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{{short description|1956 film}} |
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{{Other uses}} |
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{{Infobox film |
{{Infobox film |
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| director = [[José Ferrer]] |
| director = [[José Ferrer]] |
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| producer = [[Aaron Rosenberg]] |
| producer = [[Aaron Rosenberg]] |
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| based_on = {{based on|''The Great Man''<br>1955 novel|[[Al Morgan (writer)|Al Morgan]]}} |
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| screenplay = [[Al Morgan (writer)|Al Morgan]]<br />[[José Ferrer]] |
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| starring = [[José Ferrer]] <br> [[Dean Jagger]] <br> [[Julie London]] |
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| music = [[Herman Stein]] |
| music = [[Herman Stein]] |
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| cinematography = Harold Lipstein |
| cinematography = [[Harold Lipstein]] |
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| editing = [[Albrecht Joseph]]<br />Sherman Todd |
| editing = [[Albrecht Joseph]]<br />[[Sherman Todd]] |
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| studio = [[Universal Pictures]] |
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| distributor = Universal Pictures |
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| released = {{Film date|1956|12||United States}} |
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| runtime = 92 minutes |
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| country = United States |
| country = United States |
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| language = English |
| language = English |
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| budget = |
| budget = |
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}} |
}} |
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'''''The Great Man''''' is a 1956 [[drama film]] directed by and starring [[José Ferrer]] |
'''''The Great Man''''' is a 1956 American [[film noir]] [[drama film]] directed by and starring [[José Ferrer]]. The screenplay was written by Ferrer and [[Al Morgan (writer)|Al Morgan]] from Morgan's novel of the same name. It was loosely based on the controversial career of [[Arthur Godfrey]], a beloved TV and radio host whose image had been tarnished by a number of cast firings and Godfrey's contentious battles with the press. |
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==Plot== |
==Plot== |
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Joe Harris |
Joe Harris is a popular, established local radio news reporter covering [[Broadway theatre|Broadway]] entertainment with a wise-guy attitude. Herb Fuller is the network's undisputed star. When Fuller dies in an auto accident, Philip Carleton, president of the Amalgamated Broadcasting Network, assigns Harris to prepare a memorial extravaganza, including an elaborate public viewing of Fuller's coffin and a special memorial show featuring interviews with Fuller's radio cast, the "Fuller Family" (based on Arthur Godfrey's cast of "Little Godfreys"), and others who knew him. Carleton dangles a chance at Harris becoming Fuller's replacement if he succeeds. |
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Assisted by network |
Assisted by network [[public relations]] man Nick Cellentano, Harris is intrigued by odd comments at the public viewing, including some from various individuals who attend strictly out of boredom and are indifferent to Fuller. |
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Harris meets Sid Moore |
Harris meets Sid Moore, Fuller's longtime producer, who offers his assistance while realizing Harris is in line to become Fuller's successor. Aided by his secretary Ginny, Harris discovers Fuller was an alcoholic and an unethical womanizing egomaniac who became a star in spite of it. He is visited by Paul Beaseley, owner of a tiny Christian radio station in New England, who first hired Fuller, impressed by his inspirational poetry, and treated him as a son, only to discover Fuller's dark side. |
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Harris's investigations reveal Fuller's relationship with Carol Larson |
Harris's investigations reveal Fuller's relationship with Carol Larson, the alcoholic singer on his show, and conflicts of interest involving his relationship with various song publishers whose songs were performed on Fuller's program. Fuller bandleader Eddie Brand (played by real-life bandleader [[Russ Morgan]]), hoping to remain on what he suspects will become Harris's show, dutifully records an artificially sincere [[sound bite]] regarding Fuller. |
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Moore signs Harris to a contract, then reveals more of Fuller's escapades. Carleton privately warns Harris of Moore's duplicitous nature, telling the newsman that the network will spin his chances of becoming Fuller's successor negatively so that Moore agrees to release him from the contract, adding if Harris cannot secure a release, the network will turn elsewhere. Amassing the research into a script, Harris has to choose between praising the beloved, amusing and warm-hearted Fuller the public saw or unmasking the phony beneath the image. |
Moore signs Harris to a contract, then reveals more of Fuller's escapades. Carleton privately warns Harris of Moore's duplicitous nature, telling the newsman that the network will spin his chances of becoming Fuller's successor negatively so that Moore agrees to release him from the contract, adding that if Harris cannot secure a release, the network will turn elsewhere. Amassing the research into a script, Harris has to choose between praising the beloved, amusing and warm-hearted Fuller the public saw or unmasking the phony beneath the image. |
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Harris makes up his mind as the broadcast starts, throwing away his prepared script to tell the truth about Herb Fuller. As Carleton and Moore listen in, Moore realizes what Harris is about to do. He rips up Harris' contract and demands Carleton stop the broadcast. Seeing that Moore has done precisely what he had hoped for, Carleton refuses to stop the broadcast, explaining that he can market Harris as a man of principle and honesty to the public just as easily as his network marketed Fuller's phony image. |
Harris makes up his mind as the broadcast starts, throwing away his prepared script to tell the truth about Herb Fuller. As Carleton and Moore listen in, Moore realizes what Harris is about to do. He rips up Harris's contract and demands that Carleton stop the broadcast. Seeing that Moore has done precisely what he had hoped for, Carleton refuses to stop the broadcast, explaining that he can market Harris as a man of principle and honesty to the public just as easily as his network marketed Fuller's phony image. |
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==Background== |
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While the movie was based on the controversy surrounding Arthur Godfrey, whose tabloid real-life persona contrasted with his warm-hearted public demeanor, the fictional Fuller's failings differed greatly. Godfrey's controversies were mostly public, not private. Godfrey's womanizing was long-rumored but never confirmed, and he was not a heavy drinker like Fuller. Godfrey's reputation for bullying members of his cast offstage was one exception. That situation was originally private, but became public with the October 19, 1953 on air firing of singer, and popular Godfrey show regular, [[Julius LaRosa]]. LaRosa violated an unwritten Godfrey rule against hiring personal management. An overblown scandal at the time, LaRosa only saw his career flurish as the contravercy grew. Godfrey was also known to relish confrontations with [[CBS]] network executives, including criticizing them on the air, aware the high profits from commercial time on his three television and radio programs gave him the upper hand. Unlike Fuller, Godfrey survived lung cancer surgery, remained on [[CBS]] until 1972 and died in 1983. |
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==Cast== |
==Cast== |
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*[[José Ferrer]] as Joe Harris |
* [[José Ferrer]] as Joe Harris |
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*[[Dean Jagger]] as Philip Carleton |
* [[Dean Jagger]] as Philip Carleton |
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*[[Keenan Wynn]] as Sid Moore |
* [[Keenan Wynn]] as Sid Moore |
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*[[Jim Backus]] |
* [[Jim Backus]] as Nick Cellantano |
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*[[Julie London]] as Carol Larson |
* [[Julie London]] as Carol Larson |
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*[[Ed Wynn]] as Paul Beaseley |
* [[Ed Wynn]] as Paul Beaseley |
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*[[Russ Morgan]] as Eddie Brand |
* [[Russ Morgan]] as Eddie Brand |
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* Joanne Gilbert as Ginny, Harris' secretary |
* [[Joanne Gilbert]] as Ginny, Harris's secretary |
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*[[Barrie Chase]] as Sexy Secretary (uncredited) |
* [[Barrie Chase]] as Sexy Secretary (uncredited) |
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*[[Edward Platt]] |
* [[Edward Platt]] as Dr. O’Connor (as Edward C. Platt) |
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*[[Robert Foulk]] |
* [[Robert Foulk]] as Mike Jack, a radio engineer |
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* [[Lyle Talbot]] |
* [[Lyle Talbot]] as Harry Connors |
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* [[Vinton Hayworth]] |
* [[Vinton Hayworth]] as Charley Carruthers |
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* Henny Backus |
* Henny Backus as Mrs. Rieber |
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* |
* Janie Alexander as Mary Browne |
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* [[Vikki Dougan]] |
* [[Vikki Dougan]] as Marica, new receptionist |
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* |
* Robert Schwartz as Mailboy |
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⚫ | |||
⚫ | |||
==Arthur Godfrey== |
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Rest of Cast listed Alphabetically: |
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While the movie was based on the controversy surrounding Arthur Godfrey, whose real-life persona contrasted with his warm-hearted public demeanor, the fictional Fuller's failings differed greatly. Godfrey's controversies were mostly public, not private. Godfrey's womanizing was long-rumored but never confirmed, and he was not a heavy drinker like Fuller. |
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Godfrey's reputation for bullying members of his cast offstage was one exception. That situation, originally private, became public with the October 19, 1953, on-air firing of singer and popular Godfrey show discovery [[Julius La Rosa]]. After a minor backstage dispute with Godfrey, LaRosa violated an unwritten rule against Godfrey show regulars hiring personal management, despite the fact their contracts contained no such prohibition. Given Godfrey's popularity, the incident became a national scandal at the time, made worse when Godfrey explained the firing by declaring LaRosa had "lost his humility," precipitating a public backlash against Godfrey himself. |
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* Herbert Baker as Elevator Operator (uncredited) |
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Godfrey was also known to relish confrontations with [[CBS]] network executives, including network Chairman [[William S. Paley]], criticizing them on the air, aware the high profits from commercial time on his three television and radio programs gave him the upper hand. |
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* Eddie Gomez as Proprietor (uncredited) |
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* Johnny Grant as Disc Jockey (uncredited) |
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Unlike Fuller, Godfrey did not die suddenly. He survived 1959 lung cancer surgery despite losing part of a lung and remained on [[CBS]] radio until 1972. He died in 1983 at age 79 of emphysema. |
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* Hallene Hill as Old Woman (uncredited) |
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* Jane Howard as Secretary (uncredited) |
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At the time of the film's release, Godfrey was still highly controversial. Part of the controversy involved his subsequent firings of various "Little Godfreys." Accusations in 1955 of anti-semitism that grew out of Godfrey's part-ownership of a Miami Beach hotel notorious for refusing to accommodate Jews also dogged him, though few believed the charges. Godfrey insisted he had ended that policy when he became one of the owners. |
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* Coleen McClatchey as Secretary (uncredited) |
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* Albert E. Morgan as Voice of Herb Fuller (uncredited) |
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* Steve Pendelton as Voice of Director (uncredited) |
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* Gail Stone as Mary’s Sister (uncredited) |
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==See also== |
==See also== |
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*[[List of American films of 1956]] |
* [[List of American films of 1956]] |
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*''[[A Face in the Crowd (film)|A Face in the Crowd]]'' |
* ''[[A Face in the Crowd (film)|A Face in the Crowd]]'' |
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==References== |
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{{Reflist}} |
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==External links== |
==External links== |
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*{{IMDb title|0049280}} |
* {{IMDb title|0049280}} |
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* {{ |
* {{tcmdb title|id=76896}} |
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* {{AFI film|51853}} |
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{{Jose Ferrer}} |
{{Jose Ferrer}} |
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{{DEFAULTSORT:Great Man, The}} |
{{DEFAULTSORT:Great Man, The}} |
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[[Category:1956 films]] |
[[Category:1956 films]] |
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[[Category: |
[[Category:1956 drama films]] |
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[[Category:American drama films]] |
[[Category:American drama films]] |
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[[Category:American satirical films]] |
[[Category:American satirical films]] |
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[[Category:American black-and-white films]] |
[[Category:American black-and-white films]] |
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[[Category:English-language films]] |
[[Category:1950s English-language films]] |
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[[Category:Films about radio people]] |
[[Category:Films about radio people]] |
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[[Category:Films based on American novels]] |
[[Category:Films based on American novels]] |
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[[Category:Films directed by José Ferrer]] |
[[Category:Films directed by José Ferrer]] |
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[[Category:Films scored by Herman Stein]] |
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[[Category:Films set in New York City]] |
[[Category:Films set in New York City]] |
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[[Category:Universal Pictures films]] |
[[Category:Universal Pictures films]] |
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[[Category:Arthur Godfrey]] |
Latest revision as of 09:26, 22 December 2024
The Great Man | |
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Directed by | José Ferrer |
Screenplay by | Al Morgan José Ferrer |
Based on | The Great Man 1955 novel by Al Morgan |
Produced by | Aaron Rosenberg |
Starring | José Ferrer Dean Jagger Julie London |
Cinematography | Harold Lipstein |
Edited by | Albrecht Joseph Sherman Todd |
Music by | Herman Stein |
Production company | |
Distributed by | Universal Pictures |
Release date |
|
Running time | 92 minutes |
Country | United States |
Language | English |
The Great Man is a 1956 American film noir drama film directed by and starring José Ferrer. The screenplay was written by Ferrer and Al Morgan from Morgan's novel of the same name. It was loosely based on the controversial career of Arthur Godfrey, a beloved TV and radio host whose image had been tarnished by a number of cast firings and Godfrey's contentious battles with the press.
Plot
[edit]Joe Harris is a popular, established local radio news reporter covering Broadway entertainment with a wise-guy attitude. Herb Fuller is the network's undisputed star. When Fuller dies in an auto accident, Philip Carleton, president of the Amalgamated Broadcasting Network, assigns Harris to prepare a memorial extravaganza, including an elaborate public viewing of Fuller's coffin and a special memorial show featuring interviews with Fuller's radio cast, the "Fuller Family" (based on Arthur Godfrey's cast of "Little Godfreys"), and others who knew him. Carleton dangles a chance at Harris becoming Fuller's replacement if he succeeds.
Assisted by network public relations man Nick Cellentano, Harris is intrigued by odd comments at the public viewing, including some from various individuals who attend strictly out of boredom and are indifferent to Fuller.
Harris meets Sid Moore, Fuller's longtime producer, who offers his assistance while realizing Harris is in line to become Fuller's successor. Aided by his secretary Ginny, Harris discovers Fuller was an alcoholic and an unethical womanizing egomaniac who became a star in spite of it. He is visited by Paul Beaseley, owner of a tiny Christian radio station in New England, who first hired Fuller, impressed by his inspirational poetry, and treated him as a son, only to discover Fuller's dark side.
Harris's investigations reveal Fuller's relationship with Carol Larson, the alcoholic singer on his show, and conflicts of interest involving his relationship with various song publishers whose songs were performed on Fuller's program. Fuller bandleader Eddie Brand (played by real-life bandleader Russ Morgan), hoping to remain on what he suspects will become Harris's show, dutifully records an artificially sincere sound bite regarding Fuller.
Moore signs Harris to a contract, then reveals more of Fuller's escapades. Carleton privately warns Harris of Moore's duplicitous nature, telling the newsman that the network will spin his chances of becoming Fuller's successor negatively so that Moore agrees to release him from the contract, adding that if Harris cannot secure a release, the network will turn elsewhere. Amassing the research into a script, Harris has to choose between praising the beloved, amusing and warm-hearted Fuller the public saw or unmasking the phony beneath the image.
Harris makes up his mind as the broadcast starts, throwing away his prepared script to tell the truth about Herb Fuller. As Carleton and Moore listen in, Moore realizes what Harris is about to do. He rips up Harris's contract and demands that Carleton stop the broadcast. Seeing that Moore has done precisely what he had hoped for, Carleton refuses to stop the broadcast, explaining that he can market Harris as a man of principle and honesty to the public just as easily as his network marketed Fuller's phony image.
Cast
[edit]- José Ferrer as Joe Harris
- Dean Jagger as Philip Carleton
- Keenan Wynn as Sid Moore
- Jim Backus as Nick Cellantano
- Julie London as Carol Larson
- Ed Wynn as Paul Beaseley
- Russ Morgan as Eddie Brand
- Joanne Gilbert as Ginny, Harris's secretary
- Barrie Chase as Sexy Secretary (uncredited)
- Edward Platt as Dr. O’Connor (as Edward C. Platt)
- Robert Foulk as Mike Jack, a radio engineer
- Lyle Talbot as Harry Connors
- Vinton Hayworth as Charley Carruthers
- Henny Backus as Mrs. Rieber
- Janie Alexander as Mary Browne
- Vikki Dougan as Marica, new receptionist
- Robert Schwartz as Mailboy
- Dorothy Abbott as 'American Airlines' Stewardess (uncredited)
- Adrienne Marden as Voice of Mrs. Fuller (uncredited)
Arthur Godfrey
[edit]While the movie was based on the controversy surrounding Arthur Godfrey, whose real-life persona contrasted with his warm-hearted public demeanor, the fictional Fuller's failings differed greatly. Godfrey's controversies were mostly public, not private. Godfrey's womanizing was long-rumored but never confirmed, and he was not a heavy drinker like Fuller.
Godfrey's reputation for bullying members of his cast offstage was one exception. That situation, originally private, became public with the October 19, 1953, on-air firing of singer and popular Godfrey show discovery Julius La Rosa. After a minor backstage dispute with Godfrey, LaRosa violated an unwritten rule against Godfrey show regulars hiring personal management, despite the fact their contracts contained no such prohibition. Given Godfrey's popularity, the incident became a national scandal at the time, made worse when Godfrey explained the firing by declaring LaRosa had "lost his humility," precipitating a public backlash against Godfrey himself.
Godfrey was also known to relish confrontations with CBS network executives, including network Chairman William S. Paley, criticizing them on the air, aware the high profits from commercial time on his three television and radio programs gave him the upper hand.
Unlike Fuller, Godfrey did not die suddenly. He survived 1959 lung cancer surgery despite losing part of a lung and remained on CBS radio until 1972. He died in 1983 at age 79 of emphysema.
At the time of the film's release, Godfrey was still highly controversial. Part of the controversy involved his subsequent firings of various "Little Godfreys." Accusations in 1955 of anti-semitism that grew out of Godfrey's part-ownership of a Miami Beach hotel notorious for refusing to accommodate Jews also dogged him, though few believed the charges. Godfrey insisted he had ended that policy when he became one of the owners.
See also
[edit]References
[edit]External links
[edit]- 1956 films
- 1956 drama films
- American drama films
- American satirical films
- American black-and-white films
- 1950s English-language films
- Films about radio people
- Films based on American novels
- Films directed by José Ferrer
- Films scored by Herman Stein
- Films set in New York City
- Universal Pictures films
- 1950s American films
- Arthur Godfrey