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| runtime = 124 minutes (10 [[reel#Motion picture terminology|reels]] at 9,850 ft)
| runtime = 124 minutes (10 [[reel#Motion picture terminology|reels]] at 9,850 ft)
| country = United States
| country = United States
| language = [[Silent film|Silent]]<br>([[English language|English]] intertitles)
| language = [[Silent film|Silent]]<br>(English intertitles)
| gross = $1 million<ref>rentals in US and Canada - see ''Variety'' list of box office champions for 1923</ref>
| gross = $1 million<ref>rentals in US and Canada - see ''Variety'' list of box office champions for 1923</ref>
}}
}}


'''''Scaramouche''''' (1923) is a [[silent film|silent]] [[swashbuckler film]] based on the 1921 novel ''[[Scaramouche (novel)|Scaramouche]]'' by [[Rafael Sabatini]], directed by [[Rex Ingram (director)|Rex Ingram]], released by [[Metro Pictures]], and starring [[Ramón Novarro]], [[Alice Terry]], [[Lewis Stone]], and [[Lloyd Ingraham]].
'''''Scaramouche''''' (1923) is a [[silent film|silent]] [[swashbuckler film]] based on the 1921 novel ''[[Scaramouche (novel)|Scaramouche]]'' by [[Rafael Sabatini]], directed by [[Rex Ingram (director)|Rex Ingram]], released by [[Metro Pictures]], and starring [[Ramón Novarro|Ramon Novarro]], [[Alice Terry]], [[Lewis Stone]], and [[Lloyd Ingraham]].


''Scaramouche'' became public domain in the United States on January 1, 2019.<ref>{{cite web |title=Public Domain Day 2019 |url=https://law.duke.edu/cspd/publicdomainday/2019/ |website=Center for the Study of the Public Domain |accessdate=November 24, 2018}}</ref>
''Scaramouche'' entered the [[public domain in the United States]] on January 1, 2019.<ref>{{cite web |title=Public Domain Day 2019 |url=https://law.duke.edu/cspd/publicdomainday/2019/ |website=Center for the Study of the Public Domain |accessdate=November 24, 2018}}</ref>


==Plot==
==Plot==
[[File:"Scaramouche" (1923).webm|thumb|right|250px|Full movie]]
[[File:"Scaramouche" (1923).webm|thumb|right|250px|Full movie]]
André-Louis Moreau loves Aline de Kercadiou, the niece of his godfather, Quintin de Kercadiou, and she him. However Quintin would prefer she married the Marquis de la Tour d'Azyr, a middle-aged nobleman, rather than someone who does not even know who his parents are.
André-Louis Moreau loves Aline de Kercadiou, the niece of his godfather, Quintin de Kercadiou, and she loves him as well. However, Quintin prefers she married the Marquis de la Tour d'Azyr, a middle-aged nobleman, rather than someone who does not even know who his parents are.


One day, expert swordsman de la Tour first toys with, then kills André's friend Philippe de Vilmorin in a [[duel]]. André turns to the King's Lieutenant for justice. However, when the official learns who the accused is, he immediately orders André's arrest. André flees.
One day, expert swordsman de la Tour first toys with, then kills André's friend Philippe de Vilmorin in a duel. André turns to the king's lieutenant for justice. However, when the official learns who the accused is, he immediately orders André's arrest. André flees.


Meanwhile, France nears the brink of revolution. When one orator in favor of liberty and equality is shot down by a soldier, André fearlessly takes his place and remains undaunted when he is grazed by a bullet. When the [[dragoon]]s are called out to disperse the mob, an admirer named Chapelier helps André escape.
Meanwhile, France nears the brink of revolution. When one orator in favor of liberty and equality is shot and killed by a soldier, André fearlessly takes his place and remains undaunted when he is grazed by a bullet. When the [[dragoon]]s are called to disperse the mob, an admirer named Chapelier helps André escape.


He joins a wandering theatre troupe led by Challefau Binet. André writes better plays for them to perform, and they become very successful, eventually performing at a theatre in Paris. André becomes engaged to Binet's daughter, Climène.
He joins a wandering theatre troupe led by Challefau Binet. André writes better plays for them to perform, and they become very successful, eventually performing at a theatre in Paris. André becomes engaged to Climène, Binet's daughter.


Aline and de la Tour attend a performance of his latest work, however, and she and André spot each other. She goes to see him, but he does not wish to renew their relationship. De la Tour, despite loving Aline, cannot help trifling with Climène. By chance, Aline and Countess de Plougastel, with whom she is staying, see him in a carriage with Climène. Aline informs de la Tour she never wants to see him again. De la Tour blackmails the countess into helping him, reminding her of an incident in her past.
Aline and de la Tour attend a performance of his latest work, and she and André see each other. She goes to him, but he does not wish to renew their relationship. De la Tour, despite loving Aline, cannot help trifling with Climène. By chance, Aline and Countess de Plougastel, with whom she is staying, see him in a carriage with Climène. Aline informs de la Tour she never wants to see him again. De la Tour blackmails the countess into helping him, reminding her of an incident in her past.


Meanwhile, in the National Assembly, the aristocrats, unable to effectively respond to the reform-minded delegates with words, resort to duels to eliminate their leading opponents. Chief among the duelists is de la Tour. In desperation, Danton and Chapelier recruit André to reply in kind. The Chevalier de Chabrillone is his first victim. Eventually, he gets what he wants: a duel with de la Tour. He disarms his foe, then allows him to pick up his sword. After André wounds the nobleman in his sword arm, de la Tour gives up.
Meanwhile, in the National Assembly, the aristocrats, unable to effectively respond to the reform-minded delegates with words, resort to duels to eliminate their leading opponents. Chief among the duelists is de la Tour. In desperation, Danton and Chapelier recruit André to reply in kind. The Chevalier de Chabrillone is his first victim. Eventually, he gets what he wants: a duel with de la Tour. He disarms his foe, then allows him to retrieve his sword. After André wounds the nobleman, de la Tour gives up.


When news reaches Paris that the Austrians and Prussians have invaded France in support of the beleaguered King Louis XVI, the [[French Revolution]] erupts. In the fighting, de la Tour is overwhelmed and left for dead. When he revives, he staggers to the residence of the countess. André heads there too, to rescue his love and his mother the countess (whose identity has been revealed to him by de Kercadiou), armed with a passport signed by Danton authorizing him to do anything he wants. When the two bitter enemies spot each other, de la Tour demands the passport. André refuses, whereupon de la Tour draws a pistol. When the countess reveals that he is in fact André's father, the two men have an initially uneasy reconciliation. When de la Tour starts to leave, André offers him his sword. Thus armed, de la Tour faces the rioters in the street and perishes.
When news reaches Paris that the Austrians and Prussians have invaded France in support of the beleaguered King Louis XVI, the [[French Revolution]] erupts. In the fighting, de la Tour is overwhelmed and left for dead. When he revives, he staggers to the residence of the countess. André goes there too to rescue his love and his mother the countess (whose identity has been revealed to him by de Kercadiou), armed with a passport signed by Danton authorizing him to do anything he wants. When the two bitter enemies spot each other, de la Tour demands the passport. André refuses, and de la Tour draws a pistol. When the countess reveals that he is in fact André's father, the two men have an initially uneasy reconciliation. When de la Tour starts to leave, André offers him his sword. Thus armed, de la Tour faces the rioters in the street and perishes.


André places the two women in a covered carriage. At the Paris gate, a man spots the aristocrats inside and demands they be handed over to the mob. Moreau pleads with them to let them go for his sake. The masses respond with extravagant sentimentality, and the trio are allowed to leave Paris.
André places the two women in a covered carriage. At the Paris gate, a man spots the aristocrats inside and demands they be handed to the mob. Moreau pleads with them to let them go for his sake. The masses respond with extravagant sentimentality, and the trio are allowed to leave Paris.


==Cast==
==Cast==
Line 48: Line 48:
* [[Ramon Novarro]] as André-Louis Moreau, his godson
* [[Ramon Novarro]] as André-Louis Moreau, his godson
* [[Lewis Stone]] as The Marquis de la Tour d'Azyr
* [[Lewis Stone]] as The Marquis de la Tour d'Azyr
* [[Julia Swayne Gordon]] as The Countess [Thérèse] de Plougastel
* [[Julia Swayne Gordon]] as The Countess Thérèse de Plougastel
* [[William J. Humphrey|William Humphrey]] as The Chevalier de Chabrillone
* [[William J. Humphrey|William Humphrey]] as The Chevalier de Chabrillone
* [[Otto Matieson]] as Philippe de Vilmorin
* [[Otto Matieson]] as Philippe de Vilmorin
* [[George Siegmann]] as [[Georges Danton|Danton]]
* [[George Siegmann]] as [[Georges Danton|Danton]]
* Bowditch M. Turner as Chapelier
* Bowditch M. Turner as Chapelier
* [[James Marcus (American actor)|James Marcus]] as [Challefau] Binet
* [[James Marcus (American actor)|James Marcus]] as Challefau Binet
* Edith Allen as Climène Binet
* Edith Allen as Climène Binet
* [[John George (actor)|John George]] as Polichinelle
* [[John George (actor)|John George]] as Polichinelle
Line 59: Line 59:
* [[Rose Dione]] as La Révolte
* [[Rose Dione]] as La Révolte


uncredited cast:
Uncredited cast:
* Edwin Argus as [[King Louis XVI]]
* Edwin Argus as [[King Louis XVI]]
* J. Edwin Brown as Monsieur Benoit
* J. Edwin Brown as Monsieur Benoit
Line 66: Line 66:


==Production==
==Production==
''Scaramouche'' was an elaborate and unwieldy production that suffered from delays and cost overruns.<ref>Soares, André. ''Beyond Paradise: The Life of Ramone Navarro''. St. Martin's Press, 2002, p. 102.</ref> Ingram had secured the rights to Sabatini's novel in September 1922, and worked on the project for seven months before the cameras rolled. Extensive outdoor sets, representing 18th-century Paris, were built both on the Metro lot and at a separate site in the San Fernando Valley, and 1,500 extras were used.<ref>Barton, Ruth. ''Rex Ingram: Visionary Director of the Silent Screen''. University Press of Kentucky, 2014, p. 118-119.</ref> An experimental sequence was shot in [[Technicolor]], with the Technicolor company picking up tab; the sequence proved unsatisfactory and was ultimately discarded.<ref>Layton, James and David Pierce. ''The Dawn of Technicolor: 1915-1935''. George Eastman House, 2015, p. 102.</ref>
''Scaramouche'' was an elaborate and unwieldy production that suffered from delays and cost overruns.<ref>Soares, André. ''Beyond Paradise: The Life of Ramone Navarro''. St. Martin's Press, 2002, p. 102.</ref> Ingram had secured the rights to Sabatini's novel in September 1922 and worked on the project for seven months before the cameras rolled. Extensive outdoor sets, representing 18th-century Paris, were built both on the Metro lot and at a separate site in the San Fernando Valley, and 1,500 extras were used.<ref>Barton, Ruth. ''Rex Ingram: Visionary Director of the Silent Screen''. University Press of Kentucky, 2014, p. 118-119.</ref> An experimental sequence was shot in [[Technicolor]], and the Technicolor company paid for the expense of this experiment; the sequence proved unsatisfactory, and it was discarded.<ref>Layton, James and David Pierce. ''The Dawn of Technicolor: 1915-1935''. George Eastman House, 2015, p. 102.</ref>


==Release==
==Release==
''Scaramouche'' was given a prestigious 22-unit roadshow release upon its completion in 1924. Despite the film's large budget, the film was financially successful in the United States and broke box office records in Paris and London.<ref>Barton 122-123</ref>
''Scaramouche'' was given a prestigious 22-unit [[roadshow release]] upon its completion in 1924. The film was financially successful in the United States and broke box-office records in Paris and London.<ref>Barton 122-123</ref>


==Home media==
==Home media==
Line 81: Line 81:
* {{IMDb title|id=0014440}}
* {{IMDb title|id=0014440}}
* {{tcmdb title|id=1938}}
* {{tcmdb title|id=1938}}
* {{amg title|109008}}
* {{AFI film|11906}}
* {{AFI film|11906}}
* [http://media.photobucket.com/image/thearab1924/indiofernandez/6-8.jpg poster for ''Scaramouche'']
* [http://media.photobucket.com/image/thearab1924/indiofernandez/6-8.jpg Poster for ''Scaramouche'']


{{Rex Ingram}}
{{Rex Ingram}}
Line 107: Line 106:
[[Category:Surviving American silent films]]
[[Category:Surviving American silent films]]
[[Category:1920s American films]]
[[Category:1920s American films]]
[[Category:Silent romantic drama films]]
[[Category:Silent historical adventure films]]
[[Category:Silent adventure films]]
[[Category:Silent American romantic drama films]]
[[Category:Silent American drama films]]

Latest revision as of 05:25, 22 December 2024

Scaramouche
Directed byRex Ingram
Written byWillis Goldbeck (scenario)
Based onScaramouche
1921 novel
by Rafael Sabatini
Produced byRex Ingram
StarringRamon Novarro
Alice Terry
Lewis Stone
CinematographyJohn Seitz
Edited byGrant Whytock
Distributed byMetro Pictures
Release date
  • September 30, 1923 (1923-09-30)
Running time
124 minutes (10 reels at 9,850 ft)
CountryUnited States
LanguagesSilent
(English intertitles)
Box office$1 million[1]

Scaramouche (1923) is a silent swashbuckler film based on the 1921 novel Scaramouche by Rafael Sabatini, directed by Rex Ingram, released by Metro Pictures, and starring Ramon Novarro, Alice Terry, Lewis Stone, and Lloyd Ingraham.

Scaramouche entered the public domain in the United States on January 1, 2019.[2]

Plot

[edit]
Full movie

André-Louis Moreau loves Aline de Kercadiou, the niece of his godfather, Quintin de Kercadiou, and she loves him as well. However, Quintin prefers she married the Marquis de la Tour d'Azyr, a middle-aged nobleman, rather than someone who does not even know who his parents are.

One day, expert swordsman de la Tour first toys with, then kills André's friend Philippe de Vilmorin in a duel. André turns to the king's lieutenant for justice. However, when the official learns who the accused is, he immediately orders André's arrest. André flees.

Meanwhile, France nears the brink of revolution. When one orator in favor of liberty and equality is shot and killed by a soldier, André fearlessly takes his place and remains undaunted when he is grazed by a bullet. When the dragoons are called to disperse the mob, an admirer named Chapelier helps André escape.

He joins a wandering theatre troupe led by Challefau Binet. André writes better plays for them to perform, and they become very successful, eventually performing at a theatre in Paris. André becomes engaged to Climène, Binet's daughter.

Aline and de la Tour attend a performance of his latest work, and she and André see each other. She goes to him, but he does not wish to renew their relationship. De la Tour, despite loving Aline, cannot help trifling with Climène. By chance, Aline and Countess de Plougastel, with whom she is staying, see him in a carriage with Climène. Aline informs de la Tour she never wants to see him again. De la Tour blackmails the countess into helping him, reminding her of an incident in her past.

Meanwhile, in the National Assembly, the aristocrats, unable to effectively respond to the reform-minded delegates with words, resort to duels to eliminate their leading opponents. Chief among the duelists is de la Tour. In desperation, Danton and Chapelier recruit André to reply in kind. The Chevalier de Chabrillone is his first victim. Eventually, he gets what he wants: a duel with de la Tour. He disarms his foe, then allows him to retrieve his sword. After André wounds the nobleman, de la Tour gives up.

When news reaches Paris that the Austrians and Prussians have invaded France in support of the beleaguered King Louis XVI, the French Revolution erupts. In the fighting, de la Tour is overwhelmed and left for dead. When he revives, he staggers to the residence of the countess. André goes there too to rescue his love and his mother the countess (whose identity has been revealed to him by de Kercadiou), armed with a passport signed by Danton authorizing him to do anything he wants. When the two bitter enemies spot each other, de la Tour demands the passport. André refuses, and de la Tour draws a pistol. When the countess reveals that he is in fact André's father, the two men have an initially uneasy reconciliation. When de la Tour starts to leave, André offers him his sword. Thus armed, de la Tour faces the rioters in the street and perishes.

André places the two women in a covered carriage. At the Paris gate, a man spots the aristocrats inside and demands they be handed to the mob. Moreau pleads with them to let them go for his sake. The masses respond with extravagant sentimentality, and the trio are allowed to leave Paris.

Cast

[edit]

Uncredited cast:

Production

[edit]

Scaramouche was an elaborate and unwieldy production that suffered from delays and cost overruns.[3] Ingram had secured the rights to Sabatini's novel in September 1922 and worked on the project for seven months before the cameras rolled. Extensive outdoor sets, representing 18th-century Paris, were built both on the Metro lot and at a separate site in the San Fernando Valley, and 1,500 extras were used.[4] An experimental sequence was shot in Technicolor, and the Technicolor company paid for the expense of this experiment; the sequence proved unsatisfactory, and it was discarded.[5]

Release

[edit]

Scaramouche was given a prestigious 22-unit roadshow release upon its completion in 1924. The film was financially successful in the United States and broke box-office records in Paris and London.[6]

Home media

[edit]

Since March 24, 2009, it has been available on DVD from the Warner Archive Collection.[7]

References

[edit]
  1. ^ rentals in US and Canada - see Variety list of box office champions for 1923
  2. ^ "Public Domain Day 2019". Center for the Study of the Public Domain. Retrieved November 24, 2018.
  3. ^ Soares, André. Beyond Paradise: The Life of Ramone Navarro. St. Martin's Press, 2002, p. 102.
  4. ^ Barton, Ruth. Rex Ingram: Visionary Director of the Silent Screen. University Press of Kentucky, 2014, p. 118-119.
  5. ^ Layton, James and David Pierce. The Dawn of Technicolor: 1915-1935. George Eastman House, 2015, p. 102.
  6. ^ Barton 122-123
  7. ^ "Silent Era : Home Video Reviews". www.silentera.com.
[edit]
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