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| name = Sandakan No. 8
| name = Sandakan No. 8
| image = Sandakan No.8.jpg
| image = Sandakan No.8.jpg
| alt =
| alt =
| caption = A Chinese language version poster of the film
| caption = A Chinese language version poster of the film
| director = [[Kei Kumai]]
| director = [[Kei Kumai]]
| producer =
| producer =
| writer = Kei Kumai<br />Sakae Hirozawa<br />Tomoko Yamazaki <small>(Story)</small>
| writer = Kei Kumai<br />Sakae Hirozawa<br />Tomoko Yamazaki <small>(story)</small>
| starring = [[Kinuyo Tanaka]]<br />[[Yoko Takashi]]<br />[[Komaki Kurihara]]
| starring = Yoko Takahashi<br />[[Kinuyo Tanaka]]<br />[[Komaki Kurihara]]
| music =
| music =
| cinematography = Mitsuji Kaneo
| cinematography = Mitsuji Kaneo
| editing =
| editing =
| studio = [[Toho]]<br />Haiyūza Eiga
| studio = [[Toho]]<br />Haiyūza Eiga
| distributor =
| distributor =
| released = {{film date|1974|11|02}}
| released = {{film date|1974|11|02}}
| runtime = 121 minutes
| runtime = 121 minutes
| country = Japan
| country = Japan
| language = Japanese
| language = Japanese
| budget =
| budget =
| gross = {{CNY|15 million}}+ (China)
| gross = {{nowrap|100 million}}+ tickets (China)
}}
}}


{{nihongo|'''''Sandakan No. 8''''' |サンダカン八番娼館 望郷|'''''Sandakan hachiban shōkan: Bōkyō'''''|aka '''''Sandakan 8''''' and '''''Brothel 8'''''}} is a 1974 Japanese [[drama film]] directed by [[Kei Kumai]].<ref>{{cite web|url=http://www.sankei.co.jp/enak/2007/glace/may/kiji/23obits_kumaikei.html|title=映画監督の熊井啓氏が死去|publisher=Fuji Sankei Shinbun|access-date=2 November 2019}}</ref> It was nominated for the [[Academy Award for Best Foreign Language Film]]. It also became one of the [[List of highest-grossing Japanese films|most successful Japanese films]] at the [[List of highest-grossing films in China|Chinese box office]], where it drew an audience in the hundreds of millions.
{{nihongo|'''''Sandakan No. 8''''' |サンダカン八番娼館 望郷|'''''Sandakan hachiban shōkan: Bōkyō'''''|aka '''''Sandakan 8''''' and '''''Brothel 8'''''}} is a 1974 Japanese [[drama film]] directed by [[Kei Kumai]],<ref>{{cite web|url=http://www.sankei.co.jp/enak/2007/glace/may/kiji/23obits_kumaikei.html|title=映画監督の熊井啓氏が死去|publisher=Fuji Sankei Shinbun|access-date=2 November 2019}}</ref> starring Yoko Takahashi, [[Komaki Kurihara]] and [[Kinuyo Tanaka]]. It was nominated for the 1975 [[Academy Award for Best Foreign Language Film]]. It also became one of the [[List of highest-grossing Japanese films|highest-grossing Japanese films]] at the [[List of highest-grossing films in China|Chinese box office]], where it generated [[List of films by box office admissions|box office admissions]] in the hundreds of millions.


==Plot==
==Plot==
A young female journalist Keiko Mitani ([[Komaki Kurihara]]) is researching an article on the history of [[Japanese people|Japanese]] women who were sex slaves in Asian brothels during the early 20th century. She locates Osaki ([[Kinuyo Tanaka]]), an elderly woman who lives with a number of cats in a shack in a remote village. Osaki agrees to tell her life story, and the film goes into flashback to the early 1920s. A young Osaki (Yoko Takashi) is sold by her poverty-stricken family into indentured servitude as a maid in [[Sandakan]], [[North Borneo|British North Borneo]] (today’s [[Sabah]], [[Malaysia]]) at what she believes to be a hotel. At parting, Osaki's distraught and tragic mother gives her a kimono that she has woven by hand over the night before her daughter's departure. The kimono will be Osaki's most treasured possession forever. The establishment is actually a brothel called Sandakan No. 8. Osaki, who is sold as a young girl, works for two years as a maid, but is forced by the brothel’s owners to become a prostitute. Osaki stays at Sandakan 8 until [[World War II]], and in that period she never experiences genuine affection outside of a brief romance with a poor farmer who abandons her when he comes one evening to the brothel and sees the disheveled and exhausted Osaki after an onslaught of service to a battalion of Japanese sailors recently docked at the town. When Osaki returns to Japan, her brother and his wife, who have bought a house with the money she sent them, tell her that she has become an embarrassment.
A young female journalist, Keiko Mitani (Komaki Kurihara), is researching an article on the history of [[Karayuki-san|Japanese women who were sex slaves]] in Asian brothels during the early 20th century. She locates Osaki (Kinuyo Tanaka), an elderly woman who lives with a number of cats in a shack in a remote village. Osaki agrees to tell her life story, and the film goes into flashback to the early 1920s. A young Osaki (Yoko Takashi) is sold by her poverty-stricken family into indentured servitude as a maid in [[Sandakan]], [[North Borneo|British North Borneo]] (today’s [[Sabah]], [[Malaysia]]), at what she believes to be a hotel. At parting, Osaki's distraught and tragic mother gives her a kimono that she has woven by hand the night before her daughter's departure. The kimono will be Osaki's most treasured possession forever. The establishment is actually a brothel called Sandakan No. 8. Osaki, who is sold as a young girl, works for two years as a maid but is forced by the brothel’s owners to become a prostitute. Osaki stays at Sandakan 8 until [[World War II]], and in that period, she never experiences genuine affection outside of a brief romance with a poor farmer who abandons her when he comes one evening to the brothel and sees the disheveled and exhausted Osaki after an onslaught of service to a battalion of Japanese sailors recently docked at the town. When Osaki returns to Japan, her brother and his wife, who have bought a house with the money she sent them, tell her that she has become an embarrassment.


Osaki returns to Sandakan. At the end of the war she marries a Japanese man, who then dies. On returning to Japan, because of her experiences at Sandakan No. 8 she is shunned and treated like a pariah, even by her son who lives a respectable life in a large city.
Osaki returns to Sandakan. At the end of the war, she marries a Japanese man, who then dies. On returning to Japan, because of her experiences at Sandakan No. 8, she is shunned and treated like a pariah, even by her son who lives a respectable life in a large city.


==Cast==
==Cast==
Line 39: Line 39:
* [[Yoko Nakagawa]] – Ohana
* [[Yoko Nakagawa]] – Ohana
* [[Masayo Umezawa]] – Yukiyo
* [[Masayo Umezawa]] – Yukiyo
* Ken Tanaka – Hideo Takeuchi
* [[Ken Tanaka (actor)|Ken Tanaka]] – Hideo Takeuchi
* [[Eitaro Ozawa]] – Tarozo
* [[Eitaro Ozawa]] – Tarozo
* [[Tomoko Jinbo]] – Moto
* [[Tomoko Jinbo]] – Moto
Line 49: Line 49:


==Production==
==Production==
''Sandakan No. 8'' was based on the 1972 book ''Sandakan Brothel No. 8: An Episode in the History of Lower-Class'' by Yamazaki Tomoko. The book focused on the "[[karayuki-san]]", the Japanese term for young women who were forced into sexual slavery (see sex trafficking) in Pacific Rim countries and colonies during the early 20th century. The book created controversy in Japan, where the subject of the karayuki-san was not discussed in public or in scholarly examinations of Japanese history. Yamazaki’s book was a best-seller and won the Oya Soichi Prize for Non-Fiction Literature; she quickly followed up with a sequel, ''The Graves of Sandakan''. Filmmaker Kei Kumai combined the two books into the screenplay for ''Sandakan No. 8''.<ref>[http://intersections.anu.edu.au/issue5/sandakan.html Review essay of “Sandakan Brothel No. 8:An Episode in the History of Lower-Class Japanese Women,” Intersections: Gender, History and Culture in the Asian Context]</ref>
''Sandakan No. 8'' was based on the 1972 book ''Sandakan Brothel No. 8: An Episode in the History of Lower-Class'' by Yamazaki Tomoko. The book focused on the "[[karayuki-san]]", the Japanese term for young women who were forced into sexual slavery (see sex trafficking) in Pacific Rim countries and colonies during the early 20th century. The book created controversy in Japan, where the subject of the karayuki-san was not discussed in public or in scholarly examinations of Japanese history. Yamazaki’s book was a best-seller and won the Oya Soichi Prize for Non-Fiction Literature; she quickly followed up with a sequel, ''The Graves of Sandakan''. Filmmaker Kei Kumai combined the two books into the screenplay for ''Sandakan No. 8''.<ref>{{cite journal |last1=Warren |first1=James F. |title=Review Sandakan Brothel No. 8: An Episode in the History of Lower-Class Japanese Women |journal=Intersections: Gender, History and Culture in the Asian Context |date=September 2000 |issue=4 |url=http://intersections.anu.edu.au/issue5/sandakan.html}}</ref>


==Awards and release==
==Awards and release==
Line 56: Line 56:
''Sandakan No. 8'' was nominated for the 1975 [[Academy Award for Best Foreign Language Film]], but it lost to another production directed by a Japanese filmmaker: [[Akira Kurosawa]]'s ''[[Dersu Uzala (1975 film)|Dersu Uzala]]'', which was the [[Soviet Union]] entry for the Oscar competition.<ref name="Oscars1976">{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1976 |title=The 48th Academy Awards (1976) Nominees and Winners |access-date=2012-03-18 |work=oscars.org}}</ref>
''Sandakan No. 8'' was nominated for the 1975 [[Academy Award for Best Foreign Language Film]], but it lost to another production directed by a Japanese filmmaker: [[Akira Kurosawa]]'s ''[[Dersu Uzala (1975 film)|Dersu Uzala]]'', which was the [[Soviet Union]] entry for the Oscar competition.<ref name="Oscars1976">{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1976 |title=The 48th Academy Awards (1976) Nominees and Winners |access-date=2012-03-18 |work=oscars.org}}</ref>


The film was not released in the U.S. until late 1976. [[Roger Ebert]], in a review published in the ''[[Chicago Sun-Times]]'', noted the film’s "material is sensitively handled...the movie is not explicit."<ref>{{cite web|last=Ebert|first=Roger|authorlink=Roger Ebert|url=http://www.rogerebert.com/reviews/brothel-eight-1976|title=Brothel Eight|access-date=14 August 2013}}</ref> But Janet Maslin, in a review for ''[[The New York Times]]'', called it a "film about prostitution, narrated from what is supposed to be a feminist point of view. However feminism, in this case, only means interjecting a particularly noxious form of man-hating where the pornographic touches ordinarily might be."<ref>{{cite web|url=https://movies.nytimes.com/movie/review?_r=1&res=9C00E2D6113FE334BC4053DFBE66838C669EDE&oref=slogin|title=Bokyo |work=New York Times|access-date=14 August 2013}}</ref> To date, ''Sandakan No. 8'' has not been commercially released in the U.S. on DVD.
The film was not released in the U.S. until late 1976. [[Roger Ebert]], in a review published in the ''[[Chicago Sun-Times]]'', noted the film’s "material is sensitively handled...the movie is not explicit."<ref>{{cite web|last=Ebert|first=Roger|authorlink=Roger Ebert|url=http://www.rogerebert.com/reviews/brothel-eight-1976|title=Brothel Eight|access-date=14 August 2013}}</ref> But Janet Maslin, in a review for ''[[The New York Times]]'', called it a "film about prostitution, narrated from what is supposed to be a feminist point of view. However feminism, in this case, only means interjecting a particularly noxious form of man-hating where the pornographic touches ordinarily might be."<ref>{{cite news|url=https://movies.nytimes.com/movie/review?_r=1&res=9C00E2D6113FE334BC4053DFBE66838C669EDE&oref=slogin|title=Bokyo |work=New York Times|date=8 August 1977 |access-date=14 August 2013|last1=Maslin |first1=Janet }}</ref> To date, ''Sandakan No. 8'' has not been commercially released in the U.S. on DVD.

== Reception ==
The Japanese filmmaker [[Akira Kurosawa]] cited ''Sandakan No. 8'' as one of his 100 favorite films.<ref name="farout">{{cite web |last1=Thomas-Mason |first1=Lee |title=From Stanley Kubrick to Martin Scorsese: Akira Kurosawa once named his top 100 favourite films of all time |url=https://faroutmagazine.co.uk/akira-kurosawa-100-favourite-films-list/ |website=Far Out Magazine |date=12 January 2021 |access-date=23 January 2023}}</ref>


==Box office==
==Box office==
The film was an overseas blockbuster in China, where it released as 望乡 (''Wàng Xiāng'') in 1978. It was among the first foreign films released there after the [[Cultural Revolution]] ended, and among the earliest depictions of sexuality seen on screen by Chinese audiences. It was one of the [[List of highest-grossing Japanese films|most successful Japanese films]] at the [[List of highest-grossing films in China|Chinese box office]] at the time, along with ''[[Kimi yo Fundo no Kawa o Watare]]'' (''Manhunt''). In [[Beijing]] alone, ''Sandakan'' grossed more than {{CNY|3.5 million}} ({{US$|{{To USD|3.5|CHN|year=1978}} million|long=no}}) at the box office.<ref>{{cite book |last=Xie |first=Xuanjun |title=谢选骏全集第 |trans-title=The Complete Works of Xie, Xuanjun |volume=28 |year=2021 |publisher=谢选骏 (Xie Xuanjun) |page=565 |url=https://books.google.com/books?id=ei89EAAAQBAJ&pg=PA565 |language=zh}}</ref> The film drew a total Chinese box office audience in the hundreds of millions, with an estimated gross revenue of at least more than {{CNY|{{#expr:100*0.15}} million}} ({{US$|{{To USD|15|CHN|year=1978|round=yes}} million|long=no}}) at a {{CNY|0.15}} ticket price.
The film was an overseas blockbuster in China, where it released as 望乡 (''Wàng Xiāng'') in 1978. It was among the first foreign films released there after the [[Cultural Revolution]] ended. It was one of the [[List of highest-grossing Japanese films|highest-grossing Japanese films]] at the [[List of highest-grossing films in China|Chinese box office]] at the time, along with ''[[Kimi yo Fundo no Kawa o Watare]]'' (''Manhunt''). Chinese audiences related to the topic of [[comfort women]] (which occurred during the [[Japanese occupation of China]]) and it was among the earliest depictions of sexuality seen in [[Chinese cinema]]s. In [[Beijing]] alone, ''Sandakan'' grossed more than {{CNY|3.5 million}} ({{US$|{{To USD|3.5|CHN|year=1978}} million|long=no}}) at the box office.<ref>{{cite book |last=Xie |first=Xuanjun |title=谢选骏全集第 |trans-title=The Complete Works of Xie, Xuanjun |volume=28 |year=2021 |publisher=谢选骏 (Xie Xuanjun) |page=565 |url=https://books.google.com/books?id=ei89EAAAQBAJ&pg=PA565 |language=zh}}</ref> The film generated total Chinese [[List of films by box office admissions|box office admissions]] in the hundreds of millions.<ref>{{Cite web |date=May 2008 |title=日本电影在中国的传播及中日电影的互动 |trans-title=The Dissemination of Japanese Films in China and the Interaction Between Chinese and Japanese Films |url=https://www.scj.go.jp/en/sca/activities/conferences/conf_8_projects/pdf/p1.pdf |access-date=13 April 2022 |website=Science Council of Asia (SCA) |publisher=[[Science Council of Japan]] (SCJ) |language=zh |quote=日本电影真正大规模进入中国还是在 1979 年中日友好条约签订以后。1979 年,政府间 文化交流活动之一——日本电影周引起轰动。《追捕》、《望乡》、《狐狸的故事》等日本电影 在中国上映,创造了数亿人次的票房。 |trans-quote=The real large-scale entry of Japanese films into China was after the signing of the Sino-Japanese Friendship Treaty in 1979. In 1979, one of the intergovernmental cultural exchange events, Japan Film Week, caused a sensation. Japanese films such as "Manhunt", "Wàng Xiāng" and "Fox Story" were released in China, generating hundreds of millions of admissions at the box office.}}</ref>


==See also==
==See also==
* [[Comfort women]]
* [[Japanese migration to Malaysia]]
* [[Japanese migration to Malaysia]]
* [[Sandakan Japanese Cemetery]]
* [[Sandakan Japanese Cemetery]]
Line 74: Line 78:
* {{IMDb title|0073654|Sandakan No. 8}}
* {{IMDb title|0073654|Sandakan No. 8}}


{{Japanese submissions for the Academy Award}}
{{Kei Kumai}}
{{Kei Kumai}}
{{Kinema Junpo Award for Best Film}}
{{Kinema Junpo Award for Best Film}}


[[Category:1974 films]]
[[Category:1974 films]]
[[Category:Japanese films]]
[[Category:1974 drama films]]
[[Category:1974 drama films]]
[[Category:Best Film Kinema Junpo Award winners]]
[[Category:Best Film Kinema Junpo Award winners]]
[[Category:Films directed by Kei Kumai]]
[[Category:Films directed by Kei Kumai]]
[[Category:Japanese-language films]]
[[Category:1970s Japanese-language films]]
[[Category:Sandakan]]
[[Category:Sandakan in World War II]]
[[Category:Toho films]]
[[Category:Toho films]]
[[Category:Films scored by Akira Ifukube]]
[[Category:Films scored by Akira Ifukube]]
[[Category:Japanese drama films]]
[[Category:Japanese drama films]]
[[Category:1970s Japanese films]]
[[Category:Films set in the 1920s]]
[[Category:Films set in the 1930s]]
[[Category:Films set in the 1940s]]
[[Category:Films set in East Malaysia]]
[[Category:Films about prostitution in Japan]]

Latest revision as of 08:34, 6 September 2024

Sandakan No. 8
A Chinese language version poster of the film
Directed byKei Kumai
Written byKei Kumai
Sakae Hirozawa
Tomoko Yamazaki (story)
StarringYoko Takahashi
Kinuyo Tanaka
Komaki Kurihara
CinematographyMitsuji Kaneo
Production
companies
Toho
Haiyūza Eiga
Release date
  • November 2, 1974 (1974-11-02)
Running time
121 minutes
CountryJapan
LanguageJapanese
Box office100 million+ tickets (China)

Sandakan No. 8 (サンダカン八番娼館 望郷, Sandakan hachiban shōkan: Bōkyō, aka Sandakan 8 and Brothel 8) is a 1974 Japanese drama film directed by Kei Kumai,[1] starring Yoko Takahashi, Komaki Kurihara and Kinuyo Tanaka. It was nominated for the 1975 Academy Award for Best Foreign Language Film. It also became one of the highest-grossing Japanese films at the Chinese box office, where it generated box office admissions in the hundreds of millions.

Plot

[edit]

A young female journalist, Keiko Mitani (Komaki Kurihara), is researching an article on the history of Japanese women who were sex slaves in Asian brothels during the early 20th century. She locates Osaki (Kinuyo Tanaka), an elderly woman who lives with a number of cats in a shack in a remote village. Osaki agrees to tell her life story, and the film goes into flashback to the early 1920s. A young Osaki (Yoko Takashi) is sold by her poverty-stricken family into indentured servitude as a maid in Sandakan, British North Borneo (today’s Sabah, Malaysia), at what she believes to be a hotel. At parting, Osaki's distraught and tragic mother gives her a kimono that she has woven by hand the night before her daughter's departure. The kimono will be Osaki's most treasured possession forever. The establishment is actually a brothel called Sandakan No. 8. Osaki, who is sold as a young girl, works for two years as a maid but is forced by the brothel’s owners to become a prostitute. Osaki stays at Sandakan 8 until World War II, and in that period, she never experiences genuine affection outside of a brief romance with a poor farmer who abandons her when he comes one evening to the brothel and sees the disheveled and exhausted Osaki after an onslaught of service to a battalion of Japanese sailors recently docked at the town. When Osaki returns to Japan, her brother and his wife, who have bought a house with the money she sent them, tell her that she has become an embarrassment.

Osaki returns to Sandakan. At the end of the war, she marries a Japanese man, who then dies. On returning to Japan, because of her experiences at Sandakan No. 8, she is shunned and treated like a pariah, even by her son who lives a respectable life in a large city.

Cast

[edit]

Production

[edit]

Sandakan No. 8 was based on the 1972 book Sandakan Brothel No. 8: An Episode in the History of Lower-Class by Yamazaki Tomoko. The book focused on the "karayuki-san", the Japanese term for young women who were forced into sexual slavery (see sex trafficking) in Pacific Rim countries and colonies during the early 20th century. The book created controversy in Japan, where the subject of the karayuki-san was not discussed in public or in scholarly examinations of Japanese history. Yamazaki’s book was a best-seller and won the Oya Soichi Prize for Non-Fiction Literature; she quickly followed up with a sequel, The Graves of Sandakan. Filmmaker Kei Kumai combined the two books into the screenplay for Sandakan No. 8.[2]

Awards and release

[edit]

Sandakan No. 8 won Best Picture, Best Director, and Best Actress for Kinuyo Tanaka in the 1975 Kinema Jumpo Awards. Tanaka won the Best Actress Award at the 25th Berlin International Film Festival,[3] while Kumai received a Best Director nomination at that festival.

Sandakan No. 8 was nominated for the 1975 Academy Award for Best Foreign Language Film, but it lost to another production directed by a Japanese filmmaker: Akira Kurosawa's Dersu Uzala, which was the Soviet Union entry for the Oscar competition.[4]

The film was not released in the U.S. until late 1976. Roger Ebert, in a review published in the Chicago Sun-Times, noted the film’s "material is sensitively handled...the movie is not explicit."[5] But Janet Maslin, in a review for The New York Times, called it a "film about prostitution, narrated from what is supposed to be a feminist point of view. However feminism, in this case, only means interjecting a particularly noxious form of man-hating where the pornographic touches ordinarily might be."[6] To date, Sandakan No. 8 has not been commercially released in the U.S. on DVD.

Reception

[edit]

The Japanese filmmaker Akira Kurosawa cited Sandakan No. 8 as one of his 100 favorite films.[7]

Box office

[edit]

The film was an overseas blockbuster in China, where it released as 望乡 (Wàng Xiāng) in 1978. It was among the first foreign films released there after the Cultural Revolution ended. It was one of the highest-grossing Japanese films at the Chinese box office at the time, along with Kimi yo Fundo no Kawa o Watare (Manhunt). Chinese audiences related to the topic of comfort women (which occurred during the Japanese occupation of China) and it was among the earliest depictions of sexuality seen in Chinese cinemas. In Beijing alone, Sandakan grossed more than CN¥3.5 million ($2.08 million) at the box office.[8] The film generated total Chinese box office admissions in the hundreds of millions.[9]

See also

[edit]

References

[edit]
  1. ^ "映画監督の熊井啓氏が死去". Fuji Sankei Shinbun. Retrieved 2 November 2019.
  2. ^ Warren, James F. (September 2000). "Review Sandakan Brothel No. 8: An Episode in the History of Lower-Class Japanese Women". Intersections: Gender, History and Culture in the Asian Context (4).
  3. ^ "Berlinale 1975: Prize Winners". berlinale.de. Retrieved 2010-07-11.
  4. ^ "The 48th Academy Awards (1976) Nominees and Winners". oscars.org. Retrieved 2012-03-18.
  5. ^ Ebert, Roger. "Brothel Eight". Retrieved 14 August 2013.
  6. ^ Maslin, Janet (8 August 1977). "Bokyo". New York Times. Retrieved 14 August 2013.
  7. ^ Thomas-Mason, Lee (12 January 2021). "From Stanley Kubrick to Martin Scorsese: Akira Kurosawa once named his top 100 favourite films of all time". Far Out Magazine. Retrieved 23 January 2023.
  8. ^ Xie, Xuanjun (2021). 谢选骏全集第 [The Complete Works of Xie, Xuanjun] (in Chinese). Vol. 28. 谢选骏 (Xie Xuanjun). p. 565.
  9. ^ "日本电影在中国的传播及中日电影的互动" [The Dissemination of Japanese Films in China and the Interaction Between Chinese and Japanese Films] (PDF). Science Council of Asia (SCA) (in Chinese). Science Council of Japan (SCJ). May 2008. Retrieved 13 April 2022. 日本电影真正大规模进入中国还是在 1979 年中日友好条约签订以后。1979 年,政府间 文化交流活动之一——日本电影周引起轰动。《追捕》、《望乡》、《狐狸的故事》等日本电影 在中国上映,创造了数亿人次的票房。 [The real large-scale entry of Japanese films into China was after the signing of the Sino-Japanese Friendship Treaty in 1979. In 1979, one of the intergovernmental cultural exchange events, Japan Film Week, caused a sensation. Japanese films such as "Manhunt", "Wàng Xiāng" and "Fox Story" were released in China, generating hundreds of millions of admissions at the box office.]
[edit]