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== External links == |
== External links == |
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* {{IMDb name|7805172}} |
* {{IMDb name|7805172}} |
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{{Short description|Hong Kong film |
{{Short description|Hong Kong writer, film critic and radio host}} |
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{{Infobox person |
{{Infobox person |
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| image = |
| image = Fatmoonba in book fair (cropped).jpg |
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| caption = |
| caption = Choi in July 2014 |
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| native_name = |
| native_name = 蔡蔚駿 |
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| native_name_lang = zh |
| native_name_lang = zh |
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| birth_name = |
| birth_name = Choi Wai Chun |
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| birth_date = |
| birth_date = {{birth based on age as of date|49|2024|10|23}} |
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| birth_place = Hong Kong |
| birth_place = Hong Kong |
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| education = {{ubl|[[Chinese University of Hong Kong]] ([[Bachelor of Arts|BA]], [[Master of Arts|MA]])}} |
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| education = |
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| othername = |
| othername = |
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| alma_mater = |
| alma_mater = |
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| occupation = {{hlist| |
| occupation = {{hlist|Writer|Film critic|Radio host}} |
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| spouse = |
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| yearsactive = 1997–present |
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}} |
}} |
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'''Calvin Choi Wai Chun''' ({{zh|t=蔡蔚駿}}; born {{birth based on age as of date|49|2024|10|23|noage=1|slash=y}}), also known by his pen name '''Fatmoonba''' ({{zh|t=月巴氏|labels=no}}), is a Hong Kong writer, film critic, and radio host. He is currently a co-host of [[Commercial Radio Hong Kong]]'s ''903 Open Box''. |
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'''Anthony Pun Yiu Ming'''{{efn|Occasionally credited as Anthony Poon.<ref name="VarietySeptember2006" />}} ({{zh|t=潘耀明}}) is a Hong Kong filmmaker. Making his debut as a cinematographer in 1994, Pun is known for his collaborations with director [[Benny Chan (filmmaker)|Benny Chan]], and he won [[Golden Horse Award for Best Cinematography|Best Cinematography]] in the [[42nd Golden Horse Awards]] for their action film ''[[Divergence (film)|Divergence]]'' (2005). He is also a ten-time nominee for the [[Hong Kong Film Award for Best Cinematography]], winning twice for ''[[The Silent War (2012 film)|The Silent War]]'' (2012) and ''[[The Goldfinger (2023 film)|The Goldfinger]]'' (2023) in the [[32nd Hong Kong Film Awards|32nd]] and [[42nd Hong Kong Film Awards]] respectively. |
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== Early life and education == |
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Pun made his directorial debut by co-directing the crime film ''[[Extraordinary Mission]]'' (2017) with [[Alan Mak (director)|Alan Mak]], followed by his first and second solo directorial efforts with the drama film ''[[One More Chance (2023 film)|One More Chance]]'' (2023) and the disaster film ''[[Cesium Fallout]]'' (2024). |
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Choi was born in 1974 or 1975 in Hong Kong,<ref name="HKEJOctober2024">{{Cite web |url=https://www1.hkej.com/features/article?q=%E8%A8%AA%E8%AB%87%E9%8C%84&suid=1628416939 |title=自認細膽 月巴氏開咪有緣 |date=23 October 2024 |website=[[Hong Kong Economic Journal]] |author=王嵐 |access-date=22 December 2024 |language=zh}}</ref> and grew up in [[Shatin]].<ref name="SingTaoDailyJanuary2016">{{Cite web |url=http://stedu.stheadline.com/sec/sec_news.php?aid=14917&cat=5&subcat=5 |title=廢超人月巴氏 |date=12 January 2016 |website=[[Sing Tao Daily]] |author=郭艷媚 |access-date=22 December 2024 |language=zh |archive-url=https://web.archive.org/web/20200622062315/http://stedu.stheadline.com/sec/sec_news.php?aid=14917&cat=5&subcat=5 |archive-date=22 June 2020 |url-status=dead}}</ref> He developed a passion for [[wuxia]] novels at a young age and aspired to be a comic book artist, but abandoned that dream after scoring an F in visual arts on his [[Hong Kong Certificate of Education Examination]].<ref name="TOPickJuly2016" /> He began writing novels in Form 2, inspired by [[Ni Kuang]]'s ''[[Wisely Series]]'',<ref name="HKEJOctober2024" /> and won first prize in the {{ill|Youth Literary Awards|lt=24th Youth Literary Awards|zh|青年文學獎}} in 1996 with his novella ''Teenager''.<ref name="MetroMarch2016">{{Cite web |url=http://www.metropop.com.hk/contents/462/culture/1869/ |title=專欄中不能承受之月巴氏 |date=3 March 2016 |website=[[Metro International|Metro Hong Kong]] |last=Sandy |first=Jill |access-date=22 December 2024 |language=zh |archive-url=https://web.archive.org/web/20160304203058/http://www.metropop.com.hk/contents/462/culture/1869/ |archive-date=4 March 2016 |url-status=dead}}</ref> After graduating from [[matriculation]] in 1994 with an A in Chinese literature, he continued his studies at the [[Chinese University of Hong Kong]], majoring in history.<ref name="HK01July2018">{{Cite web |url=https://www.hk01.com/%E9%9B%BB%E5%BD%B1/214225/%E6%9C%88%E5%B7%B4%E6%B0%8F%E5%98%86%E6%B8%AF%E7%94%A2%E7%89%87%E6%B5%B7%E5%A0%B1%E4%B8%8D%E5%86%8D%E7%B2%BE%E5%BD%A9-%E6%BF%80%E8%AE%9A-%E5%87%B6%E6%A6%9C-%E8%A6%8B%E5%97%B0%E5%85%A9%E9%9A%BB%E5%AD%97%E5%B7%B2%E8%A6%BA%E6%81%90%E6%80%96 |title=月巴氏嘆港產片海報不再精彩 激讚《凶榜》:見嗰兩隻字已覺恐怖 |date=27 July 2018 |website=[[HK01]] |author=游大東 |access-date=22 December 2024 |language=zh}}</ref> |
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== Early life == |
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Pun was educated at {{ill|Hon Wah College|zh|漢華中學}},<ref>{{Cite web |url=http://paper.wenweipo.com/2015/12/08/OT1512080012.htm |title=見多識廣:人生何處不相逢 |date=8 December 2015 |website=[[Wen Wei Po]] |author=尹樹廣 |access-date=11 November 2024 |language=zh}}</ref> and developed an interest in photography at a young age.<ref name="PeopleApril2017">{{Cite web |url=https://www.fx361.com/page/2017/0413/11023218.shtml |title=潘耀明香港金牌摄影“北上”首执导筒 |date=13 April 2017 |website={{ill|People (Chinese magazine)|lt=People|zh|人物周刊 (北京)}} |author=白鸽 |access-date=11 November 2024 |language=zh}}</ref> He entered the film industry in the 1980s,<ref name="YzzkNovember2024">{{Cite web |url=https://www.yzzk.com/article/details/%E9%9B%BB%E5%BD%B1/2024-45/1730865093617/%E5%B0%8E%E6%BC%94%E6%BD%98%E8%80%80%E6%98%8E%E3%80%8C%E6%94%9D%E8%80%8C%E5%84%AA%E5%89%87%E5%B0%8E%E3%80%8D |title=導演潘耀明「攝而優則導」 |date=11 November 2024 |website=[[Yazhou Zhoukan]] |author=蔡亞人 |access-date=11 November 2024 |language=zh}}</ref> initially working as a [[Gaffer (occupation)|gaffer]] apprentice before transitioning to the cinematography crew,<ref>{{Cite web |url=https://www1.hkej.com/dailynews/culture/article/3912109/%E9%87%91%E5%83%8F%E7%8D%8E%E5%BE%97%E4%B8%BB%E6%BD%98%E8%80%80%E6%98%8E++%E9%BC%93%E7%9B%86%EF%BC%8E%E6%94%9D%E5%BD%B1%EF%BC%8E%E8%BC%BB%E5%B0%84%E7%89%87 |title=金像獎得主潘耀明 鼓盆.攝影.輻射片 |date=28 October 2024 |website=[[Hong Kong Economic Journal]] |author=林艷虹 |access-date=11 November 2024 |language=zh}}</ref> where he served as an apprentice to Joe Chan Kwong-hung.<ref name="PeopleApril2017" /> |
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== Career == |
== Career == |
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In June 1997, right after graduating from university, Choi joined a newspaper as a [[Supplement (publishing)|supplement]] journalist.<ref name="HKEJOctober2024" /><ref name="P-ArticlesJune2024">{{Cite web |url=https://p-articles.com/works/4644.html |title=恕我還未能接受網媒經營和呈現內容的形式 |date=24 June 2024 |website=P-Articles |last=Choi |first=Calvin |access-date=22 December 2024 |language=zh}}</ref> Over the following years, he worked for a total of eight media outlets,<ref>{{Cite web |url=https://www1.hkej.com/dailynews/culture/article/3898630/%25E5%2587%25BA%25E6%259B%25B820%25E6%259C%25AC |title=出書20本 |date=23 October 2024 |website=[[Hong Kong Economic Journal]] |author=王嵐 |access-date=22 December 2024 |language=zh}}</ref> including ''[[am730]]'', ''[[Hong Kong Economic Times Holdings|U Magazine]]'', ''[[Sing Tao News Corporation|Jet Magazine]]'', ''{{ill|City Magazine (Hong Kong)|lt=City Magazine|zh|號外 (雜誌)}}'', and ''[[Apple Daily]]'',<ref name="RTHKProfile">{{Cite web |url=https://www.rthk.hk/radio/radio2/programme/bookview/episode/604340 |title=香港電台第二台開卷樂- 《寫了》|嘉賓︰月巴氏(作者) |date=2 November 2019 |website=[[RTHK]] |access-date=22 December 2024 |language=zh}}</ref> primarily focusing on films.<ref name="MetroMarch2016" /> He also wrote a film reviews column for ''am730'', which he described as rarely covering mainstream movies and instead offering a perspective rooted in the experiences of a "regular movie lover".<ref>{{Cite web |url=https://hk.news.yahoo.com/%E6%9C%88%E5%B7%B4%E6%B0%8F%E4%B8%8D%E6%89%AE%E9%AB%98%E6%B7%B1%E5%8F%AA%E8%A6%81%E9%96%8B%E5%BF%83-054527317.html |title=月巴氏:不扮高深,只要開心 |date=10 August 2016 |website=[[Yahoo! News]] |access-date=22 December 2024 |language=zh}}</ref> He wrote a wuxia novel and initially planned to publish it in 2011, but the project was ultimately scrapped.<ref name="MetroMarch2016" /> In 2013, he published ''Tearing Tickets and Cutting Chairs'', a collection of his film reviews.<ref name="TearingTickets" /> Yan Ho-shun, reviewing for ''am730'', called the collection "a valuable movie guide", praising Choi's personal and accessible style in dissecting classic films.<ref name="TearingTickets" /> Choi gained public recognition in 2014 for launching his column "Romantic Fatmoonba on Female Stars" ({{zh|t=浪漫月巴睇女星|labels=no}}), which included interviews and commentaries about women in the entertainment industry from an unconventional perspective, as he found mainstream media often focused on female celebrities' appearances while neglecting their intrinsic qualities.<ref name="MetroMarch2016" /><ref>{{Cite web |url=https://www.mpweekly.com/culture/%E7%A4%BE%E6%9C%83/%E6%9C%88%E5%B7%B4%E6%B0%8F-%E9%A6%99%E6%B8%AF%E5%A5%B3%E6%98%9F-%E6%B5%AA%E6%BC%AB%E6%9C%88%E5%B7%B4%E7%9D%87%E5%A5%B3%E6%98%9F-200887 |title=媒體人睇女星 大眾認識女藝人之方法流變 |date=22 March 2022 |website=[[Ming Pao]] |author=袁源隆 |access-date=22 December 2024 |language=zh}}</ref> |
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=== Early ventures and critical recognition (1994–2016) === |
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Pun received his first solo cinematographer credit with Lau Kar-yung's 1994 drama film ''Lanterns''.<ref name=WenWeiNovember2024">{{Cite web |url=https://www.wenweipo.com/a/202411/11/AP673112e5e4b0af797649788a.html |title=【特稿】觀眾喜歡《焚城》《破·地獄》什麼? 導演陳茂賢馬經編輯出身 |date=11 November 2024 |website=[[Wen Wei Po]] |author=丁小雨 |access-date=11 November 2024 |language=zh}}</ref> He took on the another cinematographer role for [[Benny Chan (filmmaker)|Benny Chan]]'s 1999 action-comedy film ''[[Gen-X Cops]]'', marking the beginning of his cinematographic career.<ref name="DeadlineNovember2024" /> This also initiated his frequent collaborations with Chan,<ref name="VarietySeptember2006" /><ref name="YzzkNovember2024" /> starting with his role in the sequel ''[[Gen-Y Cops]]'' in 2000.<ref name="ShanghaiMorningPostNovember2024" /> Pun went on to work on the 2001 romantic comedy ''[[La Brassiere]]'' and the 2002 horror film ''{{ill|Demi-Haunted|zh|魂魄唔齊}}'',<ref name="LaBrassiere" /><ref name="DemiHaunted" /> before reuniting with Chan on the crime-action film ''[[Heroic Duo]]'',<ref name="HeroicDuo" /> which earned him his first nomination for [[Hong Kong Film Award for Best Cinematography|Best Cinematography]] in the [[23rd Hong Kong Film Awards]].<ref name="23HKFilm" /> In 2004, he served as cinematographer for [[Wilson Yip]]'s romance film ''{{ill|Leaving Me, Loving You|zh|大城小事 (電影)}}'' and Chan's ''[[New Police Story]]'',<ref name="ShanghaiMorningPostNovember2024" / /><ref name="NewPoliceStory" /> where he received another nomination for Best Cinematography in the [[24th Hong Kong Film Awards]] with the former.<ref name="24HKFilm" /> In 2005, Pun won [[Golden Horse Award for Best Cinematography|Best Cinematography]] in the [[42nd Golden Horse Awards]] for Chan's action film ''[[Divergence (film)|Divergence]]'',<ref name="YzzkNovember2024" /> and continued to collaborate with Chan on the 2006 action-comedy film ''[[Rob-B-Hood]]'' starring [[Jackie Chan]] and [[Louis Koo]].<ref name="RobBHood" /> Jay Weissberg of ''[[Variety (magazine)|Variety]]'' praised Pun's "masterful ease with complicated spatial constructions", noting that he was "clearly enjoying the expansive possibilities of scope".<ref name="VarietySeptember2006">{{Cite web |url=https://variety.com/2006/film/reviews/rob-b-hood-1200513410/ |title=Rob-B-Hood |date=14 September 2006 |website=[[Variety (magazine)|Variety]] |last=Weissberg |first=Jay |access-date=30 November 2024}}</ref> Pun then worked on Chan's 2007 action film ''[[Invisible Target]]'',<ref name="ShanghaiMorningPostNovember2024" /> and the 2008 action film ''[[Connected (2008 film)|Connected]]'', with [[Derek Elley]] of ''Variety'' describing Pun's widescreen lensing in Connected as "tops".<ref name="Connected" /> |
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In 2015, Choi published his first novel, ''No Longer Hero'',<ref name="MetroMarch2016" /> drawing inspiration from [[superhero comics]] and [[Osamu Dazai]]'s 1948 novel ''[[No Longer Human]]''.<ref name="SingTaoDailyJanuary2016" /> The following year, he co-authored a graphic novel, ''Reverse Warring States'', with Mak Tin-kit, set in the [[Warring States Period]].<ref name="TOPickJuly2016" /> He also enrolled in a [[Master of Arts]] in philosophy at the Chinese University of Hong Kong, where he realized his interest in philosophy after taking an introductory course during his undergraduate studies.<ref name="HK01July2018" /> He graduated in 2017.<ref name="RTHKProfile" /> That same year, Choi began his career as a radio host, stepping in for a friend on [[Commercial Radio Hong Kong]]'s talk show ''{{ill|On a Clear Day (talk show)|lt=On a Clear Day|zh|在晴朗的一天出發}}''.<ref name="HKEJOctober2024" /> He made recurring appearances on the program for the next three years and launched his own show ''{{ill|903 Open Box|zh-yue|903格}}'' staring 2021.<ref name="HKEJOctober2024" /> In 2018, he published another collection of film reviews titled ''Seen'', featuring reviews of lesser-known Hong Kong films.<ref name="Seen" /> Ching Kwan, reviewing for ''[[HK01]]'', described the book as "a brilliant piece", praising its interesting selection of materials and Choi's candid, engaging writing style that provides insightful commentary on films.<ref>{{Cite web |url=https://www.hk01.com/%E9%9B%BB%E5%BD%B1/219911/%E7%9C%8B%E4%BA%86-%E6%9B%B8%E8%A9%95-%E7%9C%8B%E4%BA%86%E6%9C%88%E5%B7%B4-%E7%9C%8B%E5%AE%8C%E6%9C%88%E5%B7%B4-%E5%BE%9E%E9%9B%BB%E5%BD%B1%E5%88%B0%E6%9B%B8%E7%9C%8B%E9%80%8F%E8%A7%80%E7%9C%BE%E5%BF%83 |title=【《看了》書評】看了月巴 看完月巴 從電影到書看透觀眾心 |date=11 August 2018 |website=[[HK01]] |author=清君 |access-date=22 December 2024 |language=zh}}</ref> In September 2018, he took a hiatus to work on a book about lyricist [[Richard Lam]].<ref name="my903.comJuly2021" /> In August 2023, after the magazine he worked for ceased physical publication, Choi transitioned to writing columns for its online version.<ref name="P-ArticlesJune2024" /> |
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In 2009, Pun filmed the Taiwanese-Hong Kong-Chinese historical epic ''[[Empire of Silver (film)|Empire of Silver]]'',<ref name="EmpireOfSilver" /> earning nominations for Best Cinematography in both the [[27th Golden Rooster Awards]] and the [[29th Hong Kong Film Awards]].<ref name="27GoldenRooster" /><ref name="29HKFilm" /> Don Groves of ''[[SBS Australia]]'' praised Pun's cinematography as "spectacular", noting that he "makes maximum use of the locations";<ref>{{Cite web |url=https://www.sbs.com.au/whats-on/article/empire-of-silver-review/slh1m5cmv |title=Empire of Silver Review |date=1 January 2009 |website=[[SBS Australia]] |last=Groves |first=Don |access-date=30 November 2024}}</ref> while Ho Yi of ''[[Taipei Times]]'' commended Pun for delivering "an immaculately polished look" and demonstrating "unforgiving attention to the smallest detail" in the film.<ref>{{Cite web |url=https://www.taipeitimes.com/News/feat/archives/2009/07/31/2003449963 |title=FILM REVIEW:‘Empire of Silver’ shortchanges audiences |date=31 July 2009 |website=[[Taipei Times]] |last=Ho |first=Yi |access-date=30 November 2024}}</ref> That same year, Pun also worked on [[Alan Mak (director)|Alan Mak]] and [[Felix Chong]]'s ''[[Overheard (film)|Overheard]]'',<ref name="Overheard" /> marking the start of their future frequent collaborations.<ref name="YzzkNovember2024" /><ref>{{Cite web |url=https://www.mirrormedia.mg/story/20190222insight004 |title=《無間道》《竊聽風雲》都是雙導演 麥兆輝最在乎這件事 |date=26 February 2019 |website=[[Mirror Media]] |author=項貽斐 |access-date=30 November 2024 |language=zh}}</ref> Mak described Pun as a "sentimental person", noting that his filming style is meticulous, with every shot carefully planned out.<ref>{{Cite web |url=https://www.mirrormedia.mg/story/20190222insight001 |title=【全文】表演科班出身 麥兆輝塑型香港犯罪電影 |date=2 March 2019 |website=[[Mirror Media]] |author=項貽斐 |access-date=30 November 2024 |language=zh}}</ref> He later participated in the 2010 action film ''[[Triple Tap]]'',<ref name="TripleTap" /> and the 2011 anthology drama film ''{{ill|10+10|zh|10+10}}'', contributing to the segment ''100''.<ref name="10+10" /> The same year, Pun returned to shoot the sequel ''[[Overheard 2]]'', for which Hugo Ozman of ''[[Screen Anarchy]]'' praised him for the film's high production value and called the action scenes "wonderful".<ref name="Overheard2" /> He was nominated once again in the [[31st Hong Kong Film Awards]].<ref name="31HKFilm" /> In 2012, he filmed Mak and Chong's action film ''[[The Silent War (2012 film)|The Silent War]]'',<ref name="TheSilentWar" /> for which he won Best Cinematography in the [[32nd Hong Kong Film Awards]].<ref name="32HKFilm" /> |
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== Bibliography == |
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Pun collaborated with Chan again on the 2013 crime thriller ''[[The White Storm]]'', followed by Mak and Chong's Overheard 3 in 2014,<ref name="WhiteStorm" /><ref name="Overheard3" /> earning him nominations in the [[33rd Hong Kong Film Awards|33rd]] and [[34th Hong Kong Film Awards]].<ref name="33HKFilm" /><ref name="34HKFilm" /> Clarence Tsui of ''[[The Hollywood Reporter]]'' described ''The White Storm'' as a "full-on cinematic spectacle",<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/white-storm-sou-duk-film-651151/ |title=The White Storm (Sou Duk): Film Review |date=28 October 2013 |website=[[The Hollywood Reporter]] |last=Tsui |first=Clarence |access-date=30 November 2024}}</ref> while James Marsh of ''[[Screen Daily]]'' praised Pun's "lush cinematography" in ''Overheard 3'', which gave the film "a luxurious, almost garish sheen";<ref>{{Cite web |url=https://www.screendaily.com/overheard-3/5072201.article |title=Overheard 3 |date=20 May 2014 |website=[[Screen Daily]] |last=Marsh |first=James |access-date=30 November 2024}}</ref> and Ronnie Scheib of ''Variety'' called ''Overheard 3'' stylish thanks to Pun's "high-contrast lensing".<ref>{{Cite web |url=https://variety.com/2014/film/festivals/film-review-overheard-3-1201266049/ |title=Film Review: ‘Overheard 3’ |date=21 July 2014 |website=[[Variety (magazine)|Variety]] |last=Scheib |first=Ronnie |access-date=30 November 2024}}</ref> In 2015, Pun worked on {{ill|Adrian Kwan|zh|關信輝}}'s education-themed drama ''[[Little Big Master]]'', produced by Benny Chan.<ref name="LittleBigMaster" /> Clarence Tsui of ''The Hollywood Reporter'' praised his camerawork for "getting the best out of [the child actors'] raw performances",<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/little-big-master-ng-gor-783032/ |title=‘Little Big Master’ (‘Ng Gor Siu Haai Dik Haau Cheung’): Hong Kong/Filmart Review |date=19 March 2015 |website=[[The Hollywood Reporter]] |last=Tsui |first=Clarence |access-date=30 November 2024}}</ref> while Maggie Lee of ''Variety'' noted that Pun effectively captured "the drab [[New Territories]] and crumbling school with the plainest of shots".<ref name="LittleBigMaster" /> That same year, he also worked on the Chinese-Hong Kong fantasy action film ''[[Monster Hunt]]''.<ref name="MonsterHunt" /> |
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=== Directorial debut and multi-faceted career (2017–present) === |
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In 2017, Pun made his directorial debut by co-directing the crime film ''[[Extraordinary Mission]]'' with Alan Mak, with a screenplay by Felix Chong.<ref>{{Cite web |url=http://paper.wenweipo.com/2017/04/07/FA1704070005.htm |title=麥兆輝潘耀明聯手炮製卧底題材《非凡任務》 |date=7 April 2017 |website=[[Wen Wei Po]] |author=陳添浚 |language=zh}}</ref> Ed Travis of ''[[Cinapse]]'' noted that Pun, along with Chong and Mak, who have produced numerous classics, offered "a new go" on the classic police-undercover theme in [[Hong Kong action cinema]].<ref name="CinapseFebruary2018" /> In 2018, he reprised his role in ''[[Monster Hunt 2]]'',<ref name="MonsterHunt2" /> receiving his eighth nomination in the [[38th Hong Kong Film Awards]].<ref name="38HKFilm" /> Clarence Tsui of ''The Hollywood Reporter'' lauded Pun for bringing "immaculate special effects" and "impressive production design" vividly to the forefront.<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/monster-hunt-2-zhuo-yao-ji-2-review-1085495/ |title=‘Monster Hunt 2’ (‘Zhuo yao ji 2’): Film Review Berlin 2018 |date=16 February 2018 |website=[[The Hollywood Reporter]] |last=Tsui |first=Clarence |access-date=30 November 2024}}</ref> The following year, Pun served as the director of photography for the thriller film ''[[Bodies at Rest]]''.<ref name="BodiesAtRest" /> In 2021, Pun cinematographed ''[[Anita (2021 film)|Anita]]'', the biographical film about [[Anita Mui]].<ref name="Anita" /> Richard Kuipers of ''Variety'' complimented Pun for "bringing [his] A game to this enterprise" through his nostalgic camerawork, which enabled the film to "rock into 1982".<ref>{{Cite web |url=https://variety.com/2021/film/reviews/anita-review-1235088785/ |title=‘Anita’ Review: Splashy Biopic of Hong Kong Showbiz Superstar Anita Mui Looks Great but Lacks a Little Soul |date=14 October 2021 |website=[[Variety (magazine)|Variety]] |last=Kuipers |first=Richard |access-date=30 November 2024}}</ref> He received another nomination in the [[40th Hong Kong Film Awards]].<ref name="40HKFilm" /> Following Benny Chan's death in 2020, he was given special thanks in Chan's posthumously released swan song ''[[Raging Fire (film)|Raging Fire]]'',<ref>{{Cite web |url=https://www.singpao.com.hk/index.php?fi=history&id=123049 |title=陳木勝摘最佳導演殊榮 遺孀:圓滿了他的一生 |date=18 July 2022 |website=[[Sing Pao Daily News]] |access-date=30 November 2024 |language=zh}}</ref> and served as one of Chan's [[pallbearer]]s.<ref>{{Cite web |url=https://www.am730.com.hk/%E5%A8%9B%E6%A8%82/-%E9%99%B3%E6%9C%A8%E5%8B%9D%E5%87%BA%E6%AE%AF-%E6%88%90%E9%BE%8D%E6%A5%8A%E5%8F%97%E6%88%90%E6%9D%9C%E6%A3%8B%E5%B3%AF%E6%89%B6%E9%9D%88-%E9%BB%91%E5%82%98%E9%99%A3%E8%AD%B7%E9%80%81%E9%9D%88%E6%9F%A9/6381 |title=【陳木勝出殯】成龍楊受成杜棋峯扶靈 黑傘陣護送靈柩 |date=7 September 2020 |website=[[am730]] |access-date=30 November 2024 |language=zh}}</ref><ref>{{Cite web |url=https://ol.mingpao.com/ldy/showbiz/latest/20200907/1599451786211/%E3%80%90%E6%88%90%E9%BE%8D%E6%9D%9C%E7%90%AA%E5%B3%AF%E6%89%B6%E9%9D%88%E3%80%91%E7%BE%A4%E6%98%9F%E9%80%81%E5%88%A5%E9%99%B3%E6%9C%A8%E5%8B%9D-%E6%B6%88%E7%98%A6%E5%BC%B5%E5%AE%B6%E8%BC%9D%E6%88%B4%E5%85%A9%E7%BD%A9%E7%8F%BE%E8%BA%AB |title=【成龍杜琪峯扶靈】群星送別陳木勝 消瘦張家輝戴兩罩現身 |date=7 September 2020 |website=[[Ming Pao]] |access-date=30 November 2024 |language=zh}}</ref> |
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In 2023, Pun made his first solo directorial effort with ''[[One More Chance (2023 film)|One More Chance]]'', which featured a screenplay by Chong and starred [[Chow Yun-fat]].<ref name="OneMoreChance" /> Tay Yek Keak of ''[[Today (website)|Today]]'' noted that Pun's background as a cinematographer "doubles as an effective tourist brochure with panoramic views of Macau's scenic sights";<ref>{{Cite web |url=https://www.todayonline.com/8days/one-more-chance-review-chow-yun-fat-cranks-charm-offensive-average-dramedy-about-gambling-and-autism-2205896 |title=One More Chance review: Chow Yun Fat cranks up charm offensive in average dramedy about gambling and autism |date=6 July 2023 |website=[[Today (website)|Today]] |last=Tay |first=Yek Keak |access-date=30 November 2024}}</ref> while Edmund Lee of ''[[South China Morning Post]]'' described Pun's vision as "a rare attempt at a heartwarming drama".<ref>{{Cite web |url=https://www.scmp.com/lifestyle/entertainment/article/3225499/one-more-chance-movie-review-chow-yun-fat-no-god-gamblers-old-fashioned-human-drama-may-or-may-not |title=One More Chance movie review: Chow Yun-fat is no God of Gamblers in old-fashioned human drama that may or may not be inspired by Bruce Lee’s teaching |date=28 June 2023 |website=[[South China Morning Post]] |last=Lee |first=Edmund |access-date=30 November 2024}}</ref> That same year, he also served as cinematographer for [[Jack Ng]]'s ''[[A Guilty Conscience (2023 film)|A Guilty Conscience]]'',<ref name="AGuiltyConscience" /> which currently holds the title of [[List of highest-grossing films in Hong Kong|the highest-grossing domestic film in Hong Kong]].<ref>{{Cite web |url=https://www.screendaily.com/news/a-guilty-conscience-first-hong-kong-film-to-top-hk100m-at-local-box-office/5179600.article |title='A Guilty Conscience' first Hong Kong film to top HK$100m at local box office |date=23 February 2023 |website=[[Screen Daily]] |last=Wong |first=Sylvia |access-date=31 March 2024 |archive-date=30 March 2023 |archive-url=https://web.archive.org/web/20230330192957/https://www.screendaily.com/news/a-guilty-conscience-first-hong-kong-film-to-top-hk100m-at-local-box-office/5179600.article |url-status=live }}</ref> He collaborated with Chong again on the 2023 crime drama film ''[[The Goldfinger (2023 film)|The Goldfinger]]'', starring [[Tony Leung Chiu-wai]] and Andy Lau,<ref name="TheGoldfinger" /> for which he won Best Cinematography the second time in the [[42nd Hong Kong Film Awards]].<ref name="42HKFilm" /> Keith Ho, writing for ''[[HK01]]'', praised the film's cinematography as "brilliant", crediting Pun for bringing back "the dazzling era of Hong Kong to the big screen".<ref>{{Cite web |url=https://www.hk01.com/%E8%97%9D%E6%96%87/973870/%E4%BB%8A%E5%B9%B4%E5%A3%93%E8%BB%B8%E7%99%BB%E5%A0%B4%E5%8A%9B%E4%BD%9C-%E9%87%91%E6%89%8B%E6%8C%87-%E9%9B%B2%E9%9B%86%E5%8F%B0%E5%89%8D%E5%B9%95%E5%BE%8C%E9%A6%99%E6%B8%AF%E5%BD%B1%E5%A3%87%E7%B2%BE%E8%8B%B1-%E4%BD%95%E6%95%85%E5%B0%88%E6%AC%84 |title=今年壓軸登場力作《金手指》雲集台前幕後香港影壇精英 |date=21 December 2023 |website=[[HK01]] |last=Ho |first=Keith |access-date=30 November 2024 |language=zh}}</ref> |
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In 2024, Pun made his second solo directorial effort while also serving as the cinematographer for the disaster film ''[[Cesium Fallout]]'', the first feature film from Hong Kong centered around a radiation crisis.<ref name="CesiumFallout" /> James Marsh of ''[[Deadline Hollywood]]'' noted that Pun's dual role ensured "that the unfolding mayhem retains a visual coherence", acknowledging his ability to strike a balance between disastrous scenes and images that resonate with the [[COVID-19 pandemic|preceding pandemic]] and [[2019–2020 Hong Kong protests|protests]], serving as a political satire packaged with "boisterous, breathless" vibes;<ref name="DeadlineNovember2024" /> while Edmund Lee of ''South China Morning Post'' also commended Pun for effectively blending "firefighting action, government workplace bureaucracy, nefarious business practices and epic effects sequences", which "vividly picture the city in ruins".<ref>{{Cite web |url=https://www.scmp.com/lifestyle/entertainment/article/3284453/cesium-fallout-movie-review-andy-lau-leads-hong-kong-radiation-disaster-drama |title=Cesium Fallout movie review: Andy Lau leads Hong Kong radiation disaster drama |date=30 October 2024 |website=[[South China Morning Post]] |last=Lee |first=Edmund |access-date=30 November 2024}}</ref> He also cinematographed the drama film ''[[The Last Dance (2024 film)|The Last Dance]]'' that year,<ref name="TheLastDance" /> where Richard Kuipers of ''Variety'' particularly praised Pun's "polished cinematography in Hong Kong's [[Hung Hom]] funeral district", which made the film capable of "making lists of memorable movie funeral scenes".<ref>{{Cite web |url=https://variety.com/2024/film/reviews/the-last-dance-review-po-dei-juk-1236192102/ |title=‘The Last Dance’ Review: Cantonese Comedy Kings Michael Hui and Dayo Wong Star in an Uplifting Drama About Life and Death |date=29 October 2024 |website=[[Variety (magazine)|Variety]] |last=Kuipers |first=Richard |access-date=30 November 2024}}</ref> |
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== Filmography == |
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=== As director === |
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{| class="wikitable" |
{| class="wikitable" |
||
! scope="col" | Year |
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|- |
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! scope="col" | Title |
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! Year |
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! scope="col" | Original title |
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! Title |
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! |
! scope="col" | Publisher |
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! scope="col" | {{Ref heading}} |
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! style="width:65px;"| Cinematographer |
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! Notes |
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|- |
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| 2017 |
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| ''[[Extraordinary Mission]]'' |
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| {{yes}} |
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| {{yes}} |
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| <ref name="CinapseFebruary2018">{{Cite web |url=https://cinapse.co/2018/02/extraordinary-mission-hong-kong-action-done-right/ |title=EXTRAORDINARY MISSION: Hong Kong Action Done Right |date=2 February 2018 |website=[[Cinapse]] |last=Travis |first=Ed |access-date=30 November 2024}}</ref><ref>{{Cite web |url=https://ent.cri.cn/chinanews/20170320/833e67af-e876-79b0-6772-47a6b5c2cdca.html |title=再拍卧底 《非凡任务》打造“热血警察故事” |date=20 March 2017 |website=[[China Radio International]] |access-date=30 November 2024 |language=zh}}</ref> |
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|- |
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| 2023 |
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| ''[[One More Chance (2023 film)|One More Chance]]'' |
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| {{yes}} |
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| {{no}} |
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| <ref name="OneMoreChance">{{Cite web |url=https://www.straitstimes.com/life/entertainment/at-the-movies-go-wild-with-joy-ride-chow-yun-fat-the-ace-of-one-more-chance |title=At The Movies: Go wild with Joy Ride, Chow Yun Fat the ace of One More Chance |date=5 July 2023 |website=[[The Straits Times]] |last=Whang |first=Yee Ling |access-date=30 November 2024}}</ref> |
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|- |
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| 2024 |
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| ''[[Cesium Fallout]]'' |
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| {{yes}} |
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| {{yes}} |
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| <ref name="CesiumFallout">{{Cite web |url=https://www.scmp.com/lifestyle/entertainment/article/3284453/cesium-fallout-movie-review-andy-lau-leads-hong-kong-radiation-disaster-drama |title=Cesium Fallout movie review: Andy Lau leads Hong Kong radiation disaster drama |date=30 October 2024 |website=[[South China Morning Post]] |last=Lee |first=Edmund |access-date=30 November 2024}}</ref><ref name="DeadlineNovember2024" /> |
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|} |
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=== As cinematographer === |
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{| class="wikitable" |
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|- |
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! Year |
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! Title |
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! Notes |
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|- |
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| 1994 |
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| ''Lanterns'' |
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| <ref name=WenWeiNovember2024" /> |
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|- |
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| 1999 |
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| ''[[Gen-X Cops]]'' |
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| <ref name="DeadlineNovember2024">{{Cite web |url=https://deadline.com/2024/11/cesium-fallout-review-andy-lau-karen-mok-1236163408/ |title=‘Cesium Fallout’ Review: Andy Lau & Karen Mok Lead Bombastic Hong Kong Disaster Flick That Teases At A Satirical Hunger Beneath Its Brash Exterior |date=1 November 2024 |website=[[Deadline Hollywood]] |last=Marsh |first=James |access-date=30 November 2024 |language=zh}}</ref> |
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|- |
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| 2000 |
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| ''[[Gen-Y Cops]]'' |
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| <ref name="ShanghaiMorningPostNovember2024">{{Cite web |url=https://news.qq.com/rain/a/20241111A044NX00 |title=娱乐脱口秀 你好,许久不见的“大片” |date=11 November 2024 |website=[[QQ.com]] |publisher=[[Shanghai Morning Post]] |access-date=30 November 2024 |language=zh}}</ref> |
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|- |
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| 2001 |
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| ''[[La Brassiere]]'' |
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| <ref name="LaBrassiere">{{Cite web |url=https://variety.com/2002/film/reviews/la-brassiere-1200551608/ |title=La Brassiere |date=1 February 2002 |website=[[Variety (magazine)|Variety]] |last=Elley |first=Derek |author-link=Derek Elley |access-date=30 November 2024}}</ref> |
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|- |
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| 2002 |
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| ''{{ill|Demi-Haunted|zh|魂魄唔齊}}'' |
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| <ref name="DemiHaunted">{{Cite web |url=https://variety.com/2002/film/reviews/demi-haunted-1200544327/ |title=Demi-Haunted |date=16 December 2002 |website=[[Variety (magazine)|Variety]] |last=Elley |first=Derek |author-link=Derek Elley |access-date=30 November 2024}}</ref> |
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|- |
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| 2003 |
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| ''[[Heroic Duo]]'' |
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| <ref name="HeroicDuo">{{Cite web |url=https://variety.com/2003/film/reviews/heroic-duo-1200539055/ |title=Heroic Duo |date=23 September 2003 |website=[[Variety (magazine)|Variety]] |last=Elley |first=Derek |author-link=Derek Elley |access-date=30 November 2024}}</ref> |
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|- |
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| rowspan="2"|2004 |
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| ''{{ill|Leaving Me, Loving You|zh|大城小事 (電影)}}'' |
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| <ref name="ShanghaiMorningPostNovember2024" /> |
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|- |
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| ''[[New Police Story]]'' |
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| <ref name="NewPoliceStory">{{Cite web |url=https://variety.com/2004/film/reviews/new-police-story-1200530041/ |title=New Police Story |date=22 October 2004 |website=[[Variety (magazine)|Variety]] |last=Elley |first=Derek |author-link=Derek Elley |access-date=30 November 2024}}</ref> |
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|- |
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| 2005 |
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| ''[[Divergence (film)|Divergence]]'' |
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| <ref name="Divergence">{{Cite web |url=https://www.straitstimes.com/life/entertainment/at-the-movies-cesium-fallout-delivers-bang-for-your-buck-we-live-in-time-a-tiresome-tearjerker |title=At The Movies: Cesium Fallout delivers bang for your buck, We Live In Time a tiresome tearjerker |date=6 November 2024 |website=[[The Straits Times]] |last=Whang |first=Yee Ling |access-date=30 November 2024}}</ref> |
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|- |
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| 2006 |
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| ''[[Rob-B-Hood]]'' |
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| <ref name="RobBHood">{{Cite web |url=https://www.screendaily.com/rob-b-hood/4028665.article |title=Rob-B-Hood |date=12 September 2006 |website=[[Screen Daily]] |last=Marshall |first=Lee |access-date=30 November 2024}}</ref> |
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|- |
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| 2007 |
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| ''[[Invisible Target]]'' |
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| <ref name="ShanghaiMorningPostNovember2024" /> |
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|- |
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| 2008 |
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| ''[[Connected (2008 film)|Connected]]'' |
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| <ref name="Connected">{{Cite web |url=https://variety.com/2008/film/reviews/connected-2-1200471932/ |title=Connected |date=2 October 2008 |website=[[Variety (magazine)|Variety]] |last=Elley |first=Derek |author-link=Derek Elley |access-date=30 November 2024}}</ref> |
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|- |
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| rowspan="2"|2009 |
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| ''[[Empire of Silver (film)|Empire of Silver]]'' |
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| <ref name="EmpireOfSilver">{{Cite web |url=https://variety.com/2009/film/reviews/empire-of-silver-1200473485/ |title=Empire of Silver |date=23 February 2009 |website=[[Variety (magazine)|Variety]] |last=Elley |first=Derek |author-link=Derek Elley |access-date=30 November 2024}}</ref> |
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|- |
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| ''[[Overheard (film)|Overheard]]'' |
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| <ref name="Overheard">{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/overheard-film-review-2-93431/ |title=Overheard — Film Review |date=18 August 2009 |website=[[The Hollywood Reporter]] |last=Lee |first=Maggie |access-date=30 November 2024}}</ref> |
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|- |
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| 2010 |
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| ''[[Triple Tap]]'' |
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| <ref name="TripleTap">{{Cite web |url=https://sino-cinema.com/2017/05/27/review-triple-tap-2010/ |title=Review: Triple Tap (2010) |date=27 May 2017 |website=Sino Cinema |last=Elley |first=Derek |author-link=Derek Elley |access-date=30 November 2024}}</ref> |
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|- |
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| rowspan="2"|2011 |
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| ''{{ill|10+10|zh|10+10}}'' |
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| Segment: ''100''<ref name="10+10">{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/10-10-taiwan-berlin-film-review-293144/ |title=10+10: Berlin Film Review |date=21 February 2012 |website=[[The Hollywood Reporter]] |last=Mintzer |first=Jordan |access-date=30 November 2024}}</ref> |
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|- |
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| ''[[Overheard 2]]'' |
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| <ref name="Overheard2">{{Cite web |url=https://screenanarchy.com/2011/08/overheard-2-review-1.html |title=OVERHEARD 2 Review |date=19 August 2011 |website=[[Screen Anarchy]] |last=Ozman |first=Hugo |access-date=30 November 2024}}</ref> |
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|- |
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| 2012 |
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| ''[[The Silent War (2012 film)|The Silent War]]'' |
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| <ref name="TheSilentWar">{{Cite web |url=https://variety.com/2012/film/reviews/the-silent-war-1117948117/ |title=The Silent War |date=26 August 2012 |website=[[Variety (magazine)|Variety]] |last=Lee |first=Maggie |access-date=30 November 2024}}</ref> |
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|- |
|- |
||
| 2013 |
| 2013 |
||
| ''Tearing Tickets and Cutting Chairs'' |
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| ''[[The White Storm]]'' |
|||
| 搣飛割凳 |
|||
| <ref name="WhiteStorm">{{Cite web |url=https://variety.com/2013/film/global/the-white-storm-review-rome-1200876621/ |title=Rome Film Review: ‘The White Storm’ |date=24 November 2013 |website=[[Variety (magazine)|Variety]] |last=Weissberg |first=Jay |access-date=30 November 2024}}</ref> |
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| Steps Publications |
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| <ref name="TearingTickets">{{Cite web |url=https://www.am730.com.hk/column/%E6%96%B0%E8%81%9E/%E6%90%A3%E9%A3%9B%E5%89%B2%E5%87%B3-%E6%95%A3%E5%A0%B4%E5%BE%8C%E6%83%85%E7%B7%92%E7%B5%90%E9%9B%86/192303 |title=搣飛割凳──散場後情緒結集 |date=9 September 2013 |website=[[am730]] |last=Yan |first=Ho-shun |access-date=22 December 2024 |language=zh}}</ref> |
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|- |
|- |
||
| |
| 2015 |
||
| '' |
| ''No Longer Hero'' |
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| 超人間失格 |
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| <ref name="Overheard3">{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/overheard-3-sit-ting-fung-709480/ |title=‘Overheard 3’ (‘Sit Ting Fung Wan 3’/’Qie Ting Feng Yun 3’): Film Review |date=9 June 2014 |website=[[The Hollywood Reporter]] |last=Tsui |first=Clarence |access-date=30 November 2024}}</ref> |
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| Today Publications |
|||
| <ref>{{Cite web |url=https://paper.hket.com/article/647702/%E3%80%8A%E8%B6%85%E4%BA%BA%E9%96%93%E5%A4%B1%E6%A0%BC%E3%80%8B |title=《超人間失格》 |date=15 July 2015 |website=[[Hong Kong Economic Times]] |access-date=22 December 2024 |language=zh}}</ref> |
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|- |
|- |
||
| 2016 |
|||
| rowspan="2"|2015 |
|||
| '' |
| ''Reverse Warring States'' |
||
| 逆戰國 |
|||
| <ref name="LittleBigMaster">{{Cite web |url=https://variety.com/2015/film/asia/film-review-little-big-master-1201452904/ |title=Film Review: ‘Little Big Master’ |date=18 March 2015 |website=[[Variety (magazine)|Variety]] |last=Lee |first=Maggie |access-date=30 November 2024}}</ref> |
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| Today Publications |
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|- |
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| <ref name="TOPickJuly2016">{{Cite web |url=https://topick.hket.com/article/1465956 |title=忠實武俠小說迷月巴氏 從漫畫走到武俠文學 |date=18 July 2016 |website=[[Hong Kong Economic Times Holdings|TOPick]] |access-date=22 December 2024 |language=zh}}</ref> |
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| ''[[Monster Hunt]]'' |
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| <ref name="MonsterHunt">{{Cite web |url=https://www.screendaily.com/reviews/monster-hunt-review/5090933.article |title='Monster Hunt': Review |date=26 July 2015 |website=[[Screen Daily]] |last=Marsh |first=James |access-date=30 November 2024}}</ref> |
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|- |
|- |
||
| 2018 |
| 2018 |
||
| '' |
| ''Seen'' |
||
| 看了 |
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| <ref name="MonsterHunt2">{{Cite web |url=https://variety.com/2018/film/reviews/monster-hunt-2-review-1202703300/ |title=Berlin Film Review: ‘Monster Hunt 2’ |date=17 February 2018 |website=[[Variety (magazine)|Variety]] |last=Kiang |first=Jessica |access-date=30 November 2024}}</ref> |
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| Today Publications |
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| <ref name="Seen">{{Cite web |url=https://www.readformore.com/node/6372 |title=【聽佢點讀】月巴氏《看了》認為十年後,睇超級英雄電影只是例行公事 |date=20 January 2019 |website=Read For More |last=Ng |first=Andy |access-date=22 December 2024 |language=zh}}</ref> |
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|- |
|- |
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| 2019 |
| 2019 |
||
| '' |
| ''Richard Lam'' |
||
| 林振強 |
|||
| <ref name="BodiesAtRest">{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/bodies-at-rest-review-1195242/ |title=‘Bodies at Rest’: Film Review Filmart 2019 |date=17 March 2019 |website=[[The Hollywood Reporter]] |last=Kerr |first=Elizabeth |access-date=30 November 2024}}</ref> |
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| [[Zhonghua Book Company]] |
|||
| <ref name="my903.comJuly2021">{{Cite web |url=https://www.my903.com/article/666/%E3%80%8A%E6%AE%BA%E5%87%BA%E5%80%8B%E9%BB%83%E6%98%8F%E3%80%8B%E2%80%94%E2%80%94%E6%99%82%E6%97%A5%E5%BD%B7%E5%BD%BF%E5%81%9C%E9%A0%93%E4%B8%8B%E7%9A%84%E5%80%A6 |title=《殺出個黃昏》——時日彷彿停頓下的倦 |date=21 July 2021 |website=[[my903.com]] |last=Choi |first=Calvin |access-date=22 December 2024 |language=zh}}</ref> |
|||
|- |
|- |
||
| 2021 |
| 2021 |
||
| '' |
| ''Amusing Ourselves to Death Yet?'' |
||
| 娛樂已死未 |
|||
| <ref name="Anita">{{Cite web |url=https://www.screendaily.com/reviews/anita-busan-review-closing-film/5164133.article |title=‘Anita’: Busan Review (Closing Film) |date=11 October 2021 |website=[[Screen Daily]] |last=Halligan |first=Fionnuala |access-date=30 November 2024}}</ref> |
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| Humming Publishing |
|||
|- |
|||
| <ref>{{Cite web |url=https://paper.hket.com/article/3048917/%E3%80%8A%E5%A8%9B%E6%A8%82%E5%B7%B2%E6%AD%BB%E6%9C%AA%EF%BC%9F%E3%80%8B |title=《娛樂已死未?》 |date=2 September 2021 |website=[[Hong Kong Economic Times]] |access-date=22 December 2024 |language=zh}}</ref> |
|||
| rowspan="2"|2023 |
|||
| ''[[A Guilty Conscience (2023 film)|A Guilty Conscience]]'' |
|||
| <ref name="AGuiltyConscience">{{Cite web |url=https://hk.news.yahoo.com/%E9%87%91%E5%83%8F%E7%8D%8E2024-%EF%BD%9C-%E3%80%8A%E6%AF%92%E8%88%8C%E5%A4%A7%E7%8B%80%E3%80%8B%E5%A5%AA%E6%9C%80%E4%BD%B3%E9%9B%BB%E5%BD%B1-%E6%A2%81%E6%9C%9D%E5%81%89%E5%86%8D%E5%A5%AA%E5%BD%B1%E5%B8%9D%E8%88%87%E5%8A%89%E5%98%89%E7%8E%B2%E9%9A%94%E7%A9%BA%E5%82%B3%E6%83%85%E3%80%8A%E9%87%91%E6%89%8B%E6%8C%87%E3%80%8B%E5%A5%AA6%E7%8D%8E%E6%88%90%E5%A4%A7%E8%B4%8F%E5%AE%B6-154034524.html |title=金像獎2024 | 《毒舌大狀》奪最佳電影 梁朝偉再奪影帝與劉嘉玲隔空傳情《金手指》奪6獎成大贏家 |date=15 April 2024 |website=[[Yahoo! News]] |access-date=30 November 2024 |language=zh}}</ref> |
|||
|- |
|||
| ''[[The Goldfinger (2023 film)|The Goldfinger]]'' |
|||
| <ref name="TheGoldfinger">{{Cite web |url=https://www.screendaily.com/reviews/the-goldfinger-review/5188882.article |title='The Goldfinger': Review |date=20 December 2023 |website=[[Screen Daily]] |last=Berra |first=John |access-date=30 November 2024 |language=zh}}</ref> |
|||
|- |
|||
| 2024 |
|||
| ''[[The Last Dance (2024 film)|The Last Dance]]'' |
|||
| <ref name="TheLastDance">{{Cite web |url=https://www.screendaily.com/reviews/the-last-dance-tokyo-review/5198634.article |title=‘The Last Dance’: Tokyo Review |date=30 October 2024 |website=[[Screen Daily]] |last=Ide |first=Wendy |access-date=30 November 2024 |language=zh}}</ref> |
|||
|} |
|} |
||
== Awards and nominations == |
|||
{| class="wikitable plainrowheaders" |
|||
|- |
|||
! Year |
|||
! Award |
|||
! Category |
|||
! Work |
|||
! Result |
|||
! {{Ref heading}} |
|||
|- |
|||
| 2004 |
|||
| [[23rd Hong Kong Film Awards]] |
|||
| rowspan="2"|[[Hong Kong Film Award for Best Cinematography|Best Cinematography]] |
|||
| ''[[Heroic Duo]]'' |
|||
| {{nom}} |
|||
| <ref name="23HKFilm">{{Cite web |url=https://www.chinanews.com.cn/n/2004-04-06/26/422072.html |title=香港金像奖首度公开投票率 刘德华欣言赢尽友谊 |date=6 April 2004 |website=[[China News Service]] |access-date=30 November 2024 |language=zh}}</ref> |
|||
|- |
|||
| rowspan="2"|2005 |
|||
| [[24th Hong Kong Film Awards]] |
|||
| ''{{ill|Leaving Me, Loving You|zh|大城小事 (電影)}}'' |
|||
| {{nom}} |
|||
| <ref name="24HKFilm">{{Cite web |url=https://ent.sina.com.cn/m/c/2005-02-01/1817646037.html |title=第24届香港金像奖提名揭晓 《功夫》成最大热门 |date=1 February 2005 |website=[[Sina Corporation|Sina Entertainment]] |access-date=30 November 2024 |language=zh}}</ref> |
|||
|- |
|||
| [[42nd Golden Horse Awards]] |
|||
| [[Golden Horse Award for Best Cinematography|Best Cinematography]] |
|||
| ''[[Divergence (film)|Divergence]]'' |
|||
| {{won}} |
|||
| <ref name="YzzkNovember2024" /> |
|||
|- |
|||
| 2009 |
|||
| [[27th Golden Rooster Awards]] |
|||
| Best Cinematography |
|||
| rowspan="2"|''[[Empire of Silver (film)|Empire of Silver]]'' |
|||
| {{nom}} |
|||
| <ref name="27GoldenRooster">{{Cite web |url=https://ent.sina.cn/film/chinese/2009-09-08/detail-icesifvx7634419.d.html |title=第27届电影金鸡奖提名曝光 《集结号》9项领跑 |date=8 September 2009 |website=[[Sina Corporation|Sina Entertainment]] |access-date=30 November 2024 |language=zh}}</ref> |
|||
|- |
|||
| 2010 |
|||
| [[29th Hong Kong Film Awards]] |
|||
| rowspan="8"|Best Cinematography |
|||
| {{nom}} |
|||
| <ref name="29HKFilm">{{Cite web |url=http://paper.wenweipo.com/2010/02/10/EN1002100002.htm |title=第29屆香港電影金像獎提名名單 |date=10 February 2010 |website=[[Wen Wei Po]] |access-date=30 November 2024 |language=zh}}</ref> |
|||
|- |
|||
| 2012 |
|||
| [[31st Hong Kong Film Awards]] |
|||
| ''[[Overheard 2]]'' |
|||
| {{nom}} |
|||
| <ref name="31HKFilm">{{Cite web |url=https://screenanarchy.com/2012/02/hk-film-awards-nominations-announced.html |title=Will HK Film Awards deem BULLETS mightier than SWORDS? - Nominations Announced! |date=8 February 2012 |website=[[Screen Anarchy]] |last=Marsh |first=James |access-date=30 November 2024}}</ref> |
|||
|- |
|||
| 2013 |
|||
| [[32nd Hong Kong Film Awards]] |
|||
| ''[[The Silent War (2012 film)|The Silent War]]'' |
|||
| {{won}} |
|||
| <ref name="32HKFilm">{{Cite web |url=https://www.screendaily.com/asia-pacific/cold-war-sweeps-hong-kong-film-awards/5053872.article |title=Cold War sweeps Hong Kong Film Awards |date=15 April 2013 |website=[[Screen Daily]] |last=Shackleton |first=Liz |access-date=30 November 2024}}</ref> |
|||
|- |
|||
| 2014 |
|||
| [[33rd Hong Kong Film Awards]] |
|||
| ''[[The White Storm]]'' |
|||
| {{nom}} |
|||
| <ref name="33HKFilm">{{Cite web |url=https://www.wsj.com/articles/BL-SJB-13620 |title='The Grandmaster' Leads Hong Kong Film Nominations |date=5 February 2014 |website=[[Wall Street Journal]] |last=Napolitano |first=Dean |access-date=30 November 2024}}</ref> |
|||
|- |
|||
| 2015 |
|||
| [[34th Hong Kong Film Awards]] |
|||
| ''[[Overheard 3]]'' |
|||
| {{nom}} |
|||
| <ref name="34HKFilm">{{Cite web |url=https://www.wsj.com/articles/BL-CJB-26568 |title=‘The Golden Era’ Wins at Hong Kong Film Awards |date=19 April 2015 |website=[[Wall Street Journal]] |access-date=30 November 2024}}</ref> |
|||
|- |
|||
| 2019 |
|||
| [[38th Hong Kong Film Awards]] |
|||
| ''[[Monster Hunt 2]]'' |
|||
| {{nom}} |
|||
| <ref name="38HKFilm">{{Cite web |url=https://www.cosmopolitan.com.hk/entertainment/nomination-and-winner-complete-list-of-the-38th-hong-kong-film-awards |title=不斷更新!2019第38屆香港電影金像獎完整提名及得獎名單 |date=14 April 2019 |website=[[Cosmopolitan (magazine)|Cosmopolitan]] |last1=Leung |first1=Valerie |last2=Lam |first2=Tramy |access-date=30 November 2024 |language=zh}}</ref> |
|||
|- |
|||
| 2022 |
|||
| [[40th Hong Kong Film Awards]] |
|||
| ''[[Anita (2021 film)|Anita]]'' |
|||
| {{nom}} |
|||
| <ref name="40HKFilm">{{Cite web |url=https://www.tatlerasia.com/lifestyle/entertainment/hong-kong-film-awards-2022-nominees-winners |title=Hong Kong Film Awards 2022: Full List of Nominees |date=16 February 2022 |website=[[Tatler|Tatler Asia]] |last=Soriano |first=Jianne |access-date=30 November 2024}}</ref> |
|||
|- |
|||
| 2024 |
|||
| [[42nd Hong Kong Film Awards]] |
|||
| ''[[The Goldfinger (2023 film)|The Goldfinger]]'' |
|||
| {{won}} |
|||
| <ref name="42HKFilm">{{Cite web |url=https://deadline.com/2024/04/a-guilty-conscience-the-goldfinger-hong-kong-film-awards-1235885402/ |title=‘A Guilty Conscience’ Wins Best Film; ‘The Goldfinger’ Scoops Six Prizes At Hong Kong Film Awards |date=14 April 2014 |website=[[Deadline Hollywood]] |last=Shackleton |first=Liz |access-date=30 November 2024}}</ref> |
|||
|} |
|||
== Notes == |
|||
{{notelist}} |
Latest revision as of 11:41, 22 December 2024
Prince of Erebor/sandbox | |
---|---|
黃錦燊 | |
Born | Wong Kam Sang 29 January 1949 Taishan, Guangdong, China |
Education | University of California, Berkeley (BSc) University of California, San Francisco (PhD) University of London (LLB) |
Occupations |
|
Years active | 1978–1999; 2018–present |
Spouse | |
Children | Wesley Wong |
Melvin Wong Kam Sang (Chinese: 黃錦燊; born 29 January 1949) is a Hong Kong actor, disbarred barrister and pharmacist. After graduating from the University of California, San Francisco with a PhD in pharmaceutical science.
Early life and education
[edit]Career
[edit]Filmography
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
1974 | Chinatown Capers | Cast extra | |
1976 | The Private Eyes | Gow-suk's henchman | |
1980 | Two Fists Against the Law | Police captain | |
Encore | Himself | ||
1982 | The Head Hunter | Inspector Lau | |
Crimson Street | Pow (豹) | ||
1984 | The Occupant | Robert | |
Wrong Wedding Trail | Peter | ||
1985 | Heart of Dragon | Inspector Wong | |
Twinkle, Twinkle, Lucky Stars | Ma (老馬) | ||
Happy Ghost II | Rival coach | ||
1986 | Righting Wrongs | Wong Ching-Wai (汪精衛) | |
1987 | Eastern Condors | Yang Yeung (楊虎) | |
1988 | Fatal Love | Cho Lap-Sam (曹立三) | |
Television
[edit]Year | Title | Role | Notes |
---|---|---|---|
2017 |
References
[edit]External links
[edit]Filmography
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
2016 | PG Love | Vincent | |
S Storm | Choi (蔡仔) | ||
2018 | L Storm | Choi | |
2019 | G Affairs | Max | |
2022 | Lost Love | Ho Bun (何彬) |
Television
[edit]Year | Title | Network | Role | Notes |
---|---|---|---|---|
2002—2005 | Virtues of Harmony | TVB | — | Cast extra[1] |
2011 | The Rippling Blossom | Sap-sing (十勝) | Guest role[2] | |
Grace Under Fire | Dai Chi Wo (戴子和) | Guest role[3] | ||
Relic of an Emissary | Young Zhu Yuanzhang | Guest role[4] | ||
Ghetto Justice | Wai (威) | Guest role[5] | ||
The Other Truth | Hui Wai-kan (許偉勤) | Guest role[5] | ||
2014 | Ruse of Engagement | Don Chan Ho-pong (陳浩邦) | Recurring role[6] | |
The Borderline | HKTV | Max Ma (馬文宇) | Recurring role | |
The Election | Fong Kai-chiu (方啟釗) | Recurring role | ||
2015 | The Menu | Fu Wing-hang (傅永恆) | Guest role | |
Once Upon a Song | Dak (德) | Guest role | ||
Sexpedia | Moses Ng (吳曉旭) | Main role | ||
Karma | Lee Kai-fat (李啟發) | Recurring role | ||
Beyond the Rainbow | News reporter | Guest role | ||
Doom+5 | George Leung (梁炳基) | Main role | ||
Night Shift | Fat Kee (發記) | Recurring role | ||
2016 | Infernal Affairs | iQIYI | Dai Wai (戴衛) | Recurring role |
2017 | Below the Lion Rock | RTHK | Hak (黑哥) | Main role |
2018 | The Trading Floor | Star Chinese Movies | Cheung Chak-san (張澤新) | Recurring role |
Plan B | ViuTV | King Yan (閻羅) | Main role[7] | |
Elite Brigade IV | RTHK | Kwong Ka Fai (鄺家輝) | Main role | |
2020 | The Gutter | ViuTV | Lai Ming Nam (黎銘南) | Main role |
2021 | Ink at Tai Ping | Wi-Fi | Main role | |
2022 | Forensic JD | Tencent Video/iQIYI | Seven (孖七) | Recurring role |
2023 | Left On Read | ViuTV | Choi Ming Chi (蔡明治) | Main role |
Legal Affair | Manson Ko Man-cheuk (高文卓) | Main role |
Filmography
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
2013 | Firestorm | Robber | |
2014 | Kung Fu Jungle | Police officer | |
2015 | Wild City | Chiu (阿超) | |
2016 | Sky on Fire | Cheung (小將) | |
2018 | Big Brother | Dai Wai (大威) | |
2019 | Line Walker 2: Invisible Spy | Hitman | |
The Fatal Raid | Titan | ||
A Witness Out of the Blue | Debt collector | ||
2020 | Hell Bank Presents: Running Ghost | Brother Crazy (瘋哥) | |
2021 | Raging Fire | Chu Yuk-ming (朱旭明) | |
Showbiz Spy | Photographer | ||
2022 | Detective vs Sleuths | Cheung Yan Kit (張仁傑) | |
Man on the Edge | San Caat (山七) | ||
Warriors of Future | Soldier | ||
2023 | The Brotherhood Of Rebel | Lar Jar (厊厏) | Also as action choreographer |
Bursting Point | Tiger (阿虎) | ||
2024 | Twilight of the Warriors: Walled In | TBA | |
TBA | Ultimate Revenge | TBA | Also as action choreographer |
Television
[edit]Year | Title | Network | Role | Notes |
---|---|---|---|---|
2016 | Infernal Affairs | German | Guest role | |
2019 | Stained | Song B (喪B) | Guest role | |
2020 | Who Sells Bricks in Hong Kong | Tang Siu (鄧少) | Main role | |
2022 | Inevitable | Nine-dragon (九紋龍) | Guest role | |
In The Storm | Dai Lap-fung (戴立峰) | Guest role | ||
2023 | A Perfect Gentleman | Lung Sir (龍Sir) | Recurring role | |
TBA | Three Destinies | Sunglasses (黑超) | Main role |
Filmography
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
2016 | Weeds on Fire | Locker | |
2018 | When Sun Meets Moon | Ka Hei (家希) | |
2019 | P Storm | ICAC officer | |
A Witness Out of the Blue | Police officer | ||
2021 | Zero to Hero | So Kin Wai (蘇健瑋) | |
Raging Fire | Police officer | ||
2022 | Chilli Laugh Story | Hei (熙) | |
Detective vs Sleuths | Police officer | ||
Let It Ghost | Edward | ||
2023 | Stand Up Story | Student | |
2024 | Table for Six 2 | White Face (白面強) |
Television
[edit]Year | Title | Role | Notes |
---|---|---|---|
2018 | Shadow of Justice | Lik (阿力) | Recurring role |
2019 | Haters Gonna Stay | Shopkeeper | Guest role |
2020 | Who Sells Bricks in Hong Kong | Tang Mo Kit (鄧武傑) | Main role |
We are the Littles | Circle | Guest role | |
2022 | In Geek We Trust | Wong Kam Hoi (黃金開) | Recurring role |
The Parents League | Yeung Fei (楊飛) | Main role | |
I SWIM | Si Chun (施俊) | Special appearance | |
2023 | Sparks | Lai Yuk Wang (劉育宏) | Main role |
Filmography
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
2014 | Z Storm | Sai Leung (細良) | |
2015 | Imprisoned: Survival Guide for Rich and Prodigal | Chin Shui (千歲) | |
2016 | The Menu | Gordon Tong (唐維剛) | |
S Storm | Sai Leung | ||
2018 | Agent Mr Chan | Chief inspector | |
L Storm | Sai Leung | ||
Project Gutenberg | Bobby Wong (王波) | ||
2019 | Integrity | Tou Chi Ming (杜志明) | |
P Storm | Sai Leung | ||
The Invincible Dragon | Cheung Fung Hap (張風俠) | ||
A Witness Out of the Blue | Lui Yau-piu (雷友彪) | ||
Lion Rock | Chu Yiu Jo (朱耀祖) | ||
2021 | One Second Champion | Boxing association official | |
The Attorney | Chiu Kwok Fai (趙國輝) | ||
P.T.G.F. | Tsi-shun's stepfather | ||
G Storm | Sai Leung | ||
2022 | Where the Wind Blows | Crazy Chuck (喪七) | |
2024 | The Moon Thieves | Wayne (牛榮) | |
Rob N Roll | White champank (白頭蘭) |
Television
[edit]Year | Title | Network | Role | Notes |
---|---|---|---|---|
1995 | Detective Investigation Files II | Biu (阿標) | Recurring role[10] | |
1997—1999 | Untraceable Evidence | Chan Siu Wah (陳小華) | Recurring; season 1—2[11] | |
1999 | Plain Love II | Wing Yiu Jo (榮耀祖) | Main role[12] | |
2001 | Gods of Honour | Kei Fat | Recurring role[10] | |
2002 | Eternal Happiness | Lau Fui-bik (劉奎璧) | Recurring role[13] | |
2003 | Survivor's Law | Mok Chan Kei (莫振祺) | Guest role[14] | |
2007 | Heart of Greed | Yeung Siu Chi (楊紹志) | Guest role[15] | |
2010 | No Regrets | Cheng Siu Kit (鄭少傑) | Guest role[16] | |
2012 | Three Kingdoms RPG | Zhao Yun | Recurring role[17] | |
2014 | The Borderline | Tony Ho Yi (浩義) | Recurring role[18] | |
2015 | Hidden Faces | Tin Jun (田進) | Main role[19] | |
2016 | 3X1 | Danny | Guest role[20] | |
Infernal Affairs | Mars (火星) | Cameo[21] | ||
2018 | Afterlife Firm | Au Pui Tung (區培東) | Guest role[20] | |
The Trading Floor | Ho Pak Wing (何柏榮) | Recurring role[22] | ||
Guardian Angel | Chan Fai (陳輝) | Guest role[23] | ||
2020 | Dark City | Yu Ting Kwok (茹定國) | Main role[20] | |
Leap Day | Cheung San (張辰) | Recurring role | ||
2021 | Ink at Tai Ping | Shinichi Take (北村武) | Main role[24] | |
2022 | Million Dollar Family | Mr. So | Guest role[25] |
Prince of Erebor/sandbox | |
---|---|
李烈 | |
Born | Lee Lieh 29 March 1958 |
Alma mater | Shih Hsin School of Journalism |
Occupations |
|
Years active | 1976–present |
Lee Lieh (Chinese: 李烈; born 29 March 1958) is a Taiwanese actress and film producer. She received the Outstanding Taiwanese Filmmaker of the Year Award in the 47th Golden Horse Awards for her contributions in the film industry.
Beginning her career as an actress, Lee gained prominence with her roles in the family drama film The Story of a Small Town (1979) and the drama film That Day, on the Beach (1983). She earned a Chinese Film Media Award and a nomination for the Golden Rooster Award for her performance in the drama film Touch of the Light (2012). Lee has also starred in the television series One Plum Blossom (1984), Crystal Boys (2003), and Dangerous Mind (2006).
Lee transitioned to producing in the 2010s, starting with the drama Orz Boyz! (2008). Since then, she has produced films across various genres, including the gangster film Monga (2010), sports film Jump Ashin! (2011), comedy Zone Pro Site (2013), action films The Village of No Return (2017) and The Pig, the Snake and the Pigeon (2023), horror films Detention (2019) and Dead Talents Society (2024), and romance film My Missing Valentine (2020).
Prince of Erebor/sandbox | |
---|---|
Education | |
Occupation | Film critic |
Years active | 2007–present |
Maggie Lee (Chinese: 李詩才[26][27]) is a Hong Kong-based film critic. She formerly served as the Asia chief critic for The Hollywood Reporter and Variety.
Biography
[edit]Lee graduated with a Bachelor of Arts (later promoted to Master of Arts by seniority[28]) in English Language and Literature from University College, Oxford.[29][28] After completing her studies at Oxford, she moved to Hong Kong and worked as a writer for the Hong Kong International Film Festival and the Hong Kong Film Archive.[29] In 2007, she became a film critic for The Hollywood Reporter, basing in Hong Kong alongside fellow critic Elizabeth Kerr,[30] and eventually advancing to the role of Asia chief critic.[28] She joined Variety in 2012 and was appointed as the chief Asia film critic in 2015.[28] Her focus has been on covering Asian cinema, including the Cannes Film Festival, Toronto International Film Festival, Busan International Film Festival, and Shanghai International Film Festival.[28] She wrote reviews on films from China and Korea,[31][32][33] as well as Asian-themed Hollywood films, such as Crazy Rich Asians.[34][35] She had also served as an adjudicator of the 54th Golden Horse Awards,[36] and a curator at the 2018 Vancouver International Film Festival and the 27th Busan International Film Festival.[37][38] She left Variety prior to 2024, planning to debut as a screenwriter.[39]
Filmography
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
2016 | Heaven in the Dark | Paul | |
2017 | Zombiology: Enjoy Yourself Tonight | Brother Kim Sr. | |
2019 | I'm Livin' It | Martin | |
2021 | Hand Rolled Cigarette | Wood (木頭) | |
2022 | The Sparring Partner | Cheung Hin Jo (張顯祖) | |
The Narrow Road | Chak's friend | ||
2023 | Everything Under Control | Tang Lap Dak (鄧立德) | |
Ready or Rot | Kin's father | ||
Band Four | Dr. Chu | ||
In Broad Daylight | Eric | ||
2024 | Crisis Negotiators | Yeung Chun Fat (楊振發) |
Television
[edit]Year | Title | Network | Role | Notes |
---|---|---|---|---|
2017 | Midnight Cousin | Kuen (權哥) | Main role | |
2019 | Limited Education | Louis Leung (梁智揚) | Main role | |
Dark City | Yuen (阿源) | Main role | ||
2022 | In Geek We Trust | Man Kwan (萬鈞) | Recurring role | |
Into the Wild | Chan Chang (陳燦) | Recurring role | ||
2023 | No One Lies | Walter | Main role | |
Left On Read | So Wai Leung (蘇煒良) | Guest role | ||
Sparks | Lam Yuen Yeung (林遠洋) | Recurring role | ||
2024 | The Money Game | Hawker | Special appearance |
References
[edit]- ^ "March 12, 2023" (in Chinese). Sing Tao Daily. Archived from the original on May 13, 2024. Retrieved April 16, 2024.
- ^ "魚躍在花見" (in Chinese). TVB. Archived from the original on March 31, 2023. Retrieved April 16, 2024.
- ^ "女拳" (in Chinese). TVB. Archived from the original on May 13, 2024. Retrieved April 16, 2024.
- ^ "洪武三十二" (in Chinese). TVB. Archived from the original on May 13, 2024. Retrieved April 16, 2024.
- ^ a b 嚴潔盈; 黃艷 (November 8, 2013). "港版半澤陸駿光 星夢亞軍鄭世豪 一夜成名之後" (in Chinese). Hong Kong Economic Times. Archived from the original on May 13, 2024. Retrieved April 16, 2024.
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External links
[edit]Prince of Erebor/sandbox | |
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蔡蔚駿 | |
Born | Choi Wai Chun 1974 or 1975 (age 49–50) Hong Kong |
Education | |
Occupations |
|
Years active | 1997–present |
Calvin Choi Wai Chun (Chinese: 蔡蔚駿; born 1974/1975), also known by his pen name Fatmoonba (月巴氏), is a Hong Kong writer, film critic, and radio host. He is currently a co-host of Commercial Radio Hong Kong's 903 Open Box.
Early life and education
[edit]Choi was born in 1974 or 1975 in Hong Kong,[1] and grew up in Shatin.[2] He developed a passion for wuxia novels at a young age and aspired to be a comic book artist, but abandoned that dream after scoring an F in visual arts on his Hong Kong Certificate of Education Examination.[3] He began writing novels in Form 2, inspired by Ni Kuang's Wisely Series,[1] and won first prize in the 24th Youth Literary Awards in 1996 with his novella Teenager.[4] After graduating from matriculation in 1994 with an A in Chinese literature, he continued his studies at the Chinese University of Hong Kong, majoring in history.[5]
Career
[edit]In June 1997, right after graduating from university, Choi joined a newspaper as a supplement journalist.[1][6] Over the following years, he worked for a total of eight media outlets,[7] including am730, U Magazine, Jet Magazine, City Magazine , and Apple Daily,[8] primarily focusing on films.[4] He also wrote a film reviews column for am730, which he described as rarely covering mainstream movies and instead offering a perspective rooted in the experiences of a "regular movie lover".[9] He wrote a wuxia novel and initially planned to publish it in 2011, but the project was ultimately scrapped.[4] In 2013, he published Tearing Tickets and Cutting Chairs, a collection of his film reviews.[10] Yan Ho-shun, reviewing for am730, called the collection "a valuable movie guide", praising Choi's personal and accessible style in dissecting classic films.[10] Choi gained public recognition in 2014 for launching his column "Romantic Fatmoonba on Female Stars" (浪漫月巴睇女星), which included interviews and commentaries about women in the entertainment industry from an unconventional perspective, as he found mainstream media often focused on female celebrities' appearances while neglecting their intrinsic qualities.[4][11]
In 2015, Choi published his first novel, No Longer Hero,[4] drawing inspiration from superhero comics and Osamu Dazai's 1948 novel No Longer Human.[2] The following year, he co-authored a graphic novel, Reverse Warring States, with Mak Tin-kit, set in the Warring States Period.[3] He also enrolled in a Master of Arts in philosophy at the Chinese University of Hong Kong, where he realized his interest in philosophy after taking an introductory course during his undergraduate studies.[5] He graduated in 2017.[8] That same year, Choi began his career as a radio host, stepping in for a friend on Commercial Radio Hong Kong's talk show On a Clear Day .[1] He made recurring appearances on the program for the next three years and launched his own show 903 Open Box staring 2021.[1] In 2018, he published another collection of film reviews titled Seen, featuring reviews of lesser-known Hong Kong films.[12] Ching Kwan, reviewing for HK01, described the book as "a brilliant piece", praising its interesting selection of materials and Choi's candid, engaging writing style that provides insightful commentary on films.[13] In September 2018, he took a hiatus to work on a book about lyricist Richard Lam.[14] In August 2023, after the magazine he worked for ceased physical publication, Choi transitioned to writing columns for its online version.[6]
Bibliography
[edit]Year | Title | Original title | Publisher | Ref. |
---|---|---|---|---|
2013 | Tearing Tickets and Cutting Chairs | 搣飛割凳 | Steps Publications | [10] |
2015 | No Longer Hero | 超人間失格 | Today Publications | [15] |
2016 | Reverse Warring States | 逆戰國 | Today Publications | [3] |
2018 | Seen | 看了 | Today Publications | [12] |
2019 | Richard Lam | 林振強 | Zhonghua Book Company | [14] |
2021 | Amusing Ourselves to Death Yet? | 娛樂已死未 | Humming Publishing | [16] |
- ^ a b c d e 王嵐 (23 October 2024). "自認細膽 月巴氏開咪有緣". Hong Kong Economic Journal (in Chinese). Retrieved 22 December 2024.
- ^ a b 郭艷媚 (12 January 2016). "廢超人月巴氏". Sing Tao Daily (in Chinese). Archived from the original on 22 June 2020. Retrieved 22 December 2024.
- ^ a b c "忠實武俠小說迷月巴氏 從漫畫走到武俠文學". TOPick (in Chinese). 18 July 2016. Retrieved 22 December 2024.
- ^ a b c d e Sandy, Jill (3 March 2016). "專欄中不能承受之月巴氏". Metro Hong Kong (in Chinese). Archived from the original on 4 March 2016. Retrieved 22 December 2024.
- ^ a b 游大東 (27 July 2018). "月巴氏嘆港產片海報不再精彩 激讚《凶榜》:見嗰兩隻字已覺恐怖". HK01 (in Chinese). Retrieved 22 December 2024.
- ^ a b Choi, Calvin (24 June 2024). "恕我還未能接受網媒經營和呈現內容的形式". P-Articles (in Chinese). Retrieved 22 December 2024.
- ^ 王嵐 (23 October 2024). "出書20本". Hong Kong Economic Journal (in Chinese). Retrieved 22 December 2024.
- ^ a b "香港電台第二台開卷樂- 《寫了》|嘉賓︰月巴氏(作者)". RTHK (in Chinese). 2 November 2019. Retrieved 22 December 2024.
- ^ "月巴氏:不扮高深,只要開心". Yahoo! News (in Chinese). 10 August 2016. Retrieved 22 December 2024.
- ^ a b c Yan, Ho-shun (9 September 2013). "搣飛割凳──散場後情緒結集". am730 (in Chinese). Retrieved 22 December 2024.
- ^ 袁源隆 (22 March 2022). "媒體人睇女星 大眾認識女藝人之方法流變". Ming Pao (in Chinese). Retrieved 22 December 2024.
- ^ a b Ng, Andy (20 January 2019). "【聽佢點讀】月巴氏《看了》認為十年後,睇超級英雄電影只是例行公事". Read For More (in Chinese). Retrieved 22 December 2024.
- ^ 清君 (11 August 2018). "【《看了》書評】看了月巴 看完月巴 從電影到書看透觀眾心". HK01 (in Chinese). Retrieved 22 December 2024.
- ^ a b Choi, Calvin (21 July 2021). "《殺出個黃昏》——時日彷彿停頓下的倦". my903.com (in Chinese). Retrieved 22 December 2024.
- ^ "《超人間失格》". Hong Kong Economic Times (in Chinese). 15 July 2015. Retrieved 22 December 2024.
- ^ "《娛樂已死未?》". Hong Kong Economic Times (in Chinese). 2 September 2021. Retrieved 22 December 2024.