Mari Carmen Díaz de Mendoza: Difference between revisions
m →References: WP:CHECKWIKI error fixes using AWB (11774) |
Added short description Tags: Mobile edit Mobile app edit Android app edit App suggested edit App description add |
||
| (43 intermediate revisions by 17 users not shown) | |||
| Line 1: | Line 1: | ||
{{Short description|Spanish theatre actress}} |
|||
[[File:Carlos Diaz, Carmen Larrabeiti y Carmen Diaz.JPG|thumb|200px|right|Carmen Diaz de Mendoza with her parents]] |
|||
{{Use dmy dates|date=April 2019}} |
|||
| ⚫ | '''María Carmen Díaz de Mendoza Larrabeiti''' ( |
||
{{Infobox person |
|||
| name = María Carmen Díaz de Mendoza Larrabeiti |
|||
| image = Carlos Diaz, Carmen Larrabeiti y Carmen Diaz.JPG |
|||
| imagesize = 300px |
|||
| caption = María Carmen Díaz de Mendoza Larrabeiti<br>{{right| ''- with her parents ''}} |
|||
| birth_name = |
|||
| birth_date = {{birth date|1927|12|1|df=yes}} |
|||
| birth_place = [[Madrid]], Spain |
|||
| death_date = {{death date and age|2018|3|11|1927|12|1|df=yes}} |
|||
| death_place = Madrid, Spain |
|||
| burial_place = |
|||
| occupation = Theatre actress |
|||
| nationality = |
|||
| citizenship = |
|||
| education = |
|||
| parents = |
|||
| movement = |
|||
| spouse = José Beltrán de Heredia (1914-1992) |
|||
| partner = Carlos Díaz de Mendoza<br>[[Carmen Larrabeiti]] |
|||
| children = |
|||
| relatives = |
|||
| awards = |
|||
| notable works = |
|||
| signature = |
|||
}} |
|||
| ⚫ | '''María Carmen Díaz de Mendoza Larrabeiti''' (December 1, 1927 – March 11, 2018) was a Spanish [[theatre]] actress.<ref name=MCDlautbiog>{{cite web|url=http://www.biografias.es/famosos/mari-carmen-diaz.html|title=Biografía de Mari Carmen Díaz|publisher=Telfo Networks S.L., Pontevedra (Biograpfias.es)|accessdate=10 January 2016}}</ref> |
||
==Life== |
==Life== |
||
'''Mari Carmen Díaz de Mendoza''' was born in [[Madrid]] towards the end of 1927. Her parents, {{ |
'''Mari Carmen Díaz de Mendoza''' was born in [[Madrid]] towards the end of 1927. Her parents, {{Interlanguage link multi|Carlos Díaz de Mendoza|es}} and [[Carmen Larrabeiti]], who were both actors, had married the previous year. He paternal grand parents were also highly successful in the world of theatre.<ref name=MCDlautbiog/> Although Mari Carmen made one or two film appearances, the focus of her own acting career was the theatre. |
||
She embarked on her stage career in the 1940s at the [[Theatre of María Guerrero]], originally purchased by her grandfather, the theatrical impresario [[Fernando Díaz de Mendoza y Aguado]], back in 1908. In 1944 she appeared in a play based on [[Fyodor Dostoyevsky|Dostoyevsky]]'s "[[Demons (Dostoyevsky novel)|Demons]]", playing opposite {{Interlanguage link multi|Ricardo Calvo Agostí|es}}.<ref name=hemeroteca>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1944/01/28/016.html |title=Ricardo Calvo y Mari Carmen Díaz de Mendoza |work=Diario ABC |date= 28 January 1944 |accessdate=10 January 2016}}</ref> Another early role was in the Spanish translation of "[[Time and the Conways]]" by [[J. B. Priestley]], in which she appeared with [[Guillermo Marín]] and {{Interlanguage link multi|Elvira Noriega|es}}.<ref name=TheatNat>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1945/04/25/018.html |title=El Teatro Nacional y el monumento a María Guerrero. |work=Diario ABC |date= 25 April 1945 |accessdate=10 January 2016}}</ref> A few months later she transferred to the [[Teatro Español (Madrid)|Teatro Español]], in June 1945 appearing in "[[Hamlet]]" with Marin and [[Mercedes Prendes]].<ref name=Junio1945>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1945/06/30/025.html |title=Noticias teatrales |work=Diario ABC |date= 30 June 1945 |accessdate= 10 January 2016}}</ref> |
|||
| ⚫ | During the next few years she appeared in "Tres de madrugada" by [[Claudio de la Torre (writer)|Claudio de la Torre]] (1946), "Cuento de cuentos" by {{Interlanguage link multi|Joaquín Dicenta (the younger)|es|3=Joaquín Dicenta (hijo)}} (1947) and after setting up her own theatre company, in "Víspera de bodas" by Eduardo Manzanos (1948), in which [[Milagros Leal]] and {{Interlanguage link multi|Salvador Soler Marí|es}} also appeared. |
||
She was part of the production of [[En la ardiente oscuridad]] by [[Antonio Buero Vallejo]], which had its triumphant premier in December 1950 at the [[Teatro María Guerrero]]. There were other successes during the early 1950s in the theatre that still bore her grandmother's name, including "[[:es:María Antonieta (obra de teatro)|María Antonieta]]" (1952) and "[[:es:El jefe (obra de teatro)|El jefe]]" (1953) by {{Interlanguage link multi|Joaquín Calvo Sotelo|es}},<ref name=abc19530306>{{cite web |url= http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1953/03/06/029.html|title=Anoche fue estrenada en el Teatro María Guerrero la comedia dramática de Joaquín Calvo Sotelo "El jefe"|publisher= [[Diario ABC]] |date= 6 March 1953|accessdate= 11 January 2016}}</ref> "[[Berkeley Square (play)|Berkeley Square]]" (1952) by [[John L. Balderston]] and "Recién llegada" (1953), by Keith Winter.<ref name=abc19530514>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1953/05/14/043.html |title=Anoche se estrenó en el María Guerrero ''Recién llegada'', de Keith Winter. |publisher=[[Diario ABC]] |date=14 May 1953|accessdate=11 January 2016}}</ref> |
|||
Later in the decade Díaz de Mendoza switched to [[Madrid]]'s [[:es:Teatro de la Comedia|Teatro de la Comedia]] where she shared the stage with [[Alberto Closas]] in "[[:es:¿De acuerdo, Susana?|¿De acuerdo, Susana?]]" (1955)<ref>{{cite web |url=http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1955/04/10/040.html |title=Crítica del estreno de ''¿De acuerdo, Susana?'' |publisher= [[Diario ABC]] |date=10 April 1955 |accessdate=11 January 2016}}</ref> and appeared in "[[:es:Mi adorado Juan|Mi adorado Juan]]" (1956) by [[Miguel Mihura]],<ref>{{cite web |url=http://hemeroteca.lavanguardia.es/preview/1935/06/18/pagina-7/32772379/pdf.html |title=Crítica del estreno de ''Mi adorado Juan'' |work=[[La Vanguardia]] |date= 12 January 1956|accessdate=11 January 2016}}</ref> with [[Ismael Merlo]], as well as featuring with [[Carlos Muñoz (actor)|Carlos Muñoz]] in "En cualquier Puerta del Sol" (1956) by [[Carlos Llopis]] and in "48 horas de felicidad" (1956) by [[Alfonso Paso]]. In 1957 she was in [[:es:La malquerida|La malquerida]] by [[Jacinto Benavente]], a piece which had premiered 45 years earlier, with [[María Guerrero|her grandmother]] heading up the cast. |
|||
Towards the end of 1957 she returned to the [[Theatre of María Guerrero]] for the premier of "[[:es:El cuervo (obra de teatro)|El cuervo]]" by then the young [[Alfonso Sastre]]. 1958 was a particularly rich year for Díaz de Mendoza, which included appearances in "[[:es:Alta fidelidad (obra de teatro)|Alta fidelidad]]" by [[Edgar Neville]], "[[:es:Tránsito de madrugada|Tránsito de madrugada]]" by {{Interlanguage link multi|Santiago Moncada|es}}, "[[:es:Las manos son inocentes|Las manos son inocentes]]" by [[José López Rubio]], "[[The Teahouse of the August Moon (play)|The Teahouse of the August Moon]]" by [[John Patrick (dramatist)|John Patrick]] and "Vida moderna" by [[Álvaro de Laiglesia]]. In each of these she starred opposite [[Ángel Picazo]]. A year later, after playing in a theatrical version of [[:es:La vida en un hilo (obra de teatro)|La vida en un hilo]] by [[Edgar Neville]], she retired from the stage. |
|||
| ⚫ | During the next few years she appeared in "Tres de madrugada" by [[Claudio de la Torre]] (1946), "Cuento de cuentos" by {{ |
||
She bore no children and died on 11 March 2018.{{citation needed|date=January 2020}} |
|||
<!--- |
|||
==Personal== |
|||
---> |
|||
Mari Carmen Díaz de Mendoza was married in September 1959 to José Beltrán de Heredia, a professor of civil law initially at Salamanca and later in Madrid.<ref name=JosesegunVIIIUni>{{cite web|url=http://portal.uc3m.es/portal/page/portal/instituto_figuerola/programas/phu/diccionariodecatedraticos/lcatedraticos/jbeltran|title=BELTRÁN DE HEREDIA Y CASTAÑO, José (1914-1992)|date=31 October 2013|author=Eugenia Torijano|publisher=Universidad Carlos III de Madrid|accessdate=11 January 2016}}</ref> He died in 1992, however. |
|||
==References== |
==References== |
||
| Line 17: | Line 51: | ||
{{Authority control}} |
{{Authority control}} |
||
{{Uncategorized|date=January 2016}} |
|||
{{DEFAULTSORT:Diaz de Mendoza, Maria Carmen}} |
{{DEFAULTSORT:Diaz de Mendoza, Maria Carmen}} |
||
[[Category:Spanish stage actresses]] |
|||
[[Category:Actresses from Madrid]] |
|||
[[Category:1927 births]] |
|||
[[Category:2018 deaths]] |
|||
[[Category:Spanish actresses]] |
|||
Latest revision as of 22:15, 15 December 2024
María Carmen Díaz de Mendoza Larrabeiti | |
|---|---|
 María Carmen Díaz de Mendoza Larrabeiti - with her parents | |
| Born | 1 December 1927 Madrid, Spain |
| Died | 11 March 2018 (aged 90) Madrid, Spain |
| Occupation | Theatre actress |
| Spouse | José Beltrán de Heredia (1914-1992) |
| Partner(s) | Carlos Díaz de Mendoza Carmen Larrabeiti |
María Carmen Díaz de Mendoza Larrabeiti (December 1, 1927 – March 11, 2018) was a Spanish theatre actress.[1]
Life
[edit]Mari Carmen Díaz de Mendoza was born in Madrid towards the end of 1927. Her parents, Carlos Díaz de Mendoza and Carmen Larrabeiti, who were both actors, had married the previous year. He paternal grand parents were also highly successful in the world of theatre.[1] Although Mari Carmen made one or two film appearances, the focus of her own acting career was the theatre.
She embarked on her stage career in the 1940s at the Theatre of María Guerrero, originally purchased by her grandfather, the theatrical impresario Fernando Díaz de Mendoza y Aguado, back in 1908. In 1944 she appeared in a play based on Dostoyevsky's "Demons", playing opposite Ricardo Calvo Agostí.[2] Another early role was in the Spanish translation of "Time and the Conways" by J. B. Priestley, in which she appeared with Guillermo Marín and Elvira Noriega.[3] A few months later she transferred to the Teatro Español, in June 1945 appearing in "Hamlet" with Marin and Mercedes Prendes.[4]
During the next few years she appeared in "Tres de madrugada" by Claudio de la Torre (1946), "Cuento de cuentos" by Joaquín Dicenta (the younger) (1947) and after setting up her own theatre company, in "Víspera de bodas" by Eduardo Manzanos (1948), in which Milagros Leal and Salvador Soler Marí also appeared.
She was part of the production of En la ardiente oscuridad by Antonio Buero Vallejo, which had its triumphant premier in December 1950 at the Teatro María Guerrero. There were other successes during the early 1950s in the theatre that still bore her grandmother's name, including "María Antonieta" (1952) and "El jefe" (1953) by Joaquín Calvo Sotelo,[5] "Berkeley Square" (1952) by John L. Balderston and "Recién llegada" (1953), by Keith Winter.[6]
Later in the decade Díaz de Mendoza switched to Madrid's Teatro de la Comedia where she shared the stage with Alberto Closas in "¿De acuerdo, Susana?" (1955)[7] and appeared in "Mi adorado Juan" (1956) by Miguel Mihura,[8] with Ismael Merlo, as well as featuring with Carlos Muñoz in "En cualquier Puerta del Sol" (1956) by Carlos Llopis and in "48 horas de felicidad" (1956) by Alfonso Paso. In 1957 she was in La malquerida by Jacinto Benavente, a piece which had premiered 45 years earlier, with her grandmother heading up the cast.
Towards the end of 1957 she returned to the Theatre of María Guerrero for the premier of "El cuervo" by then the young Alfonso Sastre. 1958 was a particularly rich year for Díaz de Mendoza, which included appearances in "Alta fidelidad" by Edgar Neville, "Tránsito de madrugada" by Santiago Moncada, "Las manos son inocentes" by José López Rubio, "The Teahouse of the August Moon" by John Patrick and "Vida moderna" by Álvaro de Laiglesia. In each of these she starred opposite Ángel Picazo. A year later, after playing in a theatrical version of La vida en un hilo by Edgar Neville, she retired from the stage.
She bore no children and died on 11 March 2018.[citation needed]
Personal
[edit]Mari Carmen Díaz de Mendoza was married in September 1959 to José Beltrán de Heredia, a professor of civil law initially at Salamanca and later in Madrid.[9] He died in 1992, however.
References
[edit]- ^ a b "Biografía de Mari Carmen Díaz". Telfo Networks S.L., Pontevedra (Biograpfias.es). Retrieved 10 January 2016.
- ^ "Ricardo Calvo y Mari Carmen Díaz de Mendoza". Diario ABC. 28 January 1944. Retrieved 10 January 2016.
- ^ "El Teatro Nacional y el monumento a María Guerrero". Diario ABC. 25 April 1945. Retrieved 10 January 2016.
- ^ "Noticias teatrales". Diario ABC. 30 June 1945. Retrieved 10 January 2016.
- ^ "Anoche fue estrenada en el Teatro María Guerrero la comedia dramática de Joaquín Calvo Sotelo "El jefe"". Diario ABC. 6 March 1953. Retrieved 11 January 2016.
- ^ "Anoche se estrenó en el María Guerrero Recién llegada, de Keith Winter". Diario ABC. 14 May 1953. Retrieved 11 January 2016.
- ^ "Crítica del estreno de ¿De acuerdo, Susana?". Diario ABC. 10 April 1955. Retrieved 11 January 2016.
- ^ "Crítica del estreno de Mi adorado Juan". La Vanguardia. 12 January 1956. Retrieved 11 January 2016.
- ^ Eugenia Torijano (31 October 2013). "BELTRÁN DE HEREDIA Y CASTAÑO, José (1914-1992)". Universidad Carlos III de Madrid. Retrieved 11 January 2016.
| International | |
|---|---|
| National | |
| Other | |
