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{{short description|1992 film by Takao Okawara}}
{{short description|1992 Japanese kaiju film}}
{{About|the 1992 film|the 1964 film|Mothra vs. Godzilla}}
{{About|the 1992 film|the 1964 film|Mothra vs. Godzilla{{!}}''Mothra vs. Godzilla''}}
{{Infobox film
{{Infobox film
| name = Godzilla vs. Mothra
| name = Godzilla vs. Mothra
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| alt =
| alt =
| caption = Theatrical release poster by [[Noriyoshi Ohrai]]
| caption = Theatrical release poster by [[Noriyoshi Ohrai]]
| native_name = <!-- {{Infobox name module|language|title}} or {{Infobox name module|title}} -->
| native_name = {{Infobox Japanese| katakana=ゴジラvsモスラ| revhep=Gojira tai Mosura}}
| director = [[Takao Okawara]]
| director = [[Takao Okawara]]
| producer = [[Shogo Tomiyama]]{{sfn|Galbraith IV|2008|p=381}}
| producer = [[Shogo Tomiyama]]{{sfn|Galbraith IV|2008|p=381}}
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| cinematography = Masahiro Kishimoto{{sfn|Galbraith IV|2008|p=381}}
| cinematography = Masahiro Kishimoto{{sfn|Galbraith IV|2008|p=381}}
| editing = Miho Yoneda
| editing = Miho Yoneda
| studio = [[Toho]]{{sfn|Galbraith IV|2008|p=381}}
| studio = [[Toho Pictures]]
| distributor = Toho
| distributor = [[Toho]]
| released = {{Film date|1992|12|12|Japan}}
| released = {{Film date|1992|12|12|Japan}}
| runtime = 102 minutes{{sfn|Galbraith IV|2008|p=381}}
| runtime = 102 minutes{{sfn|Galbraith IV|2008|p=381}}
| country = Japan
| country = Japan
| language = Japanese<br/>English
| language = Japanese<br/>English
| budget = {{JPY|1 billion}}{{sfn|Ryfle|1998|p=306}}<br>({{USD|8 million|long=no}})<ref name="SacramentoBee">{{Cite news |date=December 19, 1992 |title=Godzilla, sweetheart, let's do lunch |url=https://www.newspapers.com/image/626085132/ |access-date=February 25, 2024 |work=[[The Sacramento Bee]] |page=8 |via=[[Newspapers.com]]}}</ref>
| budget =
| gross = {{¥|3.77 billion}}<ref name="Eiga"/>
| gross = {{¥|3.77 billion}}<ref name="Eiga"/>
}}
}}


{{nihongo|'''''Godzilla vs. Mothra'''''|ゴジラvsモスラ|Gojira tai Mosura|also known as '''''Godzilla and Mothra: The Battle for Earth'''''}}{{sfn|Ryfle|1998|p=279}} is a 1992 Japanese [[Kaiju|''kaiju'' film]] directed by Takao Okawara, written by [[Kazuki Ōmori]], and produced by [[Shogo Tomiyama]]. Produced and distributed by [[Toho|Toho Studios]], it is the 19th film in the [[Godzilla (franchise)|''Godzilla'' franchise]], and is the fourth film in the franchise's [[Godzilla (franchise)#Heisei era (1984–1995)|Heisei era]]. The film features the fictional monster characters [[Godzilla]], [[Mothra]], and Battra, and stars <!-- Order per billing block --> [[Tetsuya Bessho]], [[Satomi Kobayashi]], Takehiro Murata, [[Megumi Odaka]], Shiori Yonezawa, Makoto Otake, [[Akiji Kobayashi]], Koichi Ueda, Shinya Owada, Keiko Imamura, Sayaka Osawa, Saburo Shinoda and [[Akira Takarada]], with [[Kenpachiro Satsuma]] as Godzilla. The plot follows Battra and Mothra's attempts to stop Godzilla from attacking Yokohama.
{{nihongo|'''''Godzilla vs. Mothra'''''|ゴジラvsモスラ|Gojira tai Mosura|also known as '''''Godzilla and Mothra: The Battle for Earth'''''}}{{sfn|Ryfle|1998|p=279}} is a 1992 Japanese [[Kaiju|''kaiju'' film]] directed by [[Takao Okawara]], with special effects by [[Kōichi Kawakita]]. Distributed by [[Toho]] and produced under their subsidiary [[Toho Studios|Toho Pictures]], it is the 19th film in the [[Godzilla (franchise)|''Godzilla'' franchise]], and is the fourth film in the franchise's [[Godzilla (franchise)#Heisei era (1984–1995)|Heisei era]]. The film features the fictional monster characters [[Godzilla]], [[Mothra]], and [[Battra]], and stars <!-- Order per billing block --> [[Tetsuya Bessho]], [[Satomi Kobayashi]], Takehiro Murata, [[Megumi Odaka]], Shiori Yonezawa, Makoto Otake, [[Akiji Kobayashi]], Koichi Ueda, Shinya Owada, Keiko Imamura, Sayaka Osawa, Saburo Shinoda and [[Akira Takarada]], with [[Kenpachiro Satsuma]] as Godzilla. The plot follows Battra and Mothra's attempts to stop Godzilla from attacking [[Yokohama]].


Originally conceived as a standalone Mothra film entitled ''Mothra vs. Bagan'', the film is notable for its return to a more [[fantasy]]-based, family-oriented atmosphere, evocative of older ''Godzilla'' films. Although he did not return as director, Ōmori continued his trend of incorporating [[Cinema of the United States|Hollywood]] elements into his screenplay, in this case nods to the [[Indiana Jones (franchise)|''Indiana Jones'' franchise]].<ref name="kalat2010.1"/>
Originally conceived as a standalone Mothra film entitled ''Mothra vs. Bagan'', the film is notable for its return to a more [[fantasy]]-based, family-oriented atmosphere, evocative of older ''Godzilla'' films. Although he did not return as director, Ōmori continued his trend of incorporating [[Cinema of the United States|Hollywood]] elements into his screenplay, in this case nods to the ''[[Indiana Jones]]'' franchise.<ref name="kalat2010.1"/>


''Godzilla vs. Mothra'' was released theatrically in Japan on December 12, 1992, and was followed by ''[[Godzilla vs. Mechagodzilla II]]'' the following year. ''Godzilla vs. Mothra'' was released [[direct-to-video]] in the United States in 1998 by [[Sony Pictures Home Entertainment|Columbia Tristar Home Video]] under the title ''Godzilla and Mothra: The Battle for Earth''. The film was the second highest-grossing film in Japan in 1993, with ''[[Jurassic Park (film)|Jurassic Park]]'' being the highest-grossing.<ref name="kalat2010.1">{{cite book|last1=Kalat|first1=David|title=A Critical History and Filmography of Toho's Godzilla Series|date=2010|publisher=McFarland & Co.|location=Jefferson, N.C.|isbn=978-0-7864-47-49-7|pages=184–90|edition=2nd}}</ref>
''Godzilla vs. Mothra'' was released theatrically in Japan on December 12, 1992. The film received critical acclaim<ref name="SacramentoBee" /> and became the [[List of Japanese films of 1993|highest-grossing Japanese film of 1993]].<ref>{{Cite web |date=August 1, 1994 |title=Godzilla Suits Up Again : Low-Tech Dinosaur Is Due for High-Tech Hollywood Make-Over |url=https://www.latimes.com/archives/la-xpm-1994-08-01-ca-22396-story.html |access-date=February 25, 2024 |website=[[Los Angeles Times]] |language=en-US}}</ref><ref>{{Cite web |title=1993年(1月~12月) |url=http://www.eiren.org/toukei/1993.html |access-date=February 25, 2024 |website=Eiren}}</ref> ''Godzilla vs. Mothra'' was released [[direct-to-video]] in the United States in 1998 by [[Sony Pictures Home Entertainment|Columbia Tristar Home Video]] under the title ''Godzilla and Mothra: The Battle for Earth''. The film was the second highest-grossing film in Japan in 1993, with ''[[Jurassic Park (film)|Jurassic Park]]'' being the highest-grossing.<ref name="kalat2010.1">{{cite book|last1=Kalat|first1=David|title=A Critical History and Filmography of Toho's Godzilla Series|date=2010|publisher=McFarland & Co.|location=Jefferson, N.C.|isbn=978-0-7864-47-49-7|pages=184–90|edition=2nd}}</ref>

It was followed by ''[[Godzilla vs. Mechagodzilla II]]'' which was released on December 11, 1993.


==Plot==
==Plot==
[[File:Battra from Godzilla vs. Mothra.png|200px|right|thumb|Battra, as it appears in the film.]]
In mid-1992, following the events of ''[[Godzilla vs. King Ghidorah]]'', a [[meteoroid]] crashes in the [[Izu–Ogasawara Trench|Ogasawara Trench]] and awakens [[Godzilla]]. Six months later, explorer Takuya Fujito is detained after stealing an ancient artifact. Later, a representative of the [[Prime Minister of Japan|Japanese Prime Minister]] offers to have Takuya's charges dropped if he explores Infant Island with his ex-wife, Masako Tezuka and Kenji Ando, the secretary of the rapacious Marutomo company. After the trio arrives on the island, they find a cave containing a depiction of two giant insects in battle. Further exploration leads them to a giant egg and a pair of diminutive humanoids called the [[Mothra#Mothra's fairies|Cosmos]], who identify the egg as belonging to [[Mothra]].


In mid-1992, following the events of ''[[Godzilla vs. King Ghidorah]]'', a [[meteoroid]] crashes in the [[Izu–Ogasawara Trench|Ogasawara Trench]] and awakens [[Godzilla (Heisei)|Godzilla]]. Six months later, explorer Takuya Fujito is detained after stealing an ancient artifact. Later, a representative of the [[Prime Minister of Japan|Japanese Prime Minister]] offers to have Takuya's charges dropped if he explores Infant Island with his ex-wife, Masako Tezuka and Kenji Ando, the secretary of the rapacious Marutomo company. After the trio arrives on the island, they find a cave containing a depiction of two giant insects in battle. Further exploration leads them to a giant egg and a pair of diminutive humanoids called the [[Mothra#Mothra's fairies|Cosmos]], who identify the egg as belonging to [[Mothra]].
The Cosmos tell of an ancient civilization that tried to control the Earth's climate 12,000 years ago, thus provoking the Earth into creating Battra. Battra, a male divine moth similar to Mothra, but much more fearsome in appearance, destroyed the civilisation and their weather-controlling device but then became uncontrollable, and started to harm the very planet that created him. Mothra was then sent by the Earth to fight Battra, who eventually lost. The Cosmos explain how the meteoroid uncovered Mothra's egg, and may have awoken Battra, who is still embittered over humanity's interference in the Earth's natural order.

The Cosmos tell of an ancient civilization that tried to control the Earth's climate 12,000 years ago, thus provoking the Earth into creating Battra. Battra, a male divine moth with a ferocious appearance that vaguely resembles Mothra, destroyed the civilisation and their weather-controlling device but then became uncontrollable, and started to harm the very planet that created him. Mothra was then sent by the Earth to fight Battra, who eventually lost. The Cosmos explain how the meteoroid uncovered Mothra's egg, and may have awoken Battra, who is still embittered over humanity's interference in the Earth's natural order.


The Marutomo company sends a freighter to Infant Island to pick up the egg, ostensibly to protect it. As they are sailing, Godzilla surfaces and heads toward the newly hatched Mothra larva. Battra, also as a larva, soon appears and joins the fight, allowing Mothra to retreat. The battle between Godzilla and Battra is eventually taken underwater, where the force of the battle causes a giant crack on the [[Philippine Sea Plate]] that swallows the two.
The Marutomo company sends a freighter to Infant Island to pick up the egg, ostensibly to protect it. As they are sailing, Godzilla surfaces and heads toward the newly hatched Mothra larva. Battra, also as a larva, soon appears and joins the fight, allowing Mothra to retreat. The battle between Godzilla and Battra is eventually taken underwater, where the force of the battle causes a giant crack on the [[Philippine Sea Plate]] that swallows the two.
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Masako and Takuya later discover Ando's true intentions when he kidnaps the Cosmos and takes them to Marutomo headquarters, where the [[Chief executive officer|CEO]] intends to use them for publicity purposes. Mothra enters Tokyo in an attempt to rescue the Cosmos, but is attacked by the [[Japan Self-Defense Forces|JSDF]]. The wounded Mothra heads for the [[National Diet Building]] and starts constructing a cocoon around herself. Meanwhile, Godzilla surfaces from [[Mount Fuji]], while Battra frees himself from the Earth's crust and continues towards Japan.
Masako and Takuya later discover Ando's true intentions when he kidnaps the Cosmos and takes them to Marutomo headquarters, where the [[Chief executive officer|CEO]] intends to use them for publicity purposes. Mothra enters Tokyo in an attempt to rescue the Cosmos, but is attacked by the [[Japan Self-Defense Forces|JSDF]]. The wounded Mothra heads for the [[National Diet Building]] and starts constructing a cocoon around herself. Meanwhile, Godzilla surfaces from [[Mount Fuji]], while Battra frees himself from the Earth's crust and continues towards Japan.


Both Mothra and Battra attain their [[imago]] forms and converge at [[Yokohama Cosmo World]] where they begin to fight once more. Godzilla interrupts the battle and attacks Mothra, but Battra comes to her aid and briefly incapacitates Godzilla. Regrouping, the two moths decide to join forces against Godzilla, determining him to be the greater threat to the planet. Eventually, Mothra and Battra overwhelm Godzilla and carry it over the ocean. Godzilla bites Battra's neck and fires its atomic breath into the wound, killing him. A tired Mothra drops Godzilla and the lifeless Battra into the water below, sealing Godzilla below the surface by creating a mystical glyph with scales from her wings. The next morning, the Cosmos explain that Battra had been waiting many years to destroy an even larger asteroid that would threaten the Earth in 1999. Mothra had promised she would stop the future collision if Battra were to die, and she and the Cosmos leave Earth as the humans bid farewell.
Both Mothra and Battra attain their [[imago]] forms and converge at [[Yokohama Cosmo World]] where they begin to fight once more. Godzilla interrupts the battle and initially attacks Battra. Mothra then briefly incapacitates Godzilla and comes to Battra's aid before returning to battle with Godzilla. Battra then returns the favor coming to Mothra's defense. Regrouping, the two moths decide to join forces against Godzilla, determining him to be the greater threat to the planet. Eventually, Mothra and Battra overwhelm Godzilla and carry it over the ocean. Godzilla bites Battra's neck and fires its atomic breath into the wound, killing him. A tired Mothra drops Godzilla and the lifeless Battra into the water below, sealing Godzilla below the surface by creating a mystical glyph with scales from her wings. The next morning, the Cosmos explain that Battra had been waiting many years to destroy an even larger asteroid that would threaten the Earth in 1999. Mothra had promised she would stop the future collision if Battra were to die, and she and the Cosmos leave Earth as the humans bid farewell.


==Cast==
==Cast==
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* Takehiro Murata as {{nihongo|Kenji Ando|安東 健二|Ando Kenji}}
* Takehiro Murata as {{nihongo|Kenji Ando|安東 健二|Ando Kenji}}
* Keiko Imamura and Sayaka Osawa as the {{nihongo|[[Mothra#Mothra's fairies|Cosmos]]|コスモス|Kosumosu}}
* Keiko Imamura and Sayaka Osawa as the {{nihongo|[[Mothra#Mothra's fairies|Cosmos]]|コスモス|Kosumosu}}
* Saburo Shinoda as {{nihongo|Professor Shigeki Fukazawa|深沢 重樹|Fukazawa Shigeki}}
* [[Saburō Shinoda]] as {{nihongo|Professor Shigeki Fukazawa|深沢 重樹|Fukazawa Shigeki}}
* [[Akiji Kobayashi]] as {{nihongo|Ryuzo Dobashi|土橋 竜三|Dobashi Ryuzo}}
* [[Akiji Kobayashi]] as {{nihongo|Ryuzo Dobashi|土橋 竜三|Dobashi Ryuzo}}
* [[Megumi Odaka]] as {{nihongo|[[Miki Saegusa]]|三枝 未希|Saegusa Miki}}
* [[Megumi Odaka]] as {{nihongo|[[Miki Saegusa]]|三枝 未希|Saegusa Miki}}
Line 60: Line 62:
* Makoto Otake as Takeshi Tomokane
* Makoto Otake as Takeshi Tomokane
* Shiori Yonezawa as Midori Tezuka
* Shiori Yonezawa as Midori Tezuka
* [[Kenpachiro Satsuma]] as [[Godzilla]]
* [[Kenpachiro Satsuma]] as [[Godzilla (Heisei)|Godzilla]]
* [[Hurricane Ryu]] as the Battra larva
* [[Hurricane Ryu]] as the Battra larva
}}
}}


==Production==
==Production==
===Development===
The idea of shooting a movie featuring a revamped [[Mothra]] dated back to a screenplay written in 1980 by Akira Murao entitled ''Mothra vs. Bagan'', which revolved around a vengeful dragon called Bagan who sought to destroy humanity for its abuse of the Earth's resources, only to be defeated by Mothra, the goddess of peace. The screenplay was revised by [[Kazuki Ōmori]] after the release of ''[[Godzilla vs. Biollante]]'', though the project was ultimately scrapped by Toho, under the assumption that Mothra was a character born purely out of Japanese culture, and thus would have been difficult to market overseas unlike the more internationally recognized [[Godzilla]].<ref name="kalat2010.2">{{cite book|last1=Kalat|first1=David|title=A Critical History and Filmography of Toho's Godzilla Series|date=2010|publisher=McFarland & Co.|location=Jefferson, N.C.|isbn=978-0-7864-47-49-7|pages=179–183|edition=2nd}}</ref>
The idea of a film featuring a revamped [[Mothra]] dated back to a screenplay written in 1990 by Kazuki Omori entitled ''Mothra vs. Bagan'', which revolved around a vengeful dragon called Bagan who sought to destroy humanity for its abuse of the Earth's resources, only to be defeated by Mothra, the goddess of peace. However, following the poor box office performance of ''[[Godzilla vs. Biollante]]'', the project was ultimately scrapped by Toho, under the assumption that Mothra was a character born purely out of Japanese culture, and thus would have been difficult to market overseas unlike the more internationally recognized [[Godzilla]].<ref name="kalat2010.2">{{cite book|last1=Kalat|first1=David|title=A Critical History and Filmography of Toho's Godzilla Series|date=2010|publisher=McFarland & Co.|location=Jefferson, N.C.|isbn=978-0-7864-47-49-7|pages=179–183|edition=2nd}}</ref>


After the success of ''[[Godzilla vs. King Ghidorah]]'', producer [[Shōgo Tomiyama]] and ''Godzilla'' series creator [[Tomoyuki Tanaka]] proposed resurrecting [[King Ghidorah]] in a film entitled ''Ghidorah's Counterattack'', but relented when polls demonstrated that Mothra was more popular with women, who comprised the majority of Japan's population. Tomiyama replaced Ōmori with [[Takao Okawara]] as director, but maintained Ōmori as screenwriter. Hoping to maintain as much of ''Mothra vs. Bagan'' as possible, Ōmori reconceptualized Bagan as Badora, a dark twin to Mothra. The character was later renamed Battra (a [[portmanteau]] of "battle" and "Mothra"), as the first name was disharmonious in Japanese. Tomiyama had intended to feature ''[[Mothra (film)|Mothra]]'' star [[Frankie Sakai]], but was unable to because of scheduling conflicts. The final battle between Godzilla, Mothra and Battra was originally meant to have a more elaborate conclusion; as in the final product, Godzilla would have been transported to sea, only to kill Battra and plunge into the ocean. However, the site of their fall would have been the submerged, [[Stonehenge]]-like ruins of the Cosmos civilization, which would have engulfed and trapped Godzilla with a forcefield activated by Mothra.<ref name="kalat2010.1"/>
After the success of ''[[Godzilla vs. King Ghidorah]]'', producer [[Shōgo Tomiyama]] and ''Godzilla'' series creator [[Tomoyuki Tanaka]] proposed resurrecting [[King Ghidorah]] in a film entitled ''Ghidorah's Counterattack'', but relented when polls demonstrated that Mothra was more popular with women, which makes up a larger percentage of Japan's population compared to men. Tomiyama replaced Ōmori with [[Takao Okawara]] as director, but maintained Ōmori as screenwriter. Hoping to maintain as much of ''Mothra vs. Bagan'' as possible, Ōmori reconceptualized Bagan as Badora, a dark twin to Mothra. The character was later renamed Battra (a [[portmanteau]] of "battle" and "Mothra"), as the first name was disharmonious in Japanese. Tomiyama had intended to feature ''[[Mothra (film)|Mothra]]'' star [[Frankie Sakai]], but was unable to because of scheduling conflicts. The final battle between Godzilla, Mothra and Battra was originally meant to have a more elaborate conclusion; as in the final product, Godzilla would have been transported to sea, only to kill Battra and plunge into the ocean. However, the site of their fall would have been the submerged, [[Stonehenge]]-like ruins of the Cosmos civilization, which would have engulfed and trapped Godzilla with a forcefield activated by Mothra.<ref name="kalat2010.1"/>


[[Ishirō Honda]], who directed the first ''[[Godzilla (1954 film)|Godzilla]]'' film and many others, visited the set shortly before dying.<ref name="kalat2010.1"/>
[[Ishirō Honda]], director of the original ''[[Godzilla (1954 film)|Godzilla]]'' film and many others, visited the set shortly before dying.<ref name="kalat2010.1"/>


===Special effects===
===Special effects===
Koichi Kawakita continued his theme of giving Godzilla's opponents the ability to metamorphose, and had initially intended to have Mothra killed off, only to be reborn as the cybernetic moth ''MechaMothra'', though this was scrapped early in production, thus making ''Godzilla vs. Mothra'' the first post-1984 ''Godzilla'' movie to not feature a [[mecha]] contraption. The underwater scenes were filmed through an aquarium filled with fish set between the performers and the camera. Kawakita's team constructed a new Godzilla suit from previously used molds,<ref name="kalat2010.1"/> though it was made slimmer than previous suits, the neck given more prominent ribbing, and the arrangement of the character's dorsal plates was changed so that the largest plate was placed on the middle of the back. The arms were more flexible at the biceps, and the face was given numerous cosmetic changes; the forehead was reduced and flattened, the teeth scaled down, and the eyes given a golden tint. The head was also electronically modified to allow more vertical mobility.<ref name="biondi">Robert Biondi, "The Evolution of Godzilla – G-Suit Variations Throughout the Monster King's Twenty One Films", ''G-FAN'' #16 (July/August 1995)</ref> Filming the Godzilla scenes was hampered when the suit previously used for ''Godzilla vs. Biollante'' and ''Godzilla vs. King Ghidorah'', which was needed for some stunt-work, was stolen from Toho studios, only to be recovered at [[Lake Okutama]] in bad condition.<ref name="kalat2010.1"/> The remains of the suit were recycled for the first battle sequence.<ref name="biondi"/> Godzilla's roar was reverted to the high-pitched shriek from pre-1984 ''Godzilla'' films, while Battra's sound effects were recycled from those of [[Rodan]].<ref name="kalat2010.1"/> In designing Battra, which the script described as a "black Mothra", artist Shinji Nishikawa sought to distance its design from Mothra's by making its adult form more similar to its larval one than is the case with Mothra, and combining Mothra's two eyes into one.<ref name="nishikawa">David Milner, [http://www.davmil.org/www.kaijuconversations.com/nishikaw.htm "Shinji Nishikawa Interview"] {{Webarchive|url=https://web.archive.org/web/20161005063113/http://www.davmil.org/www.kaijuconversations.com/nishikaw.htm |date=2016-10-05 }}, ''Kaiju Conversations'' (December 1995) davmil.org</ref>
Koichi Kawakita continued his theme of giving Godzilla's opponents the ability to metamorphose, and had initially intended to have Mothra killed off, only to be reborn as the cybernetic moth ''MechaMothra'', though this was scrapped early in production, thus making ''Godzilla vs. Mothra'' the first post-1984 ''Godzilla'' movie to not feature a [[mecha]] contraption. The underwater scenes were filmed through an aquarium filled with fish set between the performers and the camera. Kawakita's team constructed a new Godzilla suit from previously used molds,<ref name="kalat2010.1"/> though it was made slimmer than previous suits, the neck given more prominent ribbing, and the arrangement of the character's dorsal plates was changed so that the largest plate was placed on the middle of the back. The arms were more flexible at the biceps, and the face was given numerous cosmetic changes; the forehead was reduced and flattened, the teeth scaled down, and the eyes given a golden tint. The head was also electronically modified to allow more vertical mobility.<ref name="biondi">Robert Biondi, "The Evolution of Godzilla – G-Suit Variations Throughout the Monster King's Twenty One Films", ''G-FAN'' #16 (July/August 1995)</ref> Filming the Godzilla scenes was hampered when the suit previously used for ''Biollante'' and ''King Ghidorah'', which was needed for some stunt-work, was stolen from Toho studios, only to be recovered at [[Lake Okutama]] in bad condition.<ref name="kalat2010.1"/>
The remains of the suit were recycled for the first battle sequence.<ref name="biondi"/> Godzilla's roar was reverted to the high-pitched shriek from pre-1984 ''Godzilla'' films, while Battra's sound effects were recycled from those of [[Rodan]].<ref name="kalat2010.1"/> In designing Battra, which the script described as a "black Mothra", artist Shinji Nishikawa sought to distance its design from Mothra's by making its adult form more similar to its larval one than is the case with Mothra, and combining Mothra's two eyes into one.<ref name="nishikawa">David Milner, [http://www.davmil.org/www.kaijuconversations.com/nishikaw.htm "Shinji Nishikawa Interview"] {{Webarchive|url=https://web.archive.org/web/20161005063113/http://www.davmil.org/www.kaijuconversations.com/nishikaw.htm |date=2016-10-05 }}, ''Kaiju Conversations'' (December 1995) davmil.org</ref>


==Release==
==Release==
''Godzilla vs. Mothra'' was released in Japan on December 12, 1992 where it was distributed by [[Toho]].{{sfn|Galbraith IV|2008|p=381}} The film sold approximately 4,200,000 tickets in Japan, becoming the number one Japanese film on the domestic market in the period that included the year 1993. It earned ¥2.22 billion in distribution income,<ref>{{cite web|url=http://www.eiren.org/toukei/1993.html|title=Kako haikyū shūnyū jōi sakuhin 1993-nen|publisher=Motion Picture Producers Association of Japan|language=ja|access-date=6 February 2011}}</ref> and grossed {{¥|3.77 billion}} in total.<ref name="Eiga">{{cite web |title=『ゴジラVSモスラ』の詳細情報 |url=http://www.eiga-ranking.com/movie/11476.html |website=Eiga Ranking |access-date=18 February 2019}}</ref>
''Godzilla vs. Mothra'' was released in Japan on December 12, 1992, where it was distributed by [[Toho]].{{sfn|Galbraith IV|2008|p=381}} The film sold approximately 4,200,000 tickets in Japan, becoming the number one Japanese film on the domestic market in the period that included the year 1993. It earned ¥2.22 billion in distribution income,<ref>{{cite web|url=http://www.eiren.org/toukei/1993.html|title=Kako haikyū shūnyū jōi sakuhin 1993-nen|publisher=Motion Picture Producers Association of Japan|language=ja|access-date=6 February 2011}}</ref> and grossed {{¥|3.77 billion}} in total.<ref name="Eiga">{{cite web |title=『ゴジラVSモスラ』の詳細情報 |url=http://www.eiga-ranking.com/movie/11476.html |website=Eiga Ranking |access-date=18 February 2019}}</ref>

The film was released in the United States as ''Godzilla and Mothra: The Battle for Earth'' on April 28, 1998, on home video by [[Columbia TriStar Home Video]].{{sfn|Galbraith IV|2008|p=381}}


==Critical response==
The film was released in the United States as ''Godzilla and Mothra: The Battle for Earth'' on April 28, 1998 on home video by [[Columbia TriStar Home Video]].{{sfn|Galbraith IV|2008|p=381}}
''Godzilla vs. Mothra'' received critical acclaim upon its Japanese release.<ref name="SacramentoBee"/> Review aggregation website [[Rotten Tomatoes]] has a 78% approval rating from critics, based on 9 reviews with an [[Weighted mean|average score]] of 5.7/10.<ref name="RT">{{cite web|title=Godzilla vs. Mothra (1992)|url=http://www.rottentomatoes.com/m/godzilla_vs_mothra_1992/|work=[[Rotten Tomatoes]]|access-date=February 28, 2016}}</ref>


Ed Godziszewski of Monster Zero said, "Rushed into production but a few months after ''[[Godzilla vs. King Ghidorah]]'', this film is unable to hide its hurried nature [but] effects-wise, the film makes up for the story's shortcomings and then some."<ref>Ed Godziszewski, [http://monsterzero.us/editorials/editorials.php?catID=&subCatID=3&contentID=87 "Godzilla vs. Mothra"], ''Monster Zero'' {{webarchive |url=https://web.archive.org/web/20070625091904/http://monsterzero.us/editorials/editorials.php?catID=&subCatID=3&contentID=87 |date=June 25, 2007 }}</ref> Japan Hero said, "While this movie is not the best of the Heisei series, it is still a really interesting movie. The battles are cool, and Battra was an interesting idea. If you have never seen this movie, I highly recommend it."<ref>[http://www.japanhero.com/kaiju/reviews/godzilla_VS_mothra_1992.htm] {{webarchive|url=https://web.archive.org/web/20100108003115/http://www.japanhero.com/kaiju/reviews/godzilla_VS_mothra_1992.htm|date=January 8, 2010}}</ref>
==Critical reaction==
Review aggregation website [[Rotten Tomatoes]] has a 75% approval rating from critics, based on 8 reviews with an [[Weighted mean|average score]] of 6.3/10.<ref name="RT">{{cite web|title=Godzilla vs. Mothra (1992)|url=http://www.rottentomatoes.com/m/godzilla_vs_mothra_1992/|work=[[Rotten Tomatoes]]|access-date=February 28, 2016}}</ref> Ed Godziszewski of Monster Zero said, "Rushed into production but a few months after ''[[Godzilla vs. King Ghidorah]]'', this film is unable to hide its hurried nature [but] effects-wise, the film makes up for the story's shortcomings and then some."<ref>Ed Godziszewski, [http://monsterzero.us/editorials/editorials.php?catID=&subCatID=3&contentID=87 "Godzilla vs. Mothra"], ''Monster Zero'' {{webarchive |url=https://web.archive.org/web/20070625091904/http://monsterzero.us/editorials/editorials.php?catID=&subCatID=3&contentID=87 |date=June 25, 2007 }}</ref> Japan Hero said, "While this movie is not the best of the Heisei series, it is still a really interesting movie. The battles are cool, and Battra was an interesting idea. If you have never seen this movie, I highly recommend it."<ref>[http://www.japanhero.com/kaiju/reviews/godzilla_VS_mothra_1992.htm ] {{webarchive |url=https://web.archive.org/web/20100108003115/http://www.japanhero.com/kaiju/reviews/godzilla_VS_mothra_1992.htm |date=January 8, 2010 }}</ref>


Stomp Tokyo said the film is "one of the better ''Godzilla'' movies in that the scenes in which monsters do not appear actually make some sort of sense. And for once, they are acted with some gusto, so that we as viewers can actually come to like the characters on screen, or at least be entertained by them."<ref>{{cite web|url=http://www.stomptokyo.com/movies/godzilla-vs-mothra.html |title=Stomp Tokyo Video Reviews - Godzilla vs. Mothra (1992) |publisher=Stomptokyo.com |access-date=2015-07-25}}</ref> Mike Bogue of American Kaiju said the film "[does] not live up to its potential", but added that "[its] colorful and elaborate spectacle eventually won [him] over" and "the main story thread dealing with the eventual reconciliation of the divorced couple adequately holds the human plot together."<ref>{{cite web|url=http://americankaiju.kaijuphile.com/articles/gandmothra.shtml |title=American Kaiju: Mike Bogue's Articles and Reviews: Godzilla vs. Mothra |publisher=Americankaiju.kaijuphile.com |date=1992-12-12 |access-date=2015-07-25}}</ref>{{Unreliable source?|date=July 2018}}
Stomp Tokyo said the film is "one of the better ''Godzilla'' movies in that the scenes in which monsters do not appear actually make some sort of sense. And for once, they are acted with some gusto, so that we as viewers can actually come to like the characters on screen, or at least be entertained by them."<ref>{{cite web|url=http://www.stomptokyo.com/movies/godzilla-vs-mothra.html |title=Stomp Tokyo Video Reviews - Godzilla vs. Mothra (1992) |publisher=Stomptokyo.com |access-date=2015-07-25}}</ref> Mike Bogue of American Kaiju said the film "[does] not live up to its potential", but added that "[its] colorful and elaborate spectacle eventually won [him] over" and "the main story thread dealing with the eventual reconciliation of the divorced couple adequately holds the human plot together."<ref>{{cite web|url=http://americankaiju.kaijuphile.com/articles/gandmothra.shtml |title=American Kaiju: Mike Bogue's Articles and Reviews: Godzilla vs. Mothra |publisher=Americankaiju.kaijuphile.com |date=1992-12-12 |access-date=2015-07-25}}</ref>{{Unreliable source?|date=July 2018}}
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*{{cite web |url=http://www.jmdb.ne.jp/1992/dp002480.htm|title=ゴジラvsモスラ (''Gojira tai Mosura'')|access-date=2007-07-19|language=ja|publisher=[[Japanese Movie Database]]}}
*{{cite web |url=http://www.jmdb.ne.jp/1992/dp002480.htm|title=ゴジラvsモスラ (''Gojira tai Mosura'')|access-date=2007-07-19|language=ja|publisher=[[Japanese Movie Database]]}}
*{{IMDb title|id=0104352}}
*{{IMDb title|id=0104352}}
*{{AllMovie title|184731}}
*[http://wikizilla.org/wiki/Godzilla_vs._Mothra Godzilla vs. Mothra on Wikizilla]
*[http://wikizilla.org/wiki/Godzilla_vs._Mothra Godzilla vs. Mothra on Wikizilla]
*[[iarchive:gvm1992|Watch the documentary ''The Men Who Created Godzilla: Kawakita's First Class Movie Story'' (1992) (Japanese with English subtitles)]]


{{Godzilla|state=expand}}
{{Godzilla|state=expand}}
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[[Category:Japanese sequel films]]
[[Category:Japanese sequel films]]
[[Category:Kaiju films]]
[[Category:Kaiju films]]
[[Category:Mothra]]
[[Category:Mothra films]]
[[Category:TriStar Pictures films]]
[[Category:TriStar Pictures films]]
[[Category:Toho films]]
[[Category:Toho films]]
[[Category:1990s Japanese films]]
[[Category:1990s Japanese films]]
[[Category:1992 science fiction films]]

Latest revision as of 22:21, 21 December 2024

Godzilla vs. Mothra
Theatrical release poster by Noriyoshi Ohrai
Japanese name
Katakanaゴジラvsモスラ
Transcriptions
Revised HepburnGojira tai Mosura
Directed byTakao Okawara
Screenplay byKazuki Ōmori[1]
Produced byShogo Tomiyama[1]
Starring
CinematographyMasahiro Kishimoto[1]
Edited byMiho Yoneda
Music byAkira Ifukube[1]
Production
company
Distributed byToho
Release date
  • December 12, 1992 (1992-12-12) (Japan)
Running time
102 minutes[1]
CountryJapan
LanguagesJapanese
English
Budget¥1 billion[2]
($8 million)[3]
Box office¥3.77 billion[4]

Godzilla vs. Mothra (ゴジラvsモスラ, Gojira tai Mosura, also known as Godzilla and Mothra: The Battle for Earth)[5] is a 1992 Japanese kaiju film directed by Takao Okawara, with special effects by Kōichi Kawakita. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 19th film in the Godzilla franchise, and is the fourth film in the franchise's Heisei era. The film features the fictional monster characters Godzilla, Mothra, and Battra, and stars Tetsuya Bessho, Satomi Kobayashi, Takehiro Murata, Megumi Odaka, Shiori Yonezawa, Makoto Otake, Akiji Kobayashi, Koichi Ueda, Shinya Owada, Keiko Imamura, Sayaka Osawa, Saburo Shinoda and Akira Takarada, with Kenpachiro Satsuma as Godzilla. The plot follows Battra and Mothra's attempts to stop Godzilla from attacking Yokohama.

Originally conceived as a standalone Mothra film entitled Mothra vs. Bagan, the film is notable for its return to a more fantasy-based, family-oriented atmosphere, evocative of older Godzilla films. Although he did not return as director, Ōmori continued his trend of incorporating Hollywood elements into his screenplay, in this case nods to the Indiana Jones franchise.[6]

Godzilla vs. Mothra was released theatrically in Japan on December 12, 1992. The film received critical acclaim[3] and became the highest-grossing Japanese film of 1993.[7][8] Godzilla vs. Mothra was released direct-to-video in the United States in 1998 by Columbia Tristar Home Video under the title Godzilla and Mothra: The Battle for Earth. The film was the second highest-grossing film in Japan in 1993, with Jurassic Park being the highest-grossing.[6]

It was followed by Godzilla vs. Mechagodzilla II which was released on December 11, 1993.

Plot

[edit]

In mid-1992, following the events of Godzilla vs. King Ghidorah, a meteoroid crashes in the Ogasawara Trench and awakens Godzilla. Six months later, explorer Takuya Fujito is detained after stealing an ancient artifact. Later, a representative of the Japanese Prime Minister offers to have Takuya's charges dropped if he explores Infant Island with his ex-wife, Masako Tezuka and Kenji Ando, the secretary of the rapacious Marutomo company. After the trio arrives on the island, they find a cave containing a depiction of two giant insects in battle. Further exploration leads them to a giant egg and a pair of diminutive humanoids called the Cosmos, who identify the egg as belonging to Mothra.

The Cosmos tell of an ancient civilization that tried to control the Earth's climate 12,000 years ago, thus provoking the Earth into creating Battra. Battra, a male divine moth with a ferocious appearance that vaguely resembles Mothra, destroyed the civilisation and their weather-controlling device but then became uncontrollable, and started to harm the very planet that created him. Mothra was then sent by the Earth to fight Battra, who eventually lost. The Cosmos explain how the meteoroid uncovered Mothra's egg, and may have awoken Battra, who is still embittered over humanity's interference in the Earth's natural order.

The Marutomo company sends a freighter to Infant Island to pick up the egg, ostensibly to protect it. As they are sailing, Godzilla surfaces and heads toward the newly hatched Mothra larva. Battra, also as a larva, soon appears and joins the fight, allowing Mothra to retreat. The battle between Godzilla and Battra is eventually taken underwater, where the force of the battle causes a giant crack on the Philippine Sea Plate that swallows the two.

Masako and Takuya later discover Ando's true intentions when he kidnaps the Cosmos and takes them to Marutomo headquarters, where the CEO intends to use them for publicity purposes. Mothra enters Tokyo in an attempt to rescue the Cosmos, but is attacked by the JSDF. The wounded Mothra heads for the National Diet Building and starts constructing a cocoon around herself. Meanwhile, Godzilla surfaces from Mount Fuji, while Battra frees himself from the Earth's crust and continues towards Japan.

Both Mothra and Battra attain their imago forms and converge at Yokohama Cosmo World where they begin to fight once more. Godzilla interrupts the battle and initially attacks Battra. Mothra then briefly incapacitates Godzilla and comes to Battra's aid before returning to battle with Godzilla. Battra then returns the favor coming to Mothra's defense. Regrouping, the two moths decide to join forces against Godzilla, determining him to be the greater threat to the planet. Eventually, Mothra and Battra overwhelm Godzilla and carry it over the ocean. Godzilla bites Battra's neck and fires its atomic breath into the wound, killing him. A tired Mothra drops Godzilla and the lifeless Battra into the water below, sealing Godzilla below the surface by creating a mystical glyph with scales from her wings. The next morning, the Cosmos explain that Battra had been waiting many years to destroy an even larger asteroid that would threaten the Earth in 1999. Mothra had promised she would stop the future collision if Battra were to die, and she and the Cosmos leave Earth as the humans bid farewell.

Cast

[edit]

Production

[edit]

Development

[edit]

The idea of a film featuring a revamped Mothra dated back to a screenplay written in 1990 by Kazuki Omori entitled Mothra vs. Bagan, which revolved around a vengeful dragon called Bagan who sought to destroy humanity for its abuse of the Earth's resources, only to be defeated by Mothra, the goddess of peace. However, following the poor box office performance of Godzilla vs. Biollante, the project was ultimately scrapped by Toho, under the assumption that Mothra was a character born purely out of Japanese culture, and thus would have been difficult to market overseas unlike the more internationally recognized Godzilla.[9]

After the success of Godzilla vs. King Ghidorah, producer Shōgo Tomiyama and Godzilla series creator Tomoyuki Tanaka proposed resurrecting King Ghidorah in a film entitled Ghidorah's Counterattack, but relented when polls demonstrated that Mothra was more popular with women, which makes up a larger percentage of Japan's population compared to men. Tomiyama replaced Ōmori with Takao Okawara as director, but maintained Ōmori as screenwriter. Hoping to maintain as much of Mothra vs. Bagan as possible, Ōmori reconceptualized Bagan as Badora, a dark twin to Mothra. The character was later renamed Battra (a portmanteau of "battle" and "Mothra"), as the first name was disharmonious in Japanese. Tomiyama had intended to feature Mothra star Frankie Sakai, but was unable to because of scheduling conflicts. The final battle between Godzilla, Mothra and Battra was originally meant to have a more elaborate conclusion; as in the final product, Godzilla would have been transported to sea, only to kill Battra and plunge into the ocean. However, the site of their fall would have been the submerged, Stonehenge-like ruins of the Cosmos civilization, which would have engulfed and trapped Godzilla with a forcefield activated by Mothra.[6]

Ishirō Honda, director of the original Godzilla film and many others, visited the set shortly before dying.[6]

Special effects

[edit]

Koichi Kawakita continued his theme of giving Godzilla's opponents the ability to metamorphose, and had initially intended to have Mothra killed off, only to be reborn as the cybernetic moth MechaMothra, though this was scrapped early in production, thus making Godzilla vs. Mothra the first post-1984 Godzilla movie to not feature a mecha contraption. The underwater scenes were filmed through an aquarium filled with fish set between the performers and the camera. Kawakita's team constructed a new Godzilla suit from previously used molds,[6] though it was made slimmer than previous suits, the neck given more prominent ribbing, and the arrangement of the character's dorsal plates was changed so that the largest plate was placed on the middle of the back. The arms were more flexible at the biceps, and the face was given numerous cosmetic changes; the forehead was reduced and flattened, the teeth scaled down, and the eyes given a golden tint. The head was also electronically modified to allow more vertical mobility.[10] Filming the Godzilla scenes was hampered when the suit previously used for Biollante and King Ghidorah, which was needed for some stunt-work, was stolen from Toho studios, only to be recovered at Lake Okutama in bad condition.[6]

The remains of the suit were recycled for the first battle sequence.[10] Godzilla's roar was reverted to the high-pitched shriek from pre-1984 Godzilla films, while Battra's sound effects were recycled from those of Rodan.[6] In designing Battra, which the script described as a "black Mothra", artist Shinji Nishikawa sought to distance its design from Mothra's by making its adult form more similar to its larval one than is the case with Mothra, and combining Mothra's two eyes into one.[11]

Release

[edit]

Godzilla vs. Mothra was released in Japan on December 12, 1992, where it was distributed by Toho.[1] The film sold approximately 4,200,000 tickets in Japan, becoming the number one Japanese film on the domestic market in the period that included the year 1993. It earned ¥2.22 billion in distribution income,[12] and grossed ¥3.77 billion in total.[4]

The film was released in the United States as Godzilla and Mothra: The Battle for Earth on April 28, 1998, on home video by Columbia TriStar Home Video.[1]

Critical response

[edit]

Godzilla vs. Mothra received critical acclaim upon its Japanese release.[3] Review aggregation website Rotten Tomatoes has a 78% approval rating from critics, based on 9 reviews with an average score of 5.7/10.[13]

Ed Godziszewski of Monster Zero said, "Rushed into production but a few months after Godzilla vs. King Ghidorah, this film is unable to hide its hurried nature [but] effects-wise, the film makes up for the story's shortcomings and then some."[14] Japan Hero said, "While this movie is not the best of the Heisei series, it is still a really interesting movie. The battles are cool, and Battra was an interesting idea. If you have never seen this movie, I highly recommend it."[15]

Stomp Tokyo said the film is "one of the better Godzilla movies in that the scenes in which monsters do not appear actually make some sort of sense. And for once, they are acted with some gusto, so that we as viewers can actually come to like the characters on screen, or at least be entertained by them."[16] Mike Bogue of American Kaiju said the film "[does] not live up to its potential", but added that "[its] colorful and elaborate spectacle eventually won [him] over" and "the main story thread dealing with the eventual reconciliation of the divorced couple adequately holds the human plot together."[17][unreliable source?]

Home media

[edit]

The film was released by Sony on Blu-ray in The Toho Godzilla Collection on May 6, 2014.[18]

Awards

[edit]
Year Award Category Recipient Result
1993 Tokyo Sports Movie Awards Best Leading Actor Tetsuya Bessho Won
1993 Best Grossing Films Award Golden Award and Money-Making Star Award Godzilla and Mothra: The Battle for Earth Won
1993 Awards of The Japanese Academy[19][better source needed] Newcomer of the Year Keiko Imamura, Sayaka Osawa Won
Best Music Score Akira Ifukube Nominated
Best Supporting Actor Takehiro Murata Nominated

References

[edit]
  1. ^ a b c d e f g Galbraith IV 2008, p. 381.
  2. ^ Ryfle 1998, p. 306.
  3. ^ a b c "Godzilla, sweetheart, let's do lunch". The Sacramento Bee. December 19, 1992. p. 8. Retrieved February 25, 2024 – via Newspapers.com.
  4. ^ a b "『ゴジラVSモスラ』の詳細情報". Eiga Ranking. Retrieved 18 February 2019.
  5. ^ Ryfle 1998, p. 279.
  6. ^ a b c d e f g Kalat, David (2010). A Critical History and Filmography of Toho's Godzilla Series (2nd ed.). Jefferson, N.C.: McFarland & Co. pp. 184–90. ISBN 978-0-7864-47-49-7.
  7. ^ "Godzilla Suits Up Again : Low-Tech Dinosaur Is Due for High-Tech Hollywood Make-Over". Los Angeles Times. August 1, 1994. Retrieved February 25, 2024.
  8. ^ "1993年(1月~12月)". Eiren. Retrieved February 25, 2024.
  9. ^ Kalat, David (2010). A Critical History and Filmography of Toho's Godzilla Series (2nd ed.). Jefferson, N.C.: McFarland & Co. pp. 179–183. ISBN 978-0-7864-47-49-7.
  10. ^ a b Robert Biondi, "The Evolution of Godzilla – G-Suit Variations Throughout the Monster King's Twenty One Films", G-FAN #16 (July/August 1995)
  11. ^ David Milner, "Shinji Nishikawa Interview" Archived 2016-10-05 at the Wayback Machine, Kaiju Conversations (December 1995) davmil.org
  12. ^ "Kako haikyū shūnyū jōi sakuhin 1993-nen" (in Japanese). Motion Picture Producers Association of Japan. Retrieved 6 February 2011.
  13. ^ "Godzilla vs. Mothra (1992)". Rotten Tomatoes. Retrieved February 28, 2016.
  14. ^ Ed Godziszewski, "Godzilla vs. Mothra", Monster Zero Archived June 25, 2007, at the Wayback Machine
  15. ^ [1] Archived January 8, 2010, at the Wayback Machine
  16. ^ "Stomp Tokyo Video Reviews - Godzilla vs. Mothra (1992)". Stomptokyo.com. Retrieved 2015-07-25.
  17. ^ "American Kaiju: Mike Bogue's Articles and Reviews: Godzilla vs. Mothra". Americankaiju.kaijuphile.com. 1992-12-12. Retrieved 2015-07-25.
  18. ^ "Blu-ray Reviews "The Toho Godzilla Collection"". 30 April 2014.
  19. ^ "Awards of the Japanese Academy (1993)". IMDb.

Bibliography

[edit]
[edit]