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{{Short description|English punk rock band}}
{{Short description|English punk rock band}}
{{about|the British punk group|the 1960s British beat group|The Snobs|the work by Edward Elgar|The Apostles (Elgar)|other uses|Apostle (disambiguation)}}
{{about|the British punk group|the 1960s British beat group|The Snobs|the work by Edward Elgar|The Apostles (Elgar)|other uses|Apostle (disambiguation)}}
{{More citations needed|date=May 2020}}
{{Use dmy dates|date=December 2024}}
{{Infobox musical artist <!-- See Wikipedia:WikiProject_Musicians -->
{{Infobox musical artist <!-- See Wikipedia:WikiProject_Musicians -->
| name = The Apostles
| name = The Apostles
| image = Apostles.jpg
| image = Apostles.jpg
| caption = The Apostles performing at the Spread Eagle, [[Southend on Sea]], December 1981
| caption = The Apostles performing at the Spread Eagle, [[Southend-on-Sea]], December 1981
| image_size =
| image_size =
| background = group_or_band
| background = group_or_band
| origin = London, England
| origin = London, England
| genre = [[Punk rock]], [[anarcho-punk]]
| genre = [[Punk rock]], [[anarcho-punk]]
| years_active = 1979–1990
| years_active = 1979–1989
| label = [[Mortarhate Records]]
| label = Scum Records<br/>[[Mortarhate Records]]
| associated_acts = Academy 23, Innocent Bystander, [[Political Asylum (band)|Political Asylum]], [[Oi Polloi]], [[The Parkinsons (band)|The Parkinsons]], Geordie, [[Hellbastard]], Sidewinder, Nero Circus, Heavy Water, The Demolition Company
| website =
| website =
| past_members = [[Andy Martin (English musician)|Andy Martin]]<br/>William 'Bill' Corbett<br/>Julian Portinari<br/>Dan McIntyre<br/>Pete Byng-Hall<br/>[[John Travis (producer)|John Soares]]<br/>Chris Low<br/>Dave Fanning<br/>Chris "Widni" Wiltshire<br/>Malcolm "Scruff" Lewty<br/>Sean Stokes<br/>Colin Murrell
| past_members = Andy Martin<br/>William 'Bill' Corbett<br/>Julian Portinari<br/>Dan McIntyre<br/>Pete Bynghall<br/>[[John Travis (producer)|John Soares]]<br/>Chris Low<br/>Dave Fanning<br/>Chris "Widni" Wiltshire<br/>Malcolm "Scruff" Lewty<br/>Sean Stokes<br/>Colin Murrell
}}
}}


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==History==
==History==
The Apostles were formed in the [[Islington]] area of London in 1979 by William 'Bill' Corbett (vocals), Julian Portinari (bass), Dan McIntyre (drums) and Pete Byng-Hall (guitar).<ref>Glasper, Ian, ''The Day the Country Died: A History of Anarcho Punk 1980 to 1984'', Cherry Red Books, 2007, p. 90.</ref> This line-up of the group did not play any concerts, and only appeared in a small number of fanzines (including ''Paroxysm Fear'' and ''New Crimes'') before Bill Corbett left the group.
The Apostles were formed in the [[Islington]] area of London in 1979 by William 'Bill' Corbett (vocals), Julian Portinari (bass), Dan McIntyre (drums) and Pete Bynghall (guitar).<ref>Glasper, Ian, ''The Day the Country Died: A History of Anarcho Punk 1980 to 1984'', Cherry Red Books, 2007, p. 90.</ref> This line-up of the group did not play any concerts, and only appeared in a small number of fanzines (including ''Paroxysm Fear''<ref>{{cite web|title=Paroxysm Fear #1|url=https://homeofmetal.com/the-archive/paroxysm-fear-zine/|website=Home of Metal|access-date=13 November 2024}}</ref> and ''New Crimes'') before Bill Corbett left the group.


[[Andy Martin (English musician)|Andy Martin]] joined as vocalist in summer 1981, and the group played their first concert on 22 September 1981. This line-up of the group then recorded an eponymous demo tape later that year<ref>{{cite web |title=The Apostles – The 1st. Demo! |url=https://www.discogs.com/master/1359835-The-Apostles-The-1st-Demo |website=Discogs |access-date=9 November 2024}}</ref>.
[[Andy Martin (English musician)|Andy Martin]] joined as vocalist in summer 1981, and the group played their first concert on 22 September 1981. This line-up of the group then recorded an eponymous demo tape later that year.<ref>{{cite web|title=The Apostles – The 1st. Demo!|url=https://www.discogs.com/master/1359835-The-Apostles-The-1st-Demo|publisher=Discogs|access-date=9 November 2024}}</ref>


The music of the group is generally characterised by a varied eclecticism which encompasses [[Punk rock|punk]] and [[blues rock]], with influences like [[Lemon Kittens]]<ref>{{cite web |title=Best Forgotten by The Apostles |url=https://horn-of-plenty.bandcamp.com/album/best-forgotten |website=Horn Of Plenty |access-date=9 November 2024}}</ref>, [[Five Or Six]]<ref>{{cite web |last1=Martin |first1=Andy |title=Autobiographical essay on the band Blood And Roses |url=https://killyourpetpuppy.co.uk/news/the-apostles-faction-blood-and-roses-scum-tapes-1982/ |website=Kill Your Pet Puppy |access-date=9 November 2024}}</ref>, and other [[avant-garde]] groups.
The music of the group is generally characterised by a varied eclecticism which encompasses [[Punk rock|punk]] and [[blues rock]], with influences like [[Lemon Kittens]],<ref>{{cite web|title=Best Forgotten by The Apostles|url=https://horn-of-plenty.bandcamp.com/album/best-forgotten|website=Horn of Plenty|access-date=9 November 2024}}</ref> [[Five Or Six]],<ref>{{cite web|last1=Martin|first1=Andy|title=Autobiographical essay on the band Blood And Roses|url=https://killyourpetpuppy.co.uk/news/the-apostles-faction-blood-and-roses-scum-tapes-1982/|website=Kill Your Pet Puppy|access-date=9 November 2024}}</ref> and other [[avant-garde]] groups.


The remaining founder members of the group left the group in early 1982. Martin recruited Dave Fanning (ex-Innocent Bystander) as bass player, along with a revolving line-up of musicians – including John Soares, Kev Apostle, Flump, Chris Low (ex-[[Political Asylum (band)|Political Asylum]])<ref>{{cite web |last1=XVX |first1=Mittens |title=Rethinking the Legacy of Anarcho-Punk Zines: An Interview with Chris Low |url=https://diyconspiracy.net/chris-low-anarcho-punk/ |website=DIY Conspiracy |access-date=9 November 2024}}</ref> and Olly Bucket (Eat Shit) – to continue the group.
The remaining founder members left the band in early 1982.<ref>Glasper, Ian, ''The Day the Country Died: A History of Anarcho Punk 1980 to 1984'', PM Press, 2014, p. 158.</ref> Martin recruited Dave Fanning (ex-Innocent Bystander) as bass player, along with a revolving line-up of musicians – including John Soares, Kev Apostle, Flump, Chris Low (ex-[[Political Asylum (band)|Political Asylum]])<ref>{{cite web|last1=XVX|first1=Mittens|title=Rethinking the Legacy of Anarcho-Punk Zines: An Interview with Chris Low|url=https://diyconspiracy.net/chris-low-anarcho-punk/|website=DIY Conspiracy|access-date=9 November 2024}}</ref> and Olly Bucket (Eat Shit) – to continue the group.


Andy Martin and Dave Fanning were joined in 1984 by Malcolm "Scruff" Lewty (later of [[Hellbastard]], Sidewinder, Nero Circus and Heavy Water)<ref>{{cite web |title=Soynoise interview with Scruff - Hellbastard (Part 1) by |url=https://www.youtube.com/watch?v=WUT19zFRJOQ |website=Youtube |access-date=10 November 2024}}</ref> and drummer Chris "Widni" Wiltshire, which created a line-up which remained relatively stable (with the addition of Sean Stokes and Colin Murrell) until the group's demise at the end of the 1980s. The group released numerous demo cassettes, seven 7" singles and seven 12" LP's between mid-1984 and 1990. Original guitarist Pete Bynghall re-joined the group in late 1988 for their last recordings and final concert (recorded and released as the ''Live At Thee Akademie 108'' cassette).
Andy Martin and Dave Fanning were joined in 1984 by Malcolm "Scruff" Lewty (later of [[Hellbastard]], Sidewinder, Nero Circus and Heavy Water)<ref>{{cite web|title=Soynoise interview with Scruff Hellbastard (Part 1) by|url=https://www.youtube.com/watch?v=WUT19zFRJOQ|via=YouTube|access-date=10 November 2024}}</ref> and drummer Chris "Widni" Wiltshire, which created a line-up that remained relatively stable (with the addition of Sean Stokes and Colin Murrell) until the group's demise at the end of the 1980s. The group released numerous demo cassettes, seven 7" singles and seven 12" LP's. Original guitarist Pete Bynghall re-joined the group in late 1988 for their last recordings and final concert (recorded and released as the ''Live at Thee Akademie 108'' cassette).


The Apostles split as a group in 1990, immediately forming Academy 23, which also included Nathan Coles (of The Unbelievables) and Lawrence Burton (formerly of [[Konstruktivists]]) alongside Andy Martin and Dave Fanning. The group collaborated with the industrial group The Grey Wolves on two songs, "Terror Chamber" and "Terror Intensifies", both featured on compilations. Academy 23 were renamed in 1994 as Unit<ref>{{cite web |title=Eight Years Too Late: UK Anarcho Punk 1988-1992 |url=https://www.negativeinsight.com/niblog/2015/10/eight-years-too-late-anarcho-punk-1988.html |website=Negative Insight |publisher=Negative Insight |access-date=9 November 2024}}</ref>. Fanning left UNIT in 2007. Both Academy 23 and UNIT reworked lyrics and music from tracks by The Apostles across multiple releases.
The Apostles split as a group in 1989.<ref>Glasper, Ian, ''The Day the Country Died: A History of Anarcho Punk 1980 to 1984'', PM Press, 2014, p. 165.</ref><ref>{{cite web|title=Live at Thee Akademie 108 sleevenotes|url=https://www.discogs.com/release/26267585-The-Apostles-Live-At-Thee-Akademie-108/image/SW1hZ2U6OTE0MjQ4NTg=|publisher=Discogs|access-date=13 November 2024}}</ref> Fanning and Martin then formed Academy 23, which also included Nathan Coles (of The Unbelievables) and Lawrence Burton (formerly of [[Konstruktivists]]). Academy 23 were renamed in 1994 as UNIT.<ref>{{cite web|title=Eight Years Too Late: UK Anarcho Punk 1988-1992|url=https://www.negativeinsight.com/niblog/2015/10/eight-years-too-late-anarcho-punk-1988.html|website=Negative Insight|publisher=Negative Insight|access-date=9 November 2024}}</ref> Fanning left UNIT in 2007. Both Academy 23 and UNIT reworked lyrics and music from tracks by The Apostles across multiple releases.


Andy Martin has subsequently been extremely critical about The Apostles' output and especially his own contributions:
Andy Martin has subsequently been extremely critical about The Apostles' output and especially his own contributions:


{{Blockquote|text="...sadly much of the music was a disappointment: ineptly performed and atrociously produced, it was amateur and shabby in the extreme [...] It should also be mentioned that The Apostles was very much the Dave Fanning band - I was certainly not ‘the main man’ in the group [...] The popularity of the group is therefore due to his playing (which was usually more competent than any of the other band members) and his formidable artwork rather than my own paltry contribution to the noise."<ref>{{cite web |last1=Martin |first1=Andy |title=The Apostles: A Brief History Of Chaos |url=https://www.unit-united.co.uk/theapostles.htm |website=UNIT website |access-date=10 November 2024}}</ref>}}
{{Blockquote|text="...sadly much of the music was a disappointment: ineptly performed and atrociously produced, it was amateur and shabby in the extreme [...] It should also be mentioned that The Apostles was very much the Dave Fanning band I was certainly not 'the main man' in the group [...] The popularity of the group is therefore due to his playing (which was usually more competent than any of the other band members) and his formidable artwork rather than my own paltry contribution to the noise."<ref>{{cite web|last1=Martin|first1=Andy|title=The Apostles: A Brief History of Chaos|url=https://www.unit-united.co.uk/theapostles.htm|website=UNIT website|access-date=10 November 2024}}</ref>}}


Nevertheless, interest in The Apostles is enduring. In 2014 the debut LP ''Punk Obituary'' was re-released by Spanish label Beat Generation<ref>{{cite web |title=The Apostles: Punk Obituary |url=https://beatgeneration1.bandcamp.com/album/the-apostles-punk-obituary |website=Beat Generation Bandcamp site |access-date=10 November 2024}}</ref>. In 2019 a previously unreleased split EP with the band Anathema recorded in 1986 was made available as a 12" by the Inflammable Material label. Former Apostles drummer Chris Low has produced two double LP compilations by the band - 2022's ''Best Forgotten'' (Horn of Plenty) is a selection of "Early Demo, Live and Practise Tapes '81-'83"<ref>{{cite web |last1=Lucy Allan |first1=Jennifer |title=Rum Music For October Reviewed |url=https://thequietus.com/quietus-reviews/rum-music/antonia-nowacka-sofie-birch-emahoy-tsegu-maryam-gubrou/ |website=The Quietus |access-date=10 November 2024}}</ref> and 2024's ''There Can Be No Spectators'' (Grow Your Own Records) collects four of the early 7" EPs<ref>{{cite web |last1=Brown |first1=Nathan |title=The Apostles: There Can Be No Spectators – Double Album Review |url=https://louderthanwar.com/the-apostles-there-can-be-no-spectators-double-album-review/ |website=Louder Than War |access-date=10 November 2024}}</ref>.
Nevertheless, interest in The Apostles is enduring. In 2014 [[Ty Segall]] namechecked the group in an interview with [[Entertainment Weekly]]<ref>{{cite news|last1=Raymer|first1=Miles|title=Ty Segall talks about his new album and his work habits|url=https://ew.com/article/2014/08/28/ty-segall-manipulator-interview/|access-date=10 November 2024|work=Entertainment Weekly|date=28 August 2014}}</ref> and the debut LP ''Punk Obituary'' was re-released by Spanish label Beat Generation.<ref>{{cite web|title=The Apostles: Punk Obituary|url=https://beatgeneration1.bandcamp.com/album/the-apostles-punk-obituary|website=Beat Generation Bandcamp site|access-date=10 November 2024}}</ref> In 2019 a previously unreleased split EP with the band Anathema recorded in 1986 was made available as a 12" by the Inflammable Material label. Former Apostles drummer Chris Low has produced two double LP compilations by the band 2022's ''Best Forgotten'' (Horn of Plenty) is a selection of "Early Demo, Live and Practise Tapes '81-'83"<ref>{{cite web|last1=Lucy Allan|first1=Jennifer|title=Rum Music For October Reviewed|url=https://thequietus.com/quietus-reviews/rum-music/antonia-nowacka-sofie-birch-emahoy-tsegu-maryam-gubrou/|website=The Quietus|access-date=10 November 2024}}</ref> and 2024's ''There Can Be No Spectators'' (Grow Your Own Records) collects four of the early 7" EPs.<ref>{{cite web|last1=Brown|first1=Nathan|title=The Apostles: There Can Be No Spectators – Double Album Review|url=https://louderthanwar.com/the-apostles-there-can-be-no-spectators-double-album-review/|website=Louder Than War|access-date=10 November 2024}}</ref>


In a 2016 primer on Anarcho Punk in [[The Wire Magazine]], Louise Patterson asserts that the band:
In a 2016 primer on Anarcho Punk in [[The Wire Magazine]], Louis Pattison asserts that the band:


{{Blockquote|text="...remain one of the oddest groups to emerge from the anarcho ferment [...] under the aegis of Andy Martin and Dave Fanning, The Apostles turned into something beyond clear category. Queer, proletarian, anti-racist, full of self-loathing and burning with class rage, The Apostles were loathed by 'trendy' anarcho punks, and loathed them back."<ref>{{cite journal |last1=Patterson |first1=Louis |title=The Primer: Anarcho Punk |journal=The Wire |date=June 2016 |issue=388 |page=37 }}</ref>}}
{{Blockquote|text="...remain one of the oddest groups to emerge from the anarcho ferment [...] under the aegis of Andy Martin and Dave Fanning, The Apostles turned into something beyond clear category. Queer, proletarian, anti-racist, full of self-loathing and burning with class rage, The Apostles were loathed by 'trendy' anarcho punks, and loathed them back."<ref>{{cite journal|last1=Pattison|first1=Louis|title=The Primer: Anarcho Punk|journal=The Wire|date=June 2016|issue=388|page=37}}</ref>}}


==Political orientation and controversies==
==Political orientation and controversies==
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Always highly critical of the seemingly inward looking anarchist movement of the times, the autonomous and extreme [[Libertarianism|libertarian]] approach of The Apostles seemed to portray classic anarchism, as opposed to the conformity of many of their contemporaries. This led the group receiving respect from notable members of the anarcho-punk movement such as [[Conflict (band)|Conflict]], who released three records by The Apostles, and [[Crass]] with whom the band co-operated during the squatting of the Zig-Zag Club and during the time in which [[Wapping Autonomy Centre|The Autonomy Centre]] and [[Centro Iberico]] anarchist venues operated. Both Martin and Fanning worked during this period at the Little @ printers<ref>{{cite web |last1=Martin |first1=Andy |title=The Apostles: A Brief History Of Chaos |url=https://www.unit-united.co.uk/theapostles.htm |website=UNIT website |access-date=10 November 2024}}</ref> – an anarchist printers located in the same building as the Autonomy Centre in Wapping. The Autonomy Centre was founded with proceeds from the Crass "Bloody Revolutions" single in 1980, where Martin was a keyholder prior to joining The Apostles<ref>{{cite web |last1=Martin |first1=Andy |title=Autonomy Centres, Riots and the Big Rammy |url=https://www.uncarved.org/music/apunk/autcent.html |website=uncarved.org |publisher=Smile Magazine |access-date=9 November 2024}}</ref>.
Always highly critical of anarchist movement of the times, the autonomous and extreme [[Libertarianism|libertarian]] approach of The Apostles seemed to portray classic anarchism, as opposed to the conformity of many of their contemporaries. This led the group receiving respect from notable members of the anarcho-punk movement such as [[Conflict (band)|Conflict]], who released three records by The Apostles, and [[Crass]] with whom the band co-operated during the squatting of the Zig-Zag Club and during the time in which [[Wapping Autonomy Centre|The Autonomy Centre]] and [[Centro Iberico]] anarchist venues operated. Both Martin and Fanning worked during this period at the Little @ printers – an anarchist printers located in the same building as the Autonomy Centre in Wapping.<ref>{{cite web|last1=Martin|first1=Andy|title=The Apostles: A Brief History of Chaos|url=https://www.unit-united.co.uk/theapostles.htm|website=UNIT website|access-date=10 November 2024}}</ref><ref>{{cite book|author1=Russ Bestley|author2=Rebecca Binns|title=Ripped, Torn and Cut: Pop, politics and punk fanzines from 1976|date=2018|publisher=Manchester University Press|isbn=978 1 5261 2059 5|page=138|chapter=The evolution of an anarcho punk narrative, 1978-1984}}</ref>


Early songs like 'Pigs For Slaughter' and 'Mob Violence' included lyrics about [[direct action]] which were out of step with the pacifism usual in the anarcho-punk scene of the time, as was the title of the first EP: ''Blow It Up Burn It Down Kick It Till It Breaks''. This EP's sleeve included an account of an Apostles performance at the [[London Musicians Collective]] being curtailed after objections from the pacifist owner of the PA system, as well as practical advice on [[squatting]] and constructing an incendiary device<ref>{{cite web |title=Artwork for Blow It Up Burn It Down Kick It Till It Breaks EP |url=https://www.discogs.com/release/1518648-The-Apostles-Blow-It-Up-Burn-It-Down-Kick-It-Till-It-Breaks |website=Discogs |access-date=9 November 2024}}</ref>. The title of the EP was taken from "Communique 8" by left wing urban guerillas [[The Angry Brigade]]<ref>{{cite web |title=The Angry Brigade - documents and chronology |url=https://libcom.org/article/angry-brigade-documents-and-chronology |website=Libcom |publisher=Elephant Editions |access-date=10 November 2024}}</ref>.
Early songs like 'Pigs For Slaughter' and 'Mob Violence' included lyrics about [[direct action]] which were out of step with the pacifism usual in the anarcho-punk scene of the time, as was the title of the first EP: ''Blow It Up Burn It Down Kick It Till It Breaks''. This EP's sleeve included an account of an Apostles performance at the [[London Musicians Collective]] being curtailed after objections from the pacifist owner of the PA system, as well as practical advice on [[squatting]] and constructing an incendiary device.<ref>{{cite web|title=Artwork for Blow It Up Burn It Down Kick It Till It Breaks EP|url=https://www.discogs.com/release/1518648-The-Apostles-Blow-It-Up-Burn-It-Down-Kick-It-Till-It-Breaks|publisher=Discogs|access-date=9 November 2024}}</ref> The title of the EP was taken from "Communique 8" by left wing urban guerillas [[The Angry Brigade]].<ref>{{cite web|title=The Angry Brigade documents and chronology|url=https://libcom.org/article/angry-brigade-documents-and-chronology|website=Libcom|publisher=Elephant Editions|access-date=10 November 2024}}</ref>


Cultural critic [[Stewart Home]] states that: {{Blockquote|text="...the Apostles blazed a trail that would be mined for its black humour and media potential by the [[Class War]] movement. The track 'Pigs For Slaughter' on the second Apostles EP (Scum Records 1983) defined what would become the platform of anarchist regroupment a year or so later."<ref>{{cite web |last1=Home |first1=Stewart |title=The Assault on Culture: Utopian Currents from Lettrisme to Class War |url=https://www.stewarthomesociety.org/ass/punk.htm |website=Stewart Home Society |publisher=Aporia Press and Unpopular Books}}</ref>.}} Anarchist newspaper ''Class War'' referenced the group in its second issue: {{Blockquote|text="The Apostles and the Anti-Social Workers link with the war against the rich and make for the real possibility of taking the anger and frustration away from the gig and out onto the streets and once and for all saying 'Fuck that' to the shitty rituals that pass for pleasure."<ref>{{cite web |title="Never Mind The... BOLLOCKS TO THAT!" in ''Class War'' issue 2 1983 |url=https://libcom.org/article/class-war-2-1983 |website=Libcom |publisher=Class War |access-date=9 November 2024}}</ref>}}
Cultural critic [[Stewart Home]] states that: {{Blockquote|text="...the Apostles blazed a trail that would be mined for its black humour and media potential by the [[Class War]] movement. The track 'Pigs For Slaughter' on the second Apostles EP (Scum Records 1983) defined what would become the platform of anarchist regroupment a year or so later.".<ref>{{cite web|last1=Home|first1=Stewart|title=The Assault on Culture: Utopian Currents from Lettrisme to Class War|url=https://www.stewarthomesociety.org/ass/punk.htm|website=Stewart Home Society|publisher=Aporia Press and Unpopular Books}}</ref>}} Anarchist newspaper ''Class War'' referenced the group in its second issue: {{Blockquote|text="The Apostles and the Anti-Social Workers link with the war against the rich and make for the real possibility of taking the anger and frustration away from the gig and out onto the streets and once and for all saying 'Fuck that' to the shitty rituals that pass for pleasure."<ref>{{cite web|title="Never Mind The... BOLLOCKS TO THAT!" in ''Class War'' issue 2 1983|url=https://libcom.org/article/class-war-2-1983|website=Libcom|publisher=Class War|access-date=9 November 2024}}</ref>}}


The group's lyrics and written output covered homosexuality and homophobia:
The group's lyrics and written output covered homosexuality and homophobia:


{{Blockquote|text="The Apostles, keen as ever to distinguish themselves from other anarchist bands, showed willing to explore themes of homosexuality, drawing on Andy Martin’s experience as a gay man and volunteer at a gay youth club in London’s King’s Cross during the mid- 1970s. Accordingly, songs such as ‘Fucking Queer’ tackled homophobia, telling of a ‘queer- basher’ who later realises his own repressed homosexuality. ‘The Curse’, written in 1982– 83, relayed Martin’s own sense of sexual alienation. ‘Dave [Fanning] accepts his own bisexuality’, Martin wrote of his band mate in the sleevenotes, [but] to me it is The Curse, it is the blow nature struck me just when I’d got everything else in my life sorted out’. More positively, ‘Hello Mark’ served as a personal paean to the ‘love that dare not speak its name’."<ref>{{cite book |last1=Worley |first1=Matthew |title=No Future: Punk, Politics and British Youth Culture, 1976–1984 |date=20 September 2017 |publisher=Cambridge University Press |isbn=9781316625606 |page=201}}</ref>}}
{{Blockquote|text="The Apostles, keen as ever to distinguish themselves from other anarchist bands, showed willing to explore themes of homosexuality, drawing on Andy Martin’s experience as a gay man and volunteer at a gay youth club in London’s King’s Cross during the mid- 1970s. Accordingly, songs such as 'Fucking Queer' tackled homophobia, telling of a 'queer- basher' who later realises his own repressed homosexuality. 'The Curse', written in 1982– 83, relayed Martin’s own sense of sexual alienation. 'Dave [Fanning] accepts his own bisexuality', Martin wrote of his band mate in the sleevenotes, '[but] to me it is The Curse, it is the blow nature struck me just when I’d got everything else in my life sorted out'. More positively, 'Hello Mark' served as a personal paean to the 'love that dare not speak its name'."<ref>{{cite book|last1=Worley|first1=Matthew|title=No Future: Punk, Politics and British Youth Culture, 1976–1984|date=20 September 2017|publisher=Cambridge University Press|isbn=9781316625606|page=201}}</ref>}}


In 1989, Martin and Fanning gave an interview with ''[[Homocore (zine)|Homocore]]'' fanzine which addressed their sexuality and several examples of homophobic bigotry they had faced.<ref>{{cite web|url=http://www.uncarved.org/music/apunk/apostles.html|title=Interview with The Apostles|website=Uncarved.org|accessdate=31 May 2020}}</ref> Among their many recordings released, The Apostles contributed the song "Forbidden Love" to the first [[queercore]] compilation, ''JD.s Top Ten Homocore Hits'', released by ''[[J.D.s]]'' [[fanzine]] in 1990.
In 1989, Martin and Fanning gave an interview with ''[[Homocore (zine)|Homocore]]'' fanzine which addressed their sexuality and several examples of homophobic bigotry they had faced.<ref>{{cite web|url=http://www.uncarved.org/music/apunk/apostles.html|title=Interview with The Apostles|website=Uncarved.org|access-date=31 May 2020}}</ref> The group contributed the song "Forbidden Love" to the first [[queercore]] compilation, ''JD.s Top Ten Homocore Hits'', released by ''[[J.D.s]]'' [[fanzine]] in 1990.


The anti-communist and anti-gay lyrics of 'Rock Against Communism' and 'Kill or Cure' on the 1984 ''Giving of Love Costs Nothing'' EP<ref name="Article about The Apostles' 'The Giving Of Love Costs Nothing' EP">{{cite web |title=The Hackney Hell Crew and "The Giving Of Love Costs Nothing" EP |url=https://www.negativeinsight.com/niblog/2019/11/the-hackney-hell-crew-and-giving-of.html |website=Negative Insight |publisher=Negative Insight |access-date=9 November 2024}}</ref> and other similarly themed songs on 1987's ''The Equinox Screams'' LP opened the group to charges of fascism and homophobia<ref>{{cite journal |title="Rising from the Ashes" EP review |journal=Maximum Rocknroll |date=December 1983 |issue=10 |page=68 |url=https://archive.org/details/mrr_10/page/n68/mode/1up |access-date=9 November 2024}}</ref><ref>{{cite journal |last1=Oi |first1=Mickey |title=Letter |journal=Maximum Rocknroll |date=February 1988 |issue=57 |pages=8 |url=https://archive.org/details/mrr_57/page/n8/mode/1up |access-date=9 November 2024}}</ref><ref>{{cite web |title=Interview with The Apostles from ''Homocore'' issue 4, June 1989. |url=https://www.uncarvded.org/music/apunk/apostles.html |website=uncarved.org |publisher=Homocore |access-date=9 November 2024}}</ref>. As Dr Ana Raposo said about the "The Giving Of Love Costs Nothing" EP:
The anti-communist and anti-gay lyrics of 'Rock Against Communism' and 'Kill or Cure' on the 1984 ''Giving of Love Costs Nothing'' EP<ref name="Article about The Apostles' 'The Giving of Love Costs Nothing' EP">{{cite web|title=The Hackney Hell Crew and "The Giving of Love Costs Nothing" EP|url=https://www.negativeinsight.com/niblog/2019/11/the-hackney-hell-crew-and-giving-of.html|website=Negative Insight|publisher=Negative Insight|access-date=9 November 2024}}</ref> and other similarly themed songs on 1987's ''The Equinox Screams'' LP opened the group to charges of fascism and homophobia.<ref>{{cite journal|title="Rising from the Ashes" EP review|journal=Maximum Rocknroll|date=December 1983|issue=10|page=68|url=https://archive.org/details/mrr_10/page/n68/mode/1up|access-date=9 November 2024}}</ref><ref>{{cite journal|last1=Oi|first1=Mickey|title=Letter|journal=Maximum Rocknroll|date=February 1988|issue=57|pages=8|url=https://archive.org/details/mrr_57/page/n8/mode/1up|access-date=9 November 2024}}</ref><ref>{{cite web|title=Interview with The Apostles from ''Homocore'' issue 4, June 1989.|url=https://www.uncarvded.org/music/apunk/apostles.html|website=uncarved.org|publisher=Homocore|access-date=9 November 2024}}</ref> As Dr Ana Raposo said about "The Giving of Love Costs Nothing" EP:


{{Blockquote|text="Despite being undoubtedly a satirical statement with the intent of jostling the anarcho-punk audiences, the irony was not perceived as such by all including even some members of the band. Their fifth EP Smash the Spectacle, released on Mortarhate Records, in 1985 included a note regarding disagreements amongst band members as a result of the previous release."<ref>{{cite book |last1=Raposo |first1=Ana |title=The Aesthetic of Our Anger: Anarcho-Punk, Politics, Music |date=2015 |publisher=Autonomedia |isbn=9781570273186 |page=83 |url=https://archive.org/details/dines-and-worley-the-aesthetic-of-our-anger/page/83/mode/1up |access-date=10 November 2024}}</ref>}}
{{Blockquote|text="Despite being undoubtedly a satirical statement with the intent of jostling the anarcho-punk audiences, the irony was not perceived as such by all including even some members of the band. Their fifth EP Smash the Spectacle, released on Mortarhate Records, in 1985 included a note regarding disagreements amongst band members as a result of the previous release."<ref>{{cite book|last1=Raposo|first1=Ana|title=The Aesthetic of Our Anger: Anarcho-Punk, Politics, Music|date=2015|publisher=Autonomedia|isbn=9781570273186|page=83|url=https://archive.org/details/dines-and-worley-the-aesthetic-of-our-anger/page/83/mode/1up|access-date=10 November 2024}}</ref>}}


Whilst this material was intended to expose the attitudes of those within the 'anarcho punk' milieu who did not challenge such blatantly provocative sentiments (a tactic which Andy Martin had used since his entrance to the group), they undermined the coherence of the band's ideology, leading Stewart Home, in his book ''Cranked Up Really High'', to describe The Apostles as: {{Blockquote|text="...locked into a rigid Punk Rock groove where a desire to explore contradictory impulses resulted in stasis if not actual paralysis.[...] The schizophrenic attitude of the band made it impossible for them to move in any direction whatsoever, unless this was done in a completely tentative fashion and quickly negated by some contradictory action."<ref>{{cite web |last1=Home |first1=Stewart |title=''Cranked Up Really High: Genre Theory and Punk Rock'' |url=https://www.stewarthomesociety.org/cranked/nomo.htm|website=Stewart Home Society |publisher=Codex Books |access-date=9 November 2024}}</ref>.}}
Whilst this material was intended to expose the attitudes of those within the 'anarcho punk' milieu who did not challenge such blatantly provocative sentiments (a tactic which Andy Martin had used since his entrance to the group), they undermined the coherence of the band's ideology, leading Stewart Home, in his book ''Cranked Up Really High'', to describe The Apostles as: {{Blockquote|text="...locked into a rigid Punk Rock groove where a desire to explore contradictory impulses resulted in stasis if not actual paralysis.[...] The schizophrenic attitude of the band made it impossible for them to move in any direction whatsoever, unless this was done in a completely tentative fashion and quickly negated by some contradictory action.".<ref>{{cite web|last1=Home|first1=Stewart|title=''Cranked Up Really High: Genre Theory and Punk Rock''|url=https://www.stewarthomesociety.org/cranked/nomo.htm|website=Stewart Home Society|publisher=Codex Books|access-date=9 November 2024}}</ref>}}


==Discography==
==Discography==
===Albums===
=== Studio albums===
*''Punk Obituary'' (1985, [[Mortarhate Records]]) (reissued in 2014)
*''Live at the LMC'', Jan 1983 (Split live LP with [[The Mob (British punk band)|The Mob]]) [[Bootleg recording|bootleg]]
*''The Lives & Times of the Apostles'' (1986, Children of the Revolution Records)
*''Punk Obituary'', 1985, [[Mortarhate Records]] (reissued in 2014)
*''The Lives & Times of the Apostles'', 1986, Children Of The Revolution Records
*''The Acts of the Apostles in the Theatre of Fear'' (1986, Acid Stings)
*''The Acts of the Apostles in the Theatre Of Fear'', 1986, Acid Stings
*''How Much Longer?'' (1986, Acid Stings)
*''Equinox Screams'' (1987, Andy Brant Inc.)
*''How Much Longer?'', 1986, Acid Stings
*''Cartography / The Show Trial Asylum'' (1987, Power Cut Cassettes) (Split cassette with The Demolition Company. The Apostles' side on the album is "Cartography")
*''Equinox Screams'', 1987, Andy Brant Inc.
*''The Other Operation'' (1988, Active Sounds Records) (split album with Statement (Patrick Poole))
*''Cartography / The Show Trial Asylum'', 1987 (Split cassette with [[The Demolition Company]]. The Apostles' side on the album is "Cartography")
*''Hymn To Pan'' (1988, No Masters Voice)
*''The Other Operation'', 1988, Active Sounds Records (split album with Statement (Patrick Poole))
*''Eine Antwort / Dipinti Sotterranei'', (1988) (Split cassette with Final Alternative Relation; The Apostles' side on the album is "Eine Antwort"){{Citation needed|date=November 2024|reason=The only google refs for this release are this wikipedia page and copies of it?}}
*''Hymn To Pan'', 1988, No Masters Voice (only available in [[United States|America]])
*''Eine Antwort / Dipinti Sotterranei'', 1988 (Split cassette with [[Final Alternative Relation|F.A.R. (Final Alternative Relation)]]; The Apostles' side on the album is "Eine Antwort")


===EPs===
===EPs===
Chart placings shown are from the [[UK Independent Chart]].<ref name="Lazell">{{cite book |last=Lazell |first=Barry |title=Indie Hits 1980–1999 |year= 1997 |publisher=Cherry Red Books |isbn=0-9517206-9-4 }}</ref>
Chart placings shown are from the [[UK Independent Chart]].<ref name="Lazell">{{cite book|last=Lazell|first=Barry|title=Indie Hits 1980–1999|year=1997|publisher=Cherry Red Books|isbn=0-9517206-9-4}}</ref>
*''Blow It Up, Burn It Down, Kick It Till It Breaks!'', 1982
*''Blow It Up, Burn It Down, Kick It Till It Breaks!'' 7-inch EP (1982)
*''Rising From The Ashes'', 1983, Scum Records, No.&nbsp;21
*''Rising From The Ashes'' 7-inch EP (1983, Scum Records) No.&nbsp;21
*''The Curse of the Creature'', 1983, Scum Records, No.&nbsp;17
*''The Curse of the Creature'' 7-inch EP (1983, Scum Records) No.&nbsp;17
*''The Giving Of Love Costs Nothing'', 1984, Scum Records
*''The Giving of Love Costs Nothing'' 7-inch EP (1984, Scum Records)
*''Smash The Spectacle'', 1984, Mortarhate Records, No.&nbsp;22
*''Smash The Spectacle'' 7-inch EP (1984, Mortarhate Records) No.&nbsp;22
*''Anathema/The Apostles'', (Split EP orginally planned for release on Fight Back Records in 1986, but eventually released by Inflammable Material in 2019)
*''Anathema/The Apostles'', (Split EP with Anathema originally planned for release as a 7-inch on Fight Back Records in 1986, but eventually released as a 12" single by Inflammable Material in 2019)
*''Death To Wacky Pop!'', 1986, Fight Back Records (features members of The Joy Of Living)
*''Death To Wacky Pop!'' 1986 7-inch EP (1986, Fight Back Records) (features members of The Joy of Living)
*''No Faith No Fear'', 1986, Active Sounds Records
*''No Faith No Fear'' 7-inch EP (1986, Active Sounds Records)


===Live album===
The Joy Of Living were a female folk/punk band who released one cassette demo in addition to the above recording.
*''Live at the LMC'' (1987, Cause For Concern) (Split live LP with [[The Mob (British punk band)|The Mob]] recorded 22 January 1983)


===Compilations===
===Compilation albums===
*''Segments'' (cassette compiled of studio material; the release date is unknown)
*''Segments'' (cassette compiled of studio material; the release date is unknown)
*''The Acts of the Apostles'' 1985 (cassette compiled of live material; not to be confused with the 1986 album with the similar name)
*''The Acts of the Apostles'' 1985 (cassette compiled of live material; not to be confused with the 1986 album with the similar name)
Line 108: Line 107:
*''No Faith No Fear'' 1993 (cassette compiled of recordings of an unreleased double album the band recorded in 1986; rereleased in 2006 in [[CD-R]] format with two bonus tracks)
*''No Faith No Fear'' 1993 (cassette compiled of recordings of an unreleased double album the band recorded in 1986; rereleased in 2006 in [[CD-R]] format with two bonus tracks)
*''The Singles & Compilation Album Tracks'' 2018 (digital collection compiled of EP material and tracks which appeared on various VA compilations; available on Unit's [[Bandcamp]] page)
*''The Singles & Compilation Album Tracks'' 2018 (digital collection compiled of EP material and tracks which appeared on various VA compilations; available on Unit's [[Bandcamp]] page)
*''The 1st & 2nd Studio Albums'' 2018 (digital collection compiled of the albums "Punk Obituary" and "The Lives And Times Of The Apostles"; available on Unit's [[Bandcamp]] page)
*''The 1st & 2nd Studio Albums'' 2018 (digital collection compiled of the albums "Punk Obituary" and "The Lives And Times of the Apostles"; available on Unit's Bandcamp page)
*'' The 3rd & 4th Albums'' 2018 (digital collection compiled of the albums "The Acts Of The Apostles In The Theatre Of Fear" and "How Much Longer?"; available on Unit's [[Bandcamp]] page)
*'' The 3rd & 4th Albums'' 2018 (digital collection compiled of the albums "The Acts of the Apostles in the Theatre of Fear" and "How Much Longer?"; available on Unit's Bandcamp page)
*''The 5th & 6th Albums'' 2018 (digital collection compiled of the album "Eine Antwort" and the "Final Manifesto" compilation cassette; available on Unit's [[Bandcamp]] page)
*''The 5th & 6th Albums'' 2018 (digital collection compiled of the album "Eine Antwort" and the "Final Manifesto" compilation cassette; available on Unit's Bandcamp page)
*''Make Up'' 2019 (digital collection compiled of material for a cassette the band recorded in April 1988 called by the names "Grant Munro & The Apostles" and "Make Up", which was believed to be lost for 27 years; available on Unit's [[Bandcamp]] page)
*''Make Up'' 2019 (digital collection compiled of material for a cassette the band recorded in April 1988 called by the names "Grant Munro & The Apostles" and "Make Up", which was believed to be lost for 27 years; available on Unit's Bandcamp page)
*''Cassette Chaos'' 2020 (digital collection compiled of four different recording sessions from the years 1983, 1987 and 1989; available on Unit's [[Bandcamp]] page)
*''Cassette Chaos'' 2020 (digital collection compiled of four different recording sessions from the years 1983, 1987 and 1989; available on Unit's Bandcamp page)
*''Best Forgotten'' 2022 (Double LP of Early Demo, Live and Practise Tapes 1981-1983) Horn Of Plenty
*''Best Forgotten'' (2022, Horn of Plenty) (Double LP of Early Demo, Live and Practise Tapes 1981–1983)
*''There Can Be No Spectators'' 2024 (Double LP of four early seven inch singles) Grow Your Own Records
*''There Can Be No Spectators'' (2024, Grow Your Own Records) (Double LP of four early seven inch singles)


===Demo albums (cassette only)===
===Demo albums (cassette only)===
*''The Apostles '' 1981
*''The Apostles'' 1981
*''The 2nd Dark Age '' 1982
*''The 2nd Dark Age'' 1982
*''Libertarian Propaganda'' 1982
*''Libertarian Propaganda'' 1982
*''Topics For Discussion'' 1982
*''Topics For Discussion'' 1982
*''A Sudden Surge of Sound'' (retrospective on CFC Cassettes) 1983
*''A Sudden Surge of Sound'' (retrospective on CFC Cassettes) 1983
*''Swimmers in the Sea Of Life '' 1983
*''Swimmers in the Sea of Life'' 1983
*''Live at the Recession Club '' 1983
*''Live at the Recession Club'' 1983
*''Christ, Its The Apostles! '' 1983
*''Christ, Its The Apostles!'' 1983
*''Will I Ever Be Free? '' 1984
*''Will I Ever Be Free?'' 1984
*''Fire in the Sky '' 1985
*''Fire in the Sky'' 1985
*''Visions of the End '' 1985
*''Visions of the End'' 1985
*''Punk Leftovers'' 1986
*''Punk Leftovers'' 1986
*''Private Performances '' 1987
*''Private Performances'' 1987
*''Gary Cooke Was Here '' 1987
*''Gary Cooke Was Here'' 1987
*''Strength Through Purity '' 1987
*''Strength Through Purity'' 1987
*''A.S.P.A. Demo '' 1987
*''A.S.P.A. Demo'' 1987
*''Une Réponse '' 1987
*''Une Réponse'' 1987
*''Fine Antwort '' 1988
*''Fine Antwort'' 1988
*''The Progressive Blues Experiment '' 1988
*''The Progressive Blues Experiment'' 1988
*''The 12th Gate to the Underworld'' 1988
*''The 12th Gate to the Underworld'' 1988
*''Death'' 1988
*''Death'' 1988
*''How To Suck Seed'' 1988
*''How To Suck Seed'' 1988
*''Life '' 1989
*''Life '' 1989
*''A Consumer Commodity '' 1989
*''A Consumer Commodity'' 1989
*''Live at the Academy '' 1989 (the last ever performance 23/02/89)
*''Live at Thee Academy 108'' 1989 (the last ever performance 3/2/89)


===Compilation album appearances===
===Tracks on various artists compilation albums===
*''Mob Violence (Part 2)'' – "We Don't Want Your Fucking War" 1986 LP [[Mortarhate]]
*''Mob Violence (Part 2)'' – "We Don't Want Your Fucking War" 1986 LP [[Mortarhate]]
*''Inner Space'' – "God Save Us From The USA" 1987 LP, Happy Mike
*''Inner Space'' – "God Save Us From The USA" 1987 LP, Happy Mike
Line 149: Line 148:
*''Hyde Park'' 1988 LP (released by German band Doc Wör Mirran featuring international groups, not all punk)
*''Hyde Park'' 1988 LP (released by German band Doc Wör Mirran featuring international groups, not all punk)
*''J.D.s Top Ten Tape'' – "Forbidden Love" 1990 [[Cassette culture|cassette]]
*''J.D.s Top Ten Tape'' – "Forbidden Love" 1990 [[Cassette culture|cassette]]

Several early Apostles tracks are featured on the Cause For Concern compilation ''A Sudden Surge of Power''. A sampler of the early 1980s post-punk industrial music scene, it also featured contributions from [[Nocturnal Emissions]], [[Test Department]], [[Attrition (band)|Attrition]], [[400 Blows (British band)|400 Blows]], We Be Echo and ex-[[Throbbing Gristle]] members [[Chris and Cosey]].


==References==
==References==
Line 161: Line 158:
*[http://uncarved.org/music/apunk/apostles.html The Apostles interview with ''Homocore'' zine]
*[http://uncarved.org/music/apunk/apostles.html The Apostles interview with ''Homocore'' zine]
*[https://www.maximumrocknroll.com/band/the-apostles/ Apostles reviews from ''Maximum Rocknroll'' magazine]
*[https://www.maximumrocknroll.com/band/the-apostles/ Apostles reviews from ''Maximum Rocknroll'' magazine]

{{Use dmy dates|date=August 2020}}


{{Authority control}}
{{Authority control}}

Latest revision as of 01:59, 20 December 2024

The Apostles
The Apostles performing at the Spread Eagle, Southend-on-Sea, December 1981
The Apostles performing at the Spread Eagle, Southend-on-Sea, December 1981
Background information
OriginLondon, England
GenresPunk rock, anarcho-punk
Years active1979–1989
LabelsScum Records
Mortarhate Records
Past membersAndy Martin
William 'Bill' Corbett
Julian Portinari
Dan McIntyre
Pete Bynghall
John Soares
Chris Low
Dave Fanning
Chris "Widni" Wiltshire
Malcolm "Scruff" Lewty
Sean Stokes
Colin Murrell

The Apostles were an English experimental punk rock band, who developed within the 1980s anarcho-punk scene in the UK, but did not necessarily adhere to the aesthetics of that movement and were critical of what they saw as its ideological conformity and especially pacifism.

History

[edit]

The Apostles were formed in the Islington area of London in 1979 by William 'Bill' Corbett (vocals), Julian Portinari (bass), Dan McIntyre (drums) and Pete Bynghall (guitar).[1] This line-up of the group did not play any concerts, and only appeared in a small number of fanzines (including Paroxysm Fear[2] and New Crimes) before Bill Corbett left the group.

Andy Martin joined as vocalist in summer 1981, and the group played their first concert on 22 September 1981. This line-up of the group then recorded an eponymous demo tape later that year.[3]

The music of the group is generally characterised by a varied eclecticism which encompasses punk and blues rock, with influences like Lemon Kittens,[4] Five Or Six,[5] and other avant-garde groups.

The remaining founder members left the band in early 1982.[6] Martin recruited Dave Fanning (ex-Innocent Bystander) as bass player, along with a revolving line-up of musicians – including John Soares, Kev Apostle, Flump, Chris Low (ex-Political Asylum)[7] and Olly Bucket (Eat Shit) – to continue the group.

Andy Martin and Dave Fanning were joined in 1984 by Malcolm "Scruff" Lewty (later of Hellbastard, Sidewinder, Nero Circus and Heavy Water)[8] and drummer Chris "Widni" Wiltshire, which created a line-up that remained relatively stable (with the addition of Sean Stokes and Colin Murrell) until the group's demise at the end of the 1980s. The group released numerous demo cassettes, seven 7" singles and seven 12" LP's. Original guitarist Pete Bynghall re-joined the group in late 1988 for their last recordings and final concert (recorded and released as the Live at Thee Akademie 108 cassette).

The Apostles split as a group in 1989.[9][10] Fanning and Martin then formed Academy 23, which also included Nathan Coles (of The Unbelievables) and Lawrence Burton (formerly of Konstruktivists). Academy 23 were renamed in 1994 as UNIT.[11] Fanning left UNIT in 2007. Both Academy 23 and UNIT reworked lyrics and music from tracks by The Apostles across multiple releases.

Andy Martin has subsequently been extremely critical about The Apostles' output and especially his own contributions:

"...sadly much of the music was a disappointment: ineptly performed and atrociously produced, it was amateur and shabby in the extreme [...] It should also be mentioned that The Apostles was very much the Dave Fanning band – I was certainly not 'the main man' in the group [...] The popularity of the group is therefore due to his playing (which was usually more competent than any of the other band members) and his formidable artwork rather than my own paltry contribution to the noise."[12]

Nevertheless, interest in The Apostles is enduring. In 2014 Ty Segall namechecked the group in an interview with Entertainment Weekly[13] and the debut LP Punk Obituary was re-released by Spanish label Beat Generation.[14] In 2019 a previously unreleased split EP with the band Anathema recorded in 1986 was made available as a 12" by the Inflammable Material label. Former Apostles drummer Chris Low has produced two double LP compilations by the band – 2022's Best Forgotten (Horn of Plenty) is a selection of "Early Demo, Live and Practise Tapes '81-'83"[15] and 2024's There Can Be No Spectators (Grow Your Own Records) collects four of the early 7" EPs.[16]

In a 2016 primer on Anarcho Punk in The Wire Magazine, Louis Pattison asserts that the band:

"...remain one of the oddest groups to emerge from the anarcho ferment [...] under the aegis of Andy Martin and Dave Fanning, The Apostles turned into something beyond clear category. Queer, proletarian, anti-racist, full of self-loathing and burning with class rage, The Apostles were loathed by 'trendy' anarcho punks, and loathed them back."[17]

Political orientation and controversies

[edit]

"Although The Apostles’s milieu was the anarcho-punk movement, they consistently derided the punk scene (and often anarcho-punk)."

— Ana Raposo, "Rival tribal rebel revel: the anarcho punk movement and subcultural internecine rivalries", The Aesthetic of Our Anger: Anarcho-Punk, Politics, Music (2015)

"Do we really need another song about nuclear war when the other four thousand haven't exactly achieved any change?"

— Andy Martin, "Smash The Spectacle: The Story of The Apostles by Lance Hahn", Maximum Rocknroll #266 (2005 July)

Always highly critical of anarchist movement of the times, the autonomous and extreme libertarian approach of The Apostles seemed to portray classic anarchism, as opposed to the conformity of many of their contemporaries. This led the group receiving respect from notable members of the anarcho-punk movement such as Conflict, who released three records by The Apostles, and Crass with whom the band co-operated during the squatting of the Zig-Zag Club and during the time in which The Autonomy Centre and Centro Iberico anarchist venues operated. Both Martin and Fanning worked during this period at the Little @ printers – an anarchist printers located in the same building as the Autonomy Centre in Wapping.[18][19]

Early songs like 'Pigs For Slaughter' and 'Mob Violence' included lyrics about direct action which were out of step with the pacifism usual in the anarcho-punk scene of the time, as was the title of the first EP: Blow It Up Burn It Down Kick It Till It Breaks. This EP's sleeve included an account of an Apostles performance at the London Musicians Collective being curtailed after objections from the pacifist owner of the PA system, as well as practical advice on squatting and constructing an incendiary device.[20] The title of the EP was taken from "Communique 8" by left wing urban guerillas The Angry Brigade.[21]

Cultural critic Stewart Home states that:

"...the Apostles blazed a trail that would be mined for its black humour and media potential by the Class War movement. The track 'Pigs For Slaughter' on the second Apostles EP (Scum Records 1983) defined what would become the platform of anarchist regroupment a year or so later.".[22]

Anarchist newspaper Class War referenced the group in its second issue:

"The Apostles and the Anti-Social Workers link with the war against the rich and make for the real possibility of taking the anger and frustration away from the gig and out onto the streets and once and for all saying 'Fuck that' to the shitty rituals that pass for pleasure."[23]

The group's lyrics and written output covered homosexuality and homophobia:

"The Apostles, keen as ever to distinguish themselves from other anarchist bands, showed willing to explore themes of homosexuality, drawing on Andy Martin’s experience as a gay man and volunteer at a gay youth club in London’s King’s Cross during the mid- 1970s. Accordingly, songs such as 'Fucking Queer' tackled homophobia, telling of a 'queer- basher' who later realises his own repressed homosexuality. 'The Curse', written in 1982– 83, relayed Martin’s own sense of sexual alienation. 'Dave [Fanning] accepts his own bisexuality', Martin wrote of his band mate in the sleevenotes, '[but] to me it is The Curse, it is the blow nature struck me just when I’d got everything else in my life sorted out'. More positively, 'Hello Mark' served as a personal paean to the 'love that dare not speak its name'."[24]

In 1989, Martin and Fanning gave an interview with Homocore fanzine which addressed their sexuality and several examples of homophobic bigotry they had faced.[25] The group contributed the song "Forbidden Love" to the first queercore compilation, JD.s Top Ten Homocore Hits, released by J.D.s fanzine in 1990.

The anti-communist and anti-gay lyrics of 'Rock Against Communism' and 'Kill or Cure' on the 1984 Giving of Love Costs Nothing EP[26] and other similarly themed songs on 1987's The Equinox Screams LP opened the group to charges of fascism and homophobia.[27][28][29] As Dr Ana Raposo said about "The Giving of Love Costs Nothing" EP:

"Despite being undoubtedly a satirical statement with the intent of jostling the anarcho-punk audiences, the irony was not perceived as such by all including even some members of the band. Their fifth EP – Smash the Spectacle, released on Mortarhate Records, in 1985 – included a note regarding disagreements amongst band members as a result of the previous release."[30]

Whilst this material was intended to expose the attitudes of those within the 'anarcho punk' milieu who did not challenge such blatantly provocative sentiments (a tactic which Andy Martin had used since his entrance to the group), they undermined the coherence of the band's ideology, leading Stewart Home, in his book Cranked Up Really High, to describe The Apostles as:

"...locked into a rigid Punk Rock groove where a desire to explore contradictory impulses resulted in stasis if not actual paralysis.[...] The schizophrenic attitude of the band made it impossible for them to move in any direction whatsoever, unless this was done in a completely tentative fashion and quickly negated by some contradictory action.".[31]

Discography

[edit]

Studio albums

[edit]
  • Punk Obituary (1985, Mortarhate Records) (reissued in 2014)
  • The Lives & Times of the Apostles (1986, Children of the Revolution Records)
  • The Acts of the Apostles in the Theatre of Fear (1986, Acid Stings)
  • How Much Longer? (1986, Acid Stings)
  • Equinox Screams (1987, Andy Brant Inc.)
  • Cartography / The Show Trial Asylum (1987, Power Cut Cassettes) (Split cassette with The Demolition Company. The Apostles' side on the album is "Cartography")
  • The Other Operation (1988, Active Sounds Records) (split album with Statement (Patrick Poole))
  • Hymn To Pan (1988, No Masters Voice)
  • Eine Antwort / Dipinti Sotterranei, (1988) (Split cassette with Final Alternative Relation; The Apostles' side on the album is "Eine Antwort")[citation needed]

EPs

[edit]

Chart placings shown are from the UK Independent Chart.[32]

  • Blow It Up, Burn It Down, Kick It Till It Breaks! 7-inch EP (1982)
  • Rising From The Ashes 7-inch EP (1983, Scum Records) No. 21
  • The Curse of the Creature 7-inch EP (1983, Scum Records) No. 17
  • The Giving of Love Costs Nothing 7-inch EP (1984, Scum Records)
  • Smash The Spectacle 7-inch EP (1984, Mortarhate Records) No. 22
  • Anathema/The Apostles, (Split EP with Anathema originally planned for release as a 7-inch on Fight Back Records in 1986, but eventually released as a 12" single by Inflammable Material in 2019)
  • Death To Wacky Pop! 1986 7-inch EP (1986, Fight Back Records) (features members of The Joy of Living)
  • No Faith No Fear 7-inch EP (1986, Active Sounds Records)

Live album

[edit]
  • Live at the LMC (1987, Cause For Concern) (Split live LP with The Mob recorded 22 January 1983)

Compilation albums

[edit]
  • Segments (cassette compiled of studio material; the release date is unknown)
  • The Acts of the Apostles 1985 (cassette compiled of live material; not to be confused with the 1986 album with the similar name)
  • Final Manifesto 1992 (cassette compiled of the band's last and unreleased studio recording sessions from March 1988 and January 1989)
  • No Faith No Fear 1993 (cassette compiled of recordings of an unreleased double album the band recorded in 1986; rereleased in 2006 in CD-R format with two bonus tracks)
  • The Singles & Compilation Album Tracks 2018 (digital collection compiled of EP material and tracks which appeared on various VA compilations; available on Unit's Bandcamp page)
  • The 1st & 2nd Studio Albums 2018 (digital collection compiled of the albums "Punk Obituary" and "The Lives And Times of the Apostles"; available on Unit's Bandcamp page)
  • The 3rd & 4th Albums 2018 (digital collection compiled of the albums "The Acts of the Apostles in the Theatre of Fear" and "How Much Longer?"; available on Unit's Bandcamp page)
  • The 5th & 6th Albums 2018 (digital collection compiled of the album "Eine Antwort" and the "Final Manifesto" compilation cassette; available on Unit's Bandcamp page)
  • Make Up 2019 (digital collection compiled of material for a cassette the band recorded in April 1988 called by the names "Grant Munro & The Apostles" and "Make Up", which was believed to be lost for 27 years; available on Unit's Bandcamp page)
  • Cassette Chaos 2020 (digital collection compiled of four different recording sessions from the years 1983, 1987 and 1989; available on Unit's Bandcamp page)
  • Best Forgotten (2022, Horn of Plenty) (Double LP of Early Demo, Live and Practise Tapes 1981–1983)
  • There Can Be No Spectators (2024, Grow Your Own Records) (Double LP of four early seven inch singles)

Demo albums (cassette only)

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  • The Apostles 1981
  • The 2nd Dark Age 1982
  • Libertarian Propaganda 1982
  • Topics For Discussion 1982
  • A Sudden Surge of Sound (retrospective on CFC Cassettes) 1983
  • Swimmers in the Sea of Life 1983
  • Live at the Recession Club 1983
  • Christ, Its The Apostles! 1983
  • Will I Ever Be Free? 1984
  • Fire in the Sky 1985
  • Visions of the End 1985
  • Punk Leftovers 1986
  • Private Performances 1987
  • Gary Cooke Was Here 1987
  • Strength Through Purity 1987
  • A.S.P.A. Demo 1987
  • Une Réponse 1987
  • Fine Antwort 1988
  • The Progressive Blues Experiment 1988
  • The 12th Gate to the Underworld 1988
  • Death 1988
  • How To Suck Seed 1988
  • Life 1989
  • A Consumer Commodity 1989
  • Live at Thee Academy 108 1989 (the last ever performance 3/2/89)

Compilation album appearances

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  • Mob Violence (Part 2) – "We Don't Want Your Fucking War" 1986 LP Mortarhate
  • Inner Space – "God Save Us From The USA" 1987 LP, Happy Mike
  • Walls – "You've Heard It All Before" (Crass Covers compilation) 1993 LP Ruptured Ambitions Records
  • Hyde Park 1988 LP (released by German band Doc Wör Mirran featuring international groups, not all punk)
  • J.D.s Top Ten Tape – "Forbidden Love" 1990 cassette

References

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  1. ^ Glasper, Ian, The Day the Country Died: A History of Anarcho Punk 1980 to 1984, Cherry Red Books, 2007, p. 90.
  2. ^ "Paroxysm Fear #1". Home of Metal. Retrieved 13 November 2024.
  3. ^ "The Apostles – The 1st. Demo!". Discogs. Retrieved 9 November 2024.
  4. ^ "Best Forgotten by The Apostles". Horn of Plenty. Retrieved 9 November 2024.
  5. ^ Martin, Andy. "Autobiographical essay on the band Blood And Roses". Kill Your Pet Puppy. Retrieved 9 November 2024.
  6. ^ Glasper, Ian, The Day the Country Died: A History of Anarcho Punk 1980 to 1984, PM Press, 2014, p. 158.
  7. ^ XVX, Mittens. "Rethinking the Legacy of Anarcho-Punk Zines: An Interview with Chris Low". DIY Conspiracy. Retrieved 9 November 2024.
  8. ^ "Soynoise interview with Scruff – Hellbastard (Part 1) by". Retrieved 10 November 2024 – via YouTube.
  9. ^ Glasper, Ian, The Day the Country Died: A History of Anarcho Punk 1980 to 1984, PM Press, 2014, p. 165.
  10. ^ "Live at Thee Akademie 108 sleevenotes". Discogs. Retrieved 13 November 2024.
  11. ^ "Eight Years Too Late: UK Anarcho Punk 1988-1992". Negative Insight. Negative Insight. Retrieved 9 November 2024.
  12. ^ Martin, Andy. "The Apostles: A Brief History of Chaos". UNIT website. Retrieved 10 November 2024.
  13. ^ Raymer, Miles (28 August 2014). "Ty Segall talks about his new album and his work habits". Entertainment Weekly. Retrieved 10 November 2024.
  14. ^ "The Apostles: Punk Obituary". Beat Generation Bandcamp site. Retrieved 10 November 2024.
  15. ^ Lucy Allan, Jennifer. "Rum Music For October Reviewed". The Quietus. Retrieved 10 November 2024.
  16. ^ Brown, Nathan. "The Apostles: There Can Be No Spectators – Double Album Review". Louder Than War. Retrieved 10 November 2024.
  17. ^ Pattison, Louis (June 2016). "The Primer: Anarcho Punk". The Wire (388): 37.
  18. ^ Martin, Andy. "The Apostles: A Brief History of Chaos". UNIT website. Retrieved 10 November 2024.
  19. ^ Russ Bestley; Rebecca Binns (2018). "The evolution of an anarcho punk narrative, 1978-1984". Ripped, Torn and Cut: Pop, politics and punk fanzines from 1976. Manchester University Press. p. 138. ISBN 978 1 5261 2059 5.
  20. ^ "Artwork for Blow It Up Burn It Down Kick It Till It Breaks EP". Discogs. Retrieved 9 November 2024.
  21. ^ "The Angry Brigade – documents and chronology". Libcom. Elephant Editions. Retrieved 10 November 2024.
  22. ^ Home, Stewart. "The Assault on Culture: Utopian Currents from Lettrisme to Class War". Stewart Home Society. Aporia Press and Unpopular Books.
  23. ^ ""Never Mind The... BOLLOCKS TO THAT!" in Class War issue 2 1983". Libcom. Class War. Retrieved 9 November 2024.
  24. ^ Worley, Matthew (20 September 2017). No Future: Punk, Politics and British Youth Culture, 1976–1984. Cambridge University Press. p. 201. ISBN 9781316625606.
  25. ^ "Interview with The Apostles". Uncarved.org. Retrieved 31 May 2020.
  26. ^ "The Hackney Hell Crew and "The Giving of Love Costs Nothing" EP". Negative Insight. Negative Insight. Retrieved 9 November 2024.
  27. ^ ""Rising from the Ashes" EP review". Maximum Rocknroll (10): 68. December 1983. Retrieved 9 November 2024.
  28. ^ Oi, Mickey (February 1988). "Letter". Maximum Rocknroll (57): 8. Retrieved 9 November 2024.
  29. ^ "Interview with The Apostles from Homocore issue 4, June 1989". uncarved.org. Homocore. Retrieved 9 November 2024.
  30. ^ Raposo, Ana (2015). The Aesthetic of Our Anger: Anarcho-Punk, Politics, Music. Autonomedia. p. 83. ISBN 9781570273186. Retrieved 10 November 2024.
  31. ^ Home, Stewart. "Cranked Up Really High: Genre Theory and Punk Rock". Stewart Home Society. Codex Books. Retrieved 9 November 2024.
  32. ^ Lazell, Barry (1997). Indie Hits 1980–1999. Cherry Red Books. ISBN 0-9517206-9-4.
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