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| name = Hang 'Em High
| name = Hang 'Em High
| image = Hang Em High.jpg
| image = Hang Em High.jpg
| caption = [[Film poster]] by Sandy Kossi
| caption = Theatrical release poster by Sandy Kossin
| director = [[Ted Post]]
| director = [[Ted Post]]
| writer = [[Leonard Freeman]]<br />Mel Goldberg
| writer = {{Plainlist|
* [[Leonard Freeman]]
* Mel Goldberg
}}
| producer = Leonard Freeman
| producer = Leonard Freeman
| starring = [[Clint Eastwood]]<br />[[Inger Stevens]]<br />[[Ed Begley]]<br />[[Pat Hingle]]
| starring = {{Plainlist|
* [[Clint Eastwood]]
* [[Inger Stevens]]
* [[Ed Begley]]
* [[Pat Hingle]]
}}
| cinematography = [[Richard H. Kline]]<br />Leonard J. South
| cinematography = {{Plainlist|
* [[Richard H. Kline]]
* Leonard J. South
}}
| editing = [[Gene Fowler Jr.]]
| editing = [[Gene Fowler Jr.]]
| music = [[Dominic Frontiere]]
| music = [[Dominic Frontiere]]
| studio = Leonard Freeman Productions<br>[[Malpaso Productions|The Malpaso Company]]
| studio = {{Plainlist|
* Leonard Freeman Productions
* [[Malpaso Productions|The Malpaso Company]]
}}
| distributor = [[United Artists]]
| distributor = [[United Artists]]
| released = {{Film date|1968|7|31}}
| released = {{Film date|1968|7|31}}
| runtime = 114 minutes
| runtime = 114 minutes
| country = [[United States]]
| country = United States
| language = English
| language = English
| budget = $1.6 million<ref name="Hughes18">Hughes, p.18</ref><ref name="Munn69">Munn, p. 69</ref>
| budget = $1.6 million<ref name="Hughes18">Hughes, p. 18.</ref><ref name="Munn69">Munn, p. 69.</ref>
| gross = $10.8 million
| gross = $10.8 million
}}
}}


'''''Hang 'Em High''''' is a 1968 American [[DeLuxe Color]] [[Revisionist Western|revisionist Western film]] directed by [[Ted Post]] and written by [[Leonard Freeman]] and Mel Goldberg. It stars [[Clint Eastwood]] as Jed Cooper, an innocent man who survives a [[lynching]]; [[Inger Stevens]] as a widow who helps him; [[Ed Begley]] as the leader of the gang that lynched Cooper; and [[Pat Hingle]] as the federal judge who hires him as a Deputy [[U.S. Marshal]].
'''''Hang 'Em High''''' is a 1968 American [[revisionist Western]] film directed by [[Ted Post]] and written by [[Leonard Freeman]] and Mel Goldberg. It stars [[Clint Eastwood]] as Jed Cooper, an innocent man who survives a [[lynching]]; [[Inger Stevens]] as a widow who helps him; [[Ed Begley]] as the leader of the gang that lynched Cooper; and [[Pat Hingle]] as the federal judge who hires him as a Deputy [[U.S. Marshal]].


''Hang 'Em High'' was the first production of [[Malpaso Productions|The Malpaso Company]], Eastwood's production company.
''Hang 'Em High'' was the first production of [[Malpaso Productions|The Malpaso Company]], Eastwood's production company. It was processed in [[DeLuxe Color]].


Hingle portrays a fictional [[judge]] who mirrors Judge [[Isaac Charles Parker|Isaac Parker]], labeled the "Hanging Judge" due to the large number of men he sentenced to be executed during his service in the late 1800s as District Judge of the [[United States District Court for the Western District of Arkansas]].
Hingle portrays a fictional [[judge]] who mirrors Judge [[Isaac C. Parker]], labeled the "Hanging Judge" due to the large number of men he sentenced to be executed during his service in the late 1800s as District Judge of the [[United States District Court for the Western District of Arkansas]].


The film also depicts the dangers of serving as a Deputy U.S. Marshal during that period, as many federal marshals were killed while serving under Parker. The fictional Fort Grant, base for operations for that district judge seat, is also a mirror of the factual [[Fort Smith, Arkansas]], where Judge Parker's court was located.
The film also depicts the dangers of serving as a Deputy U.S. Marshal during that period, as many federal marshals were killed while serving under Parker. The fictional Fort Grant, base for operations for that district judge seat, is also a mirror of the factual [[Fort Smith, Arkansas]], where Judge Parker's court was located.
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In [[Oklahoma Territory]] in 1889, retired lawman Jed Cooper is surrounded by a [[Posse comitatus (common law)|posse]] of nine men: Captain Wilson, Reno, Miller, Jenkins, Stone, Maddow, Tommy, Loomis, and Charlie Blackfoot. They demand the receipt for the cattle Cooper is driving. The cattle seller is a robber who killed the rancher. Cooper explains that he knew nothing about the murder, but only Jenkins expresses doubts about his guilt. After Reno takes Cooper's horse and saddle and Miller takes his wallet, the men [[Lynching|hang]] him from a tree and ride away.
In [[Oklahoma Territory]] in 1889, retired lawman Jed Cooper is surrounded by a [[Posse comitatus (common law)|posse]] of nine men: Captain Wilson, Reno, Miller, Jenkins, Stone, Maddow, Tommy, Loomis, and Charlie Blackfoot. They demand the receipt for the cattle Cooper is driving. The cattle seller is a robber who killed the rancher. Cooper explains that he knew nothing about the murder, but only Jenkins expresses doubts about his guilt. After Reno takes Cooper's horse and saddle and Miller takes his wallet, the men [[Lynching|hang]] him from a tree and ride away.


Shortly afterward, [[US Marshal|Marshal]] Dave Bliss rescues a half-dead Cooper and takes him to Fort Grant, where the territorial [[judge]], Adam Fenton, determines that Cooper is innocent, sets him free, and warns him not to [[vigilante|take his own revenge]]. As an alternative, Fenton offers Cooper a job as a marshal. Cooper accepts, and Fenton warns him not to kill the lynchers, but to bring them in for trial.
Shortly afterwards, [[US Marshal|Marshal]] Dave Bliss rescues a half-dead Cooper and takes him to Fort Grant, where the territorial [[judge]], Adam Fenton, determines that Cooper is innocent, sets him free, and warns him not to [[vigilante|take his revenge]]. As an alternative, Fenton offers Cooper a job as a marshal. Cooper accepts, and Fenton warns him not to kill the lynchers, but to bring them in for trial.


While picking up a prisoner, Cooper sees his horse and saddle in front of a local saloon. He finds Reno inside and tries to arrest him, but Reno draws on him, forcing Cooper to gun him down. Jenkins, learning of Reno's death at the hands of a marshal with a hanging scar, turns himself in and provides the names of the rest of the posse. Cooper finds Stone in the town of Red Creek, arrests him, and has the local sheriff, Ray Calhoun, put him in jail. Most of the men Cooper seeks are respected citizens of Red Creek, but Calhoun honors Cooper's warrants for their arrest.
While picking up a prisoner, Cooper sees his horse and saddle in front of a local saloon. He finds Reno inside and tries to arrest him, but Reno draws on him, forcing Cooper to gun him down. Jenkins, learning of Reno's death at the hands of a marshal with a hanging scar, turns himself in and provides the names of the rest of the posse. Cooper finds Stone in the town of Red Creek, arrests him, and has the local sheriff, Ray Calhoun, put him in jail. Most of the men Cooper seeks are respected citizens of Red Creek, but Calhoun honors Cooper's warrants for their arrest.


While en route to arrest the other men, Cooper and Calhoun come across the murder of two men and the rustling of their herd. Cooper forms a posse of his own to pursue the stolen herd, and discovers that the rustlers are Miller and two teenage brothers, Ben and Billy Joe. He prevents the rustlers from being lynched themselves, then takes them to Fort Grant single-handedly when the posse deserts him. He frees Ben and Billy Joe from their bonds after they insist that only Miller committed the murders. Miller attacks Cooper after freeing his hands, but Cooper subdues him and brings all three men in to Fort Grant.
While en route to arrest the other men, Cooper and Calhoun come across the murder of two men and the rustling of their herd. Forming a posse of his own, Cooper pursues the stolen herd and discovers that the rustlers are Miller and two teenage brothers, Ben and Billy Joe. He prevents the rustlers from being lynched by the posse, who desert him. He frees Ben and Billy Joe from their bonds after they insist that only Miller committed the murders, and brings all three to Fort Grant. Fenton sentences the three rustlers to be hanged, despite Cooper's defense of the teenagers. Fenton insists that the public will resort to lynching if they see rustlers going unpunished, threatening Oklahoma's bid for statehood.


Fenton sentences the three rustlers to be hanged, despite Cooper's defense of the teenagers. Fenton insists that the public will resort to lynching if they see rustlers going unpunished, threatening Oklahoma's bid for statehood. Some time later, Calhoun arrives at Fort Grant and offers to pay Cooper for his lost cattle with money from Captain Wilson and the other lynchers. Cooper makes it clear that while they are alive he still intends to arrest them. With the bribe rejected, Blackfoot and Maddow flee, while Tommy and Loomis remain loyal to Wilson and agree to help him kill Cooper.
Sometime later, Calhoun arrives at Fort Grant and offers to pay Cooper for his lost cattle with money from Captain Wilson and the other lynchers. Cooper rejects the offer and makes it clear he intends to arrest them all. Blackfoot and Maddow flee, while Tommy and Loomis stick with Wilson and agree to help kill Cooper.


During a public hanging for Miller, the brothers, and three other men, the lynchers ambush Cooper in a brothel, seriously wounding him. Cooper survives and is slowly nursed back to health by a widow, Rachel Warren. Rachel reveals she is hunting for the outlaws who killed her husband and raped her. She and Cooper begin an affair; he says that she might never find her rapists. Cooper tries to resign, but Judge Fenton gives him the location of Wilson's ranch, where Wilson, Tommy, and Loomis are hiding.
During a public hanging (for Miller, the Joe brothers, and three other men), the three lynchers ambush Cooper in a brothel, seriously wounding him. Cooper survives and is slowly nursed back to health by a widow, Rachel Warren. Rachel reveals she is hunting for the outlaws who killed her husband and raped her. She and Cooper begin an affair; he says that she might never find her rapists. Cooper tries to resign, but Judge Fenton gives him the location of Wilson's ranch, where Wilson, Tommy, and Loomis are hiding.


The three men try to ambush Cooper as he approaches the ranch house. Cooper survives, stabs Loomis to death, and shoots Tommy. He tries but fails to capture Wilson before he hangs himself.
The three men try to ambush Cooper as he approaches the ranch house. Cooper survives, and subsequently stabs Loomis to death and shoots Tommy. He tries but fails to capture Wilson, who hangs himself.


After returning to Fort Grant, Cooper hands in his marshal's star and demands that Fenton sign a pardon for Jenkins, who is both contrite and seriously ill. The two men debate the merits of territorial justice. Fenton insists that he is doing as well as he can, cursing the fact that his is the only court in the territory with little recourse for plaintiffs; and tells Cooper that if he disagrees with him, the best thing he can do is to help Oklahoma become a state (and thus get proper courts) by continuing to serve as a U.S. marshal. Cooper takes back his star in exchange for Jenkins' release. Fenton then gives Cooper fresh warrants for Blackfoot and Maddow, telling him, "The law still wants 'em." Cooper nods and rides off.
Returning to Fort Grant, Cooper hands in his marshal's star and demands that Fenton sign a pardon for Jenkins, who is both contrite and seriously ill. The two men debate the merits of territorial justice. Fenton insists that he is doing as well as he can, cursing the fact that his is the only court in the territory with little recourse for plaintiffs; and tells Cooper that if he disagrees with him, the best thing he can do is to help Oklahoma become a state (and thus get proper courts) by continuing to serve as a U.S. marshal. Cooper takes back his star in exchange for Jenkins' release. Fenton then gives Cooper fresh warrants for Blackfoot and Maddow, telling him, "The law still wants 'em." Cooper nods and rides off.


==Cast==
==Cast==
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* [[Arlene Golonka]] as Jennifer
* [[Arlene Golonka]] as Jennifer
* [[James Westerfield]] as Prisoner
* [[James Westerfield]] as Prisoner
* [[Dennis Hopper]] The Prophet
* [[Dennis Hopper]] as The Prophet
* [[L. Q. Jones]] as Loomis
* [[L. Q. Jones]] as Loomis
* [[Michael O'Sullivan (actor)|Michael O'Sullivan]] as Francis Elroy Duffy
* [[Michael O'Sullivan (actor)|Michael O'Sullivan]] as Francis Elroy Duffy
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* [[Russell Thorson]] as Maddow
* [[Russell Thorson]] as Maddow
* [[Ned Romero]] as Charlie Blackfoot
* [[Ned Romero]] as Charlie Blackfoot
* [[Jonathan Goldsmith]] as Tommy (credited as Jonathan Lippe)
* [[Jonathan Goldsmith|Jonathan Lippe]] as Tommy
* Rick Gates as Ben
* Bruce Scott Zahariades as Billy Joe (credited as Bruce Scott)
* Bruce Scott as Billy Joe
* [[Michael Lembeck]] as Marvin the store clerk (uncredited)
* [[Michael Lembeck]] as Marvin the store clerk (uncredited)


==Production==
==Production==
Eastwood spent much of late 1966 and 1967 dubbing for the English-language version of the ''[[Dollars Trilogy]]'' and being interviewed, something which left him feeling angry and frustrated.<ref name="McGillagan159">McGillagan (1999), p.159</ref> Stardom brought more roles in the "tough guy" mould, and [[Irving Leonard (financial adviser)|Irving Leonard]], his business manager, gave him a script to a new film, the American revisionist Western ''Hang 'Em High'', a cross between ''[[Rawhide (TV series)|Rawhide]]'' and Leone's westerns, written by Mel Goldberg and produced by [[Leonard Freeman]].<ref name="McGillagan159"/> However, the [[William Morris Agency]] had wanted him to star in a bigger picture, ''[[Mackenna's Gold]]'', with a cast of notable actors such as [[Gregory Peck]], [[Omar Sharif]], and [[Telly Savalas]]. Eastwood, however, did not approve and preferred the script for ''Hang 'Em High'', but had one complaint which he voiced to the producers: the scene before the six-man hanging, where the hero is attacked by the enemies. Eastwood believed that the scene would not be believable if set in a saloon. They eventually agreed to introduce a scene with Cooper taking a prostitute upstairs during the hanging, and having the attack take place afterwards as Eastwood enters the bordello's bar.<ref name="McGillagan160">McGillagan (1999), p.160-1</ref> Eastwood signed for the film with a salary of $400,000 and 25% of the net earnings of the film, playing the character of Jed Cooper, a man accused by vigilantes of a rancher's murder, lynched and left for dead, who later seeks revenge.<ref name="Hughes18"/><ref name="Munn69"/><ref name="McGillagan160"/>
Eastwood spent much of late 1966 and 1967 dubbing for the English-language version of the ''[[Dollars Trilogy]]'' and being interviewed, something which left him feeling angry and frustrated.<ref name="McGillagan159">McGillagan (1999), p. 159.</ref> Stardom brought more roles in the "tough guy" mould, and [[Irving Leonard (financial adviser)|Irving Leonard]], his business manager, gave him a script to a new film, the American revisionist Western ''Hang 'Em High'', a cross between ''[[Rawhide (TV series)|Rawhide]]'' and Leone's westerns, written by Mel Goldberg and produced by [[Leonard Freeman]].<ref name="McGillagan159"/> However, the [[William Morris Agency]] had wanted him to star in a bigger picture, ''[[Mackenna's Gold]]'', with a cast of notable actors such as [[Gregory Peck]], [[Omar Sharif]], and [[Telly Savalas]]. Eastwood, however, did not approve and preferred the script for ''Hang 'Em High'', but had one complaint which he voiced to the producers: the scene before the six-man hanging, where the hero is attacked by the enemies. Eastwood believed that the scene would not be believable if set in a saloon. They eventually agreed to introduce a scene with Cooper taking a prostitute upstairs during the hanging, and having the attack take place afterwards as Eastwood enters the bordello's bar.<ref name="McGillagan160">McGillagan (1999), pp. 160–1.</ref> Eastwood signed for the film with a salary of $400,000 and 25% of the net earnings of the film, playing the character of Jed Cooper, a man accused by vigilantes of a rancher's murder, lynched and left for dead, who later seeks revenge.<ref name="Hughes18"/><ref name="Munn69"/><ref name="McGillagan160"/>


With the wealth generated by the ''Dollars'' trilogy, Irving Leonard helped set up Eastwood's long-desired new production company, [[Malpaso Productions|The Malpaso Company]], named after [[Malpaso Creek]], which flows through property Eastwood owned at the time in [[Monterey County, California]].<ref>{{cite web|title=Rancho Cañada Village|url=http://www.pineconearchive.com/ranchocanada.pdf|newspaper=Carmel Pine Cone|access-date=December 7, 2016}}</ref><ref name="McGillagan162">McGillagan (1999), p.162</ref> Leonard became the company's president and arranged for ''Hang 'Em High'' to be a joint production with [[United Artists]].<ref name="McGillagan162"/> Directors [[Robert Aldrich]] and [[John Sturges]] were considered as director, but on the request of Eastwood, old friend [[Ted Post]] was brought in to direct. He was signed against the wishes of Freeman, whom Eastwood overruled.<ref name="McGillagan163">McGillagan (1999), p.163</ref> Post was important in casting for the film and arranged for Inger Stevens of ''[[The Farmer's Daughter (TV series)|The Farmer's Daughter]]'' fame to play the role of Rachel Warren. She had not heard of Eastwood or [[Sergio Leone]] at the time, but instantly took a liking to Eastwood and accepted.<ref name="McGillagan163"/> Clint Eastwood and Inger Stevens began a short relationship during filming.
With the wealth generated by the ''Dollars'' trilogy, Irving Leonard helped set up Eastwood's long-desired new production company, [[Malpaso Productions|The Malpaso Company]], named after [[Malpaso Creek]], which flows through property Eastwood owned at the time in [[Monterey County, California]].<ref>{{cite web|title=Rancho Cañada Village|url=http://www.pineconearchive.com/ranchocanada.pdf|newspaper=Carmel Pine Cone|access-date=December 7, 2016|archive-date=December 20, 2016|archive-url=https://web.archive.org/web/20161220104433/http://www.pineconearchive.com/ranchocanada.pdf|url-status=dead}}</ref><ref name="McGillagan162">McGillagan (1999), p. 162.</ref> Leonard became the company's president and arranged for ''Hang 'Em High'' to be a joint production with [[United Artists]].<ref name="McGillagan162"/> Directors [[Robert Aldrich]] and [[John Sturges]] were considered as director, but on the request of Eastwood, old friend [[Ted Post]] was brought in to direct. He was signed against the wishes of Freeman, whom Eastwood overruled.<ref name="McGillagan163">McGillagan (1999), p. 163.</ref> Post was important in casting for the film and arranged for Inger Stevens of ''[[The Farmer's Daughter (TV series)|The Farmer's Daughter]]'' fame to play the role of Rachel Warren. She had not heard of Eastwood or [[Sergio Leone]] at the time, but instantly took a liking to Eastwood and accepted.<ref name="McGillagan163"/> Clint Eastwood and Inger Stevens began a short relationship during filming.


===Score===
===Score===
Composer [[Dominic Frontiere]] was given eight days to compose an [[Ennio Morricone]] type score. [[Hang 'Em High (composition)|His theme]] appeared in a large number of [[cover version]]s ranging from [[Hugo Montenegro]] to [[Booker T and the M.G.s]].<ref>Larson, Randall D. ''Pushing the Envelope-Dominic Frontiere Interview'' Randall D. Larson's Soundtracks Interviews</ref> It was also covered by [[Wall of Voodoo]] in a medley with other "spaghetti western" music.<ref>[https://www.youtube.com/watch?v=BeyZHtQvK3M The Good, the Bad, and the Ugly / Hang 'Em High]"; accessed 2023.05.12.</ref>
Composer [[Dominic Frontiere]] was given eight days to compose an [[Ennio Morricone]] type score. [[Hang 'Em High (composition)|His theme]] appeared in a large number of [[cover version]]s ranging from [[Hugo Montenegro]] to [[Booker T and the M.G.s]].<ref>Larson, Randall D. ''Pushing the Envelope-Dominic Frontiere Interview'' Randall D. Larson's Soundtracks Interviews</ref> It was also covered by [[Wall of Voodoo]] in a medley with other "spaghetti western" music.<ref>[https://www.youtube.com/watch?v=BeyZHtQvK3M The Good, the Bad, and the Ugly / Hang 'Em High]"; accessed May 12, 2023.</ref>


===Filming===
===Filming===
Although the film is purportedly set in [[Oklahoma Territory]], Freeman arrived in [[Las Cruces, New Mexico]], on May 25, 1967, to scout locations. That same day, Freeman located the tree to be used for the hanging in the opening scene, about 12 miles north of Las Cruces.<ref name=Screen>{{cite book|first=David G.|last=Thomas|year=2015|title=Screen With A Voice - A History of Moving Pictures in Las Cruces, New Mexico|pages = 126–127 |publisher=Doc45 Publications|asin=B018CYWZ4O}}</ref> Filming began June 27, 1967, in the Las Cruces area, with additional scenes shot at [[White Sands, New Mexico|White Sands]].<ref name="McGillagan163"/><ref name=Screen/> The interiors were shot at MGM studios.<ref name="Hughes18"/><ref>{{cite web|url=https://www.tcm.com/tcmdb/title/17576/hang-em-high#articles-reviews|title=Hang 'Em High|work=[[Turner Classic Movies]]|last=Toole|first=Michael T.|access-date=September 26, 2022}}</ref> The opening lynching scene was filmed June 29, 1967, next to the [[Rio Grande]].<ref name="Hughes18"/><ref name=Screen/> The tree used for the hanging is no longer standing and the riverbed is now overgrown with thick brush.<ref name=Screen/> Eastwood had considerable leeway in the production, especially in the script, which was altered in parts such as the dialogue and setting of the barroom scene to his liking.<ref name="McGillagan164">McGillagan (1999), p.164</ref>
Although the film is purportedly set in [[Oklahoma Territory]], Freeman arrived in [[Las Cruces, New Mexico]], on May 25, 1967, to scout locations. That same day, Freeman located the tree to be used for the hanging in the opening scene, about 12 miles (19 km) north of Las Cruces.<ref name=Screen>{{cite book|first=David G.|last=Thomas|year=2015|title=Screen With A Voice - A History of Moving Pictures in Las Cruces, New Mexico|pages = 126–127 |publisher=Doc45 Publications|asin=B018CYWZ4O}}</ref> Filming began June 27, 1967, in the Las Cruces area, with additional scenes shot at [[White Sands, New Mexico|White Sands]].<ref name="McGillagan163"/><ref name=Screen/> The interiors were shot at MGM studios.<ref name="Hughes18"/><ref>{{cite web|url=https://www.tcm.com/tcmdb/title/17576/hang-em-high#articles-reviews|title=Hang 'Em High|work=[[Turner Classic Movies]]|last=Toole|first=Michael T.|access-date=September 26, 2022}}</ref> The opening lynching scene was filmed June 29, 1967, next to the [[Rio Grande]].<ref name="Hughes18"/><ref name=Screen/> The tree used for the hanging is no longer standing and the riverbed is now overgrown with thick brush.<ref name=Screen/> Eastwood had considerable leeway in the production, especially in the script, which was altered in parts such as the dialogue and setting of the barroom scene to his liking.<ref name="McGillagan164">McGillagan (1999), p. 164.</ref>


==Reception==
==Reception==
The film became a major success after release in August 1968, and with an opening-day revenue of $5,241 in [[Baltimore]] alone, it became the biggest United Artists opening in history, exceeding all of the [[James Bond in film|James Bond films]] at that time.<ref name="McGillagan165">McGillagan (1999), p.165</ref> It debuted at number five on ''[[Variety (magazine)|Variety]]''{{'}}s weekly survey of top films and had recouped production expenses within two weeks of screening.<ref name="McGillagan165"/> It eventually grossed $6.8 million in the United States<ref name="numbers">{{cite web|url=http://www.the-numbers.com/movie/Hang-em-High#tab=summary|title=Hang 'em High (1968) Theatrical Performance|work=the-numbers.com|access-date=August 20, 2017}}</ref><ref>"All-time Film Rental Champs", ''Variety'', 7 January 1976 p 44</ref> and {{US$|4 million|long=no}} abroad,<ref name="Berkeley">{{cite news |last1=Tashman |first1=George |title=Piedmont's Claim to Fame |url=https://www.newspapers.com/image/609251324/ |access-date=21 April 2022 |work=[[Berkeley Gazette]] |via=[[Newspapers.com]] |date=5 May 1978 |page=11 |url-access=subscription}}</ref> for a total of {{US$|{{#expr:6.8+4}} million|long=no}} grossed worldwide.
The film became a major success after release in August 1968, and with an opening-day revenue of $5,241 in [[Baltimore]] alone, it became the biggest United Artists opening in history, exceeding all of the [[James Bond in film|James Bond films]] at that time.<ref name="McGillagan165">McGillagan (1999), p. 165.</ref> It debuted at number five on ''[[Variety (magazine)|Variety]]''{{'}}s weekly survey of top films and had recouped production expenses within two weeks of screening.<ref name="McGillagan165"/> It eventually grossed $6.8 million in the United States<ref>{{cite web|url=http://www.the-numbers.com/movie/Hang-em-High#tab=summary|title=Hang 'em High (1968) Theatrical Performance|work=the-numbers.com|access-date=August 20, 2017}}</ref><ref>"All-time Film Rental Champs", ''Variety'', January 7, 1976, p. 44.</ref> and {{US$|4 million|long=no}} abroad,<ref name="Berkeley">{{cite news |last1=Tashman |first1=George |title=Piedmont's Claim to Fame |url=https://www.newspapers.com/image/609251324/ |access-date=April 21, 2022 |work=[[Berkeley Gazette]] |via=[[Newspapers.com]] |date=May 5, 1978 |page=11 |url-access=subscription}}</ref> for a total of {{US$|{{#expr:6.8+4}} million|long=no}} grossed worldwide.


It was praised by critics, including Arthur Winsten of the ''[[New York Post]]'', who described ''Hang 'Em High'' as "a Western of quality, courage, danger and excitement."<ref name="McGillagan164"/> ''Variety'' gave the film a negative review, calling it "a poor American-made imitation of a poor Italian-made imitation of an American-made western."<ref name="Hughes19">Hughes, p.19</ref> George Tashman wrote in ''[[Berkeley Gazette]]'' that it was, "all intents and purposes," an "apple pie" western, "a [[Spaghetti Western]] made in Hollywood."<ref name="Berkeley"/>
It was praised by critics, including Arthur Winsten of the ''[[New York Post]]'', who described ''Hang 'Em High'' as "a Western of quality, courage, danger and excitement."<ref name="McGillagan164"/> ''Variety'' gave the film a negative review, calling it "a poor American-made imitation of a poor Italian-made imitation of an American-made western."<ref>Hughes, p. 19.</ref> George Tashman wrote in ''[[Berkeley Gazette]]'' that it was, "all intents and purposes," an "apple pie" western, "a [[Spaghetti Western]] made in Hollywood."<ref name="Berkeley"/>


As of February 2022, ''Hang 'Em High'' has a 92% freshness rating on [[Rotten Tomatoes]].<ref>{{cite web|url=https://www.rottentomatoes.com/m/hang_em_high/|title=Hang 'Em High (1968)|work=[[Rotten Tomatoes]]|access-date=August 20, 2017}}</ref>
As of February 2022, ''Hang 'Em High'' has a 92% freshness rating on [[Rotten Tomatoes]].<ref>{{cite web|url=https://www.rottentomatoes.com/m/hang_em_high/|title=Hang 'Em High (1968)|work=[[Rotten Tomatoes]]|access-date=August 20, 2017}}</ref>


== Legacy ==
== Legacy ==
The song "Hang 'Em High" by American rock band My Chemical Romance is named after the film.<ref>{{Citation |title=My Chemical Romance – Hang 'Em High |url=https://genius.com/My-chemical-romance-hang-em-high-lyrics |access-date=2023-06-25}}</ref>
The band [[Wall of Voodoo]] used the movie's theme music as a part of its medley "The Good, the Bad and the Ugly / Hang 'em High".<ref>"[https://www.youtube.com/watch?v=BeyZHtQvK3M The Good the Bad and the Ugly / Hang 'em High]"; accessed April 1, 2024.</ref> The song "[[Hang 'Em High (My Chemical Romance song)|Hang 'Em High]]" by American rock band [[My Chemical Romance]] is named after the film.<ref>{{Citation |title=My Chemical Romance – Hang 'Em High |url=https://genius.com/My-chemical-romance-hang-em-high-lyrics |access-date=2023-06-25}}</ref>


==See also==
==See also==
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* {{IMDb title|0061747}}
* {{IMDb title|0061747}}
* {{tcmdb title|17576}}
* {{tcmdb title|17576}}
* {{AllMovie title|21400}}
* {{Rotten Tomatoes|hang_em_high}}
* {{Rotten Tomatoes|hang_em_high}}
* [http://www.vistarecords.proboards.com/index.cgi?board=moviereviews&action=display&thread=221 Hang 'Em High] at [http://www.vistarecords.proboards.com Vista Records]
* [http://www.vistarecords.proboards.com/index.cgi?board=moviereviews&action=display&thread=221 Hang 'Em High] at [http://www.vistarecords.proboards.com Vista Records]
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[[Category:American Western (genre) films]]
[[Category:American Western (genre) films]]
[[Category:1960s English-language films]]
[[Category:1960s English-language films]]
[[Category:English-language Western (genre) films]]
[[Category:Films about capital punishment]]
[[Category:Films about capital punishment]]
[[Category:Films directed by Ted Post]]
[[Category:Films directed by Ted Post]]
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[[Category:Films set in 1889]]
[[Category:Films set in 1889]]
[[Category:Films set in Oklahoma]]
[[Category:Films set in Oklahoma]]
[[Category:Films set in the American frontier]]
[[Category:Films shot in New Mexico]]
[[Category:Films shot in New Mexico]]
[[Category:Malpaso Productions films]]
[[Category:Malpaso Productions films]]

Latest revision as of 22:43, 21 December 2024

Hang 'Em High
Theatrical release poster by Sandy Kossin
Directed byTed Post
Written by
Produced byLeonard Freeman
Starring
Cinematography
Edited byGene Fowler Jr.
Music byDominic Frontiere
Production
companies
Distributed byUnited Artists
Release date
  • July 31, 1968 (1968-07-31)
Running time
114 minutes
CountryUnited States
LanguageEnglish
Budget$1.6 million[1][2]
Box office$10.8 million

Hang 'Em High is a 1968 American revisionist Western film directed by Ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood as Jed Cooper, an innocent man who survives a lynching; Inger Stevens as a widow who helps him; Ed Begley as the leader of the gang that lynched Cooper; and Pat Hingle as the federal judge who hires him as a Deputy U.S. Marshal.

Hang 'Em High was the first production of The Malpaso Company, Eastwood's production company. It was processed in DeLuxe Color.

Hingle portrays a fictional judge who mirrors Judge Isaac C. Parker, labeled the "Hanging Judge" due to the large number of men he sentenced to be executed during his service in the late 1800s as District Judge of the United States District Court for the Western District of Arkansas.

The film also depicts the dangers of serving as a Deputy U.S. Marshal during that period, as many federal marshals were killed while serving under Parker. The fictional Fort Grant, base for operations for that district judge seat, is also a mirror of the factual Fort Smith, Arkansas, where Judge Parker's court was located.

Plot

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In Oklahoma Territory in 1889, retired lawman Jed Cooper is surrounded by a posse of nine men: Captain Wilson, Reno, Miller, Jenkins, Stone, Maddow, Tommy, Loomis, and Charlie Blackfoot. They demand the receipt for the cattle Cooper is driving. The cattle seller is a robber who killed the rancher. Cooper explains that he knew nothing about the murder, but only Jenkins expresses doubts about his guilt. After Reno takes Cooper's horse and saddle and Miller takes his wallet, the men hang him from a tree and ride away.

Shortly afterwards, Marshal Dave Bliss rescues a half-dead Cooper and takes him to Fort Grant, where the territorial judge, Adam Fenton, determines that Cooper is innocent, sets him free, and warns him not to take his revenge. As an alternative, Fenton offers Cooper a job as a marshal. Cooper accepts, and Fenton warns him not to kill the lynchers, but to bring them in for trial.

While picking up a prisoner, Cooper sees his horse and saddle in front of a local saloon. He finds Reno inside and tries to arrest him, but Reno draws on him, forcing Cooper to gun him down. Jenkins, learning of Reno's death at the hands of a marshal with a hanging scar, turns himself in and provides the names of the rest of the posse. Cooper finds Stone in the town of Red Creek, arrests him, and has the local sheriff, Ray Calhoun, put him in jail. Most of the men Cooper seeks are respected citizens of Red Creek, but Calhoun honors Cooper's warrants for their arrest.

While en route to arrest the other men, Cooper and Calhoun come across the murder of two men and the rustling of their herd. Forming a posse of his own, Cooper pursues the stolen herd and discovers that the rustlers are Miller and two teenage brothers, Ben and Billy Joe. He prevents the rustlers from being lynched by the posse, who desert him. He frees Ben and Billy Joe from their bonds after they insist that only Miller committed the murders, and brings all three to Fort Grant. Fenton sentences the three rustlers to be hanged, despite Cooper's defense of the teenagers. Fenton insists that the public will resort to lynching if they see rustlers going unpunished, threatening Oklahoma's bid for statehood.

Sometime later, Calhoun arrives at Fort Grant and offers to pay Cooper for his lost cattle with money from Captain Wilson and the other lynchers. Cooper rejects the offer and makes it clear he intends to arrest them all. Blackfoot and Maddow flee, while Tommy and Loomis stick with Wilson and agree to help kill Cooper.

During a public hanging (for Miller, the Joe brothers, and three other men), the three lynchers ambush Cooper in a brothel, seriously wounding him. Cooper survives and is slowly nursed back to health by a widow, Rachel Warren. Rachel reveals she is hunting for the outlaws who killed her husband and raped her. She and Cooper begin an affair; he says that she might never find her rapists. Cooper tries to resign, but Judge Fenton gives him the location of Wilson's ranch, where Wilson, Tommy, and Loomis are hiding.

The three men try to ambush Cooper as he approaches the ranch house. Cooper survives, and subsequently stabs Loomis to death and shoots Tommy. He tries but fails to capture Wilson, who hangs himself.

Returning to Fort Grant, Cooper hands in his marshal's star and demands that Fenton sign a pardon for Jenkins, who is both contrite and seriously ill. The two men debate the merits of territorial justice. Fenton insists that he is doing as well as he can, cursing the fact that his is the only court in the territory with little recourse for plaintiffs; and tells Cooper that if he disagrees with him, the best thing he can do is to help Oklahoma become a state (and thus get proper courts) by continuing to serve as a U.S. marshal. Cooper takes back his star in exchange for Jenkins' release. Fenton then gives Cooper fresh warrants for Blackfoot and Maddow, telling him, "The law still wants 'em." Cooper nods and rides off.

Cast

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Production

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Eastwood spent much of late 1966 and 1967 dubbing for the English-language version of the Dollars Trilogy and being interviewed, something which left him feeling angry and frustrated.[3] Stardom brought more roles in the "tough guy" mould, and Irving Leonard, his business manager, gave him a script to a new film, the American revisionist Western Hang 'Em High, a cross between Rawhide and Leone's westerns, written by Mel Goldberg and produced by Leonard Freeman.[3] However, the William Morris Agency had wanted him to star in a bigger picture, Mackenna's Gold, with a cast of notable actors such as Gregory Peck, Omar Sharif, and Telly Savalas. Eastwood, however, did not approve and preferred the script for Hang 'Em High, but had one complaint which he voiced to the producers: the scene before the six-man hanging, where the hero is attacked by the enemies. Eastwood believed that the scene would not be believable if set in a saloon. They eventually agreed to introduce a scene with Cooper taking a prostitute upstairs during the hanging, and having the attack take place afterwards as Eastwood enters the bordello's bar.[4] Eastwood signed for the film with a salary of $400,000 and 25% of the net earnings of the film, playing the character of Jed Cooper, a man accused by vigilantes of a rancher's murder, lynched and left for dead, who later seeks revenge.[1][2][4]

With the wealth generated by the Dollars trilogy, Irving Leonard helped set up Eastwood's long-desired new production company, The Malpaso Company, named after Malpaso Creek, which flows through property Eastwood owned at the time in Monterey County, California.[5][6] Leonard became the company's president and arranged for Hang 'Em High to be a joint production with United Artists.[6] Directors Robert Aldrich and John Sturges were considered as director, but on the request of Eastwood, old friend Ted Post was brought in to direct. He was signed against the wishes of Freeman, whom Eastwood overruled.[7] Post was important in casting for the film and arranged for Inger Stevens of The Farmer's Daughter fame to play the role of Rachel Warren. She had not heard of Eastwood or Sergio Leone at the time, but instantly took a liking to Eastwood and accepted.[7] Clint Eastwood and Inger Stevens began a short relationship during filming.

Score

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Composer Dominic Frontiere was given eight days to compose an Ennio Morricone type score. His theme appeared in a large number of cover versions ranging from Hugo Montenegro to Booker T and the M.G.s.[8] It was also covered by Wall of Voodoo in a medley with other "spaghetti western" music.[9]

Filming

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Although the film is purportedly set in Oklahoma Territory, Freeman arrived in Las Cruces, New Mexico, on May 25, 1967, to scout locations. That same day, Freeman located the tree to be used for the hanging in the opening scene, about 12 miles (19 km) north of Las Cruces.[10] Filming began June 27, 1967, in the Las Cruces area, with additional scenes shot at White Sands.[7][10] The interiors were shot at MGM studios.[1][11] The opening lynching scene was filmed June 29, 1967, next to the Rio Grande.[1][10] The tree used for the hanging is no longer standing and the riverbed is now overgrown with thick brush.[10] Eastwood had considerable leeway in the production, especially in the script, which was altered in parts such as the dialogue and setting of the barroom scene to his liking.[12]

Reception

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The film became a major success after release in August 1968, and with an opening-day revenue of $5,241 in Baltimore alone, it became the biggest United Artists opening in history, exceeding all of the James Bond films at that time.[13] It debuted at number five on Variety's weekly survey of top films and had recouped production expenses within two weeks of screening.[13] It eventually grossed $6.8 million in the United States[14][15] and $4 million abroad,[16] for a total of $10.8 million grossed worldwide.

It was praised by critics, including Arthur Winsten of the New York Post, who described Hang 'Em High as "a Western of quality, courage, danger and excitement."[12] Variety gave the film a negative review, calling it "a poor American-made imitation of a poor Italian-made imitation of an American-made western."[17] George Tashman wrote in Berkeley Gazette that it was, "all intents and purposes," an "apple pie" western, "a Spaghetti Western made in Hollywood."[16]

As of February 2022, Hang 'Em High has a 92% freshness rating on Rotten Tomatoes.[18]

Legacy

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The band Wall of Voodoo used the movie's theme music as a part of its medley "The Good, the Bad and the Ugly / Hang 'em High".[19] The song "Hang 'Em High" by American rock band My Chemical Romance is named after the film.[20]

See also

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Bibliography

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  • Hughes, Howard (2009). Aim for the Heart. London: I.B. Tauris. ISBN 978-1-84511-902-7.
  • McGilligan, Patrick (1999). Clint: The Life and Legend. Perseus Books Group. ISBN 978-0-7867-0843-7.
  • Munn, Michael (1992). Clint Eastwood: Hollywood's Loner. London: Robson Books. ISBN 0-86051-790-X.

References

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  1. ^ a b c d Hughes, p. 18.
  2. ^ a b Munn, p. 69.
  3. ^ a b McGillagan (1999), p. 159.
  4. ^ a b McGillagan (1999), pp. 160–1.
  5. ^ "Rancho Cañada Village" (PDF). Carmel Pine Cone. Archived from the original (PDF) on December 20, 2016. Retrieved December 7, 2016.
  6. ^ a b McGillagan (1999), p. 162.
  7. ^ a b c McGillagan (1999), p. 163.
  8. ^ Larson, Randall D. Pushing the Envelope-Dominic Frontiere Interview Randall D. Larson's Soundtracks Interviews
  9. ^ The Good, the Bad, and the Ugly / Hang 'Em High"; accessed May 12, 2023.
  10. ^ a b c d Thomas, David G. (2015). Screen With A Voice - A History of Moving Pictures in Las Cruces, New Mexico. Doc45 Publications. pp. 126–127. ASIN B018CYWZ4O.
  11. ^ Toole, Michael T. "Hang 'Em High". Turner Classic Movies. Retrieved September 26, 2022.
  12. ^ a b McGillagan (1999), p. 164.
  13. ^ a b McGillagan (1999), p. 165.
  14. ^ "Hang 'em High (1968) Theatrical Performance". the-numbers.com. Retrieved August 20, 2017.
  15. ^ "All-time Film Rental Champs", Variety, January 7, 1976, p. 44.
  16. ^ a b Tashman, George (May 5, 1978). "Piedmont's Claim to Fame". Berkeley Gazette. p. 11. Retrieved April 21, 2022 – via Newspapers.com.
  17. ^ Hughes, p. 19.
  18. ^ "Hang 'Em High (1968)". Rotten Tomatoes. Retrieved August 20, 2017.
  19. ^ "The Good the Bad and the Ugly / Hang 'em High"; accessed April 1, 2024.
  20. ^ My Chemical Romance – Hang 'Em High, retrieved June 25, 2023
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