Darling (1965 film): Difference between revisions
Dingsuntil (talk | contribs) →Plot: this is not directly shown in the film, it's not my impression at all, and it's not sourced to anyone. and who the hell marries a hot young trophy wife to immediately ditch her for a mistress? |
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{{Short description|1965 film by John Schlesinger}} |
{{Short description|1965 British film by John Schlesinger}} |
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{{EngvarB|date=September 2013}} |
{{EngvarB|date=September 2013}} |
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{{Use dmy dates|date= |
{{Use dmy dates|date=May 2024}} |
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{{Infobox film |
{{Infobox film |
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| name = Darling |
| name = Darling |
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| image = |
| image = Darling (1965 film) poster.png |
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| caption = |
| caption = Theatrical release poster |
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| director = [[John Schlesinger]] |
| director = [[John Schlesinger]] |
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| screenplay = [[Frederic Raphael]] |
| screenplay = [[Frederic Raphael]] |
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| story = {{Plainlist| |
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| based_on = (Based on an idea by)<br>Frederic Raphael<br>John Schlesinger<br>[[Joseph Janni]] |
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* Frederic Raphael |
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* John Schlesinger |
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* [[Joseph Janni]] |
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}} |
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| producer = Joseph Janni |
| producer = Joseph Janni |
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| starring = |
| starring = {{Plainlist| |
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* [[Dirk Bogarde]] |
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* [[Laurence Harvey]] |
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* [[Julie Christie]] |
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}} |
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| cinematography = [[Kenneth Higgins]] |
| cinematography = [[Kenneth Higgins]] |
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| editing = [[Jim Clark (film editor)|James Clark]] |
| editing = [[Jim Clark (film editor)|James Clark]] |
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| music = [[John Dankworth]] |
| music = [[John Dankworth]] |
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| studio = {{Plainlist| |
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| color_process = [[Black and white]] |
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* Joseph Janni Production |
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* Vic Films Productions |
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* Appia Films |
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}} |
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| distributor = [[Anglo-Amalgamated]] <small>(UK)</small><br>[[Embassy Pictures]] <small>(US)</small> |
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| distributor = [[Anglo-Amalgamated]] |
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| released = {{Film date|1965| |
| released = {{Film date|1965|07|15|[[4th Moscow International Film Festival|Moscow]]|1965|9|16|United Kingdom|df=yes}} |
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| runtime = 127 minutes |
| runtime = 127 minutes |
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| country = United Kingdom |
| country = United Kingdom |
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| language = English |
| language = English |
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| budget = £ |
| budget = £392,446<ref name="money">Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 360</ref><ref name="brian">{{cite book|last=McFarlane|first=Brian|title=An Autobiography of British Cinema|location=London|publisher=[[Methuen Publishing|Methuen]]|year=1997|page=[https://archive.org/details/autobiographyofb0000unse_i5w8/page/248/mode/2up 248]|isbn=978-0-4137-0520-4}}</ref> or $1.1 million<ref>{{cite news|title=...And Julie Christie's Next Activity: More About Movies|last=Weiler|first=A. H.|author-link=A. H. Weiler|date=24 April 1966|newspaper=[[The New York Times]]|page=X9|issn=0362-4331}}</ref> |
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| gross = $4.5 million<ref name="new">{{cite news|title=Laurence Harvey, Screen Actor, Is Dead at 45 |
| gross = $4.5 million<ref name="new">{{cite news|last=Gardner|first=Paul|author-link=Paul Gardner (journalist)|title=Laurence Harvey, Screen Actor, Is Dead at 45|newspaper=The New York Times|date=27 November 1973|page=47|issn=0362-4331}}</ref> |
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}} |
}} |
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'''''Darling''''' is a 1965 British [[romantic drama]] film directed by [[John Schlesinger]] |
'''''Darling''''' is a 1965 British [[romantic drama]] film directed by [[John Schlesinger]] from a screenplay written by [[Frederic Raphael]].<ref>{{Cite web |title=Darling (1965) |url=https://www2.bfi.org.uk/films-tv-people/4ce2b6a8785a2 |archive-url=https://web.archive.org/web/20160310124939/http://www.bfi.org.uk/films-tv-people/4ce2b6a8785a2 |url-status=dead |archive-date=10 March 2016 |access-date=2022-10-01 |publisher=[[British Film Institute]]}}</ref> It stars [[Julie Christie]] as Diana Scott, a young successful model and actress in [[Swinging London]], toying with the affections of two older men, played by [[Dirk Bogarde]] and [[Laurence Harvey]]. The film was shot on location in [[London]], [[Paris]] and [[Rome]] and at [[Shepperton Studios]] by cinematographer [[Kenneth Higgins]], with a musical score composed by Sir [[John Dankworth]]. |
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''Darling'' premiered in New York City on 3 August 1965, and was released theatrically in the United Kingdom on 16 September by [[Anglo-Amalgamated]]. The film became a critical and commercial success, grossing $4.5 million and received |
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five nominations at the [[38th Academy Awards]], including for the [[Academy Award for Best Picture|Best Picture]], and won three awards; [[Academy Award for Best Actress|Best Actress]] (for Christie), [[Academy Award for Best Original Screenplay|Best Original Screenplay]], and [[Academy Award for Best Costume Design|Best Costume Design]]. |
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The film premiered at the [[4th Moscow International Film Festival]] on 16 July 1965, and was released in cinemas in the United Kingdom on 16 September by [[Anglo-Amalgamated]]. It became a critical and commercial success, grossing $4.5 million, and received five nominations at the [[38th Academy Awards]], including [[Academy Award for Best Picture|Best Picture]], and won in three categories: [[Academy Award for Best Actress|Best Actress]] (for Christie), [[Academy Award for Best Original Screenplay|Best Original Screenplay]], and [[Academy Award for Best Costume Design|Best Costume Design]]. It also won four [[BAFTA Awards]]: [[BAFTA Award for Best British Actor|Best British Actor]] (Bogarde), [[BAFTA Award for Best British Actress|Best British Actress]] (Christie), [[BAFTA Award for Best British Screenplay|Best British Screenplay]] and [[BAFTA Award for Best Art Direction|Best Art Direction (Black-and-White)]]. |
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⚫ | |||
⚫ | Diana Scott |
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⚫ | |||
⚫ | As a couple |
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⚫ | Diana Scott is a bored young [[model (person)|model]] married to Tony Bridges. One day Diana meets Robert Gold, a literary interviewer/director for television arts programmes, by chance when she is spotted on the street by his roving film crew and interviewed by him about young people's views on convention. Diana is invited to watch the final edit in the TV studio, and it is there that their relationship starts. After liaisons in hotel rooms, they leave their spouses (and, in Robert's case, children) and move into an apartment. |
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⚫ | As a couple they become part of the fashionable London media/arts set. Initially, Diana is jealous when Robert sees his wife while visiting his children, but she quickly loses this attachment when she mixes with the males of the media, arts and advertising scene, particularly Miles Brand, a powerful advertising executive for the Glass Corporation, who gets her a part in a trashy thriller after she has sex with him. The bookish Robert prefers the quiet life; it is he who now becomes jealous but increasingly detached, depressed and lonely. |
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Diana attends a high-class charity draw for world hunger for which she is the face. The event, adorned by giant images of African famine victims, is at the height of cynical hypocrisy and bad taste, showing Diana's rich white set, which now includes the establishment, playing at concern, gorging themselves, gambling and generally behaving decadently. |
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Diana attends a high-class charity draw for world hunger for which she is the face. The event, adorned by giant images of African famine victims, is juxtaposed with wealthy guests gorging themselves with food. Diana later becomes pregnant and decides to have an abortion to sustain her career. |
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She flies to Paris with Miles for more jet-set sophistication. There she finds the wild party, beat music, strip dance mind game |
She flies to Paris with Miles for more jet-set sophistication. There she finds the wild party, beat music, strip dance mind game and cross-dressing repellent but slowly adjusts and holds her own, gaining the respect of the crowd when she taunts Miles during the game. On her return to London, Robert calls her a whore upon discovering her affair with Miles and leaves her. Miles then casts her as "The Happiness Girl" in the Glass Corporation's advertising campaign for a chocolate firm. |
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Diana finds comfort in the company of |
Diana finds comfort in the company of gay photographer Malcolm, who has created her new famous look. They go shopping, where she randomly decides to shoplift several items. On location at a palazzo near Rome, Diana smiles in her medieval/Renaissance costume and completes "The Happiness Girl" shoot. She is taken with the beauty of the building and the landscape, getting on well with the prince, Cesare, who owns the palazzo. With the friendly Malcolm, Diana decides to stay in Italy. They stay in a simple house by a small harbor in Capri, where Diana flirts half-heartedly with Catholicism. They are visited by Cesare, who arrives in a huge launch, invites them on board and proposes to Diana. She politely declines his proposal, but Cesare leaves the offer open. |
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Diana returns to London, |
Diana returns to London, still living in the flat she shared with Robert, where she has a party with Miles and other assorted media characters. Robert comes by to visit Diana but sees that she is with Miles and departs. Becoming disillusioned with Miles and the vacuous London jet set, Diana flirts with the Catholic church again. Impulsively, she flies to Italy and marries the prince, which proves to be ill-fated. Though waited on hand and foot by the servants, she is almost immediately abandoned in the vast palazzo by Cesare, who visits Rome frequently. |
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Diana flees to London to Robert, |
Diana flees to London to visit Robert, and the two have sex, making her believe they are ready for a stable, long-term relationship. However, in the morning he tells her that he is leaving her and that he fooled her only as an act of revenge. He reserves a flight to Rome, packs her into his car and takes her to Heathrow airport to send her back to her life as Princess Della Romita. At the airport Diana is hounded by the press, who address her as Princess. She boards the plane to leave. |
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==Cast== |
==Cast== |
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* [[Laurence Harvey]] as Miles Brand |
* [[Laurence Harvey]] as Miles Brand |
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* [[Dirk Bogarde]] as Robert Gold |
* [[Dirk Bogarde]] as Robert Gold |
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* [[José Luis de Vilallonga, 9th Marquess of Castellbell|José Luis de Vilallonga]] as Prince Cesare della Romita |
* [[José Luis de Vilallonga, 9th Marquess of Castellbell|José Luis de Vilallonga]] as Prince Cesare della Romita |
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* [[Roland Curram]] as Malcolm |
* [[Roland Curram]] as Malcolm |
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* [[Basil Henson]] as Alec Prosser-Jones |
* [[Basil Henson]] as Alec Prosser-Jones |
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* Helen Lindsay as Felicity Prosser-Jones |
* Helen Lindsay as Felicity Prosser-Jones |
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* [[Alex Scott (actor)|Alex Scott]] as Sean Martin |
* [[Alex Scott (actor)|Alex Scott]] as Sean Martin |
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* Ernest Walder as Kurt |
* Ernest Walder as Kurt |
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* [[Pauline Yates]] as Estelle Gold |
* [[Pauline Yates]] as Estelle Gold |
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* [[Peter Bayliss]] as Lord Grant |
* [[Peter Bayliss]] as Lord Grant |
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* Richard Bidlake as Rupert Crabtree |
* Richard Bidlake as Rupert Crabtree |
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* [[Annette Carell]] as Billie Castiglione |
* [[Annette Carell]] as Billie Castiglione |
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* [[Jean Claudio]] as Raoul Maxim |
* [[Jean Claudio]] as Raoul Maxim |
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* [[Georgina Cookson]] as Carlotta Hale |
* [[Georgina Cookson]] as Carlotta Hale |
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* [[James Cossins]] as Basildon |
* [[James Cossins]] as Basildon |
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* [[Jane Downs]] as Julie |
* [[Jane Downs]] as Julie |
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* [[Tyler Butterworth]] as William Prosser-Jones |
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* [[Hugo Dyson]] as Walter Southgate |
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* [[Ann Firbank]] as Sybil Martin |
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* [[Angus MacKay (actor)|Angus MacKay]] as Ivor Dawlish |
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* [[Lucille Soong]] as Allie |
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* [[Silvia Dionisio]] as Sandra della Romita |
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* [[Ray Lovelock (actor)|Ray Lovelock]] as Paolo della Romita |
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* [[John Steiner]] as Garrett |
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* [[Vernon Dobtcheff]] as Art Critic |
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* [[Zakes Mokae]] as Man at Party |
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* [[John Woodvine]] as Customs Officer |
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* [[John Schlesinger]] as Theatre Director |
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}} |
}} |
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==Production |
==Production== |
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According to [[Richard Gregson]], agent for [[John Schlesinger]], the budget was around £300,000 and was entirely provided by [[Nat Cohen]] at [[Anglo-Amalgamated]].<ref name="brian"/> |
According to [[Richard Gregson]], agent for [[John Schlesinger]], the budget was around £300,000 and was entirely provided by [[Nat Cohen]] at [[Anglo-Amalgamated]].<ref name="brian"/> |
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[[Shirley MacLaine]] originally was cast as Diana,<ref name="Julie Christie Biography at Yahoo! Movies">{{cite web|url=https://movies.yahoo.com/person/julie-christie/biography.htm |title=Julie Christie Biography at Yahoo! Movies }}{{dead link|date=December 2016 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> but was replaced by Christie. Production on ''Darling'' commenced |
[[Shirley MacLaine]] originally was cast as Diana,<ref name="Julie Christie Biography at Yahoo! Movies">{{cite web|url=https://movies.yahoo.com/person/julie-christie/biography.htm |title=Julie Christie Biography at Yahoo! Movies }}{{dead link|date=December 2016 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> but was replaced by Christie. Production on ''Darling'' commenced on 12 August 1964 <ref>file:///C:/Users/PC/Downloads/GB%201456%20SCHLESINGER.pdf</ref> and wrapped in December.<ref name="Darling (1965) – Box office / business">[https://www.imdb.com/title/tt0059084/business Box office / business for ''Darling''] at the [[Internet Movie Database]]</ref> It was filmed on location in London, Paris, and Rome.<ref name="Darling (1965) – Filming locations">[https://www.imdb.com/title/tt0059084/locations Filming Locations for ''Darling''] at the [[Internet Movie Database]]</ref> The Romita palazzo was portrayed by the [[Villa di Poggio a Caiano|Medici villa]]. The final scene was shot at [[Heathrow Airport]] in London.<ref name="Darling (1965) – Filming locations"/><ref>{{cite web|title=Collection: Schlesinger, John|url=http://www.nationalarchives.gov.uk/nra/onlinelists/GB%201456%20SCHLESINGER.pdf |archive-url=https://web.archive.org/web/20120619004050/https://www.nationalarchives.gov.uk/nra/onlinelists/GB%201456%20SCHLESINGER.pdf |archive-date=2012-06-19 |url-status=live|access-date=23 December 2013|pages=5–11}}</ref> |
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''New York'' |
In 1971, ''[[New York (magazine)|New York]]'' magazine wrote of [[Mod (subculture)|mod fashion]] and its wearers: "This new, ''déclassé'' English girl was epitomized by Julie Christie in ''Darling''—amoral, rootless, emotionally immature, and apparently irresistible."<ref>{{cite magazine |url=https://books.google.com/books?id=A-MCAAAAMBAJ&pg=PA34 |title=English Girls in New York: They Don't Go Home Again |magazine=[[New York (magazine)|New York]] |volume=4 |issue=29 |date=19 July 1971 |last=Seebohm |first=Caroline |page=34 |issn=0028-7369}}</ref> [[John Schlesinger]] admitted [[Julie Christie]] didn't want to do her nude scene.<ref>{{Google books|QgYZIgGsUWcC|Conversations with John Schlesinger |page=85}}</ref> |
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==Reception== |
==Reception== |
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Despite receiving many awards at the time of release, the film later developed a mixed reputation. In his ''[[The New Biographical Dictionary of Film|New Biographical Dictionary of Film]]'' entry on Schlesinger, [[David Thomson (film critic)|David Thomson]] writes that the film "deserves a place in every archive to show how rapidly modishness withers. Beauty is central to the cinema and Schlesinger seems an unreliable judge of it, over-rating Christie and rarely getting close enough to the action to make a fruitful stylistic bond with it".<ref>{{cite book |last=Thomson |first=David |author-link=David Thomson (film critic) |title=The New Biographical Dictionary of Film |title-link=The New Biographical Dictionary of Film |edition=4th |location=New York |publisher=[[Alfred A. Knopf|Knopf]] |year=2002 |page=[https://archive.org/details/newbiographicald0000thom_g3v7/page/782/mode/2up 783] |isbn=978-0-3754-1128-1}}</ref> ''[[Leonard Maltin's Movie Guide]]'' described it as a "trendy, influential '60s film – in flashy form and cynical content".<ref>{{cite book |editor-last=Maltin |editor-first=Leonard |editor-link=Leonard Maltin |title=Leonard Maltin's 2009 Movie Guide |title-link=Leonard Maltin's Movie Guide |location=New York |publisher=[[Plume (publisher)|Plume]] |year=2008 |page=[https://archive.org/details/isbn_9780452289789/page/318/mode/2up 318] |isbn=978-0-4512-2468-2}}</ref> [[Tony Rayns]] though, in the ''[[Time Out Film Guide]]'', is as damning as Thomson. For him, the film is a "leaden rehash of ideas from [[Godard]], [[Antonioni]] and Bergman", although with nods to the "Royal Court school", which "now looks grotesquely pretentious and out of touch with the realities of the life-styles that it purports to represent."<ref>{{cite book |editor-last=Pym |editor-first=John |title=Time Out Film Guide 2009 |title-link=Time Out Film Guide |edition=17th |location=London |publisher=[[Time Out Group|Time Out]] |year=2008 |page=[https://archive.org/details/timeoutfilmguide0000unse_b3l4/page/242/mode/2up 242] |isbn=978-1-8467-0100-9}}</ref> |
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⚫ | On the [[review aggregator]] website [[Rotten Tomatoes]], ''Darling'' holds an approval rating of 67% from 18 reviews, with an average rating of 7.1/10.<ref>{{cite web|title=Darling (1965)|url=https://www.rottentomatoes.com/m/1005279_darling|publisher=[[Rotten Tomatoes]]|access-date=24 October 2022}}</ref> |
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===Box office=== |
===Box office=== |
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The film was a commercial success, grossing $12 million at the worldwide box office against a budget of only £400,000. It earned $4 million in [[ |
The film was a commercial success, grossing $12 million at the worldwide box office against a budget of only £400,000. It earned $4 million in [[Distributor rental|theatrical rentals]].<ref>{{cite magazine |title=Big Rental Pictures of 1966 |magazine=[[Variety (magazine)|Variety]] |date=4 January 1967 |page=8 |issn=0042-2738}}</ref> |
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According to Richard Gregson, the film only earned £250,000 in |
According to [[Richard Gregson]], the film only earned £250,000 in the United Kingdom, but Nat Cohen sold the U.S. rights to [[Joe E. Levine]] for $900,000 and made a profit – and the film was more successful in the U.S.<ref name="brian"/> |
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===Accolades=== |
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==Awards and honours== |
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{| class="wikitable plainrowheaders" |
{| class="wikitable plainrowheaders" |
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|- |
|- |
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! Institution |
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! Award |
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! Year |
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! Category |
! Category |
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! Nominee(s) |
! Nominee(s) |
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! Result |
! Result |
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! Ref. |
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|- |
|- |
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| rowspan="5"| [[ |
| rowspan="5"| [[Academy Awards]] |
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| rowspan="5"| [[38th Academy Awards|1965]] |
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| [[Academy Award for Best Picture|Best Picture]] |
| [[Academy Award for Best Picture|Best Picture]] |
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| [[Joseph Janni]] |
| [[Joseph Janni]] |
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| {{nom}} |
| {{nom}} |
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| align="center" rowspan="5"|<ref>{{Cite web |url=http://www.oscars.org/oscars/ceremonies/1966 |title=The 38th Academy Awards (1966) Nominees and Winners |access-date=4 September 2011 |work=oscars.org}}</ref> |
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|- |
|- |
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| [[Academy Award for Best Director|Best Director]] |
| [[Academy Award for Best Director|Best Director]] |
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| {{won}} |
| {{won}} |
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|- |
|- |
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| rowspan="6"| [[ |
| rowspan="6"| [[British Academy Film Awards]] |
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| rowspan="6"| [[19th British Academy Film Awards|1965]] |
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| [[BAFTA Award for Best Film|Best British Film]] |
| [[BAFTA Award for Best Film|Best British Film]] |
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| John Schlesinger |
| John Schlesinger |
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| {{nom}} |
| {{nom}} |
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| align="center" rowspan="6"|<ref>{{cite web |url=http://awards.bafta.org/award/1966/film |title=BAFTA Awards: Film in 1966 |website=[[BAFTA]] |year=1966 |access-date=16 September 2016 |ref={{harvid|BAFTA|1966}}}}</ref> |
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|- |
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| [[BAFTA Award for Best Actor in a Leading Role|Best British Actor]] |
| [[BAFTA Award for Best Actor in a Leading Role|Best British Actor]] |
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| {{nom}} |
| {{nom}} |
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|- |
|- |
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| [[ |
| [[Directors Guild of America Awards]] |
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| [[18th Directors Guild of America Awards|1965]] |
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| [[Directors Guild of America Award for Outstanding Directing – Feature Film|Outstanding Directorial Achievement in Motion Pictures]] |
| [[Directors Guild of America Award for Outstanding Directing – Feature Film|Outstanding Directorial Achievement in Motion Pictures]] |
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| John Schlesinger |
| John Schlesinger |
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| {{nom}} |
| {{nom}} |
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| align="center"|<ref>{{cite web |url=https://www.dga.org/Awards/History/1960s/1965.aspx?value=1965 |title=18th DGA Awards |website=[[Directors Guild of America Awards]] |access-date=5 July 2021}}</ref> |
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|- |
|- |
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| rowspan="3"| [[ |
| rowspan="3"| [[Golden Globe Awards]] |
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| rowspan="3"| [[23rd Golden Globe Awards|1965]] |
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| colspan="2"| [[Golden Globe Award for Best English-Language Foreign Film|Best English-Language Foreign Film]] |
| colspan="2"| [[Golden Globe Award for Best English-Language Foreign Film|Best English-Language Foreign Film]] |
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| {{won}} |
| {{won}} |
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| align="center" rowspan="3"|<ref>{{cite web|url=https://www.goldenglobes.com/film/darling |title=Darling – Golden Globes |website=[[HFPA]] |access-date=5 July 2021 |ref={{harvid|HFPA|1966}}}}</ref> |
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|- |
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| [[Golden Globe Award for Best Actress – Motion Picture Drama|Best Actress in a Motion Picture – Drama]] |
| [[Golden Globe Award for Best Actress – Motion Picture Drama|Best Actress in a Motion Picture – Drama]] |
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|- |
|- |
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| [[Laurel Awards]] |
| [[Laurel Awards]] |
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| 1965 |
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| Top Female Dramatic Performance |
| Top Female Dramatic Performance |
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| rowspan="2"| Julie Christie |
| rowspan="2"| Julie Christie |
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| {{won}} |
| {{won}} |
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| align="center"| |
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|- |
|- |
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| Mexican Cinema Journalists |
| Mexican Cinema Journalists |
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| 1967 |
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| Best Foreign Actress |
| Best Foreign Actress |
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| {{won}} |
| {{won}} |
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| align="center"| |
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|- |
|- |
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| [[ |
| [[Moscow International Film Festival]] |
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| [[4th Moscow International Film Festival|1965]] |
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| Grand Prix |
| Grand Prix |
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| John Schlesinger |
| John Schlesinger |
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| {{nom}} |
| {{nom}} |
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| align="center"| |
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|- |
|- |
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| rowspan="3"| [[National Board of Review Awards |
| rowspan="3"| [[National Board of Review Awards]] |
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| rowspan="3"| [[National Board of Review Awards 1965|1965]] |
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| colspan="2"| [[National Board of Review: Top Ten Films|Top Ten Films]] |
| colspan="2"| [[National Board of Review: Top Ten Films|Top Ten Films]] |
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| {{draw|6th Place}} |
| {{draw|6th Place}} |
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| align="center" rowspan="3"|<ref>{{cite web |url=https://nationalboardofreview.org/award-years/1965/ |title=1965 Award Winners |website=[[National Board of Review]] |access-date=5 July 2021}}</ref> |
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|- |
|- |
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| [[National Board of Review Award for Best Director|Best Director]] |
| [[National Board of Review Award for Best Director|Best Director]] |
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| {{won}} |
| {{won}} |
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|- |
|- |
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| rowspan="3"| [[ |
| rowspan="3"| [[New York Film Critics Circle|New York Film Critics Circle Awards]] |
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| rowspan="3"| [[1965 New York Film Critics Circle Awards|1965]] |
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| colspan="2"| [[New York Film Critics Circle Award for Best Film|Best Film]] |
| colspan="2"| [[New York Film Critics Circle Award for Best Film|Best Film]] |
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| {{won}} |
| {{won}} |
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| align="center" rowspan="3"|<ref>{{cite web|url=https://www.nyfcc.com/awards/?awardyear=1965 |title=1965 New York Film Critics Circle Awards |website=[[New York Film Critics Circle]] |access-date=5 July 2021}}</ref> |
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|- |
|- |
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| [[New York Film Critics Circle Award for Best Director|Best Director]] |
| [[New York Film Critics Circle Award for Best Director|Best Director]] |
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| {{won}} |
| {{won}} |
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|- |
|- |
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| rowspan="2"| [[Writers' Guild of Great Britain]] |
| rowspan="2"| [[Writers' Guild of Great Britain|Writers' Guild of Great Britain Awards]] |
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| rowspan="2"| 1965 |
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| Best British Comedy Screenplay |
| Best British Comedy Screenplay |
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| rowspan="2"| Frederic Raphael |
| rowspan="2"| Frederic Raphael |
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| {{won}} |
| {{won}} |
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| align="center" rowspan="2"|<ref>{{cite web|url=https://writersguild.org.uk/writers-guild-awards-1965/ |title=Writers' Guild Awards 1965 |website=[[Writers' Guild of Great Britain]] |access-date=3 June 2021}}</ref> |
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|- |
|- |
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| Outstanding British Original Screenplay |
| Outstanding British Original Screenplay |
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* [https://web.archive.org/web/20160310124939/http://www.bfi.org.uk/films-tv-people/4ce2b6a8785a2 ''Darling''] at the [[British Film Institute]]{{better source needed|reason=Help request: a live link can be searched for at https://collections-search.bfi.org.uk/web/search/expert – if available, replace the archive URL with the live link. Or if none found, remove this 'better source needed' template. | date=October 2023}} |
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Latest revision as of 20:00, 21 December 2024
Darling | |
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Directed by | John Schlesinger |
Screenplay by | Frederic Raphael |
Story by |
|
Produced by | Joseph Janni |
Starring | |
Cinematography | Kenneth Higgins |
Edited by | James Clark |
Music by | John Dankworth |
Production companies |
|
Distributed by | Anglo-Amalgamated |
Release dates |
|
Running time | 127 minutes |
Country | United Kingdom |
Language | English |
Budget | £392,446[1][2] or $1.1 million[3] |
Box office | $4.5 million[4] |
Darling is a 1965 British romantic drama film directed by John Schlesinger from a screenplay written by Frederic Raphael.[5] It stars Julie Christie as Diana Scott, a young successful model and actress in Swinging London, toying with the affections of two older men, played by Dirk Bogarde and Laurence Harvey. The film was shot on location in London, Paris and Rome and at Shepperton Studios by cinematographer Kenneth Higgins, with a musical score composed by Sir John Dankworth.
The film premiered at the 4th Moscow International Film Festival on 16 July 1965, and was released in cinemas in the United Kingdom on 16 September by Anglo-Amalgamated. It became a critical and commercial success, grossing $4.5 million, and received five nominations at the 38th Academy Awards, including Best Picture, and won in three categories: Best Actress (for Christie), Best Original Screenplay, and Best Costume Design. It also won four BAFTA Awards: Best British Actor (Bogarde), Best British Actress (Christie), Best British Screenplay and Best Art Direction (Black-and-White).
Plot
[edit]Diana Scott is a bored young model married to Tony Bridges. One day Diana meets Robert Gold, a literary interviewer/director for television arts programmes, by chance when she is spotted on the street by his roving film crew and interviewed by him about young people's views on convention. Diana is invited to watch the final edit in the TV studio, and it is there that their relationship starts. After liaisons in hotel rooms, they leave their spouses (and, in Robert's case, children) and move into an apartment.
As a couple they become part of the fashionable London media/arts set. Initially, Diana is jealous when Robert sees his wife while visiting his children, but she quickly loses this attachment when she mixes with the males of the media, arts and advertising scene, particularly Miles Brand, a powerful advertising executive for the Glass Corporation, who gets her a part in a trashy thriller after she has sex with him. The bookish Robert prefers the quiet life; it is he who now becomes jealous but increasingly detached, depressed and lonely.
Diana attends a high-class charity draw for world hunger for which she is the face. The event, adorned by giant images of African famine victims, is juxtaposed with wealthy guests gorging themselves with food. Diana later becomes pregnant and decides to have an abortion to sustain her career.
She flies to Paris with Miles for more jet-set sophistication. There she finds the wild party, beat music, strip dance mind game and cross-dressing repellent but slowly adjusts and holds her own, gaining the respect of the crowd when she taunts Miles during the game. On her return to London, Robert calls her a whore upon discovering her affair with Miles and leaves her. Miles then casts her as "The Happiness Girl" in the Glass Corporation's advertising campaign for a chocolate firm.
Diana finds comfort in the company of gay photographer Malcolm, who has created her new famous look. They go shopping, where she randomly decides to shoplift several items. On location at a palazzo near Rome, Diana smiles in her medieval/Renaissance costume and completes "The Happiness Girl" shoot. She is taken with the beauty of the building and the landscape, getting on well with the prince, Cesare, who owns the palazzo. With the friendly Malcolm, Diana decides to stay in Italy. They stay in a simple house by a small harbor in Capri, where Diana flirts half-heartedly with Catholicism. They are visited by Cesare, who arrives in a huge launch, invites them on board and proposes to Diana. She politely declines his proposal, but Cesare leaves the offer open.
Diana returns to London, still living in the flat she shared with Robert, where she has a party with Miles and other assorted media characters. Robert comes by to visit Diana but sees that she is with Miles and departs. Becoming disillusioned with Miles and the vacuous London jet set, Diana flirts with the Catholic church again. Impulsively, she flies to Italy and marries the prince, which proves to be ill-fated. Though waited on hand and foot by the servants, she is almost immediately abandoned in the vast palazzo by Cesare, who visits Rome frequently.
Diana flees to London to visit Robert, and the two have sex, making her believe they are ready for a stable, long-term relationship. However, in the morning he tells her that he is leaving her and that he fooled her only as an act of revenge. He reserves a flight to Rome, packs her into his car and takes her to Heathrow airport to send her back to her life as Princess Della Romita. At the airport Diana is hounded by the press, who address her as Princess. She boards the plane to leave.
Cast
[edit]- Julie Christie as Diana Scott
- Laurence Harvey as Miles Brand
- Dirk Bogarde as Robert Gold
- José Luis de Vilallonga as Prince Cesare della Romita
- Roland Curram as Malcolm
- Basil Henson as Alec Prosser-Jones
- Helen Lindsay as Felicity Prosser-Jones
- Alex Scott as Sean Martin
- Ernest Walder as Kurt
- Brian Wilde as Willett
- Pauline Yates as Estelle Gold
- Peter Bayliss as Lord Grant
- T.B. Bowen as Tony Bridges
- Carlo Palmucci as Curzio della Romita
- Dante Posani as Gino
- Umberto Raho as Palucci
- Marika Rivera as Woman
- Richard Bidlake as Rupert Crabtree
- Annette Carell as Billie Castiglione
- Jean Claudio as Raoul Maxim
- Georgina Cookson as Carlotta Hale
- James Cossins as Basildon
- Jane Downs as Julie
- Tyler Butterworth as William Prosser-Jones
- Hugo Dyson as Walter Southgate
- Ann Firbank as Sybil Martin
- Angus MacKay as Ivor Dawlish
- Lucille Soong as Allie
- Silvia Dionisio as Sandra della Romita
- Ray Lovelock as Paolo della Romita
- John Steiner as Garrett
- Vernon Dobtcheff as Art Critic
- Zakes Mokae as Man at Party
- John Woodvine as Customs Officer
- John Schlesinger as Theatre Director
Production
[edit]According to Richard Gregson, agent for John Schlesinger, the budget was around £300,000 and was entirely provided by Nat Cohen at Anglo-Amalgamated.[2]
Shirley MacLaine originally was cast as Diana,[6] but was replaced by Christie. Production on Darling commenced on 12 August 1964 [7] and wrapped in December.[8] It was filmed on location in London, Paris, and Rome.[9] The Romita palazzo was portrayed by the Medici villa. The final scene was shot at Heathrow Airport in London.[9][10]
In 1971, New York magazine wrote of mod fashion and its wearers: "This new, déclassé English girl was epitomized by Julie Christie in Darling—amoral, rootless, emotionally immature, and apparently irresistible."[11] John Schlesinger admitted Julie Christie didn't want to do her nude scene.[12]
Reception
[edit]Despite receiving many awards at the time of release, the film later developed a mixed reputation. In his New Biographical Dictionary of Film entry on Schlesinger, David Thomson writes that the film "deserves a place in every archive to show how rapidly modishness withers. Beauty is central to the cinema and Schlesinger seems an unreliable judge of it, over-rating Christie and rarely getting close enough to the action to make a fruitful stylistic bond with it".[13] Leonard Maltin's Movie Guide described it as a "trendy, influential '60s film – in flashy form and cynical content".[14] Tony Rayns though, in the Time Out Film Guide, is as damning as Thomson. For him, the film is a "leaden rehash of ideas from Godard, Antonioni and Bergman", although with nods to the "Royal Court school", which "now looks grotesquely pretentious and out of touch with the realities of the life-styles that it purports to represent."[15]
On the review aggregator website Rotten Tomatoes, Darling holds an approval rating of 67% from 18 reviews, with an average rating of 7.1/10.[16]
Box office
[edit]The film was a commercial success, grossing $12 million at the worldwide box office against a budget of only £400,000. It earned $4 million in theatrical rentals.[17]
According to Richard Gregson, the film only earned £250,000 in the United Kingdom, but Nat Cohen sold the U.S. rights to Joe E. Levine for $900,000 and made a profit – and the film was more successful in the U.S.[2]
Accolades
[edit]See also
[edit]References
[edit]- ^ Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 360
- ^ a b c McFarlane, Brian (1997). An Autobiography of British Cinema. London: Methuen. p. 248. ISBN 978-0-4137-0520-4.
- ^ Weiler, A. H. (24 April 1966). "...And Julie Christie's Next Activity: More About Movies". The New York Times. p. X9. ISSN 0362-4331.
- ^ Gardner, Paul (27 November 1973). "Laurence Harvey, Screen Actor, Is Dead at 45". The New York Times. p. 47. ISSN 0362-4331.
- ^ "Darling (1965)". British Film Institute. Archived from the original on 10 March 2016. Retrieved 1 October 2022.
- ^ "Julie Christie Biography at Yahoo! Movies".[permanent dead link ]
- ^ file:///C:/Users/PC/Downloads/GB%201456%20SCHLESINGER.pdf
- ^ Box office / business for Darling at the Internet Movie Database
- ^ a b Filming Locations for Darling at the Internet Movie Database
- ^ "Collection: Schlesinger, John" (PDF). pp. 5–11. Archived (PDF) from the original on 19 June 2012. Retrieved 23 December 2013.
- ^ Seebohm, Caroline (19 July 1971). "English Girls in New York: They Don't Go Home Again". New York. Vol. 4, no. 29. p. 34. ISSN 0028-7369.
- ^ Conversations with John Schlesinger , p. 85, at Google Books
- ^ Thomson, David (2002). The New Biographical Dictionary of Film (4th ed.). New York: Knopf. p. 783. ISBN 978-0-3754-1128-1.
- ^ Maltin, Leonard, ed. (2008). Leonard Maltin's 2009 Movie Guide. New York: Plume. p. 318. ISBN 978-0-4512-2468-2.
- ^ Pym, John, ed. (2008). Time Out Film Guide 2009 (17th ed.). London: Time Out. p. 242. ISBN 978-1-8467-0100-9.
- ^ "Darling (1965)". Rotten Tomatoes. Retrieved 24 October 2022.
- ^ "Big Rental Pictures of 1966". Variety. 4 January 1967. p. 8. ISSN 0042-2738.
- ^ "The 38th Academy Awards (1966) Nominees and Winners". oscars.org. Retrieved 4 September 2011.
- ^ "BAFTA Awards: Film in 1966". BAFTA. 1966. Retrieved 16 September 2016.
- ^ "18th DGA Awards". Directors Guild of America Awards. Retrieved 5 July 2021.
- ^ "Darling – Golden Globes". HFPA. Retrieved 5 July 2021.
- ^ "1965 Award Winners". National Board of Review. Retrieved 5 July 2021.
- ^ "1965 New York Film Critics Circle Awards". New York Film Critics Circle. Retrieved 5 July 2021.
- ^ "Writers' Guild Awards 1965". Writers' Guild of Great Britain. Retrieved 3 June 2021.
External links
[edit]- Darling at IMDb
- Darling at Rotten Tomatoes
- Darling at the British Film Institute[better source needed]
- Darling at the TCM Movie Database
- 1965 films
- 1960s British films
- 1960s English-language films
- 1965 romantic drama films
- British black-and-white films
- British romantic drama films
- English-language romantic drama films
- Films about fashion in the United Kingdom
- Films about modeling
- Films directed by John Schlesinger
- Films featuring a Best Actress Academy Award–winning performance
- Films scored by John Dankworth
- Films set in London
- Films set in Paris
- Films set in Rome
- Films shot in London
- Films shot in Paris
- Films shot in Rome
- Films shot in Tuscany
- Films that won the Best Costume Design Academy Award
- Films whose writer won the Best Original Screenplay Academy Award