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{{Short description|1951 film by John Reinhardt}} |
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{{unreferenced|date=June 2018}} |
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{{Infobox film |
{{Infobox film |
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| name = Chicago Calling |
| name = Chicago Calling |
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| image = Chicago Calling poster.jpg |
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| caption = Theatrical release poster |
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| director = [[John Reinhardt (director)|John Reinhardt]] |
| director = [[John Reinhardt (director)|John Reinhardt]] |
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| producer = Peter Berneis |
| producer = Peter Berneis |
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| screenplay = John Reinhardt<br>Peter Berneis |
| screenplay = John Reinhardt<br>Peter Berneis |
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| starring = [[Dan Duryea]]<br>[[Mary Anderson (actress, born 1918)|Mary Anderson]] |
| starring = [[Dan Duryea]]<br>[[Mary Anderson (actress, born 1918)|Mary Anderson]]<br>[[Gordon Gebert]]<br>[[Ross Elliott]] |
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| music = [[Heinz Roemheld]] |
| music = [[Heinz Roemheld]] |
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| cinematography = [[Robert De Grasse]] |
| cinematography = [[Robert De Grasse]] |
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| Line 16: | Line 18: | ||
| language = English |
| language = English |
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}} |
}} |
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[[File:Dan Duryea, Mary Anderson, and Melinda Plowman in Chicago Calling (square crop).jpg|upright=1.2|thumb|[[Melinda Plowman]], [[Dan Duryea]] and [[Mary Anderson (actress, born 1918)|Mary Anderson]] in ''Chicago Calling'']] |
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The film centers on the unsuccessful photographer Bill Cannon (Dan Duryea), whose wife abandons him, leaving with their daughter to another city. When the two get into a car accident along the way, Bill desperately seeks for money to call to Chicago to find out about their fate. Having met an unfortunate single boy in the process, Bill gets so close with him that, after learning about his daughter's death, he starts calling the boy his son. |
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| ⚫ | '''''Chicago Calling''''' is a 1951 [[ |
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Noting the weaknesses in the plot, critics nevertheless noted that the film is still good thanks to the strong performance by Duryea.<ref>{{cite book |last1=Fusco |first1=Joseph |title=Dan Duryea: A Career Appreciation |date=2017 |publisher=BearManor Media |url=https://books.google.com/books?id=qY1NDwAAQBAJ&pg=PT188 |accessdate=30 November 2019 |language=en}}</ref><ref>{{cite book |last1=Hischak |first1=Thomas S. |title=The Encyclopedia of Film Composers |date=2015 |publisher=Rowman & Littlefield |isbn=978-1-4422-4550-1 |page=563 |url=https://books.google.com/books?id=Xz99CAAAQBAJ&pg=PA563 |accessdate=30 November 2019 |language=ar}}</ref><ref>{{cite book |last1=Armstrong |first1=Richard B. |last2=Armstrong |first2=Mary Willems |title=Encyclopedia of Film Themes, Settings and Series |date=2015 |publisher=McFarland |isbn=978-1-4766-1230-0 |page=199 |url=https://books.google.com/books?id=LIIwCgAAQBAJ&pg=PA199 |accessdate=30 November 2019 |language=en}}</ref> |
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==Plot== |
==Plot== |
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Bill Cannon's drinking and seeming unwillingness to settle down in a job costs him his family. His wife, Mary, decides to move to her mother's in Baltimore, and is taking her and Bill's daughter, Nancy, with her. An aspiring but failed photographer, Bill pawns his camera to pay for Mary's car-ride share; he then goes on an alcohol binge. |
Bill Cannon's drinking and seeming unwillingness to settle down in a job costs him his family. His wife, Mary, decides to move to her mother's in Baltimore, and is taking her and Bill's daughter, Nancy, with her. An aspiring but failed photographer, Bill pawns his camera to pay for Mary's car-ride share; he then goes on an alcohol binge. |
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Finally returning home two days later, Bill meets a telephone lineman, Jim, who is removing the phone because of an overdue bill. A telegram from Mary is also there. Nancy has been seriously injured in a car crash near [[Chicago]], and Mary has wired that she will telephone Bill to let him know how Nancy's required surgery goes. |
Finally returning home two days later, Bill meets a telephone lineman, Jim, who is removing the phone because of an overdue bill. A telegram from Mary is also there. Nancy has been seriously injured in a car crash near [[Chicago]], and Mary has wired that she will telephone Bill to let him know how Nancy's required surgery goes. |
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In desperation, Bill persuades Jim to keep the phone line there for 24 more hours. He desperately seeks ways to get the $53 he needs but is refused loans and relief. A young boy, Bobby Kimball, accidentally hits, but only slightly injures, Bill's dog with his bicycle. |
In desperation, Bill persuades Jim to keep the phone line there for 24 more hours. He desperately seeks ways to get the $53 he needs but is refused loans and relief. A young boy, Bobby Kimball, accidentally hits, but only slightly injures, Bill's dog with his bicycle. |
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The two become friends and Bill learns that Bobby is being raised by an abusive sister, Babs, who intends to place him in an orphanage when she marries her boyfriend. Bobby offers the money he has saved working at the market, $57.75, to Bill to pay for the phone service. They go to Bobby's home where the boy discovers his savings bank is missing. Babs' boyfriend is napping on Bobby's bed and a roll of money has slipped from his pocket. After Babs tells Bobby she hid the savings bank for safety, Bill leaves. Bobby catches up to him and gives him the boyfriend's money, over $100. They agree that Bill will use what he needs and when Bobby finds his own money, he will replace it all in a manner that will ensure the boyfriend never knows his money was taken. |
The two become friends and Bill learns that Bobby is being raised by an abusive sister, Babs, who intends to place him in an orphanage when she marries her boyfriend. Bobby offers the money he has saved working at the market, $57.75, to Bill to pay for the phone service. They go to Bobby's home where the boy discovers his savings bank is missing. Babs' boyfriend is napping on Bobby's bed and a roll of money has slipped from his pocket. After Babs tells Bobby she hid the savings bank for safety, Bill leaves. Bobby catches up to him and gives him the boyfriend's money, over $100. They agree that Bill will use what he needs and when Bobby finds his own money, he will replace it all in a manner that will ensure the boyfriend never knows his money was taken. |
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The phone company is closed by the time Bill arrives, so the two take in a baseball game. After the game ends, Bobby notices the money is gone from his jeans' pocket. However, they discover that someone turned it in to the lost and found. A conscience-stricken Bill decides to return it. Babs and her boyfriend come home as Bill is trying to call Chicago from their apartment. Bobby and Bill point out they have returned the money, but the boyfriend throws Bill out and calls the police. |
The phone company is closed by the time Bill arrives, so the two take in a baseball game. After the game ends, Bobby notices the money is gone from his jeans' pocket. However, they discover that someone turned it in to the lost and found. A conscience-stricken Bill decides to return it. Babs and her boyfriend come home as Bill is trying to call Chicago from their apartment. Bobby and Bill point out they have returned the money, but the boyfriend throws Bill out and calls the police. |
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Bill manages to land an overnight job on a construction site and next morning uses the money he earned to call Chicago from a pay phone. Bobby had been waiting outside Bill's apartment but, after talking with Jim, goes looking for Bill. He finds him and lets him know that the police will likely be showing up. No information is forthcoming from Chicago, so the two return to Bill's. Bobby remembers to mention that Jim had been by to take out the phone. However, the lineman calls from the telephone pole to let Bill know he has decided to allow him to receive the expected call from Mary, for free, thanks to Bobby's persuasion earlier. As the police arrive to arrest Bill, the call comes through. He learns that his daughter has died. Overhearing this, the officers work it out so that Bill can remain free. |
Bill manages to land an overnight job on a construction site and next morning uses the money he earned to call Chicago from a pay phone. Bobby had been waiting outside Bill's apartment but, after talking with Jim, goes looking for Bill. He finds him and lets him know that the police will likely be showing up. No information is forthcoming from Chicago, so the two return to Bill's. Bobby remembers to mention that Jim had been by to take out the phone. However, the lineman calls from the telephone pole to let Bill know he has decided to allow him to receive the expected call from Mary, for free, thanks to Bobby's persuasion earlier. As the police arrive to arrest Bill, the call comes through. He learns that his daughter has died. Overhearing this, the officers work it out so that Bill can remain free. |
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Bill wanders carelessly through the city, ending up at a railroad yard where he contemplates suicide. Bobby has followed him and calls out as a train bears down on Bill. After the train passes, the yard engineer asks Bill if he was trying to kill himself and if Bobby is his son. Bill assures both that he is not going to kill himself and that the boy is his son. The two walk away together. |
Bill wanders carelessly through the city, ending up at a railroad yard where he contemplates suicide. Bobby has followed him and calls out as a train bears down on Bill. After the train passes, the yard engineer asks Bill if he was trying to kill himself and if Bobby is his son. Bill assures both that he is not going to kill himself and that the boy is his son. The two walk away together. |
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==Cast== |
==Cast== |
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| Line 39: | Line 45: | ||
* [[Gordon Gebert]] as Bobby |
* [[Gordon Gebert]] as Bobby |
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* [[Ross Elliott]] as Jim |
* [[Ross Elliott]] as Jim |
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* Melinda Plowman as Nancy Cannon |
* [[Melinda Plowman]] as Nancy Cannon |
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* Judy Brubaker as Barbara 'Babs' Kimball |
* Judy Brubaker as Barbara 'Babs' Kimball |
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* [[Marcia Mae Jones|Marsha Jones]] as Peggy |
* [[Marcia Mae Jones|Marsha Jones]] as Peggy |
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* [[Roy Engel]] as Pete |
* [[Roy Engel]] as Pete |
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==References== |
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{{Reflist}} |
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== External links == |
== External links == |
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* {{IMDb title|0043401|Chicago Calling}} |
* {{IMDb title|0043401|Chicago Calling}} |
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* {{AFI film|8098832|Chicago Calling}} |
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* {{TCMDb title|70773|Chicago Calling}} |
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[[Category:1951 films]] |
[[Category:1951 films]] |
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[[Category: |
[[Category:1951 crime drama films]] |
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| ⚫ | |||
[[Category:American crime drama films]] |
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[[Category:American black-and-white films]] |
[[Category:American black-and-white films]] |
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[[Category: |
[[Category:American crime drama films]] |
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[[Category:Film noir]] |
[[Category:Film noir]] |
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[[Category:Films directed by John Reinhardt]] |
[[Category:Films directed by John Reinhardt]] |
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[[Category:Films scored by Heinz Roemheld]] |
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[[Category:Films set in Los Angeles]] |
[[Category:Films set in Los Angeles]] |
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[[Category:Films shot in Los Angeles]] |
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[[Category:United Artists films]] |
[[Category:United Artists films]] |
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[[Category: |
[[Category:1950s English-language films]] |
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| ⚫ | |||
[[Category:English-language crime drama films]] |
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Latest revision as of 19:09, 21 December 2024
| Chicago Calling | |
|---|---|
 Theatrical release poster | |
| Directed by | John Reinhardt |
| Screenplay by | John Reinhardt Peter Berneis |
| Produced by | Peter Berneis |
| Starring | Dan Duryea Mary Anderson Gordon Gebert Ross Elliott |
| Cinematography | Robert De Grasse |
| Edited by | Arthur H. Nadel |
| Music by | Heinz Roemheld |
Production company | Arrowhead Pictures |
| Distributed by | United Artists |
Release dates |
|
Running time | 75 minutes |
| Country | United States |
| Language | English |
.jpg)
Chicago Calling is a 1951 drama film directed by John Reinhardt and starring Dan Duryea and Mary Anderson.
The film centers on the unsuccessful photographer Bill Cannon (Dan Duryea), whose wife abandons him, leaving with their daughter to another city. When the two get into a car accident along the way, Bill desperately seeks for money to call to Chicago to find out about their fate. Having met an unfortunate single boy in the process, Bill gets so close with him that, after learning about his daughter's death, he starts calling the boy his son.
Noting the weaknesses in the plot, critics nevertheless noted that the film is still good thanks to the strong performance by Duryea.[1][2][3]
Plot
[edit]Bill Cannon's drinking and seeming unwillingness to settle down in a job costs him his family. His wife, Mary, decides to move to her mother's in Baltimore, and is taking her and Bill's daughter, Nancy, with her. An aspiring but failed photographer, Bill pawns his camera to pay for Mary's car-ride share; he then goes on an alcohol binge.
Finally returning home two days later, Bill meets a telephone lineman, Jim, who is removing the phone because of an overdue bill. A telegram from Mary is also there. Nancy has been seriously injured in a car crash near Chicago, and Mary has wired that she will telephone Bill to let him know how Nancy's required surgery goes.
In desperation, Bill persuades Jim to keep the phone line there for 24 more hours. He desperately seeks ways to get the $53 he needs but is refused loans and relief. A young boy, Bobby Kimball, accidentally hits, but only slightly injures, Bill's dog with his bicycle.
The two become friends and Bill learns that Bobby is being raised by an abusive sister, Babs, who intends to place him in an orphanage when she marries her boyfriend. Bobby offers the money he has saved working at the market, $57.75, to Bill to pay for the phone service. They go to Bobby's home where the boy discovers his savings bank is missing. Babs' boyfriend is napping on Bobby's bed and a roll of money has slipped from his pocket. After Babs tells Bobby she hid the savings bank for safety, Bill leaves. Bobby catches up to him and gives him the boyfriend's money, over $100. They agree that Bill will use what he needs and when Bobby finds his own money, he will replace it all in a manner that will ensure the boyfriend never knows his money was taken.
The phone company is closed by the time Bill arrives, so the two take in a baseball game. After the game ends, Bobby notices the money is gone from his jeans' pocket. However, they discover that someone turned it in to the lost and found. A conscience-stricken Bill decides to return it. Babs and her boyfriend come home as Bill is trying to call Chicago from their apartment. Bobby and Bill point out they have returned the money, but the boyfriend throws Bill out and calls the police.
Bill manages to land an overnight job on a construction site and next morning uses the money he earned to call Chicago from a pay phone. Bobby had been waiting outside Bill's apartment but, after talking with Jim, goes looking for Bill. He finds him and lets him know that the police will likely be showing up. No information is forthcoming from Chicago, so the two return to Bill's. Bobby remembers to mention that Jim had been by to take out the phone. However, the lineman calls from the telephone pole to let Bill know he has decided to allow him to receive the expected call from Mary, for free, thanks to Bobby's persuasion earlier. As the police arrive to arrest Bill, the call comes through. He learns that his daughter has died. Overhearing this, the officers work it out so that Bill can remain free.
Bill wanders carelessly through the city, ending up at a railroad yard where he contemplates suicide. Bobby has followed him and calls out as a train bears down on Bill. After the train passes, the yard engineer asks Bill if he was trying to kill himself and if Bobby is his son. Bill assures both that he is not going to kill himself and that the boy is his son. The two walk away together.
Cast
[edit]- Dan Duryea as William R. Cannon
- Mary Anderson as Mary Cannon
- Gordon Gebert as Bobby
- Ross Elliott as Jim
- Melinda Plowman as Nancy Cannon
- Judy Brubaker as Barbara 'Babs' Kimball
- Marsha Jones as Peggy
- Roy Engel as Pete
References
[edit]- ^ Fusco, Joseph (2017). Dan Duryea: A Career Appreciation. BearManor Media. Retrieved 30 November 2019.
- ^ Hischak, Thomas S. (2015). The Encyclopedia of Film Composers (in Arabic). Rowman & Littlefield. p. 563. ISBN 978-1-4422-4550-1. Retrieved 30 November 2019.
- ^ Armstrong, Richard B.; Armstrong, Mary Willems (2015). Encyclopedia of Film Themes, Settings and Series. McFarland. p. 199. ISBN 978-1-4766-1230-0. Retrieved 30 November 2019.
External links
[edit]- 1951 films
- 1951 crime drama films
- American black-and-white films
- American crime drama films
- Film noir
- Films directed by John Reinhardt
- Films scored by Heinz Roemheld
- Films set in Los Angeles
- Films shot in Los Angeles
- United Artists films
- 1950s English-language films
- 1950s American films
- English-language crime drama films