Jump to content

Elizabeth Polack: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Cydebot (talk | contribs)
m Robot - Speedily moving category 19th century deaths to 19th-century deaths per CFD.
Remove {{EngvarB}} as deprecated, already has {{Use British English}}
 
(47 intermediate revisions by 25 users not shown)
Line 1: Line 1:
{{short description|English playwright}}
'''Elizabeth Polack''' was an [[England|English]] playwright of the 1830s, notable for having been described by chroniclers of the period as England's first [[Jew]]ish woman [[melodrama]]tist.
{{Use dmy dates|date=December 2015}}
{{Use British English|date=December 2015}}
{{Infobox Writer
| name = Elizabeth Polack
| image =
| image_size =
| alt =
| caption =
| language = English
| occupation = Playwright
| subject = Melodrama
| notablework = ''Esther, the Royal Jewess'' (1835); ''St. Clair of the Isles'' (1838)
| relatives = [[Maria Polack]]
| years_active = 1830—1838
| portaldisp = yes
}}


'''Elizabeth Polack''' was an [[England|English]] playwright of the 1830s, notable for being the first Jewish woman [[melodrama]]tist in England.<ref name="Weltman">Weltman, p. 204.</ref>
Few historical records survive which detail Elizabeth Polack's life. Although neither the year nor place of her birth have been noted, documentation of her activity as a playwright active in [[London]] between 1830 and 1838 remains for posterity. Contemporary records credit her with five plays, only two of which, ''Esther, the Royal Jewess; or The Death of [[Haman (Bible)|Haman]]'' and ''St. Clair of the Isles; or The Outlaw of [[Barra]]'', have survived. ''Esther'', with a story taken from the [[Old Testament]], and considered in its time to be a type of an "Exotic East" melodrama, was successfully produced in 1835 at London's [[Mile End]] [[Pavilion Theatre (Mile End)|Pavilion Theatre]] in the [[East End of London|East End]] (the Pavilion was later a centre for [[Yiddish theatre]] in London). 1838's ''St. Clair'', however, met with a very modest reception.


==Life and works==
No other details have emerged regarding Elizabeth Polack, including the year, place and circumstances of her death.
[[File:Mrs Gomersal as Queen Esther.jpg|thumb|alt=Mrs Gomersal as Queen Esther|Mrs Gomersal as Queen Esther in ''King Anasuerus'' (London: J.K. Green, 1837) ([https://digitalcollections.nypl.org/items/510d47dd-ecc1-a3d9-e040-e00a18064a99 NYPL]) ]]
Few historical records survive which detail Elizabeth Polack's life. Although neither the year nor place of her birth, nor her death, are now known, evidence of her activity as a playwright in [[London]] between 1830 and 1838 remains. Contemporary records credit her with five plays, only two of which, ''Esther, the Royal Jewess; or The Death of [[Haman (Bible)|Haman]]'' and ''St. Clair of the Isles; or The Outlaw of [[Barra]]'', have survived.
''Alberti; or the Mines of Idria'' was performed at the Royal Pavilion on 10 May 1834 is believed to be by Polack. At the time, this play was incorrectly advertised as ''Alberti, or, the Mines of India'' in some publications.<ref>{{cite news|title=Royal Pavilion Theatre|newspaper=Morning Advertiser|date=12 May 1834|page=3}}</ref>
''Esther'', with a story taken from the [[Old Testament]], a version of the tradtitonal Jewish ''[[Purim spiel|Purimshpil]]'' and considered in its time to be a type of an "Exotic East" melodrama, was successfully produced in 1835 at London's Royal [[Pavilion Theatre, Whitechapel]] in the [[East End of London|East End]]<ref name=JIM>Conway, p. 104</ref> (the Pavilion was later a centre for [[Yiddish theatre]] in London).<ref>{{cite news|title=We Understand|newspaper=Waterford Chronicle|date=26 December 1835|page=3 }}</ref> Her ''St. Clair'', however, based on an 1803 novel by [[Elizabeth Helme]], met, when it debuted at the [Royal] Victoria Theatre in 1838,<ref>Brown et al.</ref> with a modest reception. It is apparently the source of the melodramatic cliché, "Foiled again!"<ref name=JIM />

Polack's presumed aunt (or perhaps mother), [[Maria Polack]], was one of the first Anglo-Jewish novelists.<ref name="Weltman" /> Polack may have also been related to [[Joel Samuel Polack]], author of two well-received travel books about New Zealand. Joel's biographer writes that he lived with his sister in Piccadilly when he first returned to England; that sister may have been Elizabeth.<ref name="gore">Franceschina, 1997.</ref> Such a family background would have offered support to her writing career, even from her position within a marginalized community.<ref name="Weltman" />


==Plays by Elizabeth Polack==
==Plays by Elizabeth Polack==
*''Alberti; or The Mines of Idria'' (no copy known to exist)
*''Alberti; or The Mines of Idria'' (no copy known to exist)<ref>{{cite news|title=Royal Pavilion Theatre |newspaper=Morning Advertiser|date= 12 May 1834|page=3}}</ref>
*''Angeline; or The Golden Chain'' (no copy known to exist)
*''Angeline; or The Golden Chain'' (no copy known to exist)
*''Woman's Revenge'' (1832; attributed by some sources to [[John Howard Payne]])
*''Esther, the Royal Jewess; or The Death of Haman''
*''St. Clair of the Isles; or The Outlaw of Barra''
*''Esther, the Royal Jewess; or The Death of Haman'' (1835)
*''St. Clair of the Isles; or The Outlaw of Barra'' (1838)
*''Woman's Revenge'' (attributed by some sources to [[John Howard Payne]])

==Notes & references==
===Notes===
{{reflist}}

===References===
*Brown, Susan, et al. "[https://orlando.cambridge.org/people/35b71abd-e7bf-40e0-a13b-85d761416b9f Elizabeth Polack]." ''Orlando: Women’s Writing in the British Isles from the Beginnings to the Present''. Ed. Susan Brown, Patricia Clements, and Isobel Grundy. Cambridge University Press. Cambridge UP, n.d. 22 Mar. 2013. Accessed 17 Sept. 2022.
*Conway, David (2012). ''Jewry in Music''. Cambridge: Cambridge University Press. {{ISBN|9781107015388}}
* Franceschina, John. "[http://www.etang.umontreal.ca/bwp1800/essays/franceschina_esther_intro.html Introduction to Elizabeth Polack's ''Esther''] {{Webarchive|url=https://web.archive.org/web/20070713225311/http://www.etang.umontreal.ca/bwp1800/essays/franceschina_esther_intro.html |date=13 July 2007 }}". ''British Women Playwrights Around 1800'', 11 paragraphs. 15 October 2000.
*{{Cite book |title=Sisters of Gore: seven Gothic melodramas by British women, 1790-1843 |first=John Charles |last=Franceschina |pages=227–284 |url=https://books.google.com/books?id=8waoQn5L0wAC&pg=PA227 |publisher=Taylor & Francis |year=1997|isbn=9780815317814 }}
*{{cite book|last=Weltman|first=Sharon Aronofsky| editor-last1=Hartley | editor-first1=Lucy | editor-last2=Batchelor | editor-first2=Jennie | chapter-url=https://books.google.com/books?id=wRRwDwAAQBAJ&pg=PA204|chapter="Women Playwrights and the London Stage" | title=The History of British Women's Writing, 1830–1880|publisher=Palgrave Macmillan|year=2018|isbn=978-1-137-58465-6|page=204}}


==References==
==Further reading==
*Bennett, Susan. "Genre trouble: Joanna Baillie, Elizabeth Polack — tragic subjects, melodramatic subjects." ''Women and playwriting in nineteenth-century Britain''. Eds. Tracy C. Davis and Ellen Donkin. Cambridge, U.K.; New York: Cambridge University Press, 1999, pp.&nbsp;215–232. ([https://archive.org/details/womenplaywriting0000unse/page/n3/mode/2up Open access], Internet Archive)
* Franceschina, John. "[http://www.etang.umontreal.ca/bwp1800/essays/franceschina_esther_intro.html Introduction to Elizabeth Polack's ''Esther'']". ''British Women Playwrights Around 1800'', 11 paragraphs. 15 October 2000.
*Carruthers, Jo. "Melodrama and the ‘art of government’: Jewish emancipation and Elizabeth Polack’s ''Esther, the Royal Jewess; or The Death of Haman!''" ''Literature & History'' Volume 29, Issue 2 (November 2020):144–163. https://orcid.org/0000-0002-9125-4297 https://doi.org/10.1177/0306197320945947 ([https://journals.sagepub.com/doi/reader/10.1177/0306197320945947 PDF/EPUB])


{{Authority control}}
==External links==
* ''[http://www.etang.umontreal.ca/bwp1800/plays/polack_esther/index.html Esther, The Royal Jewess]''. Edited (with an [http://www.etang.umontreal.ca/bwp1800/essays/franceschina_esther_intro.html introduction)] by John Franceschina. ''British Women Playwrights Around 1800''. 15 October 2000.


{{DEFAULTSORT:Polack, Elizabeth}}
{{DEFAULTSORT:Polack, Elizabeth}}
[[Category:Jewish women writers]]
[[Category:Jewish women writers]]
[[Category:Jewish film and theatre]]
[[Category:Jewish English writers]]
[[Category:English Jews]]
[[Category:English dramatists and playwrights]]
[[Category:English dramatists and playwrights]]
[[Category:Women dramatists and playwrights]]
[[Category:English women dramatists and playwrights]]
[[Category:English women writers]]
[[Category:19th-century English women writers]]
[[Category:Women writers (19th century)]]
[[Category:19th-century English writers]]
[[Category:19th-century deaths]]
[[Category:19th-century deaths]]
[[Category:Year of birth unknown]]
[[Category:Place of birth unknown]]
[[Category:Year of death unknown]]
[[Category:Place of death unknown]]
[[Category:Jewish dramatists and playwrights]]
[[Category:19th-century English Jews]]

Latest revision as of 00:53, 16 December 2024

Elizabeth Polack
OccupationPlaywright
LanguageEnglish
SubjectMelodrama
Years active1830—1838
Notable workEsther, the Royal Jewess (1835); St. Clair of the Isles (1838)
RelativesMaria Polack

Literature portal

Elizabeth Polack was an English playwright of the 1830s, notable for being the first Jewish woman melodramatist in England.[1]

Life and works

[edit]
Mrs Gomersal as Queen Esther
Mrs Gomersal as Queen Esther in King Anasuerus (London: J.K. Green, 1837) (NYPL)

Few historical records survive which detail Elizabeth Polack's life. Although neither the year nor place of her birth, nor her death, are now known, evidence of her activity as a playwright in London between 1830 and 1838 remains. Contemporary records credit her with five plays, only two of which, Esther, the Royal Jewess; or The Death of Haman and St. Clair of the Isles; or The Outlaw of Barra, have survived. Alberti; or the Mines of Idria was performed at the Royal Pavilion on 10 May 1834 is believed to be by Polack. At the time, this play was incorrectly advertised as Alberti, or, the Mines of India in some publications.[2] Esther, with a story taken from the Old Testament, a version of the tradtitonal Jewish Purimshpil and considered in its time to be a type of an "Exotic East" melodrama, was successfully produced in 1835 at London's Royal Pavilion Theatre, Whitechapel in the East End[3] (the Pavilion was later a centre for Yiddish theatre in London).[4] Her St. Clair, however, based on an 1803 novel by Elizabeth Helme, met, when it debuted at the [Royal] Victoria Theatre in 1838,[5] with a modest reception. It is apparently the source of the melodramatic cliché, "Foiled again!"[3]

Polack's presumed aunt (or perhaps mother), Maria Polack, was one of the first Anglo-Jewish novelists.[1] Polack may have also been related to Joel Samuel Polack, author of two well-received travel books about New Zealand. Joel's biographer writes that he lived with his sister in Piccadilly when he first returned to England; that sister may have been Elizabeth.[6] Such a family background would have offered support to her writing career, even from her position within a marginalized community.[1]

Plays by Elizabeth Polack

[edit]
  • Alberti; or The Mines of Idria (no copy known to exist)[7]
  • Angeline; or The Golden Chain (no copy known to exist)
  • Woman's Revenge (1832; attributed by some sources to John Howard Payne)
  • Esther, the Royal Jewess; or The Death of Haman (1835)
  • St. Clair of the Isles; or The Outlaw of Barra (1838)

Notes & references

[edit]

Notes

[edit]
  1. ^ a b c Weltman, p. 204.
  2. ^ "Royal Pavilion Theatre". Morning Advertiser. 12 May 1834. p. 3.
  3. ^ a b Conway, p. 104
  4. ^ "We Understand". Waterford Chronicle. 26 December 1835. p. 3.
  5. ^ Brown et al.
  6. ^ Franceschina, 1997.
  7. ^ "Royal Pavilion Theatre". Morning Advertiser. 12 May 1834. p. 3.

References

[edit]

Further reading

[edit]
  • Bennett, Susan. "Genre trouble: Joanna Baillie, Elizabeth Polack — tragic subjects, melodramatic subjects." Women and playwriting in nineteenth-century Britain. Eds. Tracy C. Davis and Ellen Donkin. Cambridge, U.K.; New York: Cambridge University Press, 1999, pp. 215–232. (Open access, Internet Archive)
  • Carruthers, Jo. "Melodrama and the ‘art of government’: Jewish emancipation and Elizabeth Polack’s Esther, the Royal Jewess; or The Death of Haman!" Literature & History Volume 29, Issue 2 (November 2020):144–163. https://orcid.org/0000-0002-9125-4297 https://doi.org/10.1177/0306197320945947 (PDF/EPUB)