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{{short description|Canadian opera singer}}
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{{infobox person
{{infobox person
| name = Léopold Simoneau
| name = Léopold Simoneau
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He then left for New York City for complementary studies with [[Paul Althouse]]. In 1946 he appeared at the [[New York City Center]] as Lionel in [[Martha (opera)|''Martha'']]. That same year he married French-Canadian [[soprano]] [[Pierrette Alarie]]. Together they left for France.
He then left for New York City for complementary studies with [[Paul Althouse]]. In 1946 he appeared at the [[New York City Center]] as Lionel in [[Martha (opera)|''Martha'']]. That same year he married French-Canadian [[soprano]] [[Pierrette Alarie]]. Together they left for France.


Simoneau made his debut in 1949 at the [[Opéra-Comique]] of Paris as Vincent in [[Gounod]]'s opera ''[[Mireille (opera)|Mireille]]'' and at the [[Palais Garnier|Paris Opera]] as Tamino in ''[[Die Zauberflöte]]''. He made his debut at the [[Aix-en-Provence Festival]] in 1950 singing Ottavio in ''[[Don Giovanni]]'' and Ferrando in ''[[Così fan tutte]]''. The following year, 1951, he made his debut at the [[Glyndebourne Festival]] as Idamante in ''[[Idomeneo]]''. His performances at these two festivals quickly established him as the outstanding Mozartian tenor of his time. He was invited to sing at the [[Salzburg Festival]] and the [[Edinburgh International Festival]], at the [[Vienna State Opera]] and at [[La Scala]] in [[Milan]], while pursuing his career in France, in roles such as Nadir in ''[[Les pêcheurs de perles]]'', Gérald in ''[[Lakmé]]''. He took part in the revival of opera such as [[Rameau]]'s ''[[Les Indes galantes]]'' and Orphée in the French version for tenor of [[Gluck]]'s ''[[Orfeo ed Euridice]]''. In France he was frequently singing opposite his wife, who was a light lyric [[coloratura soprano]] excelling in the same repertoire as her husband.
Simoneau made his debut in 1949 at the [[Opéra-Comique]] of Paris as Vincent in [[Charles Gounod|Gounod]]'s opera ''[[Mireille (opera)|Mireille]]'' and at the [[Palais Garnier|Paris Opera]] as Tamino in [[Wolfgang Amadeus Mozart|Mozart's]] ''[[The Magic Flute]]''. He made his debut at the [[Aix-en-Provence Festival]] in 1950 singing Ottavio in ''[[Don Giovanni]]'' and Ferrando in ''[[Così fan tutte]]''. The following year, 1951, he made his debut at the [[Glyndebourne Festival]] as Idamante in ''[[Idomeneo]]''. His performances at these two festivals quickly established him as the outstanding Mozartian tenor of his time. He was invited to sing at the [[Salzburg Festival]] and the [[Edinburgh International Festival]], at the [[Vienna State Opera]] and at [[La Scala]] in [[Milan]], while pursuing his career in France, in roles such as Nadir in [[Georges Bizet|Bizet]]'s ''[[Les pêcheurs de perles]]'', Gérald in [[Léo Delibes|Delibes]]' ''[[Lakmé]]''. He took part in the revival of opera such as [[Jean-Philippe Rameau|Rameau]]'s ''[[Les Indes galantes]]'' and Orphée in the French version for tenor of [[Christoph Willibald Gluck|Gluck]]'s ''[[Orfeo ed Euridice]]''. In France he was frequently singing opposite his wife, who was a light lyric [[coloratura soprano]] excelling in the same repertoire as her husband.


In the 1950s he made several famous recordings, including one of the [[Mozart Requiem]] with [[Bruno Walter]] conducting. He also participated in two celebrated recordings with [[Philips Records]], [[Georges Bizet]]'s ''Les pêcheurs de perles'' conducted by [[Jean Fournet]], and [[Christoph Willibald Gluck]]'s ''Orphée et Euridyce'' conducted by [[Hans Rosbaud]], in which he gave what some critics feel are the definitive performances of the roles of Nadir and Orphée. Simoneau also sang the role of Belmonte in Sir [[Thomas Beecham]]'s recording of Mozart's ''[[The Abduction from the Seraglio]]'', and the role of Ferrando in Mozart's ''Così fan tutte'' opposite [[Elisabeth Schwarzkopf]], [[Nan Merriman]], [[Rolando Panerai]], [[Lisa Otto]], [[Sesto Bruscantini]], conducted by [[Herbert von Karajan]], both considered classics. He also sang in [[Charles Munch (conductor)|Charles Munch]]'s critically acclaimed 1959 recording of the [[Berlioz]] Requiem.
In the 1950s he made several famous recordings, including one of Mozart's ''[[Requiem (Mozart)|Requiem]]'' with [[Bruno Walter]] conducting, and also in 1956 [[Hector Berlioz|Berlioz]]'s ''[[Requiem (Berlioz)|Requiem]]'' with The Wiener Staatsopernchor, The Wiener Philarmoniker conducted by [[Dimitri Mitropoulos]]. He also participated in two celebrated recordings with [[Philips Records]], ''Les pêcheurs de perles'' conducted by [[Jean Fournet]], and Gluck's ''Orphée et Euridyce'' conducted by [[Hans Rosbaud]], in which he gave what some critics feel are the definitive performances of the roles of Nadir and Orphée. Simoneau also sang the role of Belmonte in Sir [[Thomas Beecham]]'s recording of Mozart's ''[[Die Entführung aus dem Serail]]'', and the role of Ferrando in Mozart's ''Così fan tutte'' opposite [[Elisabeth Schwarzkopf]], [[Nan Merriman]], [[Rolando Panerai]], [[Lisa Otto]], [[Sesto Bruscantini]], conducted by [[Herbert von Karajan]], both considered classics. He also sang in [[Charles Munch (conductor)|Charles Munch]]'s critically acclaimed 1959 recording of the Berlioz Requiem.


Simoneau made his debut at the [[Lyric Opera of Chicago]] in 1954, he sang there until 1961, notably in ''[[La traviata]]'' opposite [[Maria Callas]]. His only [[Metropolitan Opera]] appearances were five performances of Don Ottavio during the 1963-64 season.
Simoneau made his debut at the [[Lyric Opera of Chicago]] in 1954, he sang there until 1961, notably in [[Giuseppe Verdi|Verdi's]] ''[[La traviata]]'' opposite [[Maria Callas]]. His only [[Metropolitan Opera]] appearances were five performances of Don Ottavio during the 1963-64 season.


Simoneau's final appearance was in [[Handel]]'s ''[[Messiah (Handel)|Messiah]]'' in Montréal on November 24, 1970. He was made an Officer of the [[Order of Canada]] in 1971, he was promoted to Companion in 1995. Simoneau was also made a Knight of the [[National Order of Quebec]] in 1997.
Simoneau's final appearance was in [[George Frideric Handel|Handel]]'s ''[[Messiah (Handel)|Messiah]]'' in Montréal on November 24, 1970. He was made an Officer of the [[Order of Canada]] in 1971, he was promoted to Companion in 1995. Simoneau was also made a Knight of the [[National Order of Quebec]] in 1997.


After retiring, Simoneau and his wife became active as teachers, notably at the [[Banff Centre]]. They also founded the Canada Piccola Opera in [[Victoria, British Columbia]], in 1982. The couple had two daughters, Isabelle and Chantal.
After retiring, Simoneau and his wife became active as teachers, notably at the [[Banff Centre]]. They also founded the Canada Piccola Opera in [[Victoria, British Columbia]], in 1982. The couple had two daughters, Isabelle and Chantal.
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==External links==
==External links==
*[http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0007410 Léopold Simoneau] at [[The Canadian Encyclopedia]]
*[https://web.archive.org/web/20060505001618/http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0007410 Léopold Simoneau] at [[The Canadian Encyclopedia]]
*[http://www.bruceduffie.com/simoneau.html Two interviews with Léopold Simoneau and Pierrette Alarie] by Bruce Duffie, May 1, 1986 and August 23, 1987
*[http://www.bruceduffie.com/simoneau.html Two interviews with Léopold Simoneau and Pierrette Alarie] by Bruce Duffie, May 1, 1986 and August 23, 1987
*http://Leopold{{Dead link|date=March 2020 |bot=InternetArchiveBot |fix-attempted=yes }} Simoneau and Pierrette Alarie fonds at Library and Archives Canada
*http://Leopold{{Dead link|date=March 2020 |bot=InternetArchiveBot |fix-attempted=yes }} Simoneau and Pierrette Alarie fonds at Library and Archives Canada
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[[Category:Knights of the National Order of Quebec]]
[[Category:Knights of the National Order of Quebec]]
[[Category:Companions of the Order of Canada]]
[[Category:Companions of the Order of Canada]]
[[Category:French Quebecers]]
[[Category:Singers from Quebec]]
[[Category:Singers from Quebec]]
[[Category:20th-century Canadian opera singers]]
[[Category:20th-century Canadian male opera singers]]
[[Category:20th-century Canadian male musicians]]
[[Category:20th-century male singers]]
[[Category:Université Laval alumni]]
[[Category:Université Laval alumni]]
[[Category:Canadian expatriates in France]]
[[Category:Canadian expatriates in France]]
[[Category:Governor General's Award winners]]

Latest revision as of 03:00, 12 February 2024

Léopold Simoneau
BornMay 3, 1916
DiedAugust 24, 2006(2006-08-24) (aged 90)
OccupationClassical tenor
Years active1941–1970
Spouse
(m. 1946)

Léopold Simoneau, CC CQ (May 3, 1916 – August 24, 2006) was a French-Canadian lyric tenor, one of the outstanding Mozarteans of his time. In 1959 he became the first recipient of the Calixa-Lavallée Award.

Life and career

[edit]

Simoneau was born in Saint-Flavien, Quebec, and started his vocal studies in Quebec City at the Collège de Lévis and Université Laval. While studying in Montreal with Salvator Issaurel, he made his professional debut with Les Variétés Lyriques in Montréal in 1941.

He then left for New York City for complementary studies with Paul Althouse. In 1946 he appeared at the New York City Center as Lionel in Martha. That same year he married French-Canadian soprano Pierrette Alarie. Together they left for France.

Simoneau made his debut in 1949 at the Opéra-Comique of Paris as Vincent in Gounod's opera Mireille and at the Paris Opera as Tamino in Mozart's The Magic Flute. He made his debut at the Aix-en-Provence Festival in 1950 singing Ottavio in Don Giovanni and Ferrando in Così fan tutte. The following year, 1951, he made his debut at the Glyndebourne Festival as Idamante in Idomeneo. His performances at these two festivals quickly established him as the outstanding Mozartian tenor of his time. He was invited to sing at the Salzburg Festival and the Edinburgh International Festival, at the Vienna State Opera and at La Scala in Milan, while pursuing his career in France, in roles such as Nadir in Bizet's Les pêcheurs de perles, Gérald in Delibes' Lakmé. He took part in the revival of opera such as Rameau's Les Indes galantes and Orphée in the French version for tenor of Gluck's Orfeo ed Euridice. In France he was frequently singing opposite his wife, who was a light lyric coloratura soprano excelling in the same repertoire as her husband.

In the 1950s he made several famous recordings, including one of Mozart's Requiem with Bruno Walter conducting, and also in 1956 Berlioz's Requiem with The Wiener Staatsopernchor, The Wiener Philarmoniker conducted by Dimitri Mitropoulos. He also participated in two celebrated recordings with Philips Records, Les pêcheurs de perles conducted by Jean Fournet, and Gluck's Orphée et Euridyce conducted by Hans Rosbaud, in which he gave what some critics feel are the definitive performances of the roles of Nadir and Orphée. Simoneau also sang the role of Belmonte in Sir Thomas Beecham's recording of Mozart's Die Entführung aus dem Serail, and the role of Ferrando in Mozart's Così fan tutte opposite Elisabeth Schwarzkopf, Nan Merriman, Rolando Panerai, Lisa Otto, Sesto Bruscantini, conducted by Herbert von Karajan, both considered classics. He also sang in Charles Munch's critically acclaimed 1959 recording of the Berlioz Requiem.

Simoneau made his debut at the Lyric Opera of Chicago in 1954, he sang there until 1961, notably in Verdi's La traviata opposite Maria Callas. His only Metropolitan Opera appearances were five performances of Don Ottavio during the 1963-64 season.

Simoneau's final appearance was in Handel's Messiah in Montréal on November 24, 1970. He was made an Officer of the Order of Canada in 1971, he was promoted to Companion in 1995. Simoneau was also made a Knight of the National Order of Quebec in 1997.

After retiring, Simoneau and his wife became active as teachers, notably at the Banff Centre. They also founded the Canada Piccola Opera in Victoria, British Columbia, in 1982. The couple had two daughters, Isabelle and Chantal.

Léopold Simoneau died at his home on August 24, 2006, in Victoria, British Columbia, at the age of 90.

Sources

[edit]
  • Le Dictionnaire des disques et des compacts, Robert Laffont. ISBN 2-221-06682-0
  • Alain Pâris, Dictionnaire des interprètes et de l'interpretation musicale au XX siècle (2 vols), Éditions Robert Laffont (Bouquins, Paris 1982, 4th edn. 1995, 5th edn 2004). ISBN 2-221-06660-X
  • D. Hamilton (ed.),The Metropolitan Opera Encyclopedia: A Complete Guide to the World of Opera (Simon and Schuster, New York 1987). ISBN 0-671-61732-X
  • Roland Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition), Guide de l’opéra, Les indispensables de la musique (Fayard, 1995). ISBN 2-213-59567-4
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