User:Chimino/Work1: Difference between revisions

Content deleted Content added

Inline

Latest revision as of 08:59, 8 June 2011

La Vie is a c.1903 painting by the Spanish modern artist Pablo Picasso. It is the largest single work created during Picasso's Blue Period, which spanned from 1901-1904.

@@ Line 1: / Line 1: @@
+[[File:Picasso la vie.jpg|right|thumb|250px|[[Pablo Picasso]]<br /> ''La Vie'' (1903),<br />Oil on canvas, 196.5 x 129.2 cm<br />[[Cleveland Museum of Art]]]]
-[[File:Paul Cézanne 141.jpg|right|thumb|''Portrait of Gustave Geffroy'', 1895]]
+'''''La Vie''''' is a c.1903 painting by the [[Spanish]] [[modernism|modern]] artist [[Pablo Picasso]]. It is the largest single work created during Picasso's [[Blue Period]], which spanned from 1901-1904.
-[[Gustave Geffroy]] was a French novelist and art critic, noted as one of the earliest historians of [[Impressionist]] and [[Post-Impressionism]] artwork.
-In March 1894, Geffroy wrote a sympathetic article in his periodical ''Le Journal'' praising the work of painter [[Paul Cézanne]], who until then had received little praise in critical circles.(Newton 41) Mutual friend [[Claude Monet]] arranged for a meeting between the two in November of that year, which ended abruptly due to Cézanne's oft-noted erratic behavior.(Murphy 100-01) Nonetheless, Geffroy continued to write favorably of Cézanne, believing "He is a great teller of truth. Passionate and candid, silent and subtle, he will go to The Louvre."(Murphy 163-64) Cézanne expressed thanks in letters to Geffroy in the months following their meeting, and, in a display of gratitude (and possible feeling Geffroy understood him), he elected to paint Geffroy's [[portrait]].(Newton 41-42)
-The painter sent the critic a request in April 1895, after which Geffroy sat for Cézanne on a daily basis over a span of three months in the study at his home in [[Paris]].(Murphy 100) After the three months' time, Cézanne, disappointed with the portrait's results, fled both the painting and Paris itself for his home in [[Aix-en-Provence]]. In a July 6th letter to Monet, he explained, "I am a little upset at the meager result I obtained, especially after so many sittings and successive bursts of enthusiasm and despair."(Wadley 103) It has also been speculated, despite his words of gratitude in the same letter to Monet of Geffroy's patience over the three month span, the artist had built up feelings of resentment, even hostility, toward the critic, causing his abandonment of the project for seclusion in Aix.(Howard 135) Reasons for the breakdown in relations on Cézanne's part have been attributed to everything from politics to religion to artistic principles.(Newton 42)(Orsay 2006)
-Despite its incomplete status, and Cézanne's own displeasure with the painting, ''Portrait of Gustave Geffroy'' was a popular retrospective work after Cézanne's death.(Orsay 2006) [[Cubist]] painters were interested in the geometrical dimensions of the bookcase and perspective of vast table space in relation to the rest of the picture.(Orsay 2006) Geffroy noted Cézanne painted the entire canvas at once, leaving the face and hands for last, and ultimately unfinished.(Howard 135)(Orsay 2006) It has been described as an angular composition, with the figure of Geffroy centered as a pyramidal or triangular figure, and surrounding shelves, books, and figurines complementing and converging upon his profile.(Wadley 59) The multiple angles of perspective, particularly with the books both in cases and on the table, have been noted for their "zig-zag" effect on the viewer, creating movement within the painting.(Howard 135)
-The portrait has been noted as a continuation of Cézanne's recurring theme: people in their natural environment, reserved and unimposing, immersed in their everyday tasks.(Schapiro 100)
-The painting was donated to the French state in 1969 by the family of Auguste Pellerin[http://nga.gov.au/exhibition/masterpiecesfromparis/Default.cfm?IRN=191186&BioArtistIRN=21796&MnuID=SRCH&ArtistIRN=21796&ViewID=2] and is displayed at the [[Musée d'Orsay]] in Paris.