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* [[Jim Metzler]]}}
* [[Jim Metzler]]}}
| music = {{ubl|[[Peter Haycock]]|[[Derek Holt]]|[[Terry Plumeri]]}}
| music = {{ubl|[[Peter Haycock]]|[[Derek Holt]]|[[Terry Plumeri]]}}
| cinematography = James L. Carter
| cinematography = [[James L. Carter]]
| editing = Carole Kravetz
| editing = Carole Kravetz
| distributor = [[I.R.S. Records|I.R.S. Releasing]]
| distributor = [[I.R.S. Records|I.R.S. Releasing]]
Line 23: Line 23:
| language = English
| language = English
| country = United States
| country = United States
| budget = $2.5 million<ref name="OneFalseMoveDevelopment1">{{cite web |title=One False Move (1992) |url=https://catalog.afi.com/Film/67361-ONE-FALSEMOVE?sid=1cdf5d91-a4a3-4617-886c-83e0603b0b40&sr=12.529893&cp=1&pos=0|website=[[American Film Institute|AFI]] |access-date=July 4, 2023}}</ref>
| budget =
| gross = $1.5 million
| gross = $1.5 million<ref>{{cite web|url=https://www.boxofficemojo.com/movies/?id=onefalsemove.htm|title=One False Move (1992) - Box Office Mojo|website=www.boxofficemojo.com|access-date=13 February 2018}}</ref>
}}
}}
'''''One False Move''''' is a 1992 [[Cinema of the United States|American]] [[crime thriller film]] directed by [[Carl Franklin]] and co-written by [[Billy Bob Thornton]]. The film stars Thornton alongside [[Bill Paxton]] and [[Cynda Williams]]. The low-budget production was about to be released straight to home video when it was finished, but became popular through word of mouth, convincing the distributor to give the film a theatrical release. Film critic [[Gene Siskel]] voted this film as his favorite of 1992.
'''''One False Move''''' is a 1992 [[Cinema of the United States|American]] [[crime thriller film]] directed by [[Carl Franklin]] and written by [[Billy Bob Thornton]] and [[Tom Epperson]]. The film stars Thornton alongside [[Bill Paxton]] and [[Cynda Williams]]. The low-budget production was about to be released straight to home video when it was finished, but became popular through word of mouth, convincing the distributor to give the film a theatrical release.


== Plot ==
== Plot ==
Three criminals, Ray, Pluto and Fantasia (Ray's girlfriend), commit six brutal murders over the course of one night in Los Angeles as they seek a cache of money and cocaine. The trio leave for Houston to sell the cocaine to a friend of Pluto's.
Three criminals, Ray, Pluto and Fantasia (Ray's girlfriend), commit six brutal murders over the course of one night in Los Angeles as they seek a cache of money and cocaine. The trio leave for Houston to sell the cocaine to a friend of Pluto's.


The [[Los Angeles Police Department|LAPD]] Detectives Cole and McFeely are investigating the case. After getting a few leads, they discover that the three are possibly headed for [[Star City, Arkansas]]. The LAPD contacts the Star City police sheriff, Dale "Hurricane" Dixon, who is excited about the case, as it gives him an opportunity to do "some real police work". He is well-known throughout the small county, chatting with locals while on patrol. The detectives fly to Star City and meet Dixon. He attempts to ingratiate himself with the detectives, whom he reveres, while they pretend to respect him.
[[Los Angeles Police Department|LAPD]] Detectives Dud Cole and John McFeely are investigating the case. After getting a few leads, they discover that the three are possibly headed for [[Star City, Arkansas]]. The LAPD contacts the Star City Police Chief, Dale "Hurricane" Dixon, who is excited about the case, as it gives him an opportunity to do "some real police work". He is well-known throughout the small county, chatting with locals while on patrol. The detectives fly to Star City and meet Dale. He attempts to ingratiate himself with the detectives, whom he reveres, while they pretend to respect him.


After stopping at a convenience store, a state trooper pulls over and attempts to arrest Ray and Pluto but Fantasia kills him as she is asked to get out of the car. Word of the trooper's murder gets to the detectives in Star City, and the trio review surveillance photos of Ray and Fantasia in the store confirming their identity. Dixon informs the detectives that Fantasia is Lila Walker and she grew up in Star City. He recalls she was a troubled youth who left for Hollywood with dreams of an acting career.
After stopping at a convenience store, a state trooper pulls over and attempts to arrest Ray and Pluto but Fantasia kills him as she is asked to get out of the car. Word of the trooper's murder gets to the detectives in Star City, and the trio review surveillance photos of Ray and Fantasia in the store confirming their identity. Dale informs the detectives that Fantasia is Lila Walker and she grew up in Star City. He recalls she was a troubled youth who left for Hollywood with dreams of an acting career.


The detectives sense Dixon may know Fantasia better than he is letting on after they stop by her mother's house. They question Fantasia's mother and brother Ronnie about Fantasia's whereabouts and if she had contacted them recently. They also meet a young boy, Byron, who is revealed to be Lila's young son. The detectives suspect that Lila will be coming home to see him.
The detectives sense Dale may know Fantasia better than he is letting on after they stop by her mother's house. They question Fantasia's mother and brother Ronnie about Fantasia's whereabouts and if she had contacted them recently. They also meet a young boy, Byron, who is revealed to be Lila's young son. The detectives suspect that Lila will be coming home to see him.


Ray, Fantasia and Pluto arrive in Houston to sell the drugs as planned. Fantasia takes a bus to Star City. Angry that their buyers are reneging on the previously agreed upon price for the cocaine, Pluto and Ray kill them and flee. They drive to Star City to meet up with Fantasia and plan their next move.
Ray, Fantasia and Pluto arrive in Houston to sell the drugs as planned. Fantasia takes a bus to Star City. Angry that their buyers are reneging on the previously agreed upon price for the cocaine, Pluto and Ray kill them and flee. They drive to Star City to meet up with Fantasia and plan their next move.


When Fantasia arrives in Star City, she hides at a rural house. Dixon confronts her, and it is revealed that the boy is Dixon and Lila's son, conceived during an affair years earlier. After tense conversation, they make a deal. She will lure Ray and Pluto to ensure their arrest and in exchange, Dixon will help her leave town.
When Fantasia arrives in Star City, she hides at a rural house. Dale confronts her, and it is revealed that the boy is Dale and Lila's son, conceived during an affair years earlier. After tense conversation, they make a deal: Lila will lure Ray and Pluto to ensure their arrest and in exchange, Dale will help her leave town.


Pluto and Ray arrive at the house and are immediately confronted by an armed Dixon. Pluto stabs Dixon in the stomach and Dixon shoots Pluto. Ray draws his gun and runs outside while shooting at Dixon. The two fire at each other, but Fantasia stops Dixon from killing Ray, only to have Ray errantly shoot her in the head. Seriously wounded, Dixon steadies himself and shoots Ray, killing him. Pluto walks outside and falls dead in the grass. Dixon calls for help with his police radio, and the LAPD detectives arrive, amazed at what Dixon has accomplished. Byron walks over and talks to Dixon as he lies bleeding, and he asks the boy to tell him about himself.
Pluto and Ray arrive at the house and are immediately confronted by the armed police chief. Lila distracts Dale, allowing Pluto to stab him in the stomach, during which Dale manages to shoot Pluto. Ray draws his gun and runs outside while shooting at Dale. The two fire at each other, but Fantasia stops Dale from killing Ray, only to have Ray errantly shoot her in the head. Seriously wounded, Dale steadies himself and shoots Ray to death. Pluto walks outside and falls dead in the grass. Dale calls for help with his police radio, and the LAPD detectives arrive, amazed at what the chief has accomplished. Byron walks over and talks to Dale as he lies bleeding, and he asks the boy to tell him about himself.


== Cast ==
== Cast ==
<!--- [[WP:NOTDATABASE]] - cast and order per Main Cast [[Motion picture credits#Opening credits]], roles per closing credits scroll --->
* [[Bill Paxton]] as Sheriff Dale 'Hurricane' Dixon
{{Cast listing|
* [[Bill Paxton]] as Dale "Hurricane" Dixon
* [[Cynda Williams]] as Fantasia/Lila Walker
* [[Billy Bob Thornton]] as Ray Malcolm
* [[Billy Bob Thornton]] as Ray Malcolm
* [[Cynda Williams]] as Lila 'Fantasia' Walker
* [[Michael Beach]] as Lane "Pluto" Franklin
* [[Michael Beach]] as Lane 'Pluto' Franklin
* [[Earl Billings]] as John McFeely
* [[Jim Metzler]] as Detective Dudley 'Dud' Cole
* [[Jim Metzler]] as Dud Cole
}}
* [[Earl Billings]] as Detective John McFeely
* John Mahon as Chief Jenkins
* Max Segar as Assistant Chief
* J. Robert Bailey as Lieutenant
* [[Robert Ginnaven]] as Deputy Charlie
* [[Natalie Canerday]] as Cheryl Ann Dixon, Dale's Wife
* Meredith 'Jeta' Donovan as Bonnie Dixon, Dale and Cheryl Ann's Daughter
* [[Kevin Hunter]] as Ronnie Walker
* Phyllis Kirklin as Mrs. Walker, Lila and Ronnie's Mother
* Robert Anthony Bell as Byron Walker, Lila's Son
* [[Rocky Giordani]] as Billy 'The Face'
* Jesse Dabson as 'Beaver'
* Jennifer Watson-Johnston as Kim
* [[Jimmy Bridges (actor)|Jimmy Bridges]] as Bobby
* Loren Tyler as Marco
* Deniese Payne as Marco's Wife


==Production==
== Critical reaction ==
Carl Franklin, who was transitioning from a career as an actor, attracted the attention of producers Jesse Beaton and Ben Myron with his American Film Institute thesis film, ''Punk''.<ref name= "OneFalseMoveDevelopment1"/> Beaton and Myron, who owned the rights to ''One False Move'', were impressed by Franklin’s “maturity” and his understanding of the film’s subtexts of race relations, the conflicts between city and country life and gender issues.<ref name= "OneFalseMoveDevelopment1"/>
Hal Hinson, writing for ''[[The Washington Post]]'', praised the film: "'One False Move' is a thriller with a hair-trigger sense of tension. Directed by newcomer Carl Franklin, its power comes from the stripped-down simplicity of its style and the unblinking savagery of its violence."<ref>{{cite news| title= 'One False Move' (R)| url= https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/onefalsemoverhinson_a0a78d.htm| first= Hal |last= Hinson| work= [[The Washington Post]]| date= July 18, 1992| access-date= October 3, 2016}}</ref> Film critic [[Roger Ebert]] praised the film's director in his review: "It is a powerful directing job. He starts with an extraordinary screenplay and then finds the right tones and moods for every scene, realizing it's not the plot we care about, it’s the people."<ref>{{cite web| url= http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19920508/REVIEWS/205080302/1023| title= One False Move| first= Roger |last= Ebert| date= May 8, 1992 | access-date= October 3, 2016| website= RogerEbert.[[Chicago Sun-Times|SunTimes.com]]}}</ref> The film was nominated for the [[Grand Prix (Belgian Syndicate of Cinema Critics)|Grand Prix]] of the [[Belgian Syndicate of Cinema Critics]].


==Reception==
As of April 2021, ''One False Move'' holds a rating of 94% on [[Rotten Tomatoes]] based on 52 reviews.<ref>https://www.rottentomatoes.com/m/one_false_move</ref>

===Critical response===
{{RT prose|{{RT data|score}}|{{RT data|average}}|{{RT data|count}}|''One False Move'' makes nary a misstep as it unfurls a seedy caper with hard-hitting action and sly humor, marking an arresting debut for director Carl Franklin.|ref=yes|access-date=2023-05-17}} {{MC film|87|20|ref=yes|access-date=2023-05-17}}

Writing for ''[[The Washington Post]]'', [[Hal Hinson]] praised the film: "'One False Move' is a thriller with a hair-trigger sense of tension. Directed by newcomer Carl Franklin, its power comes from the stripped-down simplicity of its style and the unblinking savagery of its violence."<ref>{{cite news |title='One False Move' (R) |first=Hal |last=Hinson |author-link=Hal Hinson |date=1992-07-18 |newspaper=[[The Washington Post]] |url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/onefalsemoverhinson_a0a78d.htm |access-date=2016-10-03}}</ref> Film critic [[Roger Ebert]] praised the film's director in his review: "It is a powerful directing job. He starts with an extraordinary screenplay and then finds the right tones and moods for every scene, realizing it's not the plot we care about, it’s the people."<ref>{{cite news |title=One False Move |first=Roger |last=Ebert |author-link=Roger Ebert |date=1992-05-08 |newspaper=[[Chicago Sun-Times]] |url=https://www.rogerebert.com/reviews/one-false-move-1992 |access-date=2023-05-17}}</ref> At year end, film critic [[Gene Siskel]] voted the film as his favorite of 1992.<ref>{{cite news |title=The class of '92 |first=Gene |last=Siskel |author-link=Gene Siskel |date=1992-12-31 |page=41 |work=[[York Daily Record]] - York Magazine (supplement) |url=https://www.newspapers.com/clip/46075833/siskel-best-of-1992/ |access-date=2022-05-18 |url-access=limited |via=[[Ancestry.com#Newspapers.com|Newspapers.com]]}}</ref>

The film was nominated for the [[Grand Prix (Belgian Syndicate of Cinema Critics)|Grand Prix]] of the [[Belgian Syndicate of Cinema Critics]].{{citation needed|date=May 2023}}

===Box office===
In the United States and Canada, ''One False Move'' grossed $1.5{{nbsp}}million at the box office<ref name=BOM>{{Cite Box Office Mojo |access-date=2023-05-17}}</ref> against a budget of $2.5{{nbsp}}million.<ref>{{Cite web |url=https://catalog.afi.com/Film/67361-ONE-FALSEMOVE |title=One False Move (1992) |work=[[AFI Catalog of Feature Films]] |access-date=2023-05-17 |quote=According to various contemporary sources, including [[Variety (magazine)|DV]] on 17 Jun 1992 and [[New York (magazine)|New York]] on 27 Jul 1992, the film was made for $2.5 million.}}</ref>


==References==
==References==
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==External links==
==External links==
* {{IMDb title|id=0102592|title=One False Move}}
* {{IMDb title}}
* {{TCMDb title}}
* {{Rotten-tomatoes|one_false_move}}
* {{Amg movie|36360|One False Move}}
* {{AFI film|67361}}
* {{Mojo title|onefalsemove}}


{{Carl Franklin}}
{{Carl Franklin}}
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[[Category:1992 films]]
[[Category:1992 films]]
[[Category:1992 crime thriller films]]
[[Category:1992 crime thriller films]]
[[Category:1992 independent films]]
[[Category:American crime thriller films]]
[[Category:American crime thriller films]]
[[Category:American police detective films]]
[[Category:American police detective films]]
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[[Category:Films set in New Mexico]]
[[Category:Films set in New Mexico]]
[[Category:Films set in Texas]]
[[Category:Films set in Texas]]
[[Category:Films shot in Los Angeles]]
[[Category:Films shot in Los Angeles]]
[[Category:Films shot in Arkansas]]
[[Category:Films shot in Arkansas]]
[[Category:Films directed by Carl Franklin]]
[[Category:Films directed by Carl Franklin]]
[[Category:American films]]
[[Category:I.R.S. Media films]]
[[Category:I.R.S. Media films]]
[[Category:1992 independent films]]
[[Category:Star City, Arkansas in fiction]]
[[Category:Star City, Arkansas]]
[[Category:1990s English-language films]]
[[Category:1990s American films]]
[[Category:English-language independent films]]
[[Category:English-language crime thriller films]]

Latest revision as of 03:31, 22 December 2024

One False Move
Theatrical release poster
Directed byCarl Franklin
Written by
Produced by
Starring
CinematographyJames L. Carter
Edited byCarole Kravetz
Music by
Distributed byI.R.S. Releasing
Release date
  • May 8, 1992 (1992-05-08)
Running time
105 minutes
CountryUnited States
LanguageEnglish
Budget$2.5 million[1]
Box office$1.5 million

One False Move is a 1992 American crime thriller film directed by Carl Franklin and written by Billy Bob Thornton and Tom Epperson. The film stars Thornton alongside Bill Paxton and Cynda Williams. The low-budget production was about to be released straight to home video when it was finished, but became popular through word of mouth, convincing the distributor to give the film a theatrical release.

Plot

[edit]

Three criminals, Ray, Pluto and Fantasia (Ray's girlfriend), commit six brutal murders over the course of one night in Los Angeles as they seek a cache of money and cocaine. The trio leave for Houston to sell the cocaine to a friend of Pluto's.

LAPD Detectives Dud Cole and John McFeely are investigating the case. After getting a few leads, they discover that the three are possibly headed for Star City, Arkansas. The LAPD contacts the Star City Police Chief, Dale "Hurricane" Dixon, who is excited about the case, as it gives him an opportunity to do "some real police work". He is well-known throughout the small county, chatting with locals while on patrol. The detectives fly to Star City and meet Dale. He attempts to ingratiate himself with the detectives, whom he reveres, while they pretend to respect him.

After stopping at a convenience store, a state trooper pulls over and attempts to arrest Ray and Pluto but Fantasia kills him as she is asked to get out of the car. Word of the trooper's murder gets to the detectives in Star City, and the trio review surveillance photos of Ray and Fantasia in the store confirming their identity. Dale informs the detectives that Fantasia is Lila Walker and she grew up in Star City. He recalls she was a troubled youth who left for Hollywood with dreams of an acting career.

The detectives sense Dale may know Fantasia better than he is letting on after they stop by her mother's house. They question Fantasia's mother and brother Ronnie about Fantasia's whereabouts and if she had contacted them recently. They also meet a young boy, Byron, who is revealed to be Lila's young son. The detectives suspect that Lila will be coming home to see him.

Ray, Fantasia and Pluto arrive in Houston to sell the drugs as planned. Fantasia takes a bus to Star City. Angry that their buyers are reneging on the previously agreed upon price for the cocaine, Pluto and Ray kill them and flee. They drive to Star City to meet up with Fantasia and plan their next move.

When Fantasia arrives in Star City, she hides at a rural house. Dale confronts her, and it is revealed that the boy is Dale and Lila's son, conceived during an affair years earlier. After tense conversation, they make a deal: Lila will lure Ray and Pluto to ensure their arrest and in exchange, Dale will help her leave town.

Pluto and Ray arrive at the house and are immediately confronted by the armed police chief. Lila distracts Dale, allowing Pluto to stab him in the stomach, during which Dale manages to shoot Pluto. Ray draws his gun and runs outside while shooting at Dale. The two fire at each other, but Fantasia stops Dale from killing Ray, only to have Ray errantly shoot her in the head. Seriously wounded, Dale steadies himself and shoots Ray to death. Pluto walks outside and falls dead in the grass. Dale calls for help with his police radio, and the LAPD detectives arrive, amazed at what the chief has accomplished. Byron walks over and talks to Dale as he lies bleeding, and he asks the boy to tell him about himself.

Cast

[edit]

Production

[edit]

Carl Franklin, who was transitioning from a career as an actor, attracted the attention of producers Jesse Beaton and Ben Myron with his American Film Institute thesis film, Punk.[1] Beaton and Myron, who owned the rights to One False Move, were impressed by Franklin’s “maturity” and his understanding of the film’s subtexts of race relations, the conflicts between city and country life and gender issues.[1]

Reception

[edit]

Critical response

[edit]

On the review aggregator website Rotten Tomatoes, 93% of 57 critics' reviews are positive, with an average rating of 8.5/10. The website's consensus reads: "One False Move makes nary a misstep as it unfurls a seedy caper with hard-hitting action and sly humor, marking an arresting debut for director Carl Franklin."[2] Metacritic, which uses a weighted average, assigned the film a score of 87 out of 100, based on 20 critics, indicating "universal acclaim".[3]

Writing for The Washington Post, Hal Hinson praised the film: "'One False Move' is a thriller with a hair-trigger sense of tension. Directed by newcomer Carl Franklin, its power comes from the stripped-down simplicity of its style and the unblinking savagery of its violence."[4] Film critic Roger Ebert praised the film's director in his review: "It is a powerful directing job. He starts with an extraordinary screenplay and then finds the right tones and moods for every scene, realizing it's not the plot we care about, it’s the people."[5] At year end, film critic Gene Siskel voted the film as his favorite of 1992.[6]

The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics.[citation needed]

Box office

[edit]

In the United States and Canada, One False Move grossed $1.5 million at the box office[7] against a budget of $2.5 million.[8]

References

[edit]
  1. ^ a b c "One False Move (1992)". AFI. Retrieved July 4, 2023.
  2. ^ "One False Move". Rotten Tomatoes. Fandango Media. Retrieved 2023-05-17. Edit this at Wikidata
  3. ^ "One False Move". Metacritic. Fandom, Inc. Retrieved 2023-05-17.
  4. ^ Hinson, Hal (1992-07-18). "'One False Move' (R)". The Washington Post. Retrieved 2016-10-03.
  5. ^ Ebert, Roger (1992-05-08). "One False Move". Chicago Sun-Times. Retrieved 2023-05-17.
  6. ^ Siskel, Gene (1992-12-31). "The class of '92". York Daily Record - York Magazine (supplement). p. 41. Retrieved 2022-05-18 – via Newspapers.com.
  7. ^ "One False Move". Box Office Mojo. IMDb. Retrieved 2023-05-17.Edit this at Wikidata
  8. ^ "One False Move (1992)". AFI Catalog of Feature Films. Retrieved 2023-05-17. According to various contemporary sources, including DV on 17 Jun 1992 and New York on 27 Jul 1992, the film was made for $2.5 million.
[edit]