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| name = Farewell, My Lovely
| name = Farewell, My Lovely
| image = Poster Farewell My Lovely 1975.jpg
| image = Poster Farewell My Lovely 1975.jpg
| image_size =
| caption = Theatrical release poster
| caption = Theatrical release poster
| alt =
| alt =
| director = [[Dick Richards]]
| director = [[Dick Richards]]
| producer = [[Elliott Kastner]]<br/>[[Jerry Bruckheimer]]<br/>George Pappas
| producer = [[Jerry Bruckheimer]]<br/>George Pappas
| screenplay = [[David Zelag Goodman]]
| screenplay = [[David Zelag Goodman]]
| based_on = ''[[Farewell, My Lovely]]'' by<br/>[[Raymond Chandler]]
| based_on = {{based on|''[[Farewell, My Lovely]]''<br>(1940 novel)|[[Raymond Chandler]]}}
| starring = [[Robert Mitchum]]<br/>[[Charlotte Rampling]]<br/>[[John Ireland (actor)|John Ireland]]<br/>[[Sylvia Miles]]<br/>[[Anthony Zerbe]]
| starring = [[Robert Mitchum]]<br/>[[Charlotte Rampling]]<br/>[[John Ireland (actor)|John Ireland]]<br/>[[Sylvia Miles]]<br/>[[Anthony Zerbe]]
| music = [[David Shire]]
| music = [[David Shire]]
| cinematography = [[John A. Alonzo]]
| cinematography = [[John A. Alonzo]]
| editing = [[Joel Cox]]<br/>[[Walter A. Thompson|Walter Thompson]]
| editing = [[Joel Cox]]<br/>[[Walter A. Thompson]]
| studio = [[ITC Entertainment]]
| studio = [[ITC Entertainment]]<br>EK Corporation
| distributor = [[Embassy Pictures|Avco Embassy Pictures]]
| distributor = [[The Rank Organisation|Fox-Rank Distributors]] (UK)<br>[[Embassy Pictures|Avco Embassy Pictures]] (US)
| released = {{Film date|1975|8|8|United States}}
| released = {{Film date|1975|8|8|US|1976|2|20|UK}}
| runtime = 95 minutes
| runtime = 95 minutes
| country = United Kingdom<ref name="bfi">{{Cite web |title=Farewell, My Lovely (1975) |url=https://www.bfi.org.uk/film/d1c1c934-e469-500b-9da1-dd26b708ee29/farewell-my-lovely |access-date=2024-12-30 |website=BFI |language=en}}</ref><br>United States<ref name="bfi"/>
| country = United States
| language = English
| language = English
| budget = $2.5 million<ref name="nat">The great movie money show. Michael Pye. The Sunday Times (London, England), Sunday, July 13, 1975; pg. 47; Issue 7935.)</ref>
| budget = $2.5 million<ref name="nat">The great movie money show. Michael Pye. The Sunday Times (London, England), Sunday, July 13, 1975; pg. 47; Issue 7935.</ref>
| gross = $2 million<br/>(United States)<ref>{{cite web|url=https://www.the-numbers.com/movies/1975/0FAML.php |title=Farewell My Lover - Box Office Data |publisher=The Numbers |access-date=August 21, 2013}}</ref>
| gross = $2 million<ref>{{cite web|url=https://www.the-numbers.com/movies/1975/0FAML.php |title=Farewell My Lovely - Box Office Data |publisher=The Numbers |access-date=December 13, 2022}}</ref>
}}
}}
'''''Farewell, My Lovely''''' is a 1975 American [[neo-noir]]<ref>[[Alain Silver|Silver, Alain]]; Ward, Elizabeth; eds. (1992). ''Film Noir: An Encyclopedic Reference to the American Style'' (3rd ed.). Woodstock, New York: [[The Overlook Press]]. {{ISBN|0-87951-479-5}}</ref> [[crime film|crime]] [[thriller (genre)|thriller film]] directed by [[Dick Richards]] and featuring [[Robert Mitchum]] as private detective [[Phillip Marlowe]]. The picture is based on [[Raymond Chandler]]'s novel ''[[Farewell, My Lovely]]'' (1940), which had previously been adapted for film as ''[[Murder, My Sweet]]'' in 1944.<ref>{{AFI film|id=55469|title=Farewell, My Lovely}}.</ref> The film also stars [[Charlotte Rampling]], [[John Ireland (actor)|John Ireland]], [[Jack O'Halloran]], [[Sylvia Miles]] and [[Harry Dean Stanton]], with an early screen appearance by [[Sylvester Stallone]]. Mitchum returned to the role of Marlowe three years later in the 1978 film ''[[The Big Sleep (1978 film)|The Big Sleep]]'', making him the only actor to portray [[Philip Marlowe]] more than once on the big screen.
'''''Farewell, My Lovely''''' is a 1975 [[neo-noir]]<ref>[[Alain Silver|Silver, Alain]]; Ward, Elizabeth; eds. (1992). ''Film Noir: An Encyclopedic Reference to the American Style'' (3rd ed.). Woodstock, New York: [[The Overlook Press]]. {{ISBN|0-87951-479-5}}</ref> [[mystery film]] directed by [[Dick Richards]] and featuring [[Robert Mitchum]] as private detective [[Philip Marlowe]]. The picture is based on [[Raymond Chandler]]'s novel ''[[Farewell, My Lovely]]'' (1940), which had previously been adapted for film as ''[[Murder, My Sweet]]'' in 1944.<ref name=":0">{{AFI film|id=55469|title=Farewell, My Lovely}}.</ref> The cast also features [[Charlotte Rampling]], [[John Ireland (actor)|John Ireland]], [[Sylvia Miles]], [[Harry Dean Stanton]], [[Joe Spinell]], [[Sylvester Stallone]], [[Jack O'Halloran]] in his film debut, and hardcore crime novelist [[Jim Thompson (writer)|Jim Thompson]] in his only acting role.

The film was produced by [[ITC Entertainment]] and released in the United States by [[Avco Embassy Pictures|AVCO Embassy Pictures]] on August 8, 1975. It received generally positive reviews from critics, and was commercially successful. Sylvia Miles was nominated for an [[Academy Award for Best Supporting Actress]] for her performance.

Mitchum returned to the role of Marlowe three years later in the 1978 film ''[[The Big Sleep (1978 film)|The Big Sleep]]'', making him the only actor to portray the character more than once in a feature film.


==Plot==
==Plot==
In 1941 Los Angeles, private detective Philip Marlowe is hired by bank robber Moose Malloy to find his old girlfriend Velma, whom he has not seen in seven years while he has been in prison. Malloy goes to ground after killing the new owner of the nightclub where Velma used to work. Using a photo supplied by Velma's old nightclub friend Tommy Ray, Marlowe traces her to an insane asylum but when he breaks the news to Malloy, he discovers that the photo supposedly of Velma was really of a different woman.
In 1941 [[Los Angeles]], private detective [[Philip Marlowe]] is hired by recently-paroled felon "Moose" Malloy to find his old girlfriend Velma, whom he has not seen in seven years while he has been in prison. Malloy goes to ground after killing the new owner of the nightclub where Velma used to work. Using a photo supplied by Velma's old nightclub friend Tommy Ray, Marlowe traces her to an insane asylum but when he breaks the news to Malloy, he discovers that the photo supposedly of Velma was really of a different woman.


Meanwhile, a man named Marriott hires Marlowe to accompany him to a rendezvous where he is to pay $15,000 ransom for the return of a valuable [[jadeite|fei tsui jade]] necklace stolen from an unnamed female friend. At the location of the pay-off, Marlowe is knocked unconscious by an unseen assailant and when he recovers, the police are at the scene and Marriott has been killed. At the police station Marlowe is told that Malloy has fled to Mexico and is warned to stop looking for Velma.
Meanwhile, a man named Marriott hires Marlowe to accompany him to a rendezvous where he is to pay $15,000 ransom for the return of a valuable [[jadeite|fei tsui jade]] necklace stolen from an unnamed female friend. At the location of the pay-off, Marlowe is knocked unconscious by an unseen assailant and when he recovers, the police are at the scene and Marriott has been killed. At the police station Marlowe is told that Malloy has fled to Mexico and is warned to stop looking for Velma.
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Deciding to investigate Marriott's death, Marlowe is given a lead on a collector of fei tsui jade named Baxter Grayle, who is a judge and a powerful figure in Los Angeles. At Grayle's mansion he meets Grayle and his wife, the younger and seductive Helen. Helen wants to know who killed Marriott, whom she had known for years, and hires Marlowe to find out. Marlowe is abducted and brought to the brothel operated by Frances Amthor, a notorious [[Procuring (prostitution)|madam]]. Amthor mentions Malloy, then beats and drugs Marlowe. After waking from his drug-induced stupor and discovering the body of Tommy Ray, Marlowe overpowers a guard and confronts Amthor, but she is uncooperative. Jonnie, an employee of Amthor, shoots her when she beats one of her girls, and Marlowe flees to his friend Georgie's house.
Deciding to investigate Marriott's death, Marlowe is given a lead on a collector of fei tsui jade named Baxter Grayle, who is a judge and a powerful figure in Los Angeles. At Grayle's mansion he meets Grayle and his wife, the younger and seductive Helen. Helen wants to know who killed Marriott, whom she had known for years, and hires Marlowe to find out. Marlowe is abducted and brought to the brothel operated by Frances Amthor, a notorious [[Procuring (prostitution)|madam]]. Amthor mentions Malloy, then beats and drugs Marlowe. After waking from his drug-induced stupor and discovering the body of Tommy Ray, Marlowe overpowers a guard and confronts Amthor, but she is uncooperative. Jonnie, an employee of Amthor, shoots her when she beats one of her girls, and Marlowe flees to his friend Georgie's house.


Later Helen telephones Marlowe and arranges to meet him at a party later that night. At the party, Marlowe meets underworld figure Laird Brunette, who pays Marlowe $2,000 to arrange a meeting with Malloy. Later Marlowe meets Velma's old nightclub friend Jessie Florian, who says Velma has contacted her and wants to contact Malloy. Marlowe meets with Malloy at Georgie's house, where Velma telephones and arranges to meet him. Marlowe drives him to the motel where Velma is supposedly waiting but instead they are ambushed by two gunmen, who Marlowe kills in a shootout.
Later Helen telephones Marlowe and arranges to meet him at a party later that night. At the party, Marlowe meets underworld figure Laird Brunette, who pays Marlowe $2,000 to arrange a meeting with Malloy. Later Marlowe meets Velma's old nightclub friend Jessie Florian, who says Velma has contacted her and wants to contact Malloy. Marlowe meets with Malloy at Georgie's house, where Velma telephones and arranges to meet him. Marlowe drives him to the motel where Velma is supposedly waiting but instead they are ambushed by two gunmen, whom Marlowe kills in a shootout.
Marlowe and the police find Jessie Florian murdered. Marlowe suggests to his police friend Nulty that whoever used Florian to set up Malloy at the motel also got Tommy Ray to supply the fake photograph to send him off on a wild goose chase. Marlowe is convinced that Brunette knows what is going on, so he and Malloy sneak aboard Brunette's gambling boat and confront him. Helen appears and it is revealed she is Velma, a former prostitute under Amthor, who married Baxter Grayle without him knowing about her background. Velma has been working with Brunette to kill off anyone who knows her real identity. Velma shoots Malloy and in turn Marlowe shoots her. As Nulty and the police arrive, Marlowe leaves and returns to his hotel room. He decides to give the $2,000 that he had received from Brunette to Tommy Ray’s widow and young son, both of whom he had met earlier.
Marlowe and the police find Jessie Florian murdered. Marlowe suggests to his police friend Nulty that whoever used Florian to set up Malloy at the motel also got Tommy Ray to supply the fake photograph to send him off on a wild goose chase. Marlowe is convinced that Brunette knows what is going on, so he and Malloy sneak aboard Brunette's gambling boat and confront him. Helen appears and it is revealed she is Velma, a former prostitute under Amthor, who married Baxter Grayle without his knowing about her background. Velma has been working with Brunette to kill off anyone who knows her real identity. Velma shoots Malloy and in turn Marlowe shoots her. As Nulty and the police arrive, Marlowe leaves and returns to his hotel room. He decides to give the $2,000 that he had received from Brunette to Tommy Ray's widow and young son, both of whom he had met earlier.


==Cast==
==Cast==
{{castlist|
{{div col}}
* [[Robert Mitchum]] as [[Philip Marlowe]]
* [[Robert Mitchum]] as [[Philip Marlowe]]
* [[Charlotte Rampling]] as Helen Grayle/Velma
* [[Charlotte Rampling]] as Helen Grayle / Velma
* [[John Ireland (actor)|John Ireland]] as Lt. Nulty
* [[John Ireland (actor)|John Ireland]] as Lieutenant Nulty
* [[Sylvia Miles]] as Jessie Halstead Florian
* [[Sylvia Miles]] as Jessie Halstead Florian
* [[Anthony Zerbe]] as Laird Brunette
* [[Anthony Zerbe]] as Laird Brunette
* [[Harry Dean Stanton]] as Detective Billy Rolfe
* [[Harry Dean Stanton]] as Detective Billy Rolfe
* [[Jack O'Halloran]] as Moose Malloy
* [[Jack O'Halloran]] as "Moose" Malloy
* [[Joe Spinell]] as Nick
* [[Joe Spinell]] as Nick
* [[Sylvester Stallone]] as Jonnie
* [[Sylvester Stallone]] as Jonnie
* [[Rainbeaux Smith]] as Doris
* [[Kate Murtagh]] as Frances Amthor
* [[Kate Murtagh]] as Frances Amthor (believed to be based on [[Brenda Allen]])
* John O'Leary as Lindsay Marriott
* John O'Leary as Lindsay Marriott
* [[Walter McGinn]] as Tommy Ray
* [[Walter McGinn]] as Tommy Ray
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* [[Jim Thompson (writer)|Jim Thompson]] as Judge Baxter Wilson Grayle
* [[Jim Thompson (writer)|Jim Thompson]] as Judge Baxter Wilson Grayle
* Jimmie Archer as Georgie
* Jimmie Archer as Georgie
* Ted Gehring as Roy
* [[Ted Gehring]] as Roy
* [[Logan Ramsey]] as [[Los Angeles Board of Police Commissioners|Police Commissioner]]
{{div col end}}
* [[Jerry Fujikawa]] as [[Fence (criminal)|Fence]]

* [[Rainbeaux Smith]] as Doris
* [[Little Caesar (singer)|Little Caesar]] as Barman
* [[Joan Shawlee]] as Woman in ballroom
* [[Eddra Gale]] as Singer
}}
==Production==
==Production==


===Development and writing===
===Development and writing===
Producer [[Elliot Kastner]] had made a series of films based on detective novels, including ''[[Harper (film)|Harper]]'' and ''[[The Long Goodbye (film)|The Long Goodbye]]''. The latter was a [[Philip Marlowe]] novel by [[Raymond Chandler]] and Kastner was keen to film other Chandler novels. He had a script done which was set in contemporary LA and showed it to director Dick Richards. Richards was interested in filming the book, but only if it was a period piece.<ref name="dick">{{cite web|website=World Cinema Parradise|url=http://worldcinemaparadise.com/2015/12/22/what-a-world-recreating-raymond-chandlers-los-angeles-for-farewell-my-lovely/|title="What a World": Recreating Raymond Chandler's Los Angeles for "Farewell, My Lovely"|first=Doug|last= Krentzlin |date=December 22, 2015}}</ref>
Producer [[Elliot Kastner]] had made a series of films based on detective novels, including ''[[Harper (film)|Harper]]'' and ''[[The Long Goodbye (film)|The Long Goodbye]]''. The latter was a [[Philip Marlowe]] novel by [[Raymond Chandler]] and Kastner was keen to film other Chandler novels. He had a script done which was set in contemporary LA and showed it to director Dick Richards. Richards was interested in filming the book, but only if it was a period piece.<ref name="dick">{{cite web|website=World Cinema Paradise|url=http://worldcinemaparadise.com/2015/12/22/what-a-world-recreating-raymond-chandlers-los-angeles-for-farewell-my-lovely/|title="What a World": Recreating Raymond Chandler's Los Angeles for "Farewell, My Lovely"|first=Doug|last= Krentzlin |date=December 22, 2015}}</ref>


Richards hired David Zelag Goodman to write the screenplay. They set the movie in 1941, so that they could stamp the film "with a time mark" by turning Marlowe into a baseball fan who followed [[Joe DiMaggio's 56-game hitting streak|Joe DiMaggio's hitting streak]] of that year.<ref name="dick"/>
Richards hired David Zelag Goodman to write the screenplay. They set the movie in 1941, so that they could stamp the film "with a time mark" by turning Marlowe into a baseball fan who followed [[Joe DiMaggio's 56-game hitting streak|Joe DiMaggio's hitting streak]] of that year.<ref name="dick"/>
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Sir [[Lew Grade]] had previously invested in Kastner's film ''[[Dogpound Shuffle]]''. The producer approached him to invest in ''Farewell, My Lovely'' and Grade agreed, knowing the movie could be easily pre-sold to television.<ref name="grade">Lew Grade, ''Still Dancing: My Story'', William Collins & Sons 1987 p 246</ref> The movie would be part of Grade's initial slate of ten feature films, including ''[[The Return of the Pink Panther]]'', ''Man Friday'' and ''The Tamarind Seed''.<ref>Sir Lew's massive film deal
Sir [[Lew Grade]] had previously invested in Kastner's film ''[[Dogpound Shuffle]]''. The producer approached him to invest in ''Farewell, My Lovely'' and Grade agreed, knowing the movie could be easily pre-sold to television.<ref name="grade">Lew Grade, ''Still Dancing: My Story'', William Collins & Sons 1987 p 246</ref> The movie would be part of Grade's initial slate of ten feature films, including ''[[The Return of the Pink Panther]]'', ''Man Friday'' and ''The Tamarind Seed''.<ref>Sir Lew's massive film deal
Barker, Dennis. The Guardian 22 Oct 1975: 7.</ref>
Barker, Dennis. The Guardian 22 Oct 1975: 7.</ref>
Mitchum later recalled:<blockquote>The producer, Elliott Kastner, comes by with Sir Lew Grade, the British tycoon. He has a black suit, a black tie, a white shirt and a whiter face. 'I know nothing about motion pictures,' Sir Lew says. 'What I know is entertainment: Ferris wheels, pony rides.' I suggested we buy up the rights to ''[[Murder, My Sweet]]'' with [[Dick Powell]], re-release it and go to the beach. But, no, they hired a director, Dick Richards, so nervous he can't hold his legs still. They have all the hide rubbed off them. He started doing TV commercials. He was accustomed to, you know, start the camera, expose 120 feet of film and tell somebody to move the beer bottle half an inch clockwise. He does the same thing with people.<ref name="mitchum">{{cite web |last=Ebert |first=Roger |date=June 17, 1975 |title=Robert Mitchum: "Bring me a Miltown, sweetheart." |url=https://www.rogerebert.com/interviews/robert-mitchum-bring-me-a-miltown-sweetheart |website=Roger Ebert}}</ref></blockquote>


===Casting===
===Casting===
According to Mitchum, Kastner originally wanted the role of Philip Marlowe to be played by [[Richard Burton]], with whom Kastner had worked a number of times. However, Burton was busy so they approached Mitchum. (Richards says he was only ever interested in doing the film with Mitchum.)<ref name="dick"/> The star later recalled:
According to Mitchum, Kastner originally wanted the role of Philip Marlowe to be played by [[Richard Burton]], with whom Kastner had worked a number of times. However, Burton was busy so they approached Mitchum. (Richards says he was only ever interested in doing the film with Mitchum.)<ref name="dick"/>{{Dead link|date=February 2024}}
<blockquote>The producer, Elliott Kastner, comes by with Sir Lew Grade, the British tycoon. He has a black suit, a black tie, a white shirt and a whiter face. 'I know nothing about motion pictures,' Sir Lew says. 'What I know is entertainment: Ferris wheels, pony rides.' I suggested we buy up the rights to ''[[Murder, My Sweet]]'' with [[Dick Powell]], re-release it and go to the beach. But, no, they hired a director, Dick Richards, so nervous he can't hold his legs still. They have all the hide rubbed off them, He started doing TV commercials. He was accustomed to, you know, start the camera, expose 120 feet of film and tell somebody to move the beer bottle half an inch clockwise. He does the same thing with people.<ref name="mitchum">{{cite web|website=Roger Ebert|title= Robert Mitchum: "Bring me a Miltown, sweetheart."|first=Roger|last=Ebert|date=June 17, 1975|url= https://www.rogerebert.com/interviews/robert-mitchum-bring-me-a-miltown-sweetheart}}</ref></blockquote>
Mitchum reprised the role of [[Philip Marlowe]] three years later in ''[[The Big Sleep (1978 film)|The Big Sleep]]'', although that remake was set in the present day and in England, rather than shot as a period piece in the detective's customary setting of Los Angeles. Grade financed that movie as well.<ref name="grade"/>


Marlowe's client, Moose Malloy, is played by Jack O'Halloran, a former professional prizefighter. Mitchum called O'Halloran "one great find on this picture. At least, he's a find if we can ever find him again... They hired him for $500 a week. He looked perfect for the part. One time he hit the producer. One of the producers. We had seven of them. We called them the Magnificent Seven. Jack was swinging this poor bastard around his head like an Indian war club. I tried to explain to him: 'The guy can be talked to, Jack.' He shakes his head. 'Mitch,' he says, 'I was crying too hard.'"<ref name="mitchum"/>
Marlowe's client, Moose Malloy, is played by Jack O'Halloran, a former professional prizefighter. Mitchum called O'Halloran "one great find on this picture. At least, he's a find if we can ever find him again... They hired him for $500 a week. He looked perfect for the part. One time he hit the producer. One of the producers. We had seven of them. We called them the Magnificent Seven. Jack was swinging this poor bastard around his head like an Indian war club. I tried to explain to him: 'The guy can be talked to, Jack.' He shakes his head. 'Mitch,' he says, 'I was crying too hard.'"<ref name="mitchum"/>


Mitchum said Charlotte Rampling "arrived with an odd entourage, two husbands or something. Or they were friends and she married one of them and he grew a mustache and butched up. She kept exercising her mouth like she was trying to swallow her ear. I played her on the right side because she had two great big blackheads on her left ear, and I was afraid they'd spring out and lodge on my lip."<ref name="mitchum" />
Sylvester Stallone, in an early role prior to ''[[Rocky]]'', has a brief role as an employee of the brothel's sadistic madam (played by Kate Murtagh).


===Filming===
[[Jim Thompson (writer)|Jim Thompson]], author of popular crime novels like ''[[The Getaway (novel)|The Getaway]]'' and ''[[The Grifters (novel)|The Grifters]]'', appears in the film as Judge Grayle.
Richards originally considered shooting the film in [[Florida]], but due to budgetary constraints the setting was returned to Los Angeles.<ref name=":0" /> Principal photography took place between February 23 and April 6, 1975, in various Los Angeles locations and at [[Samuel Goldwyn Studio|Samuel Goldwyn Studios]].<ref name=":0" />

[[Joe Spinell]], who played Willi Cicci in ''[[The Godfather]]'' and Stallone's boss in ''[[Rocky]]'', is featured as Nicky, a hired thug for Frances Amthor. Spinell was in poor health, but his friend Mitchum made sure that Spinell's scenes were filmed first, so that he could get to the doctors if required.

===Production===
Mitchum says Charlotte Rampling "arrived with an odd entourage, two husbands or something. Or they were friends and she married one of them and he grew a mustache and butched up. She kept exercising her mouth like she was trying to swallow her ear. I played her on the right side because she had two great big blackheads on her left ear, and I was afraid they'd spring out and lodge on my lip."<ref name="mitchum"/>


Mitchum later admitted, "This kid Richards, the director, he's got something. It'll be a good picture."<ref name="mitchum"/>
Mitchum later admitted, "This kid Richards, the director, he's got something. It'll be a good picture."<ref name="mitchum"/>
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[[Gene Siskel]] gave the film three stars out of four and wrote that "if a remake of ''Farewell, My Lovely'' isn't something fresh—and following on the heels of ''[[Chinatown (1974 film)|Chinatown]]'' doesn't make it any fresher — at least the casting of Mitchum as Marlowe was inspired. Mitchum, the actor who makes nodding off seem glamorous, plays Marlowe with a delicious ease. He sounds just like Marlowe should sound."<ref>[[Gene Siskel|Siskel, Gene]] (August 22, 1975). "Mitchum turns a remake into a 'lovely' experience." ''[[Chicago Tribune]]''. Section 3, p. 3.</ref>
[[Gene Siskel]] gave the film three stars out of four and wrote that "if a remake of ''Farewell, My Lovely'' isn't something fresh—and following on the heels of ''[[Chinatown (1974 film)|Chinatown]]'' doesn't make it any fresher — at least the casting of Mitchum as Marlowe was inspired. Mitchum, the actor who makes nodding off seem glamorous, plays Marlowe with a delicious ease. He sounds just like Marlowe should sound."<ref>[[Gene Siskel|Siskel, Gene]] (August 22, 1975). "Mitchum turns a remake into a 'lovely' experience." ''[[Chicago Tribune]]''. Section 3, p. 3.</ref>


A review in ''[[Variety (magazine)|Variety]]'' was more critical, calling it "a lethargic, vaguely campy tribute to Hollywood's private eye mellers of the 1940s and to writer Raymond Chandler, whose Philip Marlowe character has inspired a number of features. Despite an impressive production and some first rate performances, this third version fails to generate much suspense or excitement."<ref>{{cite news |title=Farewell, My Lovely |url=https://www.variety.com/review/VE1117790831.html?categoryid=31&cs=1&p=0 |work=Variety |date=January 1, 1975}}</ref>
A review in ''[[Variety (magazine)|Variety]]'' was more critical, calling it "a lethargic, vaguely campy tribute to Hollywood's private eye mellers of the 1940s and to writer Raymond Chandler, whose Philip Marlowe character has inspired a number of features. Despite an impressive production and some first rate performances, this third version fails to generate much suspense or excitement."<ref>{{cite news |title=Farewell, My Lovely |url=https://variety.com/1974/film/reviews/farewell-my-lovely-1200423473|work=Variety |date=December 31, 1974}}</ref>


[[Richard Eder]] of ''[[The New York Times]]'' described the film as "a handsome mediocrity" with an ending that "may produce some confusion," though he praised "the high quality of a lot of the acting".<ref>[[Richard Eder|Eder, Richard]] (August 14, 1975). "Screen: Detective Yarn". ''[[The New York Times]]''. 39.</ref>
[[Richard Eder]] of ''[[The New York Times]]'' described the film as "a handsome mediocrity" with an ending that "may produce some confusion," though he praised "the high quality of a lot of the acting".<ref>[[Richard Eder|Eder, Richard]] (August 14, 1975). "Screen: Detective Yarn". ''[[The New York Times]]''. 39.</ref>
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[[Charles Champlin]] of the ''[[Los Angeles Times]]'' wrote that the score by David Shire and the casting of Mitchum as Marlowe both seemed "exactly right", but criticized the voice-over narrative, finding that "the effect undercuts the visual splendors and reveals the plot complications at their most preposterous. Too bad, because it breaks the fine mood Richards & Company establish and makes ''Farewell, My Lovely'' an interesting but mixed blessing instead of the unmitigated triumph it almost was."<ref>[[Charles Champlin|Champlin, Charles]] (August 20, 1975). "'Lovely' Catches Look of the'40s". ''[[Los Angeles Times]]''.</ref>
[[Charles Champlin]] of the ''[[Los Angeles Times]]'' wrote that the score by David Shire and the casting of Mitchum as Marlowe both seemed "exactly right", but criticized the voice-over narrative, finding that "the effect undercuts the visual splendors and reveals the plot complications at their most preposterous. Too bad, because it breaks the fine mood Richards & Company establish and makes ''Farewell, My Lovely'' an interesting but mixed blessing instead of the unmitigated triumph it almost was."<ref>[[Charles Champlin|Champlin, Charles]] (August 20, 1975). "'Lovely' Catches Look of the'40s". ''[[Los Angeles Times]]''.</ref>


Film critic Dennis Schwartz believes that actor Robert Mitchum was well-cast and wrote, "The film's success lies in Mitchum's hard-boiled portrayal of Marlowe, its twisty plot and the moody atmosphere it creates through John A. Alonzo's photography. Los Angeles looms as a nighttime playground for hoods, beautiful women and suckers ready to be taken by all the glitzy signs leading them astray."<ref>{{cite web |url=http://homepages.sover.net/~ozus/farewellmylovely.htm |first=Schwartz |last=Dennis |title=Farewell, My Lovely |work=Ozus' World Movie Reviews |date=November 21, 2004 }}</ref>
In a retrospective review, critic Dennis Schwartz expressed that actor Robert Mitchum was well-cast and wrote, "The film's success lies in Mitchum's hard-boiled portrayal of Marlowe, its twisty plot and the moody atmosphere it creates through John A. Alonzo's photography. Los Angeles looms as a nighttime playground for hoods, beautiful women and suckers ready to be taken by all the glitzy signs leading them astray."<ref>{{cite web |url=https://dennisschwartzreviews.com/farewellmylovely|work=Dennis Schwartz Movie Reviews|title=Farewell, My Lovely|date=August 5, 2019}}</ref>


The film maintains a 73% film rating on [[Rotten Tomatoes]], from 22 reviews.<ref>{{Rotten-tomatoes|1007110-farewell_my_lovely|title=Farewell, My Lovely}}. Accessed: May 4, 2021.</ref>
The film maintains a 71% film rating on [[Rotten Tomatoes]], from 28 reviews.<ref>{{Rotten-tomatoes|1007110-farewell_my_lovely|title=Farewell, My Lovely}}. Accessed: November 25, 2024.</ref>


===Accolades===
===Accolades===
'''Won'''
* [[National Board of Review: Top Ten Films]]; 1975.
'''Nomination'''
'''Nomination'''
* [[Academy Awards]]: Best Actress in a Supporting Role, [[Sylvia Miles]]; 1976.
* [[Academy Awards]]: Best Actress in a Supporting Role, [[Sylvia Miles]]; 1976.
* [[Edgar Allan Poe Awards]]: Best Motion Picture, [[David Zelag Goodman]]; 1976.
* [[Edgar Allan Poe Awards]]: Best Motion Picture, [[David Zelag Goodman]]; 1976.


==Previous adaptations==
== Sequel ==
Mitchum reprised his role for [[The Big Sleep (1978 film)|''The Big Sleep'']], an adaptation of Chandler's [[The Big Sleep|1939 novel]], which premiered on 13 March 1978.<ref name=":0" /> Rather than a direct sequel, the film relocates Philip Marlowe to then-contemporary 1970s [[England]].<ref name=":0" /> The film was written and directed by [[Michael Winner]], with a cast featuring [[Sarah Miles]] (no relation to Sylvia Miles), [[Richard Boone]], [[Candy Clark]], [[Joan Collins]], [[Edward Fox (actor)|Edward Fox]], [[Oliver Reed]], and [[James Stewart]] in one of his last live-action film roles.

==Other adaptations==
:See: ''[[Farewell, My Lovely#Film adaptations|Farewell, My Lovely -- Film adaptations]]''
:See: ''[[Farewell, My Lovely#Film adaptations|Farewell, My Lovely -- Film adaptations]]''
The novel had been adapted for the screen twice before: in 1942, as ''[[The Falcon Takes Over]]'' directed by [[Irving Reis]] and featuring [[George Sanders]] as [[The Falcon (literary character)|The Falcon]] in place of Philip Marlowe;<ref>{{IMDb title|id=0034716|title=The Falcon Takes Over}}.</ref> and in 1944, as ''[[Murder, My Sweet]]'', featuring [[Dick Powell]] as Marlowe and directed by [[Edward Dmytryk]].<ref>{{IMDb title|id=0037101|title=Murder, My Sweet}}.</ref>
The novel had been adapted for the screen twice before: in 1942, as ''[[The Falcon Takes Over]]'' directed by [[Irving Reis]] and featuring [[George Sanders]] as [[The Falcon (literary character)|The Falcon]] in place of Philip Marlowe;<ref>{{IMDb title|id=0034716|title=The Falcon Takes Over}}.</ref> and in 1944, as ''[[Murder, My Sweet]]'', featuring [[Dick Powell]] as Marlowe and directed by [[Edward Dmytryk]].<ref>{{IMDb title|id=0037101|title=Murder, My Sweet}}.</ref>


Mitchum played Marlowe again in 1978's ''[[The Big Sleep (1978 film)|The Big Sleep]]'', becoming the only actor to play the character in two feature films. Actors who played Marlowe in earlier movies, include [[Dick Powell]] (1944), [[Humphrey Bogart]] (1946), [[Robert Montgomery (actor)|Robert Montgomery]] (1947), [[George Montgomery (actor)|George Montgomery]] (1947), [[James Garner]] (1969) and [[Elliott Gould]] (1973).
Mitchum played Marlowe again in 1978's ''[[The Big Sleep (1978 film)|The Big Sleep]]'', becoming the only actor to play the character in two feature films. Instead of 1930s Los Angeles, the 1978 remake was set in then-present day and in England, with Marlowe reimagined as a middle-aged [[ex-pat]]. Grade financed this movie as well.<ref name="grade"/>

Actors who played Marlowe in earlier movies include [[Dick Powell]] (1944), [[Humphrey Bogart]] (1946), [[Robert Montgomery (actor)|Robert Montgomery]] (1947), [[George Montgomery (actor)|George Montgomery]] (1947), [[James Garner]] (1969) and [[Elliott Gould]] (1973). After this 1975 film came ''[[Poodle Springs (film)|Poodle Springs]]'', a 1998 neo-noir HBO period film directed by Bob Rafelson, starring [[James Caan]] as Marlowe.


==References==
== References ==
{{reflist}}
{{reflist}}


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* {{AFI film|55469}}
* {{IMDb title|0072973}}
* {{IMDb title|0072973}}
* {{AllRovi title|16806}}
* {{TCMDb title|74572}}
* {{Tcmdb title|74572}}
* {{YouTube|htf7JgTmjdY|''Farewell, My Lovely'' trailer}}
* {{YouTube|htf7JgTmjdY|''Farewell, My Lovely'' trailer}}


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[[Category:1975 films]]
[[Category:1975 films]]
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[[Category:1970s crime thriller films]]
[[Category:1975 LGBT-related films]]
[[Category:1975 LGBTQ-related films]]
[[Category:American crime thriller films]]
[[Category:American crime thriller films]]
[[Category:American films]]
[[Category:American detective films]]
[[Category:American detective films]]
[[Category:English-language films]]
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[[Category:Films directed by Dick Richards]]
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[[Category:Embassy Pictures films]]
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[[Category:American neo-noir films]]
[[Category:Films based on works by Raymond Chandler]]
[[Category:Philip Marlowe films]]
[[Category:1970s American films]]
[[Category:American LGBTQ-related films]]
[[Category:LGBTQ-related crime thriller films]]
[[Category:English-language crime thriller films]]

Latest revision as of 02:30, 30 December 2024

Farewell, My Lovely
Theatrical release poster
Directed byDick Richards
Screenplay byDavid Zelag Goodman
Based onFarewell, My Lovely
(1940 novel)
by Raymond Chandler
Produced byJerry Bruckheimer
George Pappas
StarringRobert Mitchum
Charlotte Rampling
John Ireland
Sylvia Miles
Anthony Zerbe
CinematographyJohn A. Alonzo
Edited byJoel Cox
Walter A. Thompson
Music byDavid Shire
Production
companies
ITC Entertainment
EK Corporation
Distributed byFox-Rank Distributors (UK)
Avco Embassy Pictures (US)
Release dates
  • August 8, 1975 (1975-08-08) (US)
  • February 20, 1976 (1976-02-20) (UK)
Running time
95 minutes
CountriesUnited Kingdom[1]
United States[1]
LanguageEnglish
Budget$2.5 million[2]
Box office$2 million[3]

Farewell, My Lovely is a 1975 neo-noir[4] mystery film directed by Dick Richards and featuring Robert Mitchum as private detective Philip Marlowe. The picture is based on Raymond Chandler's novel Farewell, My Lovely (1940), which had previously been adapted for film as Murder, My Sweet in 1944.[5] The cast also features Charlotte Rampling, John Ireland, Sylvia Miles, Harry Dean Stanton, Joe Spinell, Sylvester Stallone, Jack O'Halloran in his film debut, and hardcore crime novelist Jim Thompson in his only acting role.

The film was produced by ITC Entertainment and released in the United States by AVCO Embassy Pictures on August 8, 1975. It received generally positive reviews from critics, and was commercially successful. Sylvia Miles was nominated for an Academy Award for Best Supporting Actress for her performance.

Mitchum returned to the role of Marlowe three years later in the 1978 film The Big Sleep, making him the only actor to portray the character more than once in a feature film.

Plot

[edit]

In 1941 Los Angeles, private detective Philip Marlowe is hired by recently-paroled felon "Moose" Malloy to find his old girlfriend Velma, whom he has not seen in seven years while he has been in prison. Malloy goes to ground after killing the new owner of the nightclub where Velma used to work. Using a photo supplied by Velma's old nightclub friend Tommy Ray, Marlowe traces her to an insane asylum but when he breaks the news to Malloy, he discovers that the photo supposedly of Velma was really of a different woman.

Meanwhile, a man named Marriott hires Marlowe to accompany him to a rendezvous where he is to pay $15,000 ransom for the return of a valuable fei tsui jade necklace stolen from an unnamed female friend. At the location of the pay-off, Marlowe is knocked unconscious by an unseen assailant and when he recovers, the police are at the scene and Marriott has been killed. At the police station Marlowe is told that Malloy has fled to Mexico and is warned to stop looking for Velma.

Deciding to investigate Marriott's death, Marlowe is given a lead on a collector of fei tsui jade named Baxter Grayle, who is a judge and a powerful figure in Los Angeles. At Grayle's mansion he meets Grayle and his wife, the younger and seductive Helen. Helen wants to know who killed Marriott, whom she had known for years, and hires Marlowe to find out. Marlowe is abducted and brought to the brothel operated by Frances Amthor, a notorious madam. Amthor mentions Malloy, then beats and drugs Marlowe. After waking from his drug-induced stupor and discovering the body of Tommy Ray, Marlowe overpowers a guard and confronts Amthor, but she is uncooperative. Jonnie, an employee of Amthor, shoots her when she beats one of her girls, and Marlowe flees to his friend Georgie's house.

Later Helen telephones Marlowe and arranges to meet him at a party later that night. At the party, Marlowe meets underworld figure Laird Brunette, who pays Marlowe $2,000 to arrange a meeting with Malloy. Later Marlowe meets Velma's old nightclub friend Jessie Florian, who says Velma has contacted her and wants to contact Malloy. Marlowe meets with Malloy at Georgie's house, where Velma telephones and arranges to meet him. Marlowe drives him to the motel where Velma is supposedly waiting but instead they are ambushed by two gunmen, whom Marlowe kills in a shootout.

Marlowe and the police find Jessie Florian murdered. Marlowe suggests to his police friend Nulty that whoever used Florian to set up Malloy at the motel also got Tommy Ray to supply the fake photograph to send him off on a wild goose chase. Marlowe is convinced that Brunette knows what is going on, so he and Malloy sneak aboard Brunette's gambling boat and confront him. Helen appears and it is revealed she is Velma, a former prostitute under Amthor, who married Baxter Grayle without his knowing about her background. Velma has been working with Brunette to kill off anyone who knows her real identity. Velma shoots Malloy and in turn Marlowe shoots her. As Nulty and the police arrive, Marlowe leaves and returns to his hotel room. He decides to give the $2,000 that he had received from Brunette to Tommy Ray's widow and young son, both of whom he had met earlier.

Cast

[edit]

Production

[edit]

Development and writing

[edit]

Producer Elliot Kastner had made a series of films based on detective novels, including Harper and The Long Goodbye. The latter was a Philip Marlowe novel by Raymond Chandler and Kastner was keen to film other Chandler novels. He had a script done which was set in contemporary LA and showed it to director Dick Richards. Richards was interested in filming the book, but only if it was a period piece.[6]

Richards hired David Zelag Goodman to write the screenplay. They set the movie in 1941, so that they could stamp the film "with a time mark" by turning Marlowe into a baseball fan who followed Joe DiMaggio's hitting streak of that year.[6]

Finance

[edit]

Sir Lew Grade had previously invested in Kastner's film Dogpound Shuffle. The producer approached him to invest in Farewell, My Lovely and Grade agreed, knowing the movie could be easily pre-sold to television.[7] The movie would be part of Grade's initial slate of ten feature films, including The Return of the Pink Panther, Man Friday and The Tamarind Seed.[8]

Mitchum later recalled:

The producer, Elliott Kastner, comes by with Sir Lew Grade, the British tycoon. He has a black suit, a black tie, a white shirt and a whiter face. 'I know nothing about motion pictures,' Sir Lew says. 'What I know is entertainment: Ferris wheels, pony rides.' I suggested we buy up the rights to Murder, My Sweet with Dick Powell, re-release it and go to the beach. But, no, they hired a director, Dick Richards, so nervous he can't hold his legs still. They have all the hide rubbed off them. He started doing TV commercials. He was accustomed to, you know, start the camera, expose 120 feet of film and tell somebody to move the beer bottle half an inch clockwise. He does the same thing with people.[9]

Casting

[edit]

According to Mitchum, Kastner originally wanted the role of Philip Marlowe to be played by Richard Burton, with whom Kastner had worked a number of times. However, Burton was busy so they approached Mitchum. (Richards says he was only ever interested in doing the film with Mitchum.)[6][dead link]

Marlowe's client, Moose Malloy, is played by Jack O'Halloran, a former professional prizefighter. Mitchum called O'Halloran "one great find on this picture. At least, he's a find if we can ever find him again... They hired him for $500 a week. He looked perfect for the part. One time he hit the producer. One of the producers. We had seven of them. We called them the Magnificent Seven. Jack was swinging this poor bastard around his head like an Indian war club. I tried to explain to him: 'The guy can be talked to, Jack.' He shakes his head. 'Mitch,' he says, 'I was crying too hard.'"[9]

Mitchum said Charlotte Rampling "arrived with an odd entourage, two husbands or something. Or they were friends and she married one of them and he grew a mustache and butched up. She kept exercising her mouth like she was trying to swallow her ear. I played her on the right side because she had two great big blackheads on her left ear, and I was afraid they'd spring out and lodge on my lip."[9]

Filming

[edit]

Richards originally considered shooting the film in Florida, but due to budgetary constraints the setting was returned to Los Angeles.[5] Principal photography took place between February 23 and April 6, 1975, in various Los Angeles locations and at Samuel Goldwyn Studios.[5]

Mitchum later admitted, "This kid Richards, the director, he's got something. It'll be a good picture."[9]

Music

[edit]

Soundtrack

[edit]

An original motion picture vinyl soundtrack album composed by David Shire was released in 1975 by United Artists Records. The album contained 11 tracks.[10]

Track listing

  • 1. Main Title (Marlowe's Theme)
  • 2. Velma / Chinese Pool Hall / To the Mansion
  • 3. Mrs. Grayle's Theme
  • 4. Amthor's Place
  • 5. Mrs. Florian Takes the Full Count
  • 6. Marlowe's Trip
  • 7. Convalescence Montage
  • 8. Take Me to Your Lido
  • 9. Three Mile Limited
  • 10. Moose Finds His Velma
  • 11. End Title (Marlowe's Theme)

Reception

[edit]

Box office

[edit]

The film was profitable. Television rights were subsequently sold to NBC for $1.2 million.[2][11]

Critical response

[edit]

Critic Roger Ebert gave the film four out of four stars and wrote, "These opening shots are so evocative of Raymond Chandler's immortal Marlowe, archtypical [sic] private eye, haunting the underbelly of Los Angeles, that if we're Chandler fans we hold our breath. Is the ambience going to be maintained, or will this be another campy rip-off? Half an hour into the movie, we relax. Farewell, My Lovely never steps wrong...in the genre itself there hasn't been anything this good since Hollywood was doing Philip Marlowe the first time around. One reason is that Dick Richards, the director, takes his material and character absolutely seriously. He is not uneasy with it, as Robert Altman was when he had Elliott Gould flirt with seriousness in The Long Goodbye. Richards doesn't hedge his bet."[12]

Gene Siskel gave the film three stars out of four and wrote that "if a remake of Farewell, My Lovely isn't something fresh—and following on the heels of Chinatown doesn't make it any fresher — at least the casting of Mitchum as Marlowe was inspired. Mitchum, the actor who makes nodding off seem glamorous, plays Marlowe with a delicious ease. He sounds just like Marlowe should sound."[13]

A review in Variety was more critical, calling it "a lethargic, vaguely campy tribute to Hollywood's private eye mellers of the 1940s and to writer Raymond Chandler, whose Philip Marlowe character has inspired a number of features. Despite an impressive production and some first rate performances, this third version fails to generate much suspense or excitement."[14]

Richard Eder of The New York Times described the film as "a handsome mediocrity" with an ending that "may produce some confusion," though he praised "the high quality of a lot of the acting".[15]

Charles Champlin of the Los Angeles Times wrote that the score by David Shire and the casting of Mitchum as Marlowe both seemed "exactly right", but criticized the voice-over narrative, finding that "the effect undercuts the visual splendors and reveals the plot complications at their most preposterous. Too bad, because it breaks the fine mood Richards & Company establish and makes Farewell, My Lovely an interesting but mixed blessing instead of the unmitigated triumph it almost was."[16]

In a retrospective review, critic Dennis Schwartz expressed that actor Robert Mitchum was well-cast and wrote, "The film's success lies in Mitchum's hard-boiled portrayal of Marlowe, its twisty plot and the moody atmosphere it creates through John A. Alonzo's photography. Los Angeles looms as a nighttime playground for hoods, beautiful women and suckers ready to be taken by all the glitzy signs leading them astray."[17]

The film maintains a 71% film rating on Rotten Tomatoes, from 28 reviews.[18]

Accolades

[edit]

Won

Nomination

Sequel

[edit]

Mitchum reprised his role for The Big Sleep, an adaptation of Chandler's 1939 novel, which premiered on 13 March 1978.[5] Rather than a direct sequel, the film relocates Philip Marlowe to then-contemporary 1970s England.[5] The film was written and directed by Michael Winner, with a cast featuring Sarah Miles (no relation to Sylvia Miles), Richard Boone, Candy Clark, Joan Collins, Edward Fox, Oliver Reed, and James Stewart in one of his last live-action film roles.

Other adaptations

[edit]
See: Farewell, My Lovely -- Film adaptations

The novel had been adapted for the screen twice before: in 1942, as The Falcon Takes Over directed by Irving Reis and featuring George Sanders as The Falcon in place of Philip Marlowe;[19] and in 1944, as Murder, My Sweet, featuring Dick Powell as Marlowe and directed by Edward Dmytryk.[20]

Mitchum played Marlowe again in 1978's The Big Sleep, becoming the only actor to play the character in two feature films. Instead of 1930s Los Angeles, the 1978 remake was set in then-present day and in England, with Marlowe reimagined as a middle-aged ex-pat. Grade financed this movie as well.[7]

Actors who played Marlowe in earlier movies include Dick Powell (1944), Humphrey Bogart (1946), Robert Montgomery (1947), George Montgomery (1947), James Garner (1969) and Elliott Gould (1973). After this 1975 film came Poodle Springs, a 1998 neo-noir HBO period film directed by Bob Rafelson, starring James Caan as Marlowe.

References

[edit]
  1. ^ a b "Farewell, My Lovely (1975)". BFI. Retrieved 2024-12-30.
  2. ^ a b The great movie money show. Michael Pye. The Sunday Times (London, England), Sunday, July 13, 1975; pg. 47; Issue 7935.
  3. ^ "Farewell My Lovely - Box Office Data". The Numbers. Retrieved December 13, 2022.
  4. ^ Silver, Alain; Ward, Elizabeth; eds. (1992). Film Noir: An Encyclopedic Reference to the American Style (3rd ed.). Woodstock, New York: The Overlook Press. ISBN 0-87951-479-5
  5. ^ a b c d e Farewell, My Lovely at the AFI Catalog of Feature Films.
  6. ^ a b c Krentzlin, Doug (December 22, 2015). ""What a World": Recreating Raymond Chandler's Los Angeles for "Farewell, My Lovely"". World Cinema Paradise.
  7. ^ a b Lew Grade, Still Dancing: My Story, William Collins & Sons 1987 p 246
  8. ^ Sir Lew's massive film deal Barker, Dennis. The Guardian 22 Oct 1975: 7.
  9. ^ a b c d Ebert, Roger (June 17, 1975). "Robert Mitchum: "Bring me a Miltown, sweetheart."". Roger Ebert.
  10. ^ Soundtrack Collector web site. Accessed: August 21, 2013.
  11. ^ ATV's venture into films puts gloss on profits Pritchard, Charles. The Irish Times 11 Aug 1976: 12.
  12. ^ Ebert, Roger (January 1, 1975). "Farewell, My Lovely". Chicago Sun-Times.
  13. ^ Siskel, Gene (August 22, 1975). "Mitchum turns a remake into a 'lovely' experience." Chicago Tribune. Section 3, p. 3.
  14. ^ "Farewell, My Lovely". Variety. December 31, 1974.
  15. ^ Eder, Richard (August 14, 1975). "Screen: Detective Yarn". The New York Times. 39.
  16. ^ Champlin, Charles (August 20, 1975). "'Lovely' Catches Look of the'40s". Los Angeles Times.
  17. ^ "Farewell, My Lovely". Dennis Schwartz Movie Reviews. August 5, 2019.
  18. ^ Farewell, My Lovely at Rotten Tomatoes. Accessed: November 25, 2024.
  19. ^ The Falcon Takes Over at IMDb.
  20. ^ Murder, My Sweet at IMDb.
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