Norman Lloyd: Difference between revisions
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{{Short description|American actor, producer and director (1914–2021)}} |
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{{Use mdy dates|date=May 2021}} |
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{{short description|American actor, producer & director}} |
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{{For|other people with this name|Norman Lloyd (disambiguation)}} |
{{For|other people with this name|Norman Lloyd (disambiguation)}} |
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{{Use mdy dates|date=November 2023}} |
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<!-- Do NOT change the dates in the years active field without a cite -->{{Infobox person <!-- See [[Template:Infobox person]] for more --> |
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{{Infobox person |
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| name = Norman Lloyd |
| name = Norman Lloyd |
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| image = Norman |
| image = Norman Lloyd 1945.jpg |
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| caption = Lloyd in a publicity photo |
| caption = Lloyd in a 1945 publicity photo |
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| birthname = Norman Perlmutter |
| birthname = Norman Nathan Perlmutter |
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| birth_date = {{birth date|1914|11|8}} |
| birth_date = {{birth date|1914|11|8}} |
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| birth_place = [[Jersey City, New Jersey]], U.S. |
| birth_place = [[Jersey City, New Jersey]], [[U.S.]] |
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| death_date = {{death date and age|2021|5|11|1914|11|8}} |
| death_date = {{death date and age|2021|5|11|1914|11|8}} |
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| death_place = [[Los Angeles, California]], U.S. |
| death_place = [[Los Angeles]], [[California]], U.S.<!--Per template doc, city, state, country. No boroughs etc.--> |
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| occupation = {{hlist|Actor|director|producer}} |
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| education = [[New York University]] (dropped out) |
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| resting_place = |
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| spouse = {{marriage|[[Peggy Lloyd|Peggy Craven]]|June 29, 1936|August 30, 2011|reason=died}} |
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| occupation ={{hlist|Actor|director|producer}} |
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| children = 2, including [[Josie Lloyd]] |
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| years_active = 1923–<!--Source reports his last project was shot in 2020; a different source is needed to verify another date range-->2020<ref name="Fly">{{cite web|title=The End of an Era: Norman Lloyd, 1914-2021|url=https://www.rogerebert.com/tributes/the-end-of-an-era-norman-lloyd-1914-2021|date=May 12, 2021|access-date=May 17, 2021|website=RogerEbert.com|quote=He lasted so long in the business that his final job would be a role in the TV series “Fly,” shot in 2020.}}</ref><!-- Do NOT change the dates in the years active field without a cite --> |
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| children = 2; including [[Josie Lloyd]] |
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| years_active = 1923–2018 |
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| height = {{convert|5|ft|5|in|cm|sigfig=3|abbr=on}} |
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}} |
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'''Norman Lloyd''' ('' |
'''Norman Nathan Lloyd''' (''né'' '''Perlmutter'''; November 8, 1914 – May 11, 2021) was an American actor, producer, director, and centenarian with a career in entertainment spanning nearly a century. He worked in every major facet of the industry, including theatre, radio, television, and film, with a career that started in 1923. Lloyd's final film, ''[[Trainwreck (film)|Trainwreck]]'', was released in 2015, after he [[Centenarian|turned 100]]. Lloyd remained the longest-lived male actor from Classic Hollywood until his death in 2021. |
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In the 1930s, he apprenticed with [[Eva Le Gallienne]]'s [[Civic Repertory Theatre]] and worked with such influential groups as the [[Federal Theatre Project]]'s [[Living Newspaper]] unit, the [[Mercury Theatre]], and the [[Group Theatre (New York City)|Group Theatre]]. Lloyd's long professional association with [[Alfred Hitchcock]] began with his performance portraying a |
In the 1930s, he apprenticed with [[Eva Le Gallienne]]'s [[Civic Repertory Theatre]] and worked with such influential groups as the [[Federal Theatre Project]]'s [[Living Newspaper]] unit, the [[Mercury Theatre]], and the [[Group Theatre (New York City)|Group Theatre]]. Lloyd's long professional association with [[Alfred Hitchcock]] began with his performance portraying a [[Fifth column|fifth columnist]] in the film ''[[Saboteur (film)|Saboteur]]'' (1942). He also appeared in ''[[Spellbound (1945 film)|Spellbound]]'' (1945), and was a producer of Hitchcock's anthology television series ''[[Alfred Hitchcock Presents]]''. Lloyd directed and produced episodic television throughout the 1950s, 1960s and 1970s. As an actor, he appeared in over 60 films and television shows, with his roles including Bodalink in [[Charlie Chaplin]]'s ''[[Limelight (1952 film)|Limelight]]'' (1952), Mr. Nolan in ''[[Dead Poets Society]]'' (1989), and Mr. Letterblair in ''[[The Age of Innocence (1993 film)|The Age of Innocence]]'' (1993). In the 1980s, Lloyd gained a new generation of fans for playing Dr. Daniel Auschlander, one of the starring roles on the medical drama ''[[St. Elsewhere]]''. |
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==Early life and theatre== |
==Early life and theatre== |
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<!-- Image 1 -->| image1 = Norman-Lloyd-Power-1937-2.jpg |
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| caption1 = Lloyd with the [[Federal Theatre Project]] in 1937 |
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| image1 = Norman-Lloyd-Power-1937-1.jpg |
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<!-- Image 2 -->| image2 = Power-18-Noack-Lloyd.jpg |
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| caption1 = Lloyd with the [[Federal Theatre Project]] in 1937 |
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| caption2 = The Man Who Knows All (Robert Noack) explains the [[kilowatt-hour]] to the Consumer (Lloyd) in ''Power'', a [[w:Living Newspaper|Living Newspaper]] play for the [[w:Federal Theater Project|Federal Theater Project]] (1937) |
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| caption3 = Lloyd, [[Katherine Emery]] and [[Dean Jagger]] in the Broadway production ''Everywhere I Roam'' (1938) |
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| caption2 = The Man Who Knows All (Robert Noack) explains the kilowatt hour to the Consumer (Lloyd) in ''Power'', a [[w:Living Newspaper|Living Newspaper]] play for the [[w:Federal Theater Project|Federal Theater Project]] (1937) |
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Lloyd was born Norman Nathan Perlmutter<ref name="1915 Census">New York State Archives; Albany, New York; ''State Population Census Schedules, 1915''; Election District: ''54''; Assembly District: ''22''; City: ''New York''; County: ''Kings''; Page: ''84''. Ancestry.com. ''New York, State Census, 1915'' [database online]. Provo, Utah: Ancestry.com Operations Inc., 2012. Retrieved September 6, 2015.</ref> on November 8, 1914, in [[Jersey City, New Jersey]].<ref name="Katz">[[Ephraim Katz|Katz, Ephraim]], Fred Klein; Ronald Dean Nolan, ''The Film Encyclopedia'' (Third Edition). New York: HarperPerennial, 1998. {{ISBN|9780062734921}} page 1838.</ref> His family was Jewish<ref name="Jewish Week">{{cite web |url=http://www.thejewishweek.com/arts/film/man_hundred_faces |title=The Man with a Hundred Faces |last=Robinson |first=George |date=November 20, 2007 |website=[[The Jewish Week]] |access-date=September 6, 2015 |archive-date=September 25, 2015 |archive-url=https://web.archive.org/web/20150925134625/http://www.thejewishweek.com/arts/film/man_hundred_faces |url-status=live }}</ref> and lived in [[Brooklyn]], New York. His father, Max Perlmutter, was an accountant<ref name="1915 Census"/> who later became a salesman<ref name="1920 Census">Ancestry.com. ''1920 United States Federal Census'' [database online]. Provo, Utah: Ancestry.com Operations Inc., 2010. Retrieved September 6, 2015.</ref> and proprietor of a furniture store.<ref name="1930 Census">Ancestry.com. ''1930 United States Federal Census'' [database online]. Provo, Utah: Ancestry.com Operations Inc., 2002. Retrieved September 6, 2015.</ref> His mother, Sadie Horowitz Perlmutter, was a bookkeeper<ref name="1920 Census"/> and housewife.<ref name="1955 Census">New York State Archives; Albany, New York; ''State Population Census Schedules, 1925''; Election District: ''08''; Assembly District: ''16''; City: ''Brooklyn''; County: ''Kings''; Page: ''43''. Ancestry.com. ''New York, State Census, 1925'' [database online]. Provo, Utah: Ancestry.com Operations Inc., 2012. Retrieved September 6, 2015.</ref> She had a good voice and a lifelong interest in the theatre, and she took her young son to singing and dancing lessons.<ref name="Stages">{{cite book |last=Lloyd |first=Norman |year=1993 |orig-year=1990 |title=Stages of Life in Theatre, Film and Television |location=New York |publisher=Limelight Editions |isbn=9780879101664 }}</ref>{{Rp|1}} He had two sisters, Ruth<ref>1930 United States Federal Census</ref> and Janice, who survived her brother by four months.<ref>Birth Certificate, County of Kings, New York State</ref> Lloyd became a child performer, appearing at [[vaudeville]] benefits and women's clubs, and was a professional by the age of nine.<ref name="Stages"/>{{Rp|3}} |
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Lloyd graduated from high school when he was 15 and began studies at [[New York University]], but left at the end of his sophomore year. "All around me I could see the way the [[Great Depression in the United States|Depression]] was affecting everyone; for my family, for people in business like my father, it was a terrible time," he wrote. "I just wasn't going to stay in college, paying tuition to get a degree to be a lawyer, when I could see lawyers who had become taxi drivers."<ref name="Stages"/>{{Rp|4}} Lloyd's father died in 1945, at age 55, "broken by the world that he was living in."<ref name="Daily Telegraph"/> |
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In 1932, at age 17, Lloyd auditioned and became the youngest of the apprentices under the direction of [[May Sarton]] at Eva Le Gallienne's Civic Repertory Theatre in New York City.<ref name="Stages"/>{{Rp|11, 235}} He then joined Sarton's Apprentice Theatre in New Hampshire, continuing his studies with her and her associate, [[Eleanor Flexner]].<ref name="Stages"/>{{Rp|15–19}} The group rehearsed a total of ten modern European plays and performed at [[The New School]] for Social Research and in Boston.<ref name="Stages"/>{{Rp|16–17, 235}} Members of the Harvard Dramatic Club saw Lloyd on stage and offered him the lead in a play directed by [[Joseph Losey]].<ref name="Stages"/>{{Rp|20–21}} He rejoined Sarton's group, for whom Losey directed a Boston production of ''[[Gods of the Lightning]]''. When Sarton was forced to give up her company, Losey suggested that Lloyd audition for a production of [[André Obey]]'s ''Noah'' (1935). It was Lloyd's first [[Broadway (theatre)|Broadway show]].<ref name="Stages"/>{{Rp|22–26}} |
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Lloyd graduated from high school when he was 15 and began studies at [[New York University]], but left at the end of his sophomore year. "All around me I could see the way the [[Great Depression in the United States|Depression]] was affecting everyone; for my family, for people in business like my father, it was a terrible time," he wrote. "I just wasn't going to stay in college, paying tuition to get a degree to be a lawyer, when I could see lawyers that had become taxi drivers."<ref name="Stages"/>{{Rp|4}} Lloyd's father died in 1945, at age 55, "broken by the world that he was living in."<ref name="Daily Telegraph"/> |
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Through Losey, Lloyd became involved in the social theatre of the 1930s, beginning with an acting collective called The Theatre of Action. The group was preparing a production of [[Michael Blankfort]]'s ''The Crime'' (1936),<ref name="Stages"/>{{Rp|236}} |
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In 1932, at age 17, Lloyd auditioned and became the youngest of the apprentices under the direction of [[May Sarton]] at Eva Le Gallienne's Civic Repertory Theatre in New York City.<ref name="Stages"/>{{Rp|11, 235}} He then joined Sarton's Apprentice Theatre in New Hampshire, continuing his studies with her and her associate, [[Eleanor Flexner]].<ref name="Stages"/>{{Rp|15–19}} The group rehearsed a total of ten modern European plays and performed at [[The New School]] for Social Research and in Boston.<ref name="Stages"/>{{Rp|16–17, 235}} Members of the Harvard Dramatic Club saw Lloyd on stage and offered him the lead in a play directed by [[Joseph Losey]].<ref name="Stages"/>{{Rp|20–21}} He rejoined Sarton's group, for whom Losey directed a Boston production of ''[[Gods of the Lightning]]''. When Sarton was forced to give up her company, Losey suggested that Lloyd audition for a production of [[André Obey]]'s ''Noah'' (1935). It was Lloyd's first [[Broadway (theatre)|Broadway show]].<ref name="Stages"/>{{Rp|22–26}} |
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<ref name="The Crime">{{cite book |last=Blankfort |first=Michael |author-link=Michael Blankfort |date=1936 |title=The Crime |url=http://catalog.hathitrust.org/Record/002619027 |location=New York |publisher=New Theatre League |access-date=September 7, 2015 |archive-date=August 8, 2016 |archive-url=https://web.archive.org/web/20160808192339/https://catalog.hathitrust.org/Record/002619027 |url-status=live }}</ref> directed by [[Elia Kazan]]. One of the company members was [[Peggy Lloyd|Peggy Craven]], who would later become Lloyd's wife.<ref name="Stages"/>{{Rp|28}}<ref name=variety>{{cite news|title=Broadway thesp Peggy Lloyd dies at 98|url=https://variety.com/2011/legit/news/broadway-thesp-peggy-lloyd-dies-at-98-1118041995/|work=[[Variety (magazine)|Variety]]|date=August 30, 2011|access-date=August 31, 2011|archive-date=January 19, 2012|archive-url=https://web.archive.org/web/20120119160346/http://www.variety.com/article/VR1118041995?refCatId=15|url-status=live}}</ref> |
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Through Losey, Lloyd became involved in the social theatre of the 1930s, beginning with an acting collective called The Theatre of Action. The group was preparing a production of [[Michael Blankfort]]'s ''The Crime'' (1936),<ref name="Stages"/>{{Rp|236}} |
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<ref name="The Crime">{{cite book |last=Blankfort |first=Michael |author-link=Michael Blankfort |date=1936 |title=The Crime |url=http://catalog.hathitrust.org/Record/002619027 |location=New York |publisher=New Theatre League |access-date=September 7, 2015 |archive-date=August 8, 2016 |archive-url=https://web.archive.org/web/20160808192339/https://catalog.hathitrust.org/Record/002619027 |url-status=live }}</ref> directed by [[Elia Kazan]]. One of the company members was actress [[Peggy Lloyd|Peggy Craven]], who became Lloyd's wife.<ref name="Stages"/>{{Rp|28}}<ref name=variety>{{cite news|title=Broadway thesp Peggy Lloyd dies at 98|url=https://www.variety.com/article/VR1118041995?refCatId=15|work=[[Variety (magazine)|Variety]]|date=August 30, 2011|access-date=August 31, 2011|archive-date=January 19, 2012|archive-url=https://web.archive.org/web/20120119160346/http://www.variety.com/article/VR1118041995?refCatId=15|url-status=live}}</ref> |
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Losey brought Lloyd into the [[Federal Theatre Project]] — which Lloyd called "one of the great theaters of all time"<ref name="Lloyd 2014">{{cite web |url=http://eatdrinkfilms.com/2014/07/17/orson-welles-world-and-were-just-living-in-it-a-conversation-with-norman-lloyd/ |title=Orson Welles' World, and We're Just Living in It: A Conversation with Norman Lloyd |last=Lattanzio |first=Ryan |date=2014 |website=EatDrinkFilms.com |access-date=September 6, 2015 |archive-date=September 19, 2015 |archive-url=https://web.archive.org/web/20150919113159/http://eatdrinkfilms.com/2014/07/17/orson-welles-world-and-were-just-living-in-it-a-conversation-with-norman-lloyd/ |url-status=live }}</ref>— and its [[Living Newspaper]]s,<ref name="Stages"/>{{Rp|31}} which dramatized contemporary events. They initially prepared ''Ethiopia'', about [[Second Italo-Ethiopian War|the Italian invasion]], which was deemed too controversial and was terminated. The first completed presentation was ''Triple-A Plowed Under'' (1936), followed by ''Injunction Granted'' (1936) and ''Power'' (1937).<ref name="Stages"/>{{Rp|236}} |
Losey brought Lloyd into the [[Federal Theatre Project]] — which Lloyd called "one of the great theaters of all time"<ref name="Lloyd 2014">{{cite web |url=http://eatdrinkfilms.com/2014/07/17/orson-welles-world-and-were-just-living-in-it-a-conversation-with-norman-lloyd/ |title=Orson Welles' World, and We're Just Living in It: A Conversation with Norman Lloyd |last=Lattanzio |first=Ryan |date=2014 |website=EatDrinkFilms.com |access-date=September 6, 2015 |archive-date=September 19, 2015 |archive-url=https://web.archive.org/web/20150919113159/http://eatdrinkfilms.com/2014/07/17/orson-welles-world-and-were-just-living-in-it-a-conversation-with-norman-lloyd/ |url-status=live }}</ref>— and its [[Living Newspaper]]s,<ref name="Stages"/>{{Rp|31}} which dramatized contemporary events. They initially prepared ''Ethiopia'', about [[Second Italo-Ethiopian War|the Italian invasion]], which was deemed too controversial and was terminated. The first completed presentation was ''Triple-A Plowed Under'' (1936), followed by ''Injunction Granted'' (1936) and ''Power'' (1937).<ref name="Stages"/>{{Rp|236}} |
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When [[Orson Welles]] and [[John Houseman]] left the Federal Theatre Project to form their own independent repertory theatre company, the |
When [[Orson Welles]] and [[John Houseman]] left the Federal Theatre Project to form their own independent [[repertory theatre]] company, the Mercury Theatre, Lloyd was invited to become a charter member. He played a memorable role in its first stage production, ''[[Caesar (Mercury Theatre)|Caesar]]'' (1937), Welles's modern-dress adaptation of Shakespeare's tragedy ''[[Julius Caesar (play)|Julius Caesar]]'' — streamlined into an [[anti-fascism|anti-fascist]] tour-de-force. In a scene that became the fulcrum of the show, [[Helvius Cinna|Cinna the Poet]] (Lloyd) dies at the hands not of a mob but of a secret police force. Lloyd called it "an extraordinary scene [that] gripped the audience in a way that the show stopped for about three minutes. The audience stopped it with applause. It showed the audience what fascism was; rather than an intellectual approach, you saw a physical one."<ref name="Lloyd 2014"/> |
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The Mercury prepared ''[[The Shoemaker's Holiday]]'' to go into repertory with ''Caesar'' beginning in January 1938. During the December 25 performance of ''Caesar'' — when the sets, lighting, and costumes for ''Shoemaker'' were ready but no previews had |
The Mercury prepared ''[[The Shoemaker's Holiday]]'' to go into repertory with ''Caesar'' beginning in January 1938. During the December 25 performance of ''Caesar'' — when the sets, lighting, and costumes for ''Shoemaker'' were ready but no previews had been held — Welles asked the cast if they cared to present a surprise preview immediately after the show. He invited the audience to stay and watch the set changes, and the curtain rose at 1:15 a.m. Lloyd recalled it as "the wildest triumph imaginable. The show was a smash during its run — but never again did we have a performance like that one."<ref name="Stages"/>{{Rp|50–51}} |
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Lloyd performed on the first of four releases in the Mercury Text Records series, phonographic recordings of Shakespeare plays adapted for educators by Welles and Roger Hill. ''The Merchant of Venice'' features Lloyd in the roles of Salanio and Launcelot Gobbo.<ref name="Mercury Shakespeare">{{cite book |last1=Welles |first1=Orson |author-link1=Orson Welles |last2=Hill |first2=Roger |title=The Mercury Shakespeare |location=New York, London |publisher=Harper & Brothers |date=1939 |oclc=413059}}</ref> Released on [[Columbia Masterworks Records]] in 1939,<ref name="Columbia C Sets">{{cite book |url=http://www.78discography.com/ColumbiaAlbums.htm |title=Columbia Standard C Album Sets |publisher=Hopper Columbia Discography |isbn=978-1-4478-4414-3 |access-date=September 7, 2015 |archive-date=August 12, 2015 |archive-url=https://web.archive.org/web/20150812001439/http://78discography.com/ColumbiaAlbums.htm |url-status=live }}</ref> the recording was reissued on CD in 1998.<ref name="Pearl Merchant">{{cite book |title=The Merchant of Venice |location=E. Sussex, England |publisher=Pearl (GEMS 0029), Pavilion Records Ltd. |date=1998 |isbn=1899644229 |oclc=44617179}}</ref> |
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[[File:Everywhere-I-Roam-Lloyd-Emery-Jagger.jpg|thumb|left|230px|Lloyd, [[Katherine Emery]] and [[Dean Jagger]] in the Broadway production ''Everywhere I Roam'' (1938)]] |
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Lloyd performed on the first of four releases in the Mercury Text Records series, phonographic recordings of Shakespeare plays adapted for educators by Welles and Roger Hill. ''The Merchant of Venice'' features Lloyd in the roles of Salanio and Launcelot Gobbo.<ref name="Mercury Shakespeare">{{cite book |last1=Welles |first1=Orson |author-link1=Orson Welles |last2=Hill |first2=Roger |title=The Mercury Shakespeare |location=New York, London |publisher=Harper & Brothers |date=1939 |oclc=413059}}</ref> Released on [[Columbia Masterworks Records]] in 1939,<ref name="Columbia C Sets">{{cite book |url=http://www.78discography.com/ColumbiaAlbums.htm |title=Columbia Standard C Album Sets |publisher=Hopper Columbia Discography |isbn=978-1-4478-4414-3 |access-date=September 7, 2015 |archive-date=August 12, 2015 |archive-url=https://web.archive.org/web/20150812001439/http://78discography.com/ColumbiaAlbums.htm |url-status=live }}</ref> the recording was reissued on CD in 1998.<ref name="Pearl Merchant">{{cite book |title=The Merchant of Venice |location=E. Sussex, England |publisher=Pearl (GEMS 0029), Pavilion Records Ltd. |date=1998 |isbn=1899644229 |oclc=44617179}}</ref> |
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Lloyd played the role of [[Johnny Appleseed]] in ''Everywhere I Roam'' (1938), a play by [[Arnold Sundgaard]]<ref name="Stages"/>{{Rp|59}} that was developed by the Federal Theatre Project and staged on Broadway by [[Marc Connelly]].<ref name="Arena"/>{{Rp|266}}<ref>{{cite news |last=Atkinson |first=Brooks |author-link=Brooks Atkinson |date=December 30, 1938 |title=Living Newspaper Story of America in the Sundgaard and Connely 'Everywhere I Roam' |url=https://query.nytimes.com/gst/abstract.html?res=9A07E3DA143BEE3ABC4850DFB4678383629EDE |newspaper=The New York Times |access-date=September 7, 2015 |archive-date=March 6, 2016 |archive-url=https://web.archive.org/web/20160306020946/http://query.nytimes.com/gst/abstract.html?res=9A07E3DA143BEE3ABC4850DFB4678383629EDE |url-status=live }}</ref><ref name="Everywhere IBDb">{{cite web |url=http://www.ibdb.com/production.php?id=12401 |title=Everywhere I Roam |publisher=Internet Broadway Database |access-date=September 7, 2015 |archive-date=September 7, 2015 |archive-url=https://web.archive.org/web/20150907032053/http://www.ibdb.com/production.php?id=12401 |url-status=live }}</ref> "It was a lovely experience, although the play failed," Lloyd recalled. "For me, it was a success; in those days, before the [[Tony Awards]], the critics' Ten Best Performers list at the end of the year was the greatest recognition. For my performance, I was selected to be on the list by the critics."<ref name="Stages"/>{{Rp|59}} |
Lloyd played the role of [[Johnny Appleseed]] in ''Everywhere I Roam'' (1938), a play by [[Arnold Sundgaard]]<ref name="Stages"/>{{Rp|59}} that was developed by the Federal Theatre Project and staged on Broadway by [[Marc Connelly]].<ref name="Arena"/>{{Rp|266}}<ref>{{cite news |last=Atkinson |first=Brooks |author-link=Brooks Atkinson |date=December 30, 1938 |title=Living Newspaper Story of America in the Sundgaard and Connely 'Everywhere I Roam' |url=https://query.nytimes.com/gst/abstract.html?res=9A07E3DA143BEE3ABC4850DFB4678383629EDE |newspaper=The New York Times |access-date=September 7, 2015 |archive-date=March 6, 2016 |archive-url=https://web.archive.org/web/20160306020946/http://query.nytimes.com/gst/abstract.html?res=9A07E3DA143BEE3ABC4850DFB4678383629EDE |url-status=live }}</ref><ref name="Everywhere IBDb">{{cite web |url=http://www.ibdb.com/production.php?id=12401 |title=Everywhere I Roam |publisher=Internet Broadway Database |access-date=September 7, 2015 |archive-date=September 7, 2015 |archive-url=https://web.archive.org/web/20150907032053/http://www.ibdb.com/production.php?id=12401 |url-status=live }}</ref> "It was a lovely experience, although the play failed," Lloyd recalled. "For me, it was a success; in those days, before the [[Tony Awards]], the critics' Ten Best Performers list at the end of the year was the greatest recognition. For my performance, I was selected to be on the list by the critics."<ref name="Stages"/>{{Rp|59}} |
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==Films== |
==Films== |
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In late summer 1939, Lloyd was invited to [[Hollywood]], to join Welles and other Mercury Theatre members in the first film being prepared for [[RKO Pictures]] — ''[[Heart of Darkness]]''. Given a six-week guarantee at $500 a week, he took part in a reading for the film,<ref name="Stages"/>{{Rp|62–65}} which was to be presented entirely through a [[Point of view shot|first-person camera]]. After elaborate pre-production the project never reached production because Welles was unable to trim $50,000 from its budget,<ref name="Welles TIOW"/>{{Rp|31}} something RKO insisted upon as its revenue was declining sharply in Europe by autumn 1939.<ref name="Brady">{{cite book |last=Brady |first=Frank |author-link=Frank Brady (writer) |title=Citizen Welles: A Biography of Orson Welles |publisher=[[Charles Scribner's Sons]] |location=New York |date=1989 |isbn=0-385-26759-2 |url-access=registration |url=https://archive.org/details/citizenwellesbio00brad }}</ref>{{Rp|215–216}} Welles asked the actors to stay a few more weeks as he put together another film project, but Lloyd was ill-advised<ref name="Lloyd 2014"/> by a member of the radio company and impulsively returned to New York. "Those who stayed did ''[[Citizen Kane]]''," Lloyd wrote. "I have always regretted it."<ref name="Stages"/>{{Rp|65}} |
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[[File: |
[[File:Norman Lloyd still 1942.jpg|thumb|upright|left|Lloyd in ''[[Saboteur (film)|Saboteur]]'' (1942)]] |
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In late summer 1939, Lloyd was invited to Hollywood, to join Welles and other Mercury Theatre members in the first film being prepared for [[RKO Pictures]] — ''[[Heart of Darkness]]''. Given a six-week guarantee at $500 a week, he took part in a reading for the film,<ref name="Stages"/>{{Rp|62–65}} which was to be presented entirely through a [[Point of view shot|first-person camera]]. After elaborate pre-production the project never reached production because Welles was unable to trim $50,000 from its budget,<ref name="Welles TIOW"/>{{Rp|31}} something RKO insisted upon as its revenue was declining sharply in Europe by autumn 1939.<ref name="Brady">{{cite book |last=Brady |first=Frank |author-link=Frank Brady (writer) |title=Citizen Welles: A Biography of Orson Welles |publisher=[[Charles Scribner's Sons]] |location=New York |date=1989 |isbn=0-385-26759-2 |url-access=registration |url=https://archive.org/details/citizenwellesbio00brad }}</ref>{{Rp|215–216}} Welles asked the actors to stay a few more weeks as he put together another film project, but Lloyd was ill-advised<ref name="Lloyd 2014"/> by a member of the radio company and impulsively returned to New York. "Those who stayed did ''[[Citizen Kane]]''," Lloyd wrote. "I have always regretted it."<ref name="Stages"/>{{Rp|65}} |
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[[File:The Southerner, 1945, Naish, Scott, and Lloyd in scene after catching catfish.jpg|thumb|[[J. Carrol Naish]], [[Zachary Scott]] and Lloyd in ''[[The Southerner (film)|The Southerner]]'' (1945)]] |
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Lloyd later returned to Hollywood to play a [[Nazi]] spy in Alfred Hitchcock's ''[[Saboteur (film)|Saboteur]]'' (1942), beginning a long friendship and professional association with Hitchcock.<ref name="Upstage">{{cite web|url=https://www.avclub.com/article/norman-lloyd-upstaging-orson-welles-and-playing-te-227428|title=Norman Lloyd on upstaging Orson Welles and playing tennis with Chaplin|date=November 5, 2015|access-date=February 20, 2017|author=Will Harris|publisher=AVClub|archive-date=January 14, 2017|archive-url=https://web.archive.org/web/20170114220028/http://www.avclub.com/article/norman-lloyd-upstaging-orson-welles-and-playing-te-227428|url-status=live}}</ref> Three years later he was cast by French director [[Jean Renoir]] to portray the malicious, dull-witted character Finley in ''[[The Southerner (film)|The Southerner]]'', which was the fourth film of six productions that Renoir directed in the 1940s while living in the United States.<ref>[http://catalog.afi.com/Person/80577-Jean-Renoir?isMiscCredit=False "Jean Renoir] {{Webarchive|url=https://web.archive.org/web/20200701105254/http://catalog.afi.com/Person/80577-Jean-Renoir?isMiscCredit=False |date=July 1, 2020 }}, catalog, [[American Film Institute]] (AFI), Los Angeles, California. Retrieved June 30, 2020.</ref> After a few more villainous screen roles, Lloyd then worked behind the camera as an assistant on [[Lewis Milestone]]'s ''[[Arch of Triumph (1948 film)|Arch of Triumph]]'' (1948).<ref name="Upstage"/> A friend of [[John Garfield]], Lloyd performed with him in the 1951 [[film noir]] [[crime film|crime]] [[drama (film and television)|drama]] ''[[He Ran All the Way]]'', Garfield's last film before the [[Hollywood blacklist]] ended his film career.<ref name="Upstage"/> |
Lloyd later returned to Hollywood to play a [[Nazi]] spy in Alfred Hitchcock's ''[[Saboteur (film)|Saboteur]]'' (1942), beginning a long friendship and professional association with Hitchcock.<ref name="Upstage">{{cite web|url=https://www.avclub.com/article/norman-lloyd-upstaging-orson-welles-and-playing-te-227428|title=Norman Lloyd on upstaging Orson Welles and playing tennis with Chaplin|date=November 5, 2015|access-date=February 20, 2017|author=Will Harris|publisher=AVClub|archive-date=January 14, 2017|archive-url=https://web.archive.org/web/20170114220028/http://www.avclub.com/article/norman-lloyd-upstaging-orson-welles-and-playing-te-227428|url-status=live}}</ref> Three years later he was cast by French director [[Jean Renoir]] to portray the malicious, dull-witted character Finley in ''[[The Southerner (film)|The Southerner]]'', which was the fourth film of six productions that Renoir directed in the 1940s while living in the United States.<ref>[http://catalog.afi.com/Person/80577-Jean-Renoir?isMiscCredit=False "Jean Renoir] {{Webarchive|url=https://web.archive.org/web/20200701105254/http://catalog.afi.com/Person/80577-Jean-Renoir?isMiscCredit=False |date=July 1, 2020 }}, catalog, [[American Film Institute]] (AFI), Los Angeles, California. Retrieved June 30, 2020.</ref> After a few more villainous screen roles, Lloyd then worked behind the camera as an assistant on [[Lewis Milestone]]'s ''[[Arch of Triumph (1948 film)|Arch of Triumph]]'' (1948).<ref name="Upstage"/> A friend of [[John Garfield]], Lloyd performed with him in the 1951 [[film noir]] [[crime film|crime]] [[drama (film and television)|drama]] ''[[He Ran All the Way]]'', Garfield's last film before the [[Hollywood blacklist]] ended his film career.<ref name="Upstage"/> |
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==Post-war career== |
==Post-war career== |
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A marginal victim of the Hollywood blacklist, Lloyd was rescued professionally by Hitchcock, who had previously cast the actor in ''Saboteur'' and ''[[Spellbound (1945 film)|Spellbound]]'' (1945).<ref name="Colony"/> Hitchcock hired Lloyd as an associate producer and a director on his television series ''[[Alfred Hitchcock Presents]]'' in 1958. Previously, Lloyd directed the [[sponsored film]] ''[[A Word to the Wives]]'' (1955) with [[Marsha Hunt (actress, born 1917)|Marsha Hunt]] and [[Darren McGavin]]. He continued directing and producing episodic television throughout the 1960s and 1970s. He took an unusual role in the ''[[Night Gallery]]'' episode "A Feast of Blood" as the bearer of a cursed brooch, which he inflicts upon a hapless woman, played by [[Sondra Locke]], who had spurned his romantic advances.<ref name="Colony"/> In ''[[FM (film)|FM]]'' (1978), Lloyd has a small but pivotal role as the owner of a |
A marginal victim of the Hollywood blacklist, Lloyd was rescued professionally by Hitchcock, who had previously cast the actor in ''Saboteur'' and ''[[Spellbound (1945 film)|Spellbound]]'' (1945).<ref name="Colony"/> Hitchcock hired Lloyd as an associate producer and a director on his television series ''[[Alfred Hitchcock Presents]]'' in 1958. Previously, Lloyd directed the [[sponsored film]] ''[[A Word to the Wives]]'' (1955) with [[Marsha Hunt (actress, born 1917)|Marsha Hunt]] and [[Darren McGavin]]. He continued directing and producing episodic television throughout the 1960s and 1970s. He took an unusual role in the ''[[Night Gallery]]'' episode "A Feast of Blood" as the bearer of a cursed brooch, which he inflicts upon a hapless woman, played by [[Sondra Locke]], who had spurned his romantic advances.<ref name="Colony"/> In ''[[FM (film)|FM]]'' (1978), Lloyd has a small but pivotal role as the owner of a Los Angeles radio station that is undergoing a mutiny of sorts, due to a battle over advertising. Lloyd's character (Carl Billings) ends up playing the white hat role and keeping the station as is, to the delight of staff and fans. |
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In the 1980s, Lloyd played Dr. Daniel Auschlander in the television drama ''[[St. Elsewhere]]'' over its six-season run (1982–88). Originally scheduled for only four episodes, Lloyd became a regular for the rest of the series.<ref name="AAT"/> In addition to [[Ed Flanders]] and [[William Daniels]], ''St. Elsewhere'' included a roster of relative unknowns, including [[Ed Begley, Jr.]], [[Denzel Washington]], [[Stephen Furst]], [[Eric Laneuville]], [[David Morse (actor)|David Morse]], and [[Howie Mandel]].<ref name="Colony"/> |
In the 1980s, Lloyd played Dr. Daniel Auschlander in the television drama ''[[St. Elsewhere]]'' over its six-season run (1982–88). Originally scheduled for only four episodes, Lloyd became a regular for the rest of the series.<ref name="AAT"/> In addition to [[Ed Flanders]] and [[William Daniels]], ''St. Elsewhere'' included a roster of relative unknowns, including [[Ed Begley, Jr.]], [[Denzel Washington]], [[Stephen Furst]], [[Eric Laneuville]], [[David Morse (actor)|David Morse]], and [[Howie Mandel]].<ref name="Colony"/> |
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Lloyd's first film role in nearly a decade was in ''[[Dead Poets Society]]'' (1989), playing Mr. Nolan, the |
Lloyd's first film role in nearly a decade was in ''[[Dead Poets Society]]'' (1989), playing Mr. Nolan, the authoritarian headmaster of Welton Academy, opposite [[Robin Williams]].<ref name="Trainwreck"/> Initially, Lloyd was hesitant when asked to audition, because he thought the director and producers could judge whether or not he was right for the part by watching his acting on ''St. Elsewhere''.<ref name="Robin">{{cite magazine|url=https://www.hollywoodreporter.com/race/robin-williams-dead-poets-society-724841|title=Robin Williams' 'Dead Poets Society' Nemesis Pays Tribute (Exclusive)|date=August 12, 2014|access-date=February 20, 2017|author=Scott Fienberg|magazine=Hollywood Reporter|archive-date=February 20, 2017|archive-url=https://web.archive.org/web/20170220172818/http://www.hollywoodreporter.com/race/robin-williams-dead-poets-society-724841|url-status=live}}</ref> Director [[Peter Weir]] was living in Australia and had not seen ''St. Elsewhere''.<ref name="Robin"/> Lloyd agreed to audition for him after winning his daily tennis match.<ref name="Trainwreck"/> |
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From 1998 to 2001, he played Dr. Isaac Mentnor in the [[UPN]] science fiction drama ''[[Seven Days (TV series)|Seven Days]]''.<ref name="Trainwreck"/> His numerous television guest-star appearances include ''[[The Joseph Cotten Show]]''; ''[[Murder, She Wrote]]''; ''[[The Twilight Zone (1985 TV series)|The Twilight Zone]]''; ''[[Wiseguy]]''; ''[[Star Trek: The Next Generation]]''; ''[[Wings (NBC TV series)|Wings]]''; ''[[The Practice]]''; and ''[[Civil Wars (TV series)|Civil Wars]]''.<ref name="Trainwreck"/> |
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From 1998 to 2001, he played Dr. Isaac Mentnor in the [[UPN]] science fiction drama ''[[Seven Days (TV series)|Seven Days]]''.<ref name="Trainwreck"/> His numerous television guest-star appearances include ''The Joseph Cotten Show''; ''[[Murder, She Wrote]]''; ''[[The Twilight Zone (1985 TV series)|The Twilight Zone]]''; ''[[Wiseguy (TV series)|Wiseguy]]''; ''[[Star Trek: The Next Generation]]'';<ref>{{Cite web |date=2021-05-13 |title=Norman Lloyd, distinguished actor whose character introduced the Kurlan naiskos to Star Trek: The Next Generation, has died at 106 |url=https://www.dailystartreknews.com/read/norman-lloyd-distinguished-actor-whose-character-introduced-the-kurlan-naiskos-to-star-trek-the-next-generation-has-died-at-106 |access-date=2024-10-10 |website=www.dailystartreknews.com |language=en-US}}</ref> ''[[Wings (NBC TV series)|Wings]]''; ''[[The Practice]]''; and ''[[Civil Wars (TV series)|Civil Wars]]''.<ref name="Trainwreck"/> |
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He played in various radio plays for [[Peggy Webber]]'s California Artists Radio Theater and [[Yuri Rasovsky]]'s [[Hollywood Theater of the Ear]]. His last film role was in ''[[Trainwreck (film)|Trainwreck]]'' (2015) which he acted in at the age of 99,<ref name="Trainwreck">{{cite web|url=https://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/|title=Meet Norman Lloyd, the 100-year-old star of Trainwreck|publisher=Telegraph.co.uk|access-date=February 20, 2017|date=August 26, 2015|author=Sanjiv Bhattacharya|archive-date=December 22, 2016|archive-url=https://web.archive.org/web/20161222133518/http://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/|url-status=live}}</ref> although he admitted he was slightly put off by the film's raunchy content. He is the subject of the documentary ''Who Is Norman Lloyd?'', which premiered at the [[Sundance Film Festival]] on September 1, 2007. In 2010, he guest-starred in an episode of ABC's ''[[Modern Family]]''.<ref>{{cite web |url=https://www.tvguide.com/News/Kecks-Exclusives-St-1024427.aspx |title=Keck's Exclusives: ''St. Elsewhere'' Vet Guests on ''Modern Family'' |last=Keck |first=William |publisher=TVGuide.com |date=October 15, 2010 |access-date=October 15, 2010 |archive-date=October 20, 2010 |archive-url=https://web.archive.org/web/20101020151124/http://www.tvguide.com/News/Kecks-Exclusives-St-1024427.aspx |url-status=live }}</ref> On December 5, 2010, he presented ''An Evening with Norman Lloyd'' at the Colony Theatre in [[Burbank, California]], where he spoke about his career and answered questions from the audience.<ref name="Colony">{{cite web |url=http://www.theatreinla.com/newswire.php?newsID=56 |title=The Colony Theatre presents An Evening With Norman Lloyd |date=November 15, 2010 |publisher=Theatre in Los Angeles |access-date=September 7, 2015 |archive-date=March 4, 2016 |archive-url=https://web.archive.org/web/20160304071428/http://www.theatreinla.com/newswire.php?newsID=56 |url-status=live }}</ref> |
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He played in various radio plays for [[Peggy Webber]]'s California Artists Radio Theater and [[Yuri Rasovsky]]'s [[Hollywood Theater of the Ear]]. His last film role was in ''[[Trainwreck (film)|Trainwreck]]'' (2015) in which he acted at the age of 99,<ref name="Trainwreck">{{cite web|url=https://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/|title=Meet Norman Lloyd, the 100-year-old star of Trainwreck|publisher=Telegraph.co.uk|access-date=February 20, 2017|date=August 26, 2015|author=Sanjiv Bhattacharya|archive-date=December 22, 2016|archive-url=https://web.archive.org/web/20161222133518/http://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/|url-status=live}}</ref> although he admitted he was slightly put off by the film's raunchy content. He is the subject of the documentary ''Who Is Norman Lloyd?'', which premiered at the [[Sundance Film Festival]] on September 1, 2007. In 2010, he guest-starred in an episode of ABC's ''[[Modern Family]]''.<ref>{{cite web |url=https://www.tvguide.com/News/Kecks-Exclusives-St-1024427.aspx |title=Keck's Exclusives: ''St. Elsewhere'' Vet Guests on ''Modern Family'' |last=Keck |first=William |publisher=TVGuide.com |date=October 15, 2010 |access-date=October 15, 2010 |archive-date=October 20, 2010 |archive-url=https://web.archive.org/web/20101020151124/http://www.tvguide.com/News/Kecks-Exclusives-St-1024427.aspx |url-status=live }}</ref> On December 5, 2010, he presented ''An Evening with Norman Lloyd'' at the Colony Theatre in [[Burbank, California]], where he spoke about his career and answered questions from the audience.<ref name="Colony">{{cite web |url=http://www.theatreinla.com/newswire.php?newsID=56 |title=The Colony Theatre presents An Evening With Norman Lloyd |date=November 15, 2010 |publisher=Theatre in Los Angeles |access-date=September 7, 2015 |archive-date=March 4, 2016 |archive-url=https://web.archive.org/web/20160304071428/http://www.theatreinla.com/newswire.php?newsID=56 |url-status=live }}</ref> |
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==Personal life== |
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[[File:Norman Lloyd 2007.jpg|right|200px|thumb|Lloyd in 2007]] |
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Lloyd's wife of 75 years, Peggy, died on August 30, 2011, at the age of 98.<ref>{{Cite web|last=Staff|first=Variety|last2=Staff|first2=Variety|date=2011-08-30|title=Broadway thesp Peggy Lloyd dies at 98|url=https://variety.com/2011/legit/news/broadway-thesp-peggy-lloyd-dies-at-98-1118041995/|access-date=2021-05-12|website=Variety|language=en-US}}</ref> The couple had two children, one of whom, actress [[Josie Lloyd]], died in 2020.<ref name=variety/> |
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==Personal life and death== |
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Lloyd began practicing his lifelong hobby of [[tennis]] at the age of eight. "With the application and time I have devoted to it, I should have been a reigning World Champion", he said in a 2000 interview.<ref name="AAT">{{cite web |url=http://www.emmytvlegends.org/interviews/people/norman-lloyd |title=Norman Lloyd Interview |date=September 7, 2000 |publisher=[[Archive of American Television]] |access-date=September 6, 2015 |archive-date=May 11, 2021 |archive-url=https://web.archive.org/web/20210511213113/https://interviews.televisionacademy.com/interviews/norman-lloyd |url-status=live }}</ref> His opponents included [[Charlie Chaplin]], [[Joseph Cotten]], and [[Spencer Tracy]]. Lloyd was still playing twice a week<ref>{{cite news|first=Susan|last=King|url=https://articles.latimes.com/2014/apr/12/entertainment/la-et-mn-classic-hollywood-norman-lloyd-20140413|date=April 12, 2014|title=UCLA Honors the Daring Work of Norman Lloyd|work=[[Los Angeles Times]]|access-date=December 16, 2016|archive-date=March 5, 2016|archive-url=https://web.archive.org/web/20160305232955/http://articles.latimes.com/2014/apr/12/entertainment/la-et-mn-classic-hollywood-norman-lloyd-20140413|url-status=live}}</ref> until July 2015, when he had a fall. He stopped driving in 2014 at his son's insistence.<ref name="Daily Telegraph">{{cite news |last=Bhattacharya |first=Sanjiv |author-link=Sanjiv Bhattacharya |date=August 27, 2015 |title=Meet Norman Lloyd, the 100-year-old star of Trainwreck |url=https://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/ |newspaper=[[The Daily Telegraph|The Sunday Telegraph]] |access-date=September 6, 2015 |archive-date=August 30, 2015 |archive-url=https://web.archive.org/web/20150830025710/http://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/ |url-status=live }}</ref> |
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[[File:Norman Lloyd 2007.jpg|thumb|right|200px|Lloyd in 2007]] |
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On June 29, 1936, Lloyd married stage actress [[Peggy Lloyd|Peggy Craven]]. Together, they had two children: Michael, and actress [[Josie Lloyd|Josie]], who died the year before Lloyd.<ref name="variety" /> Lloyd and Craven remained married for 75 years until her death in 2011.<ref>{{Cite web|author=<!--Staff writer(s); no by-line.-->|date=August 30, 2011|title=Broadway thesp Peggy Lloyd dies at 98|url=https://variety.com/2011/legit/news/broadway-thesp-peggy-lloyd-dies-at-98-1118041995/|access-date=May 12, 2021|website=Variety|language=en-US}}</ref> |
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Lloyd began practicing his lifelong hobby of tennis at the age of 8. "With the application and time I have devoted to it, I should have been a reigning World Champion", he said in a 2000 interview.<ref name="AAT">{{cite web |url=http://www.emmytvlegends.org/interviews/people/norman-lloyd |title=Norman Lloyd Interview |date=September 7, 2000 |publisher=[[Archive of American Television]] |access-date=September 6, 2015 |archive-date=May 11, 2021 |archive-url=https://web.archive.org/web/20210511213113/https://interviews.televisionacademy.com/interviews/norman-lloyd |url-status=live }}</ref> His opponents included [[Charlie Chaplin]], [[Joseph Cotten]], and [[Spencer Tracy]]. Lloyd continued to play twice a week<ref>{{cite news|first=Susan|last=King|url=https://articles.latimes.com/2014/apr/12/entertainment/la-et-mn-classic-hollywood-norman-lloyd-20140413|date=April 12, 2014|title=UCLA Honors the Daring Work of Norman Lloyd|work=[[Los Angeles Times]]|access-date=December 16, 2016|archive-date=March 5, 2016|archive-url=https://web.archive.org/web/20160305232955/http://articles.latimes.com/2014/apr/12/entertainment/la-et-mn-classic-hollywood-norman-lloyd-20140413|url-status=dead}}</ref> until July 2015, when he had a fall. He stopped driving in 2014 at Michael's insistence.<ref name="Daily Telegraph">{{cite news |last=Bhattacharya |first=Sanjiv |author-link=Sanjiv Bhattacharya |date=August 27, 2015 |title=Meet Norman Lloyd, the 100-year-old star of Trainwreck |url=https://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/ |newspaper=[[The Daily Telegraph|The Sunday Telegraph]] |access-date=September 6, 2015 |archive-date=August 30, 2015 |archive-url=https://web.archive.org/web/20150830025710/http://www.telegraph.co.uk/film/trainwreck/norman-lloyd-interview/ |url-status=live }}</ref> |
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Lloyd [[centenarian|turned 100]] on November 8, 2014.<ref name="Foundas Variety">{{cite web |url=https://variety.com/2014/film/features/norman-lloyd-at-100-hollywoods-living-memory-1201345747/ |title=Norman Lloyd at 100: Hollywood's Living Memory |last=Foundas |first=Scott |date=November 7, 2014 |work=Variety |access-date=September 6, 2015 |archive-date=September 5, 2015 |archive-url=https://web.archive.org/web/20150905143558/http://variety.com/2014/film/features/norman-lloyd-at-100-hollywoods-living-memory-1201345747/ |url-status=live }}</ref> |
Lloyd [[centenarian|turned 100]] on November 8, 2014.<ref name="Foundas Variety">{{cite web |url=https://variety.com/2014/film/features/norman-lloyd-at-100-hollywoods-living-memory-1201345747/ |title=Norman Lloyd at 100: Hollywood's Living Memory |last=Foundas |first=Scott |date=November 7, 2014 |work=Variety |access-date=September 6, 2015 |archive-date=September 5, 2015 |archive-url=https://web.archive.org/web/20150905143558/http://variety.com/2014/film/features/norman-lloyd-at-100-hollywoods-living-memory-1201345747/ |url-status=live }}</ref> Two of his longtime friends and understudies, [[Ed Begley Jr.]] and [[Howie Mandel]] (both of whom co-starred with Lloyd on ''St. Elsewhere''), reflected on his centenarian celebration; Begley, Jr. said: "I [have] worked with Norman Lloyd the actor and Norman Lloyd the director, and no one [has] informed me better on the art of storytelling than that talented man. He is a constant inspiration, and my eternal friend"; Mandel added, "I love Norman Lloyd. He is a legend. I have spent hours like a little kid while he regaled us with stories of Hitchcock. He teaches, he entertains. He is a legend."<ref>{{cite web |url=http://www.tvparty.com/1-norman-lloyd.html |title=Norman Lloyd |website=TVParty.com |date=November 8, 2014 |access-date=March 6, 2016 |archive-date=April 11, 2016 |archive-url=https://web.archive.org/web/20160411162122/http://www.tvparty.com/1-norman-lloyd.html |url-status=live }}</ref> |
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On October 25, 2017, |
On October 25, 2017, two weeks before his 103rd birthday, Lloyd attended Game 2 of the [[2017 World Series]] in Los Angeles. Ninety one years earlier, at the age of 11, he attended Game 1 of the [[1926 World Series]] at [[Yankee Stadium (1923)|Yankee Stadium]].<ref>{{cite news |last=Olbermann |first=Keith |author-link=Keith Olbermann |date=October 25, 2017 |title=A boy's return to the World Series 91 years later |url=http://www.espn.com/mlb/story/_/id/21145911/a-boy-return-world-series-91-years-later |work=[[ESPN]] |access-date=October 28, 2017 |archive-date=October 28, 2017 |archive-url=https://web.archive.org/web/20171028094223/http://www.espn.com/mlb/story/_/id/21145911/a-boy-return-world-series-91-years-later |url-status=live }}</ref> |
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Lloyd died |
Lloyd died in his sleep at his home in the [[Brentwood, Los Angeles|Brentwood]] neighborhood of Los Angeles, California, on May 11, 2021, at the age of 106.<ref>{{cite news |last1=Bernstein |first1=Adam |title=Norman Lloyd, character actor who dangled from Lady Liberty in 'Saboteur,' dies at 106 |url=https://www.washingtonpost.com/local/obituaries/norman-lloyd-dead/2021/05/11/0041ec7c-402f-11e4-b03f-de718edeb92f_story.html |newspaper=[[The Washington Post]]|access-date=May 11, 2021}}</ref><ref name="Died">{{cite news|url=https://www.hollywoodreporter.com/movies/movie-news/norman-lloyd-dead-106-1234951530/|title=Norman Lloyd, Star of 'Saboteur' and 'St. Elsewhere,' Dies at 106|work=The Hollywood Reporter|first=Mike|last=Barnes|date=May 11, 2021|access-date=May 11, 2021|archive-date=May 11, 2021|archive-url=https://web.archive.org/web/20210511230338/https://www.hollywoodreporter.com/movies/movie-news/norman-lloyd-dead-106-1234951530/|url-status=live}}</ref><ref>{{Cite news|url=https://apnews.com/article/tv-norman-lloyd-entertainment-arts-and-entertainment-92e186becb7446dde5615bef2f900411|title='Saboteur,' 'St. Elsewhere' star Norman Lloyd dies at 106|first1=Lynn|last1=Elber|first2=Mark|last2=Kennedy|work=AP News|date=May 11, 2021|access-date=May 11, 2021|archive-date=May 12, 2021|archive-url=https://web.archive.org/web/20210512000530/https://apnews.com/article/tv-norman-lloyd-entertainment-arts-and-entertainment-92e186becb7446dde5615bef2f900411|url-status=live}}</ref> |
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==Cultural references== |
==Cultural references== |
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In ''[[Me and Orson Welles]]'' (2008), [[Richard Linklater]]'s period drama set in the days surrounding the premiere of the Mercury Theatre's production of ''Caesar'', Lloyd is portrayed by [[Leo Bill]].<ref>{{cite web |url=https://variety.com/2008/film/markets-festivals/me-and-orson-welles-1200470866/ |title=Film Review: Me and Orson Welles |last=McCarthy |first=Todd |author-link=Todd McCarthy |date=September 6, 2008 |website=[[Variety (magazine)|Variety]] |access-date=September 7, 2015 |archive-date=November 11, 2019 |archive-url=https://web.archive.org/web/20191111165551/https://variety.com/2008/film/markets-festivals/me-and-orson-welles-1200470866/ |url-status=live }}</ref> |
In ''[[Me and Orson Welles]]'' (2008), [[Richard Linklater]]'s period drama set in the days surrounding the premiere of the Mercury Theatre's production of ''Caesar'', Lloyd is portrayed by [[Leo Bill]].<ref>{{cite web |url=https://variety.com/2008/film/markets-festivals/me-and-orson-welles-1200470866/ |title=Film Review: Me and Orson Welles |last=McCarthy |first=Todd |author-link=Todd McCarthy |date=September 6, 2008 |website=[[Variety (magazine)|Variety]] |access-date=September 7, 2015 |archive-date=November 11, 2019 |archive-url=https://web.archive.org/web/20191111165551/https://variety.com/2008/film/markets-festivals/me-and-orson-welles-1200470866/ |url-status=live }}</ref> |
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== |
==Selected theatre credits== |
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===As actor=== |
===As actor=== |
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| [[Johnny Appleseed]] |
| [[Johnny Appleseed]] |
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| National Theatre, New York City |
| National Theatre, New York City |
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| Directed by [[Marc Connelly]]<ref name="Everywhere IBDb"/><br>Lloyd named to the critics' Ten Best Performers list<ref name="Stages"/>{{Rp|59}} |
| Directed by [[Marc Connelly]]<ref name="Everywhere IBDb"/><br />Lloyd named to the critics' Ten Best Performers list<ref name="Stages"/>{{Rp|59}} |
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|- |
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| April 1939 |
| April 1939 |
||
Line 251: | Line 246: | ||
|- |
|- |
||
| 1955 |
| 1955 |
||
| ''[[Man and Superman#Don Juan |
| ''[[Man and Superman#Don Juan Play|Don Juan in Hell]]'' |
||
| Devil |
| Devil |
||
| La Jolla Playhouse, San Diego, California |
| La Jolla Playhouse, San Diego, California |
||
Line 259: | Line 254: | ||
| ''[[Measure for Measure]]'' |
| ''[[Measure for Measure]]'' |
||
| Lucio |
| Lucio |
||
| American Shakespeare Festival, Stratford Connecticut<br>Phoenix Theatre, New York City |
| [[American Shakespeare Theatre|American Shakespeare Festival]], [[Stratford, Connecticut]]<br />Phoenix Theatre, New York City |
||
| Directed by John Houseman and Jack Landau<ref name="Stages"/>{{Rp|240}} |
| Directed by John Houseman and Jack Landau<ref name="Stages"/>{{Rp|240}} |
||
|- |
|- |
||
Line 326: | Line 321: | ||
| 1956 |
| 1956 |
||
| ''[[The Taming of the Shrew]]'' |
| ''[[The Taming of the Shrew]]'' |
||
| |
| American Shakespeare Festival, Stratford, Connecticut<br />Phoenix Theatre, New York City |
||
| <ref name="Stages"/>{{Rp|240}} |
| <ref name="Stages"/>{{Rp|240}} |
||
|- |
|- |
||
Line 361: | Line 356: | ||
| ''[[Cavalcade of America]]'' |
| ''[[Cavalcade of America]]'' |
||
| |
| |
||
| "Listen to the People"<ref name="Goldin Cavalcade">{{cite web |url=http://radiogoldindex.com/cgi-local/p2.cgi?ProgramName=The%20Cavalcade%20Of%20America |title=The Cavalcade of America |publisher=RadioGOLDINdex |access-date=September 7, 2015 |archive-date=December 24, 2017 |archive-url=https://web.archive.org/web/20171224214438/http://radiogoldindex.com/cgi-local/p2.cgi?ProgramName=The%20Cavalcade%20of%20America |url-status=dead }}</ref><ref name="Archive Cavalcade">{{cite web|url=https://archive.org/details/OTRR_Cavalcade_of_America_Singles |title=The Cavalcade of America |publisher=Internet Archive |access-date=September 8, 2015}}</ref> |
| "Listen to the People"<ref name="Goldin Cavalcade">{{cite web |url=http://radiogoldindex.com/cgi-local/p2.cgi?ProgramName=The%20Cavalcade%20Of%20America |title=The Cavalcade of America |publisher=RadioGOLDINdex |access-date=September 7, 2015 |archive-date=December 24, 2017 |archive-url=https://web.archive.org/web/20171224214438/http://radiogoldindex.com/cgi-local/p2.cgi?ProgramName=The%20Cavalcade%20of%20America |url-status=dead }}</ref><ref name="Archive Cavalcade">{{cite web|url=https://archive.org/details/OTRR_Cavalcade_of_America_Singles |title=The Cavalcade of America |date=July 30, 2010 |publisher=Internet Archive |access-date=September 8, 2015}}</ref> |
||
|- |
|- |
||
| July 12, 1943 |
| July 12, 1943 |
||
Line 446: | Line 441: | ||
| ''Columbia Presents Corwin'' |
| ''Columbia Presents Corwin'' |
||
| Clerk |
| Clerk |
||
| "The Undecided Molecule", verse story by [[Norman Corwin]]<ref name="Archive Workshop">{{cite web|url=https://archive.org/details/Columbia.Workshop_174 |title=The Columbia Workshop |
| "The Undecided Molecule", verse story by [[Norman Corwin]]<ref name="Archive Workshop">{{cite web|url=https://archive.org/details/Columbia.Workshop_174 |title=The Columbia Workshop |publisher=[[Internet Archive]] |access-date=September 7, 2015}}</ref><ref name="Dunning">{{cite book |last=Dunning |first=John |author-link=John Dunning (radio historian) |date=1998 |title=On the Air: The Encyclopedia of Old-Time Radio |url=https://archive.org/details/onairencyclop00dunn |url-access=registration |location=New York |publisher=Oxford University Press |isbn=978-0-19-507678-3 }}</ref>{{Rp|167}}<ref name="Goldin Corwin">{{cite web |url=http://radiogoldindex.com/cgi-local/p2.cgi?ProgramName=Columbia%20Presents%20Corwin |title=Columbia Presents Corwin |publisher=RadioGOLDINdex |access-date=September 7, 2015 |archive-date=June 10, 2016 |archive-url=https://web.archive.org/web/20160610033347/http://radiogoldindex.com/cgi-local/p2.cgi?ProgramName=Columbia%20Presents%20Corwin |url-status=dead }}</ref> |
||
|} |
|} |
||
== |
==Selected film and television credits== |
||
===As actor=== |
===As actor=== |
||
====Film==== |
====Film==== |
||
Line 540: | Line 535: | ||
|- |
|- |
||
| 1951 |
| 1951 |
||
| '' |
| ''[[Flame of Stamboul]]'' |
||
| Louis Baracca |
| Louis Baracca |
||
| <ref name="Stages"/>{{Rp|239}}<ref name="AFI"/> |
| <ref name="Stages"/>{{Rp|239}}<ref name="AFI"/> |
||
Line 559: | Line 554: | ||
| <ref name="AFI"/> |
| <ref name="AFI"/> |
||
|- |
|- |
||
| |
| 1952 |
||
| ''[[Limelight (1952 film)|Limelight]]'' |
| ''[[Limelight (1952 film)|Limelight]]'' |
||
| Bodalink |
| Bodalink |
||
Line 572: | Line 567: | ||
| ''[[The Dark Secret of Harvest Home]]'' |
| ''[[The Dark Secret of Harvest Home]]'' |
||
| Amrys Penrose |
| Amrys Penrose |
||
| <ref name="Rotten Tomatoes">{{cite web|url=https://www.rottentomatoes.com/celebrity/norman_lloyd|title=Norman Lloyd|website=Rotten Tomatoes|access-date=May 11, 2021}}</ref><ref name=BFI>{{cite web|url=https://www2.bfi.org.uk/films-tv-people/4ce2ba1dccb3e|title=Norman Lloyd|publisher=British Film Institute|access-date=May 11, 2021}}</ref> |
| <ref name="Rotten Tomatoes">{{cite web|url=https://www.rottentomatoes.com/celebrity/norman_lloyd|title=Norman Lloyd|website=Rotten Tomatoes|access-date=May 11, 2021}}</ref><ref name=BFI>{{cite web|url=https://www2.bfi.org.uk/films-tv-people/4ce2ba1dccb3e|archive-url=https://web.archive.org/web/20190103032031/http://www.bfi.org.uk/films-tv-people/4ce2ba1dccb3e|url-status=dead|archive-date=January 3, 2019|title=Norman Lloyd|publisher=British Film Institute|access-date=May 11, 2021}}</ref> |
||
|- |
|- |
||
| 1978 |
| 1978 |
||
Line 602: | Line 597: | ||
| ''Journey of Honor'' |
| ''Journey of Honor'' |
||
| Father Vasco |
| Father Vasco |
||
| <ref>{{cite |
| <ref>{{cite news|url=https://www2.bfi.org.uk/films-tv-people/4ce2b7a53df7b|archive-url=https://web.archive.org/web/20200604032316/https://www.bfi.org.uk/films-tv-people/4ce2b7a53df7b|url-status=dead|archive-date=June 4, 2020|title=Shogun Mayeda (1992)|newspaper=Bfi |publisher=British Film Institute|access-date=May 11, 2021}}</ref> |
||
|- |
|- |
||
| 1993 |
| 1993 |
||
Line 620: | Line 615: | ||
|- |
|- |
||
| 2005 |
| 2005 |
||
| ''[[In Her Shoes ( |
| ''[[In Her Shoes (film)|In Her Shoes]]'' |
||
| The Professor |
| The Professor |
||
| <ref name="Rotten Tomatoes"/><ref name=BFI/> |
| <ref name="Rotten Tomatoes"/><ref name=BFI/> |
||
Line 638: | Line 633: | ||
| Himself |
| Himself |
||
| Documentary<ref>{{cite web |url=https://variety.com/2014/film/reviews/film-review-magician-the-astonishing-life-and-work-of-orson-welles-1201334973/ |title=Film Review: ''Magician: The Astonishing Life and Work of Orson Welles'' |last=Harvey |first=Dennis |date=October 20, 2014 |website=[[Variety (magazine)|Variety]] |access-date=September 7, 2015 |archive-date=September 6, 2015 |archive-url=https://web.archive.org/web/20150906015718/http://variety.com/2014/film/reviews/film-review-magician-the-astonishing-life-and-work-of-orson-welles-1201334973/ |url-status=live }}</ref> |
| Documentary<ref>{{cite web |url=https://variety.com/2014/film/reviews/film-review-magician-the-astonishing-life-and-work-of-orson-welles-1201334973/ |title=Film Review: ''Magician: The Astonishing Life and Work of Orson Welles'' |last=Harvey |first=Dennis |date=October 20, 2014 |website=[[Variety (magazine)|Variety]] |access-date=September 7, 2015 |archive-date=September 6, 2015 |archive-url=https://web.archive.org/web/20150906015718/http://variety.com/2014/film/reviews/film-review-magician-the-astonishing-life-and-work-of-orson-welles-1201334973/ |url-status=live }}</ref> |
||
|- |
|||
| 2014 |
|||
| ''A Place for Heroes'' |
|||
| Older Robert |
|||
| <ref>{{cite web | url=https://www.youtube.com/watch?v=FA2FaGexGCo | title=A Place for Heroes (Norman Lloyd) - Official Trailer | website=YouTube | date=May 9, 2018 }}</ref> |
|||
|- |
|- |
||
| 2015 |
| 2015 |
||
| ''[[Trainwreck (film)|Trainwreck]]'' |
| ''[[Trainwreck (film)|Trainwreck]]'' |
||
| Norman |
| Norman |
||
| <ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
| Final acting role<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
||
|- |
|||
| 2015 |
|||
| ''Marsha Hunt's Sweet Adversity'' |
|||
| Himself |
|||
| Documentary<ref>https://www.tcm.com/watchtcm/titles/2238383 {{Bare URL inline|date=August 2022}}</ref> |
|||
|- |
|||
| 2018 |
|||
| ''[[The Great Buster: A Celebration]]'' |
|||
| Himself |
|||
| Documentary<ref>{{Cite web|url=https://www.hollywoodreporter.com/movies/movie-reviews/great-buster-a-celebration-review-1137916/|title = 'The Great Buster: A Celebration': Film Review | Venice 2018|website = [[The Hollywood Reporter]]|date = August 30, 2018}}</ref><ref>{{Cite journal|url=https://www.jstor.org/stable/26563068|jstor = 26563068|last1 = Doherty|first1 = Thomas|title = Reviewed work: The Great Buster: A Celebration, Cohen Charles S., Stratten Louise, Bogdanovich Peter, Peled Roee Sharon|journal = Cinéaste|year = 2018|volume = 44|issue = 1|pages = 54–56}}</ref> |
|||
|- |
|||
| 2019 |
|||
| ''[[Propaganda: The Art of Selling Lies]]'' |
|||
| Himself |
|||
| Documentary<ref>{{cite web | url=https://www.hollywoodreporter.com/movies/movie-reviews/propaganda-art-selling-lies-1209104/ | title='Propaganda: The Art of Selling Lies': Film Review | website=[[The Hollywood Reporter]] | date=May 9, 2019 }}</ref><ref>{{cite web | url=https://richardcrouse.ca/propaganda-the-art-of-selling-lies-4-stars-a-fascinating-look-at-human-nature/ | title=PROPAGANDA: THE ART OF SELLING LIES: 4 STARS. "a look at human nature." « Richard Crouse }}</ref> |
|||
|- |
|||
| 2021 |
|||
| ''Broadway: Beyond the Golden Age'' |
|||
| Himself |
|||
| Documentary (Posthumous release)<ref>{{cite web | url=https://www.pbs.org/wnet/gperf/broadway-beyond-the-golden-age-about/12810/ | title=Broadway: Beyond the Golden Age ~ About | Great Performances | PBS | website=[[PBS]] | date=July 21, 2021 }}</ref> |
|||
|- |
|||
| 2022 |
|||
| ''Romantic Mysticism: The Music of Billy Goldenberg'' |
|||
| Himself |
|||
| Documentary (Posthumous release)<ref>{{cite web | url=https://www.digit.in/digit-binge/movies/romantic-mysticism-the-music-of-billy-goldenberg-792027.html | title=Watch Romantic Mysticism: The Music of Billy Goldenberg Movie Online, Release Date, Trailer, Cast and Songs | Documentary Film }}</ref> |
|||
|} |
|} |
||
Line 660: | Line 685: | ||
| 1956 |
| 1956 |
||
| ''[[Kraft Television Theatre]]'' |
| ''[[Kraft Television Theatre]]'' |
||
| Andrew J. |
| Andrew J. Fogarty1 |
||
| Episode: "Paper Foxhole" |
| Episode: "Paper Foxhole" |
||
|- |
|- |
||
Line 671: | Line 696: | ||
| ''[[Alfred Hitchcock Presents]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
| ''[[Alfred Hitchcock Presents]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
||
| Lieutenant Orsatti |
| Lieutenant Orsatti |
||
| Episode: "Nightmare in 4D" |
| Season 2 Episode 16: "Nightmare in 4D" |
||
|- |
|- |
||
| 1957 |
| 1957 |
||
Line 684: | Line 709: | ||
|- |
|- |
||
| 1958 |
| 1958 |
||
| ''Alfred Hitchcock Presents''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
| ''[[Alfred Hitchcock Presents]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
||
| Charles Brailing |
| Charles Brailing |
||
| Episode: "Design for Loving" |
| Season 4 Episode 6: "Design for Loving" |
||
|- |
|- |
||
| 1959 |
| 1959 |
||
Line 694: | Line 719: | ||
|- |
|- |
||
| 1960 |
| 1960 |
||
| ''Alfred Hitchcock Presents''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
| ''[[Alfred Hitchcock Presents]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
||
| Narrator |
| Narrator |
||
| Episode: "The Day of the Bullet" |
| Season 5 Episode 20: "The Day of the Bullet" |
||
|- |
|- |
||
| 1960 |
| 1960 |
||
| ''Alfred Hitchcock Presents''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
| ''[[Alfred Hitchcock Presents]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
||
| The Little Man |
| The Little Man |
||
| Episode: "The Little Man Who Was There"<ref name="Stages"/>{{Rp|241}} |
| Season 5 Episode 25: "The Little Man Who Was There"<ref name="Stages"/>{{Rp|241}} |
||
|- |
|- |
||
| 1960 |
| 1960 |
||
| ''New Comedy Showcase'' |
| ''[[New Comedy Showcase]]'' |
||
| Hotel manager |
|||
| |
|||
| Episode: "Slezak and Son" |
| Season 1 Episode 6: "Slezak and Son"{{Citation needed|date=June 2024}} |
||
|- |
|- |
||
| 1961 |
| 1961 |
||
| ''Alfred Hitchcock Presents''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
| ''[[Alfred Hitchcock Presents]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
||
| Leo Thorby |
| Leo Thorby |
||
| Episode: "Maria" |
| Season 7 Episode 3: "Maria" |
||
|- |
|- |
||
| 1970 |
| 1970 |
||
Line 774: | Line 799: | ||
|- |
|- |
||
| 1989 |
| 1989 |
||
| ''[[Wiseguy]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
| ''[[Wiseguy (TV series)|Wiseguy]]''<ref name="Rotten Tomatoes"/><ref name="TVG Filmography"/> |
||
| General Leland Masters |
| General Leland Masters |
||
| 4 episodes |
| 4 episodes |
||
Line 824: | Line 849: | ||
|- |
|- |
||
| 2001 |
| 2001 |
||
| ''[[The Song of the Lark]]''<ref name="Rotten Tomatoes"/> |
| ''[[The Song of the Lark (novel)|The Song of the Lark]]''<ref name="Rotten Tomatoes"/> |
||
| Madison Bowers |
| Madison Bowers |
||
|Television film |
|Television film |
||
Line 832: | Line 857: | ||
| Donald |
| Donald |
||
| Episode: "[[Manny Get Your Gun]]" |
| Episode: "[[Manny Get Your Gun]]" |
||
|- |
|||
| 2017 |
|||
| ''[[Home & Family]]'' |
|||
| Himself |
|||
| Episode: Lauren Ash/William Daniels & Bonnie Bartlett, uncredited |
|||
|- |
|- |
||
|} |
|} |
||
Line 932: | Line 962: | ||
| 1972–76 |
| 1972–76 |
||
| ''Hollywood Television Theatre'' (TV series) |
| ''Hollywood Television Theatre'' (TV series) |
||
| Executive Producer<br>Director, "Nourish the Beast", "Knuckle", "Ascent of Mount Fuji", "The Fatal Weakness", ''[[Philemon (musical)|Philemon]]'', "Actor", "The Carpenters", "Awake and Sing"<ref name="Stages"/>{{Rp|208, 242–243}}<ref name="AAT"/> |
| Executive Producer<br />Director, "Nourish the Beast", "Knuckle", "Ascent of Mount Fuji", "The Fatal Weakness", ''[[Philemon (musical)|Philemon]]'', "Actor", "The Carpenters", "Awake and Sing"<ref name="Stages"/>{{Rp|208, 242–243}}<ref name="AAT"/> |
||
|- |
|- |
||
| 1980–82 |
| 1980–82 |
||
| ''[[Tales of the Unexpected (TV series)|Tales of the Unexpected]]'' (TV series) |
| ''[[Tales of the Unexpected (TV series)|Tales of the Unexpected]]'' (TV series) |
||
| Producer, [[List of Tales of the Unexpected episodes|American episodes]]<br>Director, "Youth from Vienna", "Wet Saturday"<ref name="Stages"/>{{Rp|244}} |
| Producer, [[List of Tales of the Unexpected episodes|American episodes]]<br />Director, "Youth from Vienna", "Wet Saturday"<ref name="Stages"/>{{Rp|244}} |
||
|} |
|||
==Accolades== |
|||
{| class="wikitable" |
|||
! Year |
|||
! Award |
|||
! Category |
|||
! Work |
|||
! Result |
|||
! Refs |
|||
|- |
|||
| 1970 |
|||
| [[Primetime Emmy Awards]] |
|||
| [[Primetime Emmy Award for Outstanding Drama Series|Outstanding Dramatic Series]] |
|||
| ''[[The Name of the Game (TV series)|The Name of the Game]]'' |
|||
| {{nominated}} |
|||
| <ref>{{Cite web|url=https://www.emmys.com/awards/nominees-winners/1970/outstanding-drama-series|title=Outstanding Drama Series Nominees / Winners 1970|website=Television Academy}}</ref> |
|||
|- |
|||
| 1974 |
|||
| [[Primetime Emmy Awards]] |
|||
| [[Primetime Emmy Award for Outstanding Television Movie|Outstanding Special - Comedy or Drama]] |
|||
| ''Steambath'' |
|||
| {{nominated}} |
|||
| <ref>{{Cite web|url=https://www.emmys.com/bios/norman-lloyd|title=Norman Lloyd|website=Television Academy}}</ref> |
|||
|- |
|||
| 1985 |
|||
| [[Venice Film Festival]] |
|||
| Venice TV Prize - Special Mention |
|||
| ''[[Alfred Hitchcock Presents]]'' |
|||
| {{won}} |
|||
| <ref>{{Cite web|url=https://www.ukrgate.com/eng/?p=13637|title=Actor Norman Lloyd Has Died in the United States|date=May 12, 2021}}</ref> |
|||
|- |
|||
| 2020 |
|||
| [[Los Angeles Film Critics Association|Los Angeles Film Critics Association Awards]] |
|||
| Legacy of Cinema |
|||
| ''[[Limelight (1952 film)|Limelight]]'' |
|||
| {{won}} |
|||
| <ref>{{Cite web|url=http://www.lafca.net/Years/2020.php|title=Awards for 2020 - LAFCA|website=www.lafca.net}}</ref> |
|||
|} |
|} |
||
Line 947: | Line 1,015: | ||
*{{IBDB name}} |
*{{IBDB name}} |
||
*{{iobdb name|32330}} |
*{{iobdb name|32330}} |
||
*[http://moviemorlocks.com/2010/04/03/the-man-who-fell-off-the-statue-of-liberty-an-interview-with-norman-lloyd/#more-20932.htm "The Man Who Fell Off the Statue of Liberty: An Interview with Norman Lloyd"] at TCM's Movie Morlocks (March 2, 2010) |
*[http://moviemorlocks.com/2010/04/03/the-man-who-fell-off-the-statue-of-liberty-an-interview-with-norman-lloyd/#more-20932.htm "The Man Who Fell Off the Statue of Liberty: An Interview with Norman Lloyd"] {{Webarchive|url=https://web.archive.org/web/20130514050944/http://moviemorlocks.com/2010/04/03/the-man-who-fell-off-the-statue-of-liberty-an-interview-with-norman-lloyd/#more-20932.htm |date=May 14, 2013 }} at TCM's Movie Morlocks (March 2, 2010) |
||
*[http://www.filmreference.com/film/80/Norman-Lloyd.html Norman Lloyd] at Filmreference.com |
*[http://www.filmreference.com/film/80/Norman-Lloyd.html Norman Lloyd] at Filmreference.com |
||
*{{The Interviews name|norman-lloyd}} |
*{{The Interviews name|norman-lloyd}} |
||
{{Portal bar|Biography|New Jersey|Radio|Film|Television|Theater}} |
{{Portal bar|Biography|New Jersey|Radio|Film|Television|Theater}} |
||
{{Authority control}} |
{{Authority control}} |
||
{{DEFAULTSORT:Lloyd, Norman}} |
{{DEFAULTSORT:Lloyd, Norman}} |
||
[[Category:1914 births]] |
[[Category:1914 births]] |
||
[[Category:2021 deaths]] |
[[Category:2021 deaths]] |
||
[[Category:20th-century American male actors]] |
[[Category:20th-century American male actors]] |
||
[[Category:21st-century American male actors]] |
[[Category:21st-century American male actors]] |
||
[[Category:American centenarians]] |
[[Category:American men centenarians]] |
||
[[Category:American male film actors]] |
[[Category:American male film actors]] |
||
[[Category:American male radio actors]] |
[[Category:American male radio actors]] |
||
Line 971: | Line 1,038: | ||
[[Category:Jewish American male actors]] |
[[Category:Jewish American male actors]] |
||
[[Category:Male actors from Jersey City, New Jersey]] |
[[Category:Male actors from Jersey City, New Jersey]] |
||
[[Category:Male actors from |
[[Category:Male actors from Brooklyn]] |
||
[[Category:Men centenarians]] |
|||
[[Category:New York University alumni]] |
[[Category:New York University alumni]] |
||
[[Category: |
[[Category:Federal Theatre Project people]] |
||
[[Category:People of the New Deal arts projects]] |
|||
[[Category:Television producers from New York City]] |
[[Category:Television producers from New York City]] |
||
[[Category: |
[[Category:American vaudeville performers]] |
||
[[Category:21st-century American Jews]] |
|||
[[Category:Jewish centenarians]] |
Latest revision as of 23:38, 3 January 2025
Norman Lloyd | |
---|---|
Born | Norman Nathan Perlmutter November 8, 1914 |
Died | May 11, 2021 Los Angeles, California, U.S. | (aged 106)
Education | New York University (dropped out) |
Occupations |
|
Years active | 1923–2020[1] |
Spouse | |
Children | 2, including Josie Lloyd |
Norman Nathan Lloyd (né Perlmutter; November 8, 1914 – May 11, 2021) was an American actor, producer, director, and centenarian with a career in entertainment spanning nearly a century. He worked in every major facet of the industry, including theatre, radio, television, and film, with a career that started in 1923. Lloyd's final film, Trainwreck, was released in 2015, after he turned 100. Lloyd remained the longest-lived male actor from Classic Hollywood until his death in 2021.
In the 1930s, he apprenticed with Eva Le Gallienne's Civic Repertory Theatre and worked with such influential groups as the Federal Theatre Project's Living Newspaper unit, the Mercury Theatre, and the Group Theatre. Lloyd's long professional association with Alfred Hitchcock began with his performance portraying a fifth columnist in the film Saboteur (1942). He also appeared in Spellbound (1945), and was a producer of Hitchcock's anthology television series Alfred Hitchcock Presents. Lloyd directed and produced episodic television throughout the 1950s, 1960s and 1970s. As an actor, he appeared in over 60 films and television shows, with his roles including Bodalink in Charlie Chaplin's Limelight (1952), Mr. Nolan in Dead Poets Society (1989), and Mr. Letterblair in The Age of Innocence (1993). In the 1980s, Lloyd gained a new generation of fans for playing Dr. Daniel Auschlander, one of the starring roles on the medical drama St. Elsewhere.
Early life and theatre
[edit]Lloyd was born Norman Nathan Perlmutter[2] on November 8, 1914, in Jersey City, New Jersey.[3] His family was Jewish[4] and lived in Brooklyn, New York. His father, Max Perlmutter, was an accountant[2] who later became a salesman[5] and proprietor of a furniture store.[6] His mother, Sadie Horowitz Perlmutter, was a bookkeeper[5] and housewife.[7] She had a good voice and a lifelong interest in the theatre, and she took her young son to singing and dancing lessons.[8]: 1 He had two sisters, Ruth[9] and Janice, who survived her brother by four months.[10] Lloyd became a child performer, appearing at vaudeville benefits and women's clubs, and was a professional by the age of nine.[8]: 3 Lloyd graduated from high school when he was 15 and began studies at New York University, but left at the end of his sophomore year. "All around me I could see the way the Depression was affecting everyone; for my family, for people in business like my father, it was a terrible time," he wrote. "I just wasn't going to stay in college, paying tuition to get a degree to be a lawyer, when I could see lawyers who had become taxi drivers."[8]: 4 Lloyd's father died in 1945, at age 55, "broken by the world that he was living in."[11]
In 1932, at age 17, Lloyd auditioned and became the youngest of the apprentices under the direction of May Sarton at Eva Le Gallienne's Civic Repertory Theatre in New York City.[8]: 11, 235 He then joined Sarton's Apprentice Theatre in New Hampshire, continuing his studies with her and her associate, Eleanor Flexner.[8]: 15–19 The group rehearsed a total of ten modern European plays and performed at The New School for Social Research and in Boston.[8]: 16–17, 235 Members of the Harvard Dramatic Club saw Lloyd on stage and offered him the lead in a play directed by Joseph Losey.[8]: 20–21 He rejoined Sarton's group, for whom Losey directed a Boston production of Gods of the Lightning. When Sarton was forced to give up her company, Losey suggested that Lloyd audition for a production of André Obey's Noah (1935). It was Lloyd's first Broadway show.[8]: 22–26
Through Losey, Lloyd became involved in the social theatre of the 1930s, beginning with an acting collective called The Theatre of Action. The group was preparing a production of Michael Blankfort's The Crime (1936),[8]: 236 [12] directed by Elia Kazan. One of the company members was Peggy Craven, who would later become Lloyd's wife.[8]: 28 [13]
Losey brought Lloyd into the Federal Theatre Project — which Lloyd called "one of the great theaters of all time"[14]— and its Living Newspapers,[8]: 31 which dramatized contemporary events. They initially prepared Ethiopia, about the Italian invasion, which was deemed too controversial and was terminated. The first completed presentation was Triple-A Plowed Under (1936), followed by Injunction Granted (1936) and Power (1937).[8]: 236
When Orson Welles and John Houseman left the Federal Theatre Project to form their own independent repertory theatre company, the Mercury Theatre, Lloyd was invited to become a charter member. He played a memorable role in its first stage production, Caesar (1937), Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar — streamlined into an anti-fascist tour-de-force. In a scene that became the fulcrum of the show, Cinna the Poet (Lloyd) dies at the hands not of a mob but of a secret police force. Lloyd called it "an extraordinary scene [that] gripped the audience in a way that the show stopped for about three minutes. The audience stopped it with applause. It showed the audience what fascism was; rather than an intellectual approach, you saw a physical one."[14]
The Mercury prepared The Shoemaker's Holiday to go into repertory with Caesar beginning in January 1938. During the December 25 performance of Caesar — when the sets, lighting, and costumes for Shoemaker were ready but no previews had been held — Welles asked the cast if they cared to present a surprise preview immediately after the show. He invited the audience to stay and watch the set changes, and the curtain rose at 1:15 a.m. Lloyd recalled it as "the wildest triumph imaginable. The show was a smash during its run — but never again did we have a performance like that one."[8]: 50–51
Lloyd performed on the first of four releases in the Mercury Text Records series, phonographic recordings of Shakespeare plays adapted for educators by Welles and Roger Hill. The Merchant of Venice features Lloyd in the roles of Salanio and Launcelot Gobbo.[15] Released on Columbia Masterworks Records in 1939,[16] the recording was reissued on CD in 1998.[17]
Lloyd played the role of Johnny Appleseed in Everywhere I Roam (1938), a play by Arnold Sundgaard[8]: 59 that was developed by the Federal Theatre Project and staged on Broadway by Marc Connelly.[18]: 266 [19][20] "It was a lovely experience, although the play failed," Lloyd recalled. "For me, it was a success; in those days, before the Tony Awards, the critics' Ten Best Performers list at the end of the year was the greatest recognition. For my performance, I was selected to be on the list by the critics."[8]: 59
Films
[edit]In late summer 1939, Lloyd was invited to Hollywood, to join Welles and other Mercury Theatre members in the first film being prepared for RKO Pictures — Heart of Darkness. Given a six-week guarantee at $500 a week, he took part in a reading for the film,[8]: 62–65 which was to be presented entirely through a first-person camera. After elaborate pre-production the project never reached production because Welles was unable to trim $50,000 from its budget,[21]: 31 something RKO insisted upon as its revenue was declining sharply in Europe by autumn 1939.[22]: 215–216 Welles asked the actors to stay a few more weeks as he put together another film project, but Lloyd was ill-advised[14] by a member of the radio company and impulsively returned to New York. "Those who stayed did Citizen Kane," Lloyd wrote. "I have always regretted it."[8]: 65
Lloyd later returned to Hollywood to play a Nazi spy in Alfred Hitchcock's Saboteur (1942), beginning a long friendship and professional association with Hitchcock.[23] Three years later he was cast by French director Jean Renoir to portray the malicious, dull-witted character Finley in The Southerner, which was the fourth film of six productions that Renoir directed in the 1940s while living in the United States.[24] After a few more villainous screen roles, Lloyd then worked behind the camera as an assistant on Lewis Milestone's Arch of Triumph (1948).[23] A friend of John Garfield, Lloyd performed with him in the 1951 film noir crime drama He Ran All the Way, Garfield's last film before the Hollywood blacklist ended his film career.[23]
Post-war career
[edit]A marginal victim of the Hollywood blacklist, Lloyd was rescued professionally by Hitchcock, who had previously cast the actor in Saboteur and Spellbound (1945).[25] Hitchcock hired Lloyd as an associate producer and a director on his television series Alfred Hitchcock Presents in 1958. Previously, Lloyd directed the sponsored film A Word to the Wives (1955) with Marsha Hunt and Darren McGavin. He continued directing and producing episodic television throughout the 1960s and 1970s. He took an unusual role in the Night Gallery episode "A Feast of Blood" as the bearer of a cursed brooch, which he inflicts upon a hapless woman, played by Sondra Locke, who had spurned his romantic advances.[25] In FM (1978), Lloyd has a small but pivotal role as the owner of a Los Angeles radio station that is undergoing a mutiny of sorts, due to a battle over advertising. Lloyd's character (Carl Billings) ends up playing the white hat role and keeping the station as is, to the delight of staff and fans.
In the 1980s, Lloyd played Dr. Daniel Auschlander in the television drama St. Elsewhere over its six-season run (1982–88). Originally scheduled for only four episodes, Lloyd became a regular for the rest of the series.[26] In addition to Ed Flanders and William Daniels, St. Elsewhere included a roster of relative unknowns, including Ed Begley, Jr., Denzel Washington, Stephen Furst, Eric Laneuville, David Morse, and Howie Mandel.[25]
Lloyd's first film role in nearly a decade was in Dead Poets Society (1989), playing Mr. Nolan, the authoritarian headmaster of Welton Academy, opposite Robin Williams.[27] Initially, Lloyd was hesitant when asked to audition, because he thought the director and producers could judge whether or not he was right for the part by watching his acting on St. Elsewhere.[28] Director Peter Weir was living in Australia and had not seen St. Elsewhere.[28] Lloyd agreed to audition for him after winning his daily tennis match.[27]
From 1998 to 2001, he played Dr. Isaac Mentnor in the UPN science fiction drama Seven Days.[27] His numerous television guest-star appearances include The Joseph Cotten Show; Murder, She Wrote; The Twilight Zone; Wiseguy; Star Trek: The Next Generation;[29] Wings; The Practice; and Civil Wars.[27]
He played in various radio plays for Peggy Webber's California Artists Radio Theater and Yuri Rasovsky's Hollywood Theater of the Ear. His last film role was in Trainwreck (2015) in which he acted at the age of 99,[27] although he admitted he was slightly put off by the film's raunchy content. He is the subject of the documentary Who Is Norman Lloyd?, which premiered at the Sundance Film Festival on September 1, 2007. In 2010, he guest-starred in an episode of ABC's Modern Family.[30] On December 5, 2010, he presented An Evening with Norman Lloyd at the Colony Theatre in Burbank, California, where he spoke about his career and answered questions from the audience.[25]
Personal life and death
[edit]On June 29, 1936, Lloyd married stage actress Peggy Craven. Together, they had two children: Michael, and actress Josie, who died the year before Lloyd.[13] Lloyd and Craven remained married for 75 years until her death in 2011.[31] Lloyd began practicing his lifelong hobby of tennis at the age of 8. "With the application and time I have devoted to it, I should have been a reigning World Champion", he said in a 2000 interview.[26] His opponents included Charlie Chaplin, Joseph Cotten, and Spencer Tracy. Lloyd continued to play twice a week[32] until July 2015, when he had a fall. He stopped driving in 2014 at Michael's insistence.[11]
Lloyd turned 100 on November 8, 2014.[33] Two of his longtime friends and understudies, Ed Begley Jr. and Howie Mandel (both of whom co-starred with Lloyd on St. Elsewhere), reflected on his centenarian celebration; Begley, Jr. said: "I [have] worked with Norman Lloyd the actor and Norman Lloyd the director, and no one [has] informed me better on the art of storytelling than that talented man. He is a constant inspiration, and my eternal friend"; Mandel added, "I love Norman Lloyd. He is a legend. I have spent hours like a little kid while he regaled us with stories of Hitchcock. He teaches, he entertains. He is a legend."[34]
On October 25, 2017, two weeks before his 103rd birthday, Lloyd attended Game 2 of the 2017 World Series in Los Angeles. Ninety one years earlier, at the age of 11, he attended Game 1 of the 1926 World Series at Yankee Stadium.[35]
Lloyd died in his sleep at his home in the Brentwood neighborhood of Los Angeles, California, on May 11, 2021, at the age of 106.[36][37][38]
Cultural references
[edit]In Me and Orson Welles (2008), Richard Linklater's period drama set in the days surrounding the premiere of the Mercury Theatre's production of Caesar, Lloyd is portrayed by Leo Bill.[39]
Selected theatre credits
[edit]As actor
[edit]Date | Title | Role | Theatre | Notes |
---|---|---|---|---|
October 26, 1932 – 1933 | Liliom | Stretcher bearer (uncredited) | Civic Repertory Theatre, New York City | Directed by Eva Le Gallienne[8]: 11, 235 [40] |
December 12, 1932 – 1933 | Alice in Wonderland | 5 of Clubs (as Mr. Lloyd) | Civic Repertory Theatre, New York City | Directed by Eva Le Gallienne[8]: 235 [41][42] |
1933 | A Secret Life, The Children's Tragedy, Naked, Fear, The Armored Train, The Call of Life, The Sowers | Various | The New School for Social Research, New York City | Apprentice Theatre, executive director May Sarton[8]: 235 |
1934 | A Bride for the Unicorn | Jay | Harvard Dramatic Club | Directed by Joseph Losey[8]: 235 |
1935 | Dr. Knock | Knock | Peabody Playhouse, Boston | Associated Actors (May Sarton)[8]: 21–22, 235 |
1935 | Gallery Gods | Peabody Playhouse, Boston | Associated Actors (May Sarton)[8]: 21–22, 235 | |
1935 | Gods of the Lightning | Macready | Peabody Playhouse, Boston | Associated Actors (May Sarton); directed by Joseph Losey[8]: 21–22, 235 |
February 3 – March 1935 | Noah | Japhet | Longacre Theatre, New York City | Broadway debut[8]: 236 [43] |
1935 | School for Wives | Peterborough Players, Peterborough, New Hampshire | Summer stock[8]: 21–22, 235 | |
1936 | The Crime | Civic Repertory Theatre, New York City | Two nights, presented The Theatre Union; directed by Elia Kazan[8]: 30, 236 [12] | |
March 14–May 2, 1936 | Triple-A Plowed Under | Leads in vaudeville sketches | Biltmore Theatre, New York City | Living Newspaper, Federal Theatre Project; directed by Joseph Losey[8]: 33, 236 [18]: 390 [44] |
July 24–October 20, 1936 | Injunction Granted | Clown | Biltmore Theatre, New York City | Living Newspaper, Federal Theatre Project; directed by Joseph Losey[8]: 34, 236 [18]: 390 [45] |
February 22–July 10, 1937 | Power | Angus J. Buttoncooper, the Consumer | Ritz Theatre, New York City | Living Newspaper, Federal Theatre Project; directed by Brett Warren[8]: 37, 236 [18]: 390 [46] |
November 11, 1937 – May 28, 1938 | Caesar | Cinna the Poet | Mercury Theatre and National Theatre, New York City | Debut of the Mercury Theatre; directed by Orson Welles[21]: 339 [47] |
January 1 – April 28, 1938 | The Shoemaker's Holiday | Roger, commonly called Hodge | Mercury Theatre and National Theatre, New York City | In repertory with Caesar; directed by Orson Welles[21]: 341 |
December 29, 1938 – January 1939 | Everywhere I Roam | Johnny Appleseed | National Theatre, New York City | Directed by Marc Connelly[20] Lloyd named to the critics' Ten Best Performers list[8]: 59 |
April 1939 | Quiet City | David | Belasco Theatre, New York City | Three Sunday nights; directed by Elia Kazan for The Group Theatre[8]: 59–60, 237 [48] |
April 12 – May 11, 1940 | Medicine Show | New Yorker Theatre, New York City | Commercially produced Living Newspaper on health in the U.S.[8]: 65–66, 237 [49][50] | |
1940 | Pigeons and People | Dock Street Theatre, Charleston, South Carolina | [8]: 237 | |
February 5–22, 1941 | Liberty Jones | Shubert Theatre, New York City | [8]: 66, 237 [51] | |
September 3–27, 1941 | Village Green | Henry Miller Theatre, New York City | [8]: 66, 237 [52] | |
February 4–13, 1943 | Ask My Friend Sandy | Sandy | Biltmore Theatre, New York City | [8]: 237 [53] |
December 25, 1950 – February 3, 1951 | King Lear | Fool | National Theatre, New York City | Directed by John Houseman[8]: 239 [54] |
1954 | Madame Will You Walk | Dockweil | Phoenix Theatre, New York City | [8]: 240 |
1955 | Don Juan in Hell | Devil | La Jolla Playhouse, San Diego, California | [8]: 240 |
1956 | Measure for Measure | Lucio | American Shakespeare Festival, Stratford, Connecticut Phoenix Theatre, New York City |
Directed by John Houseman and Jack Landau[8]: 240 |
1974 | Major Barbara | Undershaft | Mark Taper Forum, Los Angeles, California | [8]: 244 |
July 1–12, 1992 | The Will and Bart Show | Will | Williamstown Theatre Festival, Williamstown, Massachusetts | Written by Jim Lehrer[8]: 233–234 [55] |
December 5, 2010 | An Evening with Norman Lloyd | Himself | Colony Theatre, Burbank, California | [25] |
As director
[edit]Date | Title | Theatre | Notes |
---|---|---|---|
1951 | The Cocktail Party | La Jolla Playhouse, San Diego, California | [8]: 239 |
1952 | The Lady's Not for Burning | La Jolla Playhouse, San Diego, California | [8]: 239 |
1953 | I Am a Camera, You Never Can Tell, Dial M for Murder, The Postman Always Rings Twice | La Jolla Playhouse, San Diego, California | [8]: 239 |
1954 | Madame Will You Walk | Phoenix Theatre, New York City | Co-director with Hume Cronyn[8]: 240 |
March 11 – April 1954 | The Golden Apple | Phoenix Theatre, New York City | Best Musical, New York Drama Critics Circle[8]: 163, 239 [56][57] |
1954 | The Winslow Boy, Anniversary Waltz, Sabrina Fair, The Seven Year Itch, The Vacant Lot | La Jolla Playhouse, San Diego, California | [8]: 240 |
1955 | The Rainmaker, Native Uprising, Billy Budd, The Time of the Cuckoo | La Jolla Playhouse, San Diego, California | [8]: 240 |
1956 | The Taming of the Shrew | American Shakespeare Festival, Stratford, Connecticut Phoenix Theatre, New York City |
[8]: 240 |
1973 | Carola | TV movie |
Select radio credits
[edit]Date | Title | Role | Notes |
---|---|---|---|
October 24, 1937 | Columbia Workshop | Private Schnook | "I've Got the Tune", radio opera by Marc Blitzstein[8]: 51–52 [58] |
July 13, 1940 | The Listener's Playhouse | "No Program Tonight, or The Director's Dilemma"[59] | |
June 1, 1941 | Columbia Workshop | "26 by Corwin: Appointment"[60][61] | |
July 5, 1943 | Cavalcade of America | "Listen to the People"[62][63] | |
July 12, 1943 | Cavalcade of America | "Soldier of the Cloth"[62][63] | |
July 19, 1943 | Cavalcade of America | "The Schoolhouse at the Front"[62][63] | |
August 2, 1943 | Cavalcade of America | Narrator | "Nine Men Against the Arctic"[62][63] |
August 9, 1943 | Cavalcade of America | "Shortcut to Tokyo"[62][63] | |
August 16, 1943 | Cavalcade of America | "The Major and the Mules"[62][63] | |
August 23, 1943 | Cavalcade of America | "The Weapon That Saves Lives"[62][63] | |
September 23, 1943 | Words at War | "They Shall Not Have Me"[64][65][66]: 726 | |
December 13, 1943 | Cavalcade of America | "Check Your Heart at Home"[62][63] | |
December 27, 1943 | Cavalcade of America | "U-Boat Prisoner"[62][63] | |
January 3, 1944 | Cavalcade of America | "Bullseye for Sammy"[62][63] | |
February 7, 1944 | Cavalcade of America | "Prologue to Glory"[62][63] | |
February 21, 1944 | Cavalcade of America | "The Purple Heart Comes to Free Meadows"[62][63] | |
February 22, 1944 | Words at War | "Assignment USA"; repeated April 4, 1944[64][65] | |
March 21, 1944 | Words at War | "Der Fuehrer"[64][65] | |
April 26, 1944 | Arthur Hopkins Presents | "Redemption"[67] | |
May 24, 1945 | Suspense | "My Own Murderer"[68][69] | |
July 17, 1945 | Columbia Presents Corwin | Clerk | "The Undecided Molecule", verse story by Norman Corwin[61][66]: 167 [70] |
Selected film and television credits
[edit]As actor
[edit]Film
[edit]Year | Title | Role | Notes |
---|---|---|---|
1942 | Saboteur | Frank Fry | [71] |
1945 | The Southerner | Finley | [71][72] |
1945 | The Unseen | Jasper Goodwin | [71] |
1945 | Spellbound | Mr. Garmes | [71] |
1945 | A Walk in the Sun | Archimbeau | [71] |
1945 | Within These Walls | Pete Moran | [71] |
1946 | A Letter for Evie | DeWitt Pyncheon | [71] |
1946 | Young Widow | Sammy | [71] |
1946 | The Green Years | Adam Leckie | [71] |
1947 | The Beginning or the End | Dr. Troyanski | [71] |
1948 | No Minor Vices | Dr. Sturdevant | [71] |
1949 | Scene of the Crime | Sleeper | [71] |
1949 | The Black Book | Jean-Lambert Tallien | [8]: 238 [71] |
1949 | Calamity Jane and Sam Bass | Jim Murphy | [71] |
1950 | Buccaneer's Girl | Patout | [71] |
1950 | The Flame and the Arrow | Apollo, the troubadour | [71] |
1951 | Flame of Stamboul | Louis Baracca | [8]: 239 [71] |
1951 | M | Sutro | [71] |
1951 | He Ran All the Way | Al Molin | [71] |
1952 | The Light Touch | Anton | [71] |
1952 | Limelight | Bodalink | [71] |
1977 | Audrey Rose | Dr. Steven Lipscomb | [71] |
1978 | The Dark Secret of Harvest Home | Amrys Penrose | [73][74] |
1978 | FM | Carl Billings | [71] |
1979 | Beggarman, Thief | Roland Fielding | [75] |
1980 | The Nude Bomb | Carruthers | [71] |
1981 | Jaws of Satan | The Monsignore | [75] |
1989 | Dead Poets Society | Headmaster Gale Nolan | [71] |
1991 | Journey of Honor | Father Vasco | [76] |
1993 | The Age of Innocence | Mr. Letterblair | [71] |
2000 | The Adventures of Rocky and Bullwinkle | Wossamotta U. President | [73][74] |
2003 | Charlie: The Life and Art of Charles Chaplin | Himself | Documentary[74][75] |
2005 | In Her Shoes | The Professor | [73][74] |
2007 | Who Is Norman Lloyd? | Himself | Documentary[77] |
2014 | Magician: The Astonishing Life and Work of Orson Welles | Himself | Documentary[78] |
2014 | A Place for Heroes | Older Robert | [79] |
2015 | Trainwreck | Norman | Final acting role[73][75] |
2015 | Marsha Hunt's Sweet Adversity | Himself | Documentary[80] |
2018 | The Great Buster: A Celebration | Himself | Documentary[81][82] |
2019 | Propaganda: The Art of Selling Lies | Himself | Documentary[83][84] |
2021 | Broadway: Beyond the Golden Age | Himself | Documentary (Posthumous release)[85] |
2022 | Romantic Mysticism: The Music of Billy Goldenberg | Himself | Documentary (Posthumous release)[86] |
Television
[edit]Year | Title | Role | Notes |
---|---|---|---|
1956 | The United States Steel Hour | Francis Oberon | Episode: "We Must Kill Toni"[87] |
1956 | Kraft Television Theatre | Andrew J. Fogarty1 | Episode: "Paper Foxhole" |
1956 | Kraft Television Theatre | Episode: "The Plunge" | |
1957 | Alfred Hitchcock Presents[73][75] | Lieutenant Orsatti | Season 2 Episode 16: "Nightmare in 4D" |
1957 | General Electric Theater | Johnny | Episode: "The Earring" |
1957 | The Joseph Cotten Show: On Trial | Duke of Buckingham | Episode: "The Trial of Colonel Blood" |
1958 | Alfred Hitchcock Presents[73][75] | Charles Brailing | Season 4 Episode 6: "Design for Loving" |
1959 | Alcoa Presents: One Step Beyond | Harold Stern | Episode: "Delusion" |
1960 | Alfred Hitchcock Presents[73][75] | Narrator | Season 5 Episode 20: "The Day of the Bullet" |
1960 | Alfred Hitchcock Presents[73][75] | The Little Man | Season 5 Episode 25: "The Little Man Who Was There"[8]: 241 |
1960 | New Comedy Showcase | Hotel manager | Season 1 Episode 6: "Slezak and Son"[citation needed] |
1961 | Alfred Hitchcock Presents[73][75] | Leo Thorby | Season 7 Episode 3: "Maria" |
1970 | The Most Deadly Game | Norman | Episode: "Nightbirds" |
1972 | O'Hara, U.S. Treasury | Episode: "Operation Mr. Felix" | |
1972 | Night Gallery[73] | Henry Mallory | Episode: "A Feast of Blood" |
1972 | The Scarecrow[75] | Dickon | Television film |
1973 | Gondola | Lewis | Television film |
1975 | Kojak[73][75] | Harry Fein | Episode: "Night of the Piraeus" |
1976 | The New Deal for Artists | Himself | Television documentary[88][89][90] |
1982 | Quincy M.E. | Cornelius Sumner | Episode: "Stolen Tears"[71] |
1982–1988 | St. Elsewhere[73][75] | Dr. Daniel Auschlander | 132 episodes |
1985 | The Paper Chase | Professor | Episode: "Laura's Struggle" |
1986–1993 | Murder, She Wrote[73][75] | Edward St. Cloud / Philip Arkham / Lloyd Marcus | 3 episodes |
1986 | The Twilight Zone[75] | Merlin | Episode: "The Last Defender of Camelot" |
1989 | Wiseguy[73][75] | General Leland Masters | 4 episodes |
1989 | Amityville: The Evil Escapes[73][75] | Father Manfred | Television film |
1992 | Civil Wars | Gordon Wimsatt | Episode: "Oceans White with Phone" |
1992 | Home Fires[73] | Dr. Marcus | 6 episodes |
1993 | Star Trek: The Next Generation[73][75] | Professor Galen | Episode: "The Chase" |
1995 | The Omen | Aaron | Television film |
1996 | Wings[73][75] | Lyle Bartlett | Episode: "Bye George" |
1997–2003 | The Practice[73][75] | D. A. Asher Silverman | 3 episodes |
1998–2001 | Seven Days[73][75] | Dr. Isaac Mentnor | 49 episodes |
2000 | Fail Safe[73][75] | Defense Secretary Swenson | Television film |
2001 | The Song of the Lark[73] | Madison Bowers | Television film |
2010 | Modern Family[73][75] | Donald | Episode: "Manny Get Your Gun" |
2017 | Home & Family | Himself | Episode: Lauren Ash/William Daniels & Bonnie Bartlett, uncredited |
As director, producer
[edit]Year | Title | Notes |
---|---|---|
1948 | Arch of Triumph | Associate to the Director[8]: 238 |
1949 | The Red Pony | Assistant to the Producer[8]: 239 |
1952 | Chevron Theatre (TV series) | Director, "That's My Pop", "Annual Honeymoon", "The Bacular Clock", "Mungahra", "The Survey Man", "Meet the Little Woman", "The Reluctant Burglar", "One Thing Leads to Another"[8]: 239 [91] |
1952 | Gruen Playhouse (TV series) | Director, "Dream Man", "A Boy with a Gun", "Bird of Prey", "For Life"[8]: 239 [92] |
1952 | Omnibus (TV series) | Director, "Mr. Lincoln", five half-hour films[8]: 239 |
1954–55 | A Word to the Wives, The Right Touch, Room for Improvement | Director, industrial films[8]: 240 |
1957–58 | Suspicion (TV series) | Associate Producer[8]: 241 |
1957–62 | Alfred Hitchcock Presents (TV series) | Associate Producer[8]: 240 |
1958 | Alfred Hitchcock Presents (TV series) | Director, "$2,000,000 Defense", "Six People, No Music", "Safety for the Witness"[8]: 241 |
1959 | Alfred Hitchcock Presents (TV series) | Director, "Your Witness", "Human Interest Story", "No Pain", "Anniversary Gift". "Special Delivery", "Man from the South", "Say of the Bullet"[8]: 241 |
1960 | Alfred Hitchcock Presents (TV series) | Director, "Hooked", "Very Moral Theft", "Contest for Aaron Gold", "O Youth! O Beauty!"[8]: 241 |
1961 | Alfred Hitchcock Presents (TV series) | Director, "Incident in a Small Jail", "I Spy", "You Can't Be a Little Girl All Your Life", "Strange Miracle", "The Faith of Aaron Menefree"[8]: 241 |
1962–63 | Alfred Hitchcock Hour (TV series) | Producer[8]: 242 |
1962 | Alfred Hitchcock Hour (TV series) | Director, "Final Vow"[8]: 241 |
1962 | Alcoa Premiere (TV series) | Director, "The Jail"[8]: 241 |
1963–65 | Alfred Hitchcock Hour (TV series) | Executive Producer[8]: 242 |
1964 | Alfred Hitchcock Hour (TV series) | Director, "The Jar", "The Lifework of Juan Diaz"[8]: 242 |
1968 | Journey to the Unknown (TV series) | Executive Producer[8]: 242 |
1968 | The Smugglers (TV) | Director, Producer[8]: 239 |
1968 | Companions in Nightmare (TV) | Director, Producer[8]: 239 |
1971 | Columbo (TV series) | Director, "Lady in Waiting" |
1972 | Carola (TV) | Director, Producer[8]: 242 |
1972–76 | Hollywood Television Theatre (TV series) | Executive Producer Director, "Nourish the Beast", "Knuckle", "Ascent of Mount Fuji", "The Fatal Weakness", Philemon, "Actor", "The Carpenters", "Awake and Sing"[8]: 208, 242–243 [26] |
1980–82 | Tales of the Unexpected (TV series) | Producer, American episodes Director, "Youth from Vienna", "Wet Saturday"[8]: 244 |
Accolades
[edit]Year | Award | Category | Work | Result | Refs |
---|---|---|---|---|---|
1970 | Primetime Emmy Awards | Outstanding Dramatic Series | The Name of the Game | Nominated | [93] |
1974 | Primetime Emmy Awards | Outstanding Special - Comedy or Drama | Steambath | Nominated | [94] |
1985 | Venice Film Festival | Venice TV Prize - Special Mention | Alfred Hitchcock Presents | Won | [95] |
2020 | Los Angeles Film Critics Association Awards | Legacy of Cinema | Limelight | Won | [96] |
References
[edit]- ^ "The End of an Era: Norman Lloyd, 1914-2021". RogerEbert.com. May 12, 2021. Retrieved May 17, 2021.
He lasted so long in the business that his final job would be a role in the TV series "Fly," shot in 2020.
- ^ a b New York State Archives; Albany, New York; State Population Census Schedules, 1915; Election District: 54; Assembly District: 22; City: New York; County: Kings; Page: 84. Ancestry.com. New York, State Census, 1915 [database online]. Provo, Utah: Ancestry.com Operations Inc., 2012. Retrieved September 6, 2015.
- ^ Katz, Ephraim, Fred Klein; Ronald Dean Nolan, The Film Encyclopedia (Third Edition). New York: HarperPerennial, 1998. ISBN 9780062734921 page 1838.
- ^ Robinson, George (November 20, 2007). "The Man with a Hundred Faces". The Jewish Week. Archived from the original on September 25, 2015. Retrieved September 6, 2015.
- ^ a b Ancestry.com. 1920 United States Federal Census [database online]. Provo, Utah: Ancestry.com Operations Inc., 2010. Retrieved September 6, 2015.
- ^ Ancestry.com. 1930 United States Federal Census [database online]. Provo, Utah: Ancestry.com Operations Inc., 2002. Retrieved September 6, 2015.
- ^ New York State Archives; Albany, New York; State Population Census Schedules, 1925; Election District: 08; Assembly District: 16; City: Brooklyn; County: Kings; Page: 43. Ancestry.com. New York, State Census, 1925 [database online]. Provo, Utah: Ancestry.com Operations Inc., 2012. Retrieved September 6, 2015.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi bj bk bl bm bn bo bp bq br bs bt bu bv bw bx by bz Lloyd, Norman (1993) [1990]. Stages of Life in Theatre, Film and Television. New York: Limelight Editions. ISBN 9780879101664.
- ^ 1930 United States Federal Census
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- ^ Welles, Orson; Hill, Roger (1939). The Mercury Shakespeare. New York, London: Harper & Brothers. OCLC 413059.
- ^ Columbia Standard C Album Sets. Hopper Columbia Discography. ISBN 978-1-4478-4414-3. Archived from the original on August 12, 2015. Retrieved September 7, 2015.
- ^ The Merchant of Venice. E. Sussex, England: Pearl (GEMS 0029), Pavilion Records Ltd. 1998. ISBN 1899644229. OCLC 44617179.
- ^ a b c d Flanagan, Hallie (1965). Arena: The History of the Federal Theatre. New York: Benjamin Blom, reprint edition [1940]. OCLC 855945294.
- ^ Atkinson, Brooks (December 30, 1938). "Living Newspaper Story of America in the Sundgaard and Connely 'Everywhere I Roam'". The New York Times. Archived from the original on March 6, 2016. Retrieved September 7, 2015.
- ^ a b "Everywhere I Roam". Internet Broadway Database. Archived from the original on September 7, 2015. Retrieved September 7, 2015.
- ^ a b c Welles, Orson; Bogdanovich, Peter; Rosenbaum, Jonathan (1992). This is Orson Welles. New York: HarperCollins Publishers. ISBN 0-06-016616-9.
- ^ Brady, Frank (1989). Citizen Welles: A Biography of Orson Welles. New York: Charles Scribner's Sons. ISBN 0-385-26759-2.
- ^ a b c Will Harris (November 5, 2015). "Norman Lloyd on upstaging Orson Welles and playing tennis with Chaplin". AVClub. Archived from the original on January 14, 2017. Retrieved February 20, 2017.
- ^ "Jean Renoir Archived July 1, 2020, at the Wayback Machine, catalog, American Film Institute (AFI), Los Angeles, California. Retrieved June 30, 2020.
- ^ a b c d e "The Colony Theatre presents An Evening With Norman Lloyd". Theatre in Los Angeles. November 15, 2010. Archived from the original on March 4, 2016. Retrieved September 7, 2015.
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- ^ a b Scott Fienberg (August 12, 2014). "Robin Williams' 'Dead Poets Society' Nemesis Pays Tribute (Exclusive)". Hollywood Reporter. Archived from the original on February 20, 2017. Retrieved February 20, 2017.
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- ^ In some 1945 trade publications and modern film references, Lloyd's character in The Southerner is cited "Finlay", although the correct spelling is "Finley", as given in the film's screen credits.
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- ^ "A Place for Heroes (Norman Lloyd) - Official Trailer". YouTube. May 9, 2018.
- ^ https://www.tcm.com/watchtcm/titles/2238383 [bare URL]
- ^ "'The Great Buster: A Celebration': Film Review | Venice 2018". The Hollywood Reporter. August 30, 2018.
- ^ Doherty, Thomas (2018). "Reviewed work: The Great Buster: A Celebration, Cohen Charles S., Stratten Louise, Bogdanovich Peter, Peled Roee Sharon". Cinéaste. 44 (1): 54–56. JSTOR 26563068.
- ^ "'Propaganda: The Art of Selling Lies': Film Review". The Hollywood Reporter. May 9, 2019.
- ^ "PROPAGANDA: THE ART OF SELLING LIES: 4 STARS. "a look at human nature." « Richard Crouse".
- ^ "Broadway: Beyond the Golden Age ~ About | Great Performances | PBS". PBS. July 21, 2021.
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- ^ "Outstanding Drama Series Nominees / Winners 1970". Television Academy.
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External links
[edit]- Norman Lloyd at IMDb
- Norman Lloyd at the Internet Broadway Database
- Norman Lloyd at the Internet Off-Broadway Database
- "The Man Who Fell Off the Statue of Liberty: An Interview with Norman Lloyd" Archived May 14, 2013, at the Wayback Machine at TCM's Movie Morlocks (March 2, 2010)
- Norman Lloyd at Filmreference.com
- Norman Lloyd at The Interviews: An Oral History of Television
- 1914 births
- 2021 deaths
- 20th-century American male actors
- 21st-century American male actors
- American men centenarians
- American male film actors
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- American people of Jewish descent
- American television directors
- Hollywood blacklist
- Jewish American male actors
- Male actors from Jersey City, New Jersey
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- New York University alumni
- Federal Theatre Project people
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- Jewish centenarians