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Plot: this is not directly shown in the film, it's not my impression at all, and it's not sourced to anyone. and who the hell marries a hot young trophy wife to immediately ditch her for a mistress?
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{{Short description|1965 film by John Schlesinger}}
{{Short description|1965 British film by John Schlesinger}}
{{EngvarB|date=September 2013}}
{{EngvarB|date=September 2013}}
{{Use dmy dates|date=September 2013}}
{{Use dmy dates|date=May 2024}}
{{Infobox film
{{Infobox film
| name = Darling
| name = Darling
| image = Darling322.jpg
| image = Darling (1965 film) poster.png
| caption = film poster
| caption = Theatrical release poster
| director = [[John Schlesinger]]
| director = [[John Schlesinger]]
| screenplay = [[Frederic Raphael]]
| screenplay = [[Frederic Raphael]]
| story = {{Plainlist|
| based_on = (Based on an idea by)<br>Frederic Raphael<br>John Schlesinger<br>[[Joseph Janni]]
* Frederic Raphael
* John Schlesinger
* [[Joseph Janni]]
}}
| producer = Joseph Janni
| producer = Joseph Janni
| starring = [[Julie Christie]]<br/>[[Laurence Harvey]]<br/>[[Dirk Bogarde]]
| starring = {{Plainlist|
* [[Dirk Bogarde]]
* [[Laurence Harvey]]
* [[Julie Christie]]
}}
| cinematography = [[Kenneth Higgins]]
| cinematography = [[Kenneth Higgins]]
| editing = [[Jim Clark (film editor)|James Clark]]
| editing = [[Jim Clark (film editor)|James Clark]]
| music = [[John Dankworth]]
| music = [[John Dankworth]]
| studio = {{Plainlist|
| color_process = [[Black and white]]
| studio = Joseph Janni Production<br>Vic Films Productions<br>Appia Films Ltd.
* Joseph Janni Production
* Vic Films Productions
* Appia Films
}}
| distributor = [[Anglo-Amalgamated]] <small>(UK)</small><br>[[Embassy Pictures]] <small>(US)</small>
| distributor = [[Anglo-Amalgamated]]
| released = {{Film date|1965|8|3|New York City|1965|9|16|United Kingdom|df=yes}}
| released = {{Film date|1965|07|15|[[4th Moscow International Film Festival|Moscow]]|1965|9|16|United Kingdom|df=yes}}
| runtime = 127 minutes
| runtime = 127 minutes
| country = United Kingdom
| country = United Kingdom
| language = English
| language = English
| budget = £300,000<ref name="brian">Brian McFarlane, ''An Autobiography of British Cinema'', Metheun 1997 p248</ref> or $1.1 million<ref>{{cite news|title=..And Julie Christie's Next Activity: More About Movies|author=A.H. WEILER|date=Apr 24, 1966|work=New York Times|page=X9}}</ref>
| budget = £392,446<ref name="money">Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 360</ref><ref name="brian">{{cite book|last=McFarlane|first=Brian|title=An Autobiography of British Cinema|location=London|publisher=[[Methuen Publishing|Methuen]]|year=1997|page=[https://archive.org/details/autobiographyofb0000unse_i5w8/page/248/mode/2up 248]|isbn=978-0-4137-0520-4}}</ref> or $1.1 million<ref>{{cite news|title=...And Julie Christie's Next Activity: More About Movies|last=Weiler|first=A. H.|author-link=A. H. Weiler|date=24 April 1966|newspaper=[[The New York Times]]|page=X9|issn=0362-4331}}</ref>
| gross = $4.5 million<ref name="new">{{cite news|title=Laurence Harvey, Screen Actor, Is Dead at 45: Attained Stardom With Role in 'Room at the Top' The Screen's Perfect Cad Enigmatic Flamboyance Was Also in 'Butterfield 8 and 'Manchurian Candidate' An Arrogant Manner|work=New York Times|date=Nov 27, 1973|page=47}}</ref>
| gross = $4.5 million<ref name="new">{{cite news|last=Gardner|first=Paul|author-link=Paul Gardner (journalist)|title=Laurence Harvey, Screen Actor, Is Dead at 45|newspaper=The New York Times|date=27 November 1973|page=47|issn=0362-4331}}</ref>
}}
}}


'''''Darling''''' is a 1965 British [[romantic drama]] film directed by [[John Schlesinger]], from a screenplay written by [[Frederic Raphael]]. It stars [[Julie Christie]] as Diana Scott, a young successful model and actress in London in the 1960s, toying with the affections of two older men, played by [[Dirk Bogarde]] and [[Laurence Harvey]].
'''''Darling''''' is a 1965 British [[romantic drama]] film directed by [[John Schlesinger]] from a screenplay written by [[Frederic Raphael]].<ref>{{Cite web |title=Darling (1965) |url=https://www2.bfi.org.uk/films-tv-people/4ce2b6a8785a2 |archive-url=https://web.archive.org/web/20160310124939/http://www.bfi.org.uk/films-tv-people/4ce2b6a8785a2 |url-status=dead |archive-date=10 March 2016 |access-date=2022-10-01 |publisher=[[British Film Institute]]}}</ref> It stars [[Julie Christie]] as Diana Scott, a young successful model and actress in [[Swinging London]], toying with the affections of two older men, played by [[Dirk Bogarde]] and [[Laurence Harvey]]. The film was shot on location in [[London]], [[Paris]] and [[Rome]] and at [[Shepperton Studios]] by cinematographer [[Kenneth Higgins]], with a musical score composed by Sir [[John Dankworth]].

''Darling'' premiered in New York City on 3 August 1965, and was released theatrically in the United Kingdom on 16 September by [[Anglo-Amalgamated]]. The film became a critical and commercial success, grossing $4.5 million and received
five nominations at the [[38th Academy Awards]], including for the [[Academy Award for Best Picture|Best Picture]], and won three awards; [[Academy Award for Best Actress|Best Actress]] (for Christie), [[Academy Award for Best Original Screenplay|Best Original Screenplay]], and [[Academy Award for Best Costume Design|Best Costume Design]].


The film premiered at the [[4th Moscow International Film Festival]] on 16 July 1965, and was released in cinemas in the United Kingdom on 16 September by [[Anglo-Amalgamated]]. It became a critical and commercial success, grossing $4.5 million, and received five nominations at the [[38th Academy Awards]], including [[Academy Award for Best Picture|Best Picture]], and won in three categories: [[Academy Award for Best Actress|Best Actress]] (for Christie), [[Academy Award for Best Original Screenplay|Best Original Screenplay]], and [[Academy Award for Best Costume Design|Best Costume Design]]. It also won four [[BAFTA Awards]]: [[BAFTA Award for Best British Actor|Best British Actor]] (Bogarde), [[BAFTA Award for Best British Actress|Best British Actress]] (Christie), [[BAFTA Award for Best British Screenplay|Best British Screenplay]] and [[BAFTA Award for Best Art Direction|Best Art Direction (Black-and-White)]].
==Plot==
Diana Scott ([[Julie Christie]]) is a beautiful, bored young model married to Tony Bridges ([[Trevor Bowen]]). One day, Diana meets Robert Gold ([[Dirk Bogarde]]), a literary interviewer/director for television arts programs, by chance when she is spotted on the street by his roving film crew and interviewed by him about young people's views on convention. Diana is invited to watch the final edit in the TV studio, and it's there that their relationship starts. After liaisons in bleak hotel rooms, they leave their spouses (and, in Robert's case, children) and move into an apartment.


== Plot ==
As a couple, they become part of the fashionable London media/arts set. Initially, Diana is jealous when Robert sees his wife ([[Pauline Yates]]) while visiting his children, but she quickly loses this attachment when she mixes with the predatory males of the media, arts and advertising scene, particularly Miles Brand ([[Laurence Harvey]]), a powerful advertising executive for the Glass Corporation who gets her a part in a trashy thriller after she has sex with him. The bookish Robert prefers the quiet life; it is he who now becomes jealous, but increasingly detached, depressed and lonely.
Diana Scott is a bored young [[model (person)|model]] married to Tony Bridges. One day Diana meets Robert Gold, a literary interviewer/director for television arts programmes, by chance when she is spotted on the street by his roving film crew and interviewed by him about young people's views on convention. Diana is invited to watch the final edit in the TV studio, and it is there that their relationship starts. After liaisons in hotel rooms, they leave their spouses (and, in Robert's case, children) and move into an apartment.


As a couple they become part of the fashionable London media/arts set. Initially, Diana is jealous when Robert sees his wife while visiting his children, but she quickly loses this attachment when she mixes with the males of the media, arts and advertising scene, particularly Miles Brand, a powerful advertising executive for the Glass Corporation, who gets her a part in a trashy thriller after she has sex with him. The bookish Robert prefers the quiet life; it is he who now becomes jealous but increasingly detached, depressed and lonely.
Diana attends a high-class charity draw for world hunger for which she is the face. The event, adorned by giant images of African famine victims, is at the height of cynical hypocrisy and bad taste, showing Diana's rich white set, which now includes the establishment, playing at concern, gorging themselves, gambling and generally behaving decadently.


Already showing signs of stress from constantly maintaining the carefree look demanded by the false, empty lifestyle to which she has become a prisoner, Diana becomes pregnant, and has an abortion.
Diana attends a high-class charity draw for world hunger for which she is the face. The event, adorned by giant images of African famine victims, is juxtaposed with wealthy guests gorging themselves with food. Diana later becomes pregnant and decides to have an abortion to sustain her career.


She flies to Paris with Miles for more jet-set sophistication. There she finds the wild party, beat music, strip dance mind game, cross dressing and predatory males and females vaguely repellent and intimidating, but holds her own, gaining the respect of the weird crowd when she taunts Miles in the game. On her return to London, Robert calls her a whore and leaves her, for which she is not emotionally prepared. Miles casts her as "The Happiness Girl" in the Glass Corporation's advertising campaign for a chocolate firm.
She flies to Paris with Miles for more jet-set sophistication. There she finds the wild party, beat music, strip dance mind game and cross-dressing repellent but slowly adjusts and holds her own, gaining the respect of the crowd when she taunts Miles during the game. On her return to London, Robert calls her a whore upon discovering her affair with Miles and leaves her. Miles then casts her as "The Happiness Girl" in the Glass Corporation's advertising campaign for a chocolate firm.


Diana finds comfort in the company of the gay photographer Malcolm ([[Roland Curram]]) who has created her now famous look and who is the only person who has shown her any real understanding and friendship. They go shopping and she engages in massive shoplifting. On location at a palazzo near Rome, Diana smiles in her medieval/Renaissance costume and completes "The Happiness Girl" shoot. She is much taken with the beauty of the building and the landscape and gets on well with the prince, Cesare ([[José Luis de Villalonga]]), who owns the palazzo (the Medici villa in [[Poggio a Caiano]] was used in the film). With the friendly Malcolm, Diana decides to stay on in Italy. They stay in a simple house by a small harbour in Capri. Diana flirts half-heartedly with Catholicism. They are visited by Cesare, who arrives in a huge launch, invites them on board and proposes to Diana. Cesare is widowed and has several children, the oldest of whom is about the same age as Diana. Diana politely declines his proposal, but Cesare leaves the offer open.
Diana finds comfort in the company of gay photographer Malcolm, who has created her new famous look. They go shopping, where she randomly decides to shoplift several items. On location at a palazzo near Rome, Diana smiles in her medieval/Renaissance costume and completes "The Happiness Girl" shoot. She is taken with the beauty of the building and the landscape, getting on well with the prince, Cesare, who owns the palazzo. With the friendly Malcolm, Diana decides to stay in Italy. They stay in a simple house by a small harbor in Capri, where Diana flirts half-heartedly with Catholicism. They are visited by Cesare, who arrives in a huge launch, invites them on board and proposes to Diana. She politely declines his proposal, but Cesare leaves the offer open.


Diana returns to London, and still living in the flat she shared with Robert, has a party with Miles and other assorted media characters. Robert has aged. Soon disillusioned with Miles and the vacuous London jet set, Diana flirts with the Catholic Church again. Impulsively, she flies to Italy and marries the prince, which proves to be ill-considered. Though waited on hand and foot by servants, she is almost immediately abandoned in the vast palazzo by Cesare, who has gone to Rome.
Diana returns to London, still living in the flat she shared with Robert, where she has a party with Miles and other assorted media characters. Robert comes by to visit Diana but sees that she is with Miles and departs. Becoming disillusioned with Miles and the vacuous London jet set, Diana flirts with the Catholic church again. Impulsively, she flies to Italy and marries the prince, which proves to be ill-fated. Though waited on hand and foot by the servants, she is almost immediately abandoned in the vast palazzo by Cesare, who visits Rome frequently.


Diana flees to London to Robert, who, taking advantage of her emotional vulnerability, charms her into bed and into what she thinks is a stable, long-term relationship. In the morning, in self-disgust, he tells her that he's leaving her and that he fooled her only as an act of revenge. He reserves a flight to Rome, packs her into his car, and takes her to Heathrow airport to send her back to her life as the Princess Della Romita. At the airport, Diana is hounded by the press, who address her reverentially as Princess. She boards the plane to leave.
Diana flees to London to visit Robert, and the two have sex, making her believe they are ready for a stable, long-term relationship. However, in the morning he tells her that he is leaving her and that he fooled her only as an act of revenge. He reserves a flight to Rome, packs her into his car and takes her to Heathrow airport to send her back to her life as Princess Della Romita. At the airport Diana is hounded by the press, who address her as Princess. She boards the plane to leave.


==Cast==
==Cast==
Line 52: Line 60:
* [[Laurence Harvey]] as Miles Brand
* [[Laurence Harvey]] as Miles Brand
* [[Dirk Bogarde]] as Robert Gold
* [[Dirk Bogarde]] as Robert Gold
* [[José Luis de Vilallonga, 9th Marquess of Castellbell|José Luis de Vilallonga]] as Prince Cesare della Romita (as Jose Luis De Villalonga)
* [[José Luis de Vilallonga, 9th Marquess of Castellbell|José Luis de Vilallonga]] as Prince Cesare della Romita
* [[Roland Curram]] as Malcolm
* [[Roland Curram]] as Malcolm
* [[Basil Henson]] as Alec Prosser-Jones
* [[Basil Henson]] as Alec Prosser-Jones
* Helen Lindsay as Felicity Prosser-Jones
* Helen Lindsay as Felicity Prosser-Jones
* Carlo Palmucci as Curzio della Romita
* Dante Posani as Gino
* [[Umberto Raho]] as Palucci
* [[Marika Rivera]] as Woman
* [[Alex Scott (actor)|Alex Scott]] as Sean Martin
* [[Alex Scott (actor)|Alex Scott]] as Sean Martin
* Ernest Walder as Kurt
* Ernest Walder as Kurt
Line 65: Line 69:
* [[Pauline Yates]] as Estelle Gold
* [[Pauline Yates]] as Estelle Gold
* [[Peter Bayliss]] as Lord Grant
* [[Peter Bayliss]] as Lord Grant
* [[Trevor Bowen|T.B. Bowen]] as Tony Bridges
* Carlo Palmucci as Curzio della Romita
* Dante Posani as Gino
* [[Umberto Raho]] as Palucci
* [[Marika Rivera]] as Woman
* Richard Bidlake as Rupert Crabtree
* Richard Bidlake as Rupert Crabtree
* [[Trevor Bowen|T.B. Bowen]] as Tony Bridges (as Trevor Nowen)
* [[Annette Carell]] as Billie Castiglione
* [[Annette Carell]] as Billie Castiglione
* [[Jean Claudio]] as Raoul Maxim
* [[Jean Claudio]] as Raoul Maxim
* [[Georgina Cookson]] as Carlotta Hale
* [[Georgina Cookson]] as Carlotta Hale
* [[James Cossins]] as Basildon
* [[James Cossins]] as Basildon
* [[Jane Downs]] as Julie (as Jane Bownes)
* [[Jane Downs]] as Julie
* [[Tyler Butterworth]] as William Prosser-Jones
* [[Hugo Dyson]] as Walter Southgate
* [[Ann Firbank]] as Sybil Martin
* [[Angus MacKay (actor)|Angus MacKay]] as Ivor Dawlish
* [[Lucille Soong]] as Allie
* [[Silvia Dionisio]] as Sandra della Romita
* [[Ray Lovelock (actor)|Ray Lovelock]] as Paolo della Romita
* [[John Steiner]] as Garrett
* [[Vernon Dobtcheff]] as Art Critic
* [[Zakes Mokae]] as Man at Party
* [[John Woodvine]] as Customs Officer
* [[John Schlesinger]] as Theatre Director
}}
}}


==Production and reputation==
==Production==
According to [[Richard Gregson]], agent for [[John Schlesinger]], the budget was around £300,000 and was entirely provided by [[Nat Cohen]] at [[Anglo-Amalgamated]].<ref name="brian"/>
According to [[Richard Gregson]], agent for [[John Schlesinger]], the budget was around £300,000 and was entirely provided by [[Nat Cohen]] at [[Anglo-Amalgamated]].<ref name="brian"/>


[[Shirley MacLaine]] originally was cast as Diana,<ref name="Julie Christie Biography at Yahoo! Movies">{{cite web|url=https://movies.yahoo.com/person/julie-christie/biography.htm |title=Julie Christie Biography at Yahoo! Movies }}{{dead link|date=December 2016 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> but was replaced by Christie. Production on ''Darling'' commenced in August 1964 and wrapped in December.<ref name="Darling (1965) – Box office / business">[https://www.imdb.com/title/tt0059084/business Box office / business for ''Darling''] at the [[Internet Movie Database]]</ref> It was filmed on location in London, Paris, and Rome.<ref name="Darling (1965) – Filming locations">[https://www.imdb.com/title/tt0059084/locations Filming Locations for ''Darling''] at the [[Internet Movie Database]]</ref> The final scene was shot at [[Heathrow Airport]] in London.<ref name="Darling (1965) – Filming locations"/><ref>{{cite web|title=Collection: Schlesinger, John|url=http://www.nationalarchives.gov.uk/nra/onlinelists/GB%201456%20SCHLESINGER.pdf|access-date=December 23, 2013|pages=5–11}}</ref>
[[Shirley MacLaine]] originally was cast as Diana,<ref name="Julie Christie Biography at Yahoo! Movies">{{cite web|url=https://movies.yahoo.com/person/julie-christie/biography.htm |title=Julie Christie Biography at Yahoo! Movies }}{{dead link|date=December 2016 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> but was replaced by Christie. Production on ''Darling'' commenced on 12 August 1964 <ref>file:///C:/Users/PC/Downloads/GB%201456%20SCHLESINGER.pdf</ref> and wrapped in December.<ref name="Darling (1965) – Box office / business">[https://www.imdb.com/title/tt0059084/business Box office / business for ''Darling''] at the [[Internet Movie Database]]</ref> It was filmed on location in London, Paris, and Rome.<ref name="Darling (1965) – Filming locations">[https://www.imdb.com/title/tt0059084/locations Filming Locations for ''Darling''] at the [[Internet Movie Database]]</ref> The Romita palazzo was portrayed by the [[Villa di Poggio a Caiano|Medici villa]]. The final scene was shot at [[Heathrow Airport]] in London.<ref name="Darling (1965) – Filming locations"/><ref>{{cite web|title=Collection: Schlesinger, John|url=http://www.nationalarchives.gov.uk/nra/onlinelists/GB%201456%20SCHLESINGER.pdf |archive-url=https://web.archive.org/web/20120619004050/https://www.nationalarchives.gov.uk/nra/onlinelists/GB%201456%20SCHLESINGER.pdf |archive-date=2012-06-19 |url-status=live|access-date=23 December 2013|pages=5–11}}</ref>


''New York'' in 1971 wrote of [[mod (subculture)|mod fashion]] and its wearers: "This new ''déclassé'' English girl was epitomized by Julie Christie in ''Darling''—amoral, rootless, emotionally immature, and apparently irresistible."<ref name="seebohm19710719">{{cite news | url=https://books.google.com/books?id=A-MCAAAAMBAJ&pg=PA34 | title=English Girls in New York: They Don't Go Home Again | work=New York | date=1971-07-19 | access-date=6 January 2015 | author=Seebohm, Caroline | pages=34}}</ref> Despite receiving many awards at the time of release, the film has a mixed reputation now. In his ''New Biographical Dictionary of Film'' entry on Schlesinger, David Thomson writes that the film "deserves a place in every archive to show how rapidly modishness withers. Beauty is central to the cinema and Schlesinger seems an unreliable judge of it, over-rating Christie and rarely getting close enough to the action to make a fruitful stylistic bond with it".<ref>David Thomson ''The New Biographical Dictionary of Film'', London: Little Brown, p.783. Published in New York by Knopf.</ref> ''Leonard Maltin's Film Guide'' describes it as a "trendy, influential '60s film – in flashy form and cynical content".<ref>Leonard Maltin (ed.) ''Leonard Maltin's Movie Guide 2009'', New York & London: Plume, 2008, p.318</ref> Tony Rayns though, in the ''Time Out Film Guide'', is as damning as Thomson. For him, the film is a "leaden rehash of ideas from Godard, Antonioni and Bergman", although with nods to the "Royal Court school", which "now looks grotesquely pretentious and out of touch with the realities of the life-styles that it purports to represent."<ref>''Time Out Film Guide 2009'', London: Ebury Press, 2008, p.242</ref>
In 1971, ''[[New York (magazine)|New York]]'' magazine wrote of [[Mod (subculture)|mod fashion]] and its wearers: "This new, ''déclassé'' English girl was epitomized by Julie Christie in ''Darling''—amoral, rootless, emotionally immature, and apparently irresistible."<ref>{{cite magazine |url=https://books.google.com/books?id=A-MCAAAAMBAJ&pg=PA34 |title=English Girls in New York: They Don't Go Home Again |magazine=[[New York (magazine)|New York]] |volume=4 |issue=29 |date=19 July 1971 |last=Seebohm |first=Caroline |page=34 |issn=0028-7369}}</ref> [[John Schlesinger]] admitted [[Julie Christie]] didn't want to do her nude scene.<ref>{{Google books|QgYZIgGsUWcC|Conversations with John Schlesinger |page=85}}</ref>


==Reception==
==Reception==
Despite receiving many awards at the time of release, the film later developed a mixed reputation. In his ''[[The New Biographical Dictionary of Film|New Biographical Dictionary of Film]]'' entry on Schlesinger, [[David Thomson (film critic)|David Thomson]] writes that the film "deserves a place in every archive to show how rapidly modishness withers. Beauty is central to the cinema and Schlesinger seems an unreliable judge of it, over-rating Christie and rarely getting close enough to the action to make a fruitful stylistic bond with it".<ref>{{cite book |last=Thomson |first=David |author-link=David Thomson (film critic) |title=The New Biographical Dictionary of Film |title-link=The New Biographical Dictionary of Film |edition=4th |location=New York |publisher=[[Alfred A. Knopf|Knopf]] |year=2002 |page=[https://archive.org/details/newbiographicald0000thom_g3v7/page/782/mode/2up 783] |isbn=978-0-3754-1128-1}}</ref> ''[[Leonard Maltin's Movie Guide]]'' described it as a "trendy, influential '60s film – in flashy form and cynical content".<ref>{{cite book |editor-last=Maltin |editor-first=Leonard |editor-link=Leonard Maltin |title=Leonard Maltin's 2009 Movie Guide |title-link=Leonard Maltin's Movie Guide |location=New York |publisher=[[Plume (publisher)|Plume]] |year=2008 |page=[https://archive.org/details/isbn_9780452289789/page/318/mode/2up 318] |isbn=978-0-4512-2468-2}}</ref> [[Tony Rayns]] though, in the ''[[Time Out Film Guide]]'', is as damning as Thomson. For him, the film is a "leaden rehash of ideas from [[Godard]], [[Antonioni]] and Bergman", although with nods to the "Royal Court school", which "now looks grotesquely pretentious and out of touch with the realities of the life-styles that it purports to represent."<ref>{{cite book |editor-last=Pym |editor-first=John |title=Time Out Film Guide 2009 |title-link=Time Out Film Guide |edition=17th |location=London |publisher=[[Time Out Group|Time Out]] |year=2008 |page=[https://archive.org/details/timeoutfilmguide0000unse_b3l4/page/242/mode/2up 242] |isbn=978-1-8467-0100-9}}</ref>
''Darling'' holds a rating of 65% on [[Rotten Tomatoes]] from 17 reviews.<ref>{{Citation|title=Darling (1965)|url=https://www.rottentomatoes.com/m/1005279_darling|language=en|access-date=2021-05-17}}</ref>

On the [[review aggregator]] website [[Rotten Tomatoes]], ''Darling'' holds an approval rating of 67% from 18 reviews, with an average rating of 7.1/10.<ref>{{cite web|title=Darling (1965)|url=https://www.rottentomatoes.com/m/1005279_darling|publisher=[[Rotten Tomatoes]]|access-date=24 October 2022}}</ref>


===Box office===
===Box office===
The film was a commercial success, grossing $12 million at the worldwide box office against a budget of only £400,000. It earned $4 million in [[Gross rental|theatrical rentals]].<ref>"Big Rental Pictures of 1966", ''[[Variety (magazine)|Variety]]'', 4 January 1967 p 8</ref>
The film was a commercial success, grossing $12 million at the worldwide box office against a budget of only £400,000. It earned $4 million in [[Distributor rental|theatrical rentals]].<ref>{{cite magazine |title=Big Rental Pictures of 1966 |magazine=[[Variety (magazine)|Variety]] |date=4 January 1967 |page=8 |issn=0042-2738}}</ref>


According to Richard Gregson, the film only earned £250,000 in Britain, but Nat Cohen sold the U.S. rights to [[Joe E. Levine]] for $900,000 and made a profit – and the movie was a big hit in the U.S.<ref name="brian"/>
According to [[Richard Gregson]], the film only earned £250,000 in the United Kingdom, but Nat Cohen sold the U.S. rights to [[Joe E. Levine]] for $900,000 and made a profit – and the film was more successful in the U.S.<ref name="brian"/>


===Accolades===
==Awards and honours==
{| class="wikitable plainrowheaders"
{| class="wikitable plainrowheaders"
|-
|-
! Institution
! Award
! Year
! Category
! Category
! Nominee(s)
! Nominee(s)
! Result
! Result
! Ref.
|-
|-
| rowspan="5"| [[38th Academy Awards|Academy Awards]]
| rowspan="5"| [[Academy Awards]]
| rowspan="5"| [[38th Academy Awards|1965]]
| [[Academy Award for Best Picture|Best Picture]]
| [[Academy Award for Best Picture|Best Picture]]
| [[Joseph Janni]]
| [[Joseph Janni]]
| {{nom}}
| {{nom}}
| align="center" rowspan="5"|<ref>{{Cite web |url=http://www.oscars.org/oscars/ceremonies/1966 |title=The 38th Academy Awards (1966) Nominees and Winners |access-date=4 September 2011 |work=oscars.org}}</ref>
|-
|-
| [[Academy Award for Best Director|Best Director]]
| [[Academy Award for Best Director|Best Director]]
Line 118: Line 144:
| {{won}}
| {{won}}
|-
|-
| rowspan="6"| [[19th British Academy Film Awards|British Academy Film Awards]]
| rowspan="6"| [[British Academy Film Awards]]
| rowspan="6"| [[19th British Academy Film Awards|1965]]
| [[BAFTA Award for Best Film|Best British Film]]
| [[BAFTA Award for Best Film|Best British Film]]
| John Schlesinger
| John Schlesinger
| {{nom}}
| {{nom}}
| align="center" rowspan="6"|<ref>{{cite web |url=http://awards.bafta.org/award/1966/film |title=BAFTA Awards: Film in 1966 |website=[[BAFTA]] |year=1966 |access-date=16 September 2016 |ref={{harvid|BAFTA|1966}}}}</ref>
|-
|-
| [[BAFTA Award for Best Actor in a Leading Role|Best British Actor]]
| [[BAFTA Award for Best Actor in a Leading Role|Best British Actor]]
Line 143: Line 171:
| {{nom}}
| {{nom}}
|-
|-
| [[18th Directors Guild of America Awards|Directors Guild of America Awards]]
| [[Directors Guild of America Awards]]
| [[18th Directors Guild of America Awards|1965]]
| [[Directors Guild of America Award for Outstanding Directing – Feature Film|Outstanding Directorial Achievement in Motion Pictures]]
| [[Directors Guild of America Award for Outstanding Directing – Feature Film|Outstanding Directorial Achievement in Motion Pictures]]
| John Schlesinger
| John Schlesinger
| {{nom}}
| {{nom}}
| align="center"|<ref>{{cite web |url=https://www.dga.org/Awards/History/1960s/1965.aspx?value=1965 |title=18th DGA Awards |website=[[Directors Guild of America Awards]] |access-date=5 July 2021}}</ref>
|-
|-
| rowspan="3"| [[23rd Golden Globe Awards|Golden Globe Awards]]
| rowspan="3"| [[Golden Globe Awards]]
| rowspan="3"| [[23rd Golden Globe Awards|1965]]
| colspan="2"| [[Golden Globe Award for Best English-Language Foreign Film|Best English-Language Foreign Film]]
| colspan="2"| [[Golden Globe Award for Best English-Language Foreign Film|Best English-Language Foreign Film]]
| {{won}}
| {{won}}
| align="center" rowspan="3"|<ref>{{cite web|url=https://www.goldenglobes.com/film/darling |title=Darling – Golden Globes |website=[[HFPA]] |access-date=5 July 2021 |ref={{harvid|HFPA|1966}}}}</ref>
|-
|-
| [[Golden Globe Award for Best Actress – Motion Picture Drama|Best Actress in a Motion Picture – Drama]]
| [[Golden Globe Award for Best Actress – Motion Picture Drama|Best Actress in a Motion Picture – Drama]]
Line 161: Line 193:
|-
|-
| [[Laurel Awards]]
| [[Laurel Awards]]
| 1965
| Top Female Dramatic Performance
| Top Female Dramatic Performance
| rowspan="2"| Julie Christie
| rowspan="2"| Julie Christie
| {{won}}
| {{won}}
| align="center"|
|-
|-
| Mexican Cinema Journalists
| Mexican Cinema Journalists
| 1967
| Best Foreign Actress
| Best Foreign Actress
| {{won}}
| {{won}}
| align="center"|
|-
|-
| [[4th Moscow International Film Festival|Moscow International Film Festival]]
| [[Moscow International Film Festival]]
| [[4th Moscow International Film Festival|1965]]
| Grand Prix
| Grand Prix
| John Schlesinger
| John Schlesinger
| {{nom}}
| {{nom}}
| align="center"|
|-
|-
| rowspan="3"| [[National Board of Review Awards 1965|National Board of Review Awards]]
| rowspan="3"| [[National Board of Review Awards]]
| rowspan="3"| [[National Board of Review Awards 1965|1965]]
| colspan="2"| [[National Board of Review: Top Ten Films|Top Ten Films]]
| colspan="2"| [[National Board of Review: Top Ten Films|Top Ten Films]]
| {{draw|6th Place}}
| {{draw|6th Place}}
| align="center" rowspan="3"|<ref>{{cite web |url=https://nationalboardofreview.org/award-years/1965/ |title=1965 Award Winners |website=[[National Board of Review]] |access-date=5 July 2021}}</ref>
|-
|-
| [[National Board of Review Award for Best Director|Best Director]]
| [[National Board of Review Award for Best Director|Best Director]]
Line 186: Line 226:
| {{won}}
| {{won}}
|-
|-
| rowspan="3"| [[1965 New York Film Critics Circle Awards|New York Film Critics Circle Awards]]
| rowspan="3"| [[New York Film Critics Circle|New York Film Critics Circle Awards]]
| rowspan="3"| [[1965 New York Film Critics Circle Awards|1965]]
| colspan="2"| [[New York Film Critics Circle Award for Best Film|Best Film]]
| colspan="2"| [[New York Film Critics Circle Award for Best Film|Best Film]]
| {{won}}
| {{won}}
| align="center" rowspan="3"|<ref>{{cite web|url=https://www.nyfcc.com/awards/?awardyear=1965 |title=1965 New York Film Critics Circle Awards |website=[[New York Film Critics Circle]] |access-date=5 July 2021}}</ref>
|-
|-
| [[New York Film Critics Circle Award for Best Director|Best Director]]
| [[New York Film Critics Circle Award for Best Director|Best Director]]
Line 198: Line 240:
| {{won}}
| {{won}}
|-
|-
| rowspan="2"| [[Writers' Guild of Great Britain]]
| rowspan="2"| [[Writers' Guild of Great Britain|Writers' Guild of Great Britain Awards]]
| rowspan="2"| 1965
| Best British Comedy Screenplay
| Best British Comedy Screenplay
| rowspan="2"| Frederic Raphael
| rowspan="2"| Frederic Raphael
| {{won}}
| {{won}}
| align="center" rowspan="2"|<ref>{{cite web|url=https://writersguild.org.uk/writers-guild-awards-1965/ |title=Writers' Guild Awards 1965 |website=[[Writers' Guild of Great Britain]] |access-date=3 June 2021}}</ref>
|-
|-
| Outstanding British Original Screenplay
| Outstanding British Original Screenplay
Line 211: Line 255:


==References==
==References==
{{reflist}}
{{Reflist}}


==External links==
==External links==
* {{IMDb title|0059084}}
* {{IMDb title}}
* {{TCMDb title|72342}}
* {{Rotten Tomatoes}}
* [https://web.archive.org/web/20160310124939/http://www.bfi.org.uk/films-tv-people/4ce2b6a8785a2 ''Darling''] at the [[British Film Institute]]{{better source needed|reason=Help request: a live link can be searched for at https://collections-search.bfi.org.uk/web/search/expert – if available, replace the archive URL with the live link. Or if none found, remove this 'better source needed' template. | date=October 2023}}
* {{rotten-tomatoes|1005279-darling}}
* {{TCMDb title}}


{{John Schlesinger}}
{{John Schlesinger}}
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{{DEFAULTSORT:Darling (Film)}}
{{DEFAULTSORT:Darling (Film)}}
[[Category:1965 films]]
[[Category:1965 films]]
[[Category:1965 drama films]]
[[Category:1960s British films]]
[[Category:1960s English-language films]]
[[Category:1965 romantic drama films]]
[[Category:British black-and-white films]]
[[Category:British black-and-white films]]
[[Category:British drama films]]
[[Category:British romantic drama films]]
[[Category:British films]]
[[Category:English-language romantic drama films]]
[[Category:English-language films]]
[[Category:Films about fashion in the United Kingdom]]
[[Category:Films featuring a Best Actress Academy Award-winning performance]]
[[Category:Films about modeling]]
[[Category:Films directed by John Schlesinger]]
[[Category:Films directed by John Schlesinger]]
[[Category:Films set in England]]
[[Category:Films featuring a Best Actress Academy Award–winning performance]]
[[Category:Films scored by John Dankworth]]
[[Category:Films set in London]]
[[Category:Films set in London]]
[[Category:Films set in Paris]]
[[Category:Films set in Rome]]
[[Category:Films shot in London]]
[[Category:Films shot in London]]
[[Category:Films whose writer won the Best Original Screenplay Academy Award]]
[[Category:Films shot in Paris]]
[[Category:Films shot in Rome]]
[[Category:Films shot in Tuscany]]
[[Category:Films that won the Best Costume Design Academy Award]]
[[Category:Films that won the Best Costume Design Academy Award]]
[[Category:Films about fashion]]
[[Category:Films whose writer won the Best Original Screenplay Academy Award]]
[[Category:Films scored by John Dankworth]]

Latest revision as of 20:00, 21 December 2024

Darling
Theatrical release poster
Directed byJohn Schlesinger
Screenplay byFrederic Raphael
Story by
Produced byJoseph Janni
Starring
CinematographyKenneth Higgins
Edited byJames Clark
Music byJohn Dankworth
Production
companies
  • Joseph Janni Production
  • Vic Films Productions
  • Appia Films
Distributed byAnglo-Amalgamated
Release dates
  • 15 July 1965 (1965-07-15) (Moscow)
  • 16 September 1965 (1965-09-16) (United Kingdom)
Running time
127 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£392,446[1][2] or $1.1 million[3]
Box office$4.5 million[4]

Darling is a 1965 British romantic drama film directed by John Schlesinger from a screenplay written by Frederic Raphael.[5] It stars Julie Christie as Diana Scott, a young successful model and actress in Swinging London, toying with the affections of two older men, played by Dirk Bogarde and Laurence Harvey. The film was shot on location in London, Paris and Rome and at Shepperton Studios by cinematographer Kenneth Higgins, with a musical score composed by Sir John Dankworth.

The film premiered at the 4th Moscow International Film Festival on 16 July 1965, and was released in cinemas in the United Kingdom on 16 September by Anglo-Amalgamated. It became a critical and commercial success, grossing $4.5 million, and received five nominations at the 38th Academy Awards, including Best Picture, and won in three categories: Best Actress (for Christie), Best Original Screenplay, and Best Costume Design. It also won four BAFTA Awards: Best British Actor (Bogarde), Best British Actress (Christie), Best British Screenplay and Best Art Direction (Black-and-White).

Plot

[edit]

Diana Scott is a bored young model married to Tony Bridges. One day Diana meets Robert Gold, a literary interviewer/director for television arts programmes, by chance when she is spotted on the street by his roving film crew and interviewed by him about young people's views on convention. Diana is invited to watch the final edit in the TV studio, and it is there that their relationship starts. After liaisons in hotel rooms, they leave their spouses (and, in Robert's case, children) and move into an apartment.

As a couple they become part of the fashionable London media/arts set. Initially, Diana is jealous when Robert sees his wife while visiting his children, but she quickly loses this attachment when she mixes with the males of the media, arts and advertising scene, particularly Miles Brand, a powerful advertising executive for the Glass Corporation, who gets her a part in a trashy thriller after she has sex with him. The bookish Robert prefers the quiet life; it is he who now becomes jealous but increasingly detached, depressed and lonely.

Diana attends a high-class charity draw for world hunger for which she is the face. The event, adorned by giant images of African famine victims, is juxtaposed with wealthy guests gorging themselves with food. Diana later becomes pregnant and decides to have an abortion to sustain her career.

She flies to Paris with Miles for more jet-set sophistication. There she finds the wild party, beat music, strip dance mind game and cross-dressing repellent but slowly adjusts and holds her own, gaining the respect of the crowd when she taunts Miles during the game. On her return to London, Robert calls her a whore upon discovering her affair with Miles and leaves her. Miles then casts her as "The Happiness Girl" in the Glass Corporation's advertising campaign for a chocolate firm.

Diana finds comfort in the company of gay photographer Malcolm, who has created her new famous look. They go shopping, where she randomly decides to shoplift several items. On location at a palazzo near Rome, Diana smiles in her medieval/Renaissance costume and completes "The Happiness Girl" shoot. She is taken with the beauty of the building and the landscape, getting on well with the prince, Cesare, who owns the palazzo. With the friendly Malcolm, Diana decides to stay in Italy. They stay in a simple house by a small harbor in Capri, where Diana flirts half-heartedly with Catholicism. They are visited by Cesare, who arrives in a huge launch, invites them on board and proposes to Diana. She politely declines his proposal, but Cesare leaves the offer open.

Diana returns to London, still living in the flat she shared with Robert, where she has a party with Miles and other assorted media characters. Robert comes by to visit Diana but sees that she is with Miles and departs. Becoming disillusioned with Miles and the vacuous London jet set, Diana flirts with the Catholic church again. Impulsively, she flies to Italy and marries the prince, which proves to be ill-fated. Though waited on hand and foot by the servants, she is almost immediately abandoned in the vast palazzo by Cesare, who visits Rome frequently.

Diana flees to London to visit Robert, and the two have sex, making her believe they are ready for a stable, long-term relationship. However, in the morning he tells her that he is leaving her and that he fooled her only as an act of revenge. He reserves a flight to Rome, packs her into his car and takes her to Heathrow airport to send her back to her life as Princess Della Romita. At the airport Diana is hounded by the press, who address her as Princess. She boards the plane to leave.

Cast

[edit]

Production

[edit]

According to Richard Gregson, agent for John Schlesinger, the budget was around £300,000 and was entirely provided by Nat Cohen at Anglo-Amalgamated.[2]

Shirley MacLaine originally was cast as Diana,[6] but was replaced by Christie. Production on Darling commenced on 12 August 1964 [7] and wrapped in December.[8] It was filmed on location in London, Paris, and Rome.[9] The Romita palazzo was portrayed by the Medici villa. The final scene was shot at Heathrow Airport in London.[9][10]

In 1971, New York magazine wrote of mod fashion and its wearers: "This new, déclassé English girl was epitomized by Julie Christie in Darling—amoral, rootless, emotionally immature, and apparently irresistible."[11] John Schlesinger admitted Julie Christie didn't want to do her nude scene.[12]

Reception

[edit]

Despite receiving many awards at the time of release, the film later developed a mixed reputation. In his New Biographical Dictionary of Film entry on Schlesinger, David Thomson writes that the film "deserves a place in every archive to show how rapidly modishness withers. Beauty is central to the cinema and Schlesinger seems an unreliable judge of it, over-rating Christie and rarely getting close enough to the action to make a fruitful stylistic bond with it".[13] Leonard Maltin's Movie Guide described it as a "trendy, influential '60s film – in flashy form and cynical content".[14] Tony Rayns though, in the Time Out Film Guide, is as damning as Thomson. For him, the film is a "leaden rehash of ideas from Godard, Antonioni and Bergman", although with nods to the "Royal Court school", which "now looks grotesquely pretentious and out of touch with the realities of the life-styles that it purports to represent."[15]

On the review aggregator website Rotten Tomatoes, Darling holds an approval rating of 67% from 18 reviews, with an average rating of 7.1/10.[16]

Box office

[edit]

The film was a commercial success, grossing $12 million at the worldwide box office against a budget of only £400,000. It earned $4 million in theatrical rentals.[17]

According to Richard Gregson, the film only earned £250,000 in the United Kingdom, but Nat Cohen sold the U.S. rights to Joe E. Levine for $900,000 and made a profit – and the film was more successful in the U.S.[2]

Accolades

[edit]
Institution Year Category Nominee(s) Result Ref.
Academy Awards 1965 Best Picture Joseph Janni Nominated [18]
Best Director John Schlesinger Nominated
Best Actress Julie Christie Won
Best Story and Screenplay – Written Directly for the Screen Frederic Raphael Won
Best Costume Design – Black-and-White Julie Harris Won
British Academy Film Awards 1965 Best British Film John Schlesinger Nominated [19]
Best British Actor Dirk Bogarde Won
Best British Actress Julie Christie Won
Best British Screenplay Frederic Raphael Won
Best British Art Direction – Black-and-White Ray Simm Won
Best British Cinematography – Black-and-White Kenneth Higgins Nominated
Directors Guild of America Awards 1965 Outstanding Directorial Achievement in Motion Pictures John Schlesinger Nominated [20]
Golden Globe Awards 1965 Best English-Language Foreign Film Won [21]
Best Actress in a Motion Picture – Drama Julie Christie Nominated
Best Director – Motion Picture John Schlesinger Nominated
Laurel Awards 1965 Top Female Dramatic Performance Julie Christie Won
Mexican Cinema Journalists 1967 Best Foreign Actress Won
Moscow International Film Festival 1965 Grand Prix John Schlesinger Nominated
National Board of Review Awards 1965 Top Ten Films 6th Place [22]
Best Director John Schlesinger Won
Best Actress Julie Christie Won
New York Film Critics Circle Awards 1965 Best Film Won [23]
Best Director John Schlesinger Won
Best Actress Julie Christie Won
Writers' Guild of Great Britain Awards 1965 Best British Comedy Screenplay Frederic Raphael Won [24]
Outstanding British Original Screenplay Won

See also

[edit]

References

[edit]
  1. ^ Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 360
  2. ^ a b c McFarlane, Brian (1997). An Autobiography of British Cinema. London: Methuen. p. 248. ISBN 978-0-4137-0520-4.
  3. ^ Weiler, A. H. (24 April 1966). "...And Julie Christie's Next Activity: More About Movies". The New York Times. p. X9. ISSN 0362-4331.
  4. ^ Gardner, Paul (27 November 1973). "Laurence Harvey, Screen Actor, Is Dead at 45". The New York Times. p. 47. ISSN 0362-4331.
  5. ^ "Darling (1965)". British Film Institute. Archived from the original on 10 March 2016. Retrieved 1 October 2022.
  6. ^ "Julie Christie Biography at Yahoo! Movies".[permanent dead link]
  7. ^ file:///C:/Users/PC/Downloads/GB%201456%20SCHLESINGER.pdf
  8. ^ Box office / business for Darling at the Internet Movie Database
  9. ^ a b Filming Locations for Darling at the Internet Movie Database
  10. ^ "Collection: Schlesinger, John" (PDF). pp. 5–11. Archived (PDF) from the original on 19 June 2012. Retrieved 23 December 2013.
  11. ^ Seebohm, Caroline (19 July 1971). "English Girls in New York: They Don't Go Home Again". New York. Vol. 4, no. 29. p. 34. ISSN 0028-7369.
  12. ^ Conversations with John Schlesinger , p. 85, at Google Books
  13. ^ Thomson, David (2002). The New Biographical Dictionary of Film (4th ed.). New York: Knopf. p. 783. ISBN 978-0-3754-1128-1.
  14. ^ Maltin, Leonard, ed. (2008). Leonard Maltin's 2009 Movie Guide. New York: Plume. p. 318. ISBN 978-0-4512-2468-2.
  15. ^ Pym, John, ed. (2008). Time Out Film Guide 2009 (17th ed.). London: Time Out. p. 242. ISBN 978-1-8467-0100-9.
  16. ^ "Darling (1965)". Rotten Tomatoes. Retrieved 24 October 2022.
  17. ^ "Big Rental Pictures of 1966". Variety. 4 January 1967. p. 8. ISSN 0042-2738.
  18. ^ "The 38th Academy Awards (1966) Nominees and Winners". oscars.org. Retrieved 4 September 2011.
  19. ^ "BAFTA Awards: Film in 1966". BAFTA. 1966. Retrieved 16 September 2016.
  20. ^ "18th DGA Awards". Directors Guild of America Awards. Retrieved 5 July 2021.
  21. ^ "Darling – Golden Globes". HFPA. Retrieved 5 July 2021.
  22. ^ "1965 Award Winners". National Board of Review. Retrieved 5 July 2021.
  23. ^ "1965 New York Film Critics Circle Awards". New York Film Critics Circle. Retrieved 5 July 2021.
  24. ^ "Writers' Guild Awards 1965". Writers' Guild of Great Britain. Retrieved 3 June 2021.
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