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'''Henri Paul Royer''' (22 January 1869, [[Nancy, France|Nancy]] – 31 October 1938, [[Neuilly-sur-Seine]]) was a French painter, remembered especially for his [[genre painting|genre works]] from [[Brittany]].
'''Henri Paul Royer''' (22 January 1869 – 31 October 1938) was a French painter, remembered especially for his [[genre painting|genre works]] from [[Brittany]]. A painter of genre, portraitist and landscape artist, he travelled throughout America and Europe during his life.

Painter of genre, portraitist and landscape artist, he travels both in America and Europe during his life.


== Biography ==
== Biography ==
[[File:Henri Royer Paysanne au tombeau.jpg|thumb|right|Henri Royer:''Paysanne au tombeau'']]
[[File:Henri Royer Paysanne au tombeau.jpg|thumb|right|Henri Royer: ''Paysanne au tombeau'']]
Henri Royer is the son of Jules Royer (1845-1900), creator of one of the most important lithographic printing works established in Nancy, rue de la Salpêtrière<ref>{{Harvsp|Réunion des Musées Nationaux|1999|p=264}}</ref>. Raised in the art world from a young age, Royer joined the Nancy School of Fine Arts where he met [[Émile Friant]]<ref>{{Harvsp|Conseil des musées nationaux|2002|p=91}}</ref>. He attended the classes of Antoine Vierling and [[Louis-Théodore Devilly]]<ref>{{Harvsp|Société lorraine des amis des arts|1903|p=84}}</ref> and exhibited his first works at the Salon de Nancy, including ''Fight between two young typos'' and ''Young plasterer''. These early successes prompt his parents and teachers to encourage a study trip to Holland with Friant, who would then influence Royer<ref>{{Harvsp|Société lorraine des amis des arts|1903|p=84-85}}</ref>.
Royer was born in [[Nancy, France|Nancy]]. He was the son of Jules Royer (1845–1900), the founder of one of Nancy's most significant lithographic printing establishments located on Rue de la Salpêtrière.<ref>{{Harvsp|Réunion des Musées Nationaux|1999|p=264}}</ref> Raised in the art world from a young age, Royer enrolled at the Nancy School of Fine Arts, where he met [[Émile Friant]].<ref>{{Harvsp|Conseil des musées nationaux|2002|p=91}}</ref> Under the tutelage of Antoine Vierling and [[Louis-Théodore Devilly]],<ref>{{Harvsp|Société lorraine des amis des arts|1903|p=84}}</ref> he showcased his initial artworks at the Salon de Nancy, including ''Fight between two young typos'' and ''Young plasterer''. These early successes prompted his parents and teachers to encourage a study trip to Holland with Friant, who subsequently left a lasting impact on Royer.<ref>{{Harvsp|Société lorraine des amis des arts|1903|pp=84–85}}</ref>


At his return in 1888, and after attending the [[École des Beaux-Arts]] in Paris, in 1890 he continued his studies at the [[Académie Julian]] under [[Jules Joseph Lefebvre]] and [[François Flameng]]. He exhibited regularly at the [[Paris Salon]], specializing in genre paintings and portraits. As a portraitist, he encountered many famous figures from the aristocracy, politics, diplomacy, science and the arts. As a result, his critics described him as one of [[Jean Auguste Dominique Ingres|Ingres]]' disciples.<ref name=audierne> [http://www.audierne.fr/indexfr.php?rubrique=decouvrir_patrimoinecollection "La collection municipale"], ''Ville d'Audierne''. {{in lang|fr}} Retrieved 2 May 2012.</ref>
After his return in 1888, Royer furthered his studies at the [[École des Beaux-Arts]] in Paris. In 1890, he continued his studies at the [[Académie Julian]] under the guidance of [[Jules Joseph Lefebvre]] and [[François Flameng]]. Royer became a regular exhibitor at the [[Paris Salon]], specializing in genre paintings and portraits. As a portraitist, he encountered many famous figures from the aristocracy, politics, diplomacy, science and the arts. As a result, his critics described him as one of [[Jean Auguste Dominique Ingres|Ingres]]' disciples.<ref name=audierne>[http://www.audierne.fr/indexfr.php?rubrique=decouvrir_patrimoinecollection "La collection municipale"], {{Webarchive|url=https://web.archive.org/web/20111130154402/http://www.audierne.fr/indexfr.php?rubrique=decouvrir_patrimoinecollection |date=2011-11-30 }} Ville d'Audierne. {{in lang|fr}} Retrieved 2 May 2012.</ref>
[[File:Royer_Henri_(1869-1938)_-_Famille_bretonne_en_prière_devant_l'église_de_Pont-Croix_et_coiffe_du_Cap-Sizun,_Sanguine_et_crayon,_47_x_53_cm.png|thumb|left|''Family from Brittany praying in front of the Pont-Croix Church'', 47x53cm]]
[[File:Royer_Henri_(1869-1938)_-_Famille_bretonne_en_prière_devant_l'église_de_Pont-Croix_et_coiffe_du_Cap-Sizun,_Sanguine_et_crayon,_47_x_53_cm.png|thumb|left|''Family from Brittany praying in front of the Pont-Croix Church'', 47x53cm]]


In 1896, together with his wife, he arrived in Brittany, where he was to spend long periods for the rest of his life, especially in and around [[Audierne]]. Unlike other artists, he was above all interested in the people rather than the scenery. In order to become closer to them, he even learnt to speak Breton. His paintings reveal careful attention to their costumes. A devout Catholic, he also painted religious subjects including solitary figures at prayer.<ref name=audierne/>
In 1896, accompanied by his wife, he arrived in Brittany, here he would spend much of his life, particularly in the vicinity of [[Audierne]]. Unlike other artists, his primary interest lay in the people, rather than the scenery. In order to become closer to them, he even learnt to speak [[Breton language|Breton]]. His paintings reveal careful attention to their costumes. As a devout Catholic, he also painted religious subjects, such as solitary figures in prayer.<ref name=audierne/>


Royer taught at the Académie Julian <ref>(fr) [http://gallica.bnf.fr/ark:/12148/bpt6k96298434/f101.item.r=%22Acad%C3%A9mie%20Julian%22.zoom ''Revue générale de l'Exposition de Nancy, 1909'', p. 89]</ref> and at the École des Beaux-Arts. Among his many students were [[Georgina de Albuquerque|Georgina]] and [[Lucilio de Albuquerque]], [[Frédéric Fiebig|Fréderic Fiebig]], [[Jacques Majorelle]], [[Thérèse Geraldy]] and [[Émile Louis Picault]].
Royer taught at the Académie Julian<ref>[http://gallica.bnf.fr/ark:/12148/bpt6k96298434/f101.item.r=%22Acad%C3%A9mie%20Julian%22.zoom ''Revue générale de l'Exposition de Nancy, 1909''], p. 89 {{in lang|fr}}</ref> and at the École des Beaux-Arts. Among his many students were [[Georgina de Albuquerque|Georgina]] and [[Lucilio de Albuquerque]], [[Frédéric Fiebig|Fréderic Fiebig]], [[Jacques Majorelle]], [[Thérèse Geraldy]] and [[Émile Louis Picault]].


When the First World War broke out, he was first incorporated into the 41st Infantry Regiment. He was awarded the [[Croix de Guerre]] on November 17, 1915, and the [[Military Cross]] on August 10, 1916. Thereafter, Henri Royer joined the 1st Regiment of Engineering camouflage section on November 1, 1916<ref>{{Harvsp|Thiery|2007|p=24}}</ref>{{,}}<ref name="Leonore">[http://www.culture.gouv.fr/public/mistral/leonore_fr?ACTION=RETROUVER&FIELD_1=Cnoms&VALUE_1=royer&FIELD_2=PRENOMS&VALUE_2=henri&FIELD_3=DATE-NSS&VALUE_3=&FIELD_4=LIEU-NSS&VALUE_4=&FIELD_5=Nom%20de%20jeune%20fille&VALUE_5=&FIELD_6=SEXE&VALUE_6=%20&FIELD_7=COTE&VALUE_7=&NUMBER=11&GRP=0&REQ=%28%28royer%29%20%3aNOM%2cNOM2%2cNOM-JF%2cNOM-MARI%2cSURNOM%2cNOTES%20%20ET%20%20%28%28henri%29%20%3aPRENOMS%20%29%29&USRNAME=nobody&USRPWD=4%24%2534P&SPEC=9&SYN=1&IMLY=&MAX1=1&MAX2=1&MAX3=100&DOM=All Dossier de Légion d'honneur d'Henri Paul Royer]</ref> His work was part of the [[Art competitions at the 1932 Summer Olympics#Painting|painting event]] in the [[Art competitions at the 1932 Summer Olympics|art competition]] at the [[1932 Summer Olympics]].<ref>{{cite web|url=https://www.olympedia.org/athletes/920404 |title=Henri Royer |work=Olympedia |accessdate=2 August 2020}}</ref>
When the First World War broke out, he was first incorporated into the 41st Infantry Regiment. He was awarded the [[Croix de Guerre]] on 17 November 1915 and the [[Military Cross]] on 10 August 1916. Thereafter, he joined the 1st Regiment of Engineering camouflage section on 1 November 1916.<ref>{{Harvsp|Thiery|2007|p=24}}</ref><ref name="Leonore">[http://www.culture.gouv.fr/public/mistral/leonore_fr?ACTION=RETROUVER&FIELD_1=Cnoms&VALUE_1=royer&FIELD_2=PRENOMS&VALUE_2=henri&FIELD_3=DATE-NSS&VALUE_3=&FIELD_4=LIEU-NSS&VALUE_4=&FIELD_5=Nom%20de%20jeune%20fille&VALUE_5=&FIELD_6=SEXE&VALUE_6=%20&FIELD_7=COTE&VALUE_7=&NUMBER=11&GRP=0&REQ=%28%28royer%29%20%3aNOM%2cNOM2%2cNOM-JF%2cNOM-MARI%2cSURNOM%2cNOTES%20%20ET%20%20%28%28henri%29%20%3aPRENOMS%20%29%29&USRNAME=nobody&USRPWD=4%24%2534P&SPEC=9&SYN=1&IMLY=&MAX1=1&MAX2=1&MAX3=100&DOM=All Dossier de Légion d'honneur d'Henri Paul Royer]</ref> His work was part of the [[Art competitions at the 1932 Summer Olympics#Painting|painting event]] in the [[Art competitions at the 1932 Summer Olympics|art competition]] at the [[1932 Summer Olympics]].<ref>{{cite web|url=https://www.olympedia.org/athletes/920404 |title=Henri Royer |work=Olympedia |accessdate=2 August 2020}}</ref>


He was promoted officer of the [[Legion of Honor]] on August 11, 1931<ref name="Leonore"/>. He died seven years later, on October 31, 1938.
He was promoted to officer of the [[Legion of Honor]] on 11 August 1931.<ref name="Leonore"/> He died seven years later, in [[Neuilly-sur-Seine]], on 31 October 1938.


== Signature ==
== Signature ==
He signed his artwork '''Henri Royer'''.<ref>[http://www.findartinfo.com/english/0/0/artist-signatures/page/37148.html Henri Paul Royer Signature on Find Art Info]</ref>
He signed his artwork '''Henri Royer'''.<ref>[http://www.findartinfo.com/english/0/0/artist-signatures/page/37148.html Henri Paul Royer Signature] on ''Find Art Info''</ref>


== Students ==
== Students ==
Professor at the [[Académie Julian]] in Paris and at the [[École des Beaux-Arts]] in Paris, Henri Royer counted many students in his studio.
A teacher at the [[Académie Julian]] in Paris and at the [[École des Beaux-Arts]] in Paris, Henri Royer had many students in his studio.

[[File:Henri Royer Ex-voto.jpg|thumb|''The Ex-voto'' (1898), [[musée des beaux-arts de Quimper]].]]
[[File:Henri Royer Ex-voto.jpg|thumb|''The Ex-voto'' (1898), [[musée des beaux-arts de Quimper]].]]
[[File:Henri Royer la clairière aux légendes.jpg|thumb|''The Meadow of legends'', musée des beaux-arts de Brest]]
[[File:Henri Royer la clairière aux légendes.jpg|thumb|''The Meadow of legends'', musée des beaux-arts de Brest]]
Line 41: Line 38:


=== At the Académie Julian ===
=== At the Académie Julian ===
<!-- non-exhaustive list, in alphabetical order -->
<!-- non-exhaustive list, in alphabetical order -->
* Gustave Alaux (1887-1965)
* Gustave Alaux (1887–1965)
* [[Georgina de Albuquerque]] (1885-1962)
* [[Georgina de Albuquerque]] (1885–1962)
* [[Raoul Barré]] (1896)
* [[Raoul Barré]] (1896)
* Maurice Alexandre Berthon (1888-1914)
* Maurice Alexandre Berthon (1888–1914)
* Henri Blahay (1869-1941)
* Henri Blahay (1869–1941)
* Albert Braïtou-Sala (1885-1972)
* Albert Braïtou-Sala (1885–1972)
* [[Étienne Buffet]] (1866-1948)
* [[Étienne Buffet]] (1866–1948)
* [[Frédéric Fiebig]] (1885-1953)
* [[Frédéric Fiebig]] (1885–1953)
* [[Thérèse Geraldy]] (1884-1965)
* [[Thérèse Geraldy]] (1884–1965)
* [[Léonie Humbert-Vignot]] (1878-1960)
* [[Léonie Humbert-Vignot]] (1878–1960)
* [[Georges Lebacq]] (1876-1950)
* [[Georges Lebacq]] (1876–1950)
* [[Jacques Majorelle]] (1886-1962)
* [[Jacques Majorelle]] (1886–1962)


=== Unlocated workshop ===
=== Unlocated workshop ===
<!-- non-exhaustive list, in alphabetical order -->
<!-- non-exhaustive list, in alphabetical order -->
* [[Lucílio de Albuquerque]] (1877-1939)
* [[Lucílio de Albuquerque]] (1877–1939)
* [[Caroline Helena Armington]] (1875-1939)
* [[Caroline Helena Armington]] (1875–1939)
* [[Frank Armington]] (1876-1941)
* [[Frank Armington]] (1876–1941)
* Diógenes Campos Ayres (1881-1944)
* Diógenes Campos Ayres (1881–1944)
* Jeanne-Marie Barbey (1876-1961)
* Jeanne-Marie Barbey (1876–1961)
* Teodoro Braga (1872-1935)
* Teodoro Braga (1872–1935)
* Henri-Georges Bréard (1873-1950)
* Henri-Georges Bréard (1873–1950)
* Rodolfo Chambelland (1879-1967)
* Rodolfo Chambelland (1879–1967)
* Roberto Colin
* Roberto Colin
* Frederick Garrison Hall (1879-1946)
* Frederick Garrison Hall (1879–1946)
* Mildred Jones (1899-1991)
* Mildred Jones (1899–1991)
* Chas Laborde (1886-1941)
* Chas Laborde (1886–1941)
* Eric Spencer Macky (1880-1958)
* [[Eric Spencer Macky]] (1880–1958)
* Jeanne Louise Jacontot Mahudez (1876-1956)
* Jeanne Louise Jacontot Mahudez (1876–1956)
* Marthe Orant (1874-1957)
* Marthe Orant (1874–1957)
* [[Émile Picault]] (1833-1915)
* [[Émile Picault]] (1833–1915)
* [[André Prévot-Valéri]] (1890–1959)<ref>Société des artistes français (1928), p. 82.</ref>
* Jean Scherbeck (1898-1989)
* Jean Scherbeck (1898–1989)
* [[William Posey Silva]] (1859-1948)
* [[William Posey Silva]] (1859–1948)
* Henry Solon (1873-1958)
* Valle Júnior (1889-1958)
* Henry Solon (1873–1958)
* Valle Júnior (1889–1958)


== Expositions ==
== Expositions ==
* In 2008, an exhibition is organized in [[Audierne]] to pay tribute to the painter.
* In 2008, an exhibition was organized in Audierne to pay tribute to Royer.


== References ==
== References ==
Line 85: Line 83:


== Sources and bibliography ==
== Sources and bibliography ==
⚫
{{commons category}}
=== Bibliography ===
=== Bibliography ===
* ''Le Pays lorrain'' / Henri Royer; Garcot M., Gaudel H., Thiry J.; Berger-Levrault, Nancy; N°7 de juillet 1939; ISSN 0031-3394
* ''Le Pays lorrain'' / Henri Royer; Garcot M., Gaudel H., Thiry J.; Berger-Levrault, Nancy; N°7 de juillet 1939; ISSN 0031-3394
* ''Hommage de la Lorraine à la France : à l'occasion du bicentenaire de leur réunion, 1766-1966''; [[Académie de Stanislas]]; Berger-Levrault, Nancy; 1966; (368 pages); Notice n° : FRBNF31766545
* ''Hommage de la Lorraine à la France : à l'occasion du bicentenaire de leur réunion, 1766-1966''; [[Académie de Stanislas]]; Berger-Levrault, Nancy; 1966; (368 pages); Notice n° : FRBNF31766545
* ''Montmartre and the Making of Mass Culture''; Gabriel P. Weisberg, Karal Ann Marling; Rutgers University Press, London; 2001; (296 pages); {{ISBN|0-8135-3008-3}}
* Gabriel P. Weisberg, Karal Ann Marling; ''Montmartre and the Making of Mass Culture''; Rutgers University Press, London; 2001; (296 pages); {{ISBN|0-8135-3008-3}}
* ''Peinture et Art Nouveau: L'École de Nancy''; Réunion des musées nationaux, Paris; 1999; (159 pages); {{ISBN|2-7118-3839-0}}
* {{cite book |ref={{harvid|Réunion des Musées Nationaux|1999}} |title=Peinture et art nouveau: l'École de Nancy [exposition], Musée des beaux-arts de Nancy, 24 avril-26 juillet 1999 |date=1999 |publisher=Réunion des musées nationaux |location=Paris |isbn=2-7118-3839-0}}
* ''Men and Memories, a History of the Arts 1872- 1922, Being the Recollections of William Rothenstein''; Rothenstein, William; Tudor Pub. Co., New York; 1924; OLC: 19014724, republished by Kessinger Publishing; 2005; (504 pages); {{ISBN|141793705X}}
* Rothenstein, William; ''Men and Memories, a History of the Arts 1872- 1922, Being the Recollections of William Rothenstein''; Tudor Pub. Co., New York; 1924; OLC: 19014724, republished by Kessinger Publishing; 2005; (504 pages); {{ISBN|141793705X}}
* Société des Artistes Français. [https://gallica.bnf.fr/ark:/12148/bpt6k3047703h/f23 ''Salon de 1928: Exposition Annuelle des Beaux-Arts''], 1928.

* {{cite magazine |author=Société lorraine des amis des arts |title=Nos exposants : Henri Royer |magazine=Bulletin des sociétés artistiques de l'Est |date=January 1903 |issue=1 |publisher=Imprimerie coopérative de l'Est |pages=84–88 |url=https://gallica.bnf.fr/ark:/12148/bpt6k33480w/f88.image}}
=== External Links ===
* {{cite book |author=Conseil des musées nationaux |title=Revue du Louvre: la revue des musées de France |volume=52 |date=2002}}
⚫
{{commons category}}
* {{cite magazine |last=Thiery |first=Frédéric |title=La première veste de camouflage de guerre du monde » est inventée par Louis Guingot |magazine=Guerres mondiales et conflits contemporains |date=March 2007 |issue=227 |pages=7–21 |url=http://www.cairn.info/revue-guerres-mondiales-et-conflits-contemporains-2007-3-page-7.htm}}


⚫
{{Authority control (arts)}}


⚫
{{Authority control}}
{{DEFAULTSORT:Royer, Henri}}
{{DEFAULTSORT:Royer, Henri}}
[[Category:19th-century French painters]]
[[Category:19th-century French painters]]
[[Category:French male painters]]
[[Category:French male painters]]
[[Category:20th-century French painters]]
[[Category:20th-century French painters]]
[[Category:20th-century French male artists]]
[[Category:1869 births]]
[[Category:1869 births]]
[[Category:1938 deaths]]
[[Category:1938 deaths]]
[[Category:Faculty of the Académie Julian]]
[[Category:Academic staff of the Académie Julian]]
[[Category:People from Nancy, France]]
[[Category:Artists from Nancy, France]]
[[Category:French genre painters]]
[[Category:French genre painters]]
[[Category:Olympic competitors in art competitions]]
[[Category:19th-century French male artists]]

Latest revision as of 15:34, 26 December 2024

Henri Paul Royer
Henri Royer Painting on the Île de Sein, old postcard
Born(1869-01-22)22 January 1869
Nancy, France
Died31 October 1938(1938-10-31) (aged 69)
Neuilly-sur-Seine, France
OccupationPainter

Henri Paul Royer (22 January 1869 – 31 October 1938) was a French painter, remembered especially for his genre works from Brittany. A painter of genre, portraitist and landscape artist, he travelled throughout America and Europe during his life.

Biography

[edit]
Henri Royer: Paysanne au tombeau

Royer was born in Nancy. He was the son of Jules Royer (1845–1900), the founder of one of Nancy's most significant lithographic printing establishments located on Rue de la Salpêtrière.[1] Raised in the art world from a young age, Royer enrolled at the Nancy School of Fine Arts, where he met Émile Friant.[2] Under the tutelage of Antoine Vierling and Louis-Théodore Devilly,[3] he showcased his initial artworks at the Salon de Nancy, including Fight between two young typos and Young plasterer. These early successes prompted his parents and teachers to encourage a study trip to Holland with Friant, who subsequently left a lasting impact on Royer.[4]

After his return in 1888, Royer furthered his studies at the École des Beaux-Arts in Paris. In 1890, he continued his studies at the Académie Julian under the guidance of Jules Joseph Lefebvre and François Flameng. Royer became a regular exhibitor at the Paris Salon, specializing in genre paintings and portraits. As a portraitist, he encountered many famous figures from the aristocracy, politics, diplomacy, science and the arts. As a result, his critics described him as one of Ingres' disciples.[5]

Family from Brittany praying in front of the Pont-Croix Church, 47x53cm

In 1896, accompanied by his wife, he arrived in Brittany, here he would spend much of his life, particularly in the vicinity of Audierne. Unlike other artists, his primary interest lay in the people, rather than the scenery. In order to become closer to them, he even learnt to speak Breton. His paintings reveal careful attention to their costumes. As a devout Catholic, he also painted religious subjects, such as solitary figures in prayer.[5]

Royer taught at the Académie Julian[6] and at the École des Beaux-Arts. Among his many students were Georgina and Lucilio de Albuquerque, Fréderic Fiebig, Jacques Majorelle, Thérèse Geraldy and Émile Louis Picault.

When the First World War broke out, he was first incorporated into the 41st Infantry Regiment. He was awarded the Croix de Guerre on 17 November 1915 and the Military Cross on 10 August 1916. Thereafter, he joined the 1st Regiment of Engineering camouflage section on 1 November 1916.[7][8] His work was part of the painting event in the art competition at the 1932 Summer Olympics.[9]

He was promoted to officer of the Legion of Honor on 11 August 1931.[8] He died seven years later, in Neuilly-sur-Seine, on 31 October 1938.

Signature

[edit]

He signed his artwork Henri Royer.[10]

Students

[edit]

A teacher at the Académie Julian in Paris and at the École des Beaux-Arts in Paris, Henri Royer had many students in his studio.

The Ex-voto (1898), musée des beaux-arts de Quimper.
The Meadow of legends, musée des beaux-arts de Brest
In front of the sea (1935)

At the Académie Julian

[edit]

Unlocated workshop

[edit]

Expositions

[edit]
  • In 2008, an exhibition was organized in Audierne to pay tribute to Royer.

References

[edit]
  1. ^ Réunion des Musées Nationaux 1999, p. 264
  2. ^ Conseil des musées nationaux 2002, p. 91
  3. ^ Société lorraine des amis des arts 1903, p. 84
  4. ^ Société lorraine des amis des arts 1903, pp. 84–85
  5. ^ a b "La collection municipale", Archived 2011-11-30 at the Wayback Machine Ville d'Audierne. (in French) Retrieved 2 May 2012.
  6. ^ Revue générale de l'Exposition de Nancy, 1909, p. 89 (in French)
  7. ^ Thiery 2007, p. 24
  8. ^ a b Dossier de Légion d'honneur d'Henri Paul Royer
  9. ^ "Henri Royer". Olympedia. Retrieved 2 August 2020.
  10. ^ Henri Paul Royer Signature on Find Art Info
  11. ^ Société des artistes français (1928), p. 82.

Sources and bibliography

[edit]
Wikimedia Commons has media related to Henri Royer.

Bibliography

[edit]
  • Le Pays lorrain / Henri Royer; Garcot M., Gaudel H., Thiry J.; Berger-Levrault, Nancy; N°7 de juillet 1939; ISSN 0031-3394
  • Hommage de la Lorraine à la France : à l'occasion du bicentenaire de leur réunion, 1766-1966; Académie de Stanislas; Berger-Levrault, Nancy; 1966; (368 pages); Notice n° : FRBNF31766545
  • Gabriel P. Weisberg, Karal Ann Marling; Montmartre and the Making of Mass Culture; Rutgers University Press, London; 2001; (296 pages); ISBN 0-8135-3008-3
  • Peinture et art nouveau: l'École de Nancy [exposition], Musée des beaux-arts de Nancy, 24 avril-26 juillet 1999. Paris: Réunion des musées nationaux. 1999. ISBN 2-7118-3839-0.
  • Rothenstein, William; Men and Memories, a History of the Arts 1872- 1922, Being the Recollections of William Rothenstein; Tudor Pub. Co., New York; 1924; OLC: 19014724, republished by Kessinger Publishing; 2005; (504 pages); ISBN 141793705X
  • Société des Artistes Français. Salon de 1928: Exposition Annuelle des Beaux-Arts, 1928.
  • Société lorraine des amis des arts (January 1903). "Nos exposants : Henri Royer". Bulletin des sociétés artistiques de l'Est. No. 1. Imprimerie coopérative de l'Est. pp. 84–88.
  • Conseil des musées nationaux (2002). Revue du Louvre: la revue des musées de France. Vol. 52.
  • Thiery, Frédéric (March 2007). "La première veste de camouflage de guerre du monde » est inventée par Louis Guingot". Guerres mondiales et conflits contemporains. No. 227. pp. 7–21.
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