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{{About|the 1996 film|the 1995 film starring Jeff Wincott|Last Man Standing (1995 film)}}
{{Use dmy dates|date=April 2022}}
{{Use dmy dates|date=April 2022}}
{{Infobox film
{{Infobox film
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| cinematography = [[Lloyd Ahern II|Lloyd Ahern]]
| cinematography = [[Lloyd Ahern II|Lloyd Ahern]]
| editing = Freeman A. Davies
| editing = Freeman A. Davies
| studio = Lone Wolf = Warner Bros. Pictures
| studio = Lone Wolf
| distributor = [[New Line Cinema]]
| distributor = [[New Line Cinema]]
| released = {{Film date|1996|9|20}}
| released = {{Film date|1996|9|20}}
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* Spanish
* Spanish
}}
}}
| budget = $67 million
| budget = $67 million<ref name="numbers">{{cite web |title=Last Man Standing (1996) - Financial Information |url=https://www.the-numbers.com/movie/Last-Man-Standing#tab=summary |website=[[The Numbers (website)|The Numbers]] }}</ref>
| gross = $47.3 million
| gross = $47.3 million<ref name="mojo">{{cite web | url=https://boxofficemojo.com/movies/?id=lastmanstanding.htm | title=Last Man Standing (1996) | publisher=[[Box Office Mojo]] | access-date=15 August 2020 }}</ref><br />302,885 admissions (France)<ref>{{cite web|url=http://translate.google.com.au/translate?hl=en&sl=fr&u=http://www.boxofficestory.com/&prev=search|title=Google Translate|website=Translate.google.com.au|access-date=29 September 2017}}</ref>
}}
}}


'''''Last Man Standing''''' is a 1996 American [[action film]] written and directed by [[Walter Hill (director)|Walter Hill]] and starring [[Bruce Willis]], [[Christopher Walken]], and [[Bruce Dern]]. It is a credited [[remake]] of [[Akira Kurosawa]]'s ''[[Yojimbo (film)|Yojimbo]]''.
'''''Last Man Standing''''' is a 1996 American Neo-Western [[action film]] written and directed by [[Walter Hill (director)|Walter Hill]], and starring [[Bruce Willis]], [[Christopher Walken]] and [[Bruce Dern]]. It is a credited [[remake]] of [[Akira Kurosawa]]'s ''[[Yojimbo (film)|Yojimbo]]''.


==Plot==
==Plot==
{{Long plot|date=May 2024}}<!--- [[WP:PLOTBLOAT|bloated 820-word "synopsis"]] versus 400–700 word norm --->
In [[Prohibition in the United States|Prohibition]]-era [[Texas]], a wanderer named John Smith ([[Bruce Willis]]) drives his [[Ford Model A (1927–31)|Ford Model A Coupe]] into the small [[Mexican border|bordertown]] of Jericho. As he arrives, a young woman named Felina ([[Karina Lombard]]) crosses the street, catching Smith's eye. Moments later, a group of [[Irish mob]]sters led by Finn ([[Patrick Kilpatrick]]) surround Smith's car. They warn him against staring at "Doyle's property" and smash up his car.
In [[Prohibition in the United States|Prohibition]]-era [[Texas]], a wanderer named John Smith drives into the small [[Mexican border|bordertown]] of Jericho. As he arrives, a young woman named Felina crosses the street, catching Smith's eye. Moments later, a group of [[Irish mob]]sters surround Smith's car. The lead hood warns him against staring at "Doyle's property" and smashes up his car.


Stranded and with no money to get his car fixed, Smith goes to see Sheriff Ed Galt ([[Bruce Dern]]); the cowardly Galt refuses to help him. Instead, Smith walks to the town hotel, run by Joe Monday ([[William Sanderson]]), gets a drink and a room, and takes two [[M1911 pistol]]s out of his luggage. He then goes to Doyle's headquarters at a nearby social club and challenges Finn to a [[Fast draw|duel]], which Smith wins with alarming speed. Smith departs and returns to the hotel, much to the surprise of Jericho's residents.
Stranded and with no money to get his car fixed, Smith goes to see Sheriff Ed Galt; the cowardly Galt refuses to help him. Smith walks to the town hotel, run by Joe Monday, gets a drink and a room, and takes two [[M1911 pistol]]s out of his luggage. He then goes to Doyle's headquarters at a nearby social club and challenges the hood to a [[Fast draw|duel]], which Smith wins with alarming speed. Smith departs and returns to the hotel, much to the surprise of Jericho's residents.


Learning of Finn's death, Fredo Strozzi ([[Ned Eisenberg]]), the head of Jericho's [[Italian-American Mafia|Italian gang]], offers Smith a job in his outfit. Strozzi is eager to wipe out his rivals and is spending heavily to recruit anyone who can fight into his gang. Smith agrees to his offer and meets Giorgio Carmonte ([[Michael Imperioli]]), son of a prominent [[Chicago Outfit|Chicago mobster]] who is monitoring Strozzi's activities in Jericho. Carmonte expresses his immediate distrust and dislike of Smith, who leaves and then seduces Strozzi's mistress, Lucy ([[Alexandra Powers]]).
Learning of the Irish hood's death, Fredo Strozzi, the head of Jericho's [[Italian-American Mafia|Italian gang]], offers Smith a job in his outfit. Strozzi is eager to wipe out his rivals and is spending heavily to recruit anyone who can fight into his gang. Smith agrees to his offer and meets Giorgio Carmonte, son of a prominent [[Chicago Outfit|Chicago mobster]] who is monitoring Strozzi's activities in Jericho. Carmonte expresses his immediate distrust and dislike of Smith, who leaves and then seduces Strozzi's mistress, Lucy.


Smith accompanies Strozzi and his men to the backcountry, where they meet Ramirez, a corrupt Mexican police lieutenant on Doyle's payroll. The gang ambushes Doyle's men and seizes a caravan of illicit foreign liquor. Carmonte travels to Mexico to cut more deals with Ramirez, while Doyle ([[David Patrick Kelly]]) and his right-hand man Hickey ([[Christopher Walken]]) return to Jericho and are informed of Finn's death and the loss of the shipment. Smith defects to Doyle's side and reveals Ramirez's betrayal. Hickey travels to Mexico, kills Ramirez and a corrupt [[United States Border Patrol|Border Patrol]] officer involved in the liquor trade, and kidnaps Carmonte. Doyle contacts Strozzi and demands a large ransom for Carmonte, as well as the return of his trucks. Strozzi in turn kidnaps Felina and offers to trade her instead. The two gangs make the exchange and return to their respective empires.
Smith accompanies Strozzi and his men to the backcountry, where they meet Ramirez, a corrupt Mexican police lieutenant on Doyle's payroll. The gang ambushes Doyle's men and seizes a caravan of illicit foreign liquor. Carmonte travels to Mexico to cut more deals with Ramirez, while Doyle and his right-hand man Hickey return to Jericho and are informed of Finn's death and the loss of the shipment. Smith defects to Doyle's side and reveals Ramirez's betrayal. Hickey travels to Mexico, kills Ramirez and a corrupt [[United States Border Patrol|Border Patrol]] officer involved in the liquor trade, and kidnaps Carmonte. Doyle contacts Strozzi and demands a large ransom for Carmonte, as well as the return of his trucks. Strozzi in turn kidnaps Felina and offers to trade her instead. The two gangs make the exchange and return to their respective empires.


Smith is apprehended by Sheriff Galt, who brings him to meet with Captain Tom Pickett ([[Ken Jenkins]]) of the [[Texas Ranger Division|Texas Rangers]]. Pickett has been ordered to investigate the dead Border Patrol officer's death and warns Smith that the State of Texas will not tolerate Doyle and Strozzi's war any longer. He intends to bring a company of Rangers in ten days to wipe out both sides if one isn't destroyed within the week. As Smith leaves, Pickett warns him that if he finds him there after ten days, he'll kill him as well.
Smith is apprehended by Sheriff Galt, who brings him to meet with Captain Tom Pickett of the [[Texas Ranger Division|Texas Rangers]]. Pickett has been ordered to investigate the dead Border Patrol officer's death and warns Smith that the State of Texas will not tolerate Doyle and Strozzi's war any longer. He intends to bring a company of Rangers in ten days to wipe out both sides if one isn't destroyed within the week. As Smith leaves, Pickett warns him that if he finds him there after ten days, he'll kill him as well.


Lucy comes to Smith and reveals that Strozzi had her ear cut off for sleeping with him. Smith gives her some money and gets her a ride out of town. The next day, Smith relays a false rumor that Strozzi is preparing to bring in more men. Playing on Doyle's obsession with Felina, he convinces Doyle that Strozzi will try to kidnap her again to learn where Felina is being kept. Smith kills the men guarding Felina and gives her one of Doyle's cars to escape. The next day, Smith is waiting at the safehouse when Doyle arrives, and claims that he arrived too late to keep Strozzi from kidnapping Felina. Doyle's new enforcer, Jack McCool ([[R. D. Call]]), believes Smith's story but Hickey does not. Doyle goes berserk and declares that he will wipe out Strozzi's gang later that day.
Lucy comes to Smith and reveals that Strozzi had her ear cut off for sleeping with him. Smith gives her some money and gets her a ride out of town. The next day, Smith relays a false rumor that Strozzi is preparing to bring in more men. Playing on Doyle's obsession with Felina, he convinces Doyle that Strozzi will try to kidnap her again to learn where Felina is being kept. Smith kills the men guarding Felina and gives her one of Doyle's cars to escape. The next day, Smith is waiting at the safehouse when Doyle arrives, and claims that he arrived too late to keep Strozzi from kidnapping Felina. Doyle's new enforcer, Jack McCool, believes Smith's story but Hickey does not. Doyle goes berserk and declares that he will wipe out Strozzi's gang later that day.


Smith's plan goes awry when Hickey ambushes him, having received word that Felina was spotted heading towards [[Mexico]]. Doyle imprisons Smith and has him tortured, demanding to know where Felina is. Despite the heavy torture inflicted on him, Smith refuses to talk. Later that night, he overpowers his guards and escapes with Monday and Sheriff Galt. As they are driving out of town, they see Hickey and his men slaughtering Strozzi's gang at a roadhouse. Strozzi and Carmonte try to surrender but are gunned down without mercy.
Smith's plan goes awry when Hickey ambushes him, having received word that Felina was spotted heading towards Mexico. Doyle imprisons Smith and has him tortured, demanding to know where Felina is. Despite the heavy torture inflicted on him, Smith refuses to talk. Later that night, he overpowers his guards and escapes with Monday and Sheriff Galt. As they are driving out of town, they see Hickey and his men slaughtering Strozzi's gang at a roadhouse. Strozzi and Carmonte try to surrender but are gunned down without mercy.


Smith takes refuge at a remote church where Felina went to pray. Two days later, Sheriff Galt arrives and informs Smith that Monday was caught smuggling food and water to the church and that Doyle will probably torture him to death. He then hands Smith his pistols, saying that's all the help he's willing to offer. Smith returns to town, kills McCool and the rest of Doyle's men, and rescues Monday. Doyle and Hickey are absent, having gone down to Mexico in a desperate search for Felina. Smith lures Doyle to his location and lets Monday take revenge by shooting the gangster with his revolver. Hickey pretends to surrender and tries to kill Smith, who outdraws and shoots him dead.
Smith takes refuge at a remote church where Felina went to pray. Two days later, Sheriff Galt arrives and informs Smith that Monday was caught smuggling food and water to the church and that Doyle will probably torture him to death. He then hands Smith his pistols, saying that's all the help he's willing to offer. Smith returns to town, kills McCool and the rest of Doyle's men, and rescues Monday. Doyle and Hickey are absent, having gone down to Mexico in a desperate search for Felina. Smith lures Doyle to his location and lets Monday take revenge by shooting the gangster with his revolver. Hickey pretends to surrender and tries to kill Smith, who outdraws and shoots him dead.
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==Cast==
==Cast==
<!--- [[WP:NOTDATABASE]] - cast and order per Main Cast [[Motion picture credits#Opening credits]], roles per closing credits scroll --->
{{div col|colwidth=30em}}
{{Cast listing|
* [[Bruce Willis]] as John Smith, a mysterious [[gunfighter]] who gets caught up in a mob war and decides to play both sides in the hopes of ending their violence as well as make some money whilst doing so. Based on the character of Sanjuro from ''Yojimbo''.
* [[Bruce Dern]] as Sheriff Ed Galt, Jericho's inept chief lawman who fears both Strozzi and Doyle and does his best to steer clear of them. Based on the character of Hansuke from ''Yojimbo''.
* [[Bruce Willis]] as John Smith, a mysterious [[gunfighter]] who gets caught up in a mob war and decides to play both sides in the hopes of ending their violence as well as make some money whilst doing so. Based on Sanjuro from ''Yojimbo''.
* [[William Sanderson]] as Joe Monday, an old innkeeper who shelters Smith and tries to keep him safe from both sides. Based on the character of Gonji from ''Yojimbo''.
* [[Christopher Walken]] as Hickey, Doyle's most feared and cunning gunman. Based on Unosuke from ''Yojimbo''.
* [[Christopher Walken]] as Hickey, Doyle's most feared and cunning gunman. Based on the character of Unosuke from ''Yojimbo''.
* [[David Patrick Kelly]] as Doyle, the boss of Jericho's Irish mob. Based on the character of Ushitora from ''Yojimbo''.
* [[Karina Lombard]] as Felina, Doyle's mistress. Based on the character of Nui from ''Yojimbo''.
* [[Ned Eisenberg]] as Fredo Strozzi, the boss of Jericho's Italian mob. Based on the character of Seibei from ''Yojimbo''.
* [[Michael Imperioli]] as Giorgio Carmonte, a Chicago mobster working with Strozzi to expand his operations. It's later revealed that he and Fredo have a familial connection as the two are cousins. Based on the character of Orin from ''Yojimbo''.
* [[R. D. Call]] as Jack McCool, a dimwitted mobster promoted to replace Finn as Doyle's chief enforcer. Based on the character of Inokichi from ''Yojimbo''.
* [[Alexandra Powers]] as Lucy Kolinski, Strozzi's mistress.
* [[Alexandra Powers]] as Lucy Kolinski, Strozzi's mistress.
* [[David Patrick Kelly]] as Doyle, the boss of Jericho's Irish mob. Based on Ushitora from ''Yojimbo''.
* [[William Sanderson]] as Joe Monday, an old innkeeper who shelters Smith and tries to keep him safe from both sides. Based on the character of Gonji from ''Yojimbo''.
* [[Karina Lombard]] as Felina, Doyle's mistress. Based on Nui from ''Yojimbo''.
* [[Ned Eisenberg]] as Fredo Strozzi, the boss of Jericho's Italian mob. Based on Seibei from ''Yojimbo''.
* [[Michael Imperioli]] as Giorgio Carmonte, a Chicago mobster working with Strozzi to expand his operations. It's later revealed that he and Fredo have a familial connection as the two are cousins. Based on Orin from ''Yojimbo''.
* [[Ken Jenkins]] as Captain Tom Pickett, a senior Texas Ranger sent to end the violence in Jericho.
* [[Ken Jenkins]] as Captain Tom Pickett, a senior Texas Ranger sent to end the violence in Jericho.
* [[Ted Markland]] as Deputy Bob, Galt's corrupt, silent subordinate who works for Doyle. Based on the character of Kannuki from ''Yojimbo''.
* [[R. D. Call]] as Jack McCool, a dimwitted mobster promoted to replace Finn as Doyle's chief enforcer. Based on Inokichi from ''Yojimbo''.
* [[Leslie Mann]] as Wanda, a prostitute who sleeps with Smith after he arrives in Jericho.
* [[Leslie Mann]] as Wanda, a prostitute who sleeps with Smith after he arrives in Jericho.
* [[Patrick Kilpatrick]] as Finn, Doyle's chief enforcer until he gets shot by Smith. Based on the character of Honma from ''Yojimbo''.
* [[Bruce Dern]] as Sheriff Ed Galt, Jericho's inept chief lawman who fears both Strozzi and Doyle and does his best to steer clear of them. Based on f Hansuke from ''Yojimbo''.
}}
{{div col end}}


==Production==
==Production==
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He admitted the film was not realistic. "I don't think anything akin to the [[social realism]] movies of the 1930s is being attempted", he said. "We're into a 'once upon a time' mythic-poetic situation."<ref name="last"/>
He admitted the film was not realistic. "I don't think anything akin to the [[social realism]] movies of the 1930s is being attempted", he said. "We're into a 'once upon a time' mythic-poetic situation."<ref name="last"/>


Hill signed to make the project in 1994.<ref>{{cite news|title=Spike Lee to shoot from 3-point line|edition=City|author=Carr, Jay|work=Boston Globe|date=31 July 1994|page=B19}}</ref> The film was green lit by [[New Line Cinema]]'s head of production [[Michael De Luca]] who allocated a $40 million budget.<ref>{{cite news |title=With Hollywood Money, Trust Someone Under 30: Hollywood Money and Someone Under 30 |first=Bernard |last=Weinraub |work=New York Times |date=18 July 1995 |page=C13 |url=https://www.nytimes.com/1995/07/18/movies/with-hollywood-money-trust-someone-under-30.html }}</ref> The film was known by several titles including "Gundown", then "Gangster", then "Welcome to Jericho."
Hill signed to make the project in 1994.<ref>{{cite news|title=Spike Lee to shoot from 3-point line|edition=City|author=Carr, Jay|work=Boston Globe|date=31 July 1994|page=B19}}</ref> The film was green lit by [[New Line Cinema]]'s head of production [[Michael De Luca]] who allocated a $40 million budget.<ref>{{cite news |title=With Hollywood Money, Trust Someone Under 30: Hollywood Money and Someone Under 30 |first=Bernard |last=Weinraub |author-link=Bernard Weinraub |work=[[The New York Times]] |date=18 July 1995 |page=C13 |url=https://www.nytimes.com/1995/07/18/movies/with-hollywood-money-trust-someone-under-30.html |access-date= |url-access=subscription}}</ref> The film was known by several titles including ''Gundown'', then ''Gangster'', then "Welcome to Jericho."


Hill later said that he and [[Bruce Willis]] "were not close when we did the film" but "I liked working with him. It was impersonal. Classic, 'I know what you mean. You want me to be a [[Humphrey Bogart|Bogart]], [[Robert Mitchum|Mitchum]] kind of guy' and I said 'Exactly. Let it happen.' He then took that and gave what I thought was a very good performance. I always sensed there was a kind of core resentment that Bruce felt he should be more appreciated for his talents. At the same time I think there is a limitation, that he does certain things better than others, and he hasn't always chosen so wisely."<ref name="hill5">{{cite web|url=https://www.dga.org/Craft/VisualHistory/Interviews/Walter-Hill.aspx|title=Walter Hill – Visual History Interview|website=Dga.org|access-date=29 September 2017}}</ref>
Hill later said that he and [[Bruce Willis]] "were not close when we did the film" but "I liked working with him. It was impersonal. Classic, 'I know what you mean. You want me to be a [[Humphrey Bogart|Bogart]], [[Robert Mitchum|Mitchum]] kind of guy' and I said 'Exactly. Let it happen.' He then took that and gave what I thought was a very good performance. I always sensed there was a kind of core resentment that Bruce felt he should be more appreciated for his talents. At the same time I think there is a limitation, that he does certain things better than others, and he hasn't always chosen so wisely."<ref name="hill5">{{cite AV media |url=https://www.dga.org/Craft/VisualHistory/Interviews/Walter-Hill.aspx |title=Walter Hill – Visual History Interview |first1=Robert |last1=Markowitz |author-link1=Robert Markowitz |first2=Walter |last2=Hill |author-link2=Walter Hill |publisher=[[Directors Guild of America]] |format=video |access-date=29 September 2017}}</ref>


Hill's original cut of the movie was over two hours long. Before Hill edited the final theatrical version his rough cut was used to edit the trailers for the movie, which is why there is lot of alternate/deleted footage shown in them, including many alternate takes, different edits of some scenes, extended versions of scenes, some extra lines of dialogue, shots and parts of deleted scenes including additional shootout sequence between two gangs and alternate ending in which Hickey is killed by Smith in a different way. Some promotional stills and pictures also show several deleted scenes.
Hill's original cut of the movie was over two hours long. Before Hill edited the final theatrical version his rough cut was used to edit the trailers for the movie, which is why there is lot of alternate/deleted footage shown in them, including many alternate takes, different edits of some scenes, extended versions of scenes, some extra lines of dialogue, shots and parts of deleted scenes including additional shootout sequence between two gangs and alternate ending in which Hickey is killed by Smith in a different way. Some promotional stills and pictures also show several deleted scenes.
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==Reception==
==Reception==
===Box office===
===Box office===
The film was a [[box office bomb]], grossing only a total $18,127,448 domestically by December 22, 1996, and brought in $47,267,001 worldwide.<ref name="mojo" />
''Last Man Standing'' was a [[box-office bomb]], grossing $18.1{{nbsp}}million domestically (United States and Canada), and $29.2{{nbsp}}million in other territories, for a worldwide total of $47.3{{nbsp}}million, against a budget of $67{{nbsp}}million.<ref name=BOM>{{Cite Box Office Mojo |access-date=2024-05-27}}</ref>


===Critical response===
===Critical response===
On [[Rotten Tomatoes]] the film has a 39% approval rating based on 31 reviews. The site's consensus states: "''Last Man Standing'''s brooding atmosphere and bursts of artfully arranged action prove intriguing yet ultimately insufficient substitutes for a consistently compelling story."<ref>{{cite web |url=https://www.rottentomatoes.com/m/1073075-last_man_standing/ |title=Last Man Standing |website=[[Rotten Tomatoes]] |access-date=5 August 2022}}</ref> Common recurring complaints address the oppressive and depressing atmosphere of the film; the flat, almost monotonous personality of Willis' character between gunfights; and the film's [[Pyrrhic victory]] finale. Audiences polled by [[CinemaScore]] gave the film an average grade of "C+" on an A+ to F scale.<ref name="CinemaScore">{{cite web |url=https://m.cinemascore.com |title=CinemaScore |work=cinemascore.com}}</ref>
{{RT prose|{{RT data|score}}|{{RT data|average}}|{{RT data|count}}|''Last Man Standing'''s brooding atmosphere and bursts of artfully arranged action prove intriguing yet ultimately insufficient substitutes for a consistently compelling story.|ref=yes|access-date={{RT data|access date}}}} {{MC film|44|24|ref=yes|access-date=2024-05-27}}

Critic [[Roger Ebert]] gave the film one out of four stars, and wrote:


<blockquote>''Last Man Standing'' is such a desperately cheerless film, so dry and laconic and wrung out, that you wonder if the filmmakers ever thought that in any way it could be ... fun. It contains elements that are often found in entertainments — things like guns, gangs and spectacular displays of death — but here they crouch on the screen and growl at the audience. Even the movie's hero is bad company. ... The victory at the end is downbeat, and there is an indifference to it. This is such a sad, lonely movie.<ref>{{cite web | last=Ebert | first=Roger |author-link=Roger Ebert | title=Last Man Standing | url=https://www.rogerebert.com/reviews/last-man-standing-1996 | publisher=RogerEbert.com | date=September 20, 1996 | access-date=October 6, 2017}}</ref></blockquote>
Critic [[Roger Ebert]] gave the film one out of four stars, calling it "a desperately cheerless film, so dry and laconic and wrung out… The victory at the end is downbeat, and there is an indifference to it."<ref>{{cite news |title=Last Man Standing |last=Ebert |first=Roger |author-link=Roger Ebert |date=1996-09-20 |url=https://www.rogerebert.com/reviews/last-man-standing-1996 |access-date=2017-10-06 |work=[[Chicago Sun-Times]] |via=[[RogerEbert.com]]}}</ref>


==References==
==References==
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==External links==
==External links==
* {{IMDb title|0116830}}
* {{IMDb title}}
* [https://www.bbc.co.uk/dna/h2g2/A1161271 A Comparison of ''Yojimbo'', ''A Fistful of Dollars'' and ''Last Man Standing''] at [[BBC]]
* {{AllMovie title|154491}}
* {{mojo title|lastmanstanding}}
* [https://www.bbc.co.uk/dna/h2g2/A1161271 A Comparison of ''Yojimbo'', ''A Fistful of Dollars'' and ''Last Man Standing'']


{{Walter Hill}}
{{Walter Hill}}
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[[Category:Films about the American Mafia]]
[[Category:Films about the American Mafia]]
[[Category:Films about mass murder]]
[[Category:Films about mass murder]]
[[Category:Films about violence]]
[[Category:Films directed by Walter Hill]]
[[Category:Films directed by Walter Hill]]
[[Category:Films set in 1932]]
[[Category:Films set in 1932]]
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[[Category:Films shot in El Paso, Texas]]
[[Category:Films shot in El Paso, Texas]]
[[Category:New Line Cinema films]]
[[Category:New Line Cinema films]]
[[Category:Adaptations of works by Akira Kurosawa]]
[[Category:Films based on works by Akira Kurosawa]]
[[Category:American remakes of Japanese films]]
[[Category:American remakes of Japanese films]]
[[Category:Films with screenplays by Walter Hill]]
[[Category:Films with screenplays by Walter Hill]]

Latest revision as of 00:58, 22 December 2024

Last Man Standing
Theatrical release poster
Directed byWalter Hill
Screenplay byWalter Hill
Based onYojimbo
by Akira Kurosawa
Produced by
  • Walter Hill
  • Arthur M. Sarkissian
Starring
CinematographyLloyd Ahern
Edited byFreeman A. Davies
Music byRy Cooder
Production
company
Lone Wolf
Distributed byNew Line Cinema
Release date
  • September 20, 1996 (1996-09-20)
Running time
101 minutes
CountryUnited States
Languages
  • English
  • Spanish
Budget$67 million
Box office$47.3 million

Last Man Standing is a 1996 American Neo-Western action film written and directed by Walter Hill, and starring Bruce Willis, Christopher Walken and Bruce Dern. It is a credited remake of Akira Kurosawa's Yojimbo.

Plot

[edit]

In Prohibition-era Texas, a wanderer named John Smith drives into the small bordertown of Jericho. As he arrives, a young woman named Felina crosses the street, catching Smith's eye. Moments later, a group of Irish mobsters surround Smith's car. The lead hood warns him against staring at "Doyle's property" and smashes up his car.

Stranded and with no money to get his car fixed, Smith goes to see Sheriff Ed Galt; the cowardly Galt refuses to help him. Smith walks to the town hotel, run by Joe Monday, gets a drink and a room, and takes two M1911 pistols out of his luggage. He then goes to Doyle's headquarters at a nearby social club and challenges the hood to a duel, which Smith wins with alarming speed. Smith departs and returns to the hotel, much to the surprise of Jericho's residents.

Learning of the Irish hood's death, Fredo Strozzi, the head of Jericho's Italian gang, offers Smith a job in his outfit. Strozzi is eager to wipe out his rivals and is spending heavily to recruit anyone who can fight into his gang. Smith agrees to his offer and meets Giorgio Carmonte, son of a prominent Chicago mobster who is monitoring Strozzi's activities in Jericho. Carmonte expresses his immediate distrust and dislike of Smith, who leaves and then seduces Strozzi's mistress, Lucy.

Smith accompanies Strozzi and his men to the backcountry, where they meet Ramirez, a corrupt Mexican police lieutenant on Doyle's payroll. The gang ambushes Doyle's men and seizes a caravan of illicit foreign liquor. Carmonte travels to Mexico to cut more deals with Ramirez, while Doyle and his right-hand man Hickey return to Jericho and are informed of Finn's death and the loss of the shipment. Smith defects to Doyle's side and reveals Ramirez's betrayal. Hickey travels to Mexico, kills Ramirez and a corrupt Border Patrol officer involved in the liquor trade, and kidnaps Carmonte. Doyle contacts Strozzi and demands a large ransom for Carmonte, as well as the return of his trucks. Strozzi in turn kidnaps Felina and offers to trade her instead. The two gangs make the exchange and return to their respective empires.

Smith is apprehended by Sheriff Galt, who brings him to meet with Captain Tom Pickett of the Texas Rangers. Pickett has been ordered to investigate the dead Border Patrol officer's death and warns Smith that the State of Texas will not tolerate Doyle and Strozzi's war any longer. He intends to bring a company of Rangers in ten days to wipe out both sides if one isn't destroyed within the week. As Smith leaves, Pickett warns him that if he finds him there after ten days, he'll kill him as well.

Lucy comes to Smith and reveals that Strozzi had her ear cut off for sleeping with him. Smith gives her some money and gets her a ride out of town. The next day, Smith relays a false rumor that Strozzi is preparing to bring in more men. Playing on Doyle's obsession with Felina, he convinces Doyle that Strozzi will try to kidnap her again to learn where Felina is being kept. Smith kills the men guarding Felina and gives her one of Doyle's cars to escape. The next day, Smith is waiting at the safehouse when Doyle arrives, and claims that he arrived too late to keep Strozzi from kidnapping Felina. Doyle's new enforcer, Jack McCool, believes Smith's story but Hickey does not. Doyle goes berserk and declares that he will wipe out Strozzi's gang later that day.

Smith's plan goes awry when Hickey ambushes him, having received word that Felina was spotted heading towards Mexico. Doyle imprisons Smith and has him tortured, demanding to know where Felina is. Despite the heavy torture inflicted on him, Smith refuses to talk. Later that night, he overpowers his guards and escapes with Monday and Sheriff Galt. As they are driving out of town, they see Hickey and his men slaughtering Strozzi's gang at a roadhouse. Strozzi and Carmonte try to surrender but are gunned down without mercy.

Smith takes refuge at a remote church where Felina went to pray. Two days later, Sheriff Galt arrives and informs Smith that Monday was caught smuggling food and water to the church and that Doyle will probably torture him to death. He then hands Smith his pistols, saying that's all the help he's willing to offer. Smith returns to town, kills McCool and the rest of Doyle's men, and rescues Monday. Doyle and Hickey are absent, having gone down to Mexico in a desperate search for Felina. Smith lures Doyle to his location and lets Monday take revenge by shooting the gangster with his revolver. Hickey pretends to surrender and tries to kill Smith, who outdraws and shoots him dead.

In the aftermath, Smith gets into his newly repaired Ford and drives on to Mexico, his original destination.

Cast

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  • Bruce Willis as John Smith, a mysterious gunfighter who gets caught up in a mob war and decides to play both sides in the hopes of ending their violence as well as make some money whilst doing so. Based on Sanjuro from Yojimbo.
  • Christopher Walken as Hickey, Doyle's most feared and cunning gunman. Based on Unosuke from Yojimbo.
  • Alexandra Powers as Lucy Kolinski, Strozzi's mistress.
  • David Patrick Kelly as Doyle, the boss of Jericho's Irish mob. Based on Ushitora from Yojimbo.
  • William Sanderson as Joe Monday, an old innkeeper who shelters Smith and tries to keep him safe from both sides. Based on the character of Gonji from Yojimbo.
  • Karina Lombard as Felina, Doyle's mistress. Based on Nui from Yojimbo.
  • Ned Eisenberg as Fredo Strozzi, the boss of Jericho's Italian mob. Based on Seibei from Yojimbo.
  • Michael Imperioli as Giorgio Carmonte, a Chicago mobster working with Strozzi to expand his operations. It's later revealed that he and Fredo have a familial connection as the two are cousins. Based on Orin from Yojimbo.
  • Ken Jenkins as Captain Tom Pickett, a senior Texas Ranger sent to end the violence in Jericho.
  • R. D. Call as Jack McCool, a dimwitted mobster promoted to replace Finn as Doyle's chief enforcer. Based on Inokichi from Yojimbo.
  • Leslie Mann as Wanda, a prostitute who sleeps with Smith after he arrives in Jericho.
  • Bruce Dern as Sheriff Ed Galt, Jericho's inept chief lawman who fears both Strozzi and Doyle and does his best to steer clear of them. Based on f Hansuke from Yojimbo.

Production

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Development and writing

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Walter Hill was approached by producer Arthur Sarkassian to remake the Japanese film Yojimbo (1961), which Akira Kurosawa not only directed but also co-wrote with Ryūzō Kikushima. Hill says, "It took me a long time to be persuaded to do it. I thought the very idea of adapting Mr. Kurosawa was insanity for the obvious reasons. The first movie was very, very good and in addition I would be in the long shadow of Mr. Kurosawa who is probably our most revered filmmaker."[1]

When he learned that Kurosawa was supportive of an American remake, Hill agreed to write and direct—but on the condition that the film not be a Western (there had already been an unauthorized European remake, the Spaghetti Western A Fistful of Dollars, which had been the subject of litigation). He decided to do it as a 1930s gangster film using techniques of 1940s film noir.

"This is the story of a bad man, who as soon as he arrives begins pushing buttons and doing things only for himself", said Hill. "But we also discover that this man is at a point of spiritual crisis with himself and his own past. And this man decides that maybe he should do one good deed, even if it goes against all the rules of his life as he understands it ... The action and the violence must be organic to the story being told. I think this is obviously by its nature a very dark and very hard movie, so I think it would be dishonest to tell the story and present the physicality in a softer way. Besides, I don't think this is the most brutal film imaginable. There's actually very little blood other than in the sequence where Bruce gets beaten up."[1]

He admitted the film was not realistic. "I don't think anything akin to the social realism movies of the 1930s is being attempted", he said. "We're into a 'once upon a time' mythic-poetic situation."[1]

Hill signed to make the project in 1994.[2] The film was green lit by New Line Cinema's head of production Michael De Luca who allocated a $40 million budget.[3] The film was known by several titles including Gundown, then Gangster, then "Welcome to Jericho."

Hill later said that he and Bruce Willis "were not close when we did the film" but "I liked working with him. It was impersonal. Classic, 'I know what you mean. You want me to be a Bogart, Mitchum kind of guy' and I said 'Exactly. Let it happen.' He then took that and gave what I thought was a very good performance. I always sensed there was a kind of core resentment that Bruce felt he should be more appreciated for his talents. At the same time I think there is a limitation, that he does certain things better than others, and he hasn't always chosen so wisely."[4]

Hill's original cut of the movie was over two hours long. Before Hill edited the final theatrical version his rough cut was used to edit the trailers for the movie, which is why there is lot of alternate/deleted footage shown in them, including many alternate takes, different edits of some scenes, extended versions of scenes, some extra lines of dialogue, shots and parts of deleted scenes including additional shootout sequence between two gangs and alternate ending in which Hickey is killed by Smith in a different way. Some promotional stills and pictures also show several deleted scenes.

Reception

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Box office

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Last Man Standing was a box-office bomb, grossing $18.1 million domestically (United States and Canada), and $29.2 million in other territories, for a worldwide total of $47.3 million, against a budget of $67 million.[5]

Critical response

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On the review aggregator website Rotten Tomatoes, 42% of 31 critics' reviews are positive, with an average rating of 5.5/10. The website's consensus reads: "Last Man Standing's brooding atmosphere and bursts of artfully arranged action prove intriguing yet ultimately insufficient substitutes for a consistently compelling story."[6] Metacritic, which uses a weighted average, assigned the film a score of 44 out of 100, based on 24 critics, indicating "mixed or average" reviews.[7]

Critic Roger Ebert gave the film one out of four stars, calling it "a desperately cheerless film, so dry and laconic and wrung out… The victory at the end is downbeat, and there is an indifference to it."[8]

References

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  1. ^ a b c Portman, Jamie (12 September 1996). "Filmmaker Walter Hill has made some of ...". CanWest News. p. 1.
  2. ^ Carr, Jay (31 July 1994). "Spike Lee to shoot from 3-point line". Boston Globe (City ed.). p. B19.
  3. ^ Weinraub, Bernard (18 July 1995). "With Hollywood Money, Trust Someone Under 30: Hollywood Money and Someone Under 30". The New York Times. p. C13.
  4. ^ Markowitz, Robert; Hill, Walter. Walter Hill – Visual History Interview (video). Directors Guild of America. Retrieved 29 September 2017.
  5. ^ "Last Man Standing". Box Office Mojo. IMDb. Retrieved 27 May 2024.Edit this at Wikidata
  6. ^ "Last Man Standing". Rotten Tomatoes. Fandango Media. Retrieved 22 November 2024. Edit this at Wikidata
  7. ^ "Last Man Standing". Metacritic. Fandom, Inc. Retrieved 27 May 2024.
  8. ^ Ebert, Roger (20 September 1996). "Last Man Standing". Chicago Sun-Times. Retrieved 6 October 2017 – via RogerEbert.com.
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