Jump to content

Hell in the Pacific: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
SporkBot (talk | contribs)
m Remove template per TFD outcome
 
(44 intermediate revisions by 28 users not shown)
Line 1: Line 1:
{{Short description|1968 film by John Boorman}}
{{Infobox film
{{Infobox film
| name = Hell in the Pacific
| name = Hell in the Pacific
| image = Hell4t6.jpg
| image = Hell4t6.jpg
| image_size =
| border =
| alt =
| alt =
| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[John Boorman]]
| director = [[John Boorman]]
| producer = Reuben Bercovitch
| producer = Reuben Bercovitch
| writer = Reuben Bercovitch<br/>Alexander Jacobs<br/>[[Eric Bercovici]]
| writer = Reuben Bercovitch<br/>[[Alexander Jacobs]]<br/>[[Eric Bercovici]]
| starring = [[Lee Marvin]]<br/>[[Toshirō Mifune]]
| starring = [[Lee Marvin]]<br/>[[Toshirō Mifune]]
| music = [[Lalo Schifrin]]
| music = [[Lalo Schifrin]]
Line 19: Line 18:
| country = United States
| country = United States
| language = English<br/>Japanese
| language = English<br/>Japanese
| budget = $4,150,000<ref name="variety">"ABC's 5 Years of Film Production Profits & Losses", ''Variety'', 31 May 1973 p 3</ref>
| budget = $4,150,000<ref name="variety">"ABC's 5 Years of Film Production Profits & Losses", ''Variety'', 31 May 1973, p. 3</ref>
| gross = $3,230,000<ref name="variety"/>
| gross = $3,230,000<ref name="variety"/>
|}}
}}
'''''Hell in the Pacific''''' is a 1968 [[World War II]] film starring [[Lee Marvin]] and [[Toshirō Mifune]], the only two actors in the entire film. It was directed by [[John Boorman]].<ref>{{AFI film|id=20261|title=Hell in the Pacific}}.</ref> It looks at the importance of human contact and the bond which can form even between enemies if lacking other contact.
'''''Hell in the Pacific''''' is a 1968 [[World War II]] film directed by [[John Boorman]] and starring [[Lee Marvin]] and [[Toshirō Mifune]], the only two actors in the film.<ref>{{AFI film|id=20261|title=Hell in the Pacific}}.</ref> It is based on the importance of human contact and the bond that can form between enemies if lacking other contact.


==Plot==
==Plot==
Two unnamed [[WWII]] servicemen, one American ([[Lee Marvin]]) and one Japanese ([[Toshiro Mifune]]), are stranded on an uninhabited [[Pacific]] island. The Japanese soldier suddenly discovers a military plane crash kit near his camp. The American, whose plane it recently came from, watches him salvage the kit and confronts him on the beach. After aggressive gestures from both men, the American notices that the Japanese has a small reservoir of drinking water and makes a dash to drink some, but is run off into the jungle. The Japanese sets fire to the jungle, smoking out the American. After chasing him off again, he wades out into the water to check his fishing trap. While his back is turned, the American makes another run for the drinking water, eventually stealing some and running off.
Two [[World War II]] servicemen, one American and one Japanese, are stranded on an uninhabited [[Pacific]] island. The Japanese soldier suddenly discovers a military plane crash kit near his camp. The American, who survived the plane crash, watches him salvage the kit and confronts him on the beach. Both men have visions of getting beaten to death by the other, but in reality they only make aggressive gestures. The American notices that the Japanese has a small reservoir of drinking water and makes a dash to drink some, but is run off into the jungle. The Japanese sets fire to the jungle, smoking out the American. After chasing him off again, he wades out into the water to check his fishing trap. While his back is turned, the American makes another run for the drinking water, eventually stealing some and running off.


The next day, the American tries to steal more water, but is caught and falls on the reservoir, destroying it. After escaping, he destroys the fish trap, makes noises and plays tricks on the Japanese. After urinating on him from the cliff above, he's chased into the jungle by the infuriated Japanese, but collapses from dehydration. The Japanese takes him prisoner, binds his arms to a log and makes him walk back and forth in the sand. Eventually, the American escapes, surprises the Japanese and then binds ''him'' to the log and makes ''him'' walk back and forth in the sand. After getting frustrated trying to cook a meal, the American cuts the Japanese loose so that he can do the cooking. They cease hostilities and share chores and food from then on.
The next day, the American tries to steal more water, but is caught and falls on the reservoir, destroying it. After escaping, he destroys the fish trap, makes noises and plays tricks on the Japanese. After urinating on him from the cliff above, he is chased into the jungle by the infuriated Japanese, but collapses from dehydration. The Japanese takes him prisoner, binds his arms to a log and makes him walk back and forth in the sand. Eventually, the American escapes, surprises the Japanese and then binds him to the log and makes him walk back and forth in the sand. After getting frustrated trying to cook a meal, the American cuts the Japanese loose so that he can do the cooking. They cease hostilities and share chores and food from then on.


Later, the American notices the Japanese trying to build a raft. He scolds him for stealing "his" log to make the raft and for being sneaky about its construction. After observing what a poor attempt the raft is, he gets the idea that they should build a better one together. They argue over the design, but eventually work together and build a large raft. After setting sail and overcoming the strong waves of the reef, they hit open water.
Later, the American notices the Japanese trying to build a raft. He scolds him for stealing "his" log to make the raft and for being sneaky about its construction. After observing what a poor attempt the raft is, he gets the idea that they should build a better one together. They argue over the design, but eventually work together and build a large raft. After setting sail and overcoming the strong waves of the reef, they hit open water.
Line 33: Line 32:
Days later, they come upon a new set of islands, on one of which there appears to be an abandoned base. The Japanese takes the lead, since he recognizes it as a Japanese base. The American then spots American supplies and runs after him, imploring any soldiers who might hear to not fire because the Japanese is his "friend". At one point, startled by running into his friend, the American exclaims in relief, "for a moment there, I thought you were a Jap". Realizing that the base truly is abandoned, they rummage around for useful items and luxuries, eventually finding shaving supplies, a bottle of wine, cigarettes and an issue of ''[[Life (magazine)|Life]]'' magazine.
Days later, they come upon a new set of islands, on one of which there appears to be an abandoned base. The Japanese takes the lead, since he recognizes it as a Japanese base. The American then spots American supplies and runs after him, imploring any soldiers who might hear to not fire because the Japanese is his "friend". At one point, startled by running into his friend, the American exclaims in relief, "for a moment there, I thought you were a Jap". Realizing that the base truly is abandoned, they rummage around for useful items and luxuries, eventually finding shaving supplies, a bottle of wine, cigarettes and an issue of ''[[Life (magazine)|Life]]'' magazine.


That night, each seeing the other clean shaven for the first time, they drink wine together, sing songs and tell each other stories, despite the language barrier. Casually, the Japanese picks up and looks through the ''Life'' magazine and is horrified to see photos of dead and imprisoned Japanese soldiers. The American, now a little drunk, gets upset that the Japanese isn't answering a question about if the Japanese believe in God and the two angrily glare at one another, too upset to notice the increasingly loud sounds of the island being shelled. The Japanese stands up and walks a few paces away and the American gets up and kicks over the campfire. As the Japanese turns and walks back, a shell hits the building that they're in and destroys it. In the alternate ending (available on home video releases), no shell hit occurs and the two men are shown going their separate ways.
That night, each seeing the other clean shaven for the first time, they drink [[sake]] together, sing songs and tell each other stories, despite the [[language barrier]]. Casually, the Japanese picks up and looks through a ''Life'' magazine and is horrified to see photos of dead and imprisoned Japanese soldiers. The American gets upset that the Japanese is not answering a question about whether [[religion in Japan|the Japanese believe in God]] and the two angrily glare at one another, too upset to notice the increasingly loud sounds of the island being shelled. The Japanese stands up and walks a few paces away and the American gets up and kicks over the campfire. As the Japanese turns and walks back, a shell hits the building that they are in and destroys it.


==Cast==
==Cast==
Line 40: Line 39:


==Production notes==
==Production notes==
The film contains little dialogue, and much like its predecessor – the film ''[[None but the Brave]]'' – is not dubbed or sub-titled, thus authentically portraying the frustration of restricted communication between the Japanese- and English-speakers. The film was entirely shot in the Rock Islands of [[Palau]] in the north [[Pacific Ocean]], near the [[Philippines]] in the [[Philippine Sea]].
The film contains little dialogue, and much like its predecessor – the film ''[[None but the Brave]]'' – is not dubbed or sub-titled, thus authentically portraying the frustration of restricted communication between the Japanese- and English-speaker. The film was entirely shot in the [[Rock Islands]] of [[Palau]] in the north [[Pacific Ocean]], near the [[Philippines]] in the [[Philippine Sea]].


The film was originally released with a rather abrupt ending, one that left many dissatisfied with the outcome of the struggle these men endured. The subsequent DVD release has an alternative ending, which while leaving the eventual destiny of the two ambiguous, was much more in line with the overall direction of the film.
The film was originally released with the actors walking away from one another. When it opened in Britain, the producers changed it with an abrupt ending by a random bomb hitting them both. Director John Boorman was surprised by that because he was not told of the change and said he "hated it." He said it was rather cynical for them to have gone through everything just to be killed at the end. The ending with the bomb also was the version shown in Japan.


Both actors served for their respective countries during the [[Pacific War]]. Marvin, who was in the [[United States Marine Corps|US Marines]], was wounded and received the [[Purple Heart]] during the [[Battle of Saipan]] in 1944. Mifune served in the [[Imperial Japanese Army Air Service]].
Both actors served for their respective countries during the [[Pacific War]]. Marvin, who was in the [[United States Marine Corps|US Marines]], was wounded and received the [[Purple Heart]] during the [[Battle of Saipan]] in 1944. Mifune served in the [[Imperial Japanese Army Air Service]].

==Reception==

The film was perhaps too close to the end of the [[Second World War]] to stem inevitable anti-Japanese sentiments from the American public (which is presumably partly the purpose of the film). Both actors were hugely respected in their own countries at the time (Marvin had recently won an Oscar for ''[[Cat Ballou]]'' and Mifune was probably the most famous actor in Japan at the time). However, a largely dialogue-free and action-free film was too much to ask for great audience love, and many did not appreciate the actors ability to show their potential in such a restricted medium.


===Box office===
===Box office===
Line 54: Line 49:


===Critical reception===
===Critical reception===
{{quote|Toshiro Mifune also took on foreign assignments, but few did him justice. It was only John Boorman's ''Hell in the Pacific'' that captured something of his range, humour and power.{{citation-needed|date=September 2019}}|[[British Film Institute]]}}{{citation-needed|date=September 2019}}
{{blockquote|Toshiro Mifune also took on foreign assignments, but few did him justice. It was only John Boorman's ''Hell in the Pacific'' that captured something of his range, humour and power.{{citation needed|date=September 2019}}|[[British Film Institute]]}}On review aggregator [[Rotten Tomatoes]], 67% of 18 critics gave the film a positive review, with an average rating of 6.5/10. [[A. H. Weiler|A.H. Weiler]] of ''[[The New York Times]]'' wrote, "[The film] grapples with the arresting relationships of character, communication and survival, but succeeds only fitfully in dramatically projecting these elemental qualities."<ref>{{Cite news |last=Weiler |first=A. H. |date=1969-02-11 |title=Screen: Marvin and Mifune on an Isle:'Hell in Pacific' Zeroes In on World War II In Film's 2d Half Action Gives Way to Insight |language=en-US |work=[[The New York Times]] |url=https://www.nytimes.com/1969/02/11/archives/screen-marvin-and-mifune-on-an-islehell-in-pacific-zeroes-in-on.html |access-date=2023-07-07 |issn=0362-4331}}</ref>


==See also==
== See also ==
* ''[[Enemy Mine (film)|Enemy Mine]]'', a 1985 film with a similar plot in a space war setting
*[[List of American films of 1968]]
* [[List of American films of 1968]]


==References==
==References==
Line 66: Line 62:
* {{AFI film|id=20261|title=Hell in the Pacific}}
* {{AFI film|id=20261|title=Hell in the Pacific}}
* {{IMDb title|id=0063056|title=Hell in the Pacific}}
* {{IMDb title|id=0063056|title=Hell in the Pacific}}
* {{Allmovie title|id=22069|title=Hell in the Pacific}}
* {{YouTube|uvIDKQFypz4|''Hell in the Pacific'' opening titles and first scene}}
* {{YouTube|uvIDKQFypz4|''Hell in the Pacific'' opening titles and first scene}}


Line 74: Line 69:
[[Category:1968 films]]
[[Category:1968 films]]
[[Category:1960s war drama films]]
[[Category:1960s war drama films]]
[[Category:English-language films]]
[[Category:1960s Japanese-language films]]
[[Category:Japanese-language films]]
[[Category:American films]]
[[Category:American war drama films]]
[[Category:American war drama films]]
[[Category:Anti-war films about World War II]]
[[Category:Anti-war films about World War II]]
[[Category:Films about shot-down aviators]]
[[Category:Films about shot-down aviators]]
[[Category:Pacific War films]]
[[Category:Pacific War films]]
[[Category:War adventure films]]
[[Category:1960s war adventure films]]
[[Category:World War II films]]
[[Category:American World War II films]]
[[Category:Films directed by John Boorman]]
[[Category:Films directed by John Boorman]]
[[Category:Films set in Oceania]]
[[Category:Films set in Oceania]]
Line 90: Line 83:
[[Category:Two-handers]]
[[Category:Two-handers]]
[[Category:Cinerama Releasing Corporation films]]
[[Category:Cinerama Releasing Corporation films]]
[[Category:American war adventure films]]
[[Category:1960s English-language films]]
[[Category:1960s American films]]
[[Category:English-language war adventure films]]
[[Category:English-language war drama films]]

Latest revision as of 22:58, 21 December 2024

Hell in the Pacific
Theatrical release poster
Directed byJohn Boorman
Written byReuben Bercovitch
Alexander Jacobs
Eric Bercovici
Produced byReuben Bercovitch
StarringLee Marvin
Toshirō Mifune
CinematographyConrad Hall
Edited byThomas Stanford
Music byLalo Schifrin
Production
company
Distributed byCinerama Releasing Corporation
Release date
  • December 18, 1968 (1968-12-18) (United States)
Running time
103 minutes
CountryUnited States
LanguagesEnglish
Japanese
Budget$4,150,000[1]
Box office$3,230,000[1]

Hell in the Pacific is a 1968 World War II film directed by John Boorman and starring Lee Marvin and Toshirō Mifune, the only two actors in the film.[2] It is based on the importance of human contact and the bond that can form between enemies if lacking other contact.

Plot

[edit]

Two World War II servicemen, one American and one Japanese, are stranded on an uninhabited Pacific island. The Japanese soldier suddenly discovers a military plane crash kit near his camp. The American, who survived the plane crash, watches him salvage the kit and confronts him on the beach. Both men have visions of getting beaten to death by the other, but in reality they only make aggressive gestures. The American notices that the Japanese has a small reservoir of drinking water and makes a dash to drink some, but is run off into the jungle. The Japanese sets fire to the jungle, smoking out the American. After chasing him off again, he wades out into the water to check his fishing trap. While his back is turned, the American makes another run for the drinking water, eventually stealing some and running off.

The next day, the American tries to steal more water, but is caught and falls on the reservoir, destroying it. After escaping, he destroys the fish trap, makes noises and plays tricks on the Japanese. After urinating on him from the cliff above, he is chased into the jungle by the infuriated Japanese, but collapses from dehydration. The Japanese takes him prisoner, binds his arms to a log and makes him walk back and forth in the sand. Eventually, the American escapes, surprises the Japanese and then binds him to the log and makes him walk back and forth in the sand. After getting frustrated trying to cook a meal, the American cuts the Japanese loose so that he can do the cooking. They cease hostilities and share chores and food from then on.

Later, the American notices the Japanese trying to build a raft. He scolds him for stealing "his" log to make the raft and for being sneaky about its construction. After observing what a poor attempt the raft is, he gets the idea that they should build a better one together. They argue over the design, but eventually work together and build a large raft. After setting sail and overcoming the strong waves of the reef, they hit open water.

Days later, they come upon a new set of islands, on one of which there appears to be an abandoned base. The Japanese takes the lead, since he recognizes it as a Japanese base. The American then spots American supplies and runs after him, imploring any soldiers who might hear to not fire because the Japanese is his "friend". At one point, startled by running into his friend, the American exclaims in relief, "for a moment there, I thought you were a Jap". Realizing that the base truly is abandoned, they rummage around for useful items and luxuries, eventually finding shaving supplies, a bottle of wine, cigarettes and an issue of Life magazine.

That night, each seeing the other clean shaven for the first time, they drink sake together, sing songs and tell each other stories, despite the language barrier. Casually, the Japanese picks up and looks through a Life magazine and is horrified to see photos of dead and imprisoned Japanese soldiers. The American gets upset that the Japanese is not answering a question about whether the Japanese believe in God and the two angrily glare at one another, too upset to notice the increasingly loud sounds of the island being shelled. The Japanese stands up and walks a few paces away and the American gets up and kicks over the campfire. As the Japanese turns and walks back, a shell hits the building that they are in and destroys it.

Cast

[edit]

Production notes

[edit]

The film contains little dialogue, and much like its predecessor – the film None but the Brave – is not dubbed or sub-titled, thus authentically portraying the frustration of restricted communication between the Japanese- and English-speaker. The film was entirely shot in the Rock Islands of Palau in the north Pacific Ocean, near the Philippines in the Philippine Sea.

The film was originally released with the actors walking away from one another. When it opened in Britain, the producers changed it with an abrupt ending by a random bomb hitting them both. Director John Boorman was surprised by that because he was not told of the change and said he "hated it." He said it was rather cynical for them to have gone through everything just to be killed at the end. The ending with the bomb also was the version shown in Japan.

Both actors served for their respective countries during the Pacific War. Marvin, who was in the US Marines, was wounded and received the Purple Heart during the Battle of Saipan in 1944. Mifune served in the Imperial Japanese Army Air Service.

Box office

[edit]

The film earned rentals of $1.33 million in North America and $1.9 million elsewhere. Because of the high costs involved, by 1973 the movie had recorded a loss of $4,115,000, making it one of the biggest money losers in the short history of ABC films.[1]

Critical reception

[edit]

Toshiro Mifune also took on foreign assignments, but few did him justice. It was only John Boorman's Hell in the Pacific that captured something of his range, humour and power.[citation needed]

On review aggregator Rotten Tomatoes, 67% of 18 critics gave the film a positive review, with an average rating of 6.5/10. A.H. Weiler of The New York Times wrote, "[The film] grapples with the arresting relationships of character, communication and survival, but succeeds only fitfully in dramatically projecting these elemental qualities."[3]

See also

[edit]

References

[edit]
  1. ^ a b c "ABC's 5 Years of Film Production Profits & Losses", Variety, 31 May 1973, p. 3
  2. ^ Hell in the Pacific at the AFI Catalog of Feature Films.
  3. ^ Weiler, A. H. (1969-02-11). "Screen: Marvin and Mifune on an Isle:'Hell in Pacific' Zeroes In on World War II In Film's 2d Half Action Gives Way to Insight". The New York Times. ISSN 0362-4331. Retrieved 2023-07-07.
[edit]