The Square (1994 film): Difference between revisions
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| director = [[Zhang Yuan]] |
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| producer = Zhang Yuan |
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| language = Mandarin |
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| native_name = {{Infobox Chinese/Chinese|child=yes|hide=no|header=none| s = 广场 |
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'''''The Square''''' is a [[1994 in film|1994]] [[Cinema of China|Chinese]] [[documentary film]] directed by [[Zhang Yuan]]. It is Zhang's first true documentary film, after two documentary-influenced fiction films: ''[[Mama (1990 film)|Mama]]'' and ''[[Beijing Bastards]]''.<ref>Berry, Michael (2002). "Wording up a Sweat in a Celluloid Sauna" in ''[ |
'''''The Square''''' is a [[1994 in film|1994]] [[Cinema of China|Chinese]] [[documentary film]] directed by [[Zhang Yuan (director)|Zhang Yuan]]. It is Zhang's first true documentary film, after two documentary-influenced fiction films: ''[[Mama (1990 film)|Mama]]'' and ''[[Beijing Bastards]]''.<ref>Berry, Michael (2002). "Wording up a Sweat in a Celluloid Sauna" in ''[https://books.google.com/books?id=a5oy2HlLth8C Speaking in Images: Interviews with Contemporary Chinese Filmmakers]''. Columbia University Press, p. 147-48. {{ISBN|0-231-13331-6}}. Google Book Search. Retrieved 2008-09-05.</ref> |
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Filmed in black and white, ''The Square'' documents a day in the life of [[Tiananmen Square]] a few years after the [[Tiananmen Square protests of 1989|events of 1989]]. |
Filmed in black and white, ''The Square'' documents a day in the life of [[Tiananmen Square]] a few years after the [[Tiananmen Square protests of 1989|events of 1989]]. |
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The film documents a day in the life of [[Tiananmen Square]] in 1994, a mere five years after the crushing of a student-led democracy movement in 1989. The events captured are considered "mundane" but illustrate the level of control exerted over the Square by the authoritarian government. While children play with kites and old men toss frisbees, police and soldiers are also ever-present. |
The film documents a day in the life of [[Tiananmen Square]] in 1994, a mere five years after the crushing of a student-led democracy movement in 1989. The events captured are considered "mundane" but illustrate the level of control exerted over the Square by the authoritarian government. While children play with kites and old men toss frisbees, police and soldiers are also ever-present. |
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Near the end of the film, PLA soldiers array cannons in preparation for a salute to a visiting head of state. As the guns are fired, Zhang focuses his camera on the reactions of the ordinary citizens. For one critic, the film "seem to suggest the ceaseless and draining effort the government must expend to maintain its awesome facade of monolithic power over its citizens."<ref>{{cite |
Near the end of the film, PLA soldiers array cannons in preparation for a salute to a visiting head of state. As the guns are fired, Zhang focuses his camera on the reactions of the ordinary citizens. For one critic, the film "seem to suggest the ceaseless and draining effort the government must expend to maintain its awesome facade of monolithic power over its citizens."<ref>{{cite magazine|url=http://www.lib.berkeley.edu/MRC/Tianamen.html |title=Screening History: New Documentaries on the Tiananmen Events in China |author=Chen, Pauline| magazine =[[Cineaste (magazine)|Cineaste]] |volume= 22 |issue= 1 |date= Winter 1996|accessdate=2008-09-05}} (republished by the [[University of California Berkeley]] library)</ref> |
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== Production history == |
== Production history == |
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In an interview given several years later, Zhang noted that he saw Tiananmen Square as "one giant stage" which pushed him to "pick up my camera and record some of those more interesting people and attempt to capture the feeling of the square."<ref name=B148>Berry, p. 148</ref> When he finally followed through on his plan, police would often come up and question his purpose, to which he would reply that he was part of a [[CCTV]] film crew.<ref name=B148/> |
In an interview given several years later, Zhang noted that he saw Tiananmen Square as "one giant stage" which pushed him to "pick up my camera and record some of those more interesting people and attempt to capture the feeling of the square."<ref name=B148>Berry, p. 148</ref> When he finally followed through on his plan, police would often come up and question his purpose, to which he would reply that he was part of a [[CCTV]] film crew.<ref name=B148/> |
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Zhang filmed the most "mundane" things<ref name=B148/> for a period of twenty-four hours, in the process capturing both ceremony (the flag raising and lowering carried out every day by [[People's Liberation Army|PLA]] soldiers) and every-day moments.<ref name=T421>Tasker, Yvonne (2002). "Zhang Yuan" in ''[ |
Zhang filmed the most "mundane" things<ref name=B148/> for a period of twenty-four hours, in the process capturing both ceremony (the flag raising and lowering carried out every day by [[People's Liberation Army|PLA]] soldiers) and every-day moments.<ref name=T421>[[Tasker, Yvonne]] (2002). "Zhang Yuan" in ''[https://books.google.com/books?id=xjQ7ifqiIksC Fifty Contemporary Filmmakers]''. Routledge Publishing, p.421. {{ISBN|0-415-18974-8}}. Google Book Search. Retrieved 2008-09-05.</ref> Indeed, the film is devoid of any dialogue, music, or narration outside of incidental moments captured by the "CCTV" camera. |
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The film itself was made in defiance of government disapproval, as Zhang had recently been blacklisted by the government for his submission of films to international [[film festival]]s without permission.<ref name=T421/> Despite this impediment, Zhang's documentary would be screened at the [[Hawaii International Film Festival]], where it would win a Jury Prize.<ref>{{cite web|url=http://www.zhang-yuanfilms.com/home/EN/bio.htm|title=Zhang Yuan's bio|publisher=Cinovision Productions|accessdate=2008-09-05 |archiveurl = |
The film itself was made in defiance of government disapproval, as Zhang had recently been blacklisted by the government for his submission of films to international [[film festival]]s without permission.<ref name=T421/> Despite this impediment, Zhang's documentary would be screened at the [[Hawaii International Film Festival]], where it would win a Jury Prize.<ref>{{cite web|url=http://www.zhang-yuanfilms.com/home/EN/bio.htm|title=Zhang Yuan's bio|publisher=Cinovision Productions|accessdate=2008-09-05 |archiveurl = https://web.archive.org/web/20080616083207/http://www.zhang-yuanfilms.com/home/EN/bio.htm <!-- Bot retrieved archive --> |archivedate = 2008-06-16}}</ref> |
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== References == |
== References == |
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== External links == |
== External links == |
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*{{IMDb title|id=0109948|title=The Square}} |
*{{IMDb title|id=0109948|title=The Square}} |
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*{{Amg movie|134386|The Square}} |
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{{Zhang Yuan}} |
{{Zhang Yuan}} |
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{{DEFAULTSORT:Square, The}} |
{{DEFAULTSORT:Square (1994 film), The}} |
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[[Category:Chinese documentary films]] |
[[Category:Chinese documentary films]] |
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[[Category:Chinese films]] |
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[[Category:1994 films]] |
[[Category:1994 films]] |
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[[Category: |
[[Category:Chinese black-and-white films]] |
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[[Category: |
[[Category:Chinese independent films]] |
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[[Category:Mandarin-language films]] |
[[Category:1990s Mandarin-language films]] |
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[[Category:Films directed by Zhang Yuan]] |
[[Category:Films directed by Zhang Yuan]] |
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[[Category: |
[[Category:1994 documentary films]] |
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[[Category:Tiananmen Square]] |
[[Category:Tiananmen Square]] |
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Latest revision as of 12:02, 22 December 2024
| The Square | |
|---|---|
| Traditional Chinese | 廣場 |
| Simplified Chinese | 广场 |
| Hanyu Pinyin | Guǎng chǎng |
| Directed by | Zhang Yuan |
| Produced by | Zhang Yuan |
| Cinematography | Zhang Yuan |
Release date |
|
Running time | 100 minutes |
| Country | China |
| Language | Mandarin |
The Square is a 1994 Chinese documentary film directed by Zhang Yuan. It is Zhang's first true documentary film, after two documentary-influenced fiction films: Mama and Beijing Bastards.[1]
Filmed in black and white, The Square documents a day in the life of Tiananmen Square a few years after the events of 1989.
Subject
[edit]The film documents a day in the life of Tiananmen Square in 1994, a mere five years after the crushing of a student-led democracy movement in 1989. The events captured are considered "mundane" but illustrate the level of control exerted over the Square by the authoritarian government. While children play with kites and old men toss frisbees, police and soldiers are also ever-present.
Near the end of the film, PLA soldiers array cannons in preparation for a salute to a visiting head of state. As the guns are fired, Zhang focuses his camera on the reactions of the ordinary citizens. For one critic, the film "seem to suggest the ceaseless and draining effort the government must expend to maintain its awesome facade of monolithic power over its citizens."[2]
Production history
[edit]The concept of a documentary film about Tiananmen Square shortly after the Tiananmen Square protests of 1989 began while Zhang Yuan was still a student at the Beijing Film Academy, and while he was producing and filming his debut, Mama, in the late 1980s. After the protests were crushed, Zhang had opportunities to ride his bicycle around the Square from his apartment in the nearby Xidan neighborhood, noting both the quietness in the years following 1989 and the surplus of both uniformed and plainclothes policemen.[3]
In an interview given several years later, Zhang noted that he saw Tiananmen Square as "one giant stage" which pushed him to "pick up my camera and record some of those more interesting people and attempt to capture the feeling of the square."[3] When he finally followed through on his plan, police would often come up and question his purpose, to which he would reply that he was part of a CCTV film crew.[3]
Zhang filmed the most "mundane" things[3] for a period of twenty-four hours, in the process capturing both ceremony (the flag raising and lowering carried out every day by PLA soldiers) and every-day moments.[4] Indeed, the film is devoid of any dialogue, music, or narration outside of incidental moments captured by the "CCTV" camera.
The film itself was made in defiance of government disapproval, as Zhang had recently been blacklisted by the government for his submission of films to international film festivals without permission.[4] Despite this impediment, Zhang's documentary would be screened at the Hawaii International Film Festival, where it would win a Jury Prize.[5]
References
[edit]- ^ Berry, Michael (2002). "Wording up a Sweat in a Celluloid Sauna" in Speaking in Images: Interviews with Contemporary Chinese Filmmakers. Columbia University Press, p. 147-48. ISBN 0-231-13331-6. Google Book Search. Retrieved 2008-09-05.
- ^ Chen, Pauline (Winter 1996). "Screening History: New Documentaries on the Tiananmen Events in China". Cineaste. Vol. 22, no. 1. Retrieved 2008-09-05. (republished by the University of California Berkeley library)
- ^ a b c d Berry, p. 148
- ^ a b Tasker, Yvonne (2002). "Zhang Yuan" in Fifty Contemporary Filmmakers. Routledge Publishing, p.421. ISBN 0-415-18974-8. Google Book Search. Retrieved 2008-09-05.
- ^ "Zhang Yuan's bio". Cinovision Productions. Archived from the original on 2008-06-16. Retrieved 2008-09-05.
External links
[edit]- The Square at IMDb