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{{Short description|1961 British film by Bryan Forbes}}
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{{EngvarB|date=September 2013}}
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'''''Whistle Down the Wind''''' is a 1961 British film directed by [[Bryan Forbes]], adapted by [[Keith Waterhouse]] and [[Willis Hall]] from the 1959 [[Whistle Down the Wind (novel)|novel of the same name]] by [[Mary Hayley Bell]]. The film stars her daughter [[Hayley Mills]], who was nominated for the [[15th British Academy Film Awards#Best British Actress|BAFTA Award for Best British Actress]] for this film.
'''''Whistle Down the Wind''''' is a 1961 British [[crime drama]] film directed by [[Bryan Forbes]] and starring [[Hayley Mills]], [[Bernard Lee]] and [[Alan Bates]].<ref name="BFIsearch">{{Cite web |title=Whistle Down the Wind |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150053408 |access-date=19 August 2024 |website=British Film Institute Collections Search}}</ref> It was adapted by [[Keith Waterhouse]] and [[Willis Hall]] from the 1958 [[Whistle Down the Wind (novel)|novel of the same name]] by [[Mary Hayley Bell]].

Unusually, almost all the main characters are children; the film attempts to show the world through the eyes of an innocent child.


In 2005, the [[British Film Institute]] included it in its list of the 50 films that children should see by the age of 14.
In 2005, the [[British Film Institute]] included it in its list of the 50 films that children should see by the age of 14.
Line 30: Line 29:
==Plot==
==Plot==


Three [[Lancashire]] farm children discover a bearded fugitive (the Man/Arthur Blakey) hiding in their barn and mistake him for [[Jesus Christ]]. They come to this conclusion because of their [[Sunday School]] stories and Blakey's shocked exclamation of 'Jesus Christ!' when Kathy, the eldest child, accidentally discovers him.<ref>{{Cite web|url=https://www.imdb.com/title/tt0055618/|title=Whistle Down the Wind|date=6 August 1961|via=IMDb}}</ref> In [[Sunday School]] the children quiz their teacher and become even more convinced in their belief.
Three [[Lancashire]] farm children discover a bearded fugitive (the Man/Arthur Blakey) hiding in their barn and mistake him for [[Jesus]] Christ. They come to this conclusion because of their [[Sunday School]] stories and Blakey's shocked exclamation of "Jesus Christ!" when Kathy, the eldest child, accidentally discovers him.<ref>{{Cite web|url=https://www.imdb.com/title/tt0055618/|title=Whistle Down the Wind|date=6 August 1961|publisher=IMDb}}</ref> In [[Sunday School]] the children quiz their teacher and become even more convinced in their belief.


The story spreads to the other children and ten visit him in the barn. While he sits in the hay in a Bethlehem type setting they bring him gifts and kneel as they present them. They ask for a story. They want a Bible story but he reads to them from a newspaper. When two adults appear the children have to leave and Blakey has to hide in the hay. He asks why they are helping and Kathy says "because we love you" and hands him a folded Bible picture of Jesus.
The story spreads to the other children and ten visit him in the barn. While he sits in the hay in a Bethlehem-type setting, they bring him gifts and kneel as they present them. They ask for a story. They want a Bible story, but he reads to them from a newspaper. When two adults appear, the children have to leave, and Blakey has to hide in the hay. He asks why they are helping and Kathy says "because we love you" and hands him a folded Bible picture of Jesus.


In a playground one boy gets bullied for saying he has seen Jesus. The children watch in dismay as the boy eventually renounces his statement. When Kathy says she has seen him the bully slaps her face.
In a playground, one boy gets bullied for saying he has seen Jesus. The children watch in dismay as the boy eventually renounces his statement. When Kathy says she has seen him, the bully slaps her face.


Blakey—initially confused about why the three Bostock children are eager to protect him from adult discovery—makes no attempt to correct their mistake, especially when he discovers the eldest child, Kathy, is determined to keep him hidden from the local police, despite the posters circulating in the nearby town that reveal he is wanted for murder.
Blakey – initially confused about why the three Bostock children are eager to protect him from adult discovery – makes no attempt to correct their mistake, especially when he discovers the eldest child, Kathy, is determined to keep him hidden from the local police, despite the posters circulating in the nearby town that reveal he is wanted for murder.


When Blakey lets a kitten die, with no remorse, a doubt is sown in the minds of some of the children. The children quiz the vicar as to why Jesus does not save every person and animal and he says it is so the world does not get crowded.
When Blakey lets a kitten die, with no remorse, a doubt is sown in the minds of some of the children. The children quiz the vicar as to why Jesus does not save every person and animal and he says it is so the world does not get crowded.
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Blakey sends Kathy to retrieve a package he has hidden. A police manhunt takes place as Kathy searches. She finds the package under a rail in a railway tunnel. This provides Blakey with a revolver.
Blakey sends Kathy to retrieve a package he has hidden. A police manhunt takes place as Kathy searches. She finds the package under a rail in a railway tunnel. This provides Blakey with a revolver.


At Charles' birthday party one child takes an extra piece of cake and lets slip it is "for Jesus". Charles says it is not Jesus, it is "just a fella."
At Charles's birthday party, Nan takes an extra piece of cake and lets slip it is "for Jesus". Charles says: "it isn't Jesus, it's just a fella."


Kathy's father realises the connection to the missing criminal and the police are called in to apprehend the criminal. The father waits outside the barn with a shotgun.
Kathy's father realises the connection to the missing criminal and the police are called in to apprehend the criminal. The father waits outside the barn with a shotgun.
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* Alan Barnes as Charles Bostock
* Alan Barnes as Charles Bostock
* [[Norman Bird]] as Eddie
* [[Norman Bird]] as Eddie
* [[Diane Clare]] as the Sunday School Teacher
* [[Diane Clare]] as the Sunday School teacher
* Patricia Heneghan as Salvation Army Girl
* Patricia Heneghan as Salvation Army girl
* [[John Arnatt]] as Superintendent Teesdale
* [[John Arnatt]] as Superintendent Teesdale
* [[Elsie Wagstaff]] as Auntie Dorothy
* [[Elsie Wagstaff]] as Auntie Dorothy
* [[Hamilton Dyce]] as the Vicar
* [[Hamilton Dyce]] as Mr Reeves, the vicar
* Howard Douglas as the Vet
* Howard Douglas as the vet
* [[Ronald Hines]] as P.C. Thurstow
* [[Ronald Hines]] as P.C. Thurstow
* [[Gerald Sim]] as Detective Constable Wilcox
* [[Gerald Sim]] as Detective Constable Wilcox
* Michael Lees as 1st Civil Defence Worker
* Michael Lees as 1st Civil Defence worker
* Michael Raghan as 2nd Civil Defence Worker
* Michael Raghan as 2nd Civil Defence worker
* May Barton as Villager
* May Barton as villager
* [[Roy Holder]] as Jackie
* [[Roy Holder]] as Jackie
* Barry Dean as Raymond or Patto (the teenage boy who slaps Kathy in the playground)
* Barry Dean as Raymond or Patto (the teenage boy who slaps Kathy in the playground)


==Production==
==Production==
The novel was published in 1959. Mary Bell based the three children on her own children, including Hayley Mills.<ref>ON THE TRAIL OF A FILM COMET CALLED HAYLEY New York Times 14 Jan 1962: X9.</ref>
The novel was published in 1959. Mary Bell based the three children on her own children, including Hayley Mills.<ref>ON THE TRAIL OF A FILM COMET CALLED HAYLEY, ''The New York Times'', 14 January 1962: X9.</ref>


The novel was turned into a stage play. Film rights were bought by Bryan Forbes and Richard Attenborough, who had moved into film production. They were friends of John Mills and Mary Bell and secured Hayley Mills to play the lead. She had just made ''Pollyanna'' for Disney.<ref>THE FABULOUS MILLS FAMILY
The novel was turned into a stage play. The film rights were bought by Bryan Forbes and Richard Attenborough, who had moved into film production. They were friends of John Mills and Mary Bell and secured Hayley Mills to play the lead. She had just made ''Pollyanna'' for Disney.<ref>THE FABULOUS MILLS FAMILY Hopper, Hedda. ''Chicago Daily Tribune'', 30 October 1960: b24.</ref>
Hopper, Hedda. Chicago Daily Tribune 30 Oct 1960: b24.</ref>


Forbes was so taken with the material that he wanted to write the script and direct. However the Millses would not approve him. This upset Forbes, who withdrew himself from the project. Attenborough hired Keith Waterhouse and Willis Hall to write the script and [[Guy Green (filmmaker)|Guy Green]] to direct. It was Waterhouse and Hall who decided to relocate the book's setting from Kent to Lancashire. Weeks before filming was to start Guy Green pulled out of the film, to an accept an offer at MGM. Attenborough suggested that Forbes direct, but John Mills and Mary wanted Attenborough to do it. Attenborough had no ambitions towards directing then, and knew how badly Forbes wanted the job so he persuaded the Millses to listen to a pitch from Forbes as to how he would do it. The pitch was successful and they gave their approval.<ref>{{cite book|first=Richard|last=Attenborough|page=[https://archive.org/details/entirelyuptoyoud0000atte/page/345 345-347]|title=Entirely up to you, darling|url=https://archive.org/details/entirelyuptoyoud0000atte|url-access=registration|publisher=Windsor|year=2009}}</ref><ref>BRITAIN'S SCREEN SCENEcBy STEPHEN WATTS. New York Times (23 Apr 1961: 129.</ref>
Forbes was so taken with the material that he wanted to write the script and direct. However, the Millses would not approve him. This upset Forbes, who withdrew from the project. Attenborough hired Keith Waterhouse and Willis Hall to write the script and [[Guy Green (filmmaker)|Guy Green]] to direct. It was Waterhouse and Hall who decided to relocate the book's setting from Kent to Lancashire. Weeks before filming was to start, Green pulled out of the film to accept an offer at MGM. Attenborough suggested that Forbes direct, but John Mills and Mary wanted Attenborough to do it. Attenborough had no ambitions towards directing then, and knew how badly Forbes wanted the job, so he persuaded the Millses to listen to a pitch from Forbes as to how he would do it. The pitch was successful and they gave their approval.<ref>{{cite book|first=Richard|last=Attenborough|pages=[https://archive.org/details/entirelyuptoyoud0000atte/page/345 345–347]|title=Entirely up to you, darling|url=https://archive.org/details/entirelyuptoyoud0000atte|url-access=registration|publisher=Windsor|year=2009}}</ref><ref>BRITAIN'S SCREEN SCENEcBy STEPHEN WATTS. ''The New York Times'' (23 April 1961: 129.</ref>


[[Alan Bates]], in his first starring film role, played the man in the barn. Local schoolchildren from the Lancashire villages around [[Burnley]] and [[Clitheroe]] were used as extras; children from [[Chatburn]] Primary School played the 'disciples'. The theme music by [[Malcolm Arnold]] became a classic.<ref>{{Cite web|url=https://www.gramophone.co.uk/reviews/review|title=Review|website=Gramophone}}</ref>
[[Alan Bates]], in his first starring film role, played the man in the barn. Local schoolchildren from the Lancashire villages around [[Burnley]] and [[Clitheroe]] were used as extras; children from [[Chatburn]] Primary School played the 'disciples'. The theme music by [[Malcolm Arnold]] became a classic.<ref>{{Cite web|url=https://www.gramophone.co.uk/reviews/review|title=Review|website=Gramophone}}</ref>
Line 85: Line 83:
[[Bryan Forbes]] put the budget at £161,000, although other sources say it was lower.<ref name="forbes">Bryan Forbes, ''A Divided Life'', Mandarin, 1993 p. 29</ref>
[[Bryan Forbes]] put the budget at £161,000, although other sources say it was lower.<ref name="forbes">Bryan Forbes, ''A Divided Life'', Mandarin, 1993 p. 29</ref>


==Release==
The film contrasts the children's innocent faith with the pragmatic and suspicious adults in the town. Heavy in [[allegory]], many of the characters and events parallel those found in historical Christian literature. In one scene, a child is mocked and beaten into denying he had seen Jesus. After the boy's third denial, a train whistle is heard (representing [[Peter's denial]] in [[Gospel of Luke#Content|Luke 22]]). The strains of '[[We Three Kings]]' can be discerned in the score as Kathy, her brother and sister march with the food 'gifts' they have acquired for the man in the 'stable'. They are spotted and followed by a group of country children (shepherds). The early core of children who are in on the secret number a dozen and are specifically called the Disciples in the film credits. The secret comes out at the end of a children's party/[[Last Supper]]. When apprehended, Blakey is immediately frisked by police; his arms outstretched at his sides are a clear reference to the [[Crucifixion]].
⚫
The film had its world premiere at the [[Odeon Leicester Square]] on 20 July 1961. It played there for three weeks, ending its run on 9 August, three days after it began its general release in the London area.


== Reception ==
In contrast with the children's concerns about Jesus, their local vicar's concerns are earthly. After being interrupted by Hayley Mills in his reading at a café of ''Gently At The Summit'', her parish priest avoids all questions of Christ and turns the tables, accusing the world of stealing church property.


==Reception==
=== Critical ===
''[[The Monthly Film Bulletin]]'' wrote: "There are two themes here. One, an embarrassingly explicit allegory of Christ's betrayal, comes straight from Mary Hayley Bell's novel. The other is the film's own illustration of a childhood world, secret and fantastic and sufficiently sturdy to withstand the intrusion of a good deal of pretentious symbolism&nbsp;... Though Bernard Lee and Elsie Wagstaffe are excellent as the father and the aunt, the best moments are provided by Alan Barnes as the six-year-old with a bleak, firm line in scepticism; and by Diane Holgate as his snootily unshakable sister. Hayley Mills, caught half-way between the child's faith and the adult's disillusion, fails, through no fault of her own, to bridge the gap. The split is in the script, and she conceals the tedium which must have accompanied the brilliant coaching of the younger children with a potent, concentrated professionalism. Arthur Ibbetson's photography endows the hedges, ditches, ponds and muggy weather of the moorland locations with a beauty all their own. Bryan Forbes, directing for the first time, reveals a painstaking, often incisive talent for behaviour rather than a marked personal style."<ref>{{Cite journal |date=1 January 1961 |title=Whistle Down the Wind |url=https://www.proquest.com/docview/1305829508/96F49B7659C04853PQ/1 |journal=[[The Monthly Film Bulletin]] |volume=28 |issue=324 |pages=126 |via=ProQuest}}</ref>
⚫
The film had its World Premiere at the [[Odeon Leicester Square]] on 20 July 1961. It played there for 3 weeks, ending its run on 9 August, three days after it began its general release in the London area.


[[Bosley Crowther]] wrote in ''[[The New York Times]]:'' <ref>{{Cite web|url=https://www.nytimes.com/1962/04/23/archives/screen-whistle-down-the-wind-from-britainartful-story-of-guest-in-a.html|title=Screen: 'Whistle Down the Wind' From Britain:Artful Story of Guest in a Barn Arrives (Published 1962)|first=Bosley|last=Crowther|date=23 April 1962|work=The New York Times}}</ref> "While it deals with sensitive material that might seem blasphemous to some – and, indeed, might well be embarrassing if it weren't handled with consummate skill and taste – it is beautifully simple, naturalistic and remote from religiosity as it tells, with great humor and compassion, of children and brotherly love. The story is elementary, so simple and inviting, indeed, that one wonders now why it hadn't been written long before it was recently put into a novel by Mary Hayley Bell.&nbsp;... Credit for this exceptional picture goes to many &nbsp;... all merit praise and affection for giving us one of the most enjoyable and heartwarming films we've ever seen."
===Critical===

The film was favourably reviewed upon its original release, including praise from ''[[The New York Times]]''.<ref>{{Cite web|url=https://www.nytimes.com/1962/04/23/archives/screen-whistle-down-the-wind-from-britainartful-story-of-guest-in-a.html|title=Screen: 'Whistle Down the Wind' From Britain:Artful Story of Guest in a Barn Arrives (Published 1962)|first=Bosley|last=Crowther|date=23 April 1962|via=NYTimes.com}}</ref> The film was nominated for four [[British Academy of Film and Television Arts|BAFTA]] (British Academy of Film and Television Arts) awards:
[[Stanley Kauffmann]] of ''[[The New Republic]]'' wrote: "The story has a trickily effective beginning and a moderately effective conclusion, but no middle. Nothing really happens in the film; the kids make their initial mistake about the fugitive and after a while he is captured. That's all. The incident is not used for any poetic, religious, or ironic significance."<ref>{{cite web| title=Stanley Kauffmann on films| url=https://newrepublic.com| publication-date=1962-05-28| website=The New Republic| language=en}}</ref>

⚫
===Box office===
⚫
By September 1961, Rank were reporting the film was "exceeding expectations" commercially.<ref>OBSERVATIONS ON THE BUSTLING BRITISH SCREEN SCENE
⚫
By STEPHEN WATTS LONDON. ''The New York Times'', 17 Sep 1961: X9</ref> The film was the eighth most popular film at the UK box office in 1961. By 1971, it had earned a profit of over £240,000.<ref name="walker" /> Forbes later said it was the most popular and profitable film he ever made.<ref name="forbes" />

== Awards ==
The film was nominated for four [[BAFTA]] (British Academy of Film and Television Arts) awards:<ref>{{Cite web |title=BAFTA Awards Search: Whistle Down the Wind |url=https://awards.bafta.org/keyword-search?keywords=Whistle+Down+the+Wind |access-date=19 August 2024 |website=BAFTA}}</ref>
*Best British Actress, Hayley Mills
*Best British Actress, Hayley Mills
*Best British Film, Bryan Forbes
*Best British Film, Bryan Forbes
*Best British Screenplay, Keith Waterhouse and Willis Hall
*Best British Screenplay, Keith Waterhouse and Willis Hall
*Best Film from any Source, Bryan Forbes
*Best Film from any Source, Bryan Forbes

⚫
===Box office===
⚫
By September 1961 Rank were reporting the film was "exceeding expectations" commercially.<ref>OBSERVATIONS ON THE BUSTLING BRITISH SCREEN SCENE
By STEPHEN WATTS LONDON. New York Times 17 Sep 1961: X9</ref> The film was the 8th most popular film at the UK box office in 1961. Others popular at the time included ''Swiss Family Robinson'', ''Saturday Night and Sunday Morning'', ''Carry on Regardless'', ''The Rebel'' and ''The Long and the Short and the Tall''.<ref>7 BRITISH FILMS IN THE TOP 12: Overseas earnings up
Our own Reporter. The Guardian 21 June 1962: 16.</ref>

⚫
By 1971, it had earned a profit of over £240,000.<ref name="walker"/> Bryan Forbes later said it was the most popular and profitable film he ever made.<ref name="forbes"/>


==Musical adaptations==
==Musical adaptations==
In 1984, rock group [[Toto (band)|Toto]] used the plot of the movie for their music video '[[Stranger in Town (Toto song)|Stranger in Town]]'. The song is on their album ''[[Isolation (Toto album)|Isolation]]''.<ref>[http://www.toto99.com/blog2010/index.php?/archives/825-MUSIC-VIDEOS.html Toto Encyclopedia: Music Videos], toto99.com.</ref>
In 1984, rock group [[Toto (band)|Toto]] used the plot of the movie for their music video for "[[Stranger in Town (Toto song)|Stranger in Town]]".<ref>[http://www.toto99.com/blog2010/index.php?/archives/825-MUSIC-VIDEOS.html Toto Encyclopedia: Music Videos], toto99.com.</ref>


In the late 1980s, Russell Labey and Richard Taylor adapted the film into a [[Whistle Down the Wind (1989 musical)|musical of the same name]] for the [[National Youth Music Theatre]].<ref>{{Cite web|url=https://www.heraldscotland.com/news/12042370.whistle-down-the-wind-edinburgh-festival-theatre/|title=Whistle Down the Wind, Edinburgh Festival Theatre|website=HeraldScotland}}</ref>
In 1989 Russell Labey and Richard Taylor adapted the film into a [[Whistle Down the Wind (1989 musical)|musical of the same name]] for the [[National Youth Music Theatre]].<ref>{{Cite web|url=https://www.heraldscotland.com/news/12042370.whistle-down-the-wind-edinburgh-festival-theatre/|title=Whistle Down the Wind, Edinburgh Festival Theatre|website=HeraldScotland}}</ref>


[[Andrew Lloyd Webber]] and [[Jim Steinman]] later created a [[Whistle Down the Wind (1996 musical)|more commercial adaptation]]. Highlight songs from their musical version are 'Vaults of Heaven', 'Whistle Down the Wind', and '[[No Matter What (Boyzone song)|No Matter What]]', which became a very successful [[Boyzone]] hit.<ref>{{Cite web|url=http://www.guidetomusicaltheatre.com/shows_w/whistledownthewind-webber.html|title=Whistle Down The Wind - Andrew Lloyd Webber - The Guide to Musical Theatre|website=www.guidetomusicaltheatre.com}}</ref>
In 1996 [[Andrew Lloyd Webber]] and [[Jim Steinman]] created another [[Whistle Down the Wind (1996 musical)|musical adaptation]], including the songs "Vaults of Heaven", "Whistle Down the Wind" by [[Tina Arena]], and "[[No Matter What (Boyzone song)|No Matter What]]", which became a hit for [[Boyzone]].<ref>{{Cite web|url=http://www.guidetomusicaltheatre.com/shows_w/whistledownthewind-webber.html|title=Whistle Down The Wind – Andrew Lloyd Webber – The Guide to Musical Theatre|website=guidetomusicaltheatre.com}}</ref>


== References ==
== References ==
Line 118: Line 118:
==External links==
==External links==
* {{IMDb title|id=0055618|title=Whistle Down the Wind}}
* {{IMDb title|id=0055618|title=Whistle Down the Wind}}
* {{tcmdb title|95614|Whistle Down the Wind}}
* {{TCMDb title|95614|Whistle Down the Wind}}
* {{Screenonline title|452767}}
* {{Screenonline title|452767}}


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[[Category:British black-and-white films]]
[[Category:British black-and-white films]]
[[Category:British crime drama films]]
[[Category:British crime drama films]]
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[[Category:British films]]
⚫
[[Category:English-language films]]
[[Category:Films scored by Malcolm Arnold]]
[[Category:Films scored by Malcolm Arnold]]
[[Category:Films based on British novels]]
[[Category:Films based on British novels]]
[[Category:Films directed by Bryan Forbes]]
[[Category:Films directed by Bryan Forbes]]
[[Category:Films produced by Richard Attenborough]]
[[Category:Films produced by Richard Attenborough]]
[[Category:Films set in England]]
[[Category:Films set in Lancashire]]
[[Category:Films set in Lancashire]]
[[Category:1961 directorial debut films]]
[[Category:1961 directorial debut films]]
⚫
[[Category:1960s English-language films]]
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[[Category:1960s British films]]
[[Category:English-language crime drama films]]
[[Category:Films with screenplays by Keith Waterhouse]]

Latest revision as of 15:55, 9 December 2024

Whistle Down the Wind
Film poster by Renato Fratini
Directed byBryan Forbes
Screenplay byKeith Waterhouse
Willis Hall
Based onWhistle Down the Wind
by Mary Hayley Bell
Produced byRichard Attenborough
StarringHayley Mills
Bernard Lee
Alan Bates
CinematographyArthur Ibbetson
Edited byMax Benedict
Music byMalcolm Arnold
Production
companies
Beaver Pictures
Allied Film Makers
Distributed byJ. Arthur Rank Film Distributors
Release date
  • 20 July 1961 (1961-07-20) (London)
Running time
99 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£148,000[1]

Whistle Down the Wind is a 1961 British crime drama film directed by Bryan Forbes and starring Hayley Mills, Bernard Lee and Alan Bates.[2] It was adapted by Keith Waterhouse and Willis Hall from the 1958 novel of the same name by Mary Hayley Bell.

In 2005, the British Film Institute included it in its list of the 50 films that children should see by the age of 14.

Plot

[edit]

Three Lancashire farm children discover a bearded fugitive (the Man/Arthur Blakey) hiding in their barn and mistake him for Jesus Christ. They come to this conclusion because of their Sunday School stories and Blakey's shocked exclamation of "Jesus Christ!" when Kathy, the eldest child, accidentally discovers him.[3] In Sunday School the children quiz their teacher and become even more convinced in their belief.

The story spreads to the other children and ten visit him in the barn. While he sits in the hay in a Bethlehem-type setting, they bring him gifts and kneel as they present them. They ask for a story. They want a Bible story, but he reads to them from a newspaper. When two adults appear, the children have to leave, and Blakey has to hide in the hay. He asks why they are helping and Kathy says "because we love you" and hands him a folded Bible picture of Jesus.

In a playground, one boy gets bullied for saying he has seen Jesus. The children watch in dismay as the boy eventually renounces his statement. When Kathy says she has seen him, the bully slaps her face.

Blakey – initially confused about why the three Bostock children are eager to protect him from adult discovery – makes no attempt to correct their mistake, especially when he discovers the eldest child, Kathy, is determined to keep him hidden from the local police, despite the posters circulating in the nearby town that reveal he is wanted for murder.

When Blakey lets a kitten die, with no remorse, a doubt is sown in the minds of some of the children. The children quiz the vicar as to why Jesus does not save every person and animal and he says it is so the world does not get crowded.

Blakey sends Kathy to retrieve a package he has hidden. A police manhunt takes place as Kathy searches. She finds the package under a rail in a railway tunnel. This provides Blakey with a revolver.

At Charles's birthday party, Nan takes an extra piece of cake and lets slip it is "for Jesus". Charles says: "it isn't Jesus, it's just a fella."

Kathy's father realises the connection to the missing criminal and the police are called in to apprehend the criminal. The father waits outside the barn with a shotgun.

The children of the village, perhaps 100 of them now in on the secret, converge on the barn. Kathy sneaks behind the barn and passes a pack of cigarettes through a hole, but she has forgotten matches. She says she has not betrayed him, but the police are closing in. He forgives her and, after much prompting from her, promises she will see him again. Resigned to his fate, Blakey tosses his handgun out of the barn door and surrenders to the police.

Blakey stands arms outstretched as he is frisked. His silhouette echoes the crucifixion.

Once Blakey is taken away and the crowd disperses, Kathy is approached by two very young children who ask to see Jesus. She tells them that they missed him this time, but he will be back one day.

Cast

[edit]
  • Hayley Mills as Kathy Bostock
  • Bernard Lee as Mr. Bostock
  • Alan Bates as Arthur Blakey (Credited as the man)
  • Diane Holgate as Nan Bostock
  • Alan Barnes as Charles Bostock
  • Norman Bird as Eddie
  • Diane Clare as the Sunday School teacher
  • Patricia Heneghan as Salvation Army girl
  • John Arnatt as Superintendent Teesdale
  • Elsie Wagstaff as Auntie Dorothy
  • Hamilton Dyce as Mr Reeves, the vicar
  • Howard Douglas as the vet
  • Ronald Hines as P.C. Thurstow
  • Gerald Sim as Detective Constable Wilcox
  • Michael Lees as 1st Civil Defence worker
  • Michael Raghan as 2nd Civil Defence worker
  • May Barton as villager
  • Roy Holder as Jackie
  • Barry Dean as Raymond or Patto (the teenage boy who slaps Kathy in the playground)

Production

[edit]

The novel was published in 1959. Mary Bell based the three children on her own children, including Hayley Mills.[4]

The novel was turned into a stage play. The film rights were bought by Bryan Forbes and Richard Attenborough, who had moved into film production. They were friends of John Mills and Mary Bell and secured Hayley Mills to play the lead. She had just made Pollyanna for Disney.[5]

Forbes was so taken with the material that he wanted to write the script and direct. However, the Millses would not approve him. This upset Forbes, who withdrew from the project. Attenborough hired Keith Waterhouse and Willis Hall to write the script and Guy Green to direct. It was Waterhouse and Hall who decided to relocate the book's setting from Kent to Lancashire. Weeks before filming was to start, Green pulled out of the film to accept an offer at MGM. Attenborough suggested that Forbes direct, but John Mills and Mary wanted Attenborough to do it. Attenborough had no ambitions towards directing then, and knew how badly Forbes wanted the job, so he persuaded the Millses to listen to a pitch from Forbes as to how he would do it. The pitch was successful and they gave their approval.[6][7]

Alan Bates, in his first starring film role, played the man in the barn. Local schoolchildren from the Lancashire villages around Burnley and Clitheroe were used as extras; children from Chatburn Primary School played the 'disciples'. The theme music by Malcolm Arnold became a classic.[8]

Bryan Forbes put the budget at £161,000, although other sources say it was lower.[9]

Release

[edit]

The film had its world premiere at the Odeon Leicester Square on 20 July 1961. It played there for three weeks, ending its run on 9 August, three days after it began its general release in the London area.

Reception

[edit]

Critical

[edit]

The Monthly Film Bulletin wrote: "There are two themes here. One, an embarrassingly explicit allegory of Christ's betrayal, comes straight from Mary Hayley Bell's novel. The other is the film's own illustration of a childhood world, secret and fantastic and sufficiently sturdy to withstand the intrusion of a good deal of pretentious symbolism ... Though Bernard Lee and Elsie Wagstaffe are excellent as the father and the aunt, the best moments are provided by Alan Barnes as the six-year-old with a bleak, firm line in scepticism; and by Diane Holgate as his snootily unshakable sister. Hayley Mills, caught half-way between the child's faith and the adult's disillusion, fails, through no fault of her own, to bridge the gap. The split is in the script, and she conceals the tedium which must have accompanied the brilliant coaching of the younger children with a potent, concentrated professionalism. Arthur Ibbetson's photography endows the hedges, ditches, ponds and muggy weather of the moorland locations with a beauty all their own. Bryan Forbes, directing for the first time, reveals a painstaking, often incisive talent for behaviour rather than a marked personal style."[10]

Bosley Crowther wrote in The New York Times: [11] "While it deals with sensitive material that might seem blasphemous to some – and, indeed, might well be embarrassing if it weren't handled with consummate skill and taste – it is beautifully simple, naturalistic and remote from religiosity as it tells, with great humor and compassion, of children and brotherly love. The story is elementary, so simple and inviting, indeed, that one wonders now why it hadn't been written long before it was recently put into a novel by Mary Hayley Bell. ... Credit for this exceptional picture goes to many  ... all merit praise and affection for giving us one of the most enjoyable and heartwarming films we've ever seen."

Stanley Kauffmann of The New Republic wrote: "The story has a trickily effective beginning and a moderately effective conclusion, but no middle. Nothing really happens in the film; the kids make their initial mistake about the fugitive and after a while he is captured. That's all. The incident is not used for any poetic, religious, or ironic significance."[12]

Box office

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By September 1961, Rank were reporting the film was "exceeding expectations" commercially.[13] The film was the eighth most popular film at the UK box office in 1961. By 1971, it had earned a profit of over £240,000.[1] Forbes later said it was the most popular and profitable film he ever made.[9]

Awards

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The film was nominated for four BAFTA (British Academy of Film and Television Arts) awards:[14]

  • Best British Actress, Hayley Mills
  • Best British Film, Bryan Forbes
  • Best British Screenplay, Keith Waterhouse and Willis Hall
  • Best Film from any Source, Bryan Forbes

Musical adaptations

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In 1984, rock group Toto used the plot of the movie for their music video for "Stranger in Town".[15]

In 1989 Russell Labey and Richard Taylor adapted the film into a musical of the same name for the National Youth Music Theatre.[16]

In 1996 Andrew Lloyd Webber and Jim Steinman created another musical adaptation, including the songs "Vaults of Heaven", "Whistle Down the Wind" by Tina Arena, and "No Matter What", which became a hit for Boyzone.[17]

References

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  1. ^ a b Alexander Walker, Hollywood, England, Stein and Day, 1974 p. 106
  2. ^ "Whistle Down the Wind". British Film Institute Collections Search. Retrieved 19 August 2024.
  3. ^ "Whistle Down the Wind". IMDb. 6 August 1961.
  4. ^ ON THE TRAIL OF A FILM COMET CALLED HAYLEY, The New York Times, 14 January 1962: X9.
  5. ^ THE FABULOUS MILLS FAMILY Hopper, Hedda. Chicago Daily Tribune, 30 October 1960: b24.
  6. ^ Attenborough, Richard (2009). Entirely up to you, darling. Windsor. pp. 345–347.
  7. ^ BRITAIN'S SCREEN SCENEcBy STEPHEN WATTS. The New York Times (23 April 1961: 129.
  8. ^ "Review". Gramophone.
  9. ^ a b Bryan Forbes, A Divided Life, Mandarin, 1993 p. 29
  10. ^ "Whistle Down the Wind". The Monthly Film Bulletin. 28 (324): 126. 1 January 1961 – via ProQuest.
  11. ^ Crowther, Bosley (23 April 1962). "Screen: 'Whistle Down the Wind' From Britain:Artful Story of Guest in a Barn Arrives (Published 1962)". The New York Times.
  12. ^ "Stanley Kauffmann on films". The New Republic. 28 May 1962.
  13. ^ OBSERVATIONS ON THE BUSTLING BRITISH SCREEN SCENE By STEPHEN WATTS LONDON. The New York Times, 17 Sep 1961: X9
  14. ^ "BAFTA Awards Search: Whistle Down the Wind". BAFTA. Retrieved 19 August 2024.
  15. ^ Toto Encyclopedia: Music Videos, toto99.com.
  16. ^ "Whistle Down the Wind, Edinburgh Festival Theatre". HeraldScotland.
  17. ^ "Whistle Down The Wind – Andrew Lloyd Webber – The Guide to Musical Theatre". guidetomusicaltheatre.com.
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