = LC OneFroggyEvening color.jpg
| caption =
| caption =
| director = [[Chuck Jones|Charles M. Jones]]
| director = [[Chuck Jones|Charles M. Jones]]
| story = [[Michael Maltese]]
| story = [[Michael Maltese]]
| animator = {{Plainlist|
| animator = {{Plainlist|
* [[Ken Harris]]
* [[Ken Harris]]
* [[Abe Levitow]]
* [[Abe Levitow]]
Line 13: Line 14:
* [[Richard Thompson (animator)|Richard Thompson]]
* [[Richard Thompson (animator)|Richard Thompson]]
* [[Harry Love (animator)|Harry Love]] (uncredited)}}
* [[Harry Love (animator)|Harry Love]] (uncredited)}}
| layout_artist = [[Robert Gribbroek]]
| layout_artist = [[Robert Gribbroek]]
| background_artist = Philip DeGuard
| background_artist = Philip DeGuard
| starring = William "Bill" Roberts<br>(Michigan J. Frog - uncredited)
| starring = William "Bill" Roberts<br/>(Michigan J. Frog - uncredited)
| music = [[Milt Franklyn]]
| music = [[Milt Franklyn]]
| editing = [[Treg Brown]] (uncredited)
| editing = [[Treg Brown]] (uncredited)
| producer = [[Edward Selzer]] (uncredited)
| producer = [[Edward Selzer]] (uncredited)
| studio = [[Warner Bros. Cartoons]]
| studio = [[Warner Bros. Cartoons]]
| distributor = [[Warner Bros. Pictures]]
| distributor = [[Warner Bros. Pictures]]
| released = {{Film date|1955|12|31|New Year's Eve|1969|12|6|Blue Ribbon reissue|ref2=<ref>{{cite web |title=Boxoffice-February.23.1970 |url=https://www.yumpu.com/en/document/read/29864529/boxoffice-february231970 |website=yumpu.com |access-date=24 August 2021 |language=en}}</ref>}}
| released = {{Film date|1955|12|31|New Year's Eve|1969|12|6|Blue Ribbon reissue|ref2=<ref>{{Cite magazine |date=1970-02-23 |title=Shorts Chart |url=https://www.yumpu.com/en/document/read/29864529/boxoffice-february231970 |access-date=24 August 2021 |magazine=Boxoffice |page=10 |language=en |via=yumpu.com}}</ref>}}
| color_process = [[Technicolor]]
| color_process = [[Technicolor]]
| runtime = {{duration|m=6|s=56}}
| runtime = {{duration|m=6|s=56}}
| country = United States
| country = United States
| language = English
| language = English (Only the singing voice of Michigan J. Frog)
}}
}}
'''''One Froggy Evening''''' is a 1955 American [[Technicolor]] animated [[musical film|musical]] short film written by [[Michael Maltese]] and directed by [[Chuck Jones]], with musical direction by [[Milt Franklyn]]. The short, partly inspired by a 1944 [[Cary Grant]] film entitled ''[[Once Upon a Time (1944 film)|Once Upon a Time]]'' involving a dancing caterpillar in a small box, marks the debut of [[Michigan J. Frog]]: an anthropomorphic [[frog]] with a talent for singing and dancing that he demonstrates for no one except whoever possesses the box wherein he resides. This popular short contained a wide variety of musical entertainment, with songs ranging from "[[Hello! Ma Baby]]" and "[[I'm Just Wild About Harry]]", two [[Tin Pan Alley]] classics, to "[[Largo al factotum|Largo al Factotum]]", Figaro's aria from the opera ''[[The Barber of Seville|Il Barbiere di Siviglia]]''. The short was released on December 31, 1955, as part of [[Warner Bros.]]' ''[[Merrie Melodies]]'' series of [[cartoon]]s.
'''''One Froggy Evening''''' is a 1955 American [[Technicolor]] animated [[musical film|musical]] short film written by [[Michael Maltese]] and directed by [[Chuck Jones]], with musical direction by [[Milt Franklyn]]. The short, partly inspired by a 1944 [[Cary Grant]] film entitled ''[[Once Upon a Time (1944 film)|Once Upon a Time]]'' involving a dancing caterpillar in a small box, marks the debut of [[Michigan J. Frog]]: an anthropomorphic [[frog]] with a talent for singing and dancing that he demonstrates for no one except whoever possesses the box wherein he resides. This popular short contained a wide variety of musical entertainment, with songs ranging from "[[Hello! Ma Baby]]" and "[[I'm Just Wild About Harry]]", two [[Tin Pan Alley]] classics, to "[[Largo al factotum|Largo al Factotum]]", Figaro's aria from the opera ''[[The Barber of Seville|Il Barbiere di Siviglia]]'' (''The Barber of Seville''). The short was released on December 31, 1955, as part of [[Warner Bros.]]' ''[[Merrie Melodies]]'' series of [[cartoon]]s.


In 1994, it was voted {{Numero|5}} of ''[[The 50 Greatest Cartoons]]'' of all time by members of the animation field.<ref name=fifty>{{cite book |last1=Beck |first1=Jerry |title=The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals |date=1994 |publisher=Turner Publishing |isbn=978-1-878685-49-0}}</ref> In 2003, the United States [[Library of Congress]] deemed the film "culturally, historically, or aesthetically significant", and selected it for preservation in the [[National Film Registry]].<ref>{{Cite web|title=Complete National Film Registry Listing |url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/|website=Library of Congress|access-date=2020-05-07}}</ref><ref>{{Cite web|title=Librarian of Congress Adds 25 Films to National Film Registry|url=https://www.loc.gov/item/prn-03-211/25-films-added-to-national-film-registry/2003-12-16/|website=Library of Congress|access-date=2020-05-07}}</ref>
In 1994, it was voted {{Numero|5}} of ''[[The 50 Greatest Cartoons]]'' of all time by members of the animation field.<ref name="fifty">{{Cite book |last=Beck |first=Jerry |title=The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals |date=1994 |publisher=Turner Publishing |isbn=978-1-878685-49-0}}</ref> In 2003, the United States [[Library of Congress]] deemed the film "culturally, historically, or aesthetically significant", and selected it for preservation in the [[National Film Registry]].<ref>{{Cite web |title=Complete National Film Registry Listing |url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/ |access-date=2020-05-07 |website=Library of Congress}}</ref><ref>{{Cite press release |title=Librarian of Congress Adds 25 Films to National Film Registry |date=2023-12-16 |url=https://www.loc.gov/item/prn-03-211/25-films-added-to-national-film-registry/2003-12-16/ |access-date=2020-05-07 |website=Library of Congress}}</ref>


The film is included in the ''[[Looney Tunes Golden Collection: Volume 2]]'' DVD box set (Disc 4), along with an [[audio commentary]], optional music-only audio track (only the instrumental, not the vocal), and a making-of documentary, ''It Hopped One Night: A Look at "One Froggy Evening"''. It was also featured on the VHS release of ''[[Little Giants]]''.
The film is included in the ''[[Looney Tunes Golden Collection: Volume 2]]'' DVD box set (Disc 4), along with an [[audio commentary]], optional music-only audio track (only the instrumental, not the vocal), and a making-of documentary, ''It Hopped One Night: A Look at "One Froggy Evening"''. It was also featured on the VHS release of ''[[Little Giants]]''.


== Plot ==
== Plot ==
A mid-1950s construction worker involved in the demolition of the "J. C. Wilber Building" pries off the top of the cornerstone and finds a metal box within. The unnamed man opens the box and finds, along with a commemorative document dated April 16, 1892, a [[Living entombed animal|live frog inside]] with an appropriately-sized top hat and cane. After the frog suddenly performs a musical number, the man sees an opportunity to cash in on the frog's anthropomorphic talents and sneaks away from the site with the frog in the box under his arm.
A mid-1950s construction worker involved in the demolition of the "J. C. Wilber Building" pries off the top of the cornerstone and finds a metal box within. The unnamed man opens the box and finds, along with a commemorative document dated April 16, 1892, a [[Living entombed animal|live frog inside]], who dons a top hat and cane. After the frog suddenly performs a musical number on the spot, the man sees an opportunity to cash in on the frog's anthropomorphic talents and sneaks away from the site with the frog in the box under his arm.


Every attempt the man makes to exploit the frog fails: the frog will perform only when his owner ''alone'' is watching; in front of anyone else, he presents himself as an ordinary frog. When he does perform, he finishes each song and instantly devolves into his ordinary state before the man can show anyone else his talent. Remaining unaware of this reality, the man takes the frog to a talent agent. After getting kicked out over the frog's apparent inability to act, he uses his life savings to rent an abandoned theater so that he can showcase the frog on his own. The frog performs atop a high wire, behind the closed curtain, while the man struggles to get an audience ... succeeding only with the promise of "Free Beer". As the rising curtain jams, the frog winds down the song. By the time the curtain is unjammed, and the frog is fully revealed to the crowd, he has again reverted to his ordinary state. The angry crowd pelts the man with rotten vegetables.
Every attempt the man makes to exploit the frog fails: the frog performs exclusively for his owner, and instantly devolves into an ordinary frog the second anyone else sees him. Remaining unaware of this reality, the man takes the frog to a talent agent. After getting kicked out over the frog's apparent inability to act, he uses his life savings to rent an abandoned theater so he can showcase the frog on his own. The frog performs atop a high wire behind the closed curtain, while the man struggles to get an audience and succeeds with the promise of "Free Beer". As the frog winds down the song, the man breaks the cord of the curtain he is trying to open. By the time the man reaches and pulls what remains of the cord, fully revealing the frog to the crowd, the frog has again reverted to his ordinary state. The angry crowd pelts the man with rotten vegetables.


Following his failures, the man is now homeless and living on a park bench; there the frog still performs only for him. A policeman overhears the singing and approaches the man, who points to the frog as the singer. When the frog again presents himself as ordinary, the policeman arrests the man, ostensibly for [[vagrancy]] but also as a lunatic. The man is committed to a [[psychiatric hospital|"Psychopathic" Hospital]] along with the frog, who continues serenading the hapless patient. Following his release, the now haggard and [[destitute]] man — still carrying the box with the frog inside — notices the construction site where he originally found the box. He joyously dumps it into the new cornerstone for the future "[[Treg Brown|Tregoweth Brown]] Building"; then he bolts off, finally rid of what has become his burden.
Following these failures, the man is now homeless and living on a park bench; there, the frog still performs only for him. A policeman overhears the singing and approaches the man, who points to the frog as the singer. When the frog again presents himself as ordinary, the policeman arrests the man, ostensibly for [[vagrancy]] but also as insane. The man is committed to a [[psychiatric hospital|"Psychopathic" Hospital]] along with the frog, who continues serenading the hapless patient. Following his release, the now haggard and [[destitute]] man — still carrying the box with the frog inside — notices the construction site where he originally found the box. He joyously dumps it into the new cornerstone for the future "[[Treg Brown|Tregoweth Brown]] Building" and runs away, finally rid of what has become his burden.


A century later, in 2056, the Brown Building is being disintegrated by futuristic demolition workers. The box with the frog is discovered again, this time by one of the 21st-century crew-members. After envisioning a cash bonanza of his own, the worker absconds with the frog. The cycle begins anew.
A century later, in 2056, the Brown Building is being disintegrated by futuristic demolition workers. The box with the frog is discovered again, this time by one of the 21st-century crew members. After envisioning a cash bonanza of his own, the worker absconds with the frog, thus starting the cycle anew.


== Production notes ==
== Production notes ==
The cartoon has no spoken dialogue or vocals except by the frog. The frog's vocals are provided by singer and bandleader Bill Roberts.<ref>{{cite book|title=America's Film Legacy:The Authoritative Guide to the Landmark Movies in the National Film Registry|first=Daniel|last=Eagan|year=2009|publisher=Bloomsbury Publishing|isbn=978-1441175410}}</ref> The frog had no name when the cartoon was made, but [[Chuck Jones]] later named him [[Michigan J. Frog]] after the song "The Michigan Rag", which was written for the cartoon. Jones and his animators studied real-life frogs to achieve the successful transition from an ordinary frog to a high-stepping entertainer.<ref>{{Cite book|last=Maltin|first=Leonard|title=Of Mice and Magic: A History of American Animated Cartoons|publisher=New American Library|year=1980|isbn=0-452-25993-2|location=New York|pages=265}}</ref> The character became the mascot of [[The WB]] television network in the 1990s. In a clip shown in the DVD specials for the ''[[Looney Tunes Golden Collection]]'', Jones states that he started calling the character "Michigan Frog" in the 1970s. During an interview with writer [[Jay Cocks]], Jones decided to adopt "J" as the Frog's middle initial, after the interviewer's name.<!--NOT vandalism; see wikilinked article which confirms spelling before reverting--><ref>{{cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060115/REVIEWS08/601150301/1023|title=Chuck Jones: Three Cartoons (1953–1957)|last=Ebert|first=Roger|date=2006-01-15|work=rogerebert.com|publisher=Chicago Sun Times online|access-date=2009-07-15}}</ref>
The cartoon has no spoken dialogue or vocals except by the frog. The frog's vocals are provided by singer and bandleader Bill Roberts.<ref>{{Cite book |last=Eagan |first=Daniel |title=America's Film Legacy:The Authoritative Guide to the Landmark Movies in the National Film Registry |publisher=Bloomsbury Publishing |year=2009 |isbn=978-1441175410}}</ref> The frog had no name when the cartoon was made, but [[Chuck Jones]] later named him [[Michigan J. Frog]] after the song "The Michigan Rag", which was written for the cartoon. Jones and his animators studied real-life frogs to achieve the successful transition from an ordinary frog to a high-stepping entertainer.<ref>{{Cite book |last=Maltin |first=Leonard |title=Of Mice and Magic: A History of American Animated Cartoons |publisher=New American Library |year=1980 |isbn=0-452-25993-2 |location=New York |pages=265}}</ref> The character became the mascot of [[The WB]] television network in the 1990s. In a clip shown in the DVD specials for the ''[[Looney Tunes Golden Collection]]'', Jones states that he started calling the character "Michigan Frog" in the 1970s. During an interview with writer [[Jay Cocks]], Jones decided to adopt "J" as the Frog's middle initial, after the interviewer's name.<!--NOT vandalism; see wikilinked article which confirms spelling before reverting--><ref>{{Cite web |last=Ebert |first=Roger |date=2006-01-15 |title='Looney,' yes, but also brilliant |url=https://www.rogerebert.com/reviews/great-movie-chuck-jones-three-cartoons |access-date=2024-08-06 |website=rogerebert.com}}</ref>


== Sequel ==
== Sequel ==
In 1995, Chuck Jones reprised Michigan J. Frog in a cartoon titled '''''Another Froggy Evening''''', with [[Jeff McCarthy]] providing the frog's voice. In ''Another Froggy Evening'', Michigan is shown to have always existed. Men from the [[Stone Age]] (during the erection of [[Stonehenge]]), [[Roman Empire]], and [[American Revolutionary War]], all of whom resemble the man from the original short, fail to profit off the singing frog, who still performs early 20th-century-style showtunes regardless of the time period. In some shots, the frog displays a degree of anthropomorphism, but not musical talent, in front of others by willingly hiding himself in his box. Finally, just as Michigan is about to be eaten by a starving man deserted on an island, he is abducted by [[Marvin the Martian]], who discovers the frog understands the Martian language. The frog invites Marvin to hear him sing, and they perform a duet as the spaceship flies away.
In 1995, Chuck Jones reprised Michigan J. Frog in a cartoon titled '''''Another Froggy Evening''''', with [[Jeff McCarthy]] providing the frog's voice. In ''Another Froggy Evening'', Michigan is shown to have always existed. Men from the [[Stone Age]] (during the erection of [[Stonehenge]]), [[Roman Empire]], and [[American Revolutionary War]], all of whom resemble the man from the original short, fail to profit off the singing frog, who still performs early 20th-century-style showtunes regardless of the time period. In some shots, the frog displays a degree of anthropomorphism, but not musical talent, in front of others by willingly hiding himself in his box. Finally, just as Michigan is about to be eaten by a starving man deserted on an island, he is abducted by [[Marvin the Martian]], who discovers the frog understands the Martian language. The frog invites Marvin to hear him sing, and they perform a duet as the spaceship flies away.


The background crowd in the Roman Empire includes caricatures of Jones, animated by Warren O'Neill, and [[Siskel and Ebert]], animated by [[Mort Drucker]].<ref>{{cite web|title=Warren O'Neill on Twitter: "I did a caricature of Chuck and put it in the background crowd of one of the Looney Tunes cartoons. The Siskel & Ebert caricatures in the foreground were done by legendary MAD magazine caricaturist Mort Drucker."|url=https://twitter.com/WarrenONeill/status/1747558746425888875|publisher=Twitter|access-date=February 4, 2024}}</ref>
The background crowd in the Roman Empire includes caricatures of Jones, animated by Warren O'Neill, and [[Siskel and Ebert]], animated by [[Mort Drucker]].<ref>{{Cite tweet |number=1747558746425888875 |user=WarrenONeill |title=I did a caricature of Chuck and put it in the background crowd of one of the Looney Tunes cartoons. The Siskel & Ebert caricatures in the foreground were done by legendary MAD magazine caricaturist Mort Drucker. |first=Warren |last=O'Neill |access-date=February 4, 2024}}</ref>


== Inspirations ==
== Inspirations ==
The premise of ''One Froggy Evening'' has some similarity to that of the 1944 Columbia Pictures film ''[[Once Upon a Time (1944 film)|Once Upon a Time]]'' starring [[Cary Grant]] in which a dancing caterpillar is kept in a shoebox. It was common for Warner Bros. to parody scenes from well-known live action films for its ''Merrie Melodies'' productions. ''Once Upon a Time'', in turn, was based on "My Client Curley", a 1940 radio play adapted by [[Norman Corwin]] from a magazine story by [[Lucille Fletcher]].<ref>{{cite news|title=Pleasant Fantasy |url=https://www.nytimes.com/movie/review?res=9D02E2D71031E03BBC4850DFB066838F659EDE|author=Crowther, Bosley|newspaper=[[The New York Times]]|date=June 30, 1944|access-date=September 15, 2017}}</ref> [[Ol' Rip the Horned Toad|Ol' Rip]], a [[horned toad]] "discovered" in an 1897 time capsule inside the cornerstone of the [[Eastland County, Texas]] courthouse in 1928, is also said to have inspired the premise.<ref>{{cite web|title=Old Rip|url=https://tpwmagazine.com/archive/2008/oct/legend/|author=Newton, Teresa S.|publisher=[[Texas Parks & Wildlife]] Magazine|date=October 2008|access-date=September 15, 2017}}</ref>
The premise of ''One Froggy Evening'' has some similarity to that of the 1944 Columbia Pictures film ''[[Once Upon a Time (1944 film)|Once Upon a Time]]'' starring [[Cary Grant]] in which a dancing caterpillar is kept in a shoebox. It was common for Warner Bros. to parody scenes from well-known live action films for its ''Merrie Melodies'' productions. ''Once Upon a Time'', in turn, was based on "My Client Curley", a 1940 radio play adapted by [[Norman Corwin]] from a magazine story by [[Lucille Fletcher]].<ref>{{Cite news |last=Crowther, Bosley |date=June 30, 1944 |title=Pleasant Fantasy |url=https://www.nytimes.com/movie/review?res=9D02E2D71031E03BBC4850DFB066838F659EDE |access-date=September 15, 2017 |work=[[The New York Times]]}}</ref> [[Ol' Rip the Horned Toad|Ol' Rip]], a [[horned toad]] "discovered" in an 1897 time capsule inside the cornerstone of the [[Eastland County, Texas]] courthouse in 1928, is also said to have inspired the premise.<ref>{{Cite web |last=Newton |first=Teresa S. |date=October 2008 |title=Old Rip |url=https://tpwmagazine.com/archive/2008/oct/legend/ |access-date=September 15, 2017 |website=Texas Parks & Wildlife Magazine}}</ref>


Some of the Frog's physical movements are evocative of ragtime-era greats such as [[Bert Williams]], who was known for sporting a top hat and cane, and performing the type of flamboyant, high-kick [[cakewalk]] dance steps demonstrated by the frog in ''[[Hello! Ma Baby]]''. Williams was also a prominent figure in [[The Frogs (club)|The Frogs]] club.
Some of the Frog's physical movements are evocative of ragtime-era greats such as [[Bert Williams]], who was known for sporting a top hat and cane, and performing the type of flamboyant, high-kick [[cakewalk]] dance steps demonstrated by the frog in ''[[Hello! Ma Baby]]''. Williams was also a prominent figure in [[The Frogs (club)|The Frogs]] club.


== Reception ==
== Reception ==
Film critic [[Jay Cocks]] said that the short "comes as close as any cartoon ever has to perfection" in a 1973 ''[[Time (magazine)|Time]]'' profile of Chuck Jones.<ref>{{cite book |last1=Schneider |first1=Steve |title=That's All, Folks! : The Art of Warner Bros. Animation |date=1988 |publisher=Henry Holt and Co |isbn=0-8050-0889-6 |page=119}}</ref> In the 2000 documentary film ''[[Chuck Jones: Extremes & Inbetweens – A Life in Animation]]'', filmmaker [[Steven Spielberg]] called the short "the Citizen Kane of the animated short".<ref>{{cite web |last1=Kowalski |first1=Jesse M. |title=Hanna-Barbera: The Architects of Saturday Morning|url=https://www.illustrationhistory.org/essays/hanna-barbera-the-architects-of-saturday-morning |website=Illustration History |access-date=October 24, 2021 |date=January 19, 2017}}</ref>
Film critic [[Jay Cocks]] said that the short "comes as close as any cartoon ever has to perfection" in a 1973 ''[[Time (magazine)|Time]]'' profile of Chuck Jones.<ref>{{Cite book |last=Schneider |first=Steve |title=That's All, Folks! : The Art of Warner Bros. Animation |date=1988 |publisher=Henry Holt and Co |isbn=0-8050-0889-6 |page=119}}</ref> In the 2000 documentary film ''[[Chuck Jones: Extremes & Inbetweens – A Life in Animation]]'', filmmaker [[Steven Spielberg]] called the short "the Citizen Kane of the animated short".<ref>{{Cite web |last=Kowalski |first=Jesse M. |date=January 19, 2017 |title=Hanna-Barbera: The Architects of Saturday Morning |url=https://www.illustrationhistory.org/essays/hanna-barbera-the-architects-of-saturday-morning |access-date=October 24, 2021 |website=Illustration History}}</ref>


In 1994, it was voted {{Numero|5}} of [[The 50 Greatest Cartoons]] of all time by members of the animation field.<ref name=fifty/>
In 1994, it was voted {{Numero|5}} of [[The 50 Greatest Cartoons]] of all time by members of the animation field.<ref name=fifty/>
Line 84: Line 85:


* Michigan J. Frog appears in two episodes of ''[[Tiny Toon Adventures]]'', as well as two episodes of ''[[Sylvester & Tweety Mysteries]]''.
* Michigan J. Frog appears in two episodes of ''[[Tiny Toon Adventures]]'', as well as two episodes of ''[[Sylvester & Tweety Mysteries]]''.
* The frog cameos in an episode of ''[[Animaniacs]]'' when a scene from ''[[Macbeth]]'' is recreated. He is placed into a boiling cauldron along with other cartoon characters.
* Michigan J. Frog also cameos in an episode of ''[[Animaniacs]]'' when a scene from ''[[Macbeth]]'' is recreated. He is placed into a boiling cauldron along with other cartoon characters.
* The film ''[[Spaceballs]]'' features a scene in which an alien bursts from a man's chest, dons a straw hat and cane and begins singing "Hello! Ma Baby" while performing a dance routine very similar to Michigan J. Frog's routine from ''One Froggy Evening''.<ref name="brooks">{{Cite web |last=Brooks |first=Mel |author-link=Mel Brooks |date=December 16, 2021 |title=Mel Brooks on the Making of Spaceballs |url=https://lithub.com/mel-brooks-on-the-making-of-spaceballs/ |access-date=May 1, 2024 |website=Literary Hub |quote=But I couldn’t stop there, so I had the [alien] creature go on to sing and dance “Hello My Baby”[sic] complete with waving a straw hat and a cane!}}</ref>


== See also ==
== See also ==
Line 95: Line 97:
== External links ==
== External links ==
{{Wikiquote}}
{{Wikiquote}}
* ''One Froggy Evening'' essay [https://www.loc.gov/enwiki/static/programs/national-film-preservation-board/documents/chuck_jones.pdf] by Craig Kausen on the [[National Film Registry]] website
* [https://www.loc.gov/enwiki/static/programs/national-film-preservation-board/documents/chuck_jones.pdf ''Three Films by Chuck Jones: Duck Amuck, One Froggy Evening and What’s Opera, Doc?''] essay by Craig Kausen on the [[National Film Registry]] website
* {{IMDb title|0048449}}
* {{IMDb title|0048449}}
* [https://archive.today/20130117175134/http://www.bcdb.com/cartoon/372-One%20Froggy%20Evening.html Details and credits for ''One Froggy Evening'']
* [https://archive.today/20130117175134/http://www.bcdb.com/cartoon/372-One%20Froggy%20Evening.html Details and credits for ''One Froggy Evening'']
* [http://froggyeve.tripod.com/ The Songs of ''One Froggy Evening'']
* [http://froggyeve.tripod.com/ The Songs of ''One Froggy Evening'']
* ''One Froggy Evening'' essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 {{ISBN|0826429777}}, pages 509-510 [https://books.google.com/books?id=deq3xI8OmCkC]
* [https://books.google.com/books?id=deq3xI8OmCkC ''One Froggy Evening''] essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 {{ISBN|0826429777}}, pages 509-510


{{Chuck Jones}}
{{Chuck Jones}}


[[Category:1950s English-language films]]
[[Category:1950s English-language films]]
[[Category:1955 animated films]]
[[Category:1955 short films]]
[[Category:1955 musical comedy films]]
[[Category:1955 musical comedy films]]
[[Category:American musical comedy films]]
[[Category:American musical comedy films]]
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[[Category:Animated films set in the 1950s]]
[[Category:Animated films set in the 1950s]]
[[Category:Animated films set in the 2050s]]
[[Category:Animated films set in the 2050s]]
[[Category:English-language comedy short films]]
[[Category:English-language musical comedy films]]
[[Category:1955 animated short films]]
[[Category:American musical short films]]

Latest revision as of 13:09, 9 December 2024

One Froggy Evening
Directed byCharles M. Jones
Story byMichael Maltese
Produced byEdward Selzer (uncredited)
StarringWilliam "Bill" Roberts
(Michigan J. Frog - uncredited)
Edited byTreg Brown (uncredited)
Music byMilt Franklyn
Animation by
Layouts byRobert Gribbroek
Backgrounds byPhilip DeGuard
Color processTechnicolor
Production
company
Distributed byWarner Bros. Pictures
Release dates
  • December 31, 1955 (1955-12-31) (New Year's Eve)
  • December 6, 1969 (1969-12-06) (Blue Ribbon reissue)[1]
Running time
6:56
CountryUnited States
LanguageEnglish (Only the singing voice of Michigan J. Frog)

One Froggy Evening is a 1955 American Technicolor animated musical short film written by Michael Maltese and directed by Chuck Jones, with musical direction by Milt Franklyn. The short, partly inspired by a 1944 Cary Grant film entitled Once Upon a Time involving a dancing caterpillar in a small box, marks the debut of Michigan J. Frog: an anthropomorphic frog with a talent for singing and dancing that he demonstrates for no one except whoever possesses the box wherein he resides. This popular short contained a wide variety of musical entertainment, with songs ranging from "Hello! Ma Baby" and "I'm Just Wild About Harry", two Tin Pan Alley classics, to "Largo al Factotum", Figaro's aria from the opera Il Barbiere di Siviglia (The Barber of Seville). The short was released on December 31, 1955, as part of Warner Bros.' Merrie Melodies series of cartoons.

In 1994, it was voted No. 5 of The 50 Greatest Cartoons of all time by members of the animation field.[2] In 2003, the United States Library of Congress deemed the film "culturally, historically, or aesthetically significant", and selected it for preservation in the National Film Registry.[3][4]

The film is included in the Looney Tunes Golden Collection: Volume 2 DVD box set (Disc 4), along with an audio commentary, optional music-only audio track (only the instrumental, not the vocal), and a making-of documentary, It Hopped One Night: A Look at "One Froggy Evening". It was also featured on the VHS release of Little Giants.

Plot

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A mid-1950s construction worker involved in the demolition of the "J. C. Wilber Building" pries off the top of the cornerstone and finds a metal box within. The unnamed man opens the box and finds, along with a commemorative document dated April 16, 1892, a live frog inside, who dons a top hat and cane. After the frog suddenly performs a musical number on the spot, the man sees an opportunity to cash in on the frog's anthropomorphic talents and sneaks away from the site with the frog in the box under his arm.

Every attempt the man makes to exploit the frog fails: the frog performs exclusively for his owner, and instantly devolves into an ordinary frog the second anyone else sees him. Remaining unaware of this reality, the man takes the frog to a talent agent. After getting kicked out over the frog's apparent inability to act, he uses his life savings to rent an abandoned theater so he can showcase the frog on his own. The frog performs atop a high wire behind the closed curtain, while the man struggles to get an audience and succeeds with the promise of "Free Beer". As the frog winds down the song, the man breaks the cord of the curtain he is trying to open. By the time the man reaches and pulls what remains of the cord, fully revealing the frog to the crowd, the frog has again reverted to his ordinary state. The angry crowd pelts the man with rotten vegetables.

Following these failures, the man is now homeless and living on a park bench; there, the frog still performs only for him. A policeman overhears the singing and approaches the man, who points to the frog as the singer. When the frog again presents himself as ordinary, the policeman arrests the man, ostensibly for vagrancy but also as insane. The man is committed to a "Psychopathic" Hospital along with the frog, who continues serenading the hapless patient. Following his release, the now haggard and destitute man — still carrying the box with the frog inside — notices the construction site where he originally found the box. He joyously dumps it into the new cornerstone for the future "Tregoweth Brown Building" and runs away, finally rid of what has become his burden.

A century later, in 2056, the Brown Building is being disintegrated by futuristic demolition workers. The box with the frog is discovered again, this time by one of the 21st-century crew members. After envisioning a cash bonanza of his own, the worker absconds with the frog, thus starting the cycle anew.

Production notes

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The cartoon has no spoken dialogue or vocals except by the frog. The frog's vocals are provided by singer and bandleader Bill Roberts.[5] The frog had no name when the cartoon was made, but Chuck Jones later named him Michigan J. Frog after the song "The Michigan Rag", which was written for the cartoon. Jones and his animators studied real-life frogs to achieve the successful transition from an ordinary frog to a high-stepping entertainer.[6] The character became the mascot of The WB television network in the 1990s. In a clip shown in the DVD specials for the Looney Tunes Golden Collection, Jones states that he started calling the character "Michigan Frog" in the 1970s. During an interview with writer Jay Cocks, Jones decided to adopt "J" as the Frog's middle initial, after the interviewer's name.[7]

Sequel

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In 1995, Chuck Jones reprised Michigan J. Frog in a cartoon titled Another Froggy Evening, with Jeff McCarthy providing the frog's voice. In Another Froggy Evening, Michigan is shown to have always existed. Men from the Stone Age (during the erection of Stonehenge), Roman Empire, and American Revolutionary War, all of whom resemble the man from the original short, fail to profit off the singing frog, who still performs early 20th-century-style showtunes regardless of the time period. In some shots, the frog displays a degree of anthropomorphism, but not musical talent, in front of others by willingly hiding himself in his box. Finally, just as Michigan is about to be eaten by a starving man deserted on an island, he is abducted by Marvin the Martian, who discovers the frog understands the Martian language. The frog invites Marvin to hear him sing, and they perform a duet as the spaceship flies away.

The background crowd in the Roman Empire includes caricatures of Jones, animated by Warren O'Neill, and Siskel and Ebert, animated by Mort Drucker.[8]

Inspirations

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The premise of One Froggy Evening has some similarity to that of the 1944 Columbia Pictures film Once Upon a Time starring Cary Grant in which a dancing caterpillar is kept in a shoebox. It was common for Warner Bros. to parody scenes from well-known live action films for its Merrie Melodies productions. Once Upon a Time, in turn, was based on "My Client Curley", a 1940 radio play adapted by Norman Corwin from a magazine story by Lucille Fletcher.[9] Ol' Rip, a horned toad "discovered" in an 1897 time capsule inside the cornerstone of the Eastland County, Texas courthouse in 1928, is also said to have inspired the premise.[10]

Some of the Frog's physical movements are evocative of ragtime-era greats such as Bert Williams, who was known for sporting a top hat and cane, and performing the type of flamboyant, high-kick cakewalk dance steps demonstrated by the frog in Hello! Ma Baby. Williams was also a prominent figure in The Frogs club.

Reception

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Film critic Jay Cocks said that the short "comes as close as any cartoon ever has to perfection" in a 1973 Time profile of Chuck Jones.[11] In the 2000 documentary film Chuck Jones: Extremes & Inbetweens – A Life in Animation, filmmaker Steven Spielberg called the short "the Citizen Kane of the animated short".[12]

In 1994, it was voted No. 5 of The 50 Greatest Cartoons of all time by members of the animation field.[2]

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About half of the songs performed by the frog were written after he was presumably sealed into the cornerstone, dated 1892.

Words and music by Ida Emerson and Joseph E. Howard (1899)
  • "The Michigan Rag"
Words and music by Milt Franklyn, Michael Maltese, and Chuck Jones, written for the cartoon
  • "Come Back to Éireann"
Words and music by Claribel (pseudonym of Charlotte Alington Barnard) (1866)
Words and music by Eubie Blake and Noble Sissle, written for the musical Shuffle Along (1921)
Words and music by John W. Kelly (1890)
  • "The Michigan Rag" reprise
  • "Won't You Come Over To My House"
Words by Harry Williams, music by Egbert Van Alstyne (1906)
Composed by Gioachino Rossini for the opera The Barber of Seville (1816)
Words and music by Sidney Clare, Sam H. Stept, and Bee Palmer (1930)
  • "Hello! Ma Baby" reprise
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  • Michigan J. Frog appears in two episodes of Tiny Toon Adventures, as well as two episodes of Sylvester & Tweety Mysteries.
  • Michigan J. Frog also cameos in an episode of Animaniacs when a scene from Macbeth is recreated. He is placed into a boiling cauldron along with other cartoon characters.
  • The film Spaceballs features a scene in which an alien bursts from a man's chest, dons a straw hat and cane and begins singing "Hello! Ma Baby" while performing a dance routine very similar to Michigan J. Frog's routine from One Froggy Evening.[13]

See also

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References

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  1. ^ "Shorts Chart". Boxoffice. February 23, 1970. p. 10. Retrieved August 24, 2021 – via yumpu.com.
  2. ^ a b Beck, Jerry (1994). The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals. Turner Publishing. ISBN 978-1-878685-49-0.
  3. ^ "Complete National Film Registry Listing". Library of Congress. Retrieved May 7, 2020.
  4. ^ "Librarian of Congress Adds 25 Films to National Film Registry". Library of Congress (Press release). December 16, 2023. Retrieved May 7, 2020.
  5. ^ Eagan, Daniel (2009). America's Film Legacy:The Authoritative Guide to the Landmark Movies in the National Film Registry. Bloomsbury Publishing. ISBN 978-1441175410.
  6. ^ Maltin, Leonard (1980). Of Mice and Magic: A History of American Animated Cartoons. New York: New American Library. p. 265. ISBN 0-452-25993-2.
  7. ^ Ebert, Roger (January 15, 2006). "'Looney,' yes, but also brilliant". rogerebert.com. Retrieved August 6, 2024.
  8. ^ O'Neill, Warren [@WarrenONeill] (January 17, 2024). "I did a caricature of Chuck and put it in the background crowd of one of the Looney Tunes cartoons. The Siskel & Ebert caricatures in the foreground were done by legendary MAD magazine caricaturist Mort Drucker" (Tweet). Retrieved February 4, 2024 – via Twitter.
  9. ^ Crowther, Bosley (June 30, 1944). "Pleasant Fantasy". The New York Times. Retrieved September 15, 2017.
  10. ^ Newton, Teresa S. (October 2008). "Old Rip". Texas Parks & Wildlife Magazine. Retrieved September 15, 2017.
  11. ^ Schneider, Steve (1988). That's All, Folks! : The Art of Warner Bros. Animation. Henry Holt and Co. p. 119. ISBN 0-8050-0889-6.
  12. ^ Kowalski, Jesse M. (January 19, 2017). "Hanna-Barbera: The Architects of Saturday Morning". Illustration History. Retrieved October 24, 2021.
  13. ^ Brooks, Mel (December 16, 2021). "Mel Brooks on the Making of Spaceballs". Literary Hub. Retrieved May 1, 2024. But I couldn't stop there, so I had the [alien] creature go on to sing and dance "Hello My Baby"[sic] complete with waving a straw hat and a cane!
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