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{{short description|British art historian and archaeologist}} |
{{short description|British art historian and archaeologist}} |
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[[File:Noel Moon Oakeshott.png|thumb|Noël Moon, c.1924]] |
[[File:Noel Moon Oakeshott.png|thumb|Noël Moon, c.1924]] |
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'''Noël Rose Oakeshott''' |
'''Noël Rose Oakeshott''' (''née'' '''Moon'''; 29 December 1903 – 19 June 1976) was a British classical archaeologist. |
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==Life== |
==Life== |
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Oakeshott was born at 58 [[Green Street, Mayfair]], London,<ref name="births">{{cite news |title= Births |work=[[The Times]] |publisher=The Times Digital Archive |date=30 December 1903 |page= 1}}</ref> the daughter of the physician [[Robert Oswald Moon]] and his wife, Ethel Waddington (died 1933), daughter of Major-General Thomas Waddington of [[Pangbourne]]. She was the elder sister of historian Sir [[Penderel Moon]], and had three younger sisters, Constance Mary, Margaret Willoughby, and Emilie De Rontenay.<ref>{{cite book |last1=Dancy |first1=John |url=https://books.google.com/books/about/Walter_Oakeshott.html?id=rbxkAAAAMAAJ&redir_esc=y |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |isbn=9780859552196 |page=45 |language=en}}</ref><ref>{{cite ODNB|id=39897|first=Philip|last=Mason|title=Moon, Sir (Edward) Penderel}}</ref><ref>{{cite book|last=Kelly's|title=Kelly's Handbook to the Titled, Landed and Official Classes|year=1943|publisher=Kelly's Directories|page=1298}}</ref> Her mother was a suffragist and artist.<ref name="Dillon">{{cite journal |last1=Dillon |first1=P. |title=A social and literary network in North Berkshire around the time of the First World War |journal=Journal of the Friends of the Dymock Poets |date=2018 |volume=17 |pages=103–113 |url=https://www.researchgate.net/publication/325119675}}</ref> <!-- The artist Vera Waddington (1876–1954) was her aunt. --> |
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Oakeshott was a pupil at the Farmhouse School, Mayortorne Manor near [[Wendover]], run by [[Isabel Fry]];<ref name="Dancy33">{{cite book |last1=Dancy |first1=John |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |pages=33–34 |language=en}}</ref> her mother had known Constance Masefield (née Crommelin), Fry's friend, during the 1890s.<ref name="Dillon"/> There she learned Latin, and was taught Greek individually at her father's request. She acted there in a production of ''[[Iphigenia in Tauris]]'', in [[Gilbert Murray]]'s translation.<ref>{{cite book |last1=Brown |first1=Beatrice Curtis |title=Isabel Fry, 1869-1958: Portrait of a Great Teacher |date=1960 |publisher=A. Barker |pages=101–108 |language=en}}</ref> She entered the [[University of Oxford]] as a non-college student, lodging with [[David George Hogarth]]. Following the ''[[Literae humaniores]]'' course from 1922, she completed "Mods". She was then advised to transfer to the Diploma in Classical Archaeology.<ref name="Dancy33"/> In this early period at Oxford, [[Richard Hughes (writer)|Richard Hughes]] wooed her by letter.<ref name="Dancy35">{{cite book |last1=Dancy |first1=John |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |page=35 |language=en}}</ref> |
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Socially, |
Socially, Oakeshott met at this time classical scholars including [[Cyril Bailey]]. She fell in with [[Balliol College]] students, through Hugh Keen, father of [[Maurice Keen]].<ref name="Dancy33"/><ref>{{cite ODNB|id=105559|first=C. J.|last=Tyerman|title=Keen, Maurice Hugh}}</ref> In 1926 she acted the role of Leader of the chorus in a Balliol production of ''[[Hippolytus (play)|Hippolytus]]''. The title role was played by [[Walter Oakeshott]], who proposed marriage to her at the end of the year.<ref name="Dancy33"/> |
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In 1926, also, Noël was the top student in the Diploma in Classical Archaeology, and was awarded the Gilchrist Scholarship to the [[British School at Rome]].<ref name="Dancy33"/> She was there for four months from January 1927. With the support of [[John Beazley]] she worked on Greek vases from southern Italy.<ref name="Dancy35"/> |
In 1926, also, Noël was the top student in the Diploma in Classical Archaeology, and was awarded the Gilchrist Scholarship to the [[British School at Rome]].<ref name="Dancy33"/> She was there for four months from January 1927. With the support of [[John Beazley]] she worked on Greek vases from southern Italy.<ref name="Dancy35"/> |
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==Works and influence== |
==Works and influence== |
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Noël Oakeshott's essay ''Some Early South Italian Vase-Painters'' from 1929 remains a basic contribution in the field. The pioneering work of Beazley and Oakeshott was followed up by [[Arthur Dale Trendall]].<ref>{{cite book |last1=AO |first1=Professor Maxwell R. Bennett |title=The Search for Knowledge and Understanding |date=2019 |publisher=Sydney University Press |isbn=978-1-74210-450-8 |page=28 |url=https://books.google. |
Noël Oakeshott's essay ''Some Early South Italian Vase-Painters'' from 1929 remains a basic contribution in the field. The pioneering work of Beazley and Oakeshott was followed up by [[Arthur Dale Trendall]].<ref>{{cite book |last1=AO |first1=Professor Maxwell R. Bennett |title=The Search for Knowledge and Understanding |date=2019 |publisher=Sydney University Press |isbn=978-1-74210-450-8 |page=28 |url=https://books.google.com/books?id=vTfLDwAAQBAJ&pg=PT28 |language=en}}</ref> In the 1930s she did work for Trendall's ''Paestan Pottery'' (1936), and visited the British School at Rome again in 1937, spending some time with Trendall and seeing museum collections in southern Italy.<ref>{{cite book |last1=Dancy |first1=John |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |page=76 |language=en}}</ref> |
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Oakeshott used Beazley's method of separation of individual painters, on examples of Italian vase painting. It was an application of [[connoisseurship]], and some attributions have been reconsidered since.<ref>{{cite book |last1=Carpenter |first1=T. H. |last2=Lynch |first2=K. M. |last3=Robinson |first3=E. G. D. |title=The Italic People of Ancient Apulia |date=2014 |publisher=Cambridge University Press |isbn=978-1-107-04186-8 |page=124 |url=https://books.google.com/books?id=31w3BAAAQBAJ&pg=PA124 |language=en}}</ref> |
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==Family== |
==Family== |
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Oakeshott married the educational administrator and historian Walter Oakeshott in April 1928 at [[Aston Tirrold]]. The engagement from 1926 was prolonged by Walter's need to move from his teaching post at [[Bec School]]; an operation for chronic [[appendicitis]] he had; and opposition and stalling tactics from her wealthy father, who considered that Walter's social position was inadequate.<ref>{{cite book |last1=Dancy |first1=John |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |pages=45–46 |language=en}}</ref> Much later, Beazley named the so-called Oakeshott Painter of vases after the couple.<ref>{{cite book |last1=Dancy |first1=John |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |page=256 |language=en}}</ref> |
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They had twin sons born in 1933, Evelyn and [[Robert Oakeshott|Robert]], and daughters Helena (born 1931) and Rose (born 1940).<ref>{{cite book |last1=Dancy |first1=John |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |pages=55, 58, 97 |language=en}}</ref> |
They had twin sons born in 1933, Evelyn and [[Robert Oakeshott|Robert]], and daughters Helena (born 1931) and Rose (born 1940).<ref>{{cite book |last1=Dancy |first1=John |title=Walter Oakeshott: A diversity of gifts |date=1995 |publisher=Michael Russell |pages=55, 58, 97 |language=en}}</ref> |
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She died in Oxford in 1976, aged 72.<ref name="deaths">{{cite news |title= Deaths |work=[[The Times]] |publisher=The Times Digital Archive |date= 21 June 1976|page= 26}}</ref> |
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==Notes== |
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==References== |
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{{reflist}} |
{{reflist}} |
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{{authority control}} |
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{{DEFAULTSORT:Oakeshott, Noel}} |
{{DEFAULTSORT:Oakeshott, Noel}} |
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[[Category: |
[[Category:1903 births]] |
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[[Category:1976 deaths]] |
[[Category:1976 deaths]] |
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[[Category:British archaeologists]] |
[[Category:British classical archaeologists]] |
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[[Category: |
[[Category:British women archaeologists]] |
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[[Category:20th-century British archaeologists]] |
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[[Category:People from Mayfair]] |
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[[Category:Archaeologists from London]] |
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Latest revision as of 00:44, 11 December 2024
Noël Rose Oakeshott (née Moon; 29 December 1903 – 19 June 1976) was a British classical archaeologist.
Life
[edit]Oakeshott was born at 58 Green Street, Mayfair, London,[1] the daughter of the physician Robert Oswald Moon and his wife, Ethel Waddington (died 1933), daughter of Major-General Thomas Waddington of Pangbourne. She was the elder sister of historian Sir Penderel Moon, and had three younger sisters, Constance Mary, Margaret Willoughby, and Emilie De Rontenay.[2][3][4] Her mother was a suffragist and artist.[5]
Oakeshott was a pupil at the Farmhouse School, Mayortorne Manor near Wendover, run by Isabel Fry;[6] her mother had known Constance Masefield (née Crommelin), Fry's friend, during the 1890s.[5] There she learned Latin, and was taught Greek individually at her father's request. She acted there in a production of Iphigenia in Tauris, in Gilbert Murray's translation.[7] She entered the University of Oxford as a non-college student, lodging with David George Hogarth. Following the Literae humaniores course from 1922, she completed "Mods". She was then advised to transfer to the Diploma in Classical Archaeology.[6] In this early period at Oxford, Richard Hughes wooed her by letter.[8]
Socially, Oakeshott met at this time classical scholars including Cyril Bailey. She fell in with Balliol College students, through Hugh Keen, father of Maurice Keen.[6][9] In 1926 she acted the role of Leader of the chorus in a Balliol production of Hippolytus. The title role was played by Walter Oakeshott, who proposed marriage to her at the end of the year.[6]
In 1926, also, Noël was the top student in the Diploma in Classical Archaeology, and was awarded the Gilchrist Scholarship to the British School at Rome.[6] She was there for four months from January 1927. With the support of John Beazley she worked on Greek vases from southern Italy.[8]
Works and influence
[edit]Noël Oakeshott's essay Some Early South Italian Vase-Painters from 1929 remains a basic contribution in the field. The pioneering work of Beazley and Oakeshott was followed up by Arthur Dale Trendall.[10] In the 1930s she did work for Trendall's Paestan Pottery (1936), and visited the British School at Rome again in 1937, spending some time with Trendall and seeing museum collections in southern Italy.[11]
Oakeshott used Beazley's method of separation of individual painters, on examples of Italian vase painting. It was an application of connoisseurship, and some attributions have been reconsidered since.[12]
Family
[edit]Oakeshott married the educational administrator and historian Walter Oakeshott in April 1928 at Aston Tirrold. The engagement from 1926 was prolonged by Walter's need to move from his teaching post at Bec School; an operation for chronic appendicitis he had; and opposition and stalling tactics from her wealthy father, who considered that Walter's social position was inadequate.[13] Much later, Beazley named the so-called Oakeshott Painter of vases after the couple.[14]
They had twin sons born in 1933, Evelyn and Robert, and daughters Helena (born 1931) and Rose (born 1940).[15]
She died in Oxford in 1976, aged 72.[16]
References
[edit]- ^ "Births". The Times. The Times Digital Archive. 30 December 1903. p. 1.
- ^ Dancy, John (1995). Walter Oakeshott: A diversity of gifts. Michael Russell. p. 45. ISBN 9780859552196.
- ^ Mason, Philip. "Moon, Sir (Edward) Penderel". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/39897. (Subscription or UK public library membership required.)
- ^ Kelly's (1943). Kelly's Handbook to the Titled, Landed and Official Classes. Kelly's Directories. p. 1298.
- ^ a b Dillon, P. (2018). "A social and literary network in North Berkshire around the time of the First World War". Journal of the Friends of the Dymock Poets. 17: 103–113.
- ^ a b c d e Dancy, John (1995). Walter Oakeshott: A diversity of gifts. Michael Russell. pp. 33–34.
- ^ Brown, Beatrice Curtis (1960). Isabel Fry, 1869-1958: Portrait of a Great Teacher. A. Barker. pp. 101–108.
- ^ a b Dancy, John (1995). Walter Oakeshott: A diversity of gifts. Michael Russell. p. 35.
- ^ Tyerman, C. J. "Keen, Maurice Hugh". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/105559. (Subscription or UK public library membership required.)
- ^ AO, Professor Maxwell R. Bennett (2019). The Search for Knowledge and Understanding. Sydney University Press. p. 28. ISBN 978-1-74210-450-8.
- ^ Dancy, John (1995). Walter Oakeshott: A diversity of gifts. Michael Russell. p. 76.
- ^ Carpenter, T. H.; Lynch, K. M.; Robinson, E. G. D. (2014). The Italic People of Ancient Apulia. Cambridge University Press. p. 124. ISBN 978-1-107-04186-8.
- ^ Dancy, John (1995). Walter Oakeshott: A diversity of gifts. Michael Russell. pp. 45–46.
- ^ Dancy, John (1995). Walter Oakeshott: A diversity of gifts. Michael Russell. p. 256.
- ^ Dancy, John (1995). Walter Oakeshott: A diversity of gifts. Michael Russell. pp. 55, 58, 97.
- ^ "Deaths". The Times. The Times Digital Archive. 21 June 1976. p. 26.