Jump to content

Deep in My Heart (1999 film): Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
SporkBot (talk | contribs)
m Remove template per TFD outcome
 
(44 intermediate revisions by 32 users not shown)
Line 1: Line 1:
{{other uses|Deep in My Heart (disambiguation)}}
{{other uses|Deep in My Heart (disambiguation)}}
{{short description|1999 television film}}
{{Infobox Film
{{use mdy dates|date=October 2024}}
| name = Deep In My Heart
{{Infobox television
| image =
| image =
| director = [[Anita W. Addison]]
| image_size =
| producer =
| image_alt =
| writer = [[Ronni Kern]]
| caption =
| starring = [[Anne Bancroft]]<br>[[Lynn Whitfield]] <br>[[Alice Krige]]<br>[[Cara Buono]]<br>[[Gloria Reuben]]<br>[[Jesse L. Martin]]<br>[[Kevin O'Rourke]]
| genre = [[Drama (film and television)|Drama]]
| music = [[Debbie Wiseman]]
| cinematography = [[Alar Kivilo]]
| writer = [[Ronni Kern]]
| editing = [[Charles Bornstein]]
| director = [[Anita W. Addison]]
| starring = {{Plainlist|
| distributor = [[Lifetime Network]]
*[[Anne Bancroft]]
| released = 1999 (USA)
*[[Lynn Whitfield]]
| runtime = 90 minutes
*[[Alice Krige]]
| country = United States
*[[Cara Buono]]
| language = English
*[[Gloria Reuben]]
| budget =
*[[Jesse L. Martin]]
| preceded_by =
*[[Kevin O'Rourke (actor)|Kevin O'Rourke]]
| followed_by =
}}
}}
| music = [[Debbie Wiseman]]
'''''Deep in My Heart''''' is a 1999 American [[television film]] based on a true story, starring [[Anne Bancroft]] and [[Lynn Whitfield]] and directed by [[Anita W. Addison]]. Bancroft received a [[primetime Emmy]] for Outstanding Supporting Actress in a Miniseries or a Movie for her role.
| country = {{Plainlist|
*United States
*Canada
}}
| language = English
| producer = {{Plainlist|
*Christine Sacani
*David Yarnell
}}
| executive_producer = [[Frank Konigsberg]]
| location = Toronto, Ontario, Canada
| editor = Charles Bornstein
| cinematography = [[Alar Kivilo]]
| runtime = 90 minutes
| company = The Königsberg Company
| budget =
| network = [[CBS]]
| released = {{Start date|1999|02|14}}
}}

'''''Deep in My Heart''''' is a 1999 American [[Drama (film and television)|drama]] [[television film]] directed by [[Anita W. Addison]]. It stars [[Anne Bancroft]] and [[Lynn Whitfield]]. It is based on a true story.<ref name="Gill">{{cite news |last1=Gill |first1=Suzanne |title='Deep in My Heart' is an unusual valentine |url=https://news.google.com/newspapers?id=SsBEAAAAIBAJ&sjid=n7YMAAAAIBAJ&pg=6282%2C2397459 |access-date=19 October 2024 |work=The Albany Herald |date=1999-02-14}}</ref> The film was broadcast on [[CBS]] on February 14, 1999.<ref>{{cite web |title=Deep in My Heart (TV) |url=https://www.paleycenter.org/collection/item/?item=B:83825 |website=Paley Center for Media |access-date=19 October 2024}}</ref> Bancroft received a [[Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie]] for her role.<ref>{{cite web |title=Deep in My Heart |url=https://www.emmys.com/shows/deep-my-heart |website=emmys.com |access-date=19 October 2024}}</ref>


==Plot==
==Plot==
In [[Boston]] in the early 1960s, Geraldine Cummins was walking home alone from the movies when she was jumped and raped by a black man. Stunned, she returned home to her husband Bob, stating she had been raped. Sometime later, she finds she is pregnant. In the beginning she hates the thought of her unborn baby, not wanting a constant reminder of her rapist, but keeps it for a few reasons: she is Catholic and she harbors a small hope that it could be her husband's baby. Her husband is supportive during the pregnancy. As the months pass, Gerry comes to be attached to the baby, later stating "8 months is too long to close your heart to a piece of yourself." She becomes fearful of what will happen if her baby is black, the social isolation it would receive and what people would think of her. After going into labor and confiding in a doctor her situation, she becomes convinced that it would be best if she gave it up. The baby is a black girl. She names her newborn daughter Barbara Anne Cummins and gives her to foster mother Corrine Burrel, a black woman in [[Roxbury, Boston|Roxbury]], a black neighborhood. Gerry is heartbroken to give up her daughter.
In [[Boston]] in the early 1960s, Geraldine Cummins was walking home alone from the movies when she was jumped and raped by a black man. Stunned, she returned home to her husband Bob, stating she had been raped. Sometime later, she finds she is pregnant. She keeps the baby for a few reasons: she is Catholic and she harbors a small hope that it could be her husband's baby. As the baby is a black girl, she fears the social isolation she would receive and what people would think of her. She is heartbroken, but decides to give up her daughter. She names her newborn daughter Barbara Anne Cummins and gives her to foster mother Corrine Burrel, a black woman in [[Roxbury, Boston|Roxbury]].


Seven years later, Barbara is a happy little girl, but wonders about her birth parents. Corrine assures her that she is her mother, though not her birth mother. A few months later, a social worker comes into their home and informs Corrine that Barbara will be adopted by white people living in Wisconsin. Corrine seeks legal action, looking to adopt Barbara for herself, but as she is divorced with no job and many children, she is turned down. Barbara is taken kicking from Corrine and the family she has come to know. Later, Corrine reports that the social worker sent her a letter saying that Barbara was happy, but Corrine knew that they emotionally "killed" Barbara when they took her.
Seven years later, Barbara is a happy little girl. A few months later, a social worker comes into their home and informs Corrine that Barbara will be adopted by Annalise and Paul, white people living in Wisconsin. Corrine seeks legal action, looking to adopt Barbara for herself, but as she is divorced with no job and many children, she is turned down.


Annalise's husband Paul is not very happy to be adopting a colored {{frac|7|1|2}}-year-old, but Annalise is thrilled. After a while, Annalise becomes worried about Barbara's very detached nature and suggests to Paul they move to a suburban neighborhood where Barbara could be around other black kids. Paul is angry that they have to change everything for a child he did not want, but agrees, only to leave them after moving. Annalise opts to go to work during the day and to school at night to support them. Barbara has once again receded into herself after the neighborhood children make fun of her for being black with a white mother, calling her 'Oreo' and 'nigger'. Over the years until she is 16, she is alone without her mother or friends. At 16 she meets Don, a football playing choirboy. She falls in love with him and ultimately gets pregnant. Annalise comes home one day to learn that Barbara has a boyfriend and has been in the house alone with her when she was not there. After a mild argument, Barbara leaves. Barbara does not come home that night and Annalise calls the school. She is told her daughter is 4 months pregnant. Barbara then moves in with Don's sister.
Annalise becomes worried about Barbara's very detached nature and suggests to Paul they move to a suburban neighborhood where Barbara could be around other black kids. Paul is angry that they have to change everything for a child he did not want, but agrees, only to leave them after moving. Barbara has once again receded into herself after the neighborhood children make fun of her for being black with a white mother. Over the years until she is 16, she is alone without her mother or friends. At 16 she meets Don, a football-playing choirboy. She falls in love with him and ultimately gets pregnant.


Years later, in the middle of Barbara's third pregnancy, the doctor suggests she look into her birth family history for medical reasons. This leads her in search for her mother. She visits Corrine and later contacts the agency in charge of her adoption. By reading her adoption records, she comes to know the truth about her birth and her biological mother. Barbara is emotionally conflicted; whether to believe her father's a rapist or her mother's a liar. Barbara now has 5 children and has been married to Don for 17 years but still displays sadness over her lack of knowledge regarding her family history. After a night of contemplation, she decides to seek out her birth mother. Geraldine's husband Bob has died and her own children have left home, so she now lives alone. Barbara finds her though marriage records and contacts Geraldine's twin brother, Gerald. She reveals that she is looking for her mother and leaves her name and number for him to relay to Geraldine. However, because the call came as he was walking out the door to go on vacation, he is unable to relay the message to his sister, Geraldine until he gets back. She tells her brother that the woman who called is her daughter. At first he is shocked and disappointed that she could just give up her own child like that (she had told her family that Barbara had died as a newborn), but she explains she was raped by a black man. He warns her that everyone will know she was raped by admitting Barbara is her daughter, but Gerry says she does not care. Gerald gives her his blessing. Gerry calls Barbara and tearfully/happily admits to be her mother.
Years later, in the middle of Barbara's third pregnancy, the doctor suggests she look into her birth family history for medical reasons. This leads her in search for her mother. She visits Corrine and later contacts the agency in charge of her adoption. By reading her adoption records, she discovers the truth about her birth and her biological mother. After a night of contemplation, she decides to seek out her birth mother.


Revitalized by the happiness of knowing she was wanted by both her birth mother and foster mother, Barbara reconciles with Annalise. Anxiously, Gerry and her 3 grown children wait at the airport for Barbara's arrival. Then finally, after 34 years, mother and daughter meet. After a nice dinner with her new-found family, Gerry and Barbara have a bit of a tense conversation about Barbara's paternity. Barbara reveals she hates her father, but Gerry replies that she forgave him the minute she saw Barbara. She also says that the day she gave her up was the worst day of her life. Barbara is angry as to why Gerry gave her up if she loves her, asking if it would have made a difference if she had been born white. Gerry shamefully replies that she probably would have, because she was afraid every time she looked at her she'd see her rapist. But now, she only sees her daughter. Gerry says she only wanted the best for Barbara, to be with people who could teach her courage, which she could not, because Gerry felt ashamed for being raped and having a black daughter, though she loved her. Gerry apologizes to Barbara and the two reconcile as mother and daughter. Later, at a family reunion, Corrine, Gerry and Annalise meet again for the first time. The film ends with a picture of the entire side of Barbara's family, her mothers, her uncles, her brothers and sisters, her children, and her nieces and nephews, black and white together, and Barbara no longer feels like one person alone without a family.
Revitalized by the happiness of knowing she was wanted by both her birth mother and foster mother, Barbara reconciles with Annalise. Anxiously, Gerry and her three grown children wait at the airport for Barbara's arrival. Finally, after 34 years, mother and daughter meet. Barbara is angry as to why Gerry gave her up if she loves her, asking if it would have made a difference if she had been born white. Gerry says she only wanted the best for Barbara, to be with people who could teach her courage, which she could not, because Gerry felt ashamed for being raped and having a black daughter, though she loved her. Gerry apologizes to Barbara and they reconcile as mother and daughter. Later, at a family reunion, Corrine, Gerry and Annalise meet again for the first time. The film ends with a picture of the entire side of Barbara's family, her mothers, her uncles, her brothers and sisters, her children, and her nieces and nephews, and Barbara no longer feels alone.


==Cast==
==Cast==
* [[Anne Bancroft]] as Geraldine 'Gerry' Eileen Cummins (Barbara's birth mother)
* [[Anne Bancroft]] as Geraldine 'Gerry' Eileen Cummins (Barbara's birth mother)
* [[Lynn Whitfield]] as Corrine Burrell (Barbara's foster mother)
** [[Cara Buono]] as Young Gerry
* [[Lynn Whitfield]] as Corrine Burrell (Barbara's foster mother)
* [[Alice Krige]] as Annalise Jurgenson (Barbara's adopted mother)
* [[Alice Krige]] as Annalise Jurgenson (Barbara's adoptive mother)
* [[Cara Buono]] as Young Gerry Cummins
* [[Gloria Reuben]] as Barbara Ann Williams
* [[Gloria Reuben]] as Barbara Ann Williams
** Keenan Macwilliam as Young Barbara Ann
* [[Jesse L. Martin]] as Don Williams (Barbara's husband)
* [[Jesse L. Martin]] as Don Williams (Barbara's husband)
* [[Kevin O'Rourke]] as Robert 'Bob' Cummins
* [[Kevin O'Rourke (actor)|Kevin O'Rourke]] as Robert 'Bob' Cummins
** Kiel Campbell as 10-year-old Robert
* [[Albert Schultz]] as Paul Jurgenson
* [[Jayne Eastwood]] as Mrs. Marsdon
* [[Albert Schultz]] as Paul Jurgenson
* [[Keenan Macwilliam]] as Young Barbara Ann
* [[Jayne Eastwood]] as Mrs. Marsdon
* [[Philip Akin]] as Ob-gyn doctor
* [[Philip Akin]] as Ob-gyn doctor
* [[Brooke Belvedere]] as 3-year-old Carol
* Brooke Belvedere as 3-year-old Carol
* Michael Capellupo as Ted Cummins
* [[Kiel Campbell]] as 10-year-old Robert
* [[Michael Capellupo]] as Ted Cummins
* [[Mpho Koaho]] as Roger

* [[Mpho Koaho]] as Roger
==Critical reception==
William McDonald of ''[[The New York Times]]'' said the film is buoyed by "a strong supporting cast" and "[sidesteps] traps of sentimentality", though he admitted, "But what's lost in the blur is a fuller picture of the lonely racial limbo in which Barbara, as a girl, is forced to live. Instead, we have to trust her moodiness and her own testimony to understand her unhappiness."<ref name="nyt">{{cite news |last1=McDonald |first1=William |title=TELEVISION REVIEW; No, the Baby Didn't Die, and Neither Did Love |url=https://www.nytimes.com/1999/02/13/arts/television-review-no-the-baby-didnt-die-and-neither-did-love.html |access-date=19 October 2024 |work=The New York Times |date=February 13, 1999}}</ref>

==References==
{{Reflist}}


==External links==
==External links==
*{{imdb title|0186948}}
* {{IMDb title|0186948}}
* {{TCMDb title|id=463578}}


[[Category:1999 television films]]
[[Category:1999 television films]]
[[Category:1990s drama films]]
[[Category:1999 films]]
[[Category:American drama films]]
[[Category:1999 drama films]]
[[Category:American television films]]
[[Category:CBS films]]
[[Category:American films]]
[[Category:Films about adoption]]
[[Category:English-language films]]
[[Category:Films about dysfunctional families]]
[[Category:Films about rape]]
[[Category:Films about race and ethnicity]]
[[Category:Films set in Boston, Massachusetts]]
[[Category:Films about rape in the United States]]
[[Category:Films set in the 1960s]]
[[Category:Films set in the 1960s]]
[[Category:Films set in the 1970s]]
[[Category:Films set in the 1970s]]
[[Category:Films about adoption]]
[[Category:Films set in Boston]]
[[Category:Films shot in Toronto]]
[[Category:American drama television films]]
[[Category:Canadian drama television films]]
[[Category:1990s English-language films]]
[[Category:1990s American films]]
[[Category:1990s Canadian films]]
[[Category:African-American drama films]]
[[Category:English-language drama films]]

Latest revision as of 20:12, 21 December 2024

Deep in My Heart
GenreDrama
Written byRonni Kern
Directed byAnita W. Addison
Starring
Music byDebbie Wiseman
Country of origin
  • United States
  • Canada
Original languageEnglish
Production
Executive producerFrank Konigsberg
Producers
  • Christine Sacani
  • David Yarnell
Production locationsToronto, Ontario, Canada
CinematographyAlar Kivilo
EditorCharles Bornstein
Running time90 minutes
Production companyThe Königsberg Company
Original release
NetworkCBS
ReleaseFebruary 14, 1999 (1999-02-14)

Deep in My Heart is a 1999 American drama television film directed by Anita W. Addison. It stars Anne Bancroft and Lynn Whitfield. It is based on a true story.[1] The film was broadcast on CBS on February 14, 1999.[2] Bancroft received a Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie for her role.[3]

Plot

[edit]

In Boston in the early 1960s, Geraldine Cummins was walking home alone from the movies when she was jumped and raped by a black man. Stunned, she returned home to her husband Bob, stating she had been raped. Sometime later, she finds she is pregnant. She keeps the baby for a few reasons: she is Catholic and she harbors a small hope that it could be her husband's baby. As the baby is a black girl, she fears the social isolation she would receive and what people would think of her. She is heartbroken, but decides to give up her daughter. She names her newborn daughter Barbara Anne Cummins and gives her to foster mother Corrine Burrel, a black woman in Roxbury.

Seven years later, Barbara is a happy little girl. A few months later, a social worker comes into their home and informs Corrine that Barbara will be adopted by Annalise and Paul, white people living in Wisconsin. Corrine seeks legal action, looking to adopt Barbara for herself, but as she is divorced with no job and many children, she is turned down.

Annalise becomes worried about Barbara's very detached nature and suggests to Paul they move to a suburban neighborhood where Barbara could be around other black kids. Paul is angry that they have to change everything for a child he did not want, but agrees, only to leave them after moving. Barbara has once again receded into herself after the neighborhood children make fun of her for being black with a white mother. Over the years until she is 16, she is alone without her mother or friends. At 16 she meets Don, a football-playing choirboy. She falls in love with him and ultimately gets pregnant.

Years later, in the middle of Barbara's third pregnancy, the doctor suggests she look into her birth family history for medical reasons. This leads her in search for her mother. She visits Corrine and later contacts the agency in charge of her adoption. By reading her adoption records, she discovers the truth about her birth and her biological mother. After a night of contemplation, she decides to seek out her birth mother.

Revitalized by the happiness of knowing she was wanted by both her birth mother and foster mother, Barbara reconciles with Annalise. Anxiously, Gerry and her three grown children wait at the airport for Barbara's arrival. Finally, after 34 years, mother and daughter meet. Barbara is angry as to why Gerry gave her up if she loves her, asking if it would have made a difference if she had been born white. Gerry says she only wanted the best for Barbara, to be with people who could teach her courage, which she could not, because Gerry felt ashamed for being raped and having a black daughter, though she loved her. Gerry apologizes to Barbara and they reconcile as mother and daughter. Later, at a family reunion, Corrine, Gerry and Annalise meet again for the first time. The film ends with a picture of the entire side of Barbara's family, her mothers, her uncles, her brothers and sisters, her children, and her nieces and nephews, and Barbara no longer feels alone.

Cast

[edit]

Critical reception

[edit]

William McDonald of The New York Times said the film is buoyed by "a strong supporting cast" and "[sidesteps] traps of sentimentality", though he admitted, "But what's lost in the blur is a fuller picture of the lonely racial limbo in which Barbara, as a girl, is forced to live. Instead, we have to trust her moodiness and her own testimony to understand her unhappiness."[4]

References

[edit]
  1. ^ Gill, Suzanne (February 14, 1999). "'Deep in My Heart' is an unusual valentine". The Albany Herald. Retrieved October 19, 2024.
  2. ^ "Deep in My Heart (TV)". Paley Center for Media. Retrieved October 19, 2024.
  3. ^ "Deep in My Heart". emmys.com. Retrieved October 19, 2024.
  4. ^ McDonald, William (February 13, 1999). "TELEVISION REVIEW; No, the Baby Didn't Die, and Neither Did Love". The New York Times. Retrieved October 19, 2024.
[edit]