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{{Short description|Portrait painter from England}}
{{Short description|English portrait painter (1793–1872)}}
{{EngvarB|date=November 2019}}
{{EngvarB|date=November 2019}}
{{Use dmy dates|date=November 2019}}
{{Use dmy dates|date=November 2019}}
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| birth_name = Margaret Sarah Geddes
| birth_name = Margaret Sarah Geddes
| birth_date = 1793
| birth_date = 1793
| birth_place = [[Salisbury]], England
| birth_place = [[Salisbury]], [[England]]
| death_date = {{death date and age|df=yes|1872|11|13|1793}}
| death_date = {{death date and age|df=yes|1872|11|13|1793}}
| death_place = London, England
| death_place = [[London]], England
| resting_place=
| resting_place=
| resting_place_coordinates =
| resting_place_coordinates =
| nationality = English
| nationality = English
| field = Portrait painting
| field = [[Portrait painting]]
| training =
| training =
| movement =
| movement =
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==Career==
==Career==
[[File:Henrietta Carpenter by Margaret Sarah Carpenter.jpg|thumb|A young girl by Margaret Sarah Carpenter (1839)]]
[[File:Henrietta Carpenter by Margaret Sarah Carpenter.jpg|thumb|A young girl by Margaret Sarah Carpenter (1839)]]
In 1812, one of Carpenter's copies of the head of a boy was awarded a medal by the [[Society of Arts]], who awarded her another medal in 1813, and a gold medal in 1814.<ref>Smith, Richard J, ''Margaret Sarah Carpenter, A Brief Biography'', Salisbury & South Wiltshire Museum, 1993</ref> She went to London in 1814, and soon established her reputation as a fashionable [[portrait painter]].<ref name="BritPort"/> She exhibited a portrait of [[Lord Folkestone]] at the [[Royal Academy]] in 1814, and a picture entitled 'The Fortune Teller' at the [[British Institution]]. She exhibited regularly at the Royal Academy between 1818 and 1866.<ref name="CWood"/> Her painting ''The Lacemaker'' was on display at the [[Art Treasures Exhibition, Manchester 1857|1857 Manchester Art Treasures]] exhibition.<ref>{{cite book|author=Manchester Art Treasures Exhibition |title=Catalogue of the Art Treasures of the United Kingdom |year=1857 |publisher=[[Bradbury and Evans]] |location=London |page=99 }}</ref> She also exhibited at the British Institution and at the [[Suffolk Street Gallery]].<ref name="CWood"/>
In 1812, one of Carpenter's copies of the head of a boy was awarded a medal by the [[Society of Arts]], who awarded her another medal in 1813, and a gold medal in 1814.<ref>Smith, Richard J, ''Margaret Sarah Carpenter, A Brief Biography'', Salisbury & South Wiltshire Museum, 1993</ref> She went to London in 1814, and soon established her reputation as a fashionable [[portrait painter]].<ref name="BritPort"/> She exhibited a portrait of [[William Pleydell-Bouverie, 3rd Earl of Radnor|Lord Folkestone]] at the [[Royal Academy]] in 1814, and a picture entitled 'The Fortune Teller' at the [[British Institution]]. She exhibited regularly at the Royal Academy between 1818 and 1866.<ref name="CWood"/> Her painting ''The Lacemaker'' was on display at the [[Art Treasures Exhibition, Manchester 1857|1857 Manchester Art Treasures]] exhibition.<ref>{{cite book|author=Manchester Art Treasures Exhibition |title=Catalogue of the Art Treasures of the United Kingdom |year=1857 |publisher=[[Bradbury and Evans]] |location=London |page=99 }}</ref> She also exhibited at the British Institution and at the [[Suffolk Street Gallery]].<ref name="CWood"/>


Of Carpenter's ''Head of a Polish Jew'', exhibited at the British Institution in 1823, a reviewer wrote: "It very rarely happens that a specimen of art like this is produced from the hand of a lady: Here are colour, light, strength and effect, and anatomical drawing".<ref>Whitley, W.T, ''Art in England 1821-1837'', Cambridge, 1930</ref> The painting was bought for 45 guineas by the [[George Granville Leveson-Gower, 1st Duke of Sutherland|Marquess of Stafford]], an influential art patrons, who had previously bought her medal-winning painting of 1813. In December 2013 the picture resurfaced at auction (with some fire damage) and was purchased by a family relative for restoration.<ref>''The Literary Gazette of Belles Lettres, Arts and Sciences; Volume 7, p.268'', 1823</ref>
Of Carpenter's ''Head of a Polish Jew'', exhibited at the British Institution in 1823, a reviewer wrote: "It very rarely happens that a specimen of art like this is produced from the hand of a lady: Here are colour, light, strength and effect, and anatomical drawing".<ref>Whitley, W.T, ''Art in England 1821-1837'', Cambridge, 1930</ref> The painting was bought for 45 guineas by the [[George Granville Leveson-Gower, 1st Duke of Sutherland|Marquess of Stafford]], an influential art patrons, who had previously bought her medal-winning painting of 1813. In December 2013 the picture resurfaced at auction (with some fire damage) and was purchased by a family relative for restoration.<ref>''The Literary Gazette of Belles Lettres, Arts and Sciences; Volume 7, p.268'', 1823</ref>


[[File:Ada Lovelace.jpg|thumb|left|''[[Portrait of Ada Lovelace]]'' by Margaret Sarah Carpenter |alt=Ada Lovelace, painted portrait circa 1836]]
Among Carpenter's exhibited portraits were those of [[Sir Henry Bunbury, 7th Baronet|Sir H. Bunbury]] (1822), [[Earl of Denbigh|Lady Denbigh]] (1831), and Lady King (better known as [[Ada Lovelace]]) (1835). Her last work was a portrait of [[William Whewell|Dr. Whewell]]. Three of her works are in the [[National Portrait Gallery, London|National Portrait Gallery]] collection in London, including portraits of her husband, Bonington and the sculptor [[John Gibson (sculptor)|John Gibson]].<ref name="CWood"/> There are also several '[[leaving portrait]]s' by her in the collection at [[Eton College]]. Her portrait of 'The [[George Warren, 2nd Baron de Tabley|2nd Lord de Tabley]] in Academic Robes' hangs in the dining room at [[Tabley House]].<ref>Completed by July 1831 according to a letter of 2nd. Lord de Tabley's guardian [[Thomas Lister Parker]], addressed to Rev. Dr. William Jackson, then de Tabley's tutor; in an earlier letter dated 1 June 1831 Parker refers to 'Mr Carpenter', suggesting he was uninformed as to the artist's sex.</ref> There is also one of her portraits at [[Frewen College]], of Helen Louisa Frewen and her son Edward. Her "Portrait of a Lady" hangs in the [[Neill-Cochran House]] Museum in [[Austin, Texas]].
Among Carpenter's exhibited portraits were those of [[Sir Henry Bunbury, 7th Baronet|Sir H. Bunbury]] (1822), [[Earl of Denbigh|Lady Denbigh]] (1831), and Lady King (better known as [[Ada Lovelace]]) (1835). Her last work was a portrait of [[William Whewell]]. Three of her works are in the [[National Portrait Gallery, London|National Portrait Gallery]] collection in London, including portraits of her husband, Bonington and the sculptor [[John Gibson (sculptor)|John Gibson]].<ref name="CWood"/> There are also several '[[leaving portrait]]s' by her in the collection at [[Eton College]]. Her portrait of 'The [[George Warren, 2nd Baron de Tabley|2nd Lord de Tabley]] in Academic Robes' hangs in the dining room at [[Tabley House]].<ref>Completed by July 1831 according to a letter of 2nd. Lord de Tabley's guardian [[Thomas Lister Parker]], addressed to Rev. Dr. William Jackson, then de Tabley's tutor; in an earlier letter dated 1 June 1831 Parker refers to 'Mr Carpenter', suggesting he was uninformed as to the artist's sex.</ref> There is also one of her portraits at [[Frewen College]], of Helen Louisa Frewen and her son Edward. Her "Portrait of a Lady" hangs in the [[Neill-Cochran House]] Museum in [[Austin, Texas]].


Her portraits follow in the tradition of Lawrence, but Wood found them to be more fanciful and feminine character, particularly in her portraits of children.
Her portraits follow in the tradition of Lawrence, but Wood found them to be more fanciful and feminine character, particularly in her portraits of children.


==Family==
==Family==
In 1817, she married [[William Hookham Carpenter]], [[British Museum#Department of Prints and Drawings|Keeper of Prints and Drawings at the British Museum]].<ref name=dnb>{{DNB Cite|wstitle=Carpenter, William Hookham|last=Carpenter|first=William Hookham|authorlink=William Hookham Carpenter|volume=09}}</ref> Their children included two noted painters, another [[William Carpenter (painter)|William]] and [[Percy Carpenter]], who both travelled.<ref name=va>[https://collections.vam.ac.uk/item/O81952/painting-the-golden-temple-at-amritsar/ The Golden Temple at Amritsar], William Carpenter, Feb. 1854, Victoria and Albert Museum, ref IS.50–1882, accessed July 2010</ref> She introduced her sister Harriet to the young painter [[William Collins (painter)|William Collins]]. They eventually married, making Margaret the aunt to [[Wilkie Collins]], novelist and friend to [[Charles Dickens]].<ref>''The King of Inventors''. Catherine Peters</ref> On her husband's death in 1866, she was given an annual pension of £100 by [[Queen Victoria]].<ref name="BritPort"/> This award was partly based on her husband's service, but also in recognition of her own artistic merits. She died in London on 13 November 1872, in her 80th year.{{Citation needed|date=February 2019}}
In 1817, she married [[William Hookham Carpenter]], [[British Museum#Department of Prints and Drawings|Keeper of Prints and Drawings at the British Museum]].<ref name=dnb>{{DNB Cite|wstitle=Carpenter, William Hookham|last=Carpenter|first=William Hookham|authorlink=William Hookham Carpenter|volume=09}}</ref> Their children included two noted painters, another [[William Carpenter (painter)|William]] and [[Percy Carpenter]], who both travelled and painted in the Indian subcontinent.<ref name=va>[https://collections.vam.ac.uk/item/O81952/painting-the-golden-temple-at-amritsar/ The Golden Temple at Amritsar], William Carpenter, Feb. 1854, Victoria and Albert Museum, ref IS.50–1882, accessed July 2010</ref> She introduced her sister Harriet to the young painter [[William Collins (painter)|William Collins]]. They eventually married, making Margaret the aunt to [[Wilkie Collins]], novelist and friend to [[Charles Dickens]].<ref>''The King of Inventors''. Catherine Peters</ref> On her husband's death in 1866, she was given an annual pension of £100 by [[Queen Victoria]].<ref name="BritPort"/> This award was partly based on her husband's service, but also in recognition of her own artistic merits.

She died in London on 13 November 1872, in her 80th year,{{Citation needed|date=February 2019}} and was buried with her husband on the western side of [[Highgate Cemetery]]. The grave (plot no.14768) no longer has a headstone. Their daughter Henrietta was buried in the same grave in 1895.

==Gallery==
<gallery mode="nolines" widths="400" heights="200">
File:William Hookham Carpenter by Margaret Sarah Carpenter (née Geddes).jpg|[[William Hookham Carpenter]], 1816
File:Charles William Doyle.png|[[Charles William Doyle|Sir Charles William Doyle]], 1824
File:Margaret Sarah Carpenter (1793-1872) - Henry Hoare (1784–1836) - 732210 - National Trust.jpg|[[Henry Hoare (MCC cricketer, 1823)|Henry Hoare]], 1829
File:Richard Parkes Bonington by Margaret Sarah Carpenter (née Geddes).jpg|''[[Portrait of Richard Parkes Bonington]]'', c.1830
File:Margaret Sarah Carpenter Portrait of Harriet Countess Howe.jpg|''[[Portrait of Countess Howe]]'', 1834
File:Ada LovelaceFXD.jpg|''[[Portrait of Ada Lovelace]]'', 1836
File:Henrietta Carpenter by Margaret Sarah Carpenter.jpg|Henrietta Carpenter, 1839
File:A Mother and Child).jpg|A mother and a child, 1841
File:John Bird Sumner by Margaret Sarah Carpenter (née Geddes).jpg|[[John Bird Sumner]], 1852
File:John Gibson by Margaret Sarah Carpenter (née Geddes).jpg|[[John Gibson (sculptor)|John Gibson]], 1857
</gallery>


==See also==
==See also==
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*[[Joanna Mary Boyce]]
*[[Joanna Mary Boyce]]
*[[Emily Mary Osborn]]
*[[Emily Mary Osborn]]
*[[Mary Martha Pearson]]
*[[Rolinda Sharples]]
*[[Rolinda Sharples]]
*[[Rebecca Solomon]]
*[[Rebecca Solomon]]
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[[Category:1793 births]]
[[Category:1793 births]]
[[Category:1872 deaths]]
[[Category:1872 deaths]]
[[Category:19th-century British women artists]]
[[Category:19th-century English women artists]]
[[Category:19th-century English painters]]
[[Category:19th-century English painters]]
[[Category:Burials at Highgate Cemetery]]
[[Category:English people of Scottish descent]]
[[Category:English people of Scottish descent]]
[[Category:English portrait painters]]
[[Category:English portrait painters]]
[[Category:English women painters]]
[[Category:People from Salisbury]]
[[Category:People from Salisbury]]
[[Category:Principal Painters in Ordinary]]
[[Category:Principal Painters in Ordinary]]
[[Category:19th-century English women]]
[[Category:Collins family (England)]]
[[Category:19th-century English people]]
[[Category:19th-century English women painters]]

Latest revision as of 07:45, 24 December 2024

Margaret Sarah Carpenter
Self-portrait, c. 1817
Born
Margaret Sarah Geddes

1793
Salisbury, England
Died13 November 1872(1872-11-13) (aged 78–79)
London, England
NationalityEnglish
Known forPortrait painting
SpouseWilliam Hookham Carpenter

Margaret Sarah Carpenter (née Geddes; 1793 – 13 November 1872) was an English painter. Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence. She was a close friend of Richard Parkes Bonington.

Early life

[edit]

Carpenter was born in Salisbury, the daughter of Captain Alexander Geddes, who was of an Edinburgh family, and Harriet Easton. She was taught art by a local drawing-master. Her first art studies were made from the pictures at Longford Castle, belonging to the Earl of Radnor.[1][2]

Career

[edit]
A young girl by Margaret Sarah Carpenter (1839)

In 1812, one of Carpenter's copies of the head of a boy was awarded a medal by the Society of Arts, who awarded her another medal in 1813, and a gold medal in 1814.[3] She went to London in 1814, and soon established her reputation as a fashionable portrait painter.[1] She exhibited a portrait of Lord Folkestone at the Royal Academy in 1814, and a picture entitled 'The Fortune Teller' at the British Institution. She exhibited regularly at the Royal Academy between 1818 and 1866.[2] Her painting The Lacemaker was on display at the 1857 Manchester Art Treasures exhibition.[4] She also exhibited at the British Institution and at the Suffolk Street Gallery.[2]

Of Carpenter's Head of a Polish Jew, exhibited at the British Institution in 1823, a reviewer wrote: "It very rarely happens that a specimen of art like this is produced from the hand of a lady: Here are colour, light, strength and effect, and anatomical drawing".[5] The painting was bought for 45 guineas by the Marquess of Stafford, an influential art patrons, who had previously bought her medal-winning painting of 1813. In December 2013 the picture resurfaced at auction (with some fire damage) and was purchased by a family relative for restoration.[6]

Ada Lovelace, painted portrait circa 1836
Portrait of Ada Lovelace by Margaret Sarah Carpenter

Among Carpenter's exhibited portraits were those of Sir H. Bunbury (1822), Lady Denbigh (1831), and Lady King (better known as Ada Lovelace) (1835). Her last work was a portrait of William Whewell. Three of her works are in the National Portrait Gallery collection in London, including portraits of her husband, Bonington and the sculptor John Gibson.[2] There are also several 'leaving portraits' by her in the collection at Eton College. Her portrait of 'The 2nd Lord de Tabley in Academic Robes' hangs in the dining room at Tabley House.[7] There is also one of her portraits at Frewen College, of Helen Louisa Frewen and her son Edward. Her "Portrait of a Lady" hangs in the Neill-Cochran House Museum in Austin, Texas.

Her portraits follow in the tradition of Lawrence, but Wood found them to be more fanciful and feminine character, particularly in her portraits of children.

Family

[edit]

In 1817, she married William Hookham Carpenter, Keeper of Prints and Drawings at the British Museum.[8] Their children included two noted painters, another William and Percy Carpenter, who both travelled and painted in the Indian subcontinent.[9] She introduced her sister Harriet to the young painter William Collins. They eventually married, making Margaret the aunt to Wilkie Collins, novelist and friend to Charles Dickens.[10] On her husband's death in 1866, she was given an annual pension of £100 by Queen Victoria.[1] This award was partly based on her husband's service, but also in recognition of her own artistic merits.

She died in London on 13 November 1872, in her 80th year,[citation needed] and was buried with her husband on the western side of Highgate Cemetery. The grave (plot no.14768) no longer has a headstone. Their daughter Henrietta was buried in the same grave in 1895.

[edit]

See also

[edit]
English women painters from the early 19th century who exhibited at the Royal Academy of Art also included

Notes

[edit]
  1. ^ a b c Brian Stewart & Mervyn Cutten (1997). The Dictionary of Portrait Painters in Britain up to 1920. Antique Collectors' Club. ISBN 1-85149-173-2.
  2. ^ a b c d Christopher Wood (1978). The Dictionary of Victorian Painters. Antique Collectors' Club. ISBN 0-902028-72-3.
  3. ^ Smith, Richard J, Margaret Sarah Carpenter, A Brief Biography, Salisbury & South Wiltshire Museum, 1993
  4. ^ Manchester Art Treasures Exhibition (1857). Catalogue of the Art Treasures of the United Kingdom. London: Bradbury and Evans. p. 99.
  5. ^ Whitley, W.T, Art in England 1821-1837, Cambridge, 1930
  6. ^ The Literary Gazette of Belles Lettres, Arts and Sciences; Volume 7, p.268, 1823
  7. ^ Completed by July 1831 according to a letter of 2nd. Lord de Tabley's guardian Thomas Lister Parker, addressed to Rev. Dr. William Jackson, then de Tabley's tutor; in an earlier letter dated 1 June 1831 Parker refers to 'Mr Carpenter', suggesting he was uninformed as to the artist's sex.
  8. ^ Carpenter, William Hookham (1887). "Carpenter, William Hookham" . In Stephen, Leslie (ed.). Dictionary of National Biography. Vol. 09. London: Smith, Elder & Co.
  9. ^ The Golden Temple at Amritsar, William Carpenter, Feb. 1854, Victoria and Albert Museum, ref IS.50–1882, accessed July 2010
  10. ^ The King of Inventors. Catherine Peters

References

[edit]
[edit]
Wikimedia Commons has media related to Margaret Carpenter.
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