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{{Short description|Indian singer (1924–2000)}}
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| birth_name = Anima Mukherjee
| birth_name = Anima Mukherjee
| birth_date = {{Birth date|df=yes|1924|10|12}}
| birth_date = {{Birth date|df=yes|1924|10|12}}
| birth_place = [[Sonamukhi]], [[Bankura district]], [[Bengal Presidency|Bengal Province]], [[British India]] (present-day [[West Bengal]], [[India]])<ref>{{cite web|url=https://www.anandabazar.com/supplementary/patrika/some-unknown-stories-of-singer-kanika-banerjee-1.597696 |title=বলেছিল আর কলকাতায় যাব না}}</ref>
| birth_place = [[Sonamukhi]], [[Bankura district]], [[Bengal Presidency|Bengal Province]], [[British India]] (present-day [[West Bengal]], [[India]])<ref>{{cite web |url=https://www.anandabazar.com/supplementary/patrika/some-unknown-stories-of-singer-kanika-banerjee-1.597696 |title=বলেছিল আর কলকাতায় যাব না |access-date=6 October 2020 |archive-date=10 October 2020 |archive-url=https://web.archive.org/web/20201010183029/https://www.anandabazar.com/supplementary/patrika/some-unknown-stories-of-singer-kanika-banerjee-1.597696 |url-status=live }}</ref>

| death_date = {{Death date and age|df=yes|2000|04|05|1924|10|12}}
| death_date = {{Death date and age|df=yes|2000|04|05|1924|10|12}}
| death_place = [[Kolkata]], [[West Bengal]], [[India]]
| death_place = [[Kolkata]], [[West Bengal]], [[India]]
Line 20: Line 20:
| years_active = 1943–2000
| years_active = 1943–2000
}}
}}
'''Kanika Banerjee''' (12 October 1924 – 5 April 2000) was an [[Bengali language|Bengali]] [[Rabindra Sangeet]] singer.
'''Kanika Banerjee''' (12 October 1924 – 5 April 2000) was a [[Bengali language|Bengali]] [[Rabindra Sangeet]] singer.<ref>{{IMDb name|nm4472494/}}</ref>


==Biography==
==Biography==


===Early life===
===Early life===
Born on 12 October 1924 at [[Sonamukhi]] in Bankura district, Kanika joined [[Visva-Bharati University]], [[Santiniketan]] in [[West Bengal]], [[India]]. She was trained in both classical and Rabindrasangeet in ''Sangeet Bhavana'' (School of Music) at Santiniketan. Shantiniketan (which literally means ''Abode of Peace'') was built on the model of an ''Ashram'' (educational hermitage). For this reason, Kanika is also occasionally referred to as ''Ashram Kanya'' or 'girl of the Ashram'. She was fortunate to take music lessons from none other than [[Rabindranath Tagore]]. It was Tagore who named her ''Kanika'' (her original name being ''Anima''), also the name of one of his books on [[Poetry]]. Her other gurus were [[Dinendra Nath Tagore]], [[Sailajaranjan Majumdar]], [[Indira Devi Chaudhurani]] and [[Santidev Ghosh]]. She participated in dance-dramas directed by Rabindranath and toured all over India as a member of his cultural troupe.
Born on 12 October 1924 at [[Sonamukhi]] in Bankura district, Kanika joined [[Visva-Bharati University]], [[Santiniketan]] in [[West Bengal]], [[India]].{{citation needed|date=April 2023}} She was trained in both classical and Rabindrasangeet in ''Sangeet Bhavana'' (School of Music) at Santiniketan. Shantiniketan (which literally means ''Abode of Peace'') was built on the model of an ''Ashram'' (educational hermitage). For this reason, Kanika is also occasionally referred to as ''Ashram Kanya'' or 'girl of the Ashram'.{{citation needed|date=April 2023}} She was fortunate to take music lessons from none other than [[Rabindranath Tagore]]. It was Tagore who named her ''Kanika'' (her original name being ''Anima''), also the name of one of his books on [[Poetry]]. Her other gurus were [[Dinendra Nath Tagore]], [[Sailajaranjan Majumdar]], [[Indira Devi Chaudhurani]] and [[Santidev Ghosh]]. She participated in dance-dramas directed by Rabindranath and toured all over India as a member of his cultural troupe.{{citation needed|date=April 2023}}


===Career===
===Career===
Kanika Bandyopadhyay joined [[Sangit Bhavana]] as a teacher and in due course became Head of the Department of Rabindrasangeet and later its Principal. She was made Professor Emeritus of Visva-Bharati.
Kanika Bandyopadhyay joined [[Sangit Bhavana]] as a teacher and in due course became Head of the Department of Rabindrasangeet and later its Principal. She was made Professor Emeritus of Visva-Bharati.{{citation needed|date=April 2023}}


Since 1943, Kanika had been a regular artiste of the [[Calcutta]] station of [[All India Radio]] and gave performances at the national level in the musical programmes arranged by other stations as honoured artiste. Her gramophone records came out even in the lifetime of the Poet (Tagore) and there are over 300 gramophone discs to her credit. She was also a singer of Bhajans, Nazrulgeeti (songs by [[Kazi Nazrul Islam]]) and [[Atul Prasad Sen|Atulprasad]]'s songs. However the first song recorded by her was neither a Tagore song nor a Nazrul Geeti but a Bengali '''Adhunik''' song composed by Niharbindu Sen.
Since 1943, Kanika had been a regular artiste of the [[Calcutta]] station of [[All India Radio]] and gave performances at the national level in the musical programmes arranged by other stations as honoured artiste.{{citation needed|date=April 2023}} Her gramophone records came out even in the lifetime of the Poet (Tagore) and there are over 300 gramophone discs to her credit. She was also a singer of Bhajans, Nazrulgeeti (songs by [[Kazi Nazrul Islam]]) and [[Atul Prasad Sen|Atulprasad]]'s songs. However the first song recorded by her was neither a Tagore song nor a Nazrul Geeti but a Bengali '''Adhunik''' song composed by Niharbindu Sen.{{citation needed|date=April 2023}}


Kanika was invited to sing by programme organizers not only in India but also in Europe and America and was acclaimed everywhere for her unique rendering of the subtle nuances of emotions expressed in Rabindranath's lyrical compositions. She has written three books on this genre. Her life has been well documented on film by noted film directors. She was associated with the Elmhirst Institute of Community Studies during the last years of her life.
Kanika was invited to sing by programme organizers not only in India but also in Europe and America and was acclaimed everywhere for her unique rendering of the subtle nuances of emotions expressed in Rabindranath's lyrical compositions. She has written three books on this genre.{{citation needed|date=April 2023}} Her life has been well documented on film by noted film directors. She was associated with the Elmhirst Institute of Community Studies during the last years of her life.


She received the highest accolade from Visva-Bharati University, the Desikottama.
She received the highest accolade from Visva-Bharati University, the Desikottama.{{citation needed|date=April 2023}}


===Awards & Accolades===
===Awards and accolades===
In appreciation of her outstanding contribution to Rabindra Sangeet she was awarded the Gold Disc of the Gramophone Company of India in 1980. She received the best Bengali playback singer award from the [[Bengal Film Journalists' Association Awards|Bengal Film Journalists’ Association]] in 1973. Kanika bagged the [[Sangeet Natak Akademi Award]] for the year of 1979.<ref>{{Cite web|url=https://www.womensweb.in/2020/04/kanika-banerjee-worth-her-weight-in-gold/|title = Kanika Banerjee: Worth Her Weight in Gold|date = 13 April 2020}}</ref> In 1986, she received [[Padma Shri]] award from the Government of India.<ref>{{Cite web|url=https://www.istampgallery.com/kanika-bandopadhyay/|title = Kanika Bandyopadhyay|date = 21 May 2018}}</ref>Her Alma Mater (also home turf) Vishva-Bharati University, bestowed upon her Desikottama, its highest award in 1997.<ref>{{Cite web|url=http://www.visvabharati.ac.in/KanikaBandyopadhyay.html|title=Kanika Bandyopadhyay}}</ref>
In appreciation of her outstanding contribution to Rabindra Sangeet she was awarded the Gold Disc of the Gramophone Company of India in 1980.{{citation needed|date=April 2023}} She received the best Bengali playback singer award from the [[Bengal Film Journalists' Association Awards|Bengal Film Journalists' Association]] in 1973. Kanika bagged the [[Sangeet Natak Akademi Award]] for the year of 1979.<ref>{{Cite web|url = https://www.womensweb.in/2020/04/kanika-banerjee-worth-her-weight-in-gold/|title = Kanika Banerjee: Worth Her Weight in Gold|date = 13 April 2020|access-date = 21 June 2021|archive-date = 24 June 2021|archive-url = https://web.archive.org/web/20210624203619/https://www.womensweb.in/2020/04/kanika-banerjee-worth-her-weight-in-gold/|url-status = live}}</ref> In 1986, she received [[Padma Shri]] award from the Government of India.<ref>{{Cite web|url = https://www.istampgallery.com/kanika-bandopadhyay/|title = Kanika Bandyopadhyay|date = 21 May 2018|access-date = 21 June 2021|archive-date = 24 June 2021|archive-url = https://web.archive.org/web/20210624204059/https://www.istampgallery.com/kanika-bandopadhyay/|url-status = live}}</ref> Her alma mater (also home turf) Vishva-Bharati University, bestowed upon her Desikottama, its highest award in 1997.<ref>{{Cite web|url=http://www.visvabharati.ac.in/KanikaBandyopadhyay.html|title=Kanika Bandyopadhyay|access-date=21 June 2021|archive-date=24 June 2021|archive-url=https://web.archive.org/web/20210624202305/http://www.visvabharati.ac.in/KanikaBandyopadhyay.html|url-status=live}}</ref>


===Death===
===Death===
Line 45: Line 45:
In his obituary: "Nightingale of Rabindrasangeet is no more" published on 5 April 2000, Sankar Ray beautifully summarises his experience of Kanika Bandyopadhyay as a singer:
In his obituary: "Nightingale of Rabindrasangeet is no more" published on 5 April 2000, Sankar Ray beautifully summarises his experience of Kanika Bandyopadhyay as a singer:


''My memory takes me back to a rainy evening in 1960. All India Radio was broadcasting a programme directly from Santiniketan Ashramik Sangha. Amidst heavy rain, a melodious voice reverberated around. It was Kanika Bandyopadhyay rendering Saghana Gahana Ratri Jharichhey Shrabanadhara (heavy downpour amidst the darkness of night). I still remember the melodious voice of Mohardi as she used to be known....For those for us whose youth had been conditioned by the aesthetic and cultural traditions set out by singers like Kanika Bandyopadhyay, Debabrata Biswas, Subinoy Ray, and Rajeshwari Dutta, it is difficult to write on Mohardi. Next time when I shall go to Shantiniketan, no more shall I have the opportunity to be amidst the melodious breeze that carried her voice as often she used to sing from her house there. Farewell, Mohardi, you remain as ever-lit star in the horizon of our aesthetic sense.''
''My memory takes me back to a rainy evening in 1960. All India Radio was broadcasting a programme directly from Santiniketan Ashramik Sangha. Amidst heavy rain, a melodious voice reverberated around. It was Kanika Bandyopadhyay rendering Saghana Gahana Ratri Jharichhey Shrabanadhara (heavy downpour amidst the darkness of night).{{citation needed|date=April 2023}} I still remember the melodious voice of Mohardi as she used to be known....For those for us whose youth had been conditioned by the aesthetic and cultural traditions set out by singers like Kanika Bandyopadhyay, Debabrata Biswas, Subinoy Ray, and Rajeshwari Dutta, it is difficult to write on Mohardi. Next time when I shall go to Shantiniketan, no more shall I have the opportunity to be amidst the melodious breeze that carried her voice as often she used to sing from her house there. Farewell, Mohardi, you remain as ever-lit star in the horizon of our aesthetic sense.''{{citation needed|date=April 2023}}


==Musical style==
==Musical style==
Kanika Bandyopadhyay was a contemporary of other notable exponents of Rabindrasangeet, namely [[Hemanta Kumar Mukhopadhyay|Hemanta Mukhopadhyay]], [[Chinmoy Chattopadhyay]], [[Suchitra Mitra]], [[Debabrata Biswas]], [[Sagar Sen]], [[Sumitra Sen]],[[Rezwana Choudhury Bannya]], [[Santidev Ghosh]] and [[Subinoy Roy]]. In particular, her musical style has often been compared and contrasted with that of Suchitra Mitra. While both singers excelled in songs of love and worship (puja and prem), Kanika's oeuvre was melodious yet melancholy, plaintive yet soul-stirring, whereas Suchitra was bold and strong in her renditions.
Kanika Bandyopadhyay was a contemporary of other notable exponents of Rabindrasangeet, namely [[Hemanta Kumar Mukhopadhyay|Hemanta Mukhopadhyay]], [[Chinmoy Chattopadhyay]], [[Suchitra Mitra]], [[Debabrata Biswas]], [[Sagar Sen]], [[Sumitra Sen]], [[Rezwana Choudhury Bannya]], [[Santidev Ghosh]] and [[Subinoy Roy]]. In particular, her musical style has often been compared and contrasted with that of Suchitra Mitra. While both singers excelled in songs of love and worship (puja and prem), Kanika's oeuvre was melodious yet melancholy, plaintive yet soul-stirring, whereas Suchitra was bold and strong in her renditions.{{citation needed|date=April 2023}}


==Personal life==
==Personal life==
Kanika was married in 1945 to Birendra Chandra Bandypadhyay, former deputy librarian of [[Viswa Bharati University]] and a renowned poet. The couple had no children; but later she adopted her younger sister's only son Priyom (Tanaji, the name given by Mohor di). In her later life, Kanika receded to a reclusive lifestyle and led the simple life of an ashramite in [[Santiniketan]].
Kanika was married in 1945 to Birendra Chandra Bandypadhyay, former deputy librarian of [[Viswa Bharati University]] and a renowned poet.{{citation needed|date=April 2023}} The couple had no children; but later she adopted her younger sister's only son Priyom (Tanaji, the name given by Mohor di). In her later life, Kanika receded to a reclusive lifestyle and led the simple life of an ashramite in [[Santiniketan]].{{citation needed|date=April 2023}}


== External links ==
== External links ==
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[[Category:Bengali musicians]]
[[Category:Bengali musicians]]
[[Category:Bengali singers]]
[[Category:Bengali singers]]
[[Category:Emeritus Professors in India]]
[[Category:Indian women playback singers]]
[[Category:Indian women playback singers]]
[[Category:Bengali playback singers]]
[[Category:Bengali playback singers]]
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[[Category:Performers of Hindu music]]
[[Category:Performers of Hindu music]]
[[Category:Visva-Bharati University alumni]]
[[Category:Visva-Bharati University alumni]]
[[Category:Visva-Bharati University faculty]]
[[Category:Academic staff of Visva-Bharati University]]
[[Category:Rabindra Sangeet exponents]]
[[Category:Rabindra Sangeet exponents]]
[[Category:20th-century Indian singers]]
[[Category:20th-century Indian singers]]
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[[Category:20th-century Indian women singers]]
[[Category:20th-century Indian women singers]]
[[Category:Women musicians from West Bengal]]
[[Category:Women musicians from West Bengal]]
[[Category:20th-century women composers]]
[[Category:20th-century Indian women composers]]
[[Category:19th-century women composers]]
[[Category:20th-century Indian composers]]
[[Category:Singers from Kolkata]]

Latest revision as of 13:47, 15 December 2024

Kanika Banerjee
Kanika Banerjee
Born
Anima Mukherjee

(1924-10-12)12 October 1924
Died5 April 2000(2000-04-05) (aged 75)
NationalityIndian
Other namesMohar
Occupationvocalist
Years active1943–2000
Known forRabindra Sangeet singer

Kanika Banerjee (12 October 1924 – 5 April 2000) was a Bengali Rabindra Sangeet singer.[2]

Biography

[edit]

Early life

[edit]

Born on 12 October 1924 at Sonamukhi in Bankura district, Kanika joined Visva-Bharati University, Santiniketan in West Bengal, India.[citation needed] She was trained in both classical and Rabindrasangeet in Sangeet Bhavana (School of Music) at Santiniketan. Shantiniketan (which literally means Abode of Peace) was built on the model of an Ashram (educational hermitage). For this reason, Kanika is also occasionally referred to as Ashram Kanya or 'girl of the Ashram'.[citation needed] She was fortunate to take music lessons from none other than Rabindranath Tagore. It was Tagore who named her Kanika (her original name being Anima), also the name of one of his books on Poetry. Her other gurus were Dinendra Nath Tagore, Sailajaranjan Majumdar, Indira Devi Chaudhurani and Santidev Ghosh. She participated in dance-dramas directed by Rabindranath and toured all over India as a member of his cultural troupe.[citation needed]

Career

[edit]

Kanika Bandyopadhyay joined Sangit Bhavana as a teacher and in due course became Head of the Department of Rabindrasangeet and later its Principal. She was made Professor Emeritus of Visva-Bharati.[citation needed]

Since 1943, Kanika had been a regular artiste of the Calcutta station of All India Radio and gave performances at the national level in the musical programmes arranged by other stations as honoured artiste.[citation needed] Her gramophone records came out even in the lifetime of the Poet (Tagore) and there are over 300 gramophone discs to her credit. She was also a singer of Bhajans, Nazrulgeeti (songs by Kazi Nazrul Islam) and Atulprasad's songs. However the first song recorded by her was neither a Tagore song nor a Nazrul Geeti but a Bengali Adhunik song composed by Niharbindu Sen.[citation needed]

Kanika was invited to sing by programme organizers not only in India but also in Europe and America and was acclaimed everywhere for her unique rendering of the subtle nuances of emotions expressed in Rabindranath's lyrical compositions. She has written three books on this genre.[citation needed] Her life has been well documented on film by noted film directors. She was associated with the Elmhirst Institute of Community Studies during the last years of her life.

She received the highest accolade from Visva-Bharati University, the Desikottama.[citation needed]

Awards and accolades

[edit]

In appreciation of her outstanding contribution to Rabindra Sangeet she was awarded the Gold Disc of the Gramophone Company of India in 1980.[citation needed] She received the best Bengali playback singer award from the Bengal Film Journalists' Association in 1973. Kanika bagged the Sangeet Natak Akademi Award for the year of 1979.[3] In 1986, she received Padma Shri award from the Government of India.[4] Her alma mater (also home turf) Vishva-Bharati University, bestowed upon her Desikottama, its highest award in 1997.[5]

Death

[edit]

Kanika died at the age of 76, on Wednesday 5 April 2000, at SSKM Hospital in Calcutta after a prolonged illness involving lung and cardiac problems. She left behind her a school of music, with numerous students, who bore the legacy of her very own stylization of Rabindrasangeet. Of her students, Rezwana Chowdhury Banya, the singer from Bangladesh, is perhaps the most well-known, for her striking similarity to Kanika's singing style. Indian Prime Minister Atal Bihari Vajpayee gave a condolence speech saying that Kanika "was among the best exponents of Rabindra Sangeet. Generations of music lovers were charmed by her golden voice."[6]

Excerpt from obituary

[edit]

In his obituary: "Nightingale of Rabindrasangeet is no more" published on 5 April 2000, Sankar Ray beautifully summarises his experience of Kanika Bandyopadhyay as a singer:

My memory takes me back to a rainy evening in 1960. All India Radio was broadcasting a programme directly from Santiniketan Ashramik Sangha. Amidst heavy rain, a melodious voice reverberated around. It was Kanika Bandyopadhyay rendering Saghana Gahana Ratri Jharichhey Shrabanadhara (heavy downpour amidst the darkness of night).[citation needed] I still remember the melodious voice of Mohardi as she used to be known....For those for us whose youth had been conditioned by the aesthetic and cultural traditions set out by singers like Kanika Bandyopadhyay, Debabrata Biswas, Subinoy Ray, and Rajeshwari Dutta, it is difficult to write on Mohardi. Next time when I shall go to Shantiniketan, no more shall I have the opportunity to be amidst the melodious breeze that carried her voice as often she used to sing from her house there. Farewell, Mohardi, you remain as ever-lit star in the horizon of our aesthetic sense.[citation needed]

Musical style

[edit]

Kanika Bandyopadhyay was a contemporary of other notable exponents of Rabindrasangeet, namely Hemanta Mukhopadhyay, Chinmoy Chattopadhyay, Suchitra Mitra, Debabrata Biswas, Sagar Sen, Sumitra Sen, Rezwana Choudhury Bannya, Santidev Ghosh and Subinoy Roy. In particular, her musical style has often been compared and contrasted with that of Suchitra Mitra. While both singers excelled in songs of love and worship (puja and prem), Kanika's oeuvre was melodious yet melancholy, plaintive yet soul-stirring, whereas Suchitra was bold and strong in her renditions.[citation needed]

Personal life

[edit]

Kanika was married in 1945 to Birendra Chandra Bandypadhyay, former deputy librarian of Viswa Bharati University and a renowned poet.[citation needed] The couple had no children; but later she adopted her younger sister's only son Priyom (Tanaji, the name given by Mohor di). In her later life, Kanika receded to a reclusive lifestyle and led the simple life of an ashramite in Santiniketan.[citation needed]

[edit]

References

[edit]
  1. ^ "বলেছিল আর কলকাতায় যাব না". Archived from the original on 10 October 2020. Retrieved 6 October 2020.
  2. ^ Kanika Banerjee at IMDb
  3. ^ "Kanika Banerjee: Worth Her Weight in Gold". 13 April 2020. Archived from the original on 24 June 2021. Retrieved 21 June 2021.
  4. ^ "Kanika Bandyopadhyay". 21 May 2018. Archived from the original on 24 June 2021. Retrieved 21 June 2021.
  5. ^ "Kanika Bandyopadhyay". Archived from the original on 24 June 2021. Retrieved 21 June 2021.
  6. ^ [1][dead link]