Julius Reubke: Difference between revisions
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{{Short description|German musician (1834–1858)}} |
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⚫ | '''Friedrich Julius Reubke''' (March |
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⚫ | '''Friedrich Julius Reubke''' (23 March 1834{{spaced ndash}}3 June 1858) was a German [[composer]], [[piano|pianist]] and [[Pipe organ|organist]]. In his short life, he composed the ''[[Sonata on the 94th Psalm]]'' in [[C minor]], which is considered to be one of the greatest [[pipe organ|organ]] works in the romantic repertoire. |
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==Biography== |
==Biography== |
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Born in [[Hausneindorf]], a small village in the region of the [[Harz Mountains]], Julius Reubke was the eldest son of [[pipe organ|organ]] and [[piano]] builder [[Adolf Reubke]] (1805-1875). Of Julius's five siblings, two brothers, Emil ( |
Born in [[Hausneindorf]], a small village in the region of the [[Harz Mountains]], Julius Reubke was the eldest son of [[pipe organ|organ]] and [[piano]] builder [[Adolf Reubke]] (1805-1875). Of Julius's five siblings, two brothers, Emil (1836–1884) and Karl (1840–1860), worked with their father; Emil became a partner in 1860 and owned the company from 1872. His brother Otto (1842–1913) was also a pianist, organist and composer; he prepared the ''Sonata on the 94th Psalm'' for its first publication in August 1871. Otto settled in [[Halle, Saxony-Anhalt|Halle]], where he was a professor at the [[University of Halle]], and became its director in 1892. There were also two sisters, Meta and Alma. |
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Reubke's first musical instruction was in [[Quedlinburg]] with [[Hermann Bönicke]] ( |
Reubke's first musical instruction was in [[Quedlinburg]] with [[Hermann Bönicke]] (1821–1879). He moved to [[Berlin]] in April or October 1851, where he continued his musical education at the conservatory there, which had been founded in November 1850 by [[Theodor Kullak]], with whom he studied piano, [[Adolf Bernhard Marx]], with whom he studied composition, and [[Julius Stern]]. In Berlin, he encountered the [[Neudeutsche Schule]] with conductor [[Hans von Bülow]] and organist [[Alexander Winterberger]], both associated with [[Franz Liszt]]. |
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When Liszt visited Berlin in December 1855, he arranged, on the recommendation of Bülow, to teach Reubke [[piano]] and [[Musical composition|composition]] from February 1856 in [[Weimar]], and allowed him to live at the Altenburg house he kept. It was in this environment that Reubke composed his two major works, the [[Piano Sonata (Reubke)|Piano Sonata in B-flat minor]], which he composed from December 1856 to March 1857, and the ''[[Sonata on the 94th Psalm]]'' in C minor, for [[pipe organ|organ]], which he finished a month later; he also considered writing an [[opera]]. The organ sonata was dedicated to Professor [[Carl Riedel]]; its premiere was by Reubke on the [[Ladegast]] organ (1853-1855) of [[Merseburg Cathedral]] on |
When Liszt visited Berlin in December 1855, he arranged, on the recommendation of Bülow, to teach Reubke [[piano]] and [[Musical composition|composition]] from February 1856 in [[Weimar]], and allowed him to live at the Altenburg house he kept. It was in this environment that Reubke composed his two major works, the [[Piano Sonata (Reubke)|Piano Sonata in B-flat minor]], which he composed from December 1856 to March 1857, and the ''[[Sonata on the 94th Psalm]]'' in C minor, for [[pipe organ|organ]], which he finished a month later; he also considered writing an [[opera]]. The organ sonata was dedicated to Professor [[Carl Riedel]]; its premiere was by Reubke on the [[Ladegast]] organ (1853-1855) of [[Merseburg Cathedral]] on 17 June 1857. Since its composition, it has been considered one of the pinnacles of the [[Romantic era|Romantic]] repertoire. |
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His health was already in decline at the time of his great compositions: {{ |
His health was already in decline at the time of his great compositions: {{blockquote|Playing us his sonata, seated in his characteristically bowed form at the piano, sunk in his creation, Reubke forgot everything about him; and we then looked at his pale appearance, at the unnatural shine of his gleaming eyes, heard his heavy breath, and were aware of how wordless fatigue overwhelmed him after such hours of excitement. We suspected then that he would not be with us long.|[[Richard Pohl]]<ref>Quoted in [[Alan Walker (musicologist)|Alan Walker]]: ''Franz Liszt: (Vol.2) The Weimar Years''; Faber & Faber, London, 1989</ref>}} |
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He moved to [[Dresden]] in December 1857. By this time, he was suffering from worsening [[tuberculosis]], and did not have the energy to play or compose. He moved to the health resort at [[Pillnitz]] in May 1858, where he died at the ''Zum Goldenen Löwen'' [[inn]] a few days later, at the age of 24. He was buried near the church of Maria am Wasser in [[Pillnitz-Hosterwitz]] on |
He moved to [[Dresden]] in December 1857. By this time, he was suffering from worsening [[tuberculosis]], and did not have the energy to play or compose. He moved to the health resort at [[Pillnitz]] in May 1858, where he died at the ''Zum Goldenen Löwen'' [[inn]] a few days later, at the age of 24. He was buried near the church of Maria am Wasser in [[Pillnitz-Hosterwitz]] on 7 June. |
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He was one of Liszt's favourite pupils; after his death, Liszt wrote a letter of sympathy to Reubke's father: {{ |
He was one of Liszt's favourite pupils; after his death, Liszt wrote a letter of sympathy to Reubke's father: {{blockquote|Truly no one could feel more deeply the loss which [[Art]] has suffered in your Julius, than the one who has followed with admiring sympathy his noble, constant, and successful strivings in these latter years, and who will ever bear his friendship faithfully in mind.|[[Franz Liszt]]}} |
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==Compositions== |
==Compositions== |
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*[[Piano Sonata (Reubke)|Piano Sonata in B-flat minor]] (1857) - influenced by Liszt's [[ |
*[[Piano Sonata (Reubke)|Piano Sonata in B-flat minor]] (1857) - influenced by Liszt's [[Sonata in B minor (Liszt)|Sonata in B minor]] |
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*''[[Sonata on the 94th Psalm]]'' in [[C minor]] (1857) for [[pipe organ|organ]] - influenced by Liszt's [[Fantasy and Fugue on the chorale Ad nos ad salutarem undam]]'' |
*''[[Sonata on the 94th Psalm]]'' in [[C minor]] (1857) for [[pipe organ|organ]] - influenced by Liszt's [[Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam"]]'' |
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*[[Trio (music)|Trio]] in [[E-flat major]] for organ (1850) |
*[[Trio (music)|Trio]] in [[E-flat major]] for organ (1850) |
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*[[Mazurka]] in [[E major]] for [[piano]] (1856) |
*[[Mazurka]] in [[E major]] for [[piano]] (1856) |
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*[[Scherzo]] in [[D minor]] for piano (1856) |
*[[Scherzo]] in [[D minor]] for piano (1856) |
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*[[Tempo# |
*[[Tempo#Basic tempo markings|Adagio]] in [[E minor]] for organ |
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===Lost=== |
===Lost=== |
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==Sources== |
==Sources== |
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*Michael Gailit: ''Julius Reubke ( |
*Michael Gailit: ''Julius Reubke (1834–1858)'', notes to [[Kevin Bowyer]]'s recording of ''The 94th Psalm'', [[Nimbus Records]], NI 5361 (1993) |
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<references/> |
<references/> |
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== External links == |
== External links == |
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*{{IMSLP|id=Reubke%2C_Julius|cname=Julius Reubke}} |
*{{IMSLP|id=Reubke%2C_Julius|cname=Julius Reubke}} |
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*[ |
*[https://web.archive.org/web/20070630081527/http://reubke-orgel.de/reubke.htm Reubke family photographs] - at reubke-organ.de, the successors of the original Reubke organ building family |
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{{Authority control}} |
{{Authority control}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| NAME = Reubke, Julius |
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| ALTERNATIVE NAMES = |
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| SHORT DESCRIPTION = German musician |
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| DATE OF BIRTH = 1834 |
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| PLACE OF BIRTH = |
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| DATE OF DEATH = 1858 |
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| PLACE OF DEATH = |
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}} |
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{{DEFAULTSORT:Reubke, Julius}} |
{{DEFAULTSORT:Reubke, Julius}} |
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[[Category:1834 births]] |
[[Category:1834 births]] |
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[[Category:1858 deaths]] |
[[Category:1858 deaths]] |
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[[Category:19th-century German male musicians]] |
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[[Category:Composers for piano]] |
[[Category:Composers for piano]] |
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[[Category:Composers for pipe organ]] |
[[Category:Composers for pipe organ]] |
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[[Category:German classical organists]] |
[[Category:German classical organists]] |
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[[Category:German classical |
[[Category:German male classical composers]] |
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[[Category: |
[[Category:German pianists]] |
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[[Category:German male pianists]] |
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[[Category:German Romantic composers]] |
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[[Category:Tuberculosis deaths in Germany]] |
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[[Category:German male classical pianists]] |
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[[Category:People from Harz (district)]] |
[[Category:People from Harz (district)]] |
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[[Category: |
[[Category:Musicians from the Province of Saxony]] |
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[[Category: |
[[Category:German male classical organists]] |
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[[Category:19th-century German organists]] |
Latest revision as of 21:32, 5 January 2025
Friedrich Julius Reubke (23 March 1834 – 3 June 1858) was a German composer, pianist and organist. In his short life, he composed the Sonata on the 94th Psalm in C minor, which is considered to be one of the greatest organ works in the romantic repertoire.
Biography
[edit]Born in Hausneindorf, a small village in the region of the Harz Mountains, Julius Reubke was the eldest son of organ and piano builder Adolf Reubke (1805-1875). Of Julius's five siblings, two brothers, Emil (1836–1884) and Karl (1840–1860), worked with their father; Emil became a partner in 1860 and owned the company from 1872. His brother Otto (1842–1913) was also a pianist, organist and composer; he prepared the Sonata on the 94th Psalm for its first publication in August 1871. Otto settled in Halle, where he was a professor at the University of Halle, and became its director in 1892. There were also two sisters, Meta and Alma.
Reubke's first musical instruction was in Quedlinburg with Hermann Bönicke (1821–1879). He moved to Berlin in April or October 1851, where he continued his musical education at the conservatory there, which had been founded in November 1850 by Theodor Kullak, with whom he studied piano, Adolf Bernhard Marx, with whom he studied composition, and Julius Stern. In Berlin, he encountered the Neudeutsche Schule with conductor Hans von Bülow and organist Alexander Winterberger, both associated with Franz Liszt.
When Liszt visited Berlin in December 1855, he arranged, on the recommendation of Bülow, to teach Reubke piano and composition from February 1856 in Weimar, and allowed him to live at the Altenburg house he kept. It was in this environment that Reubke composed his two major works, the Piano Sonata in B-flat minor, which he composed from December 1856 to March 1857, and the Sonata on the 94th Psalm in C minor, for organ, which he finished a month later; he also considered writing an opera. The organ sonata was dedicated to Professor Carl Riedel; its premiere was by Reubke on the Ladegast organ (1853-1855) of Merseburg Cathedral on 17 June 1857. Since its composition, it has been considered one of the pinnacles of the Romantic repertoire.
His health was already in decline at the time of his great compositions:
Playing us his sonata, seated in his characteristically bowed form at the piano, sunk in his creation, Reubke forgot everything about him; and we then looked at his pale appearance, at the unnatural shine of his gleaming eyes, heard his heavy breath, and were aware of how wordless fatigue overwhelmed him after such hours of excitement. We suspected then that he would not be with us long.
He moved to Dresden in December 1857. By this time, he was suffering from worsening tuberculosis, and did not have the energy to play or compose. He moved to the health resort at Pillnitz in May 1858, where he died at the Zum Goldenen Löwen inn a few days later, at the age of 24. He was buried near the church of Maria am Wasser in Pillnitz-Hosterwitz on 7 June.
He was one of Liszt's favourite pupils; after his death, Liszt wrote a letter of sympathy to Reubke's father:
Truly no one could feel more deeply the loss which Art has suffered in your Julius, than the one who has followed with admiring sympathy his noble, constant, and successful strivings in these latter years, and who will ever bear his friendship faithfully in mind.
Compositions
[edit]- Piano Sonata in B-flat minor (1857) - influenced by Liszt's Sonata in B minor
- Sonata on the 94th Psalm in C minor (1857) for organ - influenced by Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam"
- Trio in E-flat major for organ (1850)
- Mazurka in E major for piano (1856)
- Scherzo in D minor for piano (1856)
- Adagio in E minor for organ
Lost
[edit]- Overture
- Songs for mezzo-soprano and piano
- Chorale-variation on O Haupt voll Blut und Wunden
Sources
[edit]- Michael Gailit: Julius Reubke (1834–1858), notes to Kevin Bowyer's recording of The 94th Psalm, Nimbus Records, NI 5361 (1993)
- ^ Quoted in Alan Walker: Franz Liszt: (Vol.2) The Weimar Years; Faber & Faber, London, 1989
External links
[edit]- Free scores by Julius Reubke at the International Music Score Library Project (IMSLP)
- Reubke family photographs - at reubke-organ.de, the successors of the original Reubke organ building family
- 1834 births
- 1858 deaths
- 19th-century German classical composers
- 19th-century German classical pianists
- 19th-century deaths from tuberculosis
- 19th-century German male musicians
- Composers for piano
- Composers for pipe organ
- German classical organists
- German male classical composers
- German pianists
- German male pianists
- German Romantic composers
- Tuberculosis deaths in Germany
- German male classical pianists
- People from Harz (district)
- Musicians from the Province of Saxony
- German male classical organists
- 19th-century German organists