Led Zeppelin: Difference between revisions
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{{Short description|English rock band (1968–1980)}} |
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{{about|the band|their debut album|Led Zeppelin (album){{!}}''Led Zeppelin'' (album)|other uses}} |
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{{Use British English|date=July 2023}} |
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{{Use dmy dates|date=July 2023}} |
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{{Infobox musical artist |
{{Infobox musical artist |
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| name = Led Zeppelin |
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| background = group_or_band |
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| image = Led Zeppelin - promotional image (1971).jpg |
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| Img_capt = Led Zeppelin, 1969, from left to right: [[John Paul Jones (musician)|John Paul Jones]], [[John Bonham]] (Top), [[Jimmy Page]] and [[Robert Plant]] |
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| alt = A photoshoot of the band Led Zeppelin in front of a white wall |
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| Img_size = 360 |
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| caption = Led Zeppelin in 1971<br />From left to right: [[John Paul Jones (musician)|John Paul Jones]], [[Jimmy Page]], [[John Bonham]] and [[Robert Plant]] |
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| Background = group_or_band |
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| landscape = yes |
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| Origin = [[London]]/[[West Bromwich]]/[[Kidderminster]], [[England]] |
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| alias = |
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| Genre = [[Hard rock]]<br>[[heavy metal music|Heavy metal]]<br>[[Blues-rock]]<br>[[Folk rock]] |
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| origin = London, England |
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| Years_active = [[1968 in music|1968]] — [[1980 in music|1980]]<br /><small>(Partial Reunions: 1985,1988,1995)</small> |
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| genre = {{flatlist|class=nowraplinks| |
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* [[Hard rock]] |
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| Associated_acts = [[The Yardbirds]]<br />[[Page and Plant]] |
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* [[blues rock]] |
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| URL = http://www.ledzeppelin.com/ |
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* [[folk rock]] |
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| Current_members = [[Robert Plant]]<br />[[Jimmy Page]]<br />[[John Paul Jones (musician)|John Paul Jones]]<br />[[John Bonham]] (deceased) |
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* [[Heavy metal music|heavy metal]]}} |
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| Past_members = |
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| discography = {{hlist|[[Led Zeppelin discography|Albums and singles]]|[[List of songs recorded by Led Zeppelin|songs]]}} |
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| years_active = 1968–1980{{refn|group=nb|One-off reunions: 1985, 1988, 1995, 2007}} |
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| label = {{flatlist| |
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* [[Atlantic Records|Atlantic]] |
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* [[Swan Song Records|Swan Song]] |
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}} |
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| spinoffs = {{hlist|[[The Honeydrippers]]|[[Page and Plant]]}} |
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| spinoff_of = {{hlist|[[The Yardbirds]]|[[Band of Joy]]}} |
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| website = {{URL|ledzeppelin.com}} |
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| past_members = * [[Jimmy Page]] |
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* [[Robert Plant]] |
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* [[John Bonham]] |
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* [[John Paul Jones (musician)|John Paul Jones]] |
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}} |
}} |
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:''For the band's 1969 self-titled debut album, see [[Led Zeppelin (album)]]''. |
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'''Led Zeppelin''' <!-- |
'''Led Zeppelin''' were <!-- This article is written in British English, which commonly treats collective nouns as plural. DO NOT change "WERE" to "WAS". --> an English [[rock music|rock]] band formed in London in 1968. The band comprised [[Robert Plant]] (vocals), [[Jimmy Page]] (guitar), [[John Paul Jones (musician)|John Paul Jones]] (bass and keyboards) and [[John Bonham]] (drums). With a heavy, guitar-driven sound and drawing from influences including [[blues]] and [[folk music]], Led Zeppelin are cited as a progenitor of [[hard rock]] and [[heavy metal music|heavy metal]]. They significantly influenced the music industry, particularly in the development of [[album-oriented rock]] and [[Arena rock|stadium rock]]. |
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Led Zeppelin evolved from a previous band, [[the Yardbirds]], and were originally named "the New Yardbirds". They signed a deal with [[Atlantic Records]] that gave them considerable artistic freedom. Initially unpopular with critics, they achieved significant commercial success with eight studio albums over ten years. Their 1969 debut, ''[[Led Zeppelin (album)|Led Zeppelin]]'', was a top-ten album in several countries and features such tracks as "[[Good Times Bad Times]]", "[[Dazed and Confused (Jake Holmes song)|Dazed and Confused]]" and "[[Communication Breakdown]]". ''[[Led Zeppelin II]]'' (1969), their first number-one album, includes "[[Whole Lotta Love]]" and "[[Ramble On]]". In 1970, they released ''[[Led Zeppelin III]]'' which opens with "[[Immigrant Song]]". Their untitled fourth album, commonly known as ''[[Led Zeppelin IV]]'' (1971), is one of the [[List of best-selling albums|best-selling albums]] in history, with 37 million copies sold. It includes "[[Black Dog (Led Zeppelin song)|Black Dog]]", "[[Rock and Roll (Led Zeppelin song)|Rock and Roll]]" and "[[Stairway to Heaven]]", with the latter being among the most popular and influential works in rock. ''[[Houses of the Holy]]'' (1973) includes "[[The Song Remains the Same (song)|The Song Remains the Same]]" and "[[Over the Hills and Far Away (Led Zeppelin song)|Over the Hills and Far Away]]". ''[[Physical Graffiti]]'' (1975), a double album, features "[[Trampled Under Foot]]" and "[[Kashmir (song)|Kashmir]]". |
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While the band are best known as pioneers of [[hard rock]] and [[heavy metal music|heavy metal]], they also drew inspiration from many other musical genres, including [[blues]], [[rockabilly]], [[reggae]], [[soul music|soul]], [[funk]], [[jazz]], [[Classical music|classical]], [[Celtic music|Celtic]], [[Music of India|Indian]], [[Arabic music|Arabic]], [[folk music|folk]], [[Pop music|pop]], [[Latin American music|Latin]] and [[country music|country]]. |
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Page composed most of Led Zeppelin's music, while Plant wrote most of the lyrics. Jones occasionally contributed keyboard-focused parts, particularly on the band's final album. The latter half of their career saw a series of [[Led Zeppelin concerts|record-breaking tours]] that earned the group a reputation for excess and debauchery. Although they remained commercially and critically successful, their touring and output, which included ''[[Presence (album)|Presence]]'' (1976) and ''[[In Through the Out Door]]'' (1979), declined in the late 1970s. After Bonham's death in 1980, the group disbanded. The former members have sporadically collaborated and participated in one-off concerts, including the 2007 [[Ahmet Ertegun Tribute Concert]] in London, with Bonham's son [[Jason Bonham]] on drums. |
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Over 25 years after disbanding in response to Bonham's [[1980]] death, Led Zeppelin continue to be held in high regard for their artistic achievements, commercial success, and broad influence, as shown by their continual high album sales of more than 300 million albums worldwide,<ref>{{cite web|date=[[September 14]], [[2006]]|url=http://www.led-zeppelin.com/news/vh1_9.14.06.html|title=VH1 Welcomes the Return of the 'Third Annual UK Music Hall of Fame Induction Ceremony'|publisher=vh1.com|accessdate=2006-09-21}}</ref> including 109.5 million sales<ref>{{cite web|url=http://www.riaa.com/gp/bestsellers/topartists.asp|title=Top Selling Artists|author=RIAA}}</ref> in the [[United States]]. |
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Led Zeppelin are ranked No. 1 on [[VH1]]'s list of the 100 greatest artists of hard rock.<ref>[http://www.vh1.com/shows/dyn/the_greatest/62188/episode_about.jhtml 1-20] at vhi.com</ref> |
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Led Zeppelin are one of the [[list of best-selling music artists|best-selling music artists of all time]], with estimated record sales of between 200 and 300 million units worldwide. They achieved eight consecutive UK number-one albums and six number-one albums on the US [[Billboard 200|''Billboard'' 200]], with five of their albums certified [[RIAA certification#RIAA Diamond certifications|Diamond]] in the US by the [[Recording Industry Association of America]] (RIAA). ''[[Rolling Stone]]'' described them as "the heaviest band of all time", "the biggest band of the seventies", and "unquestionably one of the most enduring bands in rock history".<ref>{{Cite magazine |title=2006 Rolling Stone Covers |url=https://www.rollingstone.com/music/music-lists/2006-rolling-stone-covers-207609/led-zeppelin-rs-1006-august-10-2006-3-135624/ |access-date=14 February 2024 |magazine=Rolling Stone |date=14 December 2006 |archive-date=14 February 2024 |archive-url=https://web.archive.org/web/20240214133328/https://www.rollingstone.com/music/music-lists/2006-rolling-stone-covers-207609/led-zeppelin-rs-1006-august-10-2006-3-135624/ |url-status=live }}</ref> They were inducted into the [[Rock and Roll Hall of Fame]] in 1995; the museum's biography states that they were "as influential" in the 1970s as [[the Beatles]] were in the 1960s.<ref>{{Cite web |title=Led Zeppelin Biography |url=http://rockhall.com/inductees/led-zeppelin/bio/ |url-status=dead |archive-url=https://web.archive.org/web/20110628093543/http://rockhall.com/inductees/led-zeppelin/bio/ |archive-date=28 June 2011 |access-date=5 September 2010 |website=Rock and Roll Hall of Fame}}</ref> |
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==History== |
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===The early days (1968-1970)=== |
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====The "New Yardbirds"==== |
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The beginnings of Led Zeppelin can be traced back to the early English rock band [[The Yardbirds]].<ref> MTV profile of Led Zeppelin. [http://www.mtv.com/music/artist/led_zeppelin/bio.jhtml]</ref> Page joined the Yardbirds in [[1966]] to play bass guitar after the original bassist, [[Paul Samwell-Smith]], left the group. Shortly after, Page switched from bass to second [[lead guitar]], creating a dual-lead guitar instrumentation with [[Jeff Beck]]. |
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== History == |
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Following the departure of Beck in October [[1966]], The Yardbirds, tired from constant touring and recording, were beginning to wind down. Page wanted to form a [[supergroup (music)|supergroup]] with himself and Beck on guitars, and [[The Who]]'s rhythm section - drummer [[Keith Moon]] and bassist [[John Entwistle]]. Vocalists [[Donovan]], [[Steve Winwood]] and [[Steve Marriott]] were also considered for the project.<ref>{{cite web|url=http://www.led-zeppelin.org/reference/index.php?m=assorted3|title=Led Zeppelin Assorted Info|author=Led-Zeppelin.org}}</ref> The group never formed, although Page, Beck and Moon did record a song together in 1966, "[[Beck's Bolero]]", which is featured on Beck's 1968 album, ''[[Truth (album)|Truth]]''. The recording session also included bassist-keyboardist [[John Paul Jones (musician)|John Paul Jones]], who told Page that he would be interested in collaborating with him on future projects. <ref name="Hammer of the Gods"> {{cite book | title=Hammer of the Gods (LPC) | year=1995 | author=Stephen Davis | pages= 44, 64, 190, 225, 277 ISBN 033043859-X }}</ref> |
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=== Formation: 1966–1968 === |
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[[File:Led Zeppelin logo.svg|thumb|upright=1.15|The band's logotype, used since 1973|alt=The name Led Zeppelin in irregular capitals in black and white]] |
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In 1966, London-based session guitarist [[Jimmy Page]] joined the blues-influenced rock band [[the Yardbirds]] to replace bassist [[Paul Samwell-Smith]]. Page soon switched from bass to lead guitar, creating a dual lead guitar line-up with [[Jeff Beck]]. Following Beck's departure in October 1966, the Yardbirds became a four-piece with Page as the sole guitarist. This new line-up recorded an album, ''[[Little Games]]'', in 1967, before embarking on a tour of the United States, during which they performed several songs which would later be part of Led Zeppelin's early repertoire, including covers of [[Johnny Burnette]]'s "[[Train Kept A-Rollin']]" and "[[Dazed and Confused (Jake Holmes song)|Dazed and Confused]]", a song originally written and recorded by [[Jake Holmes]].{{sfn|Yorke|1993|pp=56–59}} In early April 1968, the Yardbirds held a recording session at [[Columbia Records|Columbia Studios]] in New York City, recording a number of tracks including a Page-Relf composition initially titled "Knowing That I'm Losing You", which was eventually re-recorded by Led Zeppelin as "[[Tangerine (Led Zeppelin song)|Tangerine]]".<ref>{{Cite book |last=Russo |first=Greg |url=https://books.google.com/books?id=sIYDAAAACAAJ |title=Yardbirds: The Ultimate Rave-up |date=March 2001 |publisher=Crossfire Publications |isbn=978-0-9648157-8-0 |language=en |access-date=15 August 2023 |archive-date=27 September 2023 |archive-url=https://web.archive.org/web/20230927162936/https://books.google.com/books?id=sIYDAAAACAAJ |url-status=live }}</ref><ref>{{Cite web |title=January to July .... and everything in between |url=https://yardbirds68.blogspot.com/2015/04/fillmore-days.html |access-date=2023-08-01 |website=January to July .... and everything in between |archive-date=1 August 2023 |archive-url=https://web.archive.org/web/20230801011823/https://yardbirds68.blogspot.com/2015/04/fillmore-days.html |url-status=live }}</ref> |
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The Yardbirds played their final [[gig]] in July 1968, after which vocalist [[Keith Relf]] and drummer [[Jim McCarty]] left to form a radically different band, [[Renaissance (band)|Renaissance]], fusing [[classical music]] with [[rock music]] and [[folk music]] elements. However, The Yardbirds were still committed to perform several [[concert]]s in [[Scandinavia]], so McCarty and Relf authorised Page and bassist [[Chris Dreja]] to use the ''Yardbirds'' name to fulfil the band's obligations. Page and Dreja began putting a new line-up together. Page's first choice for lead singer, [[Terry Reid]], declined the offer, but suggested [[Robert Plant]], a [[Birmingham]] singer he knew. <ref>{{cite web|url=http://www.billboard.com/bbcom/bio/index.jsp?pid=5047&cr=artist&or=ASCENDING&sf=length&kw=Led%20Zeppelin|title=Led Zeppelin Biography|author=Billboard}}</ref> Plant eventually accepted the position, recommending a drummer, John Bonham from nearby [[Redditch]]. <ref name="Note1">{{cite web|url=http://home.mchsi.com/~night_flight/led_zeppelin_faq.htm|title=Led Zeppelin FAQ|author=Digital Graffiti}}</ref> When Dreja opted out of the project to become a [[photographer]] — he would later take the photograph that appeared on the back of Led Zeppelin's debut album — Page contacted Jones about the empty position. Being familiar with Page's credentials, Jones agreed to be the band's new bassist. |
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The Yardbirds' 1968 tour proved to be exhausting for the band. Drummer [[Jim McCarty]] and vocalist [[Keith Relf]] aimed to embark in a more acoustic direction, forming a [[folk rock]] duo called Together,<ref>{{Cite web |title=Together Biography, Songs, & Albums |url=https://www.allmusic.com/artist/together-mn0000520166/biography |access-date=25 June 2023 |website=AllMusic |language=en |archive-date=25 June 2023 |archive-url=https://web.archive.org/web/20230625204405/https://www.allmusic.com/artist/together-mn0000520166/biography |url-status=live }}</ref> whereas Page wanted to continue the heavier blues-based sound of the Yardbirds. Page, with the support of the Yardbirds' new manager [[Peter Grant (music manager)|Peter Grant]], planned to form a [[supergroup (music)|supergroup]] with Beck and himself on guitars, and [[the Who]]'s [[Keith Moon]] and [[John Entwistle]] on drums and bass, respectively.{{sfn|Wall|2008|pp=15–16}} Vocalists [[Steve Winwood]] and [[Steve Marriott]] were also considered for the project.{{sfn|Wall|2008|pp=13–15}} The group never formed, although Page, Beck, and Moon did record a song together in 1966, "[[Beck's Bolero]]", in a session that also included bassist-keyboardist [[John Paul Jones (musician)|John Paul Jones]].{{sfn|Davis|1985|pp=28–29}} |
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The group played together on record the first time on the final day of sessions for [[P. J. Proby]]. Proby recalled, "Come the last day we found we had some studio time, so I just asked the band to play while I just came up with the words. ... They weren't Led Zeppelin at the time, they were the New Yardbirds and they were going to be my band." <ref name="Mojo"> {{cite magazine | title=Led Zep were my backing band| year=2005 | author=Fred Dollar | pages= 83 }}</ref> |
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The Yardbirds played their final gig on 7 July 1968 at [[University of Bedfordshire|Luton College of Technology]] in Bedfordshire.{{sfn|Buckley|2003|p=1198}} They were still committed to several concerts in Scandinavia, so McCarty and Relf authorised Page and bassist [[Chris Dreja]] to use the Yardbirds' name to fulfill the band's obligations. Page and Dreja began putting a new line-up together. Page's first choice for the lead singer was [[Terry Reid]], but Reid declined the offer and suggested [[Robert Plant]], a singer for the [[Band of Joy]] and Hobbstweedle.{{sfn|Yorke|1993|p=65}} Plant eventually accepted the position, recommending former Band of Joy drummer [[John Bonham]].{{sfn|Erlewine|2011a}} John Paul Jones enquired about the vacant position of bass guitarist, at the suggestion of his wife, after Dreja dropped out of the project to become a photographer.{{sfn|Wall|2008|p=10}}{{refn|group=nb|Dreja would later take the photograph that appeared on the back of Led Zeppelin's debut album.{{sfn|Fyfe|2003|p=45}}}} Page had known Jones since they were both session musicians, and agreed to let him join as the final member.{{sfn|Yorke|1993|p=64}} |
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The band completed the Scandinavian tour as "The New Yardbirds". After some discussion, "Led Zeppelin" was chosen as a new name, based upon a name ("Lead Zeppelin") that [[Keith Moon]] had suggested during his discussions with Page about a possible [[supergroup]]. Moon got the name from John Entwistle's term for a bad gig, describing it as "going over" (some sources say "going down"<ref>Jimmy Page, interview quoted in article by Cesar Fuentes Rodriguez for MegaMadhouse Magazine (june, 1999).</ref>) "like a lead zeppelin".<ref>{{cite web|url=http://www.onewaymagazine.com/feature_8-365.html|title=Behind the Names of Rock|author=One Way Magazine}}</ref> The group deliberately dropped the 'a' in ''Lead'' at the suggestion of their manager, [[Peter Grant (music manager)|Peter Grant]], to prevent "thick Americans" <ref name="Hammer of the Gods"> {{cite book | title=Hammer of the Gods (LPC) | year=1995 | author=Stephen Davis | pages= 32, 44, 64, 190, 225, 277 ISBN 0330438591}}</ref> from pronouncing it as "''leed''". <ref name="Jimmy Page Online">[http://www.jimmypageonline.com/11318/42826.html Jimmy Page Online]</ref> |
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[[File:Hindenburg disaster.jpg|alt=A black and white photograph of an airship near a mooring mast exploding at its stern.|left|thumb|A 1937 photograph of the burning [[LZ 129 Hindenburg]] taken by news photographer Sam Shere, used on the cover of the band's debut album and extensively on later merchandise]] |
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Grant also secured an advance deal of $200,000 from [[Atlantic Records]] in November 1968, (then the biggest deal of its kind for a new band).<ref name="Mojo"> {{cite magazine | title=No Way Out| year=2005 | author=Mick Wall | pages= 83 }}</ref> Atlantic was a label known for its catalogue of blues, soul and jazz artists, but in the late-1960s it began to take an interest in progressive British rock acts, and signed Led Zeppelin without having ever seen them, largely on the recommendation of singer [[Dusty Springfield]].<ref>Welch, Chris (1994) ''Led Zeppelin'', London: Orion Books. ISBN 0-85797-930-3, p. 31.</ref> With their first album not yet released, Zeppelin made their live debut at the Roundhouse, London on [[November 9]], 1968.<ref name="Mojo"> {{cite magazine | title=No Way Out| year=2005 | author=Mick Wall | pages= 83 }}</ref> followed by a U.S. concert debut on [[December 26]], 1968 (when promoter Barry Fey added them onto a bill in [[Denver, Colorado]]) before moving on to the west coast for dates in [[Los Angeles]], [[San Francisco]] and other cities. |
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In August 1968, the four played together for the first time in a room below a record store on [[Gerrard Street, London|Gerrard Street]] in London.{{sfn|Lewis|1994|p=3}} Page suggested that they attempt "[[Train Kept A-Rollin']]", originally a [[jump blues]] song popularised in a [[rockabilly]] version by [[Johnny Burnette]], which had been covered by the Yardbirds. "As soon as I heard John Bonham play", Jones recalled, "I knew this was going to be great ... We locked together as a team immediately".{{sfn|Welch |Nicholls|2001|p=75}} Before leaving for Scandinavia, the group took part in a recording session for the [[P. J. Proby]] album ''[[Three Week Hero]]''. The album's track "Jim's Blues", with Plant on harmonica, was the first studio track to feature all four future members of Led Zeppelin.{{sfn|Wall|2008|p=54}} |
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====''Led Zeppelin'' (the first album) ==== |
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The band completed the [[Led Zeppelin Scandinavian Tour 1968|Scandinavian tour]] as the New Yardbirds, playing together for the first time in front of a live audience at Gladsaxe Teen Club at the Egegård School (today Gladsaxe School) festive hall, [[Gladsaxe Municipality|Gladsaxe]], Denmark, on 7 September 1968.{{sfn|Wall|2008|p=54}} Later that month, they began recording their first album, which was based on their live set. The album was recorded and mixed in nine days, and Page covered the costs.{{sfn|Wall|2008|pp=51–52}} After the album's completion, the band were forced to change their name after Dreja issued a [[cease and desist]] letter, stating that Page was allowed to use the New Yardbirds moniker for the Scandinavian dates only.{{sfn|Wall|2008|pp=72–73}} One account of how the new band's name was chosen held that Moon and Entwistle had suggested that a supergroup with Page and Beck would go down like a "lead balloon", an idiom for being very unsuccessful or unpopular.{{sfn|Shadwick|2005|p=36}} The group dropped the 'a' in ''lead'' at the suggestion of Peter Grant, so that those unfamiliar with the term would not pronounce it "leed".{{sfn|Davis|1985|p=57}} The word "balloon" was replaced by "[[zeppelin]]", a word which, according to music journalist Keith Shadwick, brought "the perfect combination of heavy and light, combustibility and grace" to Page's mind.{{sfn|Shadwick|2005|p=36}} |
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Shortly after their first tour, the group's self titled first album, ''[[Led Zeppelin (album)|Led Zeppelin]]'' was released on [[January 12]], [[1969]]. Its blend of blues, folk, and eastern influences with distorted amplification made it one of the pivotal records in the creation of [[heavy metal music|heavy metal]]. Ironically, [[Robert Plant]] has commented that it is unfair for people to think of the band as heavy metal, since about a third of their music was acoustic.<ref>''The History of Rock 'n' Roll: The 70s: Have a Nice Decade''</ref> In an interview for the ''[[Profiled|Led Zeppelin Profiled]]'' radio promo CD (1990) Jimmy Page said that the album took about 36 hours of studio time to create (including mixing), and stated that he knows this because of the amount charged on the studio bill. In [[Stephen Davis]]' biography of the band, ''Hammer of the Gods'', it is stated that Peter Grant claimed the album cost £1,750 to produce (including artwork).{{Fact|date=February 2007}} By 1975 the album had grossed $7,000,000.<ref name="Billboard">[http://www.billboard.com/bbcom/discography/index.jsp?pid=5047&aid=10331 Billboard discography]</ref> |
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Grant secured a $143,000 advance contract (${{formatnum:{{Inflation|US|143000|1968|r=-3}}}} today) from [[Atlantic Records]] in November 1968—at the time, the biggest deal of its kind for a new band.{{sfn|Wall|2008|p=84}} Atlantic was a label with a catalogue of mainly blues, soul, and jazz artists, but in the late 1960s, it began to take an interest in British [[progressive rock]] acts. At the recommendation of British singer [[Dusty Springfield]], a friend of Jones who at the time was completing her first Atlantic album, ''[[Dusty in Memphis]]'', record executives signed Led Zeppelin without having ever seen them.{{sfn|Fortnam|2008|p=43}} Under the terms of their contract, the band had autonomy in deciding when they would release albums and tour and had the final say over the contents and design of each album. They would also decide how to promote each release and which tracks to release as singles. They formed their own company, Superhype, to handle all publishing rights.{{sfn|Lewis|1994|p=3}} |
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Although several of Led Zeppelin's earliest songs were based on blues standards, others such as "[[Good Times Bad Times]]" and "[[Communication Breakdown]]" had a unique and distinctively heavy sound. ''Led Zeppelin'' also featured delicate [[steel-string acoustic guitar]] on "[[Black Mountain Side]]", and a combination of acoustic and electric approaches on the reworked folk song "[[Babe I'm Gonna Leave You]]." "[[Dazed and Confused (song)|Dazed and Confused]]" had a solo using a violin or cello bow on the guitar (suggested by the father of actor [[David McCallum]], whom Page met in [[recording studio|studio]] session work), and was played at many [[Led Zeppelin concerts]]. "[[How Many More Times]]" also involved Page playing an electric guitar using a bow. The song includes a section with Plant singing [[Albert King|Albert King's]] "The Hunter", an older blues song. The album features Plant vocally mimicking Page's guitar effects--a metallicised version of the '[[Call and response (music)|call and response]]' blues technique. |
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=== Early years: 1968–1970 === |
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[[Image:Hindenburg_burning.jpg|thumb|right|220px|A [[Stills (movie)|still]] of the flaming ''[[LZ 129 Hindenburg|Hindenburg]]'', famously adapted by Led Zeppelin for their first album cover]]Other songs included "[[I Can't Quit You Baby]]", originally written by bluesman [[Willie Dixon]], and "[[You Shook Me]]", by Dixon and [[J. B. Lenoir]]. Jeff Beck had previously recorded "You Shook Me" for his album, ''Truth'', and accused Led Zeppelin of stealing his idea. This led to a long rift between Beck and Page, who had been friends for years.<ref name="Hammer of the Gods"> {{cite book | title=Hammer of the Gods (LPC) | year=1995 | author=Stephen Davis | pages= 44, 57 64, 190, 225, 277 ISBN 033043859-X {{Please check ISBN|033043859 (too short)}}}}</ref> |
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Still billed as the New Yardbirds, the band began their first tour of the UK on 4 October 1968, when they played at the [[Mayfair Ballroom]] in [[Newcastle upon Tyne]].<ref>{{cite book |last1=Bath |first1=Jo |last2=Stevenson |first2=Richard F. |date=2013 |title=The Newcastle Book of Days |location=Stroud |publisher=The History Press |isbn=9780752468662 |page=280}}</ref> Their first show as Led Zeppelin was at the [[University of Surrey]] in [[Battersea]] on 25 October.<ref>{{Cite web |title=Concert Timeline: October 25, 1968 |url=http://www.ledzeppelin.com/show/october-25-1968 |url-status=live |archive-url=https://web.archive.org/web/20120102222301/http://www.ledzeppelin.com/show/october-25-1968 |archive-date=2 January 2012 |access-date=3 November 2017 |website=Led Zeppelin.com|date=20 September 2007 }}</ref> Tour manager [[Richard Cole]], who would become a major figure in the touring life of the group, organised their [[Led Zeppelin North American Tour 1968–1969|first North American tour]] at the end of the year.{{sfn|Wall|2008|p=94}}{{refn|group=nb|The first show was in Denver on 26 December 1968, followed by other West Coast dates before the band travelled to California to play Los Angeles and San Francisco.{{sfn|Wall|2008||pp=92–93}}}} Their debut album, ''[[Led Zeppelin (album)|Led Zeppelin]]'', was released in the US during the tour on 13 January 1969, and peaked at number 10 on the ''Billboard'' chart;<ref>{{Cite web |title=Led Zeppelin Billboard Albums |url=https://www.allmusic.com/artist/led-zeppelin-p4739/charts-awards |url-status=dead |archive-url=https://web.archive.org/web/20110906193322/http://allmusic.com/artist/led-zeppelin-p4739/charts-awards |archive-date=6 September 2011 |website=AllMusic}}</ref> it was released in the UK, where it peaked at number 6, on 31 March.{{sfn|Wall|2008|pp=92, 147, 152}} According to [[Stephen Thomas Erlewine|Steve Erlewine]], the album's memorable guitar riffs, lumbering rhythms, [[Psychedelic rock|psychedelic blues]], groovy, [[Swing (jazz performance style)|bluesy shuffles]] and hints of [[Folk music of England|English folk music]] made it "a significant turning point in the evolution of hard rock and heavy metal".{{sfn|Erlewine|2011b}} |
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[[File:Bron-y-aur - geograph.org.uk - 21107 (cropped).jpg|thumb|[[Bron-Yr-Aur]], near [[Machynlleth]], the Welsh cottage to which Page and Plant retired in 1970 to write many of the tracks that appeared on the band's third and fourth albums|alt=A colour photograph of a stone cottage on a hill]] |
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While the album received generally positive reviews, some derided it, most famously John Mendelsohn of ''[[Rolling Stone]]'' magazine, who savaged the band for stealing music (notably [[Black Mountain Side]] from Black Water Side by [[Bert Jansch]] and the riff from [[Your Time Is Gonna Come]] from [[Traffic (band)|Traffic]]'s [[Dear Mr. Fantasy]]), mimicking black artists, and showing off. This marked the beginning of a long rift between the band and the magazine, with Led Zeppelin rejecting later requests for interviews and cover stories as their level of success escalated.<ref name="Rolling Stone">[http://www.rollingstone.com/news/story/10962835/at_war_with_the_mystics_led_zepp_vs_rolling_stone]</ref> |
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In their first year, Led Zeppelin completed four US and four UK [[concert tour]]s, and also released their second album, ''[[Led Zeppelin II]]''. Recorded mostly on the road at various North American studios, it was an even greater commercial success than their first album and reached the number one chart position in the US and the UK.{{sfn|Wall|2008|p=161}} The album further developed the mostly blues-rock musical style established on their debut release, creating a sound that was "heavy and hard, brutal and direct", and which would be highly influential and frequently imitated.{{sfn|Erlewine|2010}} Steve Waksman has suggested that ''Led Zeppelin II'' was "the musical starting point for heavy metal".{{sfn|Waksman|2001|p=263}} |
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''Led Zeppelin's'' album cover met an interesting protest when, at a February 28, 1970 gig in [[Copenhagen]], the band was billed as "The Nobs" as the result of a threat of legal action from aristocrat [[Eva von Zeppelin]] (relative of the namesake creator of the Zeppelin aircraft), who, upon seeing the logo of the ''[[Hindenburg (airship)|Hindenburg]]'' crashing in flames, threatened to have the show pulled off the air.<ref name="Billboard Magazine">[http://www.billboard.com/bbcom/bookshelf/article_display.jsp?vnu_content_id=1001958757]</ref> |
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The band saw their albums as indivisible, complete listening experiences, disliking the re-editing of existing tracks for release as singles. Grant maintained an aggressive pro-album stance, particularly in the UK, where there were few radio and TV outlets for rock music. Without the band's consent, however, some songs were released as singles, particularly in the US.{{sfn|Wall|2008|pp=166–167}} In 1969, an edited version of "[[Whole Lotta Love]]", a track from their second album, was released as a single in the US. It reached number four in the ''Billboard'' chart in January 1970, selling over one million copies and helping to cement the band's popularity.{{sfn|Wall|2008|p=165}} The group also increasingly shunned television appearances, citing their preference that their fans hear and see them in live concerts.{{sfn|Welch|1994|p=49}}{{sfn|Wale|1973|p=11}} |
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====''Led Zeppelin II''==== |
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The immediate success of the first album kick-started the band's career, especially in the United States. Zepellin managed to do four US tours and four UK tours in their first year as well as find time to record their second record, titled ''[[Led Zeppelin II]]''.<ref name="Mojo"> {{cite magazine | title=No Way Out| year=2005 | author=Mick Wall | pages= 83 }}</ref> |
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Following the release of their second album, Led Zeppelin completed several more US tours. They played initially in clubs and ballrooms, and then in larger auditoriums as their popularity grew.{{sfn|Erlewine|2011a}} Some early [[Led Zeppelin concerts]] lasted more than four hours, with expanded and improvised live versions of their repertoire. Many of these shows have been preserved as [[Led Zeppelin bootleg recordings|bootleg recordings]]. It was during this period of intensive concert touring that the band developed a reputation for off-stage excess.{{sfn|Wall|2008}}{{refn|group=nb|One alleged example of such extravagance was the shark episode said to have taken place at the [[The Edgewater (Seattle, Washington)|Edgewater Inn]] in [[Seattle]] on 28 July 1969.{{sfn|Davis|1985|p=103}}{{sfn|Wall|2008}}}} |
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The second album was an even greater success than the first and reached the number one chart position in the US and the UK. <ref name="connollyco">[http://www.connollyco.com/discography/led_zeppelin/led2.html Led Zeppelin discography]</ref> |
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[[Image:Zep Paris.JPG|thumb|left|250px|Led Zeppelin in [[Paris]], 1969]] |
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''Led Zeppelin II'' begins with the bludgeoning [[riff]] of "[[Whole Lotta Love]]," which, driven by the [[rhythm section]], helped as much as any other song to define the band's sound. Other songs from the album included the acoustic/electric "[[Ramble On]]", "[[Heartbreaker (Led Zeppelin song)|Heartbreaker]]", and "[[What Is and What Should Never Be]]". The album also included songs which were strikingly similar to Willie Dixon's work, although Dixon was not credited. The prelude to "[[Bring It on Home]]" is a cover of Sonny Blake's "Bring it on Home" and drew comparisons with Dixon's "Bring It on Back". "Whole Lotta Love" was exceedingly similar to Dixon's "You Need Love/Woman You Need Love" (The lyrics and melody were almost identical to Muddy Water's version of the song, and the same riff, though less pronounced and played in [[compound time]], runs through most of the song). In the 1970s, Arc Music, the publishing arm of [[Chess Records]], brought a lawsuit against Led Zeppelin for copyright infringement over "Bring It on Home" and won an out-of-court settlement.<ref>[http://www.abc.net.au/triplej/music_specials/s1402502.htm ABC]</ref> Dixon himself did not benefit until he sued Arc Music to recover his royalties and [[copyrights]]. Years later, Dixon filed suit against Led Zeppelin over "Whole Lotta Love" and a generous out-of-court settlement was reached. Later pressings of ''Led Zeppelin II'' credit Dixon. |
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In 1970, Page and Plant retired to [[Bron-Yr-Aur]], a remote cottage in [[Wales]], to commence work on their third album, ''[[Led Zeppelin III]]''.<ref>{{Cite web |date=30 June 2010 |title=Led Zeppelin at Bron-Yr-Aur |url=https://www.bbc.co.uk/wales/music/sites/history/pages/led-zeppelin-bron-yr-aur.shtml |url-status=live |archive-url=https://web.archive.org/web/20110514164952/http://www.bbc.co.uk/wales/music/sites/history/pages/led-zeppelin-bron-yr-aur.shtml |archive-date=14 May 2011 |access-date=16 September 2011 |website=BBC Wales Music}}</ref> The result was a more acoustic style that was strongly influenced by [[folk music|folk]] and [[Celtic music]], and showcased the band's versatility. The album's rich acoustic sound initially received mixed reactions, with critics and fans surprised at the turn from the primarily electric arrangements of the first two albums, further fuelling the band's hostility to the musical press.{{sfn|Wall|2008|pp=208–209}} It reached number one in the UK and US charts, but its stay would be the shortest of their first five albums.{{sfn|Yorke|1993|p=130}} The album's opening track, "[[Immigrant Song]]", was released as a US single in November 1970 against the band's wishes, reaching the top twenty on the ''Billboard'' chart.{{sfn|Yorke|1993|p=129}} |
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Page was once quoted in an interview as saying: "I've often thought that in the way [[The Rolling Stones|the Stones]] tried to be the sons of [[Chuck Berry]], we tried to be the sons of [[Howlin' Wolf]]."<ref>Jimmy Page, interview quoted in Robert Palmer's liner notes to Led Zeppelin's 4 CD [[Led Zeppelin (box set)|boxed set]] (1990).</ref> A version of Howlin' Wolf's song "[[Killing Floor (song)|Killing Floor]]" which was featured prominently in Led Zeppelin's early live performances, also found its way onto ''Led Zeppelin II'' in a different arrangement, entitled "[[The Lemon Song]]". |
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Page played his 1959 Dragon Telecaster until a friend stripped Page's custom modifications and repainted the guitar.<ref>{{Citation| last1 = Fender| last2 = Page| first2 = Jimmy| title = "Dragon" Telecaster (serial no. 50062)| access-date = 2024-08-15| date = 1959| url = https://www.metmuseum.org/art/collection/search/754827}}</ref><ref>{{Cite web | first = Jeff |last=Slate | title =Jimmy Page: "The whole idea of the Dragon Tele was to bring a new life into it - to mix my identity into the actual guitar"| work = MusicRadar| access-date = 2024-08-15| date = 2019-07-03| url = https://www.musicradar.com/news/jimmy-page-the-whole-idea-of-the-dragon-tele-was-to-bring-a-new-life-into-it-to-mix-my-identity-into-the-actual-guitar}}</ref> From 1969 on the [[mahogany]] "Number 1" Les Paul has been Page's main guitar.<ref>{{Citation| last1 = Gibson| last2 = Page| first2 = Jimmy| title = "Number One" Les Paul Standard| access-date = 2024-08-15| date = 1959| url = https://www.metmuseum.org/art/collection/search/752453}}</ref> |
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During this early period Led Zeppelin made several tours of the United States. They played often, initially in clubs and [[ballroom]]s, then in larger [[auditorium]]s as their popularity grew. [[Led Zeppelin concerts]] could last more than three hours, with expanded, [[Improvisation#Musical improvisation|improvised]] live versions of their song repertoire often incorporating elements of [[James Brown]], [[Stax Records|Stax]] and [[Motown]]-influenced [[soul music]] and [[funk]] (favourites of bassist Jones and drummer Bonham). The quartet also loved American [[rock and roll]], being inspired by the exuberant styles of [[Fats Domino]] and [[Little Richard]]. Led Zeppelin would additionally perform [[rockabilly]] songs originally made famous by [[Elvis Presley]] and [[Eddie Cochran]]. Many of these shows were preserved as [[Led Zeppelin bootleg recordings]]. |
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=== "The Biggest Band in the World": 1970–1975 === |
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====''Led Zeppelin III''==== |
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During the 1970s, Led Zeppelin reached new heights of commercial and critical success that made them one of the most influential groups of the era, eclipsing their earlier achievements.{{sfn|Waksman|2001|p=238}}{{sfn|Wall|2008}} The band's image also changed as the members began to wear elaborate, flamboyant clothing, with Page taking the lead on the flamboyant appearance by wearing a glittering moon-and-stars outfit. Led Zeppelin changed their show by using things such as lasers, professional light shows and mirror balls.{{sfn|Wall|2008|pp=281}} They began travelling in a private jet airliner, a [[Boeing 720]] (nicknamed ''[[the Starship]]''), rented out entire sections of hotels (including the [[Andaz West Hollywood|Continental Hyatt House]] in Los Angeles, known colloquially as the "Riot House"), and became the subject of frequently repeated stories of debauchery. One involved John Bonham riding a motorcycle through a rented floor of the Riot House,{{sfn|Wall|2008a}} while another involved the destruction of a room in the Tokyo [[Hilton Hotels & Resorts|Hilton]], leading to the group being banned from that establishment for life.{{sfn|Williamson|2005|p=68}} Although Led Zeppelin developed a reputation for trashing their hotel suites and throwing television sets out of the windows, some suggest that these tales have been exaggerated. According to music journalist [[Chris Welch]], "[Led Zeppelin's] travels spawned many stories, but it was a myth that [they] were constantly engaged in acts of wanton destruction and lewd behaviour".{{sfn|Welch|1994|p=47}} |
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[[Image:Groove.JPG|thumb|right|300px|Led Zeppelin performing live at the [[Royal Albert Hall]] in 1970]] |
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[[File:Zoso.svg|thumb|Led Zeppelin's Four Symbols]] |
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For the composition of their third album, ''[[Led Zeppelin III]]'', Jimmy Page and Robert Plant retired to [[Bron-Yr-Aur]], a remote cottage in [[Wales]]. This would result in a more acoustic sound than previously exhibited by the group (and a song, "Bron-Yr-Aur Stomp", misspelled as "[[Bron-Y-Aur Stomp]]" on the album cover, which was a complete remake of [[Bert Jansch]]'s song "The Waggoners Lad"). Strongly influenced by [[folk music|folk]] and [[Celtic music]], the album revealed a different side of the band's versatility, especially on "[[That's The Way]]" and "[[Tangerine (Led Zeppelin song)|Tangerine]]". Another of the folk influenced songs on ''Led Zeppelin III'' is "[[Gallows Pole]]", which is a re-make of [[Lead Belly]]'s song "Gallis Pole"; itself an imported version of the British folk song "[[The Prickle Holly Bush]]". |
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Led Zeppelin released their [[Led Zeppelin IV|fourth album]] on 8 November 1971. It is variously referred to as ''Led Zeppelin IV'', ''Untitled'', ''IV'', or, due to the four symbols appearing on the record label, as ''Four Symbols'', ''Zoso'' or ''Runes''.{{sfn|Davis|2005|p=25}} The band had wanted to release the fourth album with no title or information, in response to the music press "going on about Zeppelin being a hype", but the record company wanted something on the cover, so in discussions, it was agreed to have four symbols to represent both the four members of the band and that it was the fourth album.{{sfn|Wall|2008|p=269–270}} With 37 million copies sold, ''Led Zeppelin IV'' is one of the [[List of best-selling albums|best-selling albums]] in history, and its massive popularity cemented Led Zeppelin's status as superstars in the 1970s.{{sfn|Bukszpan|2003|p=128}}{{sfn|Brown|2001|p=480}} By 2021, it had sold 24 million copies in the United States alone.<ref>{{Cite web |url=https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Led+Zeppelin&ti=Led+Zeppelin+iv&lab=&genre=&format=&date_option=release&from=&to=&award=&type=&category=&adv=SEARCH#search_section |title=Gold & Platinum – RIAA<!-- Bot generated title --> |website=[[Recording Industry Association of America]] |access-date=10 November 2021 |archive-date=10 November 2021 |archive-url=https://web.archive.org/web/20211110211204/https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Led+Zeppelin&ti=Led+Zeppelin+iv&lab=&genre=&format=&date_option=release&from=&to=&award=&type=&category=&adv=SEARCH#search_section |url-status=live }}</ref> The track "[[Stairway to Heaven]]", never released as a single, was the most requested and most played song on American rock radio in the 1970s.<ref>{{cite magazine |author=<!--Staff writer(s); no by-line.--> |title=Monitor |magazine=Broadcasting |location=Washington, DC |publisher=Broadcasting Publications Inc. |date=12 November 1979 }}</ref> The group followed up the album's release with [[Led Zeppelin United Kingdom Tour Winter 1971|tours of the UK]], [[Led Zeppelin Australasian Tour 1972|Australasia]], [[Led Zeppelin North American Tour 1972|North America]], [[Led Zeppelin Japanese Tour 1972|Japan]], and [[Led Zeppelin United Kingdom Tour 1972–1973|the UK again]] from late 1971 through early 1973. |
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[[File:Led Zeppelin acoustic 1973.jpg|thumb|Plant and Page perform acoustically in [[Hamburg]] in March 1973, just before the release of the band's fifth album, ''[[Houses of the Holy]]''.|alt=A black and white photograph of Robert Plant with a tambourine and Jimmy Page with an acoustic guitar seated and performing.]] |
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Led Zeppelin's next album, ''[[Houses of the Holy]]'', was released in March 1973. It featured further experimentation by the band, who expanded their use of synthesisers and [[mellotron]] orchestration. The predominantly orange album cover, designed by the London-based design group [[Hipgnosis]], depicts images of nude children climbing the [[Giant's Causeway]] in Northern Ireland. Although the children are not shown from the front, the cover was controversial at the time of the album's release. As with the band's fourth album, neither their name nor the album title was printed on the sleeve.{{sfn|Wall|2008|pp=290–291}} |
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The album's rich acoustic sound initially received mixed reactions, with many critics and fans surprised at the turn taken by the band away from the primarily electric compositions of the first two albums. Over time, however, its reputation has recovered and ''Led Zeppelin III'' is now generally praised.<ref>{{cite web|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:2z3tk6sx9krj|title=Led Zeppelin III|}}</ref> |
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In addition to its acoustic songs, ''Led Zeppelin III'' included the blues rock song "[[Since I've Been Loving You]]" and the drum-driven "[[Out on the Tiles]]". The album's opening track, "[[Immigrant Song]]", also served as a reminder of the violent musical tone Led Zeppelin was capable of generating, with Plant's lyrics invoking a tale of [[Viking]] conquests and [[Norse mythology]]. |
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''Houses of the Holy'' topped charts worldwide,{{sfn|Wall|2008|p=294}} and the band's subsequent [[Led Zeppelin North American Tour 1973|concert tour of North America in 1973]] broke records for attendance, as they consistently filled large auditoriums and stadiums. At [[Tampa Stadium]] in Florida, they played to 56,800 fans, breaking the record set by [[The Beatles' 1965 US tour|the Beatles' 1965 Shea Stadium concert]] and grossing $309,000.{{sfn|Davis|1985|p=194}} Three sold-out shows at [[Madison Square Garden]] in New York City were filmed for a motion picture, but the theatrical release of this project (''[[The Song Remains the Same (film)|The Song Remains the Same]]'') was delayed until 1976. Before the final night's performance, $180,000 (${{formatnum:{{Inflation|US|180000|1973|r=-3}}}} today) of the band's money from gate receipts was stolen from a safe deposit box at the [[Drake Hotel (New York City)|Drake Hotel]].{{sfn|Yorke|1993|pp=186–187}} |
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''Led Zeppelin III'' has a unique [[album cover]], as it features a wheel which, when rotated, displayed various images through cutouts in the main jacket sleeve. In November of 1970, Atlantic Records released "Immigrant Song" as a [[Single (music)|single]] against the band's wishes (Atlantic had earlier released an edited version of "Whole Lotta Love" which cut the 5:34 song to 3:10, removing the abstract middle movement). It included their only non-album [[b-side]], "[[Hey Hey What Can I Do]]". Even though the band saw their albums as indivisible and statements about the band at the particular time — and their manager, [[Peter Grant (music manager)|Peter Grant]], maintained an aggressive pro-album stance — nine other singles were released. The group also resisted [[television]] appearances. |
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[[File:LedZeppelinChicago75 2.jpg|thumb|left|Led Zeppelin perform at [[Chicago Stadium]] in January 1975, a few weeks before the release of ''[[Physical Graffiti]]''.|alt=A colour photograph of the four members of Led Zeppelin performing onstage, with some other figures visible in the background.]] |
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In 1974, Led Zeppelin took a break from touring and launched their own record label, [[Swan Song Records|Swan Song]], named after an unreleased song. The record label's logo is based on a drawing called ''Evening: Fall of Day'' (1869) by [[William Rimmer]]. The drawing features a figure of a winged human-like being interpreted as either [[Apollo]] or [[Icarus]].<ref>{{Cite web |last=<!--Not stated--> |title=William Rimmer Evening (The Fall of Day) |url=http://www.mfashop.org/wiriitfaofda.html |url-status=dead |archive-url=https://web.archive.org/web/20190926230017/http://www.mfashop.org/wiriitfaofda.html |archive-date=26 September 2019 |access-date=26 September 2019 |website=www.mfashop.org |publisher=Museum of Fine Arts, Boston}}</ref><ref>{{Cite web |last=<!--Not stated--> |title=A History of the Led Zeppelin Icarus Logo |url=http://www.band-shirt.com/2013/03/09/history-of-the-led-zeppelin-icarus-logo/ |url-status=live |archive-url=https://web.archive.org/web/20190926224856/http://www.band-shirt.com/2013/03/09/history-of-the-led-zeppelin-icarus-logo/ |archive-date=26 September 2019 |access-date=26 September 2019 |website=www.band-shirt.com}}</ref>{{sfn|Williamson|2007|p=107}} The logo can be found on Led Zeppelin memorabilia, especially T-shirts. In addition to using Swan Song as a vehicle to promote their own albums, the band expanded the label's roster, signing artists such as [[Bad Company]], [[the Pretty Things]] and [[Maggie Bell]].{{sfn|Yorke|1993|p=191}} The label was successful while Led Zeppelin existed, but folded less than three years after they disbanded.{{sfn|Davis|1985|p=312}} |
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==="The biggest band in the world" (1971–1975)=== |
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The success of Led Zeppelin's early years would be dwarfed by this five year period in which the band would release their best selling albums and ascend to musical success in the 1970s. The band's image also changed as members began to wear elaborate, colorful clothing and [[jewelery]] similar to other popular performers of the era. If the band's popularity on stage was impressive, so too was its reputation for off-stage wildness and excess. Led Zeppelin began traveling in a private [[jet airliner]] (nicknamed ''[[The Starship]]''<ref name="Achilles Last Stand">[http://www.led-zeppelin.org/reference/index.php?m=starship Led Zeppelin.org]</ref> |
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), rented out entire sections of hotels (most notably the [[Continental Hyatt House]] in [[Los Angeles]], known colloquially as the "Riot House"), and became the subject of many of rock's most famous stories of debauchery. One escapade involved John Bonham throwing [[television]]s out of the windows of the Riot House during a drunken rampage and then blaming the damage on Led Zeppelin [[groupies]]. Another example of Led Zeppelin excess was the infamous [[shark episode]], or red snapper incident, which took place at the Edgewater Inn in [[Seattle, Washington|Seattle]], [[Washington]], on [[July 28]], [[1969]].<ref name="Hammer of the Gods"> {{cite book | title=Hammer of the Gods (LPC) | year=1995 | author=Stephen Davis | pages= 103}}</ref> |
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In 1975, Led Zeppelin's double album ''[[Physical Graffiti]]'' was their first release on the Swan Song label. It consisted of fifteen songs, of which eight had been recorded at [[Headley Grange]] in 1974 and seven had been recorded earlier. A review in ''Rolling Stone'' magazine referred to ''Physical Graffiti'' as Led Zeppelin's "bid for artistic respectability", adding that the only bands Led Zeppelin had to compete with for the title "The World's Best Rock Band" were [[the Rolling Stones]] and the Who.{{sfn|Miller|1975}} The album was a massive commercial and critical success. Shortly after the release of ''Physical Graffiti'', all previous Led Zeppelin albums simultaneously re-entered the top-200 album chart,{{sfn|Davis|1985|pp=225, 277}} and the band embarked on another [[Led Zeppelin North American Tour 1975|North American tour]],{{sfn|Wall|2008|p=359}} now employing sophisticated sound and lighting systems.{{sfn|Yorke|1993|p=197}} In May 1975, Led Zeppelin played five sold-out nights at the [[Earls Court Arena]] in London, at the time the largest arena in Britain.{{sfn|Wall|2008|p=359}} |
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====The fourth album==== |
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[[Image:Zoso.svg|thumb|250px|The four symbols on [[Led Zeppelin IV]]'s cover, representing Jimmy Page, John Paul Jones, John Bonham, and Robert Plant (from left to right) respectively. The symbols have origins in [[mysticism]]]] |
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Led Zeppelin's [[Led Zeppelin IV|fourth album]] was released on [[November 8]], [[1971]]. There was no indication of a title nor band name on the original cover, but on the LP label four symbols were printed - [[Image:Zoso.svg|50px]]. The reason for this was the band's disdain for the media which labeled them as hyped, so they put out the album with no indication of who they were to prove that the music could sell itself. The album is variously referred to as ''Four Symbols'' and ''The Fourth Album'' (both titles were used in the [[Atlantic Records]] catalogue), and also ''Untitled'', ''Zoso'', ''Runes'', ''Sticks'', ''Man With Sticks'', and ''Four''. It is still officially untitled, and most commonly referred to as ''[[Led Zeppelin IV]]''. In an interview with ''Rolling Stone'' magazine in 2005, Plant said that it is simply called ''The Fourth Album''. <ref name="Rolling Stone">[http://www.rollingstone.com/news/story/7287549/qa_robert_plant/ Rolling Stone Magazine; Q&A with Robert Plant, May 05, 2005]</ref> |
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=== Hiatus from touring and return: 1975–1977 === |
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[[Image:Zoso.svg|50px]] further refined the band's unique formula of combining earthy, acoustic elements with heavy metal and blues emphases. The album included examples of hard rock, such as "[[Black Dog (song)|Black Dog]]" (the title supposedly a tribute to a dog which loitered around the recording studio during the sessions) and an acoustic track, "[[Going to California]]" (a tribute to [[Joni Mitchell]]). "[[Four Sticks]]" showcased Bonham's unique drumming (Bonham used two drumsticks in each hand, for a total of four drumsticks). "[[The Battle of Evermore]]" is the only Led Zeppelin song to feature a guest vocalist, [[Sandy Denny]].<ref name="Songfacts">[http://www.songfacts.com/detail.php?id=332 Song Facts]</ref> On the inside cover of the album, next to the "Battle of Evermore" song title, there is another symbol of three interlocked triangles. This is Sandy Denny's own symbol given to her by the band. This song and "[[Misty Mountain Hop]]" include lyrical references to ''[[The Lord of the Rings]]'' (director [[Ralph Bakshi]] had wanted to use music from Led Zeppelin in his [[The Lord of the Rings (1978 film)|1978 animated film adaptation]] of the book, but was unable to get the rights<ref name="Bakshi">Ralph Bakshi, as quoted on [http://www.ralphbakshi.com/forum/viewtopic.php?p=10816#10816 the official Bakshi forum]</ref>). However, it was three of the album's tracks, "[[Rock and Roll (Led Zeppelin song)|Rock and Roll]]", "[[When the Levee Breaks]]", and "[[Stairway to Heaven]]", which have come to be known as three of the band's most famous songs. |
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[[File:Jimmy Page with Robert Plant 2 - Led Zeppelin - 1977.jpg|thumb|Plant and Page performing in [[Chicago Stadium]] in Chicago on 10 April 1977, during Led Zeppelin's last North American tour|alt=A colour photograph of Robert Plant with microphone and Jimmy Page with a double necked guitar performing on stage.]] |
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Following their triumphant [[Earls Court 1975|Earls Court appearances]], Led Zeppelin took a holiday and planned an autumn tour in America, scheduled to open with two outdoor dates in San Francisco.{{sfn|Lewis|2003|p=35}} In August 1975, however, Plant and his wife Maureen were involved in a serious car crash while on holiday in [[Rhodes]], Greece. Plant suffered a broken ankle and Maureen was badly injured; a blood transfusion saved her life.{{sfn|Davis|1985|pp=354–355}} Unable to tour, he headed to the [[Channel Islands|Channel Island]] of [[Jersey]] to spend August and September recuperating, with Bonham and Page in tow. The band then reconvened in [[Malibu, California]]. During this forced hiatus, much of the material for their next album, ''[[Presence (album)|Presence]]'', was written.{{sfn|Wall|2008|p=364}} |
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"Rock and Roll" is a tribute to the early rock music of the [[1950s]] but with a [[heavy metal]] twist, featuring John Bonham's classic [[drum]] introduction and Jimmy Page's driving 12 bar riff. Recently ([[as of 2006]]), the song has been used prominently in [[Cadillac]] [[automobile]] commercials--one of the few instances of Led Zeppelin's surviving members licensing songs. <ref name="about">[http://advertising.about.com/b/a/256540.htm Rock and Roll Dropped from Cadillac advert]</ref> |
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By this time, Led Zeppelin were the world's number one rock attraction,{{sfn|Lewis|2003|p=45}} having outsold most bands of the time, including the Rolling Stones.{{sfn|Davis|1985|p=173}} ''Presence'', released in March 1976, marked a change in the Led Zeppelin sound towards more straightforward, guitar-based jams, departing from the acoustic ballads and intricate arrangements featured on their previous albums. Though it was a [[Music recording sales certification|platinum]] seller, ''Presence'' received a mixed reaction among fans and the music press, with some critics suggesting that the band's excesses may have caught up with them.{{sfn|Erlewine|2011a}}{{sfn|Davis|1976}} Page had begun using heroin during recording sessions for the album, a habit which may have affected the band's later live shows and studio recordings, although he has since denied this.{{sfn|Wall|2008|p=364}} |
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[[Image:Zoso.svg|50px]] concludes with an altered version of a [[Memphis Minnie]]/[[Kansas Joe McCoy]] blues song, "[[When the Levee Breaks]]". Led Zeppelin's version opens with a drum beat, which has been [[Sampling (music)|sample]]d for use in many modern rock and [[Rap music|rap]] releases.<ref name="Artofthemix">[http://www.artofthemix.org/findamix/Getcontents.asp?strMixId=96744 Artofmix.com]</ref> The distinct resonance of the drums in the song was achieved by recording them in a stairwell at [[Headley Grange]], a former [[poorhouse]] in [[Headley, East Hampshire|Headley]], [[East Hampshire]]. |
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[[File:Silverdome 2.jpg|thumb|left|The Pontiac [[Silverdome]], Michigan, where the band set a record for the largest solo indoor attraction in 1977 with an attendance of 76,229|alt=a colour photograph of a large domed stadium]] |
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[[Image:stairway73.JPG|thumb|left|350px|Led Zeppelin performing "Stairway To Heaven" in 1973 at Madison Square Garden]] |
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Folk and metal are fused together in the eight-minute, [[suite]]-like "[[Stairway to Heaven]]", which became a massive [[album-oriented rock]] [[FM broadcasting|FM radio]] hit despite never being released as a [[single (music)|single]]. Stairway has been controversial due to unsubstantiated but repeated claims of "[[Satanism|satanic]]" [[backmasking|backmasked]] messages. The song features three distinct movements: a slow acoustic introduction, a more up-tempo [[Acoustic music|acoustic]] middle section, and an electric finale marked by an iconic guitar solo. In [[2005]], the magazine ''[[Guitar World]]'' held a poll of readers in which "Stairway to Heaven" was voted as having the greatest [[guitar]] solo of all time.<ref name="About Guitar">[http://guitar.about.com/library/bl100greatest.htm About Guitar, 100 Greatest Guitar Solos, accessed September 10, 2006]</ref> As of [[July 31]], [[2006]], [[Image:Zoso.svg|50px]] has sold 23 million copies in the US, making it one of the top four best selling albums in the history of the US music industry.<ref name="RIAA">[http://www.riaa.com/gp/bestsellers/topalbums.asp RIAA best selling Albums]</ref> Worldwide, it ranks at number eleven in album sales.<ref name="Mjni">[http://www.mjni.com/news/details.aspx?ArticleNo=508 Mjni]</ref> |
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Because of Plant's injuries, Led Zeppelin did not tour in 1976. Instead, the band completed the concert film ''[[The Song Remains the Same (film)|The Song Remains the Same]]'' and the accompanying [[The Song Remains the Same (album)|soundtrack album]]. The film premiered in New York City on 20 October 1976, but was given a lukewarm reception by critics and fans.{{sfn|Erlewine|2011a}} The film was particularly unsuccessful in the UK, where, unwilling to tour since 1975 because of their [[tax exile]] status, Led Zeppelin faced an uphill battle to recapture the public's affection.{{sfn|Shadwick|2005|p=320}} |
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====''Houses of the Holy''==== |
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1973's ''[[Houses of the Holy]]'', featured further experimentation, with longer tracks and expanded use of [[synthesizer|synthesisers]] and [[mellotron]] orchestration. In particular, the multi-layered guitars in "[[The Song Remains the Same (song)|The Song Remains the Same]]", the [[keyboards]] in "[[No Quarter (song)|No Quarter]]", and the string arrangements in "[[The Rain Song]]" demonstrate a change in style from [[Image:Zoso.svg|50px]]. The album also included the ballad "[[Over the Hills and Far Away (song)|Over the Hills and Far Away]]", and "[[The Ocean (song)|The Ocean]]", written largely by John Bonham. The song "[[Houses of the Holy (song)|Houses of the Holy]]" does not appear on its namesake album, even though it was recorded at the same time as other songs on the album; it eventually made its way onto the 1975 album ''[[Physical Graffiti]]''. <ref name="Hammer of the Gods"> </ref>. |
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In 1977, Led Zeppelin embarked on another major [[Led Zeppelin North American Tour 1977|concert tour of North America]]. The band set another attendance record, with an audience of 76,229 at their [[Silverdome]] concert on 30 April.{{sfn|Yorke|1993|p=229}} It was, according to the ''[[Guinness World Records|Guinness Book of Records]]'', the largest attendance to that date for a single act show.{{sfn|Lewis|2003|p=49}} Although the tour was financially profitable, it was beset by off-stage problems. On 19 April, over 70 people were arrested as about 1,000 fans tried to gatecrash Cincinnati Riverfront Coliseum for two sold-out concerts, while others tried to gain entry by throwing rocks and bottles through glass doors.{{sfn|Wall|2008|p=392}} On 3 June, a concert at Tampa Stadium was cut short because of a severe thunderstorm, despite tickets indicating "Rain or Shine". A riot broke out, resulting in arrests and injuries.<ref>{{Cite web |title=Concert Timeline: June 3, 1977 |url=http://ledzeppelin.com/show/june-3-1977 |url-status=live |archive-url=https://web.archive.org/web/20110407234121/http://www.ledzeppelin.com/show/june-3-1977 |archive-date=7 April 2011 |access-date=5 September 2010 |website=Led Zeppelin.com|date=22 September 2007 }}</ref> |
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The striking orange album cover of "Houses of the Holy" features images of nude children<ref>Manning, Toby. "Broad Church", [[Q (magazine)|Q]] Led Zeppelin Special Edition, [[2003]].</ref> climbing up the [[Giant's Causeway]] (in [[County Antrim]], [[Northern Ireland]]) to an unseen idol. |
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After 23 July show at the [[Day on the Green]] festival at the [[Oakland Coliseum]] in [[Oakland, California]], Bonham and members of Led Zeppelin's support staff were arrested after a member of promoter [[Bill Graham (promoter)|Bill Graham]]'s staff was badly beaten during the band's performance.{{sfn|Davis|1985|p=277}}{{sfn|Yorke|1993|p=210}} The following day's second Oakland concert was the group's final live appearance in the United States. Two days later, as they checked in at a [[French Quarter]] hotel for their 30 July performance at the [[Louisiana Superdome]], Plant received news that his five-year-old son, Karac, had died from a stomach virus. The rest of the tour was immediately cancelled, prompting widespread speculation about Led Zeppelin's future.{{sfn|Erlewine|2011a}}{{sfn|Welch|1994|p=85}} |
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[[Image:LedZepLive.JPG|thumb|left|350px|Led Zeppelin performing live at Madison Square Garden on their 1973 ''Houses of the Holy'' tour]] The album topped the charts, and Led Zeppelin's subsequent ''Houses of the Holy'' concert tour of the United States in 1973 broke records for attendance, as they consistently filled large auditoriums and stadiums. At [[Houlihan's Stadium|Tampa Stadium]], [[Florida]], they played to 56,800 fans (breaking the record set by [[The Beatles]] at [[Shea Stadium]] in [[1965]]), and grossed $309,000 <ref name="Hammer of the Gods"> </ref>. Three sold-out shows at [[Madison Square Garden]] in [[New York City|New York]] were filmed for a motion picture, but the theatrical release of this project (''The Song Remains the Same'') would be delayed until 1976. |
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{{Clear}} |
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=== Bonham's death and breakup: 1978–1980 === |
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In [[1974]], Led Zeppelin launched their own record label, [[Swan Song Records|Swan Song]], named after one of only five Led Zeppelin songs which the band never released commercially (Page later re-worked the song with his band, [[The Firm (band)|The Firm]], and it appears as "Midnight Moonlight" on their first album). The record label's logo, based on a drawing called ''Evening: Fall of Day'' (1869) by [[William Rimmer]], features a picture of [[Apollo]] (although it is often misinterpreted as a picture of [[Icarus (mythology)|Icarus]], [[Daedelus]], [[Satan]], or [[Lucifer]]). The logo can be found on much Led Zeppelin memorabilia, especially t-shirts. In addition to using Swan Song as a vehicle to promote their own albums, the band expanded the label's roster, signing artists such as [[Bad Company]], [[Pretty Things]], [[Maggie Bell]], Detective, [[Dave Edmunds]], Midnight Flyer, [[Sad Café (band)|Sad Café]] and Wildlife.<ref>[http://www.vh1.com/artists/az/led_zeppelin/bio.jhtml VH1 Biography]</ref> The label would be successful while Led Zeppelin existed, but folded less than three years after they disbanded. |
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[[File:John Bonham 1975.jpg|thumb|upright|After the death of Bonham (pictured in July 1973) on 25 September 1980, the remaining members of Led Zeppelin decided to disband the group.|alt=A black and white photograph of John Bonham playing drums]] |
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In November 1978, the group recorded at [[Polar Studios]] in Stockholm, Sweden. The resulting album, ''[[In Through the Out Door]]'', featured sonic experimentation that again drew mixed reactions from critics.{{sfn|Wall|2008|p=424}} Nevertheless, the album reached number one in the UK and the US in just its second week of release. With this album's release, Led Zeppelin's entire catalogue returned to the ''Billboard'' Top 200 in the weeks of 27 October and 3 November 1979.{{sfn|Lewis|2003|p=80}} |
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====''Physical Graffiti''==== |
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[[Image:Plant1975.jpg|thumb|200px|[[Robert Plant]] performing live with Led Zeppelin in 1975 at Earls Court Exhibition Centre.]] |
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[[February 24]], [[1975]] saw the release of Led Zeppelin's first double-album, ''[[Physical Graffiti]]'', which was the first release on the [[Swan Song Records]] label. It consisted of fifteen songs, eight of which were recorded at [[Headley Grange]] in [[1974]], and the remainder being tracks recorded years previously but not released on earlier albums. As a result, the album is musically varied, ranging from the short, acoustic melody of "[[Bron-Yr-Aur (song)|Bron-Yr-Aur]]", to the hard rock of "[[Sick Again]]", to the slide guitar exposition "[[In My Time of Dying]]". By contrast, the lengthy "[[Trampled Under Foot]]" had heavy input from John Paul Jones on the keyboard. Perhaps most notably, the album also included [[India#Culture|Indian]]/[[Arab|Arabic]] influenced "[[Kashmir (song)|Kashmir]]", a song inspired by Robert Plant's travels in [[Morocco]]. |
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In August 1979, after two warm-up shows in [[Copenhagen]], Led Zeppelin headlined [[Knebworth Festival 1979|two concerts]] at the [[Concerts at Knebworth House|Knebworth Music Festival]], playing to a crowd of approximately 104,000 on the first night.{{sfn|Wall|2008|p=425}} A brief, low-key [[Tour Over Europe 1980|European tour]] was undertaken in June and July 1980, featuring a stripped-down set without the usual lengthy jams and solos. On 27 June, at a show in [[Nuremberg]], West Germany, the concert came to an abrupt halt in the middle of the third song, when Bonham collapsed onstage and was rushed to hospital.{{sfn|Wall|2008|pp=431–432}} Speculation in the press suggested that his collapse had been the result of excessive alcohol and drug use, but the band claimed that he had simply overeaten.{{sfn|Davis|1985|p=300}} |
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A review in ''Rolling Stone'' magazine referred to ''Physical Graffiti'' as Led Zeppelin's "bid for artistic respectability", adding that the only competition the band had for the title of 'World's Best Rock Band' were [[The Rolling Stones]] and [[The Who]].<ref name="Rolling Stone Magazine 2"> [http://www.rollingstone.com/artists/ledzeppelin/albums/album/158693/review/5944206/physical_graffiti; Rolling Stone Review, Mar, 27 1975]</ref> The album was a massive fiscal and critical success. Shortly after the release of ''Physical Graffiti'', all previous Led Zeppelin albums simultaneously re-entered the top-200 album chart,<ref name="Hammer of the Gods"> {{cite book | title=Hammer of the Gods (LPC) | year=1995 | author=Stephen Davis | pages=225, 277 ISBN 033043859 {{Please check ISBN|033043859 (too short)}}}}</ref> and the band embarked on another U.S. tour, again playing to record-breaking crowds.[[image:Page.jpg|left|thumb|250px|Jimmy Page performing live with Led Zeppelin at Earls Court Exhibition Centre in 1975]] In May 1975, Led Zeppelin played five highly successful, sold-out nights at the [[Earls Court Exhibition Centre]] in [[London]] (footage from these concerts was released in 2003, on the ''Led Zeppelin DVD''). This series of concerts could be considered as some of the best of the band's career.<ref>Lewis, Dave and Pallett, Simon (1997) ''Led Zeppelin: The Concert File'', London: Omnibus Press. ISBN 0-7119-5307-4, p. 111.</ref> |
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[[Led Zeppelin – The 1980s, Part One|A North American tour]], the band's first since 1977, was scheduled to commence on 17 October 1980. On 24 September, Bonham was picked up by Led Zeppelin assistant Rex King to attend rehearsals at [[Bray Studios (UK)|Bray Studios]].{{sfn|Welch|1994|p=92}} During the journey, Bonham asked to stop for breakfast, where he downed four quadruple vodkas (from {{convert|16|to|24|usoz|abbr=on}}), with a ham roll. After taking a bite of the ham roll he said to his assistant, "breakfast". He continued to drink heavily after arriving at the studio. The rehearsals were halted late that evening and the band retired to Page's house—the Old Mill House in [[Clewer]], [[Windsor, Berkshire|Windsor]]. |
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===The latter days (1976-1980)=== |
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By [[1976]], Led Zeppelin was a household name in both [[North America]] and [[Europe]], perennially topping the charts on both continents. Their live shows would increase even further in theatricality, featuring larger stage areas and complex lights shows. While there were still massive musical and commercial successes for the band during this period, problems such as the [[1977]] death of Robert Plant's son, Jimmy Page's [[heroin]] use <ref> About.com/Experts [http://experts.about.com/q/Led-Zeppelin-501/led-zeppelin-1.htm]</ref>, changing musical tastes, and John Bonham's 1980 death would finally bring an end to Led Zeppelin. |
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After midnight, Bonham, who had fallen asleep, was taken to bed and placed on his side. At 1:45 pm the next day, Benji LeFevre (Led Zeppelin's new tour manager) and John Paul Jones found Bonham dead. The cause of death was [[asphyxiation]] from vomit; the finding was accidental death.{{sfn|Welch|1994|pp=92–94}}<ref name="srapdisbnds">{{Cite news |date=6 December 1980 |title=Rock group Led Zeppelin disbands |page=24 |work=Spokesman-Review |agency=Associated Press |location=(Spokane, WA, U.S.) |url=https://news.google.com/newspapers?id=McopAAAAIBAJ&pg=7157%2C2314905 |url-status=live |access-date=26 October 2020 |archive-url=https://web.archive.org/web/20201210090253/https://news.google.com/newspapers?id=McopAAAAIBAJ&pg=7157,2314905 |archive-date=10 December 2020}}</ref> An [[autopsy]] found no other recreational drugs in Bonham's body. Although he had recently begun to take Motival (a cocktail of the [[antipsychotic]] [[fluphenazine]] and the [[tricyclic antidepressant]] [[nortriptyline]]) to combat his anxiety, it is unclear if these substances interacted with the alcohol in his system.{{sfn|Gilmore|2006}}<ref>{{Cite web |title=John Bonham Biography |url=http://home.att.net/~chuckayoub/john_bonham_biography.htm |url-status=dead |archive-url=https://web.archive.org/web/20100316013818/http://home.att.net/~chuckayoub/john_bonham_biography.htm |archive-date=16 March 2010 |website=home.att.net/~chuckayoub}}</ref> Bonham's remains were cremated and his ashes interred on 12 October 1980, at [[Rushock]] parish church, [[Worcestershire]]. |
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====''Presence''==== |
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[[Image:1977-04-30 Pontiac ALS.jpg|thumb|200px|Led Zeppelin performing "Achilles Last Stand" at the [[Pontiac Silverdome]] on the 1977 US tour.]] |
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Following their triumphant [[Earls Court]] appearances, Led Zeppelin took an unplanned break from touring. In August 1975, Robert Plant and his wife Maureen were involved in a serious car crash whilst on holiday in [[Rhodes]], [[Greece]]. Robert suffered a broken ankle and Maureen was very badly injured; a [[blood transfusion]] saved her life.<ref name="Hammer of the Gods"> </ref>. Unable to tour, Led Zeppelin returned to the studio and recorded their seventh studio album, ''[[Presence]]'', in [[Munich]], [[Germany]]. Released in March 1976, the album marked a change in the Led Zeppelin sound towards more straightforward, guitar-based jams. Whereas their previous albums contain electric hard rock anthems balanced with acoustic ballads and intricate arrangements, ''Presence'' is an almost wholly aggressive album that dabbles in simplified punk-like riffs, and is arguably the heaviest collection of songs the group produced. The album's magnum opus, "[[Achilles Last Stand]]", is a ten-and-a-half minute epic featuring a galloping bass line, lightning fast drumming, melodic multi-layered guitar riffs and one of Page's most revered solos, along with a haunting vocal performance from Plant delivered entirely in his wheelchair while recovering from his car accident. This and another track, "[[Nobody's Fault But Mine]]" (a tune first recorded by [[Blind Willie Johnson]] in the [[Timeline of trends in music (1920-1929)|1920s]]), became staples of the live concert performances which Led Zeppelin delivered after 1976. |
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The planned North American tour was cancelled, and despite rumours that [[Cozy Powell]], [[Carmine Appice]], [[Barriemore Barlow]], [[Simon Kirke]], [[Ric Lee]] or [[Bev Bevan]] would join the group as his replacement, the remaining members decided to disband. A 4 December 1980 press statement stated that, "We wish it to be known that the loss of our dear friend, and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."<ref name="srapdisbnds" /> The statement was signed simply "Led Zeppelin".{{sfn|Welch|1994|pp=94–95}} |
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Though the album was a [[Music recording sales certification|platinum]] seller, it received mixed responses from critics and fans. While many appreciated the looser style, others dismissed it as "sloppy", and some critics speculated that the band members' legendary excesses might have finally caught up with them, resulting in a sub-standard album release.<ref> Rolling Stone Magazine [http://www.rollingstone.com/artists/ledzeppelin/albums/album/224305/review/5945483/presence] Rolling Stone Magazine Review, Published May, 20 1976]</ref> The recording of ''Presence'' coincided with the beginning of Page's [[heroin]] use, which may have interfered with Led Zeppelin's later live shows and studio recordings, although Page has denied this. <ref name="Rock's BackPages">[http://www.rocksbackpages.com/article.html?ArticleID=7687 Rock's Backpages review, Published April, 10 1976]</ref> |
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=== Post-breakup === |
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Despite the original criticisms, Jimmy Page has called ''Presence'' his favorite album, and "Achilles Last Stand" his favorite Led Zeppelin song. Robert Plant has also stated that he thinks ''Presence'' is the album that probably sounds the most "Led Zeppelin" of all their LPs.<ref>From interview in Swedish TV program "Musikbyrån" around the time of Led Zeppelin receiving the [[Polar Music Prize]].</ref> |
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==== 1980s ==== |
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[[File:Jimmy Page 1983.jpg|thumb|upright|left|Page performs at the [[Cow Palace]] in [[Daly City, California]] in 1983.|alt=A colour photograph of Jimmy Page performing on stage with a double-necked guitar]] |
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Following Led Zeppelin's dissolution, the first significant musical project by one of its members was [[the Honeydrippers]], which Plant initially formed in 1981. The group, featuring Page on lead guitar, along with studio musicians and friends of the pair, including Jeff Beck, [[Paul Shaffer]], and [[Nile Rodgers]], released its only album in 1984. Plant focused on a different direction from Zeppelin, playing [[Standard (music)|standards]] and in a more [[Rhythm and blues|R&B]] style, highlighted by a cover of "[[Sea of Love (Phil Phillips song)|Sea of Love]]" that peaked at number three on the [[Billboard charts|''Billboard'' chart]] in early 1985.{{sfn|Huey|2011}} |
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====The concert film (''The Song Remains The Same'')==== |
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[[Image:TSRTS.jpg|thumb|left|500px|The original 1976 movie poster for ''The Song Remains the Same'']]Robert Plant's injuries prevented Led Zeppelin from touring in 1976. Instead, the band finally completed the concert film ''[[The Song Remains the Same (film)|The Song Remains The Same]]'', and [[The Song Remains the Same (album)|the soundtrack album of the film]]. It would be the only official live document of the group available until the release of the ''[[Led Zeppelin BBC Sessions|BBC Sessions]]'' in 1997. The recording had taken place during three nights of concerts at Madison Square Garden in 1973, during the ''Houses of the Holy'' concert tour. Each member of the band filmed a unique "fantasy sequence" to be shown during a particular song: Plant's sequence involved rescuing a [[damsel in distress]] (during "[[The Song Remains The Same]]" and "[[The Rain Song]]"), Page's depicts a moonlight ritual of some sort (during "[[Dazed and Confused (song)|Dazed and Confused]]"), Jones's portrays a gigantic [[pipe organ]] (during "[[No Quarter (song)|No Quarter]]"), and Bonham's features fast automobiles (during "[[Moby Dick (song)|Moby Dick]]"). The film premiered in New York on [[October 20]], [[1976]]. |
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The studio album ''[[Coda (Led Zeppelin album)|Coda]]'' – a collection of Zeppelin outtakes and unused tracks – was issued in November 1982. It included two tracks from the [[Royal Albert Hall]] in 1970, one each from the ''Led Zeppelin III'' and ''Houses of the Holy'' sessions, and three from the ''In Through the Out Door'' sessions. It also featured a 1976 Bonham drum instrumental with electronic effects added by Page, called "[[Bonzo's Montreux]]".{{sfn|Yorke|1993|p=267}} |
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In [[1977]], Led Zeppelin embarked on another massive U.S. concert tour, again selling out venues in cities like [[Chicago]], [[Los Angeles, California|Los Angeles]] and [[New York City|New York]]. Though hugely successful musically and financially, the tour was beset with off-stage problems. On June 3, after a concert at [[Tampa Stadium]] was cut short because of a severe [[thunderstorm]], a [[riot]] broke out amongst the audience, resulting in several arrests and injuries. Police ultimately used [[tear gas]] to break up the crowd.[[Image:Plant_TSRTS.JPG|thumb|right|275px|Robert Plant rides to a castle in his fantasy sequence]] |
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[[File:Live Aid at JFK Stadium, Philadelphia, PA.jpg|thumb|right|Page, Plant, and Jones performing at Live Aid in Philadelphia]] |
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After a July 23 show at the "[[Days on the Green]]" festival at [[Oakland-Alameda County Coliseum]] in [[Oakland, California]], John Bonham and members of the band's support staff (including manager Peter Grant and security co-ordinator [[John Bindon]]) were arrested after a member of promoter [[Bill Graham (promoter)|Bill Graham]]'s Oakland concert staff was badly beaten during the performance. A member of the staff had allegedly slapped Grant's son when he was taking down a dressing room sign; when Grant heard about this, he went into the trailer, along with Bindon and John Bonham, and beat the man senseless.<ref name="Hammer of the Gods"> {{cite book | title=Hammer of the Gods (LPC) | year=1995 | author=Stephen Davis | pages= 277}}</ref> |
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On 13 July 1985, Page, Plant, and Jones reunited for the [[Live Aid]] concert at [[John F. Kennedy Stadium|JFK Stadium, Philadelphia]], playing a short set featuring drummers [[Tony Thompson (drummer)|Tony Thompson]] and [[Phil Collins]], and bassist [[Paul Martinez]]. Collins had contributed to Plant's first two solo albums while Martinez was a member of Plant's solo band. The performance was marred by a lack of rehearsal with the two drummers, Page's struggles with an out-of-tune guitar, poorly functioning monitors, and Plant's hoarse voice.{{sfn|Lewis|Pallett|1997|p=139}}{{sfn|Prato|2008}} Page described the performance as "pretty shambolic",<ref>{{Cite news |date=20 November 2007 |title=Jimmy Page says last Led Zeppelin reunion was a disaster |work=The List |url=http://www.list.co.uk/article/5700-jimmy-page-says-last-led-zeppelin-reunion-was-a-disaster/ |url-status=dead |access-date=29 July 2011 |archive-url=https://web.archive.org/web/20140712163557/http://www.list.co.uk/article/5700-jimmy-page-says-last-led-zeppelin-reunion-was-a-disaster/ |archive-date=12 July 2014}}</ref> while Plant characterised it as an "atrocity".{{sfn|Lewis|Pallett|1997|p=139}} |
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Although it was not known at the time, the following day's second Oakland concert would be the band's final live appearance in the U.S. After the concert, news came that Plant's five year old son, Karac, had died from a stomach virus. The rest of the tour was immediately cancelled. |
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The three members reunited again on 14 May 1988, for the [[Atlantic Records 40th Anniversary]] concert, with Bonham's son [[Jason Bonham|Jason]] on drums. The result was again disjointed: Plant and Page had argued immediately prior to taking the stage about whether to play "Stairway to Heaven", and Jones' keyboards were absent from the live television feed.{{sfn|Prato|2008}}{{sfn|Lewis|Pallett|1997|p=140}} Page described the performance as "one big disappointment" and Plant said "the gig was foul".{{sfn|Lewis|Pallett|1997|p=140}} |
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====''In Through the Out Door''==== |
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December [[1978]] saw the group recording again, this time at [[ABBA]]'s [[Polar Studios]] in [[Stockholm]], [[Sweden]]. The resultant album was ''[[In Through the Out Door]]''. Perhaps in response to shifting trends, ''In Through the Out Door'' features a great deal of sonic experimentation, making much use of Jones' keyboards, notably in synthesiser driven sections of the ten-and-one-half minute long "[[Carouselambra]]", and in "[[Fool in the Rain]]". The album reached #1 in the UK and the US (where it became the first album by a rock band to debut at #1 on the [[Billboard]] album chart). Other songs include, "[[In the Evening]]" and "[[All My Love (song)|All My Love]]", Robert Plant's tribute to his late son. |
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[[Image:Zep79.JPG|thumb|right|400px|Led Zeppelin performs to a gigantic crowd at the 1979 Knebworth music festival]] |
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==== 1990s ==== |
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In August [[1979]], after two warm-up shows in Copenhagen, Led Zeppelin headlined at the [[Concerts at Knebworth House|Knebworth music festival]]. It was a massive success, as close to 120,000 fans witnessed the return of Led Zeppelin. |
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[[File:JasonBonham2010b.jpg|thumb|upright|[[Jason Bonham]], who filled his late father's position for reunions in 1988, 1995 and 2007|alt=A colour photograph of Jason Bonham playing drums]] |
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The first [[Led Zeppelin Boxed Set|Led Zeppelin box set]], featuring tracks remastered under Page's supervision, was released in 1990 and bolstered the band's reputation, leading to abortive discussions among members about a reunion.{{sfn|Wall|2008|p=457}} This set included four previously unreleased tracks, including a version of [[Robert Johnson]]'s "[[Travelling Riverside Blues]]".{{sfn|Erlewine|2011c}} The song peaked at number seven on the ''Billboard'' [[Mainstream Rock (chart)|Album Rock Tracks]] chart.<ref>{{Cite magazine |title=Artist Chart History – Led Zeppelin |url=https://www.billboard.com/bbcom/retrieve_chart_history.do?model.chartFormatGroupName=Singles&model.vnuArtistId=5047&model.vnuAlbumId=10333 |url-status=dead |magazine=Billboard |archive-url=https://web.archive.org/web/20090221050358/http://www.billboard.com/bbcom/retrieve_chart_history.do?model.chartFormatGroupName=Singles&model.vnuArtistId=5047&model.vnuAlbumId=10333 |archive-date=21 February 2009}}</ref> ''[[Led Zeppelin Boxed Set 2]]'' was released in 1993; the two box sets together contained all known studio recordings, as well as some rare live tracks.{{sfn|Erlewine|2011e}} |
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Nevertheless, Robert Plant was not eager to tour full-time again, and even considered leaving the band. He was persuaded to stay by Peter Grant. A brief, low-key European tour was undertaken in June and July 1980, featuring a stripped-down set without the usual lengthy jams and solos. At one show on June 27, in [[Nuremberg]], Germany, the concert came to an abrupt end in the middle of the third song when John Bonham collapsed on stage and was rushed to a hospital. Press speculation arose that Bonham's problem was caused by too much alcohol and drugs, but he had in fact simply overeaten, and the band completed the European tour on July 7, at [[Berlin]]. Plant's enthusiasm was rekindled during the tour, and plans were made for a large American tour that autumn and possible recording sessions after that. |
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In 1994, [[Page and Plant]] reunited for a 90-minute "UnLedded" MTV project. They later released an album called ''[[No Quarter: Jimmy Page and Robert Plant Unledded]]'', which featured some reworked Led Zeppelin songs, and embarked on a world tour the following year. This is said to be the beginning of a rift between the band members, as Jones was not even told of the reunion.{{sfn|Murray|2004|p=75}} |
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===="A tragic end"==== |
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On [[September 24]], [[1980]], [[John Bonham]] was picked up by Led Zeppelin assistant Rex King to attend rehearsals at [[Bray Studios (UK)|Bray Studios]] for the upcoming tour of the United States, the band's first since 1977. During the journey Bonham had asked to stop for breakfast, where he downed four quadruple [[vodka]]s (roughly sixteen shots (2/3 pint(~8dl)) of vodka), with a [[ham]] roll. After taking a bite of the ham roll he said to his assistant, "Breakfast." He then continued to drink when he arrived at the studio. A halt was called to the rehearsals late in the evening and the band retired to Page's house — The Old Mill House in [[Clewer]], [[Windsor, Berkshire|Windsor]]. After midnight, Bonham had fallen asleep and was taken to bed on his side. It was rumoured that he had a total of forty shots that night. Benji LeFevre (who had replaced [[Richard Cole]] as Led Zeppelin's tour manager) and John Paul Jones found him dead the next morning. Bonham was 32 years old. |
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In 1995, Led Zeppelin were inducted into the United States [[Rock and Roll Hall of Fame]] by [[Steven Tyler]] and [[Joe Perry (musician)|Joe Perry]] of [[Aerosmith]]. Jason and Zoë Bonham also attended, representing their late father.{{sfn|Lewis|2003|p=163}} At the [[List of Rock and Roll Hall of Fame inductees|induction ceremony]], the band's inner rift became apparent when Jones joked upon accepting his award, "Thank you, my friends, for finally remembering my phone number", causing consternation and awkward looks from Page and Plant.{{sfn|Lewis|Pallett|1997|p=144}} Afterwards, they played one brief set with Tyler and Perry, with Jason Bonham on drums, and then a second with [[Neil Young]], this time with [[Michael Lee (musician)|Michael Lee]] playing the drums.{{sfn|Lewis|2003|p=163}} |
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[[Image:bonhamjohn.jpg|200px|left|thumb|John Bonham's gravesite.]] |
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The cause of death was [[Asphyxia|asphyxiation]] from vomit. A subsequent [[autopsy]] found no other drugs in Bonham's body. The [[alcoholism]] that had plagued the drummer since his earliest days with the band, ultimately led to his death. John Bonham was cremated on [[October 10]], [[1980]], at Rushock, [[Worcestershire]] parish church. His headstone reads: |
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In 1997, Atlantic released a single edit of "Whole Lotta Love" in the US and the UK, the only single the band released in their homeland, where it peaked at number 21.{{sfn|Lewis|2003|p=166}} November 1997 saw the release of ''[[BBC Sessions (Led Zeppelin album)|Led Zeppelin BBC Sessions]]'', a two-disc set largely recorded in 1969 and 1971.{{sfn|Erlewine|2011f}} Page and Plant released another album called ''[[Walking into Clarksdale]]'' in 1998, featuring all new material, but after disappointing sales, the partnership dissolved before a planned Australian tour.{{sfn|Wall|2008|pp=460–461}} |
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{{cquote| |
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''Cherished memories of a loving husband and father, |
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''John Henry Bonham'' |
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''Who died Sept. 25th 1980.'' |
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''He will always be remembered in our hearts,'' |
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''Goodnight my Love, God Bless.''}} |
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==== 2000s ==== |
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Despite rumours that [[Cozy Powell]], [[Carmine Appice]], [[Barriemore Barlow]], [[Simon Kirke]], or [[Bev Bevan]] would join the group as his replacement, the remaining members disbanded Led Zeppelin after Bonham's death. They issued a press statement on [[December 4]], 1980, once and for all confirming that the band would not continue without its irreplaceable drummer. "We wish it to be known that the loss of our dear friend and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."<ref name="Mojo2"> {{cite magazine | title=No Way Out| year=2005 | author=Mick Wall | pages= 86 }}</ref> |
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[[File:Led Zeppelin 2007.jpg|thumb|Led Zeppelin performing at the [[Ahmet Ertegun Tribute Concert]] in London in December 2007|alt=A colour photograph of John Paul Jones, Robert Plant and Jimmy Page performing on stage, with Jason Bonham partially visible on drums in the background]] |
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The year 2003 saw the release of the triple live album ''[[How the West Was Won (Led Zeppelin album)|How the West Was Won]]'', and ''[[Led Zeppelin DVD]]'', a six-hour chronological set of live footage that became the best-selling music DVD in history.{{sfn|Wall|2008|p=437}} In July 2007, Atlantic/[[Rhino Entertainment|Rhino]] and [[Warner Home Video]] announced three Zeppelin titles to be released that November: ''[[Mothership (Led Zeppelin album)|Mothership]]'', a 24-track best-of spanning the band's career; a reissue of the soundtrack ''The Song Remains the Same'', including previously unreleased material; and a new DVD.{{sfn|Cohen|2007}} Zeppelin also made their catalogue legally available for download,<ref>{{Cite news |date=15 October 2007 |title=Led Zeppelin to sell music online |work=Reuters |url=https://www.reuters.com/article/music-zeppelin-downloads-dc-idUSL1535184120071017 |url-status=live |access-date=23 September 2010 |archive-url=https://web.archive.org/web/20120512213033/http://www.reuters.com/article/2007/10/17/music-zeppelin-downloads-dc-idUSL1535184120071017 |archive-date=12 May 2012}}</ref> becoming one of the last major rock bands to do so.{{sfn|Thorpe|2007}} |
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====1980s==== |
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In 1982 the surviving members of the group released a collection of out-takes from various sessions during Led Zeppelin's career, entitled ''[[Coda (album)|Coda]]''. It included two tracks taken from the band's performance at the [[Royal Albert Hall]] in 1970, one each from the ''Led Zeppelin III'' and ''Houses of the Holy'' sessions, and three from the ''In Through the Out Door'' sessions. It also featured a 1976 John Bonham drum instrumental with electronic effects added by Jimmy Page, called "[[Bonzo's Montreux]]". In the years that followed, a steady stream of boxed sets, never-released material, and greatest hits collections kept the band on the charts, along with their major albums. |
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On 10 December 2007, Zeppelin reunited for the [[Ahmet Ertegun Tribute Concert]] at [[The O2 Arena|the O<sub>2</sub> Arena]] in London, with Jason Bonham again taking his father's place on drums. According to ''Guinness World Records 2009'', the show set a record for the "Highest Demand for Tickets for One Music Concert" as 20 million requests were submitted online.<ref>{{Cite news |date=17 December 2009 |title=Guinness 2010 entertainment winners |work=TVNZ |url=http://tvnz.co.nz/entertainment-news/guinness-2010-entertainment-winners-revealed-3313600 |url-status=dead |archive-url=https://web.archive.org/web/20110306170534/http://tvnz.co.nz/entertainment-news/guinness-2010-entertainment-winners-revealed-3313600 |archive-date=6 March 2011}}</ref> Critics praised the performance{{sfn|Gardner|2007}} and there was widespread speculation about a full reunion.{{sfn|Wall|2008|p=472}} Page, Jones and Jason Bonham were reported to be willing to tour and to be working on material for a new Zeppelin project.<ref>{{Cite news |date=26 August 2008 |title=Led Zeppelin trio back in studio |work=BBC News |url=http://news.bbc.co.uk/2/hi/entertainment/7582917.stm |url-status=live |access-date=25 November 2008 |archive-url=https://web.archive.org/web/20111031035611/http://news.bbc.co.uk/2/hi/entertainment/7582917.stm |archive-date=31 October 2011}}</ref> Plant continued his touring commitments with [[Alison Krauss]],{{sfn|Talmadge|2008}} stating in September 2008 that he would not record or tour with the band.<ref>{{Cite web |date=29 September 2008 |title=Robert Plant – official statement |url=http://www.robertplant.com/index.php?l1=2&l2=0&l3=0&articleID=186&rt=NE&PHPSESSID=6235928e9e15317186503f0c80686264 |url-status=dead |archive-url=https://web.archive.org/web/20080930212955/http://www.robertplant.com/index.php?l1=2&l2=0&l3=0&articleID=186&rt=NE&PHPSESSID=6235928e9e15317186503f0c80686264 |archive-date=30 September 2008 |access-date=29 September 2008 |website=Robertplant.com}}</ref>{{sfn|Beech|2008}} "I told them I was busy and they'd simply have to wait," he recalled in 2014. "I would come around eventually, which they were fine with – at least to my knowledge. But it turns out they weren't. And what's even more disheartening, Jimmy used it against me."{{sfn|Anders|2014|p=30}} |
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Jimmy Page stopped playing guitar regularly until [[1983]], when he embarked on a short charity tour with the A.R.M.S. (Action Research for [[Multiple Sclerosis]]) project. The tour also included the other former Yardbirds guitarists, [[Eric Clapton]] and [[Jeff Beck]]. In [[1984]], Page teamed up with [[Paul Rodgers]] (of [[Bad Company]] and [[Free (band)|Free]] fame) to record two albums under the name [[The Firm (band)|The Firm]]. The [[The Firm (album)|first album]] included an old Page arrangement originally intended for release by Led Zeppelin, and now re-worked as "Midnight Moonlight". Robert Plant launched his own successful solo career in [[1982]] with the album ''[[Pictures at Eleven]]'', and in [[1984]] teamed with Page for the commercially successful [[Extended play|EP]] ''[[The Honeydrippers: Volume One]]'', which also featured former Yardbirds guitarist, [[Jeff Beck]]. |
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Jones and Page reportedly looked for a replacement for Plant; candidates including [[Steven Tyler]] of [[Aerosmith]], and [[Myles Kennedy]] of [[Alter Bridge]].{{sfn|Wall|2008|pp=459–460}} However, in January 2009, it was confirmed that the project had been abandoned.{{sfn|Bosso|2009}} "Getting the opportunity to play with Jimmy Page, John Paul Jones and Jason Bonham was pretty special," Kennedy recalled. "That is pretty much the zenith right there. That was a crazy, good experience. It's something I still think of often ... It's so precious to me."{{sfn|Chamberlain|2014|p=138}} |
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On [[July 13]], [[1985]] Page, Plant and John Paul Jones reunited at the [[Live Aid]] concert at [[John F. Kennedy Stadium|JFK Stadium]], [[Philadelphia, Pennsylvania|Philadelphia]], for a short set featuring drummers [[Tony Thompson]] and [[Phil Collins]]. Collins had played on Plant's first two solo albums. The performance, which included three songs ("Rock and Roll", "Whole Lotta Love" and "Stairway to Heaven"), was marred by bad broadcast sound, uneven drumming by Thompson and Collins, a sub-standard vocal performance from Plant, and Page's badly tuned [[Gibson Les Paul]] guitar. Jones was the only member who got through the reunion unscathed. When Live Aid footage was released on a four-[[DVD]] set in late 2004, the group unanimously agreed not to allow footage from their performance to be used, agreeing that it was not up to their usual standards. In [[1986]], Page, Plant and Jones gathered at [[Bath, Somerset|Bath]], in [[South West England|southwest England]], for rehearsals with Thompson with a view to playing as a group again, but a serious car accident involving Thompson ended the plans. |
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==== 2010s ==== |
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The year [[1988]] turned out to be a significant one for the surviving members of Led Zeppelin, with much talk about a reunion tour. Excitement was generated by Page's appearance on Plant's album ''[[Now and Zen]]'', where he performed on the tracks "Heaven Knows" and "Tall Cool One" (the latter also featuring samples of Page's guitar riffs from the original Led Zeppelin recordings). Plant later sang on track four ("The Only One") of Page's album ''[[Outrider (album)|Outrider]]'', released in June. For the first time since Bonham's death, Plant began performing Led Zeppelin songs on his solo tour. When Plant's European tour visited London's [[Hammersmith Apollo|Hammersmith Odeon]] on [[April 17]], 1988, Page joined Plant on stage for several numbers. Both Page and Plant mounted tours in the United States later in the year, each performing Led Zeppelin numbers to ecstatic audiences. |
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[[File:Led Zeppelin answering questions, 2012 (cropped).jpg|thumb|upright|left|Led Zeppelin answering questions at the film premiere of ''[[Celebration Day (film)|Celebration Day]]'' at the [[Hammersmith Apollo]] in London, October 2012]] |
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A film of the O2 performance, ''[[Celebration Day (film)|Celebration Day]]'', premiered on 17 October 2012 and was released on DVD on 19 November.{{sfn|Greene|2012}} The film grossed $2 million in one night, and the live album peaked at number 4 and 9 in the UK and US, respectively.{{sfn|Dawtrey|2012}} Following the film's premiere, Page revealed that he had been [[Led Zeppelin Deluxe Edition|remastering the band's discography]].{{sfn|Renshaw|2012}} The first wave of albums, ''[[Led Zeppelin (album)|Led Zeppelin]]'', ''[[Led Zeppelin II]]'', and ''[[Led Zeppelin III]]'', were released on 2 June 2014.<ref>{{Cite web |date=13 March 2014 |title=First Three Albums Newly Remastered With Previously Unreleased Companion Audio |url=http://www.ledzeppelin.com/news/2014/03/13/first-three-albums-newly-remastered-previously-unreleased-companion-audio |url-status=live |archive-url=https://web.archive.org/web/20140314235805/http://www.ledzeppelin.com/news/2014/03/13/first-three-albums-newly-remastered-previously-unreleased-companion-audio |archive-date=14 March 2014 |access-date=14 March 2014 |website=Led Zeppelin.com}}</ref> The second wave of albums, ''[[Led Zeppelin IV]]'' and ''[[Houses of the Holy]]'', were released on 27 October 2014.<ref>{{Cite web |date=29 July 2014 |title=Led Zeppelin Reissues Continue with Deluxe Editions of Led Zeppelin IV and Houses of the Holy |url=http://www.ledzeppelin.com/news/2014/07/29/led-zeppelin-reissues-continue-deluxe-editions-led-zeppelin-iv-and-houses-holy |url-status=live |archive-url=https://web.archive.org/web/20160512125927/http://www.ledzeppelin.com/news/2014/07/29/led-zeppelin-reissues-continue-deluxe-editions-led-zeppelin-iv-and-houses-holy |archive-date=12 May 2016 |access-date=22 January 2017 |website=Led Zeppelin.com}}</ref> ''[[Physical Graffiti]]'' was released on 23 February 2015, almost exactly forty years to the day after the original release.<ref>{{Cite web |date=8 January 2015 |title=Physical Graffiti Deluxe Edition Arrives Exactly 40 Years After Debut, Produced and Newly Remastered by Jimmy Page, with Previously Unreleased Companion Audio |url=http://www.ledzeppelin.com/news/2015/01/08/physical-graffiti-deluxe-edition-arrives-exactly-40-years-after-debut-produced-and-n |url-status=live |archive-url=https://web.archive.org/web/20150119205049/http://www.ledzeppelin.com/news/2015/01/08/physical-graffiti-deluxe-edition-arrives-exactly-40-years-after-debut-produced-and-n |archive-date=19 January 2015 |access-date=22 January 2017 |website=Led Zeppelin.com}}</ref> The fourth and final wave of studio album reissues, ''[[Presence (album)|Presence]]'', ''[[In Through the Out Door]]'', and ''[[Coda (Led Zeppelin album)|Coda]]'', were released on 31 July 2015.{{sfn|Grow|2015}} |
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Led Zeppelin reunited again in May of 1988, for [[Atlantic Records]]' 40th Anniversary concert, with Bonham's son, [[Jason Bonham]], on drums. As at Live Aid, the performance was flawed, this time by a lack of keyboards in the mix and by Page's unusually lackluster performance during "Heartbreaker". In [[1989]] Page and Plant performed with Jason Bonham again at the 21st birthday party of Plant's daughter, Carmen, and in [[1990]] at Jason Bonham's wedding. These appearances again caused much speculation in the media about a possible Led Zeppelin reunion tour, though no such tour materialised. |
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Through this remastering project, each studio album was reissued on CD and vinyl and was also available in a Deluxe Edition, which contained a bonus disc of previously unheard material (''[[Coda (Led Zeppelin album)|Coda's]]'' Deluxe Edition would include two bonus discs). Each album was also available in a Super Deluxe Edition Box Set, which included the remastered album and bonus disc on both CD and 180-gram vinyl, a high-definition audio download card of all content at 96 kHz/24 bit, a hardbound book filled with rare and previously unseen photos and memorabilia, and a high-quality print of the original album cover.<ref>{{Cite web |date=3 June 2015 |title=Pre-Order Deluxe Editions of Presence, In Through the Out Door, and Coda, Each Newly Remastered by Jimmy Page, With Previously Unreleased Companion Audio |url=http://www.ledzeppelin.com/news/2015/06/03/pre-order-deluxe-editions-presence-through-out-door-and-coda-each-newly-remastered-j |url-status=live |archive-url=https://web.archive.org/web/20161017230942/http://www.ledzeppelin.com/news/2015/06/03/pre-order-deluxe-editions-presence-through-out-door-and-coda-each-newly-remastered-j |archive-date=17 October 2016 |access-date=22 January 2017}}</ref> |
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====1990s==== |
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On [[June 30]], [[1990]], while Plant was touring in support of his album, ''[[Manic Nirvana]]'', Page joined him for a brief set at the Knebworth music festival. The set included "Wearing and Tearing", "Misty Mountain Hop" and "Rock and Roll". The concert was broadcast by radio stations around the world, and highlights of the event, including the entire Page/Plant set, were later shown on [[MTV]]. On other dates of the tour, Plant performed wearing a Jimmy Page T-shirt. Robert Plant appeared as a guest at [[the Freddie Mercury Tribute Concert]], performing "[[Innuendo (song)|Innuendo]]" and a medley of Zeppelin's "[[Thank You (Led Zeppelin song)|Thank You]]" and [[Queen (band)|Queen]]'s "[[Crazy Little Thing Called Love]]", with the three surviving members of Queen. |
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On 6 November 2015, the ''[[Mothership (Led Zeppelin album)|Mothership]]'' compilation was reissued using the band's newly remastered audio tracks.<ref>{{Cite web |date=15 October 2015 |title=Led Zeppelin / Mothership 4LP vinyl |url=http://www.superdeluxeedition.com/news/led-zeppelin-mothership-4lp-vinyl/ |url-status=live |archive-url=https://web.archive.org/web/20151017204901/http://www.superdeluxeedition.com/news/led-zeppelin-mothership-4lp-vinyl/ |archive-date=17 October 2015 |access-date=23 January 2017 |website=superdeluxeedition.com}}</ref> The reissuing campaign continued the next year with the re-release of ''[[BBC Sessions (Led Zeppelin album)|BBC Sessions]]'' on 16 September 2016. The reissue contained a bonus disc with nine unreleased [[BBC]] recordings, including the heavily bootlegged but never officially released "Sunshine Woman".<ref>{{Cite web |date=20 July 2016 |title=The Complete BBC Sessions – With Previously Unreleased Recordings Out Sept. 16th |url=http://www.ledzeppelin.com/news/2016/07/20/complete-bbc-sessions-previously-unreleased-recordings-out-sept-16th |url-status=live |archive-url=https://web.archive.org/web/20170202013016/http://www.ledzeppelin.com/news/2016/07/20/complete-bbc-sessions-previously-unreleased-recordings-out-sept-16th |archive-date=2 February 2017 |access-date=22 January 2017}}</ref> |
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In 1993 Jimmy Page and the singer [[David Coverdale]] ([[Deep Purple]] & [[Whitesnake]]), record an album called "Coverdale/Page". |
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To commemorate the band's 50th anniversary, Page, Plant and Jones announced an official illustrated book celebrating 50 years since the formation of the band.<ref>{{Cite web |date=21 December 2017 |title=Led Zeppelin Official Illustrated Book – Coming 2018 |url=http://www.ledzeppelin.com/news/led-zeppelin-official-illustrated-book-coming-2018-1260556 |url-status=live |archive-url=https://web.archive.org/web/20180125135155/http://www.ledzeppelin.com/news/led-zeppelin-official-illustrated-book-coming-2018-1260556 |archive-date=25 January 2018 |access-date=24 January 2018}}</ref> Also released for the celebration was a reissue of ''[[How the West Was Won (Led Zeppelin album)|How the West Was Won]]'' on 23 March 2018, which includes the album's first pressing on vinyl.<ref>{{Cite web |date=24 January 2018 |title=Live Album How The West Was Won To Be Reissued With New Remastering Supervised By Jimmy Page |url=http://www.ledzeppelin.com/news/live-album-how-west-was-won-be-reissued-new-remastering-supervised-jimmy-page-1261051 |url-status=live |archive-url=https://web.archive.org/web/20180125134837/http://www.ledzeppelin.com/news/live-album-how-west-was-won-be-reissued-new-remastering-supervised-jimmy-page-1261051 |archive-date=25 January 2018 |access-date=24 January 2018}}</ref> For [[Record Store Day]] on 21 April 2018, Led Zeppelin released a 7" single [[Rock and Roll (Led Zeppelin song)|"Rock and Roll" (Sunset Sound Mix)]]/[[Friends (Led Zeppelin song)|"Friends" (Olympic Studio Mix)]], their first single in 21 years.<ref>{{Cite news |date=3 January 2019 |title=Led Zeppelin share teaser trailer for beautiful Record Store Day release |agency=NME |url=https://www.nme.com/news/music/led-zeppelin-announce-special-7-inch-single-record-store-day-2249554 |url-status=live |access-date=3 January 2019 |archive-url=https://web.archive.org/web/20190103161251/https://www.nme.com/news/music/led-zeppelin-announce-special-7-inch-single-record-store-day-2249554 |archive-date=3 January 2019}}</ref> |
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[[Page and Plant]] reunited in 1994 for an ''[[MTV Unplugged]]'' performance (dubbed ''Unledded'') which eventually led to a world tour with a [[Middle East]]ern orchestra, and a live album entitled ''[[No Quarter: Jimmy Page and Robert Plant Unledded|No Quarter]]''. The bass player was Charlie Jones, who had been the bassist with Plant's own band for several years (and was now his son-in-law, having married Carmen Plant). Many see this as the beginning of discord with John Paul Jones, who was upset with Page and Plant for touring without asking him first. Tensions were further increased when Plant was asked at a press conference where <nowiki>[John Paul]</nowiki> Jones was, and he jokingly replied that Jones was parking the car.<ref name="LedZep.org">[http://www.led-zeppelin.org/reference/index.php?m=int28; Led Zeppelin.org, accessed 2nd August 2006]</ref> Jones later commented that he was unhappy about Plant and Page naming the album after a Led Zeppelin song which was largely his work. In a 1995 interview with ''[[Spin (magazine)|Spin]]'' magazine, Page kicked the interviewer out of the room simply for mentioning Jones. |
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==== 2020s ==== |
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On [[January 12]], [[1995]], Led Zeppelin was inducted into the United States [[Rock and Roll Hall of Fame]]. At the [[Rock and Roll Hall of Fame Induction Ceremony|induction ceremony]], the band's inner rift became apparent when Jones joked upon accepting his award, "Thank you, my friends, for finally remembering my phone number," causing consternation and awkward looks from Page and Plant. The three jammed with [[Aerosmith]]'s [[Steven Tyler]] and [[Joe Perry (musician)|Joe Perry]] on "[[Bring It On Home]]", "Long Distance Call Blues" and "[[Baby Please Don't Go]]", and with [[Neil Young]] on "[[When the Levee Breaks]]"/"[[For What It's Worth]]". |
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In October 2020, Page released a photo collection called ''Jimmy Page: The Anthology'', confirming a band documentary for the band's 50th anniversary.{{sfn|Light|2020}} A work-in-progress version of the documentary film ''[[Becoming Led Zeppelin]]'' was screened at the [[Venice Film Festival]] in 2021.<ref>{{Cite magazine |last=Reed |first=Ryan |title=Led Zeppelin Documentary to Feature Robert Plant, Jimmy Page, John Paul Jones |url=https://www.rollingstone.com/music/music-news/led-zeppelin-documentary-robert-plant-jimmy-page-john-paul-jones-832748/ |magazine=Rolling Stone |publisher=Penske Business Media |access-date=2 March 2023 |archive-date=25 February 2023 |archive-url=https://web.archive.org/web/20230225104302/https://www.rollingstone.com/music/music-news/led-zeppelin-documentary-robert-plant-jimmy-page-john-paul-jones-832748/ |url-status=live }}</ref> It is the first time band members have agreed to participate in a biographical documentary.<ref>{{Cite news |last=Simpson |first=George |date=2 August 2021 |title=Led Zeppelin official documentary title announced: 'Film had unprecedented access to band' |work=Express |publisher=Express Newspapers |url=https://www.express.co.uk/entertainment/films/1471317/Led-Zeppelin-documentary-Becoming-Led-Zeppelin-Robert-Plant-Jimmy-Page |access-date=2 March 2023 |archive-date=2 March 2023 |archive-url=https://web.archive.org/web/20230302093733/https://www.express.co.uk/entertainment/films/1471317/Led-Zeppelin-documentary-Becoming-Led-Zeppelin-Robert-Plant-Jimmy-Page |url-status=live }}</ref> It was announced the film would premiere in [[IMAX]] in the United States on 7 February 2025.<ref>{{cite web |last1=Rubin |first1=Rebecca |title='Becoming Led Zeppelin' Documentary Sets 2025 Release Date |url=https://variety.com/2024/film/news/becoming-led-zeppelin-documentary-release-date-imax-1236236439/ |website=Variety |publisher=Variety Media, LLC |access-date=6 December 2024}}</ref> |
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== Musical style == |
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On [[August 29]], [[1997]], Atlantic released a single edit of "[[Whole Lotta Love]]" in the US, making it the only Led Zeppelin CD single. Additional tracks on this CD-single are "[[Baby Come On Home]]" and "[[Travelling Riverside Blues]]". The band have never released a single in the UK. |
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[[File:John Bonham-2cropped.jpg|thumb|John Bonham's aggressive drumming style was critical to the hard rock sound associated with the band.|alt=A black and white photograph of John Bonham wearing a headband and behind the cymbals of a drum kit]] |
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Led Zeppelin's music was rooted in the [[blues]].{{sfn|Erlewine|2011a}} The influence of American blues artists such as [[Muddy Waters]] and [[Skip James]] was particularly apparent on their first two albums, as was the distinct [[country blues]] style of [[Howlin' Wolf]].{{sfn|Gulla|2001|pp=153–159}} There were tracks structured around the [[twelve-bar blues]] on every studio album except for one, and the blues directly and indirectly influenced other songs both musically and lyrically.{{sfn|Fast|2001|p=8}} The band were also strongly influenced by the music of the [[British folk revival|British]], [[Celtic music|Celtic]], and [[American folk music revival|American folk revivals]].{{sfn|Erlewine|2011a}} Scottish folk guitarist [[Bert Jansch]] helped inspire Page, and from him he adapted [[Guitar tunings#Open tunings|open tunings]] and aggressive strokes into his playing.{{sfn|Wall|2008|p=94}} The band also drew on a wide variety of genres, including [[world music]],{{sfn|Erlewine|2011a}} and elements of early [[rock and roll]], [[jazz]], [[country music|country]], [[funk]], [[soul music|soul]], and [[reggae]], particularly on ''Houses of the Holy'' and the albums that followed.{{sfn|Gulla|2001|pp=153–159}} |
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The material on the first two albums was largely constructed out of extended jams of [[List of blues standards|blues standards]]{{sfn|Erlewine|2011a}} and [[Folk music|folk songs]].{{sfn|Wall|2008|pp=56–59}}{{sfn|Fast|2001|p=26}} This method led to the mixing of musical and lyrical elements of different songs and versions, as well as improvised passages, to create new material, but would lead to later accusations of plagiarism and legal disputes over copyright.{{sfn|Wall|2008|pp=56–59}} Usually the music was developed first, sometimes with improvised lyrics that might then be rewritten for the final version of the song.{{sfn|Fast|2001|p=26}} From the visit to [[Bron-Yr-Aur]] in 1970, the songwriting partnership between Page and Plant became predominant, with Page supplying the music, largely via his acoustic guitar, and Plant emerging as the band's chief lyricist. Jones and Bonham then added to the material, in rehearsal or in the studio, as a song was developed.{{sfn|Wall|2008|pp=294–296 and 364–366}} In the later stages of the band's career, Page took a back seat in composition and Jones became increasingly important in producing music, often composed on the keyboard. Plant would then add lyrics before Page and Bonham developed their parts.{{sfn|Yorke|1993|pp=236–237}}{{sfn|Wall|2008|pp=412–413}} |
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[[November 11]], [[1997]] saw the release of ''[[Led Zeppelin BBC Sessions]]'', the first Led Zeppelin album in more than fifteen years. The two-disc set included almost all of the band's recordings for the BBC. In 1998, Page and Plant continued their collaboration with ''[[Walking into Clarksdale]]'', the pair's first album-length collaboration on entirely new material since Led Zeppelin disbanded in 1980. The subsequent tour featured Led Zeppelin songs (including the epic "How Many More Times") along with a few songs from the new album, including "Most High" which brought back memories of Led Zeppelin's raw power and had the same upbeat energy of "Kashmir". |
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[[File:Jimmy Page early.jpg|thumb|left|upright|Page with the double-neck [[Gibson EDS-1275]] used for playing "Stairway to Heaven" among other songs live|alt=A black and white photograph of Jimmy Page playing a double-necked guitar]] |
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In [[September]] [[1999]] Jones released his debut solo album, ''[[Zooma]]'', which was followed two years later by ''[[The Thunderthief]]''. |
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Early lyrics drew on the band's blues and folk roots, often mixing lyrical fragments from different songs.{{sfn|Fast|2001|p=25}} Many of the band's songs dealt with themes of romance, unrequited love and sexual conquest, which were common in rock, pop and blues music.{{Sfn|Cope|2010|p=81}} Some of their lyrics, especially those derived from the blues, have been interpreted as [[misogyny|misogynistic]].{{sfn|Cope|2010|p=81}} Particularly on ''Led Zeppelin III'', they incorporated elements of [[mythology]] and [[mysticism]] into their music,{{sfn|Erlewine|2011a}} which largely grew out of Plant's interest in legends and history.{{sfn|Fast|2001|p=59}} These elements were often taken to reflect Page's interest in the [[occult]], which resulted in accusations that the recordings contained [[subliminal stimuli|subliminal]] satanic messages, some of which were said to be contained in [[backmasking]]; these claims were generally dismissed by the band and music critics.{{sfn|Wall|2008|pp=278–279}} The pastoral fantasies in Plant's songwriting were inspired by the landscape of the [[Black Country]] region and [[J. R. R. Tolkien]]'s high fantasy novel ''[[The Lord of the Rings]]''.{{sfn|Schinder |Schwartz|2008|p=383}} Susan Fast argues that as Plant emerged as the band's main lyricist, the songs more obviously reflected his alignment with the West Coast [[counterculture of the 1960s]].{{sfn|Fast|2001|pp=9–10}} In the later part of the band's career Plant's lyrics became more autobiographical, and less optimistic, drawing on his own experiences and circumstances.{{sfn|Wall|2008|pp=364–365}} |
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According to musicologist [[Robert Walser (musicologist)|Robert Walser]], "Led Zeppelin's sound was marked by speed and power, unusual rhythmic patterns, contrasting terraced dynamics, singer Robert Plant's wailing vocals, and guitarist Jimmy Page's heavily distorted crunch".{{sfn|Walser|1993|p=10}} These elements mean that they are often cited as one of the originators of [[hard rock]]{{sfn|Fast|2011|p=5}} and [[heavy metal music|heavy metal]]{{sfn|Walser|1993|p=10}}<ref>{{Cite magazine |title=Led Zeppelin |url=https://www.rollingstone.com/music/artists/led-zeppelin/biography |url-status=dead |magazine=Rolling Stone |archive-url=https://web.archive.org/web/20110505012026/http://www.rollingstone.com/music/artists/led-zeppelin/biography |archive-date=5 May 2011 |access-date=24 December 2009}}</ref> and they have been described as the "definitive heavy metal band",{{sfn|Erlewine|2011a}} although the band members have often eschewed the label.{{sfn|Bukszpan|2003|p=124}} Led Zeppelin, together with [[Deep Purple]] and [[Black Sabbath]], have been referred to as the "unholy trinity of British hard rock and heavy metal in the early to mid- seventies".{{sfn|McIver|2006|loc=Chapter 11, p. 1}} Part of this reputation depends on the band's use of distorted guitar riffs on songs like "Whole Lotta Love" and "[[The Wanton Song]]".{{sfn|Buckley|2003|p=1198}}{{sfn|Fast|2001|pp=113–117}} Often riffs were not doubled by guitar, bass and drums exactly, but instead there were melodic or rhythmic variations.{{sfn|Fast|2001|p=96}} Page's guitar playing incorporated elements of the [[blues scale]] with those of [[Music of Asia|eastern music]].{{sfn|Fast|2001|p=87}} Plant's use of high-pitched shrieks has been compared to [[Janis Joplin]]'s vocal technique.{{sfn|Buckley|2003|p=1198}}{{sfn|Fast|2001|p=45}} [[Robert Christgau]] found him integral to the group's heavy "power blues" aesthetic, functioning as a "mechanical effect" similarly to Page's guitar parts. While noting Plant "hints at real feeling" on some of their acoustic songs, Christgau believed he abandoned traditional blues singing's emphasis on emotional projection in favour of vocal precision and dynamics: "Whether he is mouthing sexist blues cliches or running through one of the band's half-audible, half-comprehensible ... lyrics about chivalry or the counter-culture, his voice is devoid of feeling. Like the tenors and baritones of yore, he wants his voice to be an instrument—specifically, an electric guitar."{{sfn|Christgau|1972a}} Bonham's drumming was noted for its power, his rapid rolls and his fast beats on a single bass drum; while Jones' basslines have been described as melodic and his keyboard playing added a classical touch to the band's sound.{{sfn|Fast|2001|p=13}}{{sfn|Buckley|2003|p=1198}} |
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====2000s==== |
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In October [[2002]], the British press reported that Robert Plant and John Paul Jones had reconciled after a 20-year feud which had kept Led Zeppelin apart, and rumours surfaced of a reunion tour in [[2003]]. <ref name="The Sun">[http://www.thesun.co.uk/article/0,,2-2002471692,00.html; The Sun, accessed 2nd August 2006]</ref> This was later denied by Plant and Page's management company. <ref name="BBC NEWS 2">[http://news.bbc.co.uk/1/hi/entertainment/music/2327683.stm; BBC News, accessed 2nd August 2006]</ref> |
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{{quote box|quote=At some deep level, Led Zeppelin's music is about the relationship between humanity and technology. Philosophically, the band prefers humanity pure and simple, but in practice it must realize its humanity technologically. That seems truer than most good-time pastoral fantasies.{{sfn|Christgau|1972a}}|source=—[[Robert Christgau]], 1972|width=30%|align=right|style=padding:8px;}} |
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2003 saw a resurgence of the band's popularity with the release of a live album, ''[[How the West Was Won (Led Zeppelin album)|How the West Was Won]]'', and a video collection, ''[[Led Zeppelin (DVD)|Led Zeppelin DVD]]'', both featuring material from the band's heyday. At the year's end, the DVD had sold more than 520,000 copies. Around [[Christmas]] 2004, "[[Stairway To Heaven]]" was voted the best rock song of all time by [[Planet Rock]] listeners in a poll conducted on the station's website. Two other Led Zeppelin songs were also featured in the top ten - "Whole Lotta Love" at number six and "[[Rock and Roll (Led Zeppelin song)|Rock and Roll]]" at number eight. <ref name="BBC NEWS 3">[http://news.bbc.co.uk/1/hi/entertainment/music/4123271.stm BBC News, accessed 2nd August 2006]</ref> |
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Led Zeppelin have been widely viewed as a hard rock band, although Christgau regarded them as [[art rock]] as well.{{sfn|Christgau|1980}} According to popular music scholar [[Reebee Garofalo]], "because hip critics could not find a constructive way of positioning themselves in relation to Led Zeppelin's ultra-macho presentation, they were excluded from the art rock category despite their broad range of influences."{{sfn|Garofalo|2008|p=233}} Christgau wrote in 1972, the band could be considered art rock because they "relate to rock and roll not organically but intellectually", idealising the "amplified beat" as "a kind of formal challenge". Unlike their contemporaries in [[Jethro Tull (band)|Jethro Tull]] and [[Yes (band)|Yes]], who use "the physical compulsion of beat and volume to involve the mind", Led Zeppelin "make body music of an oddly cerebral cast, arousing aggression rather than sexuality." As such, along with other second-generation English hard rock bands like [[Black Sabbath]] and [[Mott the Hoople]], they can attract both intellectuals and working-class youths in "a strange potential double audience."{{sfn|Christgau|1972b}} Years later, ''In Through the Out Door''{{'}}s "tuneful synthesizer pomp" further confirmed for Christgau they were an art rock band.{{sfn|Christgau|1980}} |
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In 2005, Led Zeppelin received a [[Grammy Lifetime Achievement Award]], they were ranked #1 in US cable channel [[VH1]]'s "100 Greatest Artists of Hard Rock" special, and readers of ''Guitar World'' magazine voted the guitar solo from "[[Stairway to Heaven]]" to be the best guitar solo of all time in rock history. <ref name="Guitar World">[http://guitar.about.com/library/bl100greatest.htm Guitar World Magazine, 2005]</ref> |
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In ''[[Rolling Stone magazine|Rolling Stone]]'' magazine's tabulation of the greatest guitarists of all time <ref name="RS">[http://www.rollingstone.com/news/story/5937559/the_100_greatest_guitarists_of_all_time/ ''Rolling Stone Magazine'', published 2005]</ref>, Jimmy Page was ranked number nine. Led Zeppelin ranked #14 on ''Rolling Stone's'' 2004 list of the [http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty/ 100 Greatest Artists of All Time].<ref>{{cite web| title = The Immortals: The First Fifty| work = Rolling Stone Issue 946| publisher = Rolling Stone| url =http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty}}</ref>. In November 2005, it was announced that Led Zeppelin and Russian conductor [[Valery Gergiev]] were the winners of the 2006 [[Polar Music Prize]]. The [[Carl XVI Gustaf of Sweden|King of Sweden]] presented the prize to Plant, Page and Jones, along with John Bonham's daughter, in [[Stockholm]] in May, 2006. <ref name="BBC News story">[http://news.bbc.co.uk/1/hi/entertainment/5007476.stm BBC News article, 23 May 2006]</ref> |
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Page stated that he wanted Led Zeppelin to produce music that had "light and shade". This began to be more clearly realised beginning with ''Led Zeppelin III'', which made greater use of acoustic instruments.{{sfn|Erlewine|2011a}} This approach has been seen as exemplified in the fourth album, particularly on "[[Stairway to Heaven]]", which begins with acoustic guitar and recorder and ends with drums and heavy electric sounds.{{sfn|Schinder |Schwartz|2008|p=390}}{{sfn|Fast|2001|p=79}} Towards the end of their recording career, they moved to a more mellow and [[progressive rock|progressive]] sound, dominated by Jones' keyboard motifs.{{sfn|Schinder |Schwartz|2008|pp=380–391}} They also increasingly made use of various layering and production techniques, including multi-tracking and [[Overdubbing|overdubbed]] guitar parts.{{sfn|Gulla|2001|pp=153–159}} Their emphasis on the sense of dynamics and ensemble arrangement{{sfn|Gulla|2001|pp=153–159}} has been seen as producing an individualistic style that transcends any single music genre.{{sfn|Brackett|2008|pp=53–76}}{{sfn|Buckley|2003|p=585}} Ian Peddie argues that they were "... loud, powerful and often heavy, but their music was also humorous, self-reflective and extremely subtle".{{sfn|Peddie|2006|p=136}} |
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On the cover of their February 2006 issue, ''Guitar World'' magazine called Led Zeppelin the "world's greatest band." The band, and Jimmy Page especially, have been featured in the magazine numerous times, whether in articles about the band itself, about topics that include the band, or in articles where other musicians cite the band as a powerful influence. In 2006, ''Led Zeppelin IV'' was named the number one guitar album for all time by a voter poll in the October issue of ''Guitar World''. Page and Plant were slated to appear on June 30, 2006 at the [[Montreux Jazz Festival]] for a tribute to [[Ahmet Ertegun]], Atlantic Records' founder, but Jimmy Page did not appear, citing unnamed medical problems. In 2006 Led Zeppelin were inducted into the [[UK Music Hall of Fame]]. At the ceremony Australian rock band [[Wolfmother]] performed "Communication Breakdown" dedicated to the band. As of 2007, Megadeth's new album "United Abominations" contains a cover of "Out on the Tiles". |
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== Legacy == |
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Led Zeppelin has always been very protective of its catalogue of songs, and has seldom allowed them to be licensed for films or commercials. In recent years, this position has softened somewhat, and Led Zeppelin songs can be heard in movies such as ''[[Fast Times at Ridgemont High]]'', ''[[One Day in September]]'', ''[[Almost Famous]]'', ''[[Dogtown and Z-Boys]]'', and ''[[School of Rock]]''. However, the surviving band members are still apprehensive about letting their songs be used in unartistic contexts, in contrast to other rock bands of the 1960s and 1970s such as [[The Who]] and [[The Rolling Stones]], which have been more loose in allowing their songs to appear for commercial purposes. On the [[DVD]] release of ''[[School Of Rock]]'', a special feature shows star [[Jack Black (actor)|Jack Black]] and an auditorium full of extras videotaping a plea to Led Zeppelin for permission to use "[[Immigrant Song]]" in the film. In a singular concession for commercial use, the Led Zeppelin song "[[Rock and Roll (Led Zeppelin song)|Rock and Roll]]" has been used in [[Cadillac (automobile)|Cadillac]] television and radio ads. [[One Tree Hill (TV series)|One Tree Hill]] was the first television show to be licensed use of a Led Zeppelin song (using "[[Babe I'm Gonna Leave You]]" for the Season 3 finale). Led Zeppelin has steadfastly refused to allow their catalogue to be available for online music downloads, a position which is unlikely to change. |
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[[File:Robert-Plant.jpg|thumb|Plant's vocal style has been highly influential in rock music, while his mane of long blond hair and powerful, bare-chested appearance, helped to create the "rock god" archetype.<ref>{{Cite news |title=How Robert Plant contributed to creating the 'rock god' archetype |publisher=[[Deutsche Welle]] |url=https://www.dw.com/en/how-robert-plant-contributed-to-creating-the-rock-god-archetype/g-45147384 |url-status=live |access-date=3 July 2020 |archive-url=https://web.archive.org/web/20200703211239/https://www.dw.com/en/how-robert-plant-contributed-to-creating-the-rock-god-archetype/g-45147384 |archive-date=3 July 2020}}</ref> A 2011 ''[[Rolling Stone]]'' readers' pick named him the "Best Lead Singer of All Time".<ref>{{Cite magazine |date=12 April 2011 |title=Rolling Stone Readers Pick the Best Lead Singers of All Time |magazine=Rolling Stone |url=https://www.rollingstone.com/music/music-lists/rolling-stone-readers-pick-the-best-lead-singers-of-all-time-19450/1-robert-plant-256503/ |url-status=live |access-date=3 July 2020 |archive-url=https://web.archive.org/web/20200703213249/https://www.rollingstone.com/music/music-lists/rolling-stone-readers-pick-the-best-lead-singers-of-all-time-19450/1-robert-plant-256503/ |archive-date=3 July 2020}}</ref>|alt=A black and white photograph showing a headshot of Robert Plant with a microphone in hand]] |
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Many have considered Led Zeppelin to be one of the most successful, innovative, and influential bands in the history of rock music.{{sfn|Schinder |Schwartz|2008|p=380}} Rock critic [[Mikal Gilmore]] said, "Led Zeppelin—talented, complex, grasping, beautiful and dangerous—made one of the most enduring bodies of composition and performance in twentieth-century music, despite everything they had to overpower, including themselves".{{sfn|Gilmore|2006}} |
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Led Zeppelin have influenced hard rock and heavy metal bands such as [[Deep Purple]],{{sfn|Thompson|2004|p=61}} [[Black Sabbath]],<ref>{{Cite web |date=9 March 2006 |title=Black Sabbath: the greatest metal bands of all time |url=http://www.mtv.com/bands/m/metal/greatest_metal_bands/071406/index2.jhtml |url-status=dead |archive-url=https://web.archive.org/web/20080319045933/http://www.mtv.com/bands/m/metal/greatest_metal_bands/071406/index2.jhtml |archive-date=19 March 2008 |access-date=5 September 2010 |publisher=MTV}}</ref> [[Rush (band)|Rush]],{{sfn|Prown |Newquist |Eiche|1997|p=167}} [[Queen (band)|Queen]],{{sfn|Prown |Newquist |Eiche|1997|p=106}} [[Scorpions (band)|Scorpions]],{{sfn|Nur Pervan|2022}} [[Aerosmith]],<ref>{{Cite web |title=Aerosmith inducts Led Zeppelin 1995 |url=https://rockhall.com/inductees/aerosmith/video/4433/ |url-status=dead |archive-url=https://web.archive.org/web/20160523004050/https://www.rockhall.com/inductees/aerosmith/video/4433/ |archive-date=23 May 2016 |access-date=10 May 2016 |website=Rockhall.com}}</ref> [[the Black Crowes]],<ref name="The Black Crowes">{{Cite web |title=Jimmy Page and the Black Crowes Interview |url=https://www.guitar.com/articles/jimmy-page-and-black-crowes-interview |url-status=dead |archive-url=https://web.archive.org/web/20160513025921/https://www.guitar.com/articles/jimmy-page-and-black-crowes-interview |archive-date=13 May 2016 |access-date=10 May 2016 |website=Guitar.com}}</ref> and [[Megadeth]]{{sfn|Davies|2010}} as well as progressive metal bands like [[Tool (band)|Tool]]{{sfn|Pareles|1997}} and [[Dream Theater]].{{sfn|Sparks|2010}} They influenced some early [[punk rock|punk]] and [[post-punk]] bands, among them the [[Ramones]],{{sfn|Jones|2003}} [[Joy Division]]{{sfn|Day|2005}}{{sfn|johnrobb|2012}} and [[the Cult]].{{sfn|Erlewine|2007}} They were also an important influence on the development of [[alternative rock]], as bands adapted elements from the "Zeppelin sound" of the mid-1970s,{{sfn|Witmer|2010}}{{sfn|Grossman|2002}} including [[the Smashing Pumpkins]],{{sfn|Haskins|1995|p=xv}}{{sfn|Turner|2010}} [[Nirvana (band)|Nirvana]],{{sfn|Gaar|2009|p=36}} [[Pearl Jam]],{{sfn|Schinder |Schwartz|2008|p=405}} and [[Soundgarden]].{{sfn|Budofsky|2006|p=147}} Bands and artists from diverse genres have acknowledged the influence of Led Zeppelin, such as [[Madonna]],<ref>{{Cite news |date=19 January 1999 |title=Interview Madonna reviews life on Larry King Live |publisher=CNN |url=http://articles.cnn.com/1999-01-19/entertainment/9901_19_madonna.lkl_1_dancer-madonna-madonna-ciccone-modern-dance/12?_s=PM:SHOWBIZ |url-status=dead |access-date=5 September 2010 |archive-url=https://web.archive.org/web/20120121105431/http://articles.cnn.com/1999-01-19/entertainment/9901_19_madonna.lkl_1_dancer-madonna-madonna-ciccone-modern-dance/12?_s=PM%3ASHOWBIZ |archive-date=21 January 2012}}</ref> [[Shakira]],{{sfn|García Márquez|2002}} [[Lady Gaga]],{{sfn|Cochrane|2009}} [[Kesha]],{{sfn|Hendicott|2011}} and [[Katie Melua]].{{sfn|Melua|2007}} |
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Contrary to popular belief, Led Zeppelin are a vastley inferior band compared to the [[Who]]. |
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[[File:JohnPaulJones1980-2.jpg|thumb|left|upright|Jones performing with the band in [[Mannheim]], West Germany in 1980 on their last tour|alt=A red tinged photograph of John Paul Jones playing a bass guitar]] |
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==Discography== |
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Led Zeppelin have been credited with a major impact on the nature of the music business, particularly in the development of album-oriented rock (AOR) and [[Arena rock|stadium rock]].{{sfn|Bukszpan|2003|p=121}}{{sfn|Waksman|2009|pp=21–31}} In 1988 [[John Kalodner]], then-[[Artists and repertoire|A&R]] executive of [[Geffen Records]], remarked that |
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{{see details|Led Zeppelin discography}} |
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{{quote|In my opinion, next to the Beatles they're the most influential band in history. They influence the way music is on records, AOR radio, concerts. They set the standards for the AOR-radio format with 'Stairway to Heaven,' having AOR hits without necessarily having [[Top 40]] hits. They're the ones who did the first real big arena concert shows, consistently selling out and playing stadiums without support. People can do as well as them, but nobody surpasses them.{{sfn|Pond|1988|pp=68–69}}}} |
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[[Andrew Loog Oldham]], the former producer and manager of the Rolling Stones, commented on how Led Zeppelin had a major influence on the record business, and the way rock concerts were managed and presented to huge audiences.{{sfn|Hughes|2010}} In 2007, they were a featured artist in the stadium rock episode of the BBC/VH1 series ''[[Seven Ages of Rock]]''.<ref>{{Cite news |title=Seven Ages of Rock. Episode 5: Stadium Rock |work=BBC one |url=https://www.bbc.co.uk/programmes/b007qhtg |url-status=live |access-date=7 August 2019 |archive-url=https://web.archive.org/web/20190808212720/https://www.bbc.co.uk/programmes/b007qhtg |archive-date=8 August 2019}}</ref> |
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!'''Album Cover''' |
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!'''Date of Release''' |
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!'''Title''' |
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|[[Image:LedZeppelinLedZeppelinalbumcover.jpg|center|100px|]] |
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|January 12, 1969 |
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|''[[Led Zeppelin (album)|Led Zeppelin]]'' #6 U.K. #10 U.S. |
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|"Dazed and Confused"<br>''{{audio|Led Zeppelin Dazed and Confused.ogg|Listen}}'' |
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The band have sold over 200 million albums worldwide according to some sources,{{sfn|Thorpe|2007}}{{sfn|Beaumont|2020}} while others state that they have sold in excess of 300 million records,{{sfn|Sorel-Cameron|2007}} including 111.5 million certified units in the United States. According to the [[Recording Industry Association of America]], Led Zeppelin are the [[List of best-selling music artists in the United States|third-highest-selling band, the fifth highest selling music act in the US]], and one of only four acts to earn five or more Diamond albums.<ref>{{Cite web |title=Top-Selling Artists |url=https://www.riaa.com/goldandplatinum.php?content_selector=top-selling-artists |url-status=dead |archive-url=https://web.archive.org/web/20120719114528/http://riaa.com/goldandplatinum.php?content_selector=top-selling-artists |archive-date=19 July 2012 |access-date=8 January 2011 |website=RIAA's Gold & Paltinum Program |publisher=Recording Industry Association of America}}</ref> They achieved eight consecutive number-ones on the [[UK Albums Chart]], a record for most consecutive UK number-one albums shared with [[ABBA]].{{sfn|Lane|2013}} Led Zeppelin remain one of the most [[Bootleg recording|bootlegged]] artists in the history of rock music.{{sfn|Clinton|2004|p=8}} |
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|[[Image:LedZeppelinLedZeppelinIIalbumcover.jpg|center|100px|]] |
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|October 22, 1969 |
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|''[[Led Zeppelin II]]'' #1 U.K. #1 U.S. |
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|"Whole Lotta Love"<br>''{{audio|Led Zeppelin Whole Lotta Love.ogg|Listen}}'' |
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Led Zeppelin also made a significant cultural impact. Jim Miller, editor of ''Rolling Stone Illustrated History of Rock & Roll'', argues that "on one level, Led Zeppelin represents the final flowering of the sixties' psychedelic ethic, which casts rock as passive sensory involvement".{{sfn|Straw|1990|p=84}} Led Zeppelin have also been described as "the quintessential purveyors"{{sfn|Waksman|2001|pp=238–239}} of masculine and aggressive "[[cock rock]]", although this assertion has been challenged.{{sfn|Fast|2001|pp=162–163}} The band's fashion-sense has been seminal; Simeon Lipman, head of pop culture at [[Christie's]] auction house, has commented that "Led Zeppelin have had a big influence on fashion because the whole aura surrounding them is so cool, and people want a piece of that".{{sfn|Long|2007}} Led Zeppelin laid the foundation for the [[big hair]] of the 1980s [[glam metal]] bands such as [[Mötley Crüe]] and [[Skid Row (American band)|Skid Row]].{{sfn|Batchelor|Stoddart|2007|p=121}} Other musicians have also adapted elements from Led Zeppelin's attitude to clothes, jewellery and hair, such as the hipster flares and tight band T-shirts of [[Kings of Leon]], shaggy hair, clingy T-shirts and bluesman hair of [[Jack White]] of [[the White Stripes]], and [[Kasabian]] guitarist [[Sergio Pizzorno]]'s silk scarves, [[trilby|trilbies]] and side-laced tight jeans.{{sfn|Long|2007}} |
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|[[Image:Ledzeppeliniii.jpg|center|100px|]] |
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|October 5, 1970 |
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|''[[Led Zeppelin III]]'' #1 U.K. #1 U.S. |
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|"Since I've Been Loving You"<br>''{{audio|Led Zeppelin Since Ive Been Loving You.ogg|Listen}}'' |
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== Achievements == |
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|- |
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{{Main|List of awards and nominations received by Led Zeppelin}} |
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|[[Image:LedZeppelinFourSymbols.jpg|center|100px|]] |
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[[File:Barack Obama speaks to Led Zeppelin.jpg|thumb|Led Zeppelin were honoured by US President [[Barack Obama]] at the 2012 [[Kennedy Center Honors]].]] |
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|November 8, 1971 |
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Led Zeppelin have collected many honours and awards throughout the course of their career. They were inducted into the [[Rock and Roll Hall of Fame]] in 1995,{{sfn|Lewis|2003|p=163}} and the [[UK Music Hall of Fame]] in 2006.<ref>{{Cite news |date=12 September 2006 |title=Led Zeppelin make UK Hall of Fame |work=BBC News |url=http://news.bbc.co.uk/2/hi/entertainment/5338196.stm |url-status=live |access-date=16 September 2011 |archive-url=https://web.archive.org/web/20110813230616/http://news.bbc.co.uk/2/hi/entertainment/5338196.stm |archive-date=13 August 2011}}</ref> Among the band's awards are an [[American Music Award]] in 2005, and the [[Polar Music Prize]] in 2006.<ref>{{Cite news |date=23 May 2006 |title=Award for 'pioneers' Led Zeppelin |work=BBC News |url=http://news.bbc.co.uk/2/hi/entertainment/5007476.stm |url-status=live |access-date=16 September 2011 |archive-url=https://web.archive.org/web/20120210002035/http://news.bbc.co.uk/2/hi/entertainment/5007476.stm |archive-date=10 February 2012}}</ref> Led Zeppelin were the recipient of a [[Grammy Lifetime Achievement Award]] in 2005,<ref>{{Cite news |date=13 February 2005 |title=Zeppelin celebrate Grammy honour |work=BBC News |url=http://news.bbc.co.uk/2/hi/4261905.stm |url-status=live |access-date=22 September 2011 |archive-url=https://web.archive.org/web/20130615104949/http://news.bbc.co.uk/2/hi/4261905.stm |archive-date=15 June 2013}}</ref> and four of their recordings have been inducted into the [[Grammy Hall of Fame]].<ref>{{Cite web |title=GRAMMY Hall of Fame |url=http://www.grammy.org/recording-academy/awards/hall-of-fame |url-status=dead |archive-url=https://web.archive.org/web/20111124012108/http://www.grammy.org/recording-academy/awards/hall-of-fame |archive-date=24 November 2011 |access-date=18 December 2011 |website=GRAMMY.org |publisher=National Academy of Recording Arts and Sciences}}</ref> They have been awarded five [[Music recording sales certification|Diamond albums]], as well as fourteen Multi-Platinum, four Platinum and one Gold album in the United States,<ref>{{Cite web |title=Gold & Platinum database search: 'Led Zeppelin' |url=https://www.riaa.com/goldandplatinumdata.php?resultpage=4&table=SEARCH_RESULTS&action=&title=&artist=Led_Zeppelin&format=&debutLP=&category=&sex=&releaseDate=&requestNo=&type=&level=&label=&company=&certificationDate=&awardDescription=&catalogNo=&aSex=&rec_id=&charField=&gold=&platinum=&multiPlat=&level2=&certDate=&album=&id=&after=&before=&startMonth=&endMonth=&startYear=&endYear=&sort=Artist&perPage=100 |url-status=dead |archive-url=https://web.archive.org/web/20150924154623/http://www.riaa.com/goldandplatinumdata.php?resultpage=4&table=SEARCH_RESULTS&action=&title=&artist=Led_Zeppelin&format=&debutLP=&category=&sex=&releaseDate=&requestNo=&type=&level=&label=&company=&certificationDate=&awardDescription=&catalogNo=&aSex=&rec_id=&charField=&gold=&platinum=&multiPlat=&level2=&certDate=&album=&id=&after=&before=&startMonth=&endMonth=&startYear=&endYear=&sort=Artist&perPage=100 |archive-date=24 September 2015 |access-date=26 March 2009 |website=RIAA's Gold & Paltinum Program |publisher=[[Recording Industry Association of America]]}}</ref> while in the UK they have five Multi-Platinum, six Platinum, one Gold and four Silver albums.<ref>{{Cite web |title=Certified Awards Search—Led Zeppelin |url=http://www.bpi.co.uk/certifiedawards/search.aspx |url-status=dead |archive-url=https://web.archive.org/web/20110805005459/http://www.bpi.co.uk/certifiedawards/search.aspx |archive-date=5 August 2011 |access-date=18 December 2011 |website=[[British Phonographic Industry]]}}</ref> ''[[Rolling Stone]]'' named Led Zeppelin the 14th-greatest artist of all time in 2004.{{sfn|Grohl|2011|p=27}} |
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|''[[Image:Zoso.svg|75px]] (''[[Led Zeppelin IV]]'')'' #1 U.K. #2 U.S. |
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|"Black Dog"<br>''{{audio|Led Zeppelin Black Dog.ogg|Listen}}'' |
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|"Rock and Roll"<br>''{{audio|Led zepplin rock and roll.ogg|Listen}}'' |
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|"Stairway to Heaven"<br>''{{audio|Led Zeppelin Stairway to Heaven.ogg|Listen}}'' |
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In 2003, ''Rolling Stone''{{'}}s [[Rolling Stone's 500 Greatest Albums of All Time|500 Greatest Albums of All Time]] list included ''[[Led Zeppelin (album)|Led Zeppelin]]'' at number 29,<ref>{{Cite news |title=Led Zeppelin ranked no. 29 |newspaper=Rollingstone.com |url=http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/led-zeppelin-led-zeppelin-19691231 |archive-url=https://web.archive.org/web/20110902065011/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/led-zeppelin-led-zeppelin-19691231 |archive-date=2 September 2011 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> ''[[Led Zeppelin IV]]'' at number 66,<ref>{{Cite news |title=Led Zeppelin IV ranked no. 66 |newspaper=Rollingstone.com |url=http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/led-zeppelin-iv-led-zeppelin-19691231 |archive-url=https://web.archive.org/web/20110902065011/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/led-zeppelin-iv-led-zeppelin-19691231 |archive-date=2 September 2011 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> ''[[Physical Graffiti]]'' at number 70,<ref>{{Cite news |title=Physical Graffiti ranked no. 70 |newspaper=Rollingstone.com |url=http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/physical-graffiti-led-zeppelin-19691231 |archive-url=https://web.archive.org/web/20110902033813/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/physical-graffiti-led-zeppelin-19691231 |archive-date=2 September 2011 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> ''[[Led Zeppelin II]]'' at number 75,<ref>{{Cite magazine |title=Led Zeppelin II ranked no. 75 |url=http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/led-zeppelin-ii-led-zeppelin-19691231 |magazine=[[Rolling Stone]] |archive-url=https://web.archive.org/web/20110902065005/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/led-zeppelin-ii-led-zeppelin-19691231 |archive-date=2 September 2011 |access-date=15 October 2021}}</ref> and ''[[Houses of the Holy]]'' at number 149.<ref>{{Cite magazine |title=Houses of the Holy ranked no. 149 |url=http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/houses-of-the-holy-led-zeppelin-19691231 |magazine=[[Rolling Stone]] |archive-url=https://web.archive.org/web/20110902072718/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/houses-of-the-holy-led-zeppelin-19691231 |archive-date=2 September 2011 |access-date=15 October 2021}}</ref> And in 2004, on their [[The 500 Greatest Songs of All Time|500 Greatest Songs of All Time]] list, ''Rolling Stone'' included "[[Stairway to Heaven]]" at number 31, "[[Whole Lotta Love]]" at number 75,<ref>{{Cite web |title=Rolling Stone: 500 Greatest Songs of All Time 2004 1–100 |url=http://www.rollingstone.com/news/coverstory/500songs/page |archive-url=https://web.archive.org/web/20080619072533/http://www.rollingstone.com/news/coverstory/500songs/page |archive-date=19 June 2008 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> "[[Kashmir (song)|Kashmir]]" at number 140,<ref>{{Cite web |title=Rolling Stone: 500 Greatest Songs of All Time 2004 101–200 |url=http://www.rollingstone.com/news/coverstory/500songs/page/2 |archive-url=https://web.archive.org/web/20080620035744/http://www.rollingstone.com/news/coverstory/500songs/page/2 |archive-date=20 June 2008 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> "[[Black Dog (Led Zeppelin song)|Black Dog]]" at number 294,<ref>{{Cite web |date=11 September 2007 |title=Rolling Stone: 500 Greatest Songs of All Time 2004 201–300 |url=http://www.rollingstone.com/news/coverstory/500songs/page/3 |archive-url=https://web.archive.org/web/20080619105433/http://www.rollingstone.com/news/coverstory/500songs/page/3 |archive-date=19 June 2008 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> "[[Heartbreaker (Led Zeppelin song)|Heartbreaker]]" at number 320,<ref>{{Cite web |title=Rolling Stone: 500 Greatest Songs of All Time 2004 301–400 |url=http://www.rollingstone.com/news/coverstory/500songs/page/4 |archive-url=https://web.archive.org/web/20080621075825/http://www.rollingstone.com/news/coverstory/500songs/page/4 |archive-date=21 June 2008 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> and "[[Ramble On]]" at number 433.<ref>{{Cite web |title=Rolling Stone: 500 Greatest Songs of All Time 2004 401–500 |url=http://www.rollingstone.com/news/coverstory/500songs/page/5 |archive-url=https://web.archive.org/web/20080622112029/http://www.rollingstone.com/news/coverstory/500songs/page/5 |archive-date=22 June 2008 |access-date=15 October 2021 |publisher=Rolling Stone}}</ref> |
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|- |
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|[[Image:LedZeppelinHousesOfTheHolycover.jpg|center|100px|]] |
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|March 28, 1973 |
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|''[[Houses of the Holy]]'' #1 U.K. #1 U.S. |
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|"No Quarter"<br>''{{audio|Led Zeppelin No Quarter.ogg|Listen}}'' |
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In 2005, Page was appointed an [[Order of the British Empire|Officer of the Order of the British Empire]] in recognition of his charity work, and in 2009 Plant was honoured as a [[Order of the British Empire|Commander of the Order of the British Empire]] for his services to popular music.{{sfn|Leonard|2008}} The band are ranked number one on [[VH1]]'s ''100 Greatest Artists of Hard Rock''<ref>{{Cite web |year=2000 |title=VH1: '100 Greatest Hard Rock Artists' |url=http://www.rockonthenet.com/archive/2000/vh1hardrock.htm |url-status=live |archive-url=https://web.archive.org/web/20080108173414/http://www.rockonthenet.com/archive/2000/vh1hardrock.htm |archive-date=8 January 2008 |access-date=17 February 2010 |publisher=[[VH1]] |via=RockOnTheNet.com}}</ref> and ''[[Classic Rock (magazine)|Classic Rock]]''{{'}}s "50 best live acts of all time".<ref>{{Cite magazine |date=May 2008 |title=50 Best Live Acts of All Time |magazine=[[Classic Rock (magazine)|Classic Rock]] |issue=118 |pages=34–45}}</ref> They were named as the best Rock band in a poll by BBC Radio 2.<ref>{{Cite news |title=The Best Band |work=BBC – Radio 2 |url=https://www.bbc.co.uk/radio2/rocknrollband/best-band/ |url-status=live |access-date=27 October 2014 |archive-url=https://web.archive.org/web/20141204224424/http://www.bbc.co.uk/radio2/rocknrollband/best-band/ |archive-date=4 December 2014}}</ref> They were awarded an [[Ivor Novello Awards|Ivor Novello Award]] for "Outstanding Contribution to British Music" in 1977,<ref>{{Cite magazine |date=28 May 1977 |title=PRS/Novello Awards shared by intl artists |url=https://books.google.com/books?id=2UQEAAAAMBAJ&pg=PT3 |url-status=live |magazine=Billboard |archive-url=https://web.archive.org/web/20201001000601/https://books.google.com/books?id=2UQEAAAAMBAJ&pg=PT3 |archive-date=1 October 2020 |access-date=18 December 2011}}</ref> as well as a "Lifetime Achievement Award" at the 42nd Annual Ivor Novello awards ceremony in 1997.{{sfn|Hunter|1997}} The band were honoured at the [[2008 MOJO Awards]] with the "Best Live Act" prize for their one-off reunion, and were described as the "greatest rock and roll band of all time".<ref>{{Cite web |year=2008 |title=Mojo Awards 'Best Live Act' 2008 – Acceptance Speech |url=http://www.ledzeppelin.com/node/3312/2112 |url-status=dead |archive-url=https://web.archive.org/web/20111013003739/http://www.ledzeppelin.com/node/3312/2112 |archive-date=13 October 2011 |website=Led Zeppelin.com |format=video}}</ref> In 2010, ''Led Zeppelin IV'' was one of ten classic album covers from British artists [[Great Britain commemorative stamps 2010–2019#2010|commemorated on a UK postage stamp]] issued by the [[Royal Mail]]; they were unveiled by Jimmy Page.<ref>{{Cite news |title=Royal Mail unveil classic album cover stamps |work=The Independent |url=https://www.independent.co.uk/arts-entertainment/music/news/royal-mail-unveil-classic-album-cover-stamps-1860738.html |access-date=23 September 2022 |archive-date=11 May 2020 |archive-url=https://web.archive.org/web/20200511182125/https://www.independent.co.uk/arts-entertainment/music/news/royal-mail-unveil-classic-album-cover-stamps-1860738.html |url-status=live }}</ref><ref>{{Cite news |title=Royal Mail puts classic albums on to stamps |work=The Guardian |url=https://www.theguardian.com/music/gallery/2009/nov/21/guidelines-rock-stamp-album-covers |access-date=23 September 2022 |archive-date=23 September 2022 |archive-url=https://web.archive.org/web/20220923165945/https://www.theguardian.com/music/gallery/2009/nov/21/guidelines-rock-stamp-album-covers |url-status=live }}</ref> Led Zeppelin were named as 2012 recipients of the [[Kennedy Center Honors]].{{sfn|Gans|2007}} |
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|- |
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|[[Image:LedZeppelinPhysicalGraffitialbumcover.jpg|center|100px|]] |
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|February 24, 1975 |
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|''[[Physical Graffiti]]'' #1 U.K. #1 U.S. |
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|"Night Flight"<br>''{{audio|Led Zeppelin Night Flight.ogg|Listen}}'' |
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== Band members == |
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* [[Robert Plant]] – vocals, harmonica |
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|[[Image:LedZeppelinPresencecover.jpg|center|100px|]] |
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* [[Jimmy Page]] – guitars |
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|March 31, 1976 |
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* [[John Paul Jones (musician)|John Paul Jones]] – bass, keyboards |
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|''[[Presence]]'' #1 U.K. #1 U.S. |
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* [[John Bonham]] – drums, percussion <small>(died 1980)</small> |
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|"Achilles Last Stand"<br>''{{audio|Led Zeppelin Achilles Last Stand.ogg|Listen}}'' |
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|[[Image:LedZeppelinInThroughTheOutDoorcover.jpg|center|100px|]] |
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|August 15, 1979 |
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|''[[In Through The Out Door]]'' #1 U.K. #1 U.S. |
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|"Fool in the Rain"<br>''{{audio|Led Zeppelin Fool in the Rain.ogg|Listen}}'' |
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'''Guest musicians post-breakup''' |
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==Filmography== |
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* [[Tony Thompson (drummer)|Tony Thompson]] – drums <small>(1985)</small> |
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*''[[The Song Remains the Same (film)|The Song Remains the Same]]'' ([[1976 in film|1976]]) |
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* [[Phil Collins]] – drums <small>(1985)</small> |
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*''[[Led Zeppelin (DVD)|Led Zeppelin DVD]]'' ([[2003 in film|2003]]) |
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* [[Paul Martinez]] – bass <small>(1985)</small> |
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* [[Jason Bonham]] – drums, percussion, backing vocals <small>(1988, 1995, 2007)</small> |
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* [[Michael Lee (musician)|Michael Lee]] – drums <small>(1995)</small> |
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== |
== Discography == |
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{{Main|Led Zeppelin discography|List of songs recorded by Led Zeppelin}} |
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<div class="references-small" style="-moz-column-count:2; column-count:2;"><references/> |
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* ''[[Led Zeppelin (album)|Led Zeppelin]]'' (1969) |
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</div> |
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* ''[[Led Zeppelin II]]'' (1969) |
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* ''[[Led Zeppelin III]]'' (1970) |
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* [[Led Zeppelin IV|Untitled album]] (1971) (commonly known as ''Led Zeppelin IV'') |
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* ''[[Houses of the Holy]]'' (1973) |
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* ''[[Physical Graffiti]]'' (1975) |
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* ''[[Presence (album)|Presence]]'' (1976) |
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* ''[[In Through the Out Door]]'' (1979) |
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* ''[[Coda (Led Zeppelin album)|Coda]]'' (1982) |
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== |
== See also == |
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* [[List of cover versions of Led Zeppelin songs]] |
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*Dave Lewis (2003), ''Led Zeppelin: Celebration II: The 'Tight But Loose' Files'', London: Omnibus Press. ISBN 1-84449-056-4. |
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* [[List of Led Zeppelin songs written or inspired by others]] |
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*Dave Lewis and Simon Pallett (1997) ''Led Zeppelin: The Concert File'', London: Omnibus Press. ISBN 0-7119-5307-4. |
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*Dave Lewis (2004) ''The Complete Guide to the Music of Led Zeppelin'', London: Omnibus Press, ISBN 0-7119-3528-9. |
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*Chris Welch (2006) ''Led Zeppelin: Dazed and Confused: The Stories Behind Every Song'', Thunder's Mouth Press, ISBN 1-56025-818-7. |
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*Chris Welch (2002), ''Peter Grant: The Man Who Led Zeppelin'', London: Omnibus Press. ISBN 0-7119-9195-2. |
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*[[Richard Cole]] and Richard Trubo (1992), ''Stairway to Heaven: Led Zeppelin Uncensored'', New York: HarperCollins, ISBN 0-06-018323-3. |
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*[[Stephen Davis]] (1985) ''Hammer of the Gods: The Led Zeppelin Saga'', New York: William Morrow & Co., ISBN 0-688-04507-3. |
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*[[Luis Rey]] (1997) ''Led Zeppelin Live: An Illustrated Exploration of Underground Tapes'', Ontario: The [[Hot Wacks]] Press. ISBN 4ISBN 0-9698080-7-0. |
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*Susan Fast (2001) ''In the Houses of the Holy: Led Zeppelin and the Power of Rock Music'', Oxford University Press, ISBN 0-19514-723-5. |
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*''The Rolling Stone Encyclopedia of Rock and Roll'' (2001 edition). |
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== |
== Notes == |
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{{Reflist|group=nb}} |
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{{wikiquote}} |
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*[http://www.ledzeppelin.com/ Led Zeppelin: Official Site] |
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== References == |
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*[http://www.led-zeppelin.com/ Electric Magic] |
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{{Reflist|colwidth=20em}} |
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*[http://www.led-zeppelin.org/ Achilles Last Stand] |
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*[http://www.rockhall.com/hof/inductee.asp?id=141 Rock and Roll Hall of Fame bio] |
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=== Bibliography === |
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*[http://www.rollingstone.com/artists/ledzeppelin/biography Rolling Stone Magazine] |
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{{Refbegin|colwidth=30em}} |
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*[http://www.billboard.com/bbcom/bio/index.jsp?pid=5047&cr=artist&or=ASCENDING&sf=length&kw=Led%20Zeppelin Billboard Magazine] |
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* {{cite magazine|last=Anders|first=Marcel|date=October 2014|title=Q&A: Robert Plant |magazine=[[Classic Rock (magazine)|Classic Rock]]|issue=202}} |
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* {{musicbrainz artist|id=678d88b2-87b0-403b-b63d-5da7465aecc3|name=Led Zeppelin}} |
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* {{Cite book |last1=Batchelor |first1=Bob |title=American Popular Culture Through History: the 1980s |last2=Stoddart |first2=Scott |publisher=Greenwood |year=2007 |isbn=978-0-313-33000-1 |location=Westport, Connecticut}} |
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* {{Cite news |last=Beaumont |first=Mark |date=1 December 2020 |title=The untimely death of Led Zeppelin |work=The Independent |url=https://www.independent.co.uk/arts-entertainment/music/features/led-zeppelin-split-john-bonham-jimmy-page-b1762786.html |access-date=12 July 2021 |archive-date=13 April 2023 |archive-url=https://web.archive.org/web/20230413100955/https://www.independent.co.uk/arts-entertainment/music/features/led-zeppelin-split-john-bonham-jimmy-page-b1762786.html |url-status=live }} |
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* {{cite news|last=Beech|first=Mark|date=29 September 2008|title=Led Zeppelin Singer Robert Plant rules out reunion record, tour|url=https://www.bloomberg.com/apps/news?pid=newsarchive&sid=aU_5GfM1LTsc&refer=muse|access-date=29 September 2008|work=Bloomberg|archive-url=https://web.archive.org/web/20110805024112/http://www.bloomberg.com/apps/news?pid=newsarchive&sid=aU_5GfM1LTsc&refer=muse|archive-date=5 August 2011|url-status=dead}} |
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* {{Cite web |last=Bosso |first=Joe |date=7 January 2009 |title='Led Zeppelin are over!', says Jimmy Page's manager |url=http://www.musicradar.com/news/guitars/led-zeppelin-are-over-says-jimmy-pages-manager-190946 |url-status=dead |archive-url=https://web.archive.org/web/20111012165241/http://www.musicradar.com/news/guitars/led-zeppelin-are-over-says-jimmy-pages-manager-190946 |archive-date=12 October 2011 |access-date=1 October 2011 |website=[[MusicRadar]] }} |
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* {{cite journal|last=Brackett|first=John|title=Examining rhythmic and metric practices in Led Zeppelin's musical style|journal=Popular Music|volume=27|issue=1|pages=53–76|year=2008|doi=10.1017/s0261143008001487|s2cid=55401670|url=https://hcommons.org/deposits/download/hc:16060/CONTENT/examining_rhythmic_and_metric_practices.pdf/|id={{ProQuest|1325852}}|access-date=1 June 2020|archive-date=27 September 2023|archive-url=https://web.archive.org/web/20230927162938/https://hcommons.org/deposits/objects/hc:16060/datastreams/CONTENT/content?download=true|url-status=live|issn=0261-1430 }} |
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* {{Cite book |last=Brown |first=Pat |title=The Guide to United States Popular Culture |publisher=Popular Press |year=2001 |isbn=978-0-87972-821-2 |location=Minneapolis}} |
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* {{Cite book |last=Buckley |first=Peter |url=https://archive.org/details/roughguidetorock00roug |title=The Rough Guide to Rock |publisher=Penguin Books |year=2003 |isbn=978-1-85828-457-6 |location=London }} |
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* {{Cite book |last=Budofsky |first=Adam |url=https://books.google.com/books?id=MWA6a9AKhzUC&pg=PA147 |title=The Drummer: 100 Years of Rhythmic Power and Invention |publisher=Hal Leonard |year=2006 |isbn=978-1-4234-0567-2 |location=Milwaukee |access-date=26 December 2015 |archive-url=https://web.archive.org/web/20160913135251/https://books.google.com/books?id=MWA6a9AKhzUC&pg=PA147 |archive-date=13 September 2016 |url-status=live }} |
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* {{Cite book |last=Bukszpan |first=Daniel |title=The Encyclopedia of Heavy Metal |publisher=Barnes & Noble |year=2003 |isbn=978-0-7607-4218-1 |location=New York}} |
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* {{cite magazine|last=Chamberlain|first=Rich|date=October 2014|title=Heavy Load: Myles Kennedy|magazine=[[Classic Rock (magazine)|Classic Rock]]|issue=202}} |
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* {{cite news|last=Christgau|first=Robert|author-link=Robert Christgau|date=15 June 1972a|url=https://www.robertchristgau.com/xg/news/nd720615.php|title=A Power Plant|work=[[Newsday]]|access-date=10 September 2018|via=www.robertchristgau.com|url-status=live|archive-date=26 April 2019|archive-url=https://web.archive.org/web/20190426105401/https://www.robertchristgau.com/xg/news/nd720615.php}} |
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* {{cite news|last=Christgau|first=Robert|date=December 1972b|url=https://www.robertchristgau.com/xg/bk-aow/mott.php|title=Growing Up Grim With Mott the Hoople|work=Newsday|access-date=10 September 2018|via=www.robertchristgau.com|url-status=live|archive-date=10 September 2018|archive-url=https://web.archive.org/web/20180910204453/https://www.robertchristgau.com/xg/bk-aow/mott.php}} |
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* {{cite news|last=Christgau|first=Robert|date=31 March 1980|url=https://www.robertchristgau.com/xg/cg/cgv3-80.php|title=Christgau's Consumer Guide|work=[[The Village Voice]]|access-date=6 September 2018|via=www.robertchristgau.com|url-status=live|archive-date=25 August 2018|archive-url=https://web.archive.org/web/20180825025717/http://www.robertchristgau.com/xg/cg/cgv3-80.php}} |
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* {{Cite book |last=Clinton |first=Heylin |title=Bootleg! The Rise & Fall of the Secret Recording Industry |publisher=Omnibus Press |year=2004 |isbn=978-1-84449-151-3 |location=London}} |
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* {{cite news|last=Cochrane|first=Greg|date=23 January 2009|work=BBC|url=http://news.bbc.co.uk/newsbeat/hi/music/newsid_7846000/7846658.stm|access-date=13 March 2011|archive-url=https://web.archive.org/web/20090126040104/http://news.bbc.co.uk/newsbeat/hi/music/newsid_7846000/7846658.stm|url-status=dead|archive-date=26 January 2009|title=Lady GaGa reveals her touring secrets}} |
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* {{cite magazine|last=Cohen|first=Jonathan|url=https://www.billboard.com/articles/news/1050472/led-zeppelin-readies-fall-reissue-bonanza|title=Led Zeppelin readies fall reissue bonanza|magazine=Billboard|date=27 July 2007|access-date=1 October 2011|archive-date=26 January 2013|archive-url=https://web.archive.org/web/20130126230903/http://www.billboard.com/articles/news/1050472/led-zeppelin-readies-fall-reissue-bonanza|url-status=live}} |
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* {{Cite book |last=Cope |first=Andrew L. |title=Black Sabbath and the Rise of Heavy Metal Music |publisher=Ashgate |year=2010 |isbn=978-0-7546-6881-7 |location=Aldershot}} |
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* {{Cite web |last=Davies |first=Claire |date=29 September 2010 |title=Megadeth interview (Monster Riffs Week): Megadeth axeman Dave Mustaine walks Total Guitar through the fiery riff from 'Hangar 18' |url=http://www.musicradar.com/totalguitar/monster-riffs-week-megadeth-interview-280473/3 |url-status=dead |archive-url=https://web.archive.org/web/20120202082432/http://www.musicradar.com/totalguitar/monster-riffs-week-megadeth-interview-280473?cpn=RSS&source=MRTOTALGUITAR |archive-date=2 February 2012 |access-date=22 February 2012 |website=Total Guitar }} |
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* {{Cite book |last=Davis |first=Erik |title=Led Zeppelin IV |publisher=Continuum |year=2005 |isbn=978-0-8264-1658-2 |location=New York}} |
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* {{cite magazine|last=Davis|first=Stephen|date=20 May 1976|author-link=Stephen Davis (music journalist)|title=Album Review: Led Zeppelin: Presence|magazine=Rolling Stone|url=https://www.rollingstone.com/artists/ledzeppelin/albums/album/224305/review/5945483/presence|archive-url=https://web.archive.org/web/20090423153508/http://www.rollingstone.com/artists/ledzeppelin/albums/album/224305/review/5945483/presence|archive-date=23 April 2009|access-date=29 July 2011|url-status=dead}} |
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* {{Cite book |last=Davis |first=Stephen |title=Hammer of the Gods: The Led Zeppelin Saga |title-link=Hammer of the Gods (book) |publisher=Pan |year=1985 |isbn=978-0-330-34287-2 |location=London |author-link=Stephen Davis (music journalist)}} |
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* {{Cite web |last=Dawtrey |first=Adam |date=26 October 2012 |title='Zeppelin' film grosses $2 mil in one night |url=https://variety.com/2012/film/news/zeppelin-film-grosses-2-mil-in-one-night-1118061306/ |url-status=live |archive-url=https://web.archive.org/web/20130106173816/http://www.variety.com/article/VR1118061306/ |archive-date=6 January 2013 |access-date=12 January 2013 |website=[[Variety (magazine)|Variety]] |publisher=[[Penske Media Corporation|Penske Business Media]] }} |
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* {{Cite web |last=Day |first=Adrienne |date=4 July 2005 |title=The Records That Changed My Life: Bernard Sumner of New Order |url=https://www.spin.com/2005/07/records-changed-my-life-bernard-sumner-new-order/ |url-status=live |archive-url=https://web.archive.org/web/20180612142102/https://www.spin.com/2005/07/records-changed-my-life-bernard-sumner-new-order/ |archive-date=12 June 2018 |access-date=31 August 2017 |website=Spin }} |
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* {{Cite web |last=Erlewine |first=Stephen Thomas |year=2007 |title=The Cult – Biography |url=https://www.allmusic.com/artist/p4001 |access-date=15 January 2007 |website=AllMusic |archive-date=17 October 2010 |archive-url=https://web.archive.org/web/20101017062429/http://www.allmusic.com/artist/p4001 |url-status=live }} |
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* {{Cite web |last=Erlewine |first=Stephen Thomas |year=2010 |title=Led Zeppelin: Led Zeppelin II: review |url=https://www.allmusic.com/album/r11460 |access-date=5 September 2010 |website=AllMusic |archive-date=3 January 2011 |archive-url=https://web.archive.org/web/20110103000930/http://www.allmusic.com/album/r11460 |url-status=live }} |
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* {{Cite web |last=Erlewine |first=Stephen Thomas |date=2011a |title=Led Zeppelin: biography |url=https://www.allmusic.com/artist/led-zeppelin-p4739/biography |url-status=live |archive-url=https://web.archive.org/web/20110905083801/http://allmusic.com/artist/led-zeppelin-p4739/biography |archive-date=5 September 2011 |access-date=8 September 2011 |website=AllMusic }} |
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* {{Cite web |last=Erlewine |first=Stephen Thomas |date=2011b |title=Led Zeppelin: Led Zeppelin: review |url=https://www.allmusic.com/album/led-zeppelin-r11459/review |url-status=live |archive-url=https://web.archive.org/web/20110926082019/http://www.allmusic.com/album/led-zeppelin-r11459/review |archive-date=26 September 2011 |access-date=16 September 2011 |website=AllMusic }} |
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* {{Cite web |last=Erlewine |first=Stephen Thomas |year=2011c |title=Led Zeppelin: Led Zeppelin Box Set: review |url=https://www.allmusic.com/album/led-zeppelin-box-set-r11470/review |access-date=22 September 2011 |website=AllMusic |archive-date=27 September 2023 |archive-url=https://web.archive.org/web/20230927162939/https://www.allmusic.com/album/led-zeppelin-box-set--mw0000690188 |url-status=live }} |
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* {{Cite web |last=Erlewine |first=Stephen Thomas |year=2011e |title=Led Zeppelin: Led Zeppelin Box Set 2: review |url=https://www.allmusic.com/album/led-zeppelin-box-set-2-r168735 |access-date=22 September 2011 |website=AllMusic |archive-date=28 August 2011 |archive-url=https://web.archive.org/web/20110828031654/http://www.allmusic.com/album/led-zeppelin-box-set-2-r168735 |url-status=live }} |
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* {{Cite web |last=Erlewine |first=Stephen Thomas |year=2011f |title=Led Zeppelin: BBC Sessions: review |url=https://www.allmusic.com/album/bbc-sessions-r318040/review |url-status=live |archive-url=https://web.archive.org/web/20111125092924/http://www.allmusic.com/album/bbc-sessions-r318040/review |archive-date=25 November 2011 |access-date=22 September 2011 |website=AllMusic }} |
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* {{Cite book |last=Fast |first=Susan |title=In the Houses of the Holy: Led Zeppelin and the Power of Rock Music |publisher=Oxford University Press |year=2001 |isbn=978-0-19-514723-0 |location=New York}} |
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* {{Cite encyclopedia |year=2011 |title=Led Zeppelin (British Rock Group) |encyclopedia=[[Encyclopædia Britannica]] |url=https://www.britannica.com/EBchecked/topic/334473/Led-Zeppelin |access-date=17 January 2010 |last=Fast |first=Susan |archive-url=https://web.archive.org/web/20100212201316/https://www.britannica.com/EBchecked/topic/334473/Led-Zeppelin |archive-date=12 February 2010 |url-status=live }} |
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* {{cite magazine|last=Fortnam|first=Ian|date=2008|title=Dazed & Confused |magazine=[[Classic Rock Magazine]]: Classic Rock Presents Led Zeppelin}}{{full citation needed|date=July 2020|reason=Best guess is that this is a magazine source. Title is probably incorrect; need volume, issue or full date. (Improved guess July 2022 based on refs in Robert Plant article.)}} |
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* {{Cite book |last=Fyfe |first=Andy |url=https://archive.org/details/whenleveebreaks00andy |title=When the Levee Breaks: The Making of Led Zeppelin IV |publisher=Chicago Review Press |year=2003 |isbn=978-1-55652-508-7 |location=Chicago }} |
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* {{cite news |last=Gans |first=Alan |title=Dustin Hoffman, David Letterman, Natalia Makarova, Buddy Guy, Led Zeppelin Are Kennedy Center Honorees |url=http://www.playbill.com/news/article/169937-Dustin-Hoffman-David-Letterman-Natalia-Makarova-Buddy-Guy-Led-Zeppelin-Are-Kennedy-Center-Honorees |work=Playbill |access-date=12 September 2012 |date=11 December 2007 |url-status=dead |archive-date=9 November 2012 |archive-url=https://web.archive.org/web/20121109035635/http://www.playbill.com/news/article/169937-Dustin-Hoffman-David-Letterman-Natalia-Makarova-Buddy-Guy-Led-Zeppelin-Are-Kennedy-Center-Honorees }} |
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* {{cite news |last=Gardner |first=Alan |title=You review: Led Zeppelin |url=https://www.theguardian.com/music/musicblog/2007/dec/11/youreviewledzeppelin |work=The Guardian |access-date=20 February 2012 |date=11 December 2007 |archive-date=13 January 2014 |archive-url=https://web.archive.org/web/20140113210713/http://www.theguardian.com/music/musicblog/2007/dec/11/youreviewledzeppelin |url-status=live }} |
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* {{Cite book |last=Gaar |first=Gillian G. |title=The Rough Guide to Nirvana |publisher=Dorling Kindersley |year=2009 |isbn=978-1-85828-945-8 |location=London}} |
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* {{cite news |first=Gabriel |last=García Márquez |date=8 June 2002 |title=The poet and the princess |work=The Guardian |url=https://www.theguardian.com/lifeandstyle/2002/jun/08/shopping.colombia |archive-url=https://web.archive.org/web/20170802170421/https://www.theguardian.com/lifeandstyle/2002/jun/08/shopping.colombia |archive-date=2 August 2017 |url-status=live |access-date=20 February 2012 }} |
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* {{Cite book |last=Garofalo |first=Reebee |title=Rockin' Out: Popular Music in the USA |publisher=Pearson Prentice Hall |year=2008 |isbn=978-0-13-234305-3 |edition=4th}} |
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* {{cite magazine|last=Gilmore|first=Mikal|title=The Long Shadow of Led Zeppelin|magazine=Rolling Stone|date=10 August 2006|url=https://www.rollingstone.com/music/features/the-long-shadow-of-led-zeppelin-20060810|access-date=1 July 2020|archive-date=13 June 2018|archive-url=https://web.archive.org/web/20180613234300/https://www.rollingstone.com/music/features/the-long-shadow-of-led-zeppelin-20060810|url-status=live}} |
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* {{cite magazine |first=Andy |last=Greene |url=https://www.rollingstone.com/music/news/led-zeppelins-2007-reunion-concert-to-hit-theaters-in-october-20120913 |title=Led Zeppelin's 2007 reunion concert to hit theatres in October |magazine=Rolling Stone |date=13 September 2012 |access-date=29 September 2012 |archive-url=https://web.archive.org/web/20120918040533/http://www.rollingstone.com/music/news/led-zeppelins-2007-reunion-concert-to-hit-theaters-in-october-20120913 |archive-date=18 September 2012 |url-status=live }} |
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* {{Cite book |last=Grohl |first=Dave |title=Rolling Stone: The 100 Greatest Artists of All Time |publisher=Rolling Stone |year=2011 |editor-last=Brackett |editor-first=Nathan |chapter=Led Zeppelin |access-date=2 September 2017 |chapter-url=https://www.rollingstone.com/music/lists/100-greatest-artists-of-all-time-19691231/led-zeppelin-20110419 |archive-url=https://web.archive.org/web/20121019204145/http://www.rollingstone.com/music/lists/100-greatest-artists-of-all-time-19691231/led-zeppelin-20110419 |archive-date=19 October 2012 |url-status=live }} |
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* {{Cite encyclopedia |year=2002 |title=Alternative rock |encyclopedia=St. James Encyclopedia of Pop Culture 2002 |publisher=Gale Group |url=http://findarticles.com/p/articles/mi_g1epc/is_tov/ai_2419100030/ |last=Grossman |first=Perry |isbn=1-55862-400-7 |archive-url=https://web.archive.org/web/20101013070816/http://findarticles.com/p/articles/mi_g1epc/is_tov/ai_2419100030/ |archive-date=13 October 2010 |url-status=dead }} |
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* {{cite magazine|last=Grow|first=Kory|date=3 June 2015|title=Led Zeppelin Announce Final Three Deluxe Reissues|magazine=[[Rolling Stone]]|url=https://www.rollingstone.com/music/news/led-zeppelin-announce-final-three-deluxe-reissues-20150603|access-date=3 June 2015|archive-date=4 June 2015|archive-url=https://web.archive.org/web/20150604144435/http://www.rollingstone.com/music/news/led-zeppelin-announce-final-three-deluxe-reissues-20150603|url-status=live}} |
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* {{Cite book |last=Gulla |first=Bob |title=Guitar Gods: The 25 Players Who Made Rock History |publisher=ABC-CLIO |year=2001 |isbn=978-0-313-35806-7 |location=Santa Barbara, California}} |
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* {{Cite book |last=Haskins |first=Django |url=https://books.google.com/books?id=VwS-wUBRvnoC&q=smashing+pumpkins+led+zeppelin&pg=PR15 |title=Stand Alone Tracks '90s Rock: Handy Guide, Book & CD |publisher=Alfred Music |year=1995 |isbn=978-0-88284-658-3 |location=Los Angeles |access-date=26 October 2020 |archive-date=27 September 2023 |archive-url=https://web.archive.org/web/20230927162939/https://books.google.com/books?id=VwS-wUBRvnoC&q=smashing+pumpkins+led+zeppelin&pg=PR15#v=snippet&q=smashing%20pumpkins%20led%20zeppelin&f=false |url-status=live }} |
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* {{Cite web |last=Hendicott |first=James |date=5 July 2011 |title=Ke$ha: 'I have 200 songs for my second album' |url=https://www.nme.com/news/keha/57771 |url-status=dead |archive-url=https://web.archive.org/web/20150723220910/http://www.nme.com/news/keha/57771 |archive-date=23 July 2015 |access-date=21 January 2017 |website=NME }} |
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* {{Cite web |last=Huey |first=Steve |year=2011 |title=The Honeydrippers: biography |url=https://www.allmusic.com/artist/the-honeydrippers-p4507/biography |url-status=live |archive-url=https://web.archive.org/web/20110114220027/http://www.allmusic.com/artist/the-honeydrippers-p4507/biography |archive-date=14 January 2011 |access-date=19 September 2011 |website=AllMusic }} |
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* {{Cite web |last=Hughes |first=Rob |date=January 2010 |title=The real Jimmy Page |url=http://www.uncut.co.uk/music/jimmy_page/special_features/12529 |url-status=dead |archive-url=https://web.archive.org/web/20110101051527/http://www.uncut.co.uk/music/jimmy_page/special_features/12529 |archive-date=1 January 2011 |access-date=31 May 2010 |website=Uncut }} |
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* {{cite magazine |first=Nigel |last=Hunter |url=https://books.google.com/books?id=KBAEAAAAMBAJ&q=ivor+novello+award+led+zeppelin+1997+lifetime+achievement&pg=PA48 |title=Anniversaries abound at the Novello Awards |magazine=Billboard |date=21 June 1997 |access-date=18 December 2011 |archive-date=27 September 2023 |archive-url=https://web.archive.org/web/20230927163441/https://books.google.com/books?id=KBAEAAAAMBAJ&q=ivor+novello+award+led+zeppelin+1997+lifetime+achievement&pg=PA48#v=snippet&q=ivor%20novello%20award%20led%20zeppelin%201997%20lifetime%20achievement&f=false |url-status=live }} |
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* {{Cite web |last=johnrobb |date=26 October 2012 |title=Peter Hook : my top 10 favourite albums – Louder Than War |url=http://louderthanwar.com/peter-hook-my-top-10-favourite-albums/ |url-status=live |archive-url=https://web.archive.org/web/20170827051450/http://louderthanwar.com/peter-hook-my-top-10-favourite-albums/ |archive-date=27 August 2017 |access-date=31 August 2017 }} |
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* {{Cite web |last=Jones |first=Robert |date=2 April 2003 |title=Conservative Punk's interview with Johnny Ramone |url=http://www.robertjonesphoto.com/johnnyramone.html |url-status=live |archive-url=https://web.archive.org/web/20101204132350/http://www.robertjonesphoto.com/johnnyramone.html |archive-date=4 December 2010 |access-date=2 December 2010 }} |
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* {{Cite web |last=Lane |first=Daniel |date=10 November 2013 |title=Eminem scores seventh consecutive UK Number 1 album |url=http://www.officialcharts.com/chart-news/eminem-scores-seventh-consecutive-uk-number-1-album-2599/ |url-status=dead |archive-url=https://web.archive.org/web/20141008102148/http://www.officialcharts.com/chart-news/eminem-scores-seventh-consecutive-uk-number-1-album-2599/ |archive-date=8 October 2014 |access-date=30 September 2016 |publisher=Official Charts Company }} |
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* {{cite news |first=Michael |last=Leonard |title=Robert Plant awarded CBE in UK Honours list |url=http://www.musicradar.com/news/guitars/robert-plant-awarded-cbe-in-uk-honours-list-189898 |work=MusicRadar |date=31 December 2008 |access-date=18 December 2011 |archive-url=https://web.archive.org/web/20120513154843/http://www.musicradar.com/news/guitars/robert-plant-awarded-cbe-in-uk-honours-list-189898 |archive-date=13 May 2012 |url-status=live }} |
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* {{Cite book |last=Lewis |first=Dave |title=The Complete Guide to the Music of Led Zeppelin |publisher=Omnibus Press |year=1994 |isbn=978-0-7119-3528-0 |location=London}} |
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* {{Cite book |last=Lewis |first=Dave |url=https://books.google.com/books?id=oFWS0Xx3esYC&pg=PA166 |title=Led Zeppelin: Celebration II: The 'Tight But Loose' Files |publisher=Omnibus Press |year=2003 |isbn=978-1-84449-056-1 |location=London |access-date=26 December 2015 |archive-url=https://web.archive.org/web/20160506153639/https://books.google.com/books?id=oFWS0Xx3esYC&pg=PA166 |archive-date=6 May 2016 |url-status=live }} |
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* {{Cite book |last1=Lewis |first1=Dave |title=Led Zeppelin: The Concert File |last2=Pallett |first2=Simon |publisher=Omnibus Press |year=1997 |isbn=978-0-7119-5307-9 |location=London}} |
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* {{cite magazine |last=Light |first=Alan |date=20 October 2020 |title=Jimmy Page Is Still Practicing |magazine=Esquire |url=https://www.esquire.com/entertainment/music/a34417764/jimmy-page-2020-interview/ |access-date=6 March 2021 |archive-date=6 December 2020 |archive-url=https://web.archive.org/web/20201206153052/https://www.esquire.com/entertainment/music/a34417764/jimmy-page-2020-interview/ |url-status=live }} |
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* {{cite news |first=Carola |last=Long |title=Led Zeppelin: the enduring influence of flares and flowing locks |work=The Independent |url=https://www.independent.co.uk/arts-entertainment/music/features/led-zeppelin-the-enduring-influence-of-flares-and-flowing-locks-763442.html |archive-url=https://web.archive.org/web/20080405082313/http://www.independent.co.uk/arts-entertainment/music/features/led-zeppelin-the-enduring-influence-of-flares-and-flowing-locks-763442.html |url-status=dead |archive-date=5 April 2008 |date=7 December 2007 |access-date=27 September 2011 }} |
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* {{Cite book |last=McIver |first=Joel |title=Sabbath Bloody Sabbath |publisher=Omnibus Press |year=2006 |isbn=978-1-84449-982-3 |location=London |author-link=Joel McIver}} |
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* {{cite news |last=Melua |first=Katie |url=https://www.independent.co.uk/arts-entertainment/music/features/led-zeppelin-katie-melua-on-rocknroll-riffs-that-rake-the-psyche-763443.html |title=Led Zeppelin: Katie Melua on rock'n'roll riffs that rake the psyche |work=The Independent |date=7 December 2007 |access-date=5 March 2010 |url-status=live |archive-date=23 May 2012 |archive-url=https://web.archive.org/web/20120523220138/http://www.independent.co.uk/arts-entertainment/music/features/led-zeppelin-katie-melua-on-rocknroll-riffs-that-rake-the-psyche-763443.html }} |
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* {{cite magazine|first=Jim|last=Miller|title=Album review: Physical Graffiti|magazine=Rolling Stone|date=27 March 1975|url=https://www.rollingstone.com/music/albumreviews/physical-graffiti-19750327|archive-url=https://web.archive.org/web/20090423132813/http://www.rollingstone.com/artists/ledzeppelin/albums/album/158693/review/5944206/physical_graffiti|archive-date=23 April 2009|access-date=29 July 2011}} |
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* {{cite news|first=Charles Shaar|last=Murray|author-link=Charles Shaar Murray|title=The Guv'nors|work=[[Mojo (magazine)|Mojo]]|date=August 2004}} |
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* {{Cite web |last=Nur Pervan |first=Melek |date=15 February 2022 |title=Klaus Meine Names The Song That Laid Out The Formula For Scorpions |url=https://rockcelebrities.net/klaus-meine-names-the-song-that-laid-out-the-formula-for-scorpions/ |access-date=28 April 2022 |archive-date=19 May 2022 |archive-url=https://web.archive.org/web/20220519000019/https://rockcelebrities.net/klaus-meine-names-the-song-that-laid-out-the-formula-for-scorpions/ |url-status=live }} |
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* {{cite news |last=Pareles |first=Jon |url=https://query.nytimes.com/gst/fullpage.html?res=9903EEDF1738F937A25754C0A961958260 |title=Lollapalooza's recycled hormones: rebellion by the numbers |work=The New York Times |date=14 July 1997 |access-date=4 December 2010 |archive-date=17 June 2008 |archive-url=https://web.archive.org/web/20080617003352/http://query.nytimes.com/gst/fullpage.html?res=9903EEDF1738F937A25754C0A961958260 |url-status=live }} |
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* {{Cite book |last=Peddie |first=Ian |title=The Resisting Muse: Popular Music and Social Protest |publisher=Ashgate |year=2006 |isbn=978-0-7546-5114-7 |editor-last=Ian Peddie |location=Aldershot |chapter=The bleak country: the Black Country and the rhetoric of escape}} |
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* {{cite magazine|first=Steven |last=Pond |title=Led Zeppelin: The Song Remains the Same |magazine=Rolling Stone |volume=522|date=24 March 1988 }} |
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* {{Cite web |last=Prato |first=Greg |year=2008 |title=Jimmy Page: biography |url=https://www.allmusic.com/artist/jimmy-page-p5091/biography |url-status=live |archive-url=https://web.archive.org/web/20101112000235/http://allmusic.com/artist/jimmy-page-p5091/biography |archive-date=12 November 2010 |access-date=11 November 2008 |website=AllMusic }} |
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* {{Cite book |last1=Prown |first1=Pete |title=Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists |last2=Newquist |first2=H. P. |last3=Eiche |first3=Jon F. |publisher=H.Leonard |year=1997 |isbn=978-0-7935-4042-6 |location=Milwaukee}} |
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* {{Cite web |last=Renshaw |first=David |date=30 October 2012 |title=Jimmy Page remastering Led Zeppelin albums for 2013 boxset release |url=https://www.nme.com/news/music/led-zeppelin-98-1247962 |url-status=live |archive-url=https://web.archive.org/web/20170202091950/http://www.nme.com/news/music/led-zeppelin-98-1247962 |archive-date=2 February 2017 |access-date=22 January 2017 |website=NME }} |
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* {{Cite book |last1=Schinder |first1=Scott |url=https://archive.org/details/iconsofrockencyc0000schi |title=Icons of Rock |last2=Schwartz |first2=Andy |publisher=Greenwood |year=2008 |isbn=978-0-313-33846-5 |location=Westport, Connecticut |url-access=registration }} |
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* {{Cite book |last=Shadwick |first=Keith |title=Led Zeppelin: The Story of a Band and Their Music 1968–1980 |publisher=Backbeat Books |year=2005 |isbn=978-0-87930-871-1 |location=San Francisco}} |
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* {{cite news |url=http://edition.cnn.com/2007/SHOWBIZ/Music/12/09/led.zep/index.html |title=Can Led Zeppelin still rock? |last=Sorel-Cameron |first=Peter |date=9 December 2007 |work=CNN.com Entertainment |access-date=17 February 2011 |archive-date=26 February 2011 |archive-url=https://web.archive.org/web/20110226125245/http://edition.cnn.com/2007/SHOWBIZ/Music/12/09/led.zep/index.html |url-status=live }} |
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* {{Cite web |last=Sparks |first=Ryan |year=2010 |title=Carpe Diem: an exclusive interview with Mike Portnoy from Dream Theater |url=http://www.classicrockrevisited.com/interviewsportnoy.htm |archive-url=https://web.archive.org/web/20100103230524/http://classicrockrevisited.com/interviewsportnoy.htm |archive-date=3 January 2010 |access-date=29 July 2011 |publisher=classicrockrevisited.com }} |
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* {{Cite book |last=Straw |first=Will |title=On Record: Rock, Pop and the Written Word |publisher=Routledge |year=1990 |isbn=978-0-415-05306-8 |editor-last=Simon Frith |location=London |chapter=Characterizing rock music culture: the case of heavy metal |editor-last2=Andrew Goodwin}} |
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* {{cite news|last=Talmadge|first=Eric|url=https://www.huffingtonpost.com/2008/01/28/led-zeppelin-guitarist-wa_n_83534.html|title=Led Zeppelin guitarist wants World tour|work=The Huffington Post|date=28 January 2008|access-date=25 November 2008|archive-date=18 September 2008|archive-url=https://web.archive.org/web/20080918081945/http://www.huffingtonpost.com/2008/01/28/led-zeppelin-guitarist-wa_n_83534.html|url-status=live}} |
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* {{Cite book |last=Thompson |first=Dave |url=https://books.google.com/books?id=LzzCw6xs9roC&q=Led+Zeppelin+Deep+Purple&pg=PA61 |title=Smoke on the Water: The Deep Purple Story |publisher=ECW Press |year=2004 |isbn=978-1-55022-618-8 |location=Toronto, Ontario |access-date=26 October 2020 |archive-date=27 September 2023 |archive-url=https://web.archive.org/web/20230927163442/https://books.google.com/books?id=LzzCw6xs9roC&q=Led+Zeppelin+Deep+Purple&pg=PA61#v=snippet&q=Led%20Zeppelin%20Deep%20Purple&f=false |url-status=live }} |
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* {{cite news|first=Vanessa|last=Thorpe|url=https://www.theguardian.com/uk/2007/jul/29/musicnews.music|title=Led Zeppelin join the net generation|work=The Observer|date=29 July 2007|access-date=23 July 2011|archive-date=5 October 2013|archive-url=https://web.archive.org/web/20131005061523/http://www.theguardian.com/uk/2007/jul/29/musicnews.music|url-status=live}} |
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* {{cite news |first=Gustavo |last=Turner |url=http://www.laweekly.com/2010-08-26/music/the-l-a-weekly-interview-billy-corgan/3/ |title=The L.A. weekly interview: Billy Corgan |work=LA Weekly |date=26 August 2010 |access-date=20 October 2010 |archive-date=31 August 2010 |archive-url=https://web.archive.org/web/20100831094238/http://www.laweekly.com/2010-08-26/music/the-l-a-weekly-interview-billy-corgan/3/ |url-status=live }} |
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* {{Cite book |last=Waksman |first=Steve |url=https://books.google.com/books?id=-DWxyYapaBwC&q=led+zeppelin&pg=PA238 |title=Instruments of Desire: the Electric Guitar and the Shaping of Musical Experience |publisher=[[Harvard University Press]] |year=2001 |isbn=978-0-674-00547-1 |location=Cambridge, Massachusetts |access-date=26 October 2020 |archive-date=27 September 2023 |archive-url=https://web.archive.org/web/20230927163443/https://books.google.com/books?id=-DWxyYapaBwC&q=led+zeppelin&pg=PA238#v=snippet&q=led%20zeppelin&f=false |url-status=live }} |
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* {{Cite book |last=Waksman |first=Steve |title=This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk |publisher=University of California Press |year=2009 |isbn=978-0-520-25310-0 |location=Berkeley, California}} |
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* {{cite news|first=Michael|last=Wale|url=http://archive.timesonline.co.uk/tol/viewArticle.arc?articleId=ARCHIVE-The_Times-1973-07-11-11-003&pageId=ARCHIVE-The_Times-1973-07-11-11|title=Led Zeppelin|work=The Times|date=11 July 1973|access-date=23 January 2010}}{{dead link|date=November 2024|bot=medic}}{{cbignore|bot=medic}} |
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* {{cite book|first=Mick|last=Wall|author-link=Mick Wall|year=2008|title=When Giants Walked the Earth: A Biography of Led Zeppelin|location=London|publisher=Orion|isbn=978-1-4091-0319-6|url=https://books.google.com/books?id=d0-nmLBW-SUC}} |
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* {{cite news|last=Wall|first=Mick|date=1 November 2008a|title=The truth behind the Led Zeppelin legend|url=https://www.thetimes.co.uk/article/the-truth-behind-the-led-zeppelin-legend-k5z80vsmpqc|work=[[The Times]]|archive-url=https://web.archive.org/web/20191219230054/https://www.thetimes.co.uk/article/the-truth-behind-the-led-zeppelin-legend-k5z80vsmpqc|archive-date=19 December 2019}} |
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* {{cite book|first=Robert|last=Walser |author-link=Robert Walser (musicologist) |year=1993 |title=Running with the Devil: Power, Gender, and Madness in Heavy Metal Music |location=New York |publisher=Wesleyan University Press |isbn=978-0-8195-6260-9}} |
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* {{cite book|first=Chris|last=Welch|author-link=Chris Welch|year=1994|title=Led Zeppelin|location=London|publisher=Orion|isbn=978-1-85797-930-5}} |
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* {{cite book|first1=Chris|last1=Welch|first2=Geoff|last2=Nicholls|year=2001|title=John Bonham: A Thunder of Drums|location=San Francisco|publisher=Backbeat |isbn=978-0-87930-658-8}} |
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* {{cite news|first=Nigel|last=Williamson|title=Forget the myths |work=[[Uncut (magazine)|Uncut]] |date=May 2005 }} |
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* {{cite book|first=Nigel|last=Williamson|year=2007|title=The Rough Guide to Led Zeppelin|place=London|publisher=Dorling Kindersley|isbn=978-1-84353-841-7}} |
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* {{cite book|first=Scott|last=Witmer|year=2010|title=History of Rock Bands|location=Edina, Minnesota|publisher=ABDO|isbn=978-1-60453-692-8}} |
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* {{cite book|first=Ritchie|last=Yorke|author-link=Ritchie Yorke|year=1993|title=Led Zeppelin: The Definitive Biography|url=https://archive.org/details/ledzeppelindefin0000york|url-access=registration|location=Novato, California|publisher=Underwood–Miller|isbn=978-0-88733-177-0}} |
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{{refend}} |
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== Further reading == |
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{{Refbegin}} |
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* {{Cite web |title=Sold on song: Stairway to Heaven |url=https://www.bbc.co.uk/radio2/soldonsong/songlibrary/indepth/stairway.shtml |url-status=live |archive-url=https://web.archive.org/web/20040709101842/https://www.bbc.co.uk/radio2/soldonsong/songlibrary/indepth/stairway.shtml |archive-date=9 July 2004 |access-date=22 September 2011 |publisher=[[BBC Radio 2]]}} |
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* {{Cite book|last=Christgau|first=Robert|author-link=Robert Christgau|chapter=Genius Dumb: Led Zeppelin|chapter-url=https://books.google.com/books?id=EdN8VLiEZtcC&pg=PA89|title=Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno|pages=89–90|year=1998|publisher=[[Harvard University Press]]|isbn=978-0-674-44318-1}} |
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* {{Cite web |last=Copsey |first=Rob |date=19 June 2020 |title=Live albums: The Number 1s and top sellers on the Official Chart |url=https://www.officialcharts.com/chart-news/live-albums-the-number-1s-and-top-sellers-on-the-official-chart__30022/ |url-status=live |archive-url=https://web.archive.org/web/20200715170045/https://www.officialcharts.com/chart-news/live-albums-the-number-1s-and-top-sellers-on-the-official-chart__30022/ |archive-date=15 July 2020 |access-date=16 July 2022 |publisher=[[Official Charts Company]]}} |
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* {{Cite magazine|last=Fricke|first=David|author-link=David Fricke|date=26 November 2012|title=Jimmy Page Digs Up 'Substantial' Rarities for New Led Zeppelin Remasters|magazine=Rolling Stone|url=https://www.rollingstone.com/music/blogs/alternate-take/jimmy-page-digs-up-substantial-rarities-for-new-led-zeppelin-remasters-20121126|access-date=27 November 2012|archive-date=27 November 2012|archive-url=https://web.archive.org/web/20121127083403/http://www.rollingstone.com/music/blogs/alternate-take/jimmy-page-digs-up-substantial-rarities-for-new-led-zeppelin-remasters-20121126|url-status=dead}} |
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* {{Cite magazine|last=Greene|first=Andy|title=This week in rock history: Bob Dylan wins his first Grammy and Led Zeppelin become the Nobs|magazine=Rolling Stone|date=28 February 2011|url=https://www.rollingstone.com/music/news/this-week-in-rock-history-bob-dylan-wins-his-first-grammy-and-led-zeppelin-become-the-nobs-20110228|access-date=24 April 2011|archive-date=8 April 2011|archive-url=https://web.archive.org/web/20110408060856/http://www.rollingstone.com/music/news/this-week-in-rock-history-bob-dylan-wins-his-first-grammy-and-led-zeppelin-become-the-nobs-20110228|url-status=live}} |
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* {{Cite web |last=Grein |first=Paul |date=20 December 2012 |title=Chart watch extra: Led Zep's road to the Kennedy Center Honors |url=http://music.yahoo.com/blogs/chart-watch/chart-watch-extra-led-zep-road-kennedy-center-205104385.html |url-status=live |archive-url=https://web.archive.org/web/20121231214135/http://music.yahoo.com/blogs/chart-watch/chart-watch-extra-led-zep-road-kennedy-center-205104385.html |archive-date=31 December 2012 |access-date=27 December 2012 |publisher=Yahoo! Chart Watch}} |
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* {{Cite web |last=Kielty |first=Martin |date=28 November 2012 |title=Led Zep talks will delay remasters |url=http://www.classicrockmagazine.com/news/led-zeppelin-talks-will-delay-remasters/ |url-status=dead |archive-url=https://web.archive.org/web/20121201080946/http://www.classicrockmagazine.com/news/led-zeppelin-talks-will-delay-remasters/ |archive-date=1 December 2012 |access-date=30 November 2012 |website=[[Classic Rock (magazine)|Classic Rock]]}} |
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* {{Cite news|last=Rogers|first=Georgie|url=https://www.bbc.co.uk/6music/news/20080616_mojo.shtml|access-date=8 December 2008|title=MOJO award winners|publisher=[[BBC]] |date=16 June 2008|url-status=live|archive-date=19 February 2010|archive-url=https://web.archive.org/web/20100219034157/http://www.bbc.co.uk/6music/news/20080616_mojo.shtml}} |
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* {{Cite web |title=Led Zeppelin – Charting History |url=http://www.officialcharts.com/artist/_/led%20zeppelin/ |url-status=dead |archive-url=https://web.archive.org/web/20121029092333/http://www.officialcharts.com/artist/_/led%20zeppelin/ |archive-date=29 October 2012 |access-date=12 January 2013 |publisher=[[Official Charts Company]]}} |
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* {{Cite magazine |url=http://archive.rollingstone.com/Desktop#/20060810/C1 |title=Led Zeppelin: the heaviest band of all time |date=10 August 2006 |volume=1006 |magazine=Rolling Stone |location=New York |access-date=29 July 2011 |archive-date=5 June 2017 |archive-url=https://web.archive.org/web/20170605215941/http://archive.rollingstone.com/Desktop#/20060810/C1 }}{{Dead link|date=December 2024}}<!-- Yes, dead, despite the archive link. --> |
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* {{Cite magazine |title=The RS 500 Greatest Albums of All Time |magazine=Rolling Stone |date=18 November 2003 |url=https://www.rollingstone.com/news/story/5938174/the_rs_500_greatest_albums_of_all_time |archive-url=https://web.archive.org/web/20080710133428/http://www.rollingstone.com/news/story/5938174/the_rs_500_greatest_albums_of_all_time |archive-date=10 July 2008 |access-date=4 June 2013 |url-status=dead }} |
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{{Refend}} |
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== External links == |
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{{Sisterlinks|b=no|s=no|v=no|species=no|n=no|wikt=no|d=Q2331|commons=Category:Led Zeppelin}} |
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* {{Official website}} |
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* [https://www.atlanticrecords.com/artists/led-zeppelin Led Zeppelin] {{Webarchive|url=https://web.archive.org/web/20240508165156/https://www.atlanticrecords.com/artists/led-zeppelin |date=8 May 2024 }} at [[Atlantic Records]] |
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* [https://archive.org/search?query=Led+Zeppelin+ Led Zeppelin] on the [[Internet Archive]] |
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* {{YouTube|u=ledzeppelin|{{PAGENAMEBASE}}}} |
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Latest revision as of 15:05, 19 December 2024
Led Zeppelin | |
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Background information | |
Origin | London, England |
Genres | |
Discography | |
Years active | 1968–1980[nb 1] |
Labels | |
Spinoffs | |
Spinoff of | |
Past members | |
Website | ledzeppelin |
Led Zeppelin were an English rock band formed in London in 1968. The band comprised Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (bass and keyboards) and John Bonham (drums). With a heavy, guitar-driven sound and drawing from influences including blues and folk music, Led Zeppelin are cited as a progenitor of hard rock and heavy metal. They significantly influenced the music industry, particularly in the development of album-oriented rock and stadium rock.
Led Zeppelin evolved from a previous band, the Yardbirds, and were originally named "the New Yardbirds". They signed a deal with Atlantic Records that gave them considerable artistic freedom. Initially unpopular with critics, they achieved significant commercial success with eight studio albums over ten years. Their 1969 debut, Led Zeppelin, was a top-ten album in several countries and features such tracks as "Good Times Bad Times", "Dazed and Confused" and "Communication Breakdown". Led Zeppelin II (1969), their first number-one album, includes "Whole Lotta Love" and "Ramble On". In 1970, they released Led Zeppelin III which opens with "Immigrant Song". Their untitled fourth album, commonly known as Led Zeppelin IV (1971), is one of the best-selling albums in history, with 37 million copies sold. It includes "Black Dog", "Rock and Roll" and "Stairway to Heaven", with the latter being among the most popular and influential works in rock. Houses of the Holy (1973) includes "The Song Remains the Same" and "Over the Hills and Far Away". Physical Graffiti (1975), a double album, features "Trampled Under Foot" and "Kashmir".
Page composed most of Led Zeppelin's music, while Plant wrote most of the lyrics. Jones occasionally contributed keyboard-focused parts, particularly on the band's final album. The latter half of their career saw a series of record-breaking tours that earned the group a reputation for excess and debauchery. Although they remained commercially and critically successful, their touring and output, which included Presence (1976) and In Through the Out Door (1979), declined in the late 1970s. After Bonham's death in 1980, the group disbanded. The former members have sporadically collaborated and participated in one-off concerts, including the 2007 Ahmet Ertegun Tribute Concert in London, with Bonham's son Jason Bonham on drums.
Led Zeppelin are one of the best-selling music artists of all time, with estimated record sales of between 200 and 300 million units worldwide. They achieved eight consecutive UK number-one albums and six number-one albums on the US Billboard 200, with five of their albums certified Diamond in the US by the Recording Industry Association of America (RIAA). Rolling Stone described them as "the heaviest band of all time", "the biggest band of the seventies", and "unquestionably one of the most enduring bands in rock history".[1] They were inducted into the Rock and Roll Hall of Fame in 1995; the museum's biography states that they were "as influential" in the 1970s as the Beatles were in the 1960s.[2]
History
Formation: 1966–1968
In 1966, London-based session guitarist Jimmy Page joined the blues-influenced rock band the Yardbirds to replace bassist Paul Samwell-Smith. Page soon switched from bass to lead guitar, creating a dual lead guitar line-up with Jeff Beck. Following Beck's departure in October 1966, the Yardbirds became a four-piece with Page as the sole guitarist. This new line-up recorded an album, Little Games, in 1967, before embarking on a tour of the United States, during which they performed several songs which would later be part of Led Zeppelin's early repertoire, including covers of Johnny Burnette's "Train Kept A-Rollin'" and "Dazed and Confused", a song originally written and recorded by Jake Holmes.[3] In early April 1968, the Yardbirds held a recording session at Columbia Studios in New York City, recording a number of tracks including a Page-Relf composition initially titled "Knowing That I'm Losing You", which was eventually re-recorded by Led Zeppelin as "Tangerine".[4][5]
The Yardbirds' 1968 tour proved to be exhausting for the band. Drummer Jim McCarty and vocalist Keith Relf aimed to embark in a more acoustic direction, forming a folk rock duo called Together,[6] whereas Page wanted to continue the heavier blues-based sound of the Yardbirds. Page, with the support of the Yardbirds' new manager Peter Grant, planned to form a supergroup with Beck and himself on guitars, and the Who's Keith Moon and John Entwistle on drums and bass, respectively.[7] Vocalists Steve Winwood and Steve Marriott were also considered for the project.[8] The group never formed, although Page, Beck, and Moon did record a song together in 1966, "Beck's Bolero", in a session that also included bassist-keyboardist John Paul Jones.[9]
The Yardbirds played their final gig on 7 July 1968 at Luton College of Technology in Bedfordshire.[10] They were still committed to several concerts in Scandinavia, so McCarty and Relf authorised Page and bassist Chris Dreja to use the Yardbirds' name to fulfill the band's obligations. Page and Dreja began putting a new line-up together. Page's first choice for the lead singer was Terry Reid, but Reid declined the offer and suggested Robert Plant, a singer for the Band of Joy and Hobbstweedle.[11] Plant eventually accepted the position, recommending former Band of Joy drummer John Bonham.[12] John Paul Jones enquired about the vacant position of bass guitarist, at the suggestion of his wife, after Dreja dropped out of the project to become a photographer.[13][nb 2] Page had known Jones since they were both session musicians, and agreed to let him join as the final member.[15]
In August 1968, the four played together for the first time in a room below a record store on Gerrard Street in London.[16] Page suggested that they attempt "Train Kept A-Rollin'", originally a jump blues song popularised in a rockabilly version by Johnny Burnette, which had been covered by the Yardbirds. "As soon as I heard John Bonham play", Jones recalled, "I knew this was going to be great ... We locked together as a team immediately".[17] Before leaving for Scandinavia, the group took part in a recording session for the P. J. Proby album Three Week Hero. The album's track "Jim's Blues", with Plant on harmonica, was the first studio track to feature all four future members of Led Zeppelin.[18]
The band completed the Scandinavian tour as the New Yardbirds, playing together for the first time in front of a live audience at Gladsaxe Teen Club at the Egegård School (today Gladsaxe School) festive hall, Gladsaxe, Denmark, on 7 September 1968.[18] Later that month, they began recording their first album, which was based on their live set. The album was recorded and mixed in nine days, and Page covered the costs.[19] After the album's completion, the band were forced to change their name after Dreja issued a cease and desist letter, stating that Page was allowed to use the New Yardbirds moniker for the Scandinavian dates only.[20] One account of how the new band's name was chosen held that Moon and Entwistle had suggested that a supergroup with Page and Beck would go down like a "lead balloon", an idiom for being very unsuccessful or unpopular.[21] The group dropped the 'a' in lead at the suggestion of Peter Grant, so that those unfamiliar with the term would not pronounce it "leed".[22] The word "balloon" was replaced by "zeppelin", a word which, according to music journalist Keith Shadwick, brought "the perfect combination of heavy and light, combustibility and grace" to Page's mind.[21]
Grant secured a $143,000 advance contract ($1,253,000 today) from Atlantic Records in November 1968—at the time, the biggest deal of its kind for a new band.[23] Atlantic was a label with a catalogue of mainly blues, soul, and jazz artists, but in the late 1960s, it began to take an interest in British progressive rock acts. At the recommendation of British singer Dusty Springfield, a friend of Jones who at the time was completing her first Atlantic album, Dusty in Memphis, record executives signed Led Zeppelin without having ever seen them.[24] Under the terms of their contract, the band had autonomy in deciding when they would release albums and tour and had the final say over the contents and design of each album. They would also decide how to promote each release and which tracks to release as singles. They formed their own company, Superhype, to handle all publishing rights.[16]
Early years: 1968–1970
Still billed as the New Yardbirds, the band began their first tour of the UK on 4 October 1968, when they played at the Mayfair Ballroom in Newcastle upon Tyne.[25] Their first show as Led Zeppelin was at the University of Surrey in Battersea on 25 October.[26] Tour manager Richard Cole, who would become a major figure in the touring life of the group, organised their first North American tour at the end of the year.[27][nb 3] Their debut album, Led Zeppelin, was released in the US during the tour on 13 January 1969, and peaked at number 10 on the Billboard chart;[29] it was released in the UK, where it peaked at number 6, on 31 March.[30] According to Steve Erlewine, the album's memorable guitar riffs, lumbering rhythms, psychedelic blues, groovy, bluesy shuffles and hints of English folk music made it "a significant turning point in the evolution of hard rock and heavy metal".[31]
In their first year, Led Zeppelin completed four US and four UK concert tours, and also released their second album, Led Zeppelin II. Recorded mostly on the road at various North American studios, it was an even greater commercial success than their first album and reached the number one chart position in the US and the UK.[32] The album further developed the mostly blues-rock musical style established on their debut release, creating a sound that was "heavy and hard, brutal and direct", and which would be highly influential and frequently imitated.[33] Steve Waksman has suggested that Led Zeppelin II was "the musical starting point for heavy metal".[34]
The band saw their albums as indivisible, complete listening experiences, disliking the re-editing of existing tracks for release as singles. Grant maintained an aggressive pro-album stance, particularly in the UK, where there were few radio and TV outlets for rock music. Without the band's consent, however, some songs were released as singles, particularly in the US.[35] In 1969, an edited version of "Whole Lotta Love", a track from their second album, was released as a single in the US. It reached number four in the Billboard chart in January 1970, selling over one million copies and helping to cement the band's popularity.[36] The group also increasingly shunned television appearances, citing their preference that their fans hear and see them in live concerts.[37][38]
Following the release of their second album, Led Zeppelin completed several more US tours. They played initially in clubs and ballrooms, and then in larger auditoriums as their popularity grew.[12] Some early Led Zeppelin concerts lasted more than four hours, with expanded and improvised live versions of their repertoire. Many of these shows have been preserved as bootleg recordings. It was during this period of intensive concert touring that the band developed a reputation for off-stage excess.[39][nb 4]
In 1970, Page and Plant retired to Bron-Yr-Aur, a remote cottage in Wales, to commence work on their third album, Led Zeppelin III.[41] The result was a more acoustic style that was strongly influenced by folk and Celtic music, and showcased the band's versatility. The album's rich acoustic sound initially received mixed reactions, with critics and fans surprised at the turn from the primarily electric arrangements of the first two albums, further fuelling the band's hostility to the musical press.[42] It reached number one in the UK and US charts, but its stay would be the shortest of their first five albums.[43] The album's opening track, "Immigrant Song", was released as a US single in November 1970 against the band's wishes, reaching the top twenty on the Billboard chart.[44]
Page played his 1959 Dragon Telecaster until a friend stripped Page's custom modifications and repainted the guitar.[45][46] From 1969 on the mahogany "Number 1" Les Paul has been Page's main guitar.[47]
"The Biggest Band in the World": 1970–1975
During the 1970s, Led Zeppelin reached new heights of commercial and critical success that made them one of the most influential groups of the era, eclipsing their earlier achievements.[48][39] The band's image also changed as the members began to wear elaborate, flamboyant clothing, with Page taking the lead on the flamboyant appearance by wearing a glittering moon-and-stars outfit. Led Zeppelin changed their show by using things such as lasers, professional light shows and mirror balls.[49] They began travelling in a private jet airliner, a Boeing 720 (nicknamed the Starship), rented out entire sections of hotels (including the Continental Hyatt House in Los Angeles, known colloquially as the "Riot House"), and became the subject of frequently repeated stories of debauchery. One involved John Bonham riding a motorcycle through a rented floor of the Riot House,[50] while another involved the destruction of a room in the Tokyo Hilton, leading to the group being banned from that establishment for life.[51] Although Led Zeppelin developed a reputation for trashing their hotel suites and throwing television sets out of the windows, some suggest that these tales have been exaggerated. According to music journalist Chris Welch, "[Led Zeppelin's] travels spawned many stories, but it was a myth that [they] were constantly engaged in acts of wanton destruction and lewd behaviour".[52]
Led Zeppelin released their fourth album on 8 November 1971. It is variously referred to as Led Zeppelin IV, Untitled, IV, or, due to the four symbols appearing on the record label, as Four Symbols, Zoso or Runes.[53] The band had wanted to release the fourth album with no title or information, in response to the music press "going on about Zeppelin being a hype", but the record company wanted something on the cover, so in discussions, it was agreed to have four symbols to represent both the four members of the band and that it was the fourth album.[54] With 37 million copies sold, Led Zeppelin IV is one of the best-selling albums in history, and its massive popularity cemented Led Zeppelin's status as superstars in the 1970s.[55][56] By 2021, it had sold 24 million copies in the United States alone.[57] The track "Stairway to Heaven", never released as a single, was the most requested and most played song on American rock radio in the 1970s.[58] The group followed up the album's release with tours of the UK, Australasia, North America, Japan, and the UK again from late 1971 through early 1973.
Led Zeppelin's next album, Houses of the Holy, was released in March 1973. It featured further experimentation by the band, who expanded their use of synthesisers and mellotron orchestration. The predominantly orange album cover, designed by the London-based design group Hipgnosis, depicts images of nude children climbing the Giant's Causeway in Northern Ireland. Although the children are not shown from the front, the cover was controversial at the time of the album's release. As with the band's fourth album, neither their name nor the album title was printed on the sleeve.[59]
Houses of the Holy topped charts worldwide,[60] and the band's subsequent concert tour of North America in 1973 broke records for attendance, as they consistently filled large auditoriums and stadiums. At Tampa Stadium in Florida, they played to 56,800 fans, breaking the record set by the Beatles' 1965 Shea Stadium concert and grossing $309,000.[61] Three sold-out shows at Madison Square Garden in New York City were filmed for a motion picture, but the theatrical release of this project (The Song Remains the Same) was delayed until 1976. Before the final night's performance, $180,000 ($1,235,000 today) of the band's money from gate receipts was stolen from a safe deposit box at the Drake Hotel.[62]
In 1974, Led Zeppelin took a break from touring and launched their own record label, Swan Song, named after an unreleased song. The record label's logo is based on a drawing called Evening: Fall of Day (1869) by William Rimmer. The drawing features a figure of a winged human-like being interpreted as either Apollo or Icarus.[63][64][65] The logo can be found on Led Zeppelin memorabilia, especially T-shirts. In addition to using Swan Song as a vehicle to promote their own albums, the band expanded the label's roster, signing artists such as Bad Company, the Pretty Things and Maggie Bell.[66] The label was successful while Led Zeppelin existed, but folded less than three years after they disbanded.[67]
In 1975, Led Zeppelin's double album Physical Graffiti was their first release on the Swan Song label. It consisted of fifteen songs, of which eight had been recorded at Headley Grange in 1974 and seven had been recorded earlier. A review in Rolling Stone magazine referred to Physical Graffiti as Led Zeppelin's "bid for artistic respectability", adding that the only bands Led Zeppelin had to compete with for the title "The World's Best Rock Band" were the Rolling Stones and the Who.[68] The album was a massive commercial and critical success. Shortly after the release of Physical Graffiti, all previous Led Zeppelin albums simultaneously re-entered the top-200 album chart,[69] and the band embarked on another North American tour,[70] now employing sophisticated sound and lighting systems.[71] In May 1975, Led Zeppelin played five sold-out nights at the Earls Court Arena in London, at the time the largest arena in Britain.[70]
Hiatus from touring and return: 1975–1977
Following their triumphant Earls Court appearances, Led Zeppelin took a holiday and planned an autumn tour in America, scheduled to open with two outdoor dates in San Francisco.[72] In August 1975, however, Plant and his wife Maureen were involved in a serious car crash while on holiday in Rhodes, Greece. Plant suffered a broken ankle and Maureen was badly injured; a blood transfusion saved her life.[73] Unable to tour, he headed to the Channel Island of Jersey to spend August and September recuperating, with Bonham and Page in tow. The band then reconvened in Malibu, California. During this forced hiatus, much of the material for their next album, Presence, was written.[74]
By this time, Led Zeppelin were the world's number one rock attraction,[75] having outsold most bands of the time, including the Rolling Stones.[76] Presence, released in March 1976, marked a change in the Led Zeppelin sound towards more straightforward, guitar-based jams, departing from the acoustic ballads and intricate arrangements featured on their previous albums. Though it was a platinum seller, Presence received a mixed reaction among fans and the music press, with some critics suggesting that the band's excesses may have caught up with them.[12][77] Page had begun using heroin during recording sessions for the album, a habit which may have affected the band's later live shows and studio recordings, although he has since denied this.[74]
Because of Plant's injuries, Led Zeppelin did not tour in 1976. Instead, the band completed the concert film The Song Remains the Same and the accompanying soundtrack album. The film premiered in New York City on 20 October 1976, but was given a lukewarm reception by critics and fans.[12] The film was particularly unsuccessful in the UK, where, unwilling to tour since 1975 because of their tax exile status, Led Zeppelin faced an uphill battle to recapture the public's affection.[78]
In 1977, Led Zeppelin embarked on another major concert tour of North America. The band set another attendance record, with an audience of 76,229 at their Silverdome concert on 30 April.[79] It was, according to the Guinness Book of Records, the largest attendance to that date for a single act show.[80] Although the tour was financially profitable, it was beset by off-stage problems. On 19 April, over 70 people were arrested as about 1,000 fans tried to gatecrash Cincinnati Riverfront Coliseum for two sold-out concerts, while others tried to gain entry by throwing rocks and bottles through glass doors.[81] On 3 June, a concert at Tampa Stadium was cut short because of a severe thunderstorm, despite tickets indicating "Rain or Shine". A riot broke out, resulting in arrests and injuries.[82]
After 23 July show at the Day on the Green festival at the Oakland Coliseum in Oakland, California, Bonham and members of Led Zeppelin's support staff were arrested after a member of promoter Bill Graham's staff was badly beaten during the band's performance.[83][84] The following day's second Oakland concert was the group's final live appearance in the United States. Two days later, as they checked in at a French Quarter hotel for their 30 July performance at the Louisiana Superdome, Plant received news that his five-year-old son, Karac, had died from a stomach virus. The rest of the tour was immediately cancelled, prompting widespread speculation about Led Zeppelin's future.[12][85]
Bonham's death and breakup: 1978–1980
In November 1978, the group recorded at Polar Studios in Stockholm, Sweden. The resulting album, In Through the Out Door, featured sonic experimentation that again drew mixed reactions from critics.[86] Nevertheless, the album reached number one in the UK and the US in just its second week of release. With this album's release, Led Zeppelin's entire catalogue returned to the Billboard Top 200 in the weeks of 27 October and 3 November 1979.[87]
In August 1979, after two warm-up shows in Copenhagen, Led Zeppelin headlined two concerts at the Knebworth Music Festival, playing to a crowd of approximately 104,000 on the first night.[88] A brief, low-key European tour was undertaken in June and July 1980, featuring a stripped-down set without the usual lengthy jams and solos. On 27 June, at a show in Nuremberg, West Germany, the concert came to an abrupt halt in the middle of the third song, when Bonham collapsed onstage and was rushed to hospital.[89] Speculation in the press suggested that his collapse had been the result of excessive alcohol and drug use, but the band claimed that he had simply overeaten.[90]
A North American tour, the band's first since 1977, was scheduled to commence on 17 October 1980. On 24 September, Bonham was picked up by Led Zeppelin assistant Rex King to attend rehearsals at Bray Studios.[91] During the journey, Bonham asked to stop for breakfast, where he downed four quadruple vodkas (from 16 to 24 US fl oz (470 to 710 ml)), with a ham roll. After taking a bite of the ham roll he said to his assistant, "breakfast". He continued to drink heavily after arriving at the studio. The rehearsals were halted late that evening and the band retired to Page's house—the Old Mill House in Clewer, Windsor.
After midnight, Bonham, who had fallen asleep, was taken to bed and placed on his side. At 1:45 pm the next day, Benji LeFevre (Led Zeppelin's new tour manager) and John Paul Jones found Bonham dead. The cause of death was asphyxiation from vomit; the finding was accidental death.[92][93] An autopsy found no other recreational drugs in Bonham's body. Although he had recently begun to take Motival (a cocktail of the antipsychotic fluphenazine and the tricyclic antidepressant nortriptyline) to combat his anxiety, it is unclear if these substances interacted with the alcohol in his system.[94][95] Bonham's remains were cremated and his ashes interred on 12 October 1980, at Rushock parish church, Worcestershire.
The planned North American tour was cancelled, and despite rumours that Cozy Powell, Carmine Appice, Barriemore Barlow, Simon Kirke, Ric Lee or Bev Bevan would join the group as his replacement, the remaining members decided to disband. A 4 December 1980 press statement stated that, "We wish it to be known that the loss of our dear friend, and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were."[93] The statement was signed simply "Led Zeppelin".[96]
Post-breakup
1980s
Following Led Zeppelin's dissolution, the first significant musical project by one of its members was the Honeydrippers, which Plant initially formed in 1981. The group, featuring Page on lead guitar, along with studio musicians and friends of the pair, including Jeff Beck, Paul Shaffer, and Nile Rodgers, released its only album in 1984. Plant focused on a different direction from Zeppelin, playing standards and in a more R&B style, highlighted by a cover of "Sea of Love" that peaked at number three on the Billboard chart in early 1985.[97]
The studio album Coda – a collection of Zeppelin outtakes and unused tracks – was issued in November 1982. It included two tracks from the Royal Albert Hall in 1970, one each from the Led Zeppelin III and Houses of the Holy sessions, and three from the In Through the Out Door sessions. It also featured a 1976 Bonham drum instrumental with electronic effects added by Page, called "Bonzo's Montreux".[98]
On 13 July 1985, Page, Plant, and Jones reunited for the Live Aid concert at JFK Stadium, Philadelphia, playing a short set featuring drummers Tony Thompson and Phil Collins, and bassist Paul Martinez. Collins had contributed to Plant's first two solo albums while Martinez was a member of Plant's solo band. The performance was marred by a lack of rehearsal with the two drummers, Page's struggles with an out-of-tune guitar, poorly functioning monitors, and Plant's hoarse voice.[99][100] Page described the performance as "pretty shambolic",[101] while Plant characterised it as an "atrocity".[99]
The three members reunited again on 14 May 1988, for the Atlantic Records 40th Anniversary concert, with Bonham's son Jason on drums. The result was again disjointed: Plant and Page had argued immediately prior to taking the stage about whether to play "Stairway to Heaven", and Jones' keyboards were absent from the live television feed.[100][102] Page described the performance as "one big disappointment" and Plant said "the gig was foul".[102]
1990s
The first Led Zeppelin box set, featuring tracks remastered under Page's supervision, was released in 1990 and bolstered the band's reputation, leading to abortive discussions among members about a reunion.[103] This set included four previously unreleased tracks, including a version of Robert Johnson's "Travelling Riverside Blues".[104] The song peaked at number seven on the Billboard Album Rock Tracks chart.[105] Led Zeppelin Boxed Set 2 was released in 1993; the two box sets together contained all known studio recordings, as well as some rare live tracks.[106]
In 1994, Page and Plant reunited for a 90-minute "UnLedded" MTV project. They later released an album called No Quarter: Jimmy Page and Robert Plant Unledded, which featured some reworked Led Zeppelin songs, and embarked on a world tour the following year. This is said to be the beginning of a rift between the band members, as Jones was not even told of the reunion.[107]
In 1995, Led Zeppelin were inducted into the United States Rock and Roll Hall of Fame by Steven Tyler and Joe Perry of Aerosmith. Jason and Zoë Bonham also attended, representing their late father.[108] At the induction ceremony, the band's inner rift became apparent when Jones joked upon accepting his award, "Thank you, my friends, for finally remembering my phone number", causing consternation and awkward looks from Page and Plant.[109] Afterwards, they played one brief set with Tyler and Perry, with Jason Bonham on drums, and then a second with Neil Young, this time with Michael Lee playing the drums.[108]
In 1997, Atlantic released a single edit of "Whole Lotta Love" in the US and the UK, the only single the band released in their homeland, where it peaked at number 21.[110] November 1997 saw the release of Led Zeppelin BBC Sessions, a two-disc set largely recorded in 1969 and 1971.[111] Page and Plant released another album called Walking into Clarksdale in 1998, featuring all new material, but after disappointing sales, the partnership dissolved before a planned Australian tour.[112]
2000s
The year 2003 saw the release of the triple live album How the West Was Won, and Led Zeppelin DVD, a six-hour chronological set of live footage that became the best-selling music DVD in history.[113] In July 2007, Atlantic/Rhino and Warner Home Video announced three Zeppelin titles to be released that November: Mothership, a 24-track best-of spanning the band's career; a reissue of the soundtrack The Song Remains the Same, including previously unreleased material; and a new DVD.[114] Zeppelin also made their catalogue legally available for download,[115] becoming one of the last major rock bands to do so.[116]
On 10 December 2007, Zeppelin reunited for the Ahmet Ertegun Tribute Concert at the O2 Arena in London, with Jason Bonham again taking his father's place on drums. According to Guinness World Records 2009, the show set a record for the "Highest Demand for Tickets for One Music Concert" as 20 million requests were submitted online.[117] Critics praised the performance[118] and there was widespread speculation about a full reunion.[119] Page, Jones and Jason Bonham were reported to be willing to tour and to be working on material for a new Zeppelin project.[120] Plant continued his touring commitments with Alison Krauss,[121] stating in September 2008 that he would not record or tour with the band.[122][123] "I told them I was busy and they'd simply have to wait," he recalled in 2014. "I would come around eventually, which they were fine with – at least to my knowledge. But it turns out they weren't. And what's even more disheartening, Jimmy used it against me."[124]
Jones and Page reportedly looked for a replacement for Plant; candidates including Steven Tyler of Aerosmith, and Myles Kennedy of Alter Bridge.[125] However, in January 2009, it was confirmed that the project had been abandoned.[126] "Getting the opportunity to play with Jimmy Page, John Paul Jones and Jason Bonham was pretty special," Kennedy recalled. "That is pretty much the zenith right there. That was a crazy, good experience. It's something I still think of often ... It's so precious to me."[127]
2010s
A film of the O2 performance, Celebration Day, premiered on 17 October 2012 and was released on DVD on 19 November.[128] The film grossed $2 million in one night, and the live album peaked at number 4 and 9 in the UK and US, respectively.[129] Following the film's premiere, Page revealed that he had been remastering the band's discography.[130] The first wave of albums, Led Zeppelin, Led Zeppelin II, and Led Zeppelin III, were released on 2 June 2014.[131] The second wave of albums, Led Zeppelin IV and Houses of the Holy, were released on 27 October 2014.[132] Physical Graffiti was released on 23 February 2015, almost exactly forty years to the day after the original release.[133] The fourth and final wave of studio album reissues, Presence, In Through the Out Door, and Coda, were released on 31 July 2015.[134]
Through this remastering project, each studio album was reissued on CD and vinyl and was also available in a Deluxe Edition, which contained a bonus disc of previously unheard material (Coda's Deluxe Edition would include two bonus discs). Each album was also available in a Super Deluxe Edition Box Set, which included the remastered album and bonus disc on both CD and 180-gram vinyl, a high-definition audio download card of all content at 96 kHz/24 bit, a hardbound book filled with rare and previously unseen photos and memorabilia, and a high-quality print of the original album cover.[135]
On 6 November 2015, the Mothership compilation was reissued using the band's newly remastered audio tracks.[136] The reissuing campaign continued the next year with the re-release of BBC Sessions on 16 September 2016. The reissue contained a bonus disc with nine unreleased BBC recordings, including the heavily bootlegged but never officially released "Sunshine Woman".[137]
To commemorate the band's 50th anniversary, Page, Plant and Jones announced an official illustrated book celebrating 50 years since the formation of the band.[138] Also released for the celebration was a reissue of How the West Was Won on 23 March 2018, which includes the album's first pressing on vinyl.[139] For Record Store Day on 21 April 2018, Led Zeppelin released a 7" single "Rock and Roll" (Sunset Sound Mix)/"Friends" (Olympic Studio Mix), their first single in 21 years.[140]
2020s
In October 2020, Page released a photo collection called Jimmy Page: The Anthology, confirming a band documentary for the band's 50th anniversary.[141] A work-in-progress version of the documentary film Becoming Led Zeppelin was screened at the Venice Film Festival in 2021.[142] It is the first time band members have agreed to participate in a biographical documentary.[143] It was announced the film would premiere in IMAX in the United States on 7 February 2025.[144]
Musical style
Led Zeppelin's music was rooted in the blues.[12] The influence of American blues artists such as Muddy Waters and Skip James was particularly apparent on their first two albums, as was the distinct country blues style of Howlin' Wolf.[145] There were tracks structured around the twelve-bar blues on every studio album except for one, and the blues directly and indirectly influenced other songs both musically and lyrically.[146] The band were also strongly influenced by the music of the British, Celtic, and American folk revivals.[12] Scottish folk guitarist Bert Jansch helped inspire Page, and from him he adapted open tunings and aggressive strokes into his playing.[27] The band also drew on a wide variety of genres, including world music,[12] and elements of early rock and roll, jazz, country, funk, soul, and reggae, particularly on Houses of the Holy and the albums that followed.[145]
The material on the first two albums was largely constructed out of extended jams of blues standards[12] and folk songs.[147][148] This method led to the mixing of musical and lyrical elements of different songs and versions, as well as improvised passages, to create new material, but would lead to later accusations of plagiarism and legal disputes over copyright.[147] Usually the music was developed first, sometimes with improvised lyrics that might then be rewritten for the final version of the song.[148] From the visit to Bron-Yr-Aur in 1970, the songwriting partnership between Page and Plant became predominant, with Page supplying the music, largely via his acoustic guitar, and Plant emerging as the band's chief lyricist. Jones and Bonham then added to the material, in rehearsal or in the studio, as a song was developed.[149] In the later stages of the band's career, Page took a back seat in composition and Jones became increasingly important in producing music, often composed on the keyboard. Plant would then add lyrics before Page and Bonham developed their parts.[150][151]
Early lyrics drew on the band's blues and folk roots, often mixing lyrical fragments from different songs.[152] Many of the band's songs dealt with themes of romance, unrequited love and sexual conquest, which were common in rock, pop and blues music.[153] Some of their lyrics, especially those derived from the blues, have been interpreted as misogynistic.[153] Particularly on Led Zeppelin III, they incorporated elements of mythology and mysticism into their music,[12] which largely grew out of Plant's interest in legends and history.[154] These elements were often taken to reflect Page's interest in the occult, which resulted in accusations that the recordings contained subliminal satanic messages, some of which were said to be contained in backmasking; these claims were generally dismissed by the band and music critics.[155] The pastoral fantasies in Plant's songwriting were inspired by the landscape of the Black Country region and J. R. R. Tolkien's high fantasy novel The Lord of the Rings.[156] Susan Fast argues that as Plant emerged as the band's main lyricist, the songs more obviously reflected his alignment with the West Coast counterculture of the 1960s.[157] In the later part of the band's career Plant's lyrics became more autobiographical, and less optimistic, drawing on his own experiences and circumstances.[158]
According to musicologist Robert Walser, "Led Zeppelin's sound was marked by speed and power, unusual rhythmic patterns, contrasting terraced dynamics, singer Robert Plant's wailing vocals, and guitarist Jimmy Page's heavily distorted crunch".[159] These elements mean that they are often cited as one of the originators of hard rock[160] and heavy metal[159][161] and they have been described as the "definitive heavy metal band",[12] although the band members have often eschewed the label.[162] Led Zeppelin, together with Deep Purple and Black Sabbath, have been referred to as the "unholy trinity of British hard rock and heavy metal in the early to mid- seventies".[163] Part of this reputation depends on the band's use of distorted guitar riffs on songs like "Whole Lotta Love" and "The Wanton Song".[10][164] Often riffs were not doubled by guitar, bass and drums exactly, but instead there were melodic or rhythmic variations.[165] Page's guitar playing incorporated elements of the blues scale with those of eastern music.[166] Plant's use of high-pitched shrieks has been compared to Janis Joplin's vocal technique.[10][167] Robert Christgau found him integral to the group's heavy "power blues" aesthetic, functioning as a "mechanical effect" similarly to Page's guitar parts. While noting Plant "hints at real feeling" on some of their acoustic songs, Christgau believed he abandoned traditional blues singing's emphasis on emotional projection in favour of vocal precision and dynamics: "Whether he is mouthing sexist blues cliches or running through one of the band's half-audible, half-comprehensible ... lyrics about chivalry or the counter-culture, his voice is devoid of feeling. Like the tenors and baritones of yore, he wants his voice to be an instrument—specifically, an electric guitar."[168] Bonham's drumming was noted for its power, his rapid rolls and his fast beats on a single bass drum; while Jones' basslines have been described as melodic and his keyboard playing added a classical touch to the band's sound.[169][10]
At some deep level, Led Zeppelin's music is about the relationship between humanity and technology. Philosophically, the band prefers humanity pure and simple, but in practice it must realize its humanity technologically. That seems truer than most good-time pastoral fantasies.[168]
Led Zeppelin have been widely viewed as a hard rock band, although Christgau regarded them as art rock as well.[170] According to popular music scholar Reebee Garofalo, "because hip critics could not find a constructive way of positioning themselves in relation to Led Zeppelin's ultra-macho presentation, they were excluded from the art rock category despite their broad range of influences."[171] Christgau wrote in 1972, the band could be considered art rock because they "relate to rock and roll not organically but intellectually", idealising the "amplified beat" as "a kind of formal challenge". Unlike their contemporaries in Jethro Tull and Yes, who use "the physical compulsion of beat and volume to involve the mind", Led Zeppelin "make body music of an oddly cerebral cast, arousing aggression rather than sexuality." As such, along with other second-generation English hard rock bands like Black Sabbath and Mott the Hoople, they can attract both intellectuals and working-class youths in "a strange potential double audience."[172] Years later, In Through the Out Door's "tuneful synthesizer pomp" further confirmed for Christgau they were an art rock band.[170]
Page stated that he wanted Led Zeppelin to produce music that had "light and shade". This began to be more clearly realised beginning with Led Zeppelin III, which made greater use of acoustic instruments.[12] This approach has been seen as exemplified in the fourth album, particularly on "Stairway to Heaven", which begins with acoustic guitar and recorder and ends with drums and heavy electric sounds.[173][174] Towards the end of their recording career, they moved to a more mellow and progressive sound, dominated by Jones' keyboard motifs.[175] They also increasingly made use of various layering and production techniques, including multi-tracking and overdubbed guitar parts.[145] Their emphasis on the sense of dynamics and ensemble arrangement[145] has been seen as producing an individualistic style that transcends any single music genre.[176][177] Ian Peddie argues that they were "... loud, powerful and often heavy, but their music was also humorous, self-reflective and extremely subtle".[178]
Legacy
Many have considered Led Zeppelin to be one of the most successful, innovative, and influential bands in the history of rock music.[181] Rock critic Mikal Gilmore said, "Led Zeppelin—talented, complex, grasping, beautiful and dangerous—made one of the most enduring bodies of composition and performance in twentieth-century music, despite everything they had to overpower, including themselves".[94]
Led Zeppelin have influenced hard rock and heavy metal bands such as Deep Purple,[182] Black Sabbath,[183] Rush,[184] Queen,[185] Scorpions,[186] Aerosmith,[187] the Black Crowes,[188] and Megadeth[189] as well as progressive metal bands like Tool[190] and Dream Theater.[191] They influenced some early punk and post-punk bands, among them the Ramones,[192] Joy Division[193][194] and the Cult.[195] They were also an important influence on the development of alternative rock, as bands adapted elements from the "Zeppelin sound" of the mid-1970s,[196][197] including the Smashing Pumpkins,[198][199] Nirvana,[200] Pearl Jam,[201] and Soundgarden.[202] Bands and artists from diverse genres have acknowledged the influence of Led Zeppelin, such as Madonna,[203] Shakira,[204] Lady Gaga,[205] Kesha,[206] and Katie Melua.[207]
Led Zeppelin have been credited with a major impact on the nature of the music business, particularly in the development of album-oriented rock (AOR) and stadium rock.[208][209] In 1988 John Kalodner, then-A&R executive of Geffen Records, remarked that
In my opinion, next to the Beatles they're the most influential band in history. They influence the way music is on records, AOR radio, concerts. They set the standards for the AOR-radio format with 'Stairway to Heaven,' having AOR hits without necessarily having Top 40 hits. They're the ones who did the first real big arena concert shows, consistently selling out and playing stadiums without support. People can do as well as them, but nobody surpasses them.[210]
Andrew Loog Oldham, the former producer and manager of the Rolling Stones, commented on how Led Zeppelin had a major influence on the record business, and the way rock concerts were managed and presented to huge audiences.[211] In 2007, they were a featured artist in the stadium rock episode of the BBC/VH1 series Seven Ages of Rock.[212]
The band have sold over 200 million albums worldwide according to some sources,[116][213] while others state that they have sold in excess of 300 million records,[214] including 111.5 million certified units in the United States. According to the Recording Industry Association of America, Led Zeppelin are the third-highest-selling band, the fifth highest selling music act in the US, and one of only four acts to earn five or more Diamond albums.[215] They achieved eight consecutive number-ones on the UK Albums Chart, a record for most consecutive UK number-one albums shared with ABBA.[216] Led Zeppelin remain one of the most bootlegged artists in the history of rock music.[217]
Led Zeppelin also made a significant cultural impact. Jim Miller, editor of Rolling Stone Illustrated History of Rock & Roll, argues that "on one level, Led Zeppelin represents the final flowering of the sixties' psychedelic ethic, which casts rock as passive sensory involvement".[218] Led Zeppelin have also been described as "the quintessential purveyors"[219] of masculine and aggressive "cock rock", although this assertion has been challenged.[220] The band's fashion-sense has been seminal; Simeon Lipman, head of pop culture at Christie's auction house, has commented that "Led Zeppelin have had a big influence on fashion because the whole aura surrounding them is so cool, and people want a piece of that".[221] Led Zeppelin laid the foundation for the big hair of the 1980s glam metal bands such as Mötley Crüe and Skid Row.[222] Other musicians have also adapted elements from Led Zeppelin's attitude to clothes, jewellery and hair, such as the hipster flares and tight band T-shirts of Kings of Leon, shaggy hair, clingy T-shirts and bluesman hair of Jack White of the White Stripes, and Kasabian guitarist Sergio Pizzorno's silk scarves, trilbies and side-laced tight jeans.[221]
Achievements
Led Zeppelin have collected many honours and awards throughout the course of their career. They were inducted into the Rock and Roll Hall of Fame in 1995,[108] and the UK Music Hall of Fame in 2006.[223] Among the band's awards are an American Music Award in 2005, and the Polar Music Prize in 2006.[224] Led Zeppelin were the recipient of a Grammy Lifetime Achievement Award in 2005,[225] and four of their recordings have been inducted into the Grammy Hall of Fame.[226] They have been awarded five Diamond albums, as well as fourteen Multi-Platinum, four Platinum and one Gold album in the United States,[227] while in the UK they have five Multi-Platinum, six Platinum, one Gold and four Silver albums.[228] Rolling Stone named Led Zeppelin the 14th-greatest artist of all time in 2004.[229]
In 2003, Rolling Stone's 500 Greatest Albums of All Time list included Led Zeppelin at number 29,[230] Led Zeppelin IV at number 66,[231] Physical Graffiti at number 70,[232] Led Zeppelin II at number 75,[233] and Houses of the Holy at number 149.[234] And in 2004, on their 500 Greatest Songs of All Time list, Rolling Stone included "Stairway to Heaven" at number 31, "Whole Lotta Love" at number 75,[235] "Kashmir" at number 140,[236] "Black Dog" at number 294,[237] "Heartbreaker" at number 320,[238] and "Ramble On" at number 433.[239]
In 2005, Page was appointed an Officer of the Order of the British Empire in recognition of his charity work, and in 2009 Plant was honoured as a Commander of the Order of the British Empire for his services to popular music.[240] The band are ranked number one on VH1's 100 Greatest Artists of Hard Rock[241] and Classic Rock's "50 best live acts of all time".[242] They were named as the best Rock band in a poll by BBC Radio 2.[243] They were awarded an Ivor Novello Award for "Outstanding Contribution to British Music" in 1977,[244] as well as a "Lifetime Achievement Award" at the 42nd Annual Ivor Novello awards ceremony in 1997.[245] The band were honoured at the 2008 MOJO Awards with the "Best Live Act" prize for their one-off reunion, and were described as the "greatest rock and roll band of all time".[246] In 2010, Led Zeppelin IV was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail; they were unveiled by Jimmy Page.[247][248] Led Zeppelin were named as 2012 recipients of the Kennedy Center Honors.[249]
Band members
- Robert Plant – vocals, harmonica
- Jimmy Page – guitars
- John Paul Jones – bass, keyboards
- John Bonham – drums, percussion (died 1980)
Guest musicians post-breakup
- Tony Thompson – drums (1985)
- Phil Collins – drums (1985)
- Paul Martinez – bass (1985)
- Jason Bonham – drums, percussion, backing vocals (1988, 1995, 2007)
- Michael Lee – drums (1995)
Discography
- Led Zeppelin (1969)
- Led Zeppelin II (1969)
- Led Zeppelin III (1970)
- Untitled album (1971) (commonly known as Led Zeppelin IV)
- Houses of the Holy (1973)
- Physical Graffiti (1975)
- Presence (1976)
- In Through the Out Door (1979)
- Coda (1982)
See also
- List of cover versions of Led Zeppelin songs
- List of Led Zeppelin songs written or inspired by others
Notes
- ^ One-off reunions: 1985, 1988, 1995, 2007
- ^ Dreja would later take the photograph that appeared on the back of Led Zeppelin's debut album.[14]
- ^ The first show was in Denver on 26 December 1968, followed by other West Coast dates before the band travelled to California to play Los Angeles and San Francisco.[28]
- ^ One alleged example of such extravagance was the shark episode said to have taken place at the Edgewater Inn in Seattle on 28 July 1969.[40][39]
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- Christgau, Robert (1998). "Genius Dumb: Led Zeppelin". Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno. Harvard University Press. pp. 89–90. ISBN 978-0-674-44318-1.
- Copsey, Rob (19 June 2020). "Live albums: The Number 1s and top sellers on the Official Chart". Official Charts Company. Archived from the original on 15 July 2020. Retrieved 16 July 2022.
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External links
- Official website
- Led Zeppelin Archived 8 May 2024 at the Wayback Machine at Atlantic Records
- Led Zeppelin on the Internet Archive
- Led Zeppelin's channel on YouTube
- Led Zeppelin
- 1968 establishments in England
- 1980 disestablishments in England
- Atlantic Records artists
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- English blues rock musical groups
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- Grammy Award winners
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