Abdul Wahid Khan: Difference between revisions
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{{Infobox musical artist |
{{Infobox musical artist |
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| name = Ustad Abdul Wahid Khan |
| name = Ustad Abdul Wahid Khan |
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'''Ustad Abdul Wahid Khan''' (1871–1949) was an [[Indian classical music|Indian subcontinental singer]] from the [[Kirana gharana]]. He died in 1949 in [[Saharanpur]], India. |
'''Ustad Abdul Wahid Khan''' (1871–1949) was an [[Indian classical music|Indian subcontinental singer]] from the [[Kirana gharana]]. He died in 1949 in [[Saharanpur]], India.<ref name=parrikar>[https://www.parrikar.org/vpl/?page_id=335 Profile of Ustad Abdul Wahid Khan on parrikar.org website] Retrieved 12 January 2022</ref> |
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==Early life and background== |
==Early life and background== |
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Ustad Abdul Wahid Khan was born in [[Kairana|Kirana]], Uttar Pradesh in 1871.<ref name=ITC>[ |
Ustad Abdul Wahid Khan was born in [[Kairana|Kirana]], Uttar Pradesh in 1871.<ref name=ITC>[https://www.itcsra.org/TreasurePast.aspx?TreasuresId=14 Treasures from the Past – Abdul Wahid Khan (Profile of Abdul Wahid Khan on ITC Sangeet Research Academy website)] Retrieved 12 January 2022</ref> The town of Kirana was home to many families of musicians from the Mughal court, who migrated from Delhi after the [[Mughal Empire]] fell in 1857. Kirana gharana's three disciplines are [[rudraveena]], [[sarangi]] and vocals.<ref name=IndianExpress/> |
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Ustad Abdul Wahid Khan initially learned vocal and sarangi from his father, Ustad Abdul Majid Khan. Around age 12, he moved to Kolhapur to learn from Ustad Langde Haider Baksh Khan, a disciple of Mian Bande Ali Khan, a famous master of [[veena]] and vocal music.<ref name=ITC/> |
Ustad Abdul Wahid Khan initially learned vocal and sarangi from his father, Ustad Abdul Majid Khan. Around age 12, he moved to Kolhapur to learn from Ustad Langde Haider Baksh Khan, a disciple of Mian Bande Ali Khan, a famous master of [[veena]] and vocal music.<ref name=ITC/> |
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Ustad Abdul Wahid Khan founded the [[Kirana gharana]] musical family with his cousin [[Ustad Abdul Karim Khan]] in the late 19th century.<ref name= |
Ustad Abdul Wahid Khan founded the [[Kirana gharana]] musical family with his cousin [[Ustad Abdul Karim Khan]] in the late 19th century.<ref name=IndianExpress>{{cite news|url=https://indianexpress.com/article/india/india-news-india/the-others-who-left-kairana-many-decades-ago-2878375/ |title=The others who left Kairana, many decades ago (Abdul Wahid Khan)|newspaper=The Indian Express (newspaper)|date=27 June 2016|author=Sanghamitra Mazumdar|access-date=12 January 2022}}</ref> Ustad Abdul Karim Khan had married Ustad Abdul Wahid Khan's sister, Ghafooran Bibi. The relationship between Abdul Wahid Khan and Abdul Karim Khan later soured when Abdul Karim neglected Ghafooran Bibi and married his student, Tarabai Mane. Abdul Wahid Khan's hearing was deficient and he was sometimes referred to as ''Behre Wahid Khan'' (Deaf Wahid Khan). Wahid Khan's son Ustad Hafizullah Khan was born in 1946. Hafizullah's uncles trained him in music, and he became a [[Sarangi]] player.<ref name=ITC/> |
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==Singing career== |
==Singing career== |
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{{Listen |
{{Listen |
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|filename = |
|filename = |
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|title = Raga Darbari Kanada |
|title = Raga Darbari Kanada |
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|description = the night raga [[Darbari Kanada]] |
|description = the night raga [[Darbari Kanada]] |
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|filename2 = |
|filename2 = |
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|title2 = Raga Multani |
|title2 = Raga Multani |
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|description2 = the afternoon raga [[Multani (raga)|Multani]] |
|description2 = the afternoon raga [[Multani (raga)|Multani]] |
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|filename3 = |
|filename3 = |
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|title3 = Raga Patdip |
|title3 = Raga Patdip |
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|description3 = the afternoon raga Patdip |
|description3 = the afternoon raga Patdip |
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==Death and legacy== |
==Death and legacy== |
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Ustad Abdul Wahid Khan died as an Indian national in 1949 in [[Saharanpur]].<ref name=Sorrell/><ref name=Wade>{{cite book |title=Khyal: Creativity within North India's Classical Music Tradition |last=Wade |first=Bonnie C. |year=1984 |publisher=Cambridge University Press |isbn=0-521-25659-3 |page= |
Ustad Abdul Wahid Khan died as an Indian national in 1949 in [[Saharanpur]].<ref name=Sorrell/><ref name=Wade>{{cite book |title=Khyal: Creativity within North India's Classical Music Tradition |last=Wade |first=Bonnie C. |year=1984 |publisher=Cambridge University Press |isbn=0-521-25659-3 |page=181, 188, 196, 210, 254, 281, 294 |url=https://books.google.com/books?id=MiE9AAAAIAAJ&q=Abdul+Wahid+Khan&pg=PA195}}</ref> Ustad Abdul Wahid Khan's students included Pandit Jaichand Bhatt (Khyal Singer), [[Sureshbabu Mane]], [[Hirabai Barodekar]], [[Begum Akhtar]], Saraswatibai Rane, [[Pran Nath (musician)|Pran Nath]], Sukhdev Prasad, [[Ram Narayan]], and [[Mohammed Rafi]]. {{See LMST|Abdul Wahid|Khan}} |
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Ustad Abdul Wahid Khan and Ustad Abdul Karim Khan's evolution of the ''vilambit khyal'' inspired Amir Khan to develop his trademark ''ati vilambit'' singing.<ref name=parrikar/> |
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Ustad Abdul Wahid Khan evolved the classical Hindustani music by extending recitals of a raga from approximately 20 minutes to up to an hour. Ustad Abdul Wahid Khan was one of the greatest icons of the Kirana |
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gharana.<ref name=ITC/><ref name=IndianExpress/> |
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==References== |
==References== |
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[[Category:1949 deaths]] |
[[Category:1949 deaths]] |
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[[Category:Hindustani singers]] |
[[Category:Hindustani singers]] |
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[[Category:Indian Muslims]] |
[[Category:19th-century Indian Muslims]] |
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[[Category:Indian male classical singers]] |
[[Category:19th-century Indian male classical singers]] |
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[[Category:Pakistani classical singers]] |
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[[Category:Pakistani classical musicians]] |
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[[Category:Pakistani music educators]] |
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[[Category:Muhajir people]] |
[[Category:Muhajir people]] |
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[[Category:Kirana gharana]] |
[[Category:Kirana gharana]] |
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[[Category:Vocal gharanas]] |
[[Category:Vocal gharanas]] |
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[[Category: |
[[Category:20th-century Indian male classical singers]] |
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[[Category:19th-century Indian singers]] |
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[[Category:20th-century Indian singers]] |
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[[Category:People from Muzaffarnagar]] |
[[Category:People from Muzaffarnagar]] |
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[[Category:Singers from Uttar Pradesh]] |
[[Category:Singers from Uttar Pradesh]] |
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[[Category:20th-century male singers]] |
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[[Category:19th-century male singers]] |
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[[Category:20th-century Khyal singers]] |
[[Category:20th-century Khyal singers]] |
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[[Category:Singers from British India]] |
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Latest revision as of 18:09, 3 January 2025
Ustad Abdul Wahid Khan | |
|---|---|
| Born | 1871 Kirana, British India |
| Died | 1949 (aged 77–78) Saharanpur, India |
| Genres | Indian Classical Music |
| Occupation(s) | Singer, Indian Classical Vocalist, One of the founder of Kirana Gharana of Classical Music |
Ustad Abdul Wahid Khan (1871–1949) was an Indian subcontinental singer from the Kirana gharana. He died in 1949 in Saharanpur, India.[1]
Early life and background
[edit]Ustad Abdul Wahid Khan was born in Kirana, Uttar Pradesh in 1871.[2] The town of Kirana was home to many families of musicians from the Mughal court, who migrated from Delhi after the Mughal Empire fell in 1857. Kirana gharana's three disciplines are rudraveena, sarangi and vocals.[3]
Ustad Abdul Wahid Khan initially learned vocal and sarangi from his father, Ustad Abdul Majid Khan. Around age 12, he moved to Kolhapur to learn from Ustad Langde Haider Baksh Khan, a disciple of Mian Bande Ali Khan, a famous master of veena and vocal music.[2]
Ustad Abdul Wahid Khan founded the Kirana gharana musical family with his cousin Ustad Abdul Karim Khan in the late 19th century.[3] Ustad Abdul Karim Khan had married Ustad Abdul Wahid Khan's sister, Ghafooran Bibi. The relationship between Abdul Wahid Khan and Abdul Karim Khan later soured when Abdul Karim neglected Ghafooran Bibi and married his student, Tarabai Mane. Abdul Wahid Khan's hearing was deficient and he was sometimes referred to as Behre Wahid Khan (Deaf Wahid Khan). Wahid Khan's son Ustad Hafizullah Khan was born in 1946. Hafizullah's uncles trained him in music, and he became a Sarangi player.[2]
Singing career
[edit]Ustad Abdul Wahid Khan forbade recordings of his performances to avoid imitation by other singers. Only three of his performances survived, recordings of the ragas Patdip, Multani, and Darbari Kanada, accompanied by Chatur Lal on tabla. They were preserved by music producer Jivan Lal Mattoo, who secretly recorded a radio broadcast in 1947, 2 years before his death, to document Khan's style.[4]
"Although a youthful prodigy of the Kolhapur court, remaining unchallenged after his public debut there at age 18, Ustad Abdul Wahid Khan had no inclination to spend time singing in the courts. Instead he lived a devout, reclusive life, singing in the presence of holy men and at the tombs of Sufi saints and only occasionally sang in public."[2]
Death and legacy
[edit]Ustad Abdul Wahid Khan died as an Indian national in 1949 in Saharanpur.[4][5] Ustad Abdul Wahid Khan's students included Pandit Jaichand Bhatt (Khyal Singer), Sureshbabu Mane, Hirabai Barodekar, Begum Akhtar, Saraswatibai Rane, Pran Nath, Sukhdev Prasad, Ram Narayan, and Mohammed Rafi. See: List of music students by teacher: K to M#Abdul Wahid Khan.
Ustad Abdul Wahid Khan and Ustad Abdul Karim Khan's evolution of the vilambit khyal inspired Amir Khan to develop his trademark ati vilambit singing.[1]
Ustad Abdul Wahid Khan evolved the classical Hindustani music by extending recitals of a raga from approximately 20 minutes to up to an hour. Ustad Abdul Wahid Khan was one of the greatest icons of the Kirana gharana.[2][3]
References
[edit]- ^ a b Profile of Ustad Abdul Wahid Khan on parrikar.org website Retrieved 12 January 2022
- ^ a b c d e Treasures from the Past – Abdul Wahid Khan (Profile of Abdul Wahid Khan on ITC Sangeet Research Academy website) Retrieved 12 January 2022
- ^ a b c Sanghamitra Mazumdar (27 June 2016). "The others who left Kairana, many decades ago (Abdul Wahid Khan)". The Indian Express (newspaper). Retrieved 12 January 2022.
- ^ a b Sorrell, Neil; Narayan, Ram (1980). Indian Music in Performance: a practical introduction. Manchester University Press. p. 16. ISBN 0-7190-0756-9.
- ^ Wade, Bonnie C. (1984). Khyal: Creativity within North India's Classical Music Tradition. Cambridge University Press. p. 181, 188, 196, 210, 254, 281, 294. ISBN 0-521-25659-3.