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{{short description|1999 film by Mike Newell}}
{{short description|1999 film by Mike Newell}}
{{Use mdy dates|date=August 2024}}
{{Infobox film
{{Infobox film
| name = Pushing Tin
| name = Pushing Tin
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| director = [[Mike Newell (director)|Mike Newell]]
| director = [[Mike Newell (director)|Mike Newell]]
| producer = [[Art Linson]]
| producer = [[Art Linson]]
| based_on = {{based on|"Something's Got to Give"|[[Darcy Frey]]<ref>[https://www.nytimes.com/1996/03/24/magazine/something-s-got-to-give.html?pagewanted=all&src=pm Something's Got to Give] The New York Times</ref>}}
| based_on = {{based on|"Something's Got to Give"|[[Darcy Frey]]<ref>{{cite news|url=https://www.nytimes.com/1996/03/24/magazine/something-s-got-to-give.html |title=Something's Got to Give |date=March 24, 1996 |last=Frey |first=Darcy |work= The New York Times}}</ref>}}
| screenplay = [[Glen Charles]]<br />[[Les Charles]]
| screenplay = [[Glen Charles]]<br />[[Les Charles]]
| starring = {{Plainlist|
| starring = {{Plainlist|
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}}
}}


'''''Pushing Tin''''' is a 1999 American [[comedy-drama]] film directed by [[Mike Newell (director)|Mike Newell]]. It centers on Nick Falzone ([[John Cusack]]), a cocky [[air traffic controller]] who quarrels over proving "who's more of a man" with fellow employee Russell Bell ([[Billy Bob Thornton]]). The film is loosely based around the real world [[New York TRACON]] radar facility. The film was a [[Box-office bomb|box office failure]] and received mixed reviews. The original music score was composed by [[Anne Dudley]] and [[Chris Seefried]].
'''''Pushing Tin''''' is a 1999 American [[comedy-drama]] film directed by [[Mike Newell (director)|Mike Newell]]. It centers on Nick Falzone ([[John Cusack]]), a cocky [[air traffic controller]] who quarrels over proving "who's more of a man" with fellow employee Russell Bell ([[Billy Bob Thornton]]). The film is loosely based on the real-world [[New York TRACON]] radar facility. The film was a [[Box-office bomb| box-office failure]] and received mixed reviews. The original music score was composed by [[Anne Dudley]] and [[Chris Seefried]].


==Plot==
==Plot==
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Nick "The Zone" Falzone and his fellow [[air traffic controller]]s at the [[New York TRACON]] pride themselves on their ability to handle the intense stress of being a controller for one of the busiest airspaces in the country, even boasting of the 50% drop-out rate for new additions to staff unable to cope with the pressure. The group is joined by the quiet and confident Russell Bell, a veteran of TRACONs in the Western [[United States|US]].
Nick "The Zone" Falzone and his fellow [[air traffic controller]]s at the [[New York TRACON]] pride themselves on their ability to handle the intense stress of being a controller for one of the busiest airspaces in the country, even boasting of the 50% drop-out rate for new additions to staff unable to cope with the pressure. The group is joined by the quiet and confident Russell Bell, a veteran of TRACONs in the Western [[United States|US]].


Russell quickly proves to be exceptionally capable of handling the increased workload using unorthodox and risky methods. Nick feels challenged by the new controller's ability to out-perform him at seemingly every task. He warns his supervisor Bell is a loose cannon, especially after discovering that Russell once stood on a runway to allow himself to be violently propelled by a landing commercial airliner's [[Wake turbulence|jetwash]].
Russell quickly proves to be exceptionally capable of handling the increased workload using unorthodox and risky methods. Nick feels challenged by the new controller's ability to outperform him at seemingly every task. He warns his supervisor Russell is a loose cannon, especially after discovering that Russell once stood on a runway to allow himself to be violently propelled by a landing commercial airliner's [[wake turbulence]].


At a supermarket, Nick encounters Russell's despondent young wife Mary, who is sobbing over a grocery cart full of alcohol. In consoling her, he ends up at the Bells' house, where they cheat on their respective spouses. Several days later, Mary informs Nick that she immediately told Russell about their one night stand, and that the confession has actually improved their marriage.
At a supermarket, Nick encounters Russell's despondent young wife Mary, who is sobbing over a grocery cart full of alcohol. In consoling her, he ends up at the Bells' house, where they cheat on their respective spouses. Several days later, Mary informs Nick that she immediately told Russell about their one-night stand and that the confession has actually improved their marriage.


Fearing retaliation, Nick confronts Russell at work, and is confused and surprised by his even-tempered response to the situation. Meanwhile, Nick's wife, Connie seems to become more and more intrigued by Russell, and Nick becomes increasingly paranoid that he will eventually seek revenge by having sex with her.
Fearing retaliation, Nick confronts Russell at work and is confused and surprised by his even-tempered response to the situation. Meanwhile, Nick's wife, Connie seems to become more and more intrigued by Russell, and Nick becomes increasingly paranoid that he will eventually seek revenge by having sex with her.


While out of town for his father-in-law's funeral, Nick can't bring himself to lie when a grieving Connie challenges him to say that he has never cheated on her. As their flight home approaches New York, she sarcastically boasts that she slept with Russell.<ref>{{cite web | url=https://www.pluggedin.com/movie-reviews/pushingtin/ | title=Pushing Tin }}</ref> The plane then makes an odd turn, and he believes Russell is harassing him, or possibly going insane, purposely directing the plane into a dangerous storm.
While out of town for his father-in-law's funeral, Nick can't bring himself to lie when a grieving Connie challenges him to say that he has never cheated on her. As their flight home approaches New York, she sarcastically boasts that she slept with Russell.<ref>{{cite web | url=https://www.pluggedin.com/movie-reviews/pushingtin/ | title=Pushing Tin |website=PluggedIn }}</ref> The plane then makes an odd turn, and he believes Russell is harassing him, or possibly going insane, purposely directing the plane into a dangerous storm.


Soon after going to TRACON to confront Russell, a bomb threat is called in to the facility. The building is evacuated and both Nick and Russell volunteer to stay behind to handle the daunting task of landing all the planes on approach before the alleged bomb is set to go off in 26 minutes. Successfully routing all but one plane that has lost radio contact, Nick leaves the building as the deadline approaches, while Russell remains inside to make contact with the plane by calling one of its passengers via [[Airfone]]. Russell is lauded as a hero for making the effort despite the threat, which turned out to be a hoax.
Soon after going to TRACON to confront Russell, a bomb threat is called into the facility. The building is evacuated and both Nick and Russell volunteer to stay behind to handle the daunting task of landing all the planes on approach before the alleged bomb is set to go off in 26 minutes. Successfully routing all but one plane that has lost radio contact, Nick leaves the building as the deadline approaches while Russell remains inside to make contact with the plane by calling one of its passengers via [[Airfone]]. Russell is lauded as a hero for making the effort despite the threat, which turned out to be a hoax.


Russell abruptly quits and he and Mary move to Colorado. Connie leaves Nick, and his performance at work suffers; the once cocky, boastful controller is sent home after being responsible for two "deals" (near mid-air collisions) in one shift. After learning that Russell had ordered the diversion of his flight not to provoke him, but rather to clear a path to make a plane with a medical emergency on board next in line for a landing, Nick impulsively drives out to Colorado to make amends.
Russell abruptly quits and he and Mary move to Colorado. Connie leaves Nick, and his performance at work suffers; the once cocky, boastful controller is sent home after being responsible for two "deals" (near mid-air collisions) in one shift. After learning that Russell had ordered the diversion of his flight not to provoke him, but rather to clear a path to make a plane with a medical emergency on board next in line for a landing, Nick impulsively drives out to Colorado to make amends.
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==Reception==
==Reception==
===Critical response===
===Critical response===
''Pushing Tin'' received mixed reviews. On [[Rotten Tomatoes]], it has an approval rating of 48%, based on 67 reviews, with an [[weighted arithmetic mean|average rating]] of 5.53/10. The site's consensus reads: "Solid performances by the leads, but the generic ending needs help".<ref>{{rottentomatoes|pushing_tin}}</ref> On [[Metacritic]], it has a score of 47 out of 100, based on 29 critics, indicating "mixed or average reviews".<ref>{{Metacritic film}}</ref> Audiences surveyed by CinemaScore gave it a grade C.<ref>https://www.cinemascore.com/publicsearch/index/title/ {{Webarchive|url=https://web.archive.org/web/20181220122629/https://www.cinemascore.com/publicsearch/index/title/ |date=2018-12-20 }} PUSHING TIN (1999) C</ref>
{{Rotten Tomatoes prose|48|5.5|67|ref=y|Solid performances by the leads, but the generic ending needs help.|access-date=5 August 2024}} On [[Metacritic]], it has a score of 47 out of 100, based on 29 critics, indicating "mixed or average reviews".<ref>{{Metacritic film}}</ref> Audiences surveyed by [[CinemaScore]] gave it a grade C.<ref>{{cite web |title=Pushing Tin (1999) C |url=https://www.cinemascore.com/ |url-status=live |archive-url=https://web.archive.org/web/20181220122629/https://www.cinemascore.com/publicsearch/index/title/ |archive-date=2018-12-20 |website=CinemaScore |format=Type "Pushing Tin" in the search box}}</ref>


[[Roger Ebert]] recommended the film. "The movie is worth seeing, for the good stuff. I'm recommending it because of the performances and the details in the air-traffic control center." Despite this, Ebert has some criticism of the plot and the ending.<ref>{{cite web | date = April 22, 2019 | author = Roger Ebert | authorlink = Roger Ebert | title = Pushing Tin | work = [[Chicago Sun-Times]] | url = https://www.rogerebert.com/reviews/pushing-tin-1999 }} {{Rating|3|4}}</ref>
[[Roger Ebert]] recommended the film. "The movie is worth seeing, for the good stuff. I'm recommending it because of the performances and the details in the air-traffic control center." Despite this, Ebert has some criticism of the plot and the ending.<ref>{{cite web | date = April 22, 1999 | first = Roger |last=Ebert | authorlink = Roger Ebert | title = Pushing Tin | work = [[Chicago Sun-Times]] | url = https://www.rogerebert.com/reviews/pushing-tin-1999 }} {{Rating|3|4}}</ref>


===Box office===
===Box office===
It opened #4 at the box office. It grossed $8.4 million in its North American release, which did not make up for its estimated production budget of $33 million.<ref>{{mojo title|pushingtin|Pushing Tin}}</ref>
It opened #4 at the box office. It grossed $8.4 million in its North American release, which did not make up for its estimated production budget of $33 million.<ref>{{mojo title|pushingtin|Pushing Tin}}</ref>


===Awards & Accolades===
===Accolades===
The film was nominated for best casting in a feature comedy ([[Ellen Chenoweth]]) by the [[Casting Society of America]], and was nominated for best sound editing (Colin Miller, Sue Baker, Ross Adams, Derek Holding, Jacques Leroide) by the [[Motion Picture Sound Editors]].{{citation needed|date=January 2019}}
The film was nominated for best casting in a feature comedy ([[Ellen Chenoweth]]) by the [[Casting Society of America]],<ref>{{Cite web |title=1999 Artios Awards |url=https://www.castingsociety.com/awards/artios/1999 |access-date=2024-08-05 |website=www.castingsociety.com |language=en |archive-date=June 21, 2015 |archive-url=https://web.archive.org/web/20150621164815/https://www.castingsociety.com/awards/artios/1999 |url-status=dead }}</ref> and was nominated for best sound editing (Colin Miller, Sue Baker, Ross Adams, Derek Holding, Jacques Leroide) by the [[Motion Picture Sound Editors]].<ref>{{Cite web |last= |first= |date=2000-01-12 |title=Sound editors tap noms for best of 1999 |url=https://variety.com/2000/film/news/sound-editors-tap-noms-for-best-of-1999-1117760753/ |access-date=2024-08-05 |website=Variety |language=en-US}}</ref>


==References==
==References==
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* {{IMDb title|0120797|Pushing Tin}}
* {{IMDb title|0120797|Pushing Tin}}
* {{tcmdb title|443786|Pushing Tin}}
* {{tcmdb title|443786|Pushing Tin}}
* {{amg title|179428|Pushing Tin}}


{{Mike Newell}}
{{Mike Newell}}
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[[Category:American aviation films]]
[[Category:American aviation films]]
[[Category:American comedy-drama films]]
[[Category:American comedy-drama films]]
[[Category:Adultery in films]]
[[Category:Films about adultery in the United States]]
[[Category:Air traffic control in the United States]]
[[Category:Air traffic control in the United States]]
[[Category:Films based on newspaper and magazine articles]]
[[Category:Films based on newspaper and magazine articles]]
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[[Category:1990s English-language films]]
[[Category:1990s English-language films]]
[[Category:1990s American films]]
[[Category:1990s American films]]
[[Category:English-language comedy-drama films]]

Latest revision as of 01:44, 7 January 2025

Pushing Tin
Theatrical release poster
Directed byMike Newell
Screenplay byGlen Charles
Les Charles
Based on"Something's Got to Give"
by Darcy Frey[1]
Produced byArt Linson
Starring
CinematographyGale Tattersall
Edited byJon Gregory
Music byAnne Dudley
Chris Seefried
Production
companies
Distributed by20th Century Fox
Release date
  • April 23, 1999 (1999-04-23)
Running time
124 minutes
CountryUnited States
LanguageEnglish
Budget$33 million
Box office$8.4 million

Pushing Tin is a 1999 American comedy-drama film directed by Mike Newell. It centers on Nick Falzone (John Cusack), a cocky air traffic controller who quarrels over proving "who's more of a man" with fellow employee Russell Bell (Billy Bob Thornton). The film is loosely based on the real-world New York TRACON radar facility. The film was a box-office failure and received mixed reviews. The original music score was composed by Anne Dudley and Chris Seefried.

Plot

[edit]

Nick "The Zone" Falzone and his fellow air traffic controllers at the New York TRACON pride themselves on their ability to handle the intense stress of being a controller for one of the busiest airspaces in the country, even boasting of the 50% drop-out rate for new additions to staff unable to cope with the pressure. The group is joined by the quiet and confident Russell Bell, a veteran of TRACONs in the Western US.

Russell quickly proves to be exceptionally capable of handling the increased workload using unorthodox and risky methods. Nick feels challenged by the new controller's ability to outperform him at seemingly every task. He warns his supervisor Russell is a loose cannon, especially after discovering that Russell once stood on a runway to allow himself to be violently propelled by a landing commercial airliner's wake turbulence.

At a supermarket, Nick encounters Russell's despondent young wife Mary, who is sobbing over a grocery cart full of alcohol. In consoling her, he ends up at the Bells' house, where they cheat on their respective spouses. Several days later, Mary informs Nick that she immediately told Russell about their one-night stand and that the confession has actually improved their marriage.

Fearing retaliation, Nick confronts Russell at work and is confused and surprised by his even-tempered response to the situation. Meanwhile, Nick's wife, Connie seems to become more and more intrigued by Russell, and Nick becomes increasingly paranoid that he will eventually seek revenge by having sex with her.

While out of town for his father-in-law's funeral, Nick can't bring himself to lie when a grieving Connie challenges him to say that he has never cheated on her. As their flight home approaches New York, she sarcastically boasts that she slept with Russell.[2] The plane then makes an odd turn, and he believes Russell is harassing him, or possibly going insane, purposely directing the plane into a dangerous storm.

Soon after going to TRACON to confront Russell, a bomb threat is called into the facility. The building is evacuated and both Nick and Russell volunteer to stay behind to handle the daunting task of landing all the planes on approach before the alleged bomb is set to go off in 26 minutes. Successfully routing all but one plane that has lost radio contact, Nick leaves the building as the deadline approaches while Russell remains inside to make contact with the plane by calling one of its passengers via Airfone. Russell is lauded as a hero for making the effort despite the threat, which turned out to be a hoax.

Russell abruptly quits and he and Mary move to Colorado. Connie leaves Nick, and his performance at work suffers; the once cocky, boastful controller is sent home after being responsible for two "deals" (near mid-air collisions) in one shift. After learning that Russell had ordered the diversion of his flight not to provoke him, but rather to clear a path to make a plane with a medical emergency on board next in line for a landing, Nick impulsively drives out to Colorado to make amends.

Nick seeks his advice on how to get his personal life back in order, but Russell is unable to make him understand with words. He instead brings Nick to a runway so that he too can experience being caught in a landing aircraft's turbulence. They engage in the stunt together, and it has a profound effect on Nick, who thanks Russell. He returns to New York, where he regains his form at work, and reconciles with Connie.

Cast

[edit]

Reception

[edit]

Critical response

[edit]

On the review aggregator website Rotten Tomatoes, 48% of 67 critics' reviews are positive, with an average rating of 5.5/10. The website's consensus reads: "Solid performances by the leads, but the generic ending needs help."[3] On Metacritic, it has a score of 47 out of 100, based on 29 critics, indicating "mixed or average reviews".[4] Audiences surveyed by CinemaScore gave it a grade C.[5]

Roger Ebert recommended the film. "The movie is worth seeing, for the good stuff. I'm recommending it because of the performances and the details in the air-traffic control center." Despite this, Ebert has some criticism of the plot and the ending.[6]

Box office

[edit]

It opened #4 at the box office. It grossed $8.4 million in its North American release, which did not make up for its estimated production budget of $33 million.[7]

Accolades

[edit]

The film was nominated for best casting in a feature comedy (Ellen Chenoweth) by the Casting Society of America,[8] and was nominated for best sound editing (Colin Miller, Sue Baker, Ross Adams, Derek Holding, Jacques Leroide) by the Motion Picture Sound Editors.[9]

References

[edit]
  1. ^ Frey, Darcy (March 24, 1996). "Something's Got to Give". The New York Times.
  2. ^ "Pushing Tin". PluggedIn.
  3. ^ "Pushing Tin". Rotten Tomatoes. Fandango Media. Retrieved August 5, 2024. Edit this at Wikidata
  4. ^ Pushing Tin at Metacritic Edit this at Wikidata
  5. ^ "Pushing Tin (1999) C" (Type "Pushing Tin" in the search box). CinemaScore. Archived from the original on December 20, 2018.
  6. ^ Ebert, Roger (April 22, 1999). "Pushing Tin". Chicago Sun-Times.
  7. ^ Pushing Tin at Box Office Mojo
  8. ^ "1999 Artios Awards". www.castingsociety.com. Archived from the original on June 21, 2015. Retrieved August 5, 2024.
  9. ^ "Sound editors tap noms for best of 1999". Variety. January 12, 2000. Retrieved August 5, 2024.
[edit]