Irmgard Seefried: Difference between revisions
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{{Short description|German soprano (1919–1988)}} |
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[[File:Irmgard Seefried (1962).jpg|thumb|Irmgard Seefried (1962)]] |
[[File:Irmgard Seefried (1962).jpg|thumb|Irmgard Seefried (1962)]] |
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{{ external media|float=right|width=230px|audio1=You may hear Irmgard Seefried singing in [[Wolfgang Amadeus Mozart]]'s opera ''[[The Marriage of Figaro]] K. 492'' with the [[RIAS Symphony Orchestra]] conducted by [[Ferenc Fricsay]] in 1961 [https://archive.org/details/MozartLeNozzeDiFigaroFricsay/11.+Act+1+-+Va+l%C3%A0%2C+vecchia+pedante+-+Susannetta%2C+sei+tu.ogg '''Here on archive.org''']}} |
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'''Irmgard Seefried''' (9 October 1919{{spaced ndash}}24 November 1988) was a distinguished German [[soprano]] who sang [[opera]] and [[lied]]er. |
'''Irmgard Seefried''' (9 October 1919{{spaced ndash}}24 November 1988) was a distinguished German [[soprano]] who sang [[opera]], sacred music, and [[lied]]er. |
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Maria Theresia Irmgard Seefried was born in |
Maria Theresia Irmgard Seefried was born in {{interlanguage link|Köngetried|WD=Q1795917}}, near [[Mindelheim]], [[Bavaria]], [[Germany]], the daughter of educated Austrian-born parents. She studied at [[Augsburg]] University before making her debut in [[Aachen]] as the priestess in [[Giuseppe Verdi|Verdi]]'s ''[[Aida]]'' in 1940. She began to sing leading parts in 1942 (Agathe in [[Carl Maria von Weber|Weber]]'s ''[[Der Freischütz]]'' in 1942, and the next year she made her debut at [[Vienna State Opera]] with Eva in [[Richard Wagner|Wagner]]'s ''[[Die Meistersinger von Nürnberg]]'' conducted by [[Karl Böhm]]). From then on, she remained with the State Opera until her retirement in 1976. |
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She sang at the [[Salzburg Festival]] every year from 1946 to 1964 (except 1955, 1961 and 1962) in operas (Susanna in ''[[The Marriage of Figaro]]'', Fiordiligi in ''[[Così fan tutte]]'', Zerlina in ''[[Don Giovanni]]'', Pamina in ''[[The Magic Flute]]'', Marzelline in ''[[Fidelio]]'' |
She sang at the [[Salzburg Festival]] every year from 1946 to 1964 (except 1955, 1961 and 1962) in operas (Susanna in ''[[The Marriage of Figaro]]'', Fiordiligi in ''[[Così fan tutte]]'', Zerlina in ''[[Don Giovanni]]'', Pamina in ''[[The Magic Flute]]'', Marzelline in ''[[Fidelio]]'' and the Composer in ''[[Ariadne auf Naxos]]''), concerts and recitals. |
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She appeared at the [[Royal Opera House]], Covent Garden in [[London]] from 1947 to 1949, and also [[La Scala]] in [[Milan]], the [[Edinburgh Festival]], etc. She made her [[Metropolitan Opera]] in [[New York City]] debut in November 1953 as Susanna in [[Wolfgang Amadeus Mozart|Mozart]]'s '' |
She appeared at the [[Royal Opera House]], Covent Garden in [[London]] from 1947 to 1949, and also [[La Scala]] in [[Milan]], the [[Edinburgh Festival]], etc. She made her [[Metropolitan Opera]] in [[New York City]] debut in November 1953 as Susanna in [[Wolfgang Amadeus Mozart|Mozart]]'s ''Nozze di Figaro'' and appeared there for only one season (1953–54), in five performances, all as Susanna. |
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One of the outstanding singers to emerge immediately after the Second World War, she was noted for her Mozart and [[Richard Strauss]] roles. But she also sang in other composers' operas; the title role in [[Giacomo Puccini|Puccini]]'s ''[[Madama Butterfly]]'', Marie in [[Alban Berg]]'s ''[[Wozzeck]]'', Eva in ''Meistersinger'', Blanche in [[Francis Poulenc|Poulenc]]'s ''[[Dialogues of the Carmelites|Dialogues des Carmélites]]'', and the title role in [[Leoš Janáček|Janáček]]'s ''[[Káťa Kabanová]]''. She was also a noted |
One of the outstanding singers to emerge immediately after the Second World War, she was noted for her Mozart and [[Richard Strauss]] roles. But she also sang in other composers' operas; the title role in [[Giacomo Puccini|Puccini]]'s ''[[Madama Butterfly]]'', Marie in [[Alban Berg]]'s ''[[Wozzeck]]'', Eva in ''Meistersinger'', Blanche in [[Francis Poulenc|Poulenc]]'s ''[[Dialogues of the Carmelites|Dialogues des Carmélites]]'', and the title role in [[Leoš Janáček|Janáček]]'s ''[[Káťa Kabanová]]''. She was also a noted lieder singer, and a number of her Salzburg Festival recitals were recorded. She left many recordings of oratorio and sacred music by [[Johann Sebastian Bach|Bach]], Mozart, [[Joseph Haydn|Haydn]] (including at least four different renditions of the Archangel Gabriel in ''[[The Creation (Haydn)|Die Schöpfung]]''), [[Johannes Brahms|Brahms]], [[Gabriel Fauré|Fauré]], [[Ludwig van Beethoven|Beethoven]], [[Antonín Dvořák|Dvořák]], [[Giuseppe Verdi|Verdi]] and [[Igor Stravinsky|Stravinsky]]. |
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Although she was a high soprano, she performed, and recorded, both the [[ |
Although she was a high soprano, she performed, and recorded, both the [[breeches role|trouser roles]] of the Composer and Octavian in Richard Strauss's ''Ariadne auf Naxos'' and ''[[Der Rosenkavalier]]'', respectively. These roles are usually associated with weightier voices, and today are usually sung by mezzo-sopranos. |
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She often sang with [[Elisabeth Schwarzkopf]], who said in interview that Seefried was naturally able to |
She often sang with [[Elisabeth Schwarzkopf]], who said in interview that Seefried was naturally able to achieve results effortlessly which other singers, including Schwarzkopf herself, had to work hard to produce.<ref>{{Cite web|url=http://www.theoperaatelier.com/blog/interview-elisabeth-schwarzkopf/|archive-url=https://web.archive.org/web/20180105011342/http://www.theoperaatelier.com/blog/interview-elisabeth-schwarzkopf/|url-status=dead|archive-date=2018-01-05|title=An interview with Elisabeth Schwarzkopf | Operartly|date=5 January 2018}}</ref><ref>{{Cite web|url=https://www.naxos.com/person/Irmgard_Seefried/12513.htm|title=Irmgard Seefried- Bio, Albums, Pictures – Naxos Classical Music.|website=www.naxos.com}}</ref> |
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She can be seen singing [[Gustav Mahler|Mahler]] on a DVD from EMI, with Schwarzkopf and [[Dietrich Fischer-Dieskau]]. |
She can be seen singing [[Gustav Mahler|Mahler]] on a DVD from EMI, with Schwarzkopf and [[Dietrich Fischer-Dieskau]]. |
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<!-- Deleted image removed: [[File:Irmgaard Seefried 1968 on first of her acclaimed |
<!-- Deleted image removed: [[File:Irmgaard Seefried 1968 on first of her acclaimed southern Africa musical tours.png|thumb|left|Irmgard Seefried & accompanist Erik Werba 1968 on first of two acclaimed tours of southern Africa. Photo dedicated to Hans Adler, tour organizer.[http://classicalmusicianstoza.blogspot.ca/2014/06/irmgard-seefried-austrian-soprano.html]]] --> |
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She was married to |
She was married to Austrian violinist [[Wolfgang Schneiderhan (violinist)|Wolfgang Schneiderhan]], one of the concertmasters of the Vienna Philharmonic, from 1948 until her death.<ref>{{Cite web|url=https://www.independent.co.uk/news/obituaries/wolfgang-schneiderhan-729971.html|archive-url=https://web.archive.org/web/20110416083111/http://www.independent.co.uk/news/obituaries/wolfgang-schneiderhan-729971.html|url-status=dead|archive-date=16 April 2011|title=Independent obituary of Schneiderhan}}</ref> They had three daughters,<ref>{{Cite web|url=https://www.telegraph.co.uk/news/obituaries/1395128/Wolfgang-Schneiderhan.html|title=Wolfgang Schneiderhan Obituary|date=May 23, 2002|website=Telegraph}}</ref> one of whom is actress [[Mona Seefried]] (born 1957).{{cn |date=December 2024}} |
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After retirement, she taught students at Vienna Music |
After retirement, she taught students at the Vienna Academy of Music (Wiener Singakademie) and Salzburg [[Mozarteum University of Salzburg|Mozarteum]]. She died at 69 in Vienna in 1988. |
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== Bibliography == |
== Bibliography == |
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* ''The Last Prima Donnas'', by [[Lanfranco Rasponi]], |
* ''The Last Prima Donnas'', by [[Lanfranco Rasponi]], Knopf, 1982. {{ISBN|0-394-52153-6}} |
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*[http://www.operadis-opera-discography.org.uk/CLSISEEF.HTM Discography] (Capon's Lists of Opera Recordings) |
*[http://www.operadis-opera-discography.org.uk/CLSISEEF.HTM Discography] (Capon's Lists of Opera Recordings) |
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*[http://classicalmusicianstoza.blogspot.ca/2014/06/irmgard-seefried-austrian-soprano.html] Irmgard Seefried 1968, on first of two acclaimed tours of |
*[http://classicalmusicianstoza.blogspot.ca/2014/06/irmgard-seefried-austrian-soprano.html Celebrated musicians' concert tours of Southern Africa 1953–1978: Irmgard Seefried, Austrian Soprano.] Irmgard Seefried 1968, on first of two acclaimed tours of southern Africa |
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==References== |
==References== |
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<references/> |
<references/> |
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==External links== |
==External links== |
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* [https://www.youtube.com/watch?v=KUpVbInsYgI Video: Irmgard Seefried sings and conducts (YouTube)] |
* [https://www.youtube.com/watch?v=KUpVbInsYgI Video: Irmgard Seefried sings and conducts (YouTube)] |
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* [https://www.youtube.com/watch?v=m1Q19SIOuG4 Three Mozart Arias] |
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{{DEFAULTSORT:Seefried, Irmgard}} |
{{DEFAULTSORT:Seefried, Irmgard}} |
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[[Category:1919 births]] |
[[Category:1919 births]] |
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[[Category:1988 deaths]] |
[[Category:1988 deaths]] |
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[[Category:German |
[[Category:German operatic sopranos]] |
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[[Category:Lieder singers]] |
[[Category:Lieder singers]] |
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[[Category:German people of Austrian descent]] |
[[Category:German people of Austrian descent]] |
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[[Category: |
[[Category:20th-century German women opera singers]] |
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[[Category:Commanders Crosses of the Order of Merit of the Federal Republic of Germany]] |
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[[Category:German sopranos]] |
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[[Category:20th-century opera singers]] |
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[[Category:20th-century German musicians]] |
Latest revision as of 03:22, 28 December 2024
This article needs additional citations for verification. (December 2024) |
External audio | |
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You may hear Irmgard Seefried singing in Wolfgang Amadeus Mozart's opera The Marriage of Figaro K. 492 with the RIAS Symphony Orchestra conducted by Ferenc Fricsay in 1961 Here on archive.org |
Irmgard Seefried (9 October 1919 – 24 November 1988) was a distinguished German soprano who sang opera, sacred music, and lieder.
Maria Theresia Irmgard Seefried was born in Köngetried , near Mindelheim, Bavaria, Germany, the daughter of educated Austrian-born parents. She studied at Augsburg University before making her debut in Aachen as the priestess in Verdi's Aida in 1940. She began to sing leading parts in 1942 (Agathe in Weber's Der Freischütz in 1942, and the next year she made her debut at Vienna State Opera with Eva in Wagner's Die Meistersinger von Nürnberg conducted by Karl Böhm). From then on, she remained with the State Opera until her retirement in 1976.
She sang at the Salzburg Festival every year from 1946 to 1964 (except 1955, 1961 and 1962) in operas (Susanna in The Marriage of Figaro, Fiordiligi in Così fan tutte, Zerlina in Don Giovanni, Pamina in The Magic Flute, Marzelline in Fidelio and the Composer in Ariadne auf Naxos), concerts and recitals.
She appeared at the Royal Opera House, Covent Garden in London from 1947 to 1949, and also La Scala in Milan, the Edinburgh Festival, etc. She made her Metropolitan Opera in New York City debut in November 1953 as Susanna in Mozart's Nozze di Figaro and appeared there for only one season (1953–54), in five performances, all as Susanna.
One of the outstanding singers to emerge immediately after the Second World War, she was noted for her Mozart and Richard Strauss roles. But she also sang in other composers' operas; the title role in Puccini's Madama Butterfly, Marie in Alban Berg's Wozzeck, Eva in Meistersinger, Blanche in Poulenc's Dialogues des Carmélites, and the title role in Janáček's Káťa Kabanová. She was also a noted lieder singer, and a number of her Salzburg Festival recitals were recorded. She left many recordings of oratorio and sacred music by Bach, Mozart, Haydn (including at least four different renditions of the Archangel Gabriel in Die Schöpfung), Brahms, Fauré, Beethoven, Dvořák, Verdi and Stravinsky.
Although she was a high soprano, she performed, and recorded, both the trouser roles of the Composer and Octavian in Richard Strauss's Ariadne auf Naxos and Der Rosenkavalier, respectively. These roles are usually associated with weightier voices, and today are usually sung by mezzo-sopranos.
She often sang with Elisabeth Schwarzkopf, who said in interview that Seefried was naturally able to achieve results effortlessly which other singers, including Schwarzkopf herself, had to work hard to produce.[1][2]
She can be seen singing Mahler on a DVD from EMI, with Schwarzkopf and Dietrich Fischer-Dieskau.
She was married to Austrian violinist Wolfgang Schneiderhan, one of the concertmasters of the Vienna Philharmonic, from 1948 until her death.[3] They had three daughters,[4] one of whom is actress Mona Seefried (born 1957).[citation needed]
After retirement, she taught students at the Vienna Academy of Music (Wiener Singakademie) and Salzburg Mozarteum. She died at 69 in Vienna in 1988.
Bibliography
[edit]- The Last Prima Donnas, by Lanfranco Rasponi, Knopf, 1982. ISBN 0-394-52153-6
- Discography (Capon's Lists of Opera Recordings)
- Celebrated musicians' concert tours of Southern Africa 1953–1978: Irmgard Seefried, Austrian Soprano. Irmgard Seefried 1968, on first of two acclaimed tours of southern Africa
References
[edit]- ^ "An interview with Elisabeth Schwarzkopf | Operartly". 5 January 2018. Archived from the original on 5 January 2018.
- ^ "Irmgard Seefried- Bio, Albums, Pictures – Naxos Classical Music". www.naxos.com.
- ^ "Independent obituary of Schneiderhan". Archived from the original on 16 April 2011.
- ^ "Wolfgang Schneiderhan Obituary". Telegraph. 23 May 2002.