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{{Short description|1960 film by Anthony Mann}}
{{Use mdy dates|date=October 2021}}
{{Use American English|date=October 2021}}
{{Infobox film
{{Infobox film
| name = Cimarron
| name = Cimarron
| image = Cimarron1960.jpg
| image = Cimarron1960.jpg
| caption =
| caption = Theatrical release poster
| director = [[Anthony Mann]]{{efn|During the middle of filming, Mann left the project and was replaced by [[Charles Walters]] who was uncredited.<ref name="TurnerClassicMovies" />}}
| director = [[Anthony Mann]]
| producer = [[Edmund Grainger]]
| producer = [[Edmund Grainger]]
| based on = {{based on|''[[Cimarron (novel)|Cimarron]]''<br>1929 novel|[[Edna Ferber]]}}
| based_on = {{based on|''[[Cimarron (novel)|Cimarron]]''<br>1930 novel|[[Edna Ferber]]}}
| screenplay = [[Arnold Schulman]]
| screenplay = [[Arnold Schulman]]
| narrator =
| starring = [[Glenn Ford]]<br />[[Maria Schell]]<br />[[Anne Baxter]]<br />[[Harry Morgan]]
| starring = [[Glenn Ford]]<br />[[Maria Schell]]<br />[[Anne Baxter]]<br />[[Harry Morgan]]
| music = [[Franz Waxman]]
| music = [[Franz Waxman]]
Line 13: Line 15:
| editing = [[John Dunning (film editor)|John D. Dunning]]
| editing = [[John Dunning (film editor)|John D. Dunning]]
| distributor = [[Metro-Goldwyn-Mayer]]
| distributor = [[Metro-Goldwyn-Mayer]]
| released = December 1, 1960, Oklahoma City (premiere)
| released = {{Film date|1960|12|1|premiere}}
| runtime = 147 minutes
| runtime = 147 minutes
| country = United States
| country = United States
| language = English
| language = English
| budget = $5,421,000<ref name="Mannix">{{Citation | title = The Eddie Mannix Ledger | publisher = Margaret Herrick Library, Center for Motion Picture Study | place = Los Angeles}}.</ref>
| budget = $5,421,000<ref name="Mannix">{{cite book |author=Mannix, Eddie |author-link=Eddie Mannix |title=The Eddie Mannix Ledger |year=1962 |location=[[Margaret Herrick Library]] |oclc=801258228}}{{Page needed|date=January 2022}}</ref>
|gross = $4,825,000<ref name="Mannix"/>
| gross = $4,825,000<ref name="Mannix"/>
}}
}}
'''''Cimarron''''' is a 1960 American [[List of Western subgenres#Epic Western|epic Western]] film based on the 1930 [[Edna Ferber]] novel ''[[Cimarron (novel)|Cimarron]]''. The film stars [[Glenn Ford]] and [[Maria Schell]] and was directed by [[Anthony Mann]] and Charles Walters, though Walters is not credited onscreen.<ref name="TurnerClassicMovies">{{Cite web |last=Tatara |first=Paul |url=https://www.tcm.com/tcmdb/title/14909/cimarron#articles-reviews?articleId=99252 |title=Cimarron (1960) |access-date=2019-12-15 |website=Turner Classic Movies |url-status=live |archive-url=https://web.archive.org/web/20210523094726/https://www.tcm.com/tcmdb/title/14909/cimarron/#overview |archive-date=2021-05-23}}</ref> Ferber's novel was previously adapted as a film in 1931; [[Cimarron (1931 film)|that version]] won three [[Academy Awards]].


''Cimarron'' was the first of three epics (along with ''[[El Cid (film)|El Cid]]'' and ''[[The Fall of the Roman Empire (film)|The Fall of the Roman Empire]]'') that Mann directed. Despite high production costs and an experienced cast of Western veterans, stage actors and future stars, the film was released with little fanfare.
'''''Cimarron''''' is a 1960 [[Metrocolor]] [[western film]] filmed in [[CinemaScope]], based on the [[Edna Ferber]] novel ''[[Cimarron (novel)|Cimarron]]'', featuring [[Glenn Ford]] and [[Maria Schell]]. It was directed by [[Anthony Mann]], known for his westerns and [[film noir]]s.

Ferber's novel was previously adapted in [[Cimarron (1931 film)|1931]]; that version won three [[Academy Awards]].

''Cimarron'' was the first of three epics (the others being ''[[El Cid (film)|El Cid]]'' and ''[[The Fall of the Roman Empire (film)|The Fall of the Roman Empire]]'') Mann directed. Despite high production costs and an experienced cast of western veterans, stage actors, and future stars, the film was released with little fanfare.


==Plot==
==Plot==
Sabra Cravat joins her new husband, lawyer Yancey "Cimarron" Cravat, during the [[Land Rush of 1889|Oklahoma land rush of 1889]]. They encounter Yancey's old friend William "The Kid" Hardy and his buddies Wes Jennings and Hoss Barry. On the trail, Yancey helps Tom and Sarah Wyatt and their eight children, taking them aboard their wagons.
Sabra Cravat's ([[Maria Schell]]) wealthy [[Kansas City, Missouri|Kansas City]] parents try to dissuade her from participating in a land run in the [[Oklahoma territory]] with her new husband Yancey ([[Glenn Ford]]), but she is adamant. During the journey, Sabra's knowledge of her husband's character deepens, and when he lends one of his covered wagons to Tom ([[Arthur O'Connell]]) and Sarah Wyatt ([[Mercedes McCambridge]]) and their large, destitute family, she experiences his generosity.


It seems to Sabra that her husband knows everyone in Oklahoma. A small crowd cheers Bob Yountis and his henchman Millis when they attack an Indian family. Yancey joins his friend Sam Pegler, editor of the ''Oklahoma Wigwam'' newspaper, in resisting Yountis.
Upon arriving in Oklahoma and meeting many of Yancey's friends, including a lady of the evening named Dixie Lee ([[Anne Baxter]]), she discovers that he is something of an adventurer. Sabra has her first disagreement with Yancey, however, when he staunchly defends an [[Native Americans in the United States|American Indian]] family whose wagon has been overturned by a group of angry men. Even though a Cavalry officer states that Ben and Arita Red Feather have the right to participate in the land run, Sabra, a [[French American]], wonders aloud whether Yancey should have risked injury just to help some Indians.


Yountis warns Pegler against using the paper for his crusading as he had done in Texas. Sabra is angry that Yancey risked his life for an Indian but she helps the others, including peddler Sol Levy and printer Jesse Rickey, in righting the Indians' overturned wagon. Sam and his wife Mavis reveal more about Yancey's past as a cowboy, gambler, gunman and lawyer.
At high noon on [[Land Rush of 1889|22 April 1889]], thousands of settlers, who hope to claim 160 acres each of free land, race wildly on horseback, wagon, bicycle, and stagecoach across the prairie. Tom is pushed off the stagecoach, whereupon a frantic Sarah plants a stake into the arid dirt near the starting line. Sam Pegler ([[Robert Keith (actor)|Robert Keith]]), an idealistic newspaper owner from [[Osage County, Oklahoma|Osage]], is killed during the run, and Ben is lassoed to the ground by a bigoted roughneck named Bob Yountis ([[Charles McGraw]]). After Dixie, angry at Yancey for having married another woman, vengefully claims the land that Yancey had wanted, he decides to forget about ranching and take over Sam's newspaper. The printer, Jesse Rickey ([[Harry Morgan]]), remains in Osage with the paper, the Oklahoma Wigwam, while Sam's widow Mavis ([[Aline MacMahon]]) sadly returns home.


When 50,000 settlers race across the prairie to claim land, Tom falls and Sarah claims a dry, worthless patch. Pegler is trampled to death, and Dixie beats Yancey to the land that he wanted, so he asks Jesse to stay to help him run the paper.
Some time later, Yountis and William Hardy ([[Russ Tamblyn]]), a young troublemaker known as the "Cherokee Kid, " terrorize a Jewish peddler named Sol Levy ([[David Opatoshu]]). Yancey rescues Sol, but the Kid, whose father had been Yancey's friend, refuses to listen to the older man's advice and rides away with his rowdy companions. One night, Yountis, leading a band of Indian-hating townspeople, lynches Ben and destroys his home. Outraged, Yancey shoots Yountis and then brings Arita and her baby to the Cravat house. When the three arrive home, they discover that Sabra has given birth to a baby boy, whom they named Cimarron.


In the new town of Osage, which consists of tents and half-built storefronts, Yountis and The Kid terrorize Levy in the street. Yancey tries but fails to persuade the Kid to change. One night, Yountis leads a lynch mob against the Indian family. Yancey arrives too late to stop it, but he kills Yountis and brings Arita and her baby Ruby home. Meanwhile, Sabra gives birth to a boy whom they name Cimarron, Cim for short.
Several years pass, and the Kid, now a feared outlaw, reluctantly joins cohorts in robbing the Osage bank. Cornered, the robbers take refuge in the schoolhouse, but when his buddy, Wes Jennings ([[Vic Morrow]]) tries to make a child their hostage, the Kid intervenes and is shot. Yancey shoots Wes, thereby earning a large reward, but when he remorsefully tears up the checks, Sabra accuses him of cheating Cim of his future. Dixie confesses that she still loves Yancey, and when he gently rejects her, she sells her farm and opens a "[[social club]]". Meanwhile, Arita's little daughter Ruby is ejected from the schoolhouse. Yancey files a protest, but the townspeople refuse to allow an Indian to attend school. Yancey charges that they are keeping their children's blood pure, but their heads empty.


Four years later, Osage is thriving. Tom has built an [[Oil well|oil-drilling apparatus]] but he is a laughingstock. Wes, Hoss and The Kid, wanted outlaws, try to rob a train but are all killed soon after. When Yancey destroys the $1,000 reward check, Sabra is furious because he does not consider their son's security. Yancey leaves to be part of the [[Land Run of 1893|Cherokee Strip]], but Sabra refuses to join him. Years later, he returns and Sabra and Cim forgive him.
Soon afterward, Yancey leaves town to participate in another land rush, to the bitter disappointment of his wife. During his five-year absence, Sabra obtains a loan from Sol, who has fallen in love with her. Sabra learns from Dixie that Yancey, who spent several years in [[Alaska]], is now a [[Rough Rider]] in [[Cuba]]. Dixie also confesses that it is Sabra, not her, whom Yancey loves. That year, Yancey returns, promising to make amends for his absence. Sabra and Cim accept him, and the years pass.


Tom finally strikes oil, but Yancey is disgusted to learn that Tom bought the [[Mineral rights|rights]] to oil found on Indian land. However, Yancey's campaign to win the Indians justice is a huge success, and he is invited to become governor of the [[Oklahoma Territory]]. Sabra is disappointed to discover that Cim and Ruby have grown close.
One day Yancey excitedly reports that oil has been discovered on the Indian reservation. Tom, whose own oil-rich land has made him wealthy, laughs and says that it is he, not the Indians, who owns the oil rights. Yancey writes in his paper that Tom has swindled the Indians, and the story is reported all over the country. Sabra, meanwhile, worries that Cim is becoming serious about Ruby, whom she considers unfit for her son, but when Yancey tells her that he has been nominated for governor of the territory, she beams. In [[Washington (U.S. state)|Washington]], she ecstatically dresses for a party, but Yancey learns Tom and his powerful friends will name him governor only if he agrees to cooperate with them. Yancey rejects the post, whereupon Sabra orders him to leave her. Later, Sol, now a successful merchant, lends Sabra a large sum, and she builds the paper into a major enterprise. When Cim informs her that he has married Ruby and is on his way to [[Oregon]], Sabra bitterly complains that he is throwing his life away and then dismisses him from the house.


In [[Washington, D. C.|Washington, D.C.]], Yancey finds Tom with a group of influential men and learns that the price of his appointment is his integrity. When Yancy tells Sabra that he can't be governor, she sends him away forever.
Ten years later, in 1914, Sabra sits at a desk composing an editorial for the newspaper's 25th anniversary. Sol and Tom want her to be the model for a sculpture exemplifying the pioneer spirit, but Sabra protests that the man who ran away from her was the true pioneer. At a surprise anniversary party, Sabra is reunited with her son and his family. She pays tribute to her husband, claiming that she still hopes for his return, but that day, [[World War I|war]] is declared.


Cim and Ruby marry without warning and set off for Oregon, though Sabra tells him that he is throwing his life away.
In December, Sabra rereads the letter she has received from Yancey, in which he again apologizes for being a disappointment to her. On the table is an open telegram stating that her husband has been [[killed in action]].

Ten years later, on the occasion of the ''Oklahoma Wigwam''<nowiki/>'s 25th anniversary, the United States’ entry into [[World War I]] is announced. Later, Sabra hears that Yancey has been killed in the war.


==Cast==
==Cast==
{{columns-list|colwidth=35em|
===Main===
* [[Glenn Ford]] as Yancey Cravat
* [[Glenn Ford]] as Yancey Cravat
* [[Maria Schell]] as Sabra Cravat
* [[Maria Schell]] as Sabra Cravat
* [[Anne Baxter]] as Dixie Lee
* [[Anne Baxter]] as Dixie Lee
* [[Arthur O'Connell]] as Tom Wyatt
* [[Arthur O'Connell]] as Tom Wyatt
* [[Russ Tamblyn]] as William Hardy (The Cherokee Kid)
* [[Russ Tamblyn]] as William Hardy / The Cherokee Kid
* [[Mercedes McCambridge]] as Sarah Wyatt
* [[Mercedes McCambridge]] as Sarah Wyatt
* [[Vic Morrow]] as Wes Jennings
* [[Vic Morrow]] as Wes Jennings
Line 58: Line 59:
* [[Charles McGraw]] as Bob Yountis
* [[Charles McGraw]] as Bob Yountis
* [[Aline MacMahon]] as Mavis Pegler
* [[Aline MacMahon]] as Mavis Pegler
* [[Harry Morgan]] as Jesse Rickey (Credited as Henry {Harry} Morgan)
* [[Harry Morgan]] as Jesse Rickey (Credited as Henry "Harry" Morgan)
* [[David Opatoshu]] as Sol Levy
* [[David Opatoshu]] as Sol Levy
* [[Edgar Buchanan]] as Judge Neal Hefner
* [[Edgar Buchanan]] as Judge Neal Hefner

===Supporting===
* [[Lili Darvas]] as Felicia Venable
* [[Lili Darvas]] as Felicia Venable
* [[Mary Wickes]] as Mrs. Neal Hefner
* [[Mary Wickes]] as Mrs. Neal Hefner
* [[Royal Dano]] as Ike Howes
* [[Royal Dano]] as Ike Howes
* [[L.Q. Jones]] as Millis
* [[L. Q. Jones]] as Millis
* George Brenlin as Hoss Barry
* [[George Brenlin]] as Hoss Barry
* [[Vladimir Sokoloff]] as Jacob Krubeckoff
* [[Vladimir Sokoloff]] as Jacob Krubeckoff
* [[Eugene Jackson]] as Isaiah
}}


===Cameo/Uncredited===
; Uncredited
{{columns-list|colwidth=35em|
{{div col}}
* Andy Albin as Water Man
* Andy Albin as Water Man
* [[Rayford Barnes]] as Cavalry Sergeant Who Breaks Up Fight
* [[Rayford Barnes]] as Cavalry Sergeant Who Breaks Up Fight
* Herman Belmonte as Dancer at Ball
* Herman Belmonte as Dancer At Ball
* Mary Benoit as Mrs. Lancey
* Mary Benoit as Mrs. Lancey
* Barry Bernard as Butler
* Barry Bernard as Butler
Line 81: Line 82:
* [[Chet Brandenburg]] as Townsman
* [[Chet Brandenburg]] as Townsman
* Janet Brandt as Madam Rhoda
* Janet Brandt as Madam Rhoda
* [[Paul Bryar]] as Mr. Self - Politician
* [[Paul Bryar]] as Mr. Self, Politician
* [[Robert Carson (actor)|Robert Carson]] as Senator Rollins
* [[Robert Carson (actor)|Robert Carson]] as Senator Rollins
* [[John L. Cason]] as Suggs
* [[John L. Cason]] as Suggs
* [[William Challee]] as Barber
* [[William Challee]] as The Barber
* Mickie Chouteau as Ruby Red Feather
* Mickie Chouteau as Ruby Red Feather
* Fred Coby as Oil Worker
* [[Fred Coby]] as Oil Worker
* Gene Coogan] as Butler / Townsman
* Gene Coogan as Butler / Townsman
* [[Jack Daly]] as Wyatt's Man
* Jack Daly as Wyatt's Man
* John Damler as Foreman
* John Damler as Foreman
* [[Richard Davies (American actor)|Richard Davies]] as Mr. Hodges
* [[Richard Davies (American actor)|Richard Davies]] as Mr. Hodges
* George DeNormand as Townsman at Celebration
* [[George DeNormand]] as Townsman At Celebration
* [[James Dime]] as Townsman
* [[James Dime]] as Townsman
* [[Phyllis Douglas]] as Sadie
* [[Phyllis Douglas]] as Sadie
* [[Ted Eccles]] as Cimarron Cravat - Age 2
* [[Ted Eccles]] as Cimarron Cravat Age 2
* LaRue Farlow as Dancer
* LaRue Farlow as Dancer
* [[Franklyn Farnum]] as Townsman at Schoolhouse
* [[Franklyn Farnum]] as Townsman At Schoolhouse
* George Ford as Townsman at Celebration
* George Ford as Townsman At Celebration
* [[Coleman Francis]] as Mr. Geer
* [[Coleman Francis]] as Mr. Geer
* Ben Gary as Reporter
* Ben Gary as Reporter
* James Halferty as Cimarron Cravat - Age 10
* James Halferty as Cimarron Cravat Age 10
* Sam Harris as Ball Guest
* Sam Harris as Ball Guest
* Lars Hensen as Dancer at Ball
* Lars Hensen as Dancer At Ball
* [[Clegg Hoyt]] as Grat Gotch
* [[Clegg Hoyt]] as "Great" Gotch
* [[Irene James]] as Townswoman
* [[Irene James]] as Townswoman
* [[Colin Kenny (actor)|Colin Kenny]] as Townsman at Schoolhouse
* [[Colin Kenny (actor)|Colin Kenny]] as Townsman At Schoolhouse
* Paul Kruger as Party Guest
* Paul Kruger as Party Guest
* [[Jimmy Lewis (musician)|Jimmy Lewis]] as Hefner Boy
* [[Jimmy Lewis (musician)|Jimmy Lewis]] as Hefner Boy
* Dawn Little Sky as Arita Red Feather
* Dawn Little Sky as Arita Red Feather
* [[Eddie Little Sky]] as Ben Red Feather
* [[Eddie Little Sky]] as Ben Red Feather
* Buzz Martin as Cimarron Cravat as a Young Man
* Buzz Martin as Cimarron Cravat as Young Man
* [[Kermit Maynard]] as Setter
* [[Kermit Maynard]] as Setter
* Mathew McCue as Townsman
* Mathew McCue as Townsman
Line 116: Line 117:
* Walter Merrill as Reporter
* Walter Merrill as Reporter
* [[Jack Perry (clown)|Jack Perry]] as Townsman
* [[Jack Perry (clown)|Jack Perry]] as Townsman
* [[John Pickard (American actor)|John Pickard]] as Ned - Cavalry Captain
* [[John Pickard (American actor)|John Pickard]] as Ned, Cavalry Captain
* Ralph Reed as Bellboy
* Ralph Reed as Bellboy
* [[William Remick]] as Reporter
* William Remick as Reporter
* [[Gene Roth]] as Connors
* [[Gene Roth]] as Connors
* [[Jack Scroggy]] as Walter
* Jack Scroggy as Walter
* [[Charles Seel]] as Charles
* [[Charles Seel]] as Charles
* [[Bernard Sell]] as Townsman at Celebration
* Bernard Sell as Townsman At Celebration
* [[Jack Stoney]] as Man at Lynching
* Jack Stoney as Man At Lynching
* [[Harry Tenbrook]] as Sooner at Camp Fight
* [[Harry Tenbrook]] as Sooner At Camp Fight
* [[Arthur Tovey]] as Dancer at Ball
* [[Arthur Tovey]] as Dancer At Ball
* [[Ivan Triesault]] as Lewis Venable - Sabra's Father
* [[Ivan Triesault]] as Lewis Venable, Sabra's Father
* [[Charlie Watts|Charles Watts]] as Lou Brothers - Politician
* [[Charlie Watts|Charles Watts]] as Lou Brothers, Politician
* [[Helen Westcott]] as Miss Kuye - Schoolteacher
* [[Helen Westcott]] as Miss Kuye, Schoolteacher
* [[Robert B. Williams (actor)|Robert Williams]] as Oil Worker
* [[Robert B. Williams (actor)|Robert Williams]] as Oil Worker
* [[Jeane Wood]] as Clubwoman
* Jeane Wood as Clubwoman
* [[Wilson Wood (actor)|Wilson Wood]] as Reporter
* [[Wilson Wood (actor)|Wilson Wood]] as Reporter
* [[Jorie Wyler]] as Theresa Jump
* Jorie Wyler as Theresa Jump
}}
{{div col end}}


==Production==
==Production==
In February 1941, MGM bought the remake rights to ''Cimarron'' from RKO for $100,000.<ref>{{Cite news|title=Metro Buys 'Cimarron' Rights From RKO for $100,000|date=February 22, 1941|url=https://www.nytimes.com/1941/02/22/archives/metro-buys-cimarron-rights-from-rko-for-100000-purchases-rio-rita.html|work=The New York Times|page=11|url-access=subscription}}</ref> In 1947, MGM announced an [[operetta]] version starring [[Kathryn Grayson]] and produced by [[Arthur Freed]],<ref>{{Cite news|last=Brady|first=Thomas F.|title='Cimarron' Remake Listed by Metro|url=https://www.nytimes.com/1947/11/24/archives/cimarron-remake-listed-by-metro-arthur-freed-to-produce-new-film-of.html|date=November 24, 1947|work=The New York Times|page=30|url-access=subscription}}</ref> but this did not happen. In February 1958, MGM announced its plans to produce ''Cimarron'' as the studio's second film using the [[Ultra Panavision 70|MGM Camera 65]] process following ''[[Raintree County (film)|Raintree Country]]'' (1957).<ref>{{cite magazine|magazine=[[Variety (magazine)|Variety]]|title=Metro Remakes 'Cimarron'|date=February 26, 1958|page=20|url=https://archive.org/details/variety209-1958-02/page/n243/mode/1up|access-date=September 28, 2021|via=[[Internet Archive]]}}</ref><ref>{{Cite news|title=U.S. vs. Al Capone To Be Film Theme|url=https://www.nytimes.com/1958/02/20/archives/u-s-vs-al-capone-to-be-film-theme-story-of-treasury-agents-war-on.html|first=Thomas M.|last=Pryor|date=February 20, 1958|work=The New York Times|page=29|url-access=subscription}}</ref> One month later, [[Elizabeth Taylor]] and [[Rock Hudson]] were considered to star in the film.<ref>{{cite magazine|title=41 Westerns On Hoof in 1958|magazine=Variety|page=4|date=March 5, 1958|url=https://archive.org/details/variety210-1958-03/page/n13/mode/2up|access-date=January 4, 2022|via=Internet Archive}}</ref> Ultimately, [[Glenn Ford]], who previously starred in the Westerns such as ''[[3:10 to Yuma (1957 film)|3:10 to Yuma]]'' (1957) and ''[[The Sheepman]]'' (1958), was attached to star.<ref>{{cite news|title=Glenn Ford Value Seen as 'Built' Star: Ava Gardner His Likely Lead; Producer Cites Other Examples|author=Scheuer, Philip K.|newspaper=[[Los Angeles Times]]|date=February 17, 1959|page=C7}}</ref> In October 1959, [[Arnold Schulman]] was signed to write the screenplay.<ref>{{Cite news|url=https://www.nytimes.com/1959/10/08/archives/schulman-forms-production-unit-author-of-a-hole-in-the-head-plans.html|title=Schulman Forms Production Unit|work=The New York Times|page=49|date=October 8, 1959|url-access=subscription}}</ref> For his script, Schulman introduced several characters, including those of journalist Sam Pegler ([[Robert Keith (actor)|Robert Keith]]) and Wes Jennings ([[Vic Morrow]]), while removing the Cravats' daughter, Donna and a boy named Isaiah.<ref name="TurnerClassicMovies" /> [[King Vidor]] declined an invitation to direct.<ref>{{Cite news|title=Entertainment Films Stage Music: Viertel Film Will Not Star Deborah|date=September 11, 1959|work=Los Angeles Times|page=B6}}</ref>
MGM bought the remake rights from RKO in 1941 for $100,000.<ref>Metro Buys 'Cimarron' Rights From RKO for $100,000 – Purchases 'Rio Rita': BRITISH FILM HERE TODAY "It Happened to One Man' Opens at Carnegie – 'Tobacco Road' Sets First Day Record
Special to THE NEW YORK TIMES.. New York Times (1923–Current file) [New York, N.Y] 22 Feb 1941: 11.</ref>


[[Anthony Mann]] was eventually named as director. He had pitched to his vision to MGM executives, explaining: "I wanted to show a huge plain out in the West with nothing on it, and how a group of men and women gathered at a line, and tore out across this plain and set up their stakes as claim for the land. And how a town, a city and finally a metropolis grew, all on this one piece of land."<ref name="mann">{{cite magazine|title=Interviews with Anthony Mann|magazine=Screen|volume=10|date=July–October 1969| first1=Christopher|first2=Barrie|last2=Pattinson|last1=Wicking|url=https://archive.org/details/Screen_Volume_10_Issue_4-5/page/n31/mode/2up|pages=44–45}}</ref> Principal photography was shot in Arizona, most particularly the depiction of the [[Land Rush of 1889|Oklahoma Land Rush]],<ref>{{Cite news |last=Rothwell |first=John H. |title=Shot on the Old 'Cimarron' Trail |url=https://www.nytimes.com/1960/01/10/archives/shot-on-the-old-cimarron-trail.html |work=The New York Times |date=January 10, 1960 |page=X7 |url-access=subscription}}</ref> which featured over 1,000 extras, 700 horses and 500 wagons and buggies.<ref>{{Cite web |title=Cimarron (1960)—AFI Catalog of Feature Films |url=https://catalog.afi.com/Film/53484-CIMARRON?sid=72b2360b-c55e-4dd7-b454-2600b1357870&sr=12.106492&cp=1&pos=0 |access-date=2024-06-16 |website=[[AFI Catalog of Feature Films]] |publisher=[[American Film Institute]]}}</ref>
In 1947 it was announced they would make an [[operetta]] version starring [[Kathryn Grayson]] and produced by [[Arthur Freed]].<ref>CIMARRON' REMAKE LISTED BY METRO: Arthur Freed to Produce New Film of Edna Ferber Novel, Starring Kathryn Grayson
By THOMAS F. BRADY Special to THE NEW YORK TIMES.. New York Times (1923-Current file) [New York, N.Y] 24 Nov 1947: 30.</ref> However this did not happen.


As production continued, the on-location shoot experienced [[dust storm]]s, in which producer [[Edmund Grainger]] decided to relocate the production on the studio backlot despite Mann's insistence to film entirely on location.{{sfn|Bassinger|2007|p=[https://archive.org/details/anthonymann00basi/page/146/mode/2up 146]}} Mann explained: "We had a couple of storms—which I shot in anyway—but they thought we'd have floods and so on, so they dragged us in and everything had to be duplicated on the set. The story had to be changed, because we couldn't do the things we wanted to. So I don't consider it a film. I just consider it a disaster."<ref name="mann" /> Mann left the production, and director [[Charles Walters]] finished the film but received no screen credit.<ref name="TurnerClassicMovies" /> Mann was also critical of the film's final cut, explaining that Ford was meant to die on screen. Years later, he explained: "There was a huge oil sequence and oil wells were blowing up and he was saving people and being very heroic. Why they ever changed it I'll never know – this was Mr. [[Sol Siegel]], he did it behind my back, I didn't ever see it. If I'd screamed they wouldn't have bothered anyway; so I just let them destroy it at will."<ref name="mann"/>
MGM announced further plans to make it in February 1958.<ref>U. S. VS. AL CAPONE TO BE FILM THEME: Story of Treasury Agents' War on Breweries Slated -Holden-Paramount Rift
By THOMAS M. PRYOR Special to The New York Times.. New York Times (1923-Current file) [New York, N.Y] 20 Feb 1958: 29.</ref> Glenn Ford soon became attached as star.<ref>Glenn Ford Value Seen as 'Built' Star: Ava Gardner His Likely Lead; Producer Cites Other Examples
Scheuer, Philip K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 17 Feb 1959: C7.</ref>


Also, during filming, [[Anne Baxter]], who played Dixie Lee, revealed in her autobiography ''Intermission'' that Ford and Maria Schell developed an offscreen romance: "During shooting, they'd scrambled together like eggs. I understood she'd even begun divorce proceedings in Germany. It was obviously premature of her." However, by the end of filming, "... he scarcely glanced or spoke in her direction, and she looked as if she were in shock."{{sfn|Baxter|1976|p=[https://archive.org/details/isbn_399115773/page/196/mode/2up 196]}}
[[King Vidor]] turned down the chance to direct.<ref>Entertainment Films Stage Music: Viertel Film Will Not Star Deborah
Los Angeles Times (1923-Current File) [Los Angeles, Calif] 11 Sep 1959: B6.</ref> [[Arnold Schulman]] was signed to write the screenplay.<ref>SCHULMAN FORMS PRODUCTION UNIT: Author of 'A Hole in the Head' Plans Second Play for Stage and Films
Special to The New York Times.. New York Times (1923-Current file) [New York, N.Y] 08 Oct 1959: 49.</ref>

The climax was shot in Arizona.<ref>SHOT ON THE OLD 'CIMARRON' TRAIL
By JOHN H. ROTHWELL. New York Times (1923-Current file) [New York, N.Y] 10 Jan 1960: X7.</ref>


==Reception==
==Reception==
===Box office===
According to MGM records the film earned $2,325,000 in the US and Canada and $2,500,000 overseas, resulting in an overall loss of $3,618,000.<ref name="Mannix"/>
According to MGM records, ''Cimarron'' earned $2,325,000 in the U.S. and Canada and $2,500,000 overseas, resulting in an overall loss of $3,618,000.<ref name="Mannix"/>


===Critical reaction===
In 1961 the film was nominated for [[Academy Award for Best Production Design|Best Art Direction]] ([[George Davis (art director)|George W. Davis]], [[Addison Hehr]], [[Henry Grace]], [[Hugh Hunt]], and [[Otto Siegel]]) and [[Academy Award for Best Sound Mixing|Best Sound]] ([[Franklin Milton]]),<ref name="Oscars1961">{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1961 |title=The 33rd Academy Awards (1961) Nominees and Winners |accessdate=2011-08-22|work=oscars.org}}</ref><ref name="NY Times">{{cite web |url=https://movies.nytimes.com/movie/87266/Cimarron/details |title=NY Times: Cimarron |accessdate=2008-12-24|work=NY Times}}</ref> but failed to win either. While the 1931 adaptation is arguably the better and more successful of the two, the 1960 remake receives more attention and is still broadcast on [[television]]. The 1960 remake is considered a "[[revisionist western]]" due to the fact Native Americans in the film are portrayed positively and racism against Native Americans is portrayed as unjust.<ref>Hollywood's Indian: The Portrayal of the Native American in Film
''[[Harrison's Reports]]'' wrote: "The background music is undistinguished. There's enough marquee strength, action, romance, and the 'land rush' scene at the beginning is worth the price of a soft ticket. Color photography is outstanding."<ref>{{cite magazine |title='Cimarron' with Glenn Ford, Maria Schell, Anne Baxter |url=https://archive.org/details/harrisonsreports42harr/page/198/mode/2up |magazine=Harrison's Reports |page=198 |date=December 10, 1960 |access-date=January 4, 2022 |via=Internet Archive}}</ref> Thomas M. Pryor, reviewing for ''[[Variety (magazine)|Variety]]'', praised Schell and Ford's performances, and wrote "Although ''Cimarron'' is not without flaws—thoughtful examination reveals a pretentiousness of social significance more than valid exposition—the script plays well."<ref>{{cite news |url=https://archive.org/details/variety221-1960-12 |title=Film Reviews: Cimarron |work=Variety |page=6 |date=December 7, 1960 |access-date=January 4, 2022 |via=Internet Archive}}</ref>
by Peter Rollins</ref>

[[Bosley Crowther]] of ''[[The New York Times]]'' felt the film's opening "makes for a dynamic and illustrative sequence on the screen. But once the land rush is over in this almost two-and-one-half-hour-long film—and we have to tell you it is assembled and completed within the first half-hour—the remaining dramatization of Miss Ferber's bursting 'Cimarron' simmers down to a stereotyped and sentimental cinema saga of the taming of the frontier."<ref>{{cite news |last=Crowther |first=Bosley |url=https://www.nytimes.com/1961/02/17/archives/screen-new-cimarronremake-of-book-opens-at-the-music-hall.html |title=Screen: New 'Cimarron' |work=The New York Times |page=21 |date=February 17, 1961 |access-date=January 4, 2022}}</ref> A review in ''[[Time (magazine)|Time]]'' magazine criticized the film's length, writing ''Cimarron'' "might more suitably have been called Cimarron-and-on-and-on-and-on. It lasts 2 hours and 27 minutes, and for at least half of that time most spectators will probably be Oklacomatose."<ref>{{cite magazine |url=https://content.time.com/time/subscriber/article/0,33009,828789,00.html |title=Cinema: Oklacoma |magazine=Time |date=February 24, 1961 |access-date=January 4, 2022}}</ref>

In a letter published in ''The New York Times'', on March 5, 1961, Edna Ferber wrote: "I received from this second picture of my novel not one single penny in payment. I can't even do anything to stop the motion-picture company from using my name in advertising so slanted that it gives the effect of my having written the picture ... I shan't go into the anachronisms in dialogue; the selection of a foreign-born actress...to play the part of an American-born bride; the repetition; the bewildering lack of sequence....I did see ''Cimarron''...four weeks ago. This old gray head turned almost black during those two (or was it three?) hours."<ref>{{cite news |last=Ferber |first=Edna |url=https://www.nytimes.com/1961/03/05/archives/letter-to-the-editor-1-no-title.html |title=Readers Appraise the Current Crop of Pictures |work=The New York Times |page=X7 |date=March 5, 1961 |access-date=October 26, 2023 |url-access=subscription}}</ref>

==Awards and nominations==
In 1961, the film was nominated for [[Academy Award for Best Production Design|Best Art Direction]] ([[George Davis (art director)|George W. Davis]], [[Addison Hehr]], [[Henry Grace]], [[Hugh Hunt]] and [[Otto Siegel]]) and [[Academy Award for Best Sound|Best Sound]] ([[Franklin Milton]]).<ref name="Oscars1961">{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1961 |title=The 33rd Academy Awards (1961) Nominees and Winners |access-date=2011-08-22|work=oscars.org}}</ref><ref name="NY Times">{{cite web |url=https://movies.nytimes.com/movie/87266/Cimarron/details |archive-url=https://web.archive.org/web/20090813130744/http://movies.nytimes.com/movie/87266/Cimarron/details |url-status=dead |archive-date=2009-08-13 |department=Movies & TV Dept. |work=[[The New York Times]] |date=2009 |title=Cimarron |access-date=2008-12-24}}</ref>

Glenn Ford's performance earned a nomination for a [[Laurel Awards|Laurel Award]] for Top Action Performance, though he did not win.<ref>{{Cite web|url=http://www.imdb.com/name/nm0001229/|title=Glenn Ford|website=IMDb|access-date=2019-02-15}}</ref>


==See also==
==See also==
Line 163: Line 165:


==References==
==References==
===Footnotes===
{{reflist}}
{{Reflist|group=lower-alpha}}

===Citations===
{{Reflist}}

===Bibliography===
{{Refbegin|40em}}
* {{cite book |last=Bassinger |first=Jeanne |author-link=Jeanine Basinger |title=Anthony Mann |url=https://archive.org/details/anthonymann00basi |year=2007 |publisher=[[Wesleyan University Press]] |isbn=978-0-819-56845-8 |url-access=registration}}
* {{cite book |last=Baxter |first=Anne |title=Intermission: A True Story |url=https://archive.org/details/isbn_399115773/ |year=1976 |publisher=[[G. P. Putnam's Sons]] |isbn=978-0-399-11577-6 |url-access=registration}}
{{Refend}}


==External links==
==External links==
* {{IMDb title|0053715|Cimarron}}
* {{IMDb title|0053715|Cimarron}}
* {{Allmovie title|87266|Cimarron}}
* {{TCMDb title|id=14909}}
* {{tcmdb title|id=14909}}
* {{AFI film|id=53484|title=Cimarron}}
* {{AFI film|id=53484|title=Cimarron}}


{{Anthony Mann}}
{{Anthony Mann}}
{{Edna Ferber}}
{{Edna Ferber}}
{{Authority control}}


{{DEFAULTSORT:Cimarron}}
{{DEFAULTSORT:Cimarron}}
[[Category:1960 films]]
[[Category:1960 films]]
[[Category:American films]]
[[Category:1960s English-language films]]
[[Category:English-language films]]
[[Category:1960 Western (genre) films]]
[[Category:1960s Western (genre) films]]
[[Category:American Western (genre) epic films]]
[[Category:American epic films]]
[[Category:Films scored by Franz Waxman]]
[[Category:Films scored by Franz Waxman]]
[[Category:Films based on Western (genre) novels]]
[[Category:Films based on Western (genre) novels]]
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[[Category:Metro-Goldwyn-Mayer films]]
[[Category:Metro-Goldwyn-Mayer films]]
[[Category:Films based on works by Edna Ferber]]
[[Category:Films based on works by Edna Ferber]]
[[Category:1960s American films]]
[[Category:English-language Western (genre) films]]

Latest revision as of 19:15, 21 December 2024

Cimarron
Theatrical release poster
Directed byAnthony Mann[a]
Screenplay byArnold Schulman
Based onCimarron
1930 novel
by Edna Ferber
Produced byEdmund Grainger
StarringGlenn Ford
Maria Schell
Anne Baxter
Harry Morgan
CinematographyRobert Surtees
Edited byJohn D. Dunning
Music byFranz Waxman
Distributed byMetro-Goldwyn-Mayer
Release date
  • December 1, 1960 (1960-12-01) (premiere)
Running time
147 minutes
CountryUnited States
LanguageEnglish
Budget$5,421,000[2]
Box office$4,825,000[2]

Cimarron is a 1960 American epic Western film based on the 1930 Edna Ferber novel Cimarron. The film stars Glenn Ford and Maria Schell and was directed by Anthony Mann and Charles Walters, though Walters is not credited onscreen.[1] Ferber's novel was previously adapted as a film in 1931; that version won three Academy Awards.

Cimarron was the first of three epics (along with El Cid and The Fall of the Roman Empire) that Mann directed. Despite high production costs and an experienced cast of Western veterans, stage actors and future stars, the film was released with little fanfare.

Plot

[edit]

Sabra Cravat joins her new husband, lawyer Yancey "Cimarron" Cravat, during the Oklahoma land rush of 1889. They encounter Yancey's old friend William "The Kid" Hardy and his buddies Wes Jennings and Hoss Barry. On the trail, Yancey helps Tom and Sarah Wyatt and their eight children, taking them aboard their wagons.

It seems to Sabra that her husband knows everyone in Oklahoma. A small crowd cheers Bob Yountis and his henchman Millis when they attack an Indian family. Yancey joins his friend Sam Pegler, editor of the Oklahoma Wigwam newspaper, in resisting Yountis.

Yountis warns Pegler against using the paper for his crusading as he had done in Texas. Sabra is angry that Yancey risked his life for an Indian but she helps the others, including peddler Sol Levy and printer Jesse Rickey, in righting the Indians' overturned wagon. Sam and his wife Mavis reveal more about Yancey's past as a cowboy, gambler, gunman and lawyer.

When 50,000 settlers race across the prairie to claim land, Tom falls and Sarah claims a dry, worthless patch. Pegler is trampled to death, and Dixie beats Yancey to the land that he wanted, so he asks Jesse to stay to help him run the paper.

In the new town of Osage, which consists of tents and half-built storefronts, Yountis and The Kid terrorize Levy in the street. Yancey tries but fails to persuade the Kid to change. One night, Yountis leads a lynch mob against the Indian family. Yancey arrives too late to stop it, but he kills Yountis and brings Arita and her baby Ruby home. Meanwhile, Sabra gives birth to a boy whom they name Cimarron, Cim for short.

Four years later, Osage is thriving. Tom has built an oil-drilling apparatus but he is a laughingstock. Wes, Hoss and The Kid, wanted outlaws, try to rob a train but are all killed soon after. When Yancey destroys the $1,000 reward check, Sabra is furious because he does not consider their son's security. Yancey leaves to be part of the Cherokee Strip, but Sabra refuses to join him. Years later, he returns and Sabra and Cim forgive him.

Tom finally strikes oil, but Yancey is disgusted to learn that Tom bought the rights to oil found on Indian land. However, Yancey's campaign to win the Indians justice is a huge success, and he is invited to become governor of the Oklahoma Territory. Sabra is disappointed to discover that Cim and Ruby have grown close.

In Washington, D.C., Yancey finds Tom with a group of influential men and learns that the price of his appointment is his integrity. When Yancy tells Sabra that he can't be governor, she sends him away forever.

Cim and Ruby marry without warning and set off for Oregon, though Sabra tells him that he is throwing his life away.

Ten years later, on the occasion of the Oklahoma Wigwam's 25th anniversary, the United States’ entry into World War I is announced. Later, Sabra hears that Yancey has been killed in the war.

Cast

[edit]
Uncredited

Production

[edit]

In February 1941, MGM bought the remake rights to Cimarron from RKO for $100,000.[3] In 1947, MGM announced an operetta version starring Kathryn Grayson and produced by Arthur Freed,[4] but this did not happen. In February 1958, MGM announced its plans to produce Cimarron as the studio's second film using the MGM Camera 65 process following Raintree Country (1957).[5][6] One month later, Elizabeth Taylor and Rock Hudson were considered to star in the film.[7] Ultimately, Glenn Ford, who previously starred in the Westerns such as 3:10 to Yuma (1957) and The Sheepman (1958), was attached to star.[8] In October 1959, Arnold Schulman was signed to write the screenplay.[9] For his script, Schulman introduced several characters, including those of journalist Sam Pegler (Robert Keith) and Wes Jennings (Vic Morrow), while removing the Cravats' daughter, Donna and a boy named Isaiah.[1] King Vidor declined an invitation to direct.[10]

Anthony Mann was eventually named as director. He had pitched to his vision to MGM executives, explaining: "I wanted to show a huge plain out in the West with nothing on it, and how a group of men and women gathered at a line, and tore out across this plain and set up their stakes as claim for the land. And how a town, a city and finally a metropolis grew, all on this one piece of land."[11] Principal photography was shot in Arizona, most particularly the depiction of the Oklahoma Land Rush,[12] which featured over 1,000 extras, 700 horses and 500 wagons and buggies.[13]

As production continued, the on-location shoot experienced dust storms, in which producer Edmund Grainger decided to relocate the production on the studio backlot despite Mann's insistence to film entirely on location.[14] Mann explained: "We had a couple of storms—which I shot in anyway—but they thought we'd have floods and so on, so they dragged us in and everything had to be duplicated on the set. The story had to be changed, because we couldn't do the things we wanted to. So I don't consider it a film. I just consider it a disaster."[11] Mann left the production, and director Charles Walters finished the film but received no screen credit.[1] Mann was also critical of the film's final cut, explaining that Ford was meant to die on screen. Years later, he explained: "There was a huge oil sequence and oil wells were blowing up and he was saving people and being very heroic. Why they ever changed it I'll never know – this was Mr. Sol Siegel, he did it behind my back, I didn't ever see it. If I'd screamed they wouldn't have bothered anyway; so I just let them destroy it at will."[11]

Also, during filming, Anne Baxter, who played Dixie Lee, revealed in her autobiography Intermission that Ford and Maria Schell developed an offscreen romance: "During shooting, they'd scrambled together like eggs. I understood she'd even begun divorce proceedings in Germany. It was obviously premature of her." However, by the end of filming, "... he scarcely glanced or spoke in her direction, and she looked as if she were in shock."[15]

Reception

[edit]

Box office

[edit]

According to MGM records, Cimarron earned $2,325,000 in the U.S. and Canada and $2,500,000 overseas, resulting in an overall loss of $3,618,000.[2]

Critical reaction

[edit]

Harrison's Reports wrote: "The background music is undistinguished. There's enough marquee strength, action, romance, and the 'land rush' scene at the beginning is worth the price of a soft ticket. Color photography is outstanding."[16] Thomas M. Pryor, reviewing for Variety, praised Schell and Ford's performances, and wrote "Although Cimarron is not without flaws—thoughtful examination reveals a pretentiousness of social significance more than valid exposition—the script plays well."[17]

Bosley Crowther of The New York Times felt the film's opening "makes for a dynamic and illustrative sequence on the screen. But once the land rush is over in this almost two-and-one-half-hour-long film—and we have to tell you it is assembled and completed within the first half-hour—the remaining dramatization of Miss Ferber's bursting 'Cimarron' simmers down to a stereotyped and sentimental cinema saga of the taming of the frontier."[18] A review in Time magazine criticized the film's length, writing Cimarron "might more suitably have been called Cimarron-and-on-and-on-and-on. It lasts 2 hours and 27 minutes, and for at least half of that time most spectators will probably be Oklacomatose."[19]

In a letter published in The New York Times, on March 5, 1961, Edna Ferber wrote: "I received from this second picture of my novel not one single penny in payment. I can't even do anything to stop the motion-picture company from using my name in advertising so slanted that it gives the effect of my having written the picture ... I shan't go into the anachronisms in dialogue; the selection of a foreign-born actress...to play the part of an American-born bride; the repetition; the bewildering lack of sequence....I did see Cimarron...four weeks ago. This old gray head turned almost black during those two (or was it three?) hours."[20]

Awards and nominations

[edit]

In 1961, the film was nominated for Best Art Direction (George W. Davis, Addison Hehr, Henry Grace, Hugh Hunt and Otto Siegel) and Best Sound (Franklin Milton).[21][22]

Glenn Ford's performance earned a nomination for a Laurel Award for Top Action Performance, though he did not win.[23]

See also

[edit]

References

[edit]

Footnotes

[edit]
  1. ^ During the middle of filming, Mann left the project and was replaced by Charles Walters who was uncredited.[1]

Citations

[edit]
  1. ^ a b c d Tatara, Paul. "Cimarron (1960)". Turner Classic Movies. Archived from the original on May 23, 2021. Retrieved December 15, 2019.
  2. ^ a b c Mannix, Eddie (1962). The Eddie Mannix Ledger. Margaret Herrick Library. OCLC 801258228.{{cite book}}: CS1 maint: location missing publisher (link)[page needed]
  3. ^ "Metro Buys 'Cimarron' Rights From RKO for $100,000". The New York Times. February 22, 1941. p. 11.
  4. ^ Brady, Thomas F. (November 24, 1947). "'Cimarron' Remake Listed by Metro". The New York Times. p. 30.
  5. ^ "Metro Remakes 'Cimarron'". Variety. February 26, 1958. p. 20. Retrieved September 28, 2021 – via Internet Archive.
  6. ^ Pryor, Thomas M. (February 20, 1958). "U.S. vs. Al Capone To Be Film Theme". The New York Times. p. 29.
  7. ^ "41 Westerns On Hoof in 1958". Variety. March 5, 1958. p. 4. Retrieved January 4, 2022 – via Internet Archive.
  8. ^ Scheuer, Philip K. (February 17, 1959). "Glenn Ford Value Seen as 'Built' Star: Ava Gardner His Likely Lead; Producer Cites Other Examples". Los Angeles Times. p. C7.
  9. ^ "Schulman Forms Production Unit". The New York Times. October 8, 1959. p. 49.
  10. ^ "Entertainment Films Stage Music: Viertel Film Will Not Star Deborah". Los Angeles Times. September 11, 1959. p. B6.
  11. ^ a b c Wicking, Christopher; Pattinson, Barrie (July–October 1969). "Interviews with Anthony Mann". Screen. Vol. 10. pp. 44–45.
  12. ^ Rothwell, John H. (January 10, 1960). "Shot on the Old 'Cimarron' Trail". The New York Times. p. X7.
  13. ^ "Cimarron (1960)—AFI Catalog of Feature Films". AFI Catalog of Feature Films. American Film Institute. Retrieved June 16, 2024.
  14. ^ Bassinger 2007, p. 146.
  15. ^ Baxter 1976, p. 196.
  16. ^ "'Cimarron' with Glenn Ford, Maria Schell, Anne Baxter". Harrison's Reports. December 10, 1960. p. 198. Retrieved January 4, 2022 – via Internet Archive.
  17. ^ "Film Reviews: Cimarron". Variety. December 7, 1960. p. 6. Retrieved January 4, 2022 – via Internet Archive.
  18. ^ Crowther, Bosley (February 17, 1961). "Screen: New 'Cimarron'". The New York Times. p. 21. Retrieved January 4, 2022.
  19. ^ "Cinema: Oklacoma". Time. February 24, 1961. Retrieved January 4, 2022.
  20. ^ Ferber, Edna (March 5, 1961). "Readers Appraise the Current Crop of Pictures". The New York Times. p. X7. Retrieved October 26, 2023.
  21. ^ "The 33rd Academy Awards (1961) Nominees and Winners". oscars.org. Retrieved August 22, 2011.
  22. ^ "Cimarron". Movies & TV Dept. The New York Times. 2009. Archived from the original on August 13, 2009. Retrieved December 24, 2008.
  23. ^ "Glenn Ford". IMDb. Retrieved February 15, 2019.

Bibliography

[edit]
[edit]