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{{Short description|1946 popular music song}}
{{Infobox song
{{Infobox song
| name = Come Rain or Come Shine
| name = Come Rain or Come Shine
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}}
}}


"'''Come Rain or Come Shine'''" is a [[popular music]] song, with music by [[Harold Arlen]] and lyrics by [[Johnny Mercer]].<ref name="JS">{{cite web |title=Come Rain or Come Shine (1946) |url=http://www.jazzstandards.com/compositions-0/comerainorcomeshine.htm |website=jazzstandards.com |access-date=December 18, 2018}}</ref> It was written for the Broadway musical ''[[St. Louis Woman]]'', which opened on March 30, 1946, and closed after 113 performances.<ref name="JS" />
"'''Come Rain or Come Shine'''" is a [[popular music]] song and [[jazz standard]] with music by [[Harold Arlen]] and lyrics by [[Johnny Mercer]].<ref name="JS">{{cite web |title=Come Rain or Come Shine (1946) |url=http://www.jazzstandards.com/compositions-0/comerainorcomeshine.htm |website=JazzStandards.com |access-date=December 18, 2018}}</ref> It was written for the [[Broadway theatre|Broadway]] musical ''[[St. Louis Woman]]'', which opened on March 30, 1946, and closed after 113 performances.<ref name="JS" /> The show also produced another notable standard, "[[Any Place I Hang My Hat Is Home]]."

"Come Rain or Come Shine" is one in a series of enduring songs with meteorological themes that Arlen composed through the course of his career, including [[Stormy Weather (song)|"Stormy Weather"]] (1933), [[Ill Wind (song)|"Ill Wind"]] (1934), "[[Over the Rainbow]]" (1939), "[[When the Sun Comes Out]]" (1941), and "I Never Has Seen Snow" (1954).<ref>Zinsser, William, ''Easy to Remember: The Great American Songwriters and Their Songs'', David R. Godine Publisher, Inc., 2000, p. 245.</ref>


==Chart performance==
==Chart performance==
It "became a modest hit during the show's run, making the pop charts with a [[Margaret Whiting]] ([[Paul Weston]] and His Orchestra) recording rising to number seventeen, and, shortly after, a [[Helen Forrest]] and [[Dick Haymes]] recording rising to number twenty-three."<ref name="JS" />
The song "became a modest hit during the [[St. Louis Woman|show's]] run, making the pop charts with a [[Margaret Whiting]] ([[Paul Weston]] and His Orchestra) recording rising to number seventeen, and, shortly after, a [[Helen Forrest]] and [[Dick Haymes]] recording rising to number twenty-three."<ref name="JS" />

==Structure==
"Come Rain or Come Shine" begins most unusually: As [[Ted Gioia]] notes, "Arlen delivers the same note{{mdash}}flogging an A natural until it is bloody{{mdash}}13 times in a row .... And, as if that isn't enough, he tosses out a half-dozen more of the same note in bar five, and another six over the next two bars. This isn't a melody; it's a musical starvation diet."<ref>Gioia, Ted. ''The Jazz Standards: A Guide to the Repertoire'', Oxford University Press, 2012, pp. 64-65.</ref>

Nonetheless, as [[Alec Wilder]] observes, this "superb ballad ... could never be so great unless the device of those repeated notes were the principal single element in the melody. The second section is without them, providing an essential contrast. ... The whole last half of the song builds inexorably to the final ''f'' natural." He also notes that the song's harmony "is opulent throughout."<ref>Wilder, Alec. ''American Popular Song: The Great Innovators, 1900-1950'', Oxford University Press, 1990, p. 283.</ref>

==Legacy==
The song has gone on to become a major [[jazz]] standard, covered many hundreds of times.<ref>"Come Rain or Come Shine," SecondHandSongs.com, https://secondhandsongs.com/work/6031/versions#nav-entity, accessed December 13, 2024.</ref> As Gioia notes, "Given the paucity of melodic material and the richness of the harmonic underpinnings, the composition tends to resist grandstanding, and instead appeals to the more introspective improviser. Recordings by [[Bill Evans]], [[Stan Getz]], and [[Ralph Towner]] testify to the pastoral qualities of Arlen's tune."<ref>Gioia, p. 65.</ref>


==Some Notable Recordings==
==Other recordings==
* [[Tommy Dorsey]] (1946, first recording)
The song has subsequently been recorded by a host of artists, including:
* [[Sarah Vaughan]] (1950)
*In 1955, [[Billie Holiday]] included it on her ''[[Music for Torching (album)|Music for Torching]]'' LP.
* [[Clifford Brown]] (''[[Clifford Brown Quartet (album)|Clifford Brown Quartet]]'', 1953)
*In 1956, [[Judy Garland]] included it on her ''[[Judy (Judy Garland album)|Judy]]'' LP, as well her 1961 live album, ''[[Judy at Carnegie Hall]]''.
* [[Sonny Clark]] (''[[Sonny's Crib]]'', 1957)
*In 1956, [[Fran Warren]] included it on her album ''Mood Indigo''.
* [[Art Blakey]] and [[The Jazz Messengers]] (''[[Moanin']]'', 1958)
*In 1956, [[Joe Williams]] sang it on the album [[The Greatest!! Count Basie Plays, Joe Williams Sings Standards]].
* [[Ray Charles]] (''[[The Genius of Ray Charles]]'', May 1959)
*In 1957, [[Chet Baker]] recorded it for his album [[Embraceable You (album)|''Embraceable You'']] in 1957, but not released until 1995.
⚫
* [[Bill Evans]] (''[[Portrait in Jazz]]'', December 1959)
*In 1958, [[Art Blakey & The Jazz Messengers]] recorded it for their album released in 1959, [[Moanin'|''Moanin’'']].
* [[André Previn]] (''[[André Previn Plays Songs by Harold Arlen]]'', 1960)
*In 1959, [[Anita O'Day]] included it on her ''[[Cool Heat]]'' LP.
⚫
* [[Ella Fitzgerald]] (''[[Ella Fitzgerald Sings the Harold Arlen Song Book]]'', January 1961)
*In 1959, [[Connie Francis]] included it on her ''[[The Exciting Connie Francis]]'' LP.
*In 1959, [[Ray Charles]] included it on his ''[[The Genius of Ray Charles]]'' LP.
* [[Judy Garland]] (''[[Judy at Carnegie Hall]]'', April 1961)
⚫
* [[Frank Sinatra]] (''[[Sinatra and Strings]]'', November 1961)
*In 1959, [[Oscar Peterson]] included it on his 1960 album ''[[Oscar Peterson Plays the Harold Arlen Songbook]]''.<ref>{{cite web |title=allmusic.com |url=https://www.allmusic.com/album/r155867 |website=allmusic.com |access-date=June 2, 2020}}</ref>
* [[Wes Montgomery]] (''[[Full House (Wes Montgomery album)|Full House]]'', 1962)
⚫
*In 1959, [[Bill Evans]] opened his 1960 album ''[[Portrait in Jazz]]'' with this song.
* [[Peggy Lee]] (''[[I'm a Woman (Peggy Lee album)|I'm a Woman]]'', 1963)
⚫
*In 1961, [[Ella Fitzgerald]] included it on her ''[[Ella Fitzgerald Sings the Harold Arlen Songbook]]'' LP.
* [[Monica Zetterlund]] with the Bill Evans Trio (''[[Waltz for Debby (1964 album)|Waltz for Debby]]'', 1964)
⚫
*In 1962, [[Frank Sinatra]] included it on his ''[[Sinatra and Strings]]'' LP.
* [[James Brown]] (''[[Cold Sweat (album)|Cold Sweat]]'', 1967)
*In 1973, [[Joe Pass]] included it on his 1983 album ''[[Virtuoso No. 4]]''.<ref>{{cite web |title=allmusic.com |url=https://www.allmusic.com/album/virtuoso-no-4-mw0000105418 |website=allmusic.com |access-date=June 1, 2020}}</ref>
* [[Stan Getz]] (''[[Pure Getz]]'', 1982)
*In 1977, [[Return to Forever|Return To Forever]] included it on their live 4LP ''[[Return to Forever Live: The Complete Concert|Live]]''
* [[Diane Schuur]] (''[[Timeless (Diane Schuur album)|Timeless]]'', 1986)
*In 1979, [[Barbra Streisand]] included it on her ''[[Wet (album)|Wet]]'' LP.<ref>{{cite web|title=www.allmusic.com|url=https://www.allmusic.com/album/wet-mw0000192056|website=allmusic.com|accessdate=October 26, 2023}}</ref>
* [[Modern Jazz Quartet]] with [[Branford Marsalis]] (''[[MJQ & Friends: A 40th Anniversary Celebration]]'', 1994)
*In 1989, [[Michael Crawford]] included it on his ''[[With Love (Michael Crawford album)|With Love / The Phantom Unmasked]]'' album.
* [[Ralph Towner]] (''[[Time Line (Ralph Towner album)|Time Line]]'', 2005)
*In 1991, [[Bette Midler]] sings the song in her film ''[[For the Boys]]'' and it is also featured in the movie's soundtrack.
*In 1995, [[Don Henley]] for the ''[[Leaving Las Vegas]]'' soundtrack, and ''[[The Unplugged Collection, Volume One]]''
*In 1997, [[Lils Mackintosh]] for her 'weather themed' album ''[[Seasons]]''
*In 1997, [[Alison Eastwood]] for the ''[[Midnight in the Garden of Good and Evil (film)|Midnight in the Garden of Good and Evil]]'' soundtrack
*In 1999, [[Bobby Caldwell]] for his ''Come Rain or Come Shine'' album
*In 2000, [[B.B. King]] and [[Eric Clapton]] recorded it for their collaborative album ''[[Riding with the King (B.B. King and Eric Clapton album)|Riding with the King]]''.
*In 2002, [[Etta James]] included it on her ''[[Blue Gardenia (album)|Blue Gardenia]]'' album.
*In 2003, [[Steve Lawrence]] included it on his ''Steve Lawrence Sings Sinatra'' album.<ref>{{Cite web|url=https://www.allmusic.com/album/steve-lawrence-sings-sinatra-mw0000592962|title=Steve Lawrence Sings Sinatra - Steve Lawrence &#124; Songs, Reviews, Credits &#124; AllMusic|website=[[AllMusic]] }}</ref>
*In 2007, [[Rufus Wainwright]] included on his tribute CD, ''[[Rufus Does Judy at Carnegie Hall]]''.
*In 2009, [[Willie Nelson]] included it on his ''[[American Classic]]'' CD.
*In 2014, [[Elaine Paige]] performed it as part of her farewell concert tour, and it was included on the live recording ''I'm Still Here: Live at the Royal Albert Hall''
*In 2018, Beth Hart and Joe Bonamassa included as a bonus track on their ''[[Black Coffee (Beth Hart and Joe Bonamassa album)|Black Coffee]]'' CD.


== References ==
== References ==

Latest revision as of 20:40, 19 December 2024

"Come Rain or Come Shine"
Single
from the album St. Louis Woman
Released1946
Composer(s)Harold Arlen
Lyricist(s)Johnny Mercer

"Come Rain or Come Shine" is a popular music song and jazz standard with music by Harold Arlen and lyrics by Johnny Mercer.[1] It was written for the Broadway musical St. Louis Woman, which opened on March 30, 1946, and closed after 113 performances.[1] The show also produced another notable standard, "Any Place I Hang My Hat Is Home."

"Come Rain or Come Shine" is one in a series of enduring songs with meteorological themes that Arlen composed through the course of his career, including "Stormy Weather" (1933), "Ill Wind" (1934), "Over the Rainbow" (1939), "When the Sun Comes Out" (1941), and "I Never Has Seen Snow" (1954).[2]

Chart performance

[edit]

The song "became a modest hit during the show's run, making the pop charts with a Margaret Whiting (Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three."[1]

Structure

[edit]

"Come Rain or Come Shine" begins most unusually: As Ted Gioia notes, "Arlen delivers the same note—flogging an A natural until it is bloody—13 times in a row .... And, as if that isn't enough, he tosses out a half-dozen more of the same note in bar five, and another six over the next two bars. This isn't a melody; it's a musical starvation diet."[3]

Nonetheless, as Alec Wilder observes, this "superb ballad ... could never be so great unless the device of those repeated notes were the principal single element in the melody. The second section is without them, providing an essential contrast. ... The whole last half of the song builds inexorably to the final f natural." He also notes that the song's harmony "is opulent throughout."[4]

Legacy

[edit]

The song has gone on to become a major jazz standard, covered many hundreds of times.[5] As Gioia notes, "Given the paucity of melodic material and the richness of the harmonic underpinnings, the composition tends to resist grandstanding, and instead appeals to the more introspective improviser. Recordings by Bill Evans, Stan Getz, and Ralph Towner testify to the pastoral qualities of Arlen's tune."[6]

Some Notable Recordings

[edit]

References

[edit]
  1. ^ a b c "Come Rain or Come Shine (1946)". JazzStandards.com. Retrieved December 18, 2018.
  2. ^ Zinsser, William, Easy to Remember: The Great American Songwriters and Their Songs, David R. Godine Publisher, Inc., 2000, p. 245.
  3. ^ Gioia, Ted. The Jazz Standards: A Guide to the Repertoire, Oxford University Press, 2012, pp. 64-65.
  4. ^ Wilder, Alec. American Popular Song: The Great Innovators, 1900-1950, Oxford University Press, 1990, p. 283.
  5. ^ "Come Rain or Come Shine," SecondHandSongs.com, https://secondhandsongs.com/work/6031/versions#nav-entity, accessed December 13, 2024.
  6. ^ Gioia, p. 65.



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