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| name = Karel Appel
| name = Karel Appel
| image = Karel Appel (1982).jpg
| image = Karel Appel (1982).jpg
| caption = Karel Appel (1982)
| caption = Appel in 1982
| birth_name = Christiaan Karel Appel
| birth_name = Christiaan Karel Appel
| birth_date = {{Birth date|1921|04|25|df=yes}}
| birth_date = {{Birth date|1921|04|25|df=yes}}
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| death_date = {{death date and age|2006|5|3|1921|4|25|df=yes}}
| death_date = {{death date and age|2006|5|3|1921|4|25|df=yes}}
| death_place = [[Zürich]], Switzerland
| death_place = [[Zürich]], Switzerland
| nationality = [[Netherlands|Dutch]]
| field = [[Painting]], [[Sculpture|sculpting]], [[poetry]]
| training = [[Rijksakademie]]
| training = [[Rijksakademie]]
| movement = CoBrA
| movement = CoBrA
| known_for = Painting, drawing, sculpture, wall-painting
| known_for = Painting, drawing, sculpture, wall-painting
| notable_works = {{unbulleted list
|1= [https://www.stedelijk.nl/en/search?query=Karel+Appel&filter%5B%5D=collection_work&collection_filter%5B%5D=Schilderijen#content Appel, in Stedelijk Museum]
|2= [[:c:Category:Karel Appel|Appel, on Wikimedia Commons]]
|3= [https://www.tate.org.uk/search?q=Karel+Appel Appel, in the Tate]
}}
}}
}}


'''Christiaan Karel Appel''' ({{IPA-nl|ˈkrɪstijaːn ˈkaːrəl ˈɑpəl|pron|Karel_Appel.ogg}}; 25 April 1921 – 3 May 2006) was a Dutch [[Painting|painter]], [[Sculpture|sculptor]], and poet. He started painting at the age of fourteen and studied at the [[Rijksakademie]] in [[Amsterdam]] in the 1940s. He was one of the founders of the avant-garde movement [[CoBrA]] in 1948. He was also an avid sculptor and has had works featured in [[MoMA]] and other museums worldwide.
'''Christiaan Karel Appel''' ({{IPA|nl|ˈkrɪstijaːŋ ˈkaːrəl ˈɑpəl|pron|Karel_Appel.ogg}}; 25 April 1921 – 3 May 2006) was a Dutch [[Painting|painter]], [[Sculpture|sculptor]], and poet. He started painting at the age of fourteen and studied at the [[Rijksakademie]] in [[Amsterdam]] in the 1940s. He was one of the founders of the avant-garde movement [[CoBrA]] in 1948. He was also an avid sculptor and has had works featured in [[MoMA]] and other museums worldwide.


==Childhood==
==Childhood==
Christiaan Karel Appel was born on 25 April 1921<ref name="de biografie">{{cite book |last=Houts |first=Cathérine van |title=Karel Appel : de biografie |year=2003 |publisher= Olympus|location=Amsterdam |isbn=978-90-254-1913-4 |pages=13 |language=nl}}</ref> in his parents' house at Dapperstraat 7 in [[Amsterdam]], the Netherlands.
Christiaan Karel Appel was born on 25 April 1921<ref name="de biografie">{{cite book |last=Houts |first=Cathérine van |title=Karel Appel : de biografie |year=2003 |publisher= Olympus|location=Amsterdam |isbn=978-90-254-1913-4 |pages=13 |language=nl}}</ref> in his parents' house at Dapperstraat 7 in [[Amsterdam]], the Netherlands.
As a child he was often called 'Kik'. On the ground floor his father, Jan Appel, had a barbershop. His mother, born Johanna Chevalier, was a descendant of French [[Huguenot]]s. Karel Appel had three brothers.<ref name="de biografie" />
As a child he was often called 'Kik'. On the ground floor his father, Jan Appel, had a barbershop. His mother, born Johanna Chevallier, was a descendant of French [[Huguenot]]s. Karel Appel had three brothers.<ref name="de biografie" />


At fourteen, Appel produced his first real painting on canvas, a still life of a fruit basket. For his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel. An avid amateur painter himself, Chevalier gave his namesake some lessons in painting.<ref name="de biografie" />
At fourteen, Appel produced his first real painting on canvas, a still life of a fruit basket. For his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel. An avid amateur painter himself, Chevalier gave his namesake some lessons in painting.<ref name="de biografie" />
Line 32: Line 25:
==Career==
==Career==
From 1940 to 1943, during the German occupation, Appel studied at the [[Rijksakademie|Rijksakademie van Beeldende Kunsten]] in Amsterdam, and it was there he met the young painter [[Guillaume Cornelis van Beverloo|Corneille]] and, some years later, [[Constant Nieuwenhuys|Constant]]; they became close friends for years. His parents opposed his choice to become an artist, leading him to leave home; this was also necessary because he needed to hide from the German police so that he would not be picked up and sent to Germany to work in the weapons industry.
From 1940 to 1943, during the German occupation, Appel studied at the [[Rijksakademie|Rijksakademie van Beeldende Kunsten]] in Amsterdam, and it was there he met the young painter [[Guillaume Cornelis van Beverloo|Corneille]] and, some years later, [[Constant Nieuwenhuys|Constant]]; they became close friends for years. His parents opposed his choice to become an artist, leading him to leave home; this was also necessary because he needed to hide from the German police so that he would not be picked up and sent to Germany to work in the weapons industry.
[[File:'Questioning Children' by Karel Appel, Tate Modern.JPG|thumb|upright|''Questioning Children'' (1949) in the [[Tate Modern]] in [[London]]]]

Appel had his first show in [[Groningen (city)|Groningen]] in 1946. In 1949 he participated with the other CoBrA artists in the [[Stedelijk Museum]] Amsterdam; this generated a huge scandal and many objections in the press and public. He was influenced by [[Pablo Picasso]], [[Henri Matisse]], and the French brute-art artist [[Jean Dubuffet]]. In 1947 he started sculpting with all kinds of used materials (in the technique of assemblage) and painted them in bright colors: white, red, yellow, blue, and black.
Appel had his first show in [[Groningen (city)|Groningen]] in 1946. In 1949 he participated with the other CoBrA artists in the [[Stedelijk Museum]] Amsterdam; this generated a huge scandal and many objections in the press and public. He was influenced by [[Pablo Picasso]], [[Henri Matisse]], and the French brute-art artist [[Jean Dubuffet]]. In 1947 he started sculpting with all kinds of used materials (in the technique of assemblage) and painted them in bright colors: white, red, yellow, blue, and black.
He joined the {{ill|Experimentele Groep in Holland|nl}} together with the young Dutch painters Anton Rooskens, Theo Wolvecamp, and [[Jan Nieuwenhuys]]. Later the Belgian writer [[Hugo Claus]] joined the group.
He joined the {{ill|Experimentele Groep in Holland|nl}} together with the young Dutch painters Anton Rooskens, Theo Wolvecamp, and [[Jan Nieuwenhuys]]. Later the Belgian writer [[Hugo Claus]] joined the group.
[[File:The Elephant Karel Appel.jpg|left|thumb|330x330px|The Elephant, now located at the [[University of Maryland]]]]
[[File:The Elephant Karel Appel.jpg|left|thumb|330x330px|The Elephant, now located at the [[University of Maryland]]]]


In 1948 Appel joined [[COBRA (avant-garde movement)|CoBrA]] (coined by the Belgian poet [[Christian Dotremont]] from the initials of the members' home countries' capital cities: Copenhagen, Brussels, Amsterdam) together with the Dutch artists [[Guillaume Cornelis van Beverloo|Corneille]], Constant, and Jan Nieuwenhuys (see also Aart Kemink). The new art of the CoBrA group was not popular in the Netherlands, but it found a warm and broad welcome in Denmark. By 1939, Danish artists had already started to make spontaneous art and one of their sources of inspiration was Danish and [[Nordic countries|Nordic]] mythology. It was also in Denmark that the CoBrA artists started cooperating by collectively painting the insides of houses, which encouraged and intensified the exchange of the typical 'childish' and spontaneous picture language used by the CoBrA group.<ref>[http://www.radionetherlandsarchives.org/vip-lounge-karel-appel/ "VIP Lounge - Karel Appel", Radio Netherlands Archives, October 5, 1987]</ref> Appel used this very intensively; his 1949 fresco 'Questioning Children' in Amsterdam City Hall caused controversy and was covered up for ten years.
In 1948 Appel joined [[COBRA (avant-garde movement)|CoBrA]] (coined by the Belgian poet [[Christian Dotremont]] from the initials of the members' home countries' capital cities: Copenhagen, Brussels, Amsterdam) together with the Dutch artists [[Guillaume Cornelis van Beverloo|Corneille]], Constant, and Jan Nieuwenhuys. The new art of the CoBrA group was not popular in the Netherlands, but it found a warm and broad welcome in Denmark. By 1939, Danish artists had already started to make spontaneous art and one of their sources of inspiration was Danish and [[Nordic countries|Nordic]] mythology. It was also in Denmark that the CoBrA artists started cooperating by collectively painting the insides of houses, which encouraged and intensified the exchange of the typical 'childish' and spontaneous picture language used by the CoBrA group.<ref>[http://www.radionetherlandsarchives.org/vip-lounge-karel-appel/ "VIP Lounge - Karel Appel", Radio Netherlands Archives, October 5, 1987]</ref> Appel used this very intensively; his 1949 fresco 'Questioning Children' in Amsterdam City Hall caused controversy and was covered up for ten years.


As a result of this controversy and other negative Dutch reactions to CoBrA, Appel moved to Paris in 1950 and developed his international reputation by travelling to [[Mexico]], the [[USA]], [[Yugoslavia]], and [[Brazil]]. He also lived in [[New York City]] and [[Florence]]. His first American gallery exhibition took place in 1954 at the Martha Jackson Gallery.<ref name="Child and Beast">The Frances Lehman Loeb Art Center, ''The History and the Collection'' "Karel Appel (Dutch 1921) Child and Beast II," 126.</ref> The following year his painting ''Child and Beast II'' (1951) was included in the influential exhibition, ''The New Decade'' at the [[Museum of Modern Art]] which featured the work of twenty-two European painters and sculptors including newcomers like [[Francis Bacon (artist)|Francis Bacon]], [[Jean Dubuffet]], and [[Pierre Soulages]].<ref name="Child and Beast" /><ref>[http://emuseum.vassar.edu/view/objects/asitem/search@/0?t:state:flow=ac826ad8-861f-41f3-bc9e-04b6ad09d471 Frances Lehman Loeb Art Center, Collection]</ref> He is particularly noted{{By whom|date=March 2012}} for his mural work. After 1990 he became much more popular in the Netherlands; he had several big shows in Amsterdam and Bruxelles, organized by director Rudy Fuchs. Also, the CoBrA-museum in Amstelveen organized several shows featuring his work. He became the most famous Dutch CoBrA artist.
As a result of this controversy and other negative Dutch reactions to CoBrA, Appel moved to Paris in 1950 and developed his international reputation by travelling to Mexico, the United States, [[Yugoslavia]], and Brazil. He also lived in [[New York City]] and [[Florence]]. His first American gallery exhibition took place in 1954 at the Martha Jackson Gallery.<ref name="Child and Beast">The Frances Lehman Loeb Art Center, ''The History and the Collection'' "Karel Appel (Dutch 1921) Child and Beast II," 126.</ref> In America he also painted portraits of prominent jazz musicians, including Miles Davis and Dizzy Gillespie.<ref>{{cite web|title=Karel Appel|url=https://www.britannica.com/biography/Karel-Appel}}</ref> The following year his painting ''Child and Beast II'' (1951) was included in the influential exhibition, ''The New Decade'' at the [[Museum of Modern Art]] which featured the work of twenty-two European painters and sculptors including newcomers like [[Francis Bacon (artist)|Francis Bacon]], [[Jean Dubuffet]], and [[Pierre Soulages]].<ref name="Child and Beast" /><ref>[http://emuseum.vassar.edu/view/objects/asitem/search@/0?t:state:flow=ac826ad8-861f-41f3-bc9e-04b6ad09d471 Frances Lehman Loeb Art Center, Collection]</ref> He is particularly noted{{By whom|date=March 2012}} for his mural work. After 1990 he became much more popular in the Netherlands; he had several big shows in Amsterdam and Bruxelles, organized by director Rudy Fuchs. Also, the CoBrA-museum in Amstelveen organized several shows featuring his work. He became the most famous Dutch CoBrA artist.
[[File:Den Haag Spui Beeld Karel Appel.jpg|thumb|right|upright|''Frog with umbrella'' (2001) at the Spui in [[The Hague]]]]
[[File:Den Haag Spui Beeld Karel Appel.jpg|thumb|right|upright|''Frog with umbrella'' (2001) at the Spui in [[The Hague]]]]


Appel's work has been exhibited in a number of galleries, including the [[Anita Shapolsky Gallery]] in New York City, Galerie Lelong in Paris, Galerie Ulysses in Vienna, and Gallery LL in Amsterdam. He is represented by [[Galerie Max Hetzler]].<ref>{{cite web|url=http://www.anitashapolskygallery.com/appel.html|title=Karel Appel|work=Anita Shapolsky Gallery NYC|url-status=dead|archive-url=https://web.archive.org/web/20150419080109/http://www.anitashapolskygallery.com/appel.html|archive-date=2015-04-19}}</ref><ref>{{cite web|url=http://www.artfacts.net/en/artist/karel-appel-688/profile.html|title=Karel Appel 1921-2006, NL|work=ArtFacts.net}}</ref>
Appel's work has been exhibited in a number of galleries, including the [[Anita Shapolsky Gallery]] in New York City, Galerie Lelong in Paris, Galerie Ulysses in Vienna, and Gallery LL in Amsterdam. He also had multiple exhibitions of his works in the [[Cobra Museum]] in Amstelveen, Netherlands. His estate is represented by [[Galerie Max Hetzler]] and [[Almine Rech]].<ref>{{cite web|url=http://www.anitashapolskygallery.com/appel.html|title=Karel Appel|work=Anita Shapolsky Gallery NYC|url-status=dead|archive-url=https://web.archive.org/web/20150419080109/http://www.anitashapolskygallery.com/appel.html|archive-date=2015-04-19}}</ref><ref>{{cite web|url=http://www.artfacts.net/en/artist/karel-appel-688/profile.html|title=Karel Appel 1921-2006, NL|work=ArtFacts.net}}</ref>


==Death==
==Death==
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Image:Schilderij I84391.jpg|'Portrait of Rudi Fuchs', 2005; oil-painting & neon
Image:Schilderij I84391.jpg|'Portrait of Rudi Fuchs', 2005; oil-painting & neon
</gallery>
</gallery>

==Tributes==

On 25 April 2011, Google celebrated the 90th Birthday of Karel Appel with a doodle.<ref>{{Cite web |last=Desk |first=OV Digital |date=2023-04-24 |title=25 April: Remembering Karel Appel on Birthday |url=https://observervoice.com/25-april-remembering-karel-appel-on-birthday-20611/ |access-date=2023-04-24 |website=Observer Voice |language=en-US}}</ref><ref>{{Cite web |title=90th Birthday of Karel Appel |url=https://doodles.google/doodle/90th-birthday-of-karel-appel/ |access-date=2023-04-24 |website=www.google.com |language=en}}</ref>

"Karel Appel" is the name of a song by art-rock band [[Poem Rocket]] from the 2000 record, "Psychogeography."


==Public collections==
==Public collections==


Among the public collections holding works by Karel Appel are:
Among the public collections holding works by Karel Appel are:
* [[Museum de Fundatie]], [[Zwolle]], The Netherlands
* [[Museum de Fundatie]], [[Zwolle]], The Netherlands
* [[Aboa Vetus & Ars Nova]], [[Turku]], [[Finland]]
* [[Aboa Vetus & Ars Nova]], [[Turku]], [[Finland]]
* [[Art Gallery of Hamilton]], Ontario, Canada
* [[Art Gallery of Hamilton]], Ontario, Canada
* [[Rijksmuseum]], The Netherlands
* [[Rijksmuseum]], [[Amsterdam]], The Netherlands
* [[The Phillips Collection]], Washington DC, USA
* [[The Phillips Collection]], Washington D.C., US
* Collezione Peggy Guggenheim, Venice
* Gallery Delaive, Amsterdam, The Netherlands
* Didrichsen Art Museum, Helsinki
* [[Frances Lehman Loeb Art Center]], Poughkeepsie, NY, USA
* Kunsthalle Bremen, Bremen
* Musée National d'Art Moderne, Centre Georges Pompidou, Paris
* Musée d'Art Moderne de la Ville de Paris (Palais Tokyo), Paris
* Museum Ludwig, Cologne
* Museum Moderner Kunst, Vienna
* [[Neue Nationalgalerie]], Berlin
* San Francisco Museum of Modern Art, San Francisco
* [[Stanford University Museum of Art]], Stanford
* Stedelijk Museum Amsterdam, Amsterdam
* [[Tate Modern]], London
* The Museum of Modern Art, New York
* Gallery Delaive, Amsterdam, the Netherlands
* [[Frances Lehman Loeb Art Center]], Poughkeepsie, NY, US
* [[Art Museum of Southeast Texas]], Beaumont, Texas
* [[Art Museum of Southeast Texas]], Beaumont, Texas
* [[McClung Museum of Natural History and Culture]], Knoxville, Tennessee


==Bibliography==
==Bibliography==
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{{Commons category|Karel Appel}}
{{Commons category|Karel Appel}}
{{Wikiquote|Karel Appel}}
{{Wikiquote|Karel Appel}}
*[https://www.maxhetzler.com/artists/karel-appel Galerie Max Hetzler, Karel Appel]

*[http://www.karelappelfoundation.com Karel Appel Foundation]
*[http://www.karelappelfoundation.com Karel Appel Foundation]
*{{IMJ-Collections|first= Karel|last=Appel|accessdate=September 2016}}
*{{IMJ-Collections|first= Karel|last=Appel|accessdate=September 2016}}
*{{Find a Grave|14310230}}
{{Authority control (arts)}}
{{Authority control (arts)}}


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[[Category:Burials at Père Lachaise Cemetery]]
[[Category:Burials at Père Lachaise Cemetery]]
[[Category:Dutch male sculptors]]
[[Category:Dutch male sculptors]]
[[Category:Modern painters]]
[[Category:Modern sculptors]]
[[Category:Modern sculptors]]
[[Category:Painters from Amsterdam]]
[[Category:Painters from Amsterdam]]
[[Category:20th-century Dutch painters]]
[[Category:20th-century Dutch painters]]
[[Category:Dutch male painters]]
[[Category:Dutch male painters]]
[[Category:Abstract painters]]
[[Category:Dutch abstract painters]]
[[Category:School of Paris]]
[[Category:School of Paris]]
[[Category:Commanders of the Order of the Netherlands Lion]]
[[Category:Commanders of the Order of the Netherlands Lion]]
[[Category:20th-century Dutch sculptors]]
[[Category:20th-century Dutch sculptors]]
[[Category:Dutch contemporary artists]]
[[Category:Dutch contemporary artists]]
[[Category:20th-century Dutch male artists]]
[[Category:Alumni of Rijksakademie van beeldende kunsten]]

Latest revision as of 06:21, 21 December 2024

Karel Appel
Appel in 1982
Born
Christiaan Karel Appel

(1921-04-25)25 April 1921
Amsterdam, Netherlands
Died3 May 2006(2006-05-03) (aged 85)
Zürich, Switzerland
EducationRijksakademie
Known forPainting, drawing, sculpture, wall-painting
MovementCoBrA

Christiaan Karel Appel (pronounced [ˈkrɪstijaːŋ ˈkaːrəl ˈɑpəl] ; 25 April 1921 – 3 May 2006) was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.

Childhood

[edit]

Christiaan Karel Appel was born on 25 April 1921[1] in his parents' house at Dapperstraat 7 in Amsterdam, the Netherlands. As a child he was often called 'Kik'. On the ground floor his father, Jan Appel, had a barbershop. His mother, born Johanna Chevallier, was a descendant of French Huguenots. Karel Appel had three brothers.[1]

At fourteen, Appel produced his first real painting on canvas, a still life of a fruit basket. For his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel. An avid amateur painter himself, Chevalier gave his namesake some lessons in painting.[1]

Career

[edit]

From 1940 to 1943, during the German occupation, Appel studied at the Rijksakademie van Beeldende Kunsten in Amsterdam, and it was there he met the young painter Corneille and, some years later, Constant; they became close friends for years. His parents opposed his choice to become an artist, leading him to leave home; this was also necessary because he needed to hide from the German police so that he would not be picked up and sent to Germany to work in the weapons industry. Appel had his first show in Groningen in 1946. In 1949 he participated with the other CoBrA artists in the Stedelijk Museum Amsterdam; this generated a huge scandal and many objections in the press and public. He was influenced by Pablo Picasso, Henri Matisse, and the French brute-art artist Jean Dubuffet. In 1947 he started sculpting with all kinds of used materials (in the technique of assemblage) and painted them in bright colors: white, red, yellow, blue, and black. He joined the Experimentele Groep in Holland [nl] together with the young Dutch painters Anton Rooskens, Theo Wolvecamp, and Jan Nieuwenhuys. Later the Belgian writer Hugo Claus joined the group.

The Elephant, now located at the University of Maryland

In 1948 Appel joined CoBrA (coined by the Belgian poet Christian Dotremont from the initials of the members' home countries' capital cities: Copenhagen, Brussels, Amsterdam) together with the Dutch artists Corneille, Constant, and Jan Nieuwenhuys. The new art of the CoBrA group was not popular in the Netherlands, but it found a warm and broad welcome in Denmark. By 1939, Danish artists had already started to make spontaneous art and one of their sources of inspiration was Danish and Nordic mythology. It was also in Denmark that the CoBrA artists started cooperating by collectively painting the insides of houses, which encouraged and intensified the exchange of the typical 'childish' and spontaneous picture language used by the CoBrA group.[2] Appel used this very intensively; his 1949 fresco 'Questioning Children' in Amsterdam City Hall caused controversy and was covered up for ten years.

As a result of this controversy and other negative Dutch reactions to CoBrA, Appel moved to Paris in 1950 and developed his international reputation by travelling to Mexico, the United States, Yugoslavia, and Brazil. He also lived in New York City and Florence. His first American gallery exhibition took place in 1954 at the Martha Jackson Gallery.[3] In America he also painted portraits of prominent jazz musicians, including Miles Davis and Dizzy Gillespie.[4] The following year his painting Child and Beast II (1951) was included in the influential exhibition, The New Decade at the Museum of Modern Art which featured the work of twenty-two European painters and sculptors including newcomers like Francis Bacon, Jean Dubuffet, and Pierre Soulages.[3][5] He is particularly noted[by whom?] for his mural work. After 1990 he became much more popular in the Netherlands; he had several big shows in Amsterdam and Bruxelles, organized by director Rudy Fuchs. Also, the CoBrA-museum in Amstelveen organized several shows featuring his work. He became the most famous Dutch CoBrA artist.

Frog with umbrella (2001) at the Spui in The Hague

Appel's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery in New York City, Galerie Lelong in Paris, Galerie Ulysses in Vienna, and Gallery LL in Amsterdam. He also had multiple exhibitions of his works in the Cobra Museum in Amstelveen, Netherlands. His estate is represented by Galerie Max Hetzler and Almine Rech.[6][7]

Death

[edit]

Appel died on 3 May 2006 in his home in Zürich, Switzerland. He suffered from a heart ailment.[8] He was buried on 16 May 2006 at the Père Lachaise Cemetery in Paris, France.[9]

Years before his death, Appel established the Karel Appel Foundation, whose purpose is "to preserve [Appel's] artworks, to promote public awareness and knowledge of Karel Appel's oeuvre, and to supervise publication of the Oeuvre Catalogue of the paintings, the works on paper, and the sculptures."[10]

In 2002 a number of Appel's works went missing on the way to his foundation, an event that was not to be resolved before his death. However, in 2012 the works were found in a disused UK warehouse and returned to the foundation.[11]

In the wake of his death, the Foundation (based in Amsterdam) functions as his official estate in addition to its primary service as an image archive. The U.S. copyright representative for the Karel Appel Foundation is the Artists Rights Society.[12]

[edit]

Tributes

[edit]

On 25 April 2011, Google celebrated the 90th Birthday of Karel Appel with a doodle.[13][14]

"Karel Appel" is the name of a song by art-rock band Poem Rocket from the 2000 record, "Psychogeography."

Public collections

[edit]

Among the public collections holding works by Karel Appel are:

Bibliography

[edit]
  • Appel, Karel: Psychopathological Notebook. Drawings and Gouaches 1948–1950. Bern – Berlin: Verlag Gachnang & Springer, 1999. ISBN 978-3-906127-57-6

References

[edit]
  1. ^ a b c Houts, Cathérine van (2003). Karel Appel : de biografie (in Dutch). Amsterdam: Olympus. p. 13. ISBN 978-90-254-1913-4.
  2. ^ "VIP Lounge - Karel Appel", Radio Netherlands Archives, October 5, 1987
  3. ^ a b The Frances Lehman Loeb Art Center, The History and the Collection "Karel Appel (Dutch 1921) Child and Beast II," 126.
  4. ^ "Karel Appel".
  5. ^ Frances Lehman Loeb Art Center, Collection
  6. ^ "Karel Appel". Anita Shapolsky Gallery NYC. Archived from the original on 19 April 2015.
  7. ^ "Karel Appel 1921-2006, NL". ArtFacts.net.
  8. ^ Fox, Margalit (9 May 2006). "Karel Appel, Dutch Expressionist Painter, Dies at 85". The New York Times. Retrieved 6 June 2008.
  9. ^ "Karel Appel begraven op Père-Lachaise in Parijs". De Telegraaf. 16 May 2006. Retrieved 6 June 2008.
  10. ^ "The foundation – Karel Appel Foundation". karelappelfoundation.com. Archived from the original on 5 September 2008.
  11. ^ Alberge, Dalya (14 February 2012). "Dutch artist's works found in British warehouse". The Guardian. Retrieved 2 September 2014.
  12. ^ ARS list of Artists Represent, Section "A" Archived 2008-06-14 at the Wayback Machine
  13. ^ Desk, OV Digital (24 April 2023). "25 April: Remembering Karel Appel on Birthday". Observer Voice. Retrieved 24 April 2023. {{cite web}}: |last= has generic name (help)
  14. ^ "90th Birthday of Karel Appel". www.google.com. Retrieved 24 April 2023.

Further reading

[edit]
  • Kuspit, Donald (2010). "Titanic Power: Karel Appel in the Tradition of the New". Psychodrama: Modern Art as Group Therapy. London: Ziggurat. pp. 13–45. ISBN 9780956103895.
  • Tapié, Michel; Amsterdam (Netherlands). Stedelijk Museum. Karel Appel (Publisher: Amsterdam, author, 1955) OCLC 11554905 (Worldcat link)
  • Lyotard, Jean-François (1 September 2009). Karel Appel, A Gesture of Colour. Jean-François Lyotard: Writings on Contemporary Art and Artists. Leuven: Leuven University Press. ISBN 978-90-5867-756-3.
[edit]