Jump to content

Delicatessen (1991 film): Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
No edit summary
Tags: Mobile edit Mobile web edit
SporkBot (talk | contribs)
Bots
1,245,087 edits
m Remove template per TFD outcome
 
(35 intermediate revisions by 24 users not shown)
Line 3: Line 3:
| image = Delicatessen2.jpg
| image = Delicatessen2.jpg
| caption = Original theatrical poster
| caption = Original theatrical poster
| director = [[Marc Caro]]<br />[[Jean-Pierre Jeunet]]
| director = [[Jean-Pierre Jeunet]]<br />[[Marc Caro]]
| producer = [[Claudie Ossard]]
| producer = [[Claudie Ossard]]
| writer = Gilles Adrien<br />Marc Caro<br />Jean-Pierre Jeunet
| writer = Gilles Adrien<br />Marc Caro<br />Jean-Pierre Jeunet
Line 38: Line 38:
}}
}}


'''''Delicatessen''''' is a 1991 French [[post-apocalyptic]] [[black comedy film]] directed by [[Jean-Pierre Jeunet]] and [[Marc Caro]], starring [[Dominique Pinon]] and [[Marie-Laure Dougnac]]. It was released in North America as "presented by [[Terry Gilliam]]."<ref>{{cite news | first=Mike | last=Clark | title=New on DVD | url=https://www.usatoday.com/life/movies/reviews/2006-05-04-new-on-dvd_x.htm | work=[[USA Today]] |publisher=[[Gannett Company]] | date=5 May 2006 | access-date=27 November 2016}}</ref>
'''''Delicatessen''''' is a 1991 French [[Apocalyptic and post-apocalyptic fiction|post-apocalyptic]] [[Science fiction film|science fiction]] [[black comedy film]] directed by [[Jean-Pierre Jeunet]] and [[Marc Caro]], starring [[Dominique Pinon]], [[Marie-Laure Dougnac]], and [[Jean-Claude Dreyfus]]. It was released in North America as "presented by [[Terry Gilliam]]."<ref>{{cite news | first=Mike | last=Clark | title=New on DVD | url=https://www.usatoday.com/life/movies/reviews/2006-05-04-new-on-dvd_x.htm | work=[[USA Today]] |publisher=[[Gannett Company]] | date=5 May 2006 | access-date=27 November 2016}}</ref>


==Plot==
==Plot==
In a dilapidated [[apartment building]] in [[post-apocalyptic]] France, food is in short supply and grain is used as currency. On the ground floor is a [[butcher]]'s shop, run by the [[landlord]], Clapet, who posts job opportunities in the newspaper to lure victims to the building, whom he murders and butchers as a cheap source of meat to sell to his tenants.
In a dilapidated [[apartment building]] in [[post-apocalyptic]] France, food is in short supply and grain is used as currency. On the ground floor is a [[butcher]]'s shop, run by the [[landlord]], Clapet, who posts job opportunities in the newspaper to lure victims to the building, whom he murders and butchers as a cheap source of meat to sell to his tenants.


Following the murder of the last worker, unemployed [[circus]] [[clown]] Louison applies for the vacant position. Louison proves to be a superb worker with a spectacular trick knife, and the butcher is reluctant to kill him too quickly. During Louison's routine maintenance, he acquires a package dropped by a mailman. Louison delivers the package to Clapet's daughter, Julie, who says the package contains confections and invites him to join her that evening. Louison and Julie's relationship blossoms into romance. At the same time, several of the tenants fall under Louison's boyish charms, worrying others who are more anxious for their own safety should they require meat.
Following the murder of the last worker, unemployed [[circus]] [[clown]] Louison applies for the vacant position. Louison proves to be a superb worker with a spectacular trick knife, and the butcher is reluctant to kill him too quickly. During Louison's routine maintenance, he acquires a package dropped by a mailman. Louison delivers the package to Clapet's daughter, Julie, who says the package contains confections and invites him to join her that evening. Louison and Julie's relationship blossoms into romance. At the same time, several of the tenants fall under Louison's boyish charms, worrying others who are more anxious for their own safety should they require meat.


Clapet tells apartment tenant Marcel Tapioca that his rent is late and he must give up his mother-in-law as payment. That evening, Julie begs her father to let Louison go, knowing that Clapet is killing tenants for meat. She goes to her apartment, unwraps a newspaper in her refrigerator and sees an article about the Troglodistes, a group of vegetarian rebels who live underground. Julie descends into the sewers to make contact with the feared Troglodistes, whom she persuades to help rescue Louison.<ref>{{Citation|last=McGrath|first=James F.|title=INTRODUCTION|date=2012-09-27|url=http://dx.doi.org/10.2307/j.ctt1cgdw1p.4|work=Religion and Science Fiction|pages=1–8|publisher=The Lutterworth Press|doi=10.2307/j.ctt1cgdw1p.4|isbn=978-0-7188-4096-9|access-date=2021-04-03}}</ref>
Clapet tells apartment tenant Marcel Tapioca that his rent is late and he must give up his mother-in-law as payment. That evening, Julie begs her father to let Louison go, knowing that Clapet is killing tenants for meat. She goes to her apartment, unwraps a newspaper in her refrigerator and sees an article about the Troglodistes, a group of vegetarian rebels who live underground. Julie descends into the sewers to make contact with the feared Troglodistes, whom she persuades to help rescue Louison.<ref>{{Cite book |last=McGrath |first=James F. |title=Religion and Science Fiction |publisher=The Lutterworth Press |year=2012 |isbn=978-0-7188-4096-9 |pages=1–8 |chapter=Introduction |doi=10.2307/j.ctt1cgdw1p.4}}</ref>


After the apparent butchering of Tapioca's mother-in-law, the Troglodistes go through the sewer pipes and attempt to capture Louison, but end up mistakenly capturing tenant Mademoiselle Plusse instead. Meanwhile, as Julie and Louison watch television, Clapet ascends to the roof, shaking the television antenna to lure Louison into going up to fix it. Attacking Louison with a cleaver, Clapet's attempt to kill him is foiled by an unexpected electrical explosion in one of the apartments.
Following the apparent butchering of Tapioca's mother-in-law, the Troglodistes go through the sewer pipes and attempt to capture Louison, but end up mistakenly capturing tenant Mademoiselle Plusse instead. Meanwhile, as Julie and Louison watch television, Clapet ascends to the roof, shaking the television antenna to lure Louison into going up to fix it. Attacking Louison with a cleaver, Clapet's attempt to kill him is foiled by an unexpected electrical explosion in one of the apartments.


Clapet, along with some tenants, storms Louison's room in another attempt to murder him. Louison and Julie take refuge in a bathroom and flood it, floor to ceiling, until Clapet opens the door, releasing the flood and washing the attackers away. Mademoiselle Plusse escapes the sewers, finds Louison's boomerang knife, and gives it to Clapet. Clapet throws the knife towards Louison, but inadvertently kills himself. Louison and Julie play music together on the roof of the now peaceful apartment building.<ref>{{Citation|last=Carlos.|first=Jeunet, Jean-Pierre, 1955- Caro, Marc. Adrien, Gilles. Schneid, Hervé. Khondji, Darius. D'Alessio|title=Delicatessen.|date=2010|url=http://worldcat.org/oclc/626733305|publisher=Optimum Releasing|oclc=626733305|access-date=2021-04-03}}</ref>
Clapet, along with some tenants, storms Louison's room in another attempt to murder him. Louison and Julie take refuge in a bathroom and flood it, floor to ceiling, until Clapet opens the door, releasing the flood and washing the attackers away. Mademoiselle Plusse escapes the sewers, finds Louison's boomerang knife, and gives it to Clapet. Clapet throws the knife towards Louison, but inadvertently kills himself.
Louison and Julie play music together on the roof of the now peaceful apartment building, and the butcher's shop closed for good.<ref>{{Cite AV media |title=Delicatessen |url=https://www.worldcat.org/title/626733305 |access-date=April 3, 2021 |via=[[WorldCat]] |people=Jeunet, Jean-Pierre and Caro, Marc (directors) |publisher=Optimum Releasing |OCLC=626733305 |year=2010|language=en}}</ref>


==Cast==
==Cast==
{{div col}}
{{div col}}
* Pascal Benezech as an Attempted Escapee
* [[Dominique Pinon]] as Louison
* [[Dominique Pinon]] as Louison
* [[Marie-Laure Dougnac]] as Julie Clapet
* [[Marie-Laure Dougnac]] as Julie Clapet
Line 58: Line 61:
* [[Karin Viard]] as Mademoiselle Plusse
* [[Karin Viard]] as Mademoiselle Plusse
* [[Ticky Holgado]] as Marcel Tapioca
* [[Ticky Holgado]] as Marcel Tapioca
* Anne-Marie Pisani as Tapioca's Wife
* Boban Janevski and Mikaël Todde as the Tapioca Children
* [[Edith Ker]] as Grandmother
* [[Edith Ker]] as Grandmother
* [[Rufus (actor)|Rufus]] as Robert Kube
* [[Rufus (actor)|Rufus]] as Robert Kube
* [[Jacques Mathou]] as Roger
* [[Jacques Mathou]] as Roger
* [[Howard Vernon]] as Frog Man
* [[Howard Vernon]] as Frog Man
* Chick Ortega as The Postman
* Silvie Laguna as Aurore Interligator
* Jean-François Perrier as Georges Interligator
* Patrick Paroux as Puk
* Maurice Lamy as Pank
* [[Marc Caro]] as Fox
* [[Marc Caro]] as Fox
* Eric Averlant as Tourneur
* Dominique Bettenfeld, Jean-Luc Caron, Bernard Flavien, Bernard Flavien, David Defever, Raymond Forestier, Robert Baud as the Troglodistes
* Clara, a [[chimpanzee]] as Livingstone
{{div col end}}
{{div col end}}


==Reception==
==Reception==
⚫
The film was received well critically. ''[[Variety (magazine)|Variety]]'' called it "a zany little film that's a startling and clever debut."<ref>{{Cite news |date=December 31, 1990 |title=Delicatessen |work=[[Variety (magazine)|Variety]] |url=https://variety.com/1990/film/reviews/delicatessen-1200428946/ |access-date=May 22, 2023}}</ref> ''[[Empire (magazine)|Empire]]'' called it a "fair bet for cultdom, a lot more likeable than its subject matter suggests, and simply essential viewing for vegetarians". ''[[Inverse (website)|Inverse]]'' described the movie as having "striking visual aesthetic inspired by the monochrome photography of French-Hungarian photographer Brassaï, and the fantasy films of Terry Gilliam".<ref>{{Cite web|last=Balmont|first=James|title=The French father of Hollywood sci-fi is still planning his masterpiece (Exclusive)|url=https://www.inverse.com/entertainment/marc-caro-delicatessen-alien-city-of-lost-children|access-date=2021-04-20|website=Inverse|date=15 April 2021 |language=en}}</ref>
{{expand section|date=February 2016}}
⚫
The film was received well critically. ''[[Variety (magazine)|Variety]]'' called it "a zany little film that's a startling and clever debut." ''[[Empire (magazine)|Empire]]'' called it a "fair bet for cultdom, a lot more likeable than its subject matter suggests, and simply essential viewing for vegetarians". [[Inverse (website)|Inverse]] described the movie as having "striking visual aesthetic inspired by the monochrome photography of French-Hungarian photographer Brassaï, and the fantasy films of Terry Gilliam".<ref>{{Cite web|last=Balmont|first=James|title=The French father of Hollywood sci-fi is still planning his masterpiece (Exclusive)|url=https://www.inverse.com/entertainment/marc-caro-delicatessen-alien-city-of-lost-children|access-date=2021-04-20|website=Inverse|language=en}}</ref>


Not all reviews were positive, however, with ''[[The New York Times]]'' saying "its last half-hour is devoted chiefly to letting the characters wreck the sets, and quite literally becomes a washout when the bathtub overflows."
Not all reviews were positive, however, with [[Janet Maslin]] of ''[[The New York Times]]'' saying "its last half-hour is devoted chiefly to letting the characters wreck the sets, and quite literally becomes a washout when the bathtub overflows."<ref>{{Cite news |date=April 5, 1992 |title=Review/Film; From France, a Microcosm of Society Gone Wild |work=The New York Times |url=https://www.nytimes.com/1992/04/05/movies/review-film-from-france-a-microcosm-of-society-gone-wild.html |access-date=May 22, 2023}}</ref> [[Caryn James]], also of ''The New York Times'', was more positive; she wrote, "at times the film becomes too whimsical for its own good...Despite these minor flaws, as the film meanders from one set piece to another it makes good use of its directors' experience with short video forms".<ref>{{Cite news |last=James |first=Caryn |date=May 3, 1992 |title=FILM VIEW; This 'Deli' Thrives On Its Blender |language=en-US |work=The New York Times |url=https://www.nytimes.com/1992/05/03/movies/film-view-this-deli-thrives-on-its-blender.html |access-date=May 22, 2023 |issn=0362-4331}}</ref>


Although Delicatessen examines the resistance movement in [[German-occupied Europe]], few film critics commented on this theme upon its initial release.<ref>{{Cite journal|last=Hayes|first=Graeme|date=1999|title=Replaying history as farce: Postmodernism and the construction of Vichy in Delicatessen|url=http://dx.doi.org/10.1080/09639489908456486|journal=Modern & Contemporary France|volume=7|issue=2|pages=197–207|doi=10.1080/09639489908456486|issn=0963-9489}}</ref>
Although ''Delicatessen'' examines the resistance movement in [[German-occupied Europe]], few film critics commented on this theme upon its initial release.<ref>{{Cite journal|last=Hayes|first=Graeme|date=1999|title=Replaying history as farce: Postmodernism and the construction of Vichy in Delicatessen|url=http://dx.doi.org/10.1080/09639489908456486|journal=Modern & Contemporary France|volume=7|issue=2|pages=197–207|doi=10.1080/09639489908456486|issn=0963-9489}}</ref>


Review aggregator [[Rotten Tomatoes]] gave it an approval rating of 89% from a total of 54 reviews with an average rating of 7.76/10. The website's critical consensus reads, "Director Jean-Pierre Jeunet deftly combines horror, sci-fi, and humor in ''Delicatessen'', a morbid comedy set in a visually ravishing futuristic dystopia." [[Metacritic]] gave it 66 out of 100 out of a total of 17 reviews, indicating "generally favorable reviews."
Review aggregator [[Rotten Tomatoes]] gave it an approval rating of 90% from a total of 58 reviews with an average rating of 7.8/10. The website's critical consensus reads, "Director Jean-Pierre Jeunet deftly combines horror, sci-fi, and humor in ''Delicatessen'', a morbid comedy set in a visually ravishing futuristic dystopia."<ref>{{cite web |title=Delicatessen |url=https://www.rottentomatoes.com/m/delicatessen |website=[[Rotten Tomatoes]] |access-date=22 May 2023}}</ref> [[Metacritic]] gave it 66 out of 100 out of a total of 17 reviews, indicating "generally favorable reviews".<ref>{{cite web |title=Delicatessen |url=https://www.metacritic.com/movie/delicatessen |website=[[Metacritic]] |access-date=22 May 2023}}</ref>


===Accolades===
===Accolades===
The film has won and been nominated for several important European awards. At the [[César Awards]] it won Best Editing, Best Debut, Best Production Design and Best Writing, at the [[European Film Awards]] it won Best Set Design, at [[Fantasporto]] the Audience Jury Award, at the Guild of German Art House Cinemas Best Foreign Film, at [[Sitges]] Best Actor, Best Director, Best Original Soundtrack and the Prize of Catalan Screenwriter's Critic and Writer's Association. At the [[Tokyo International Film Festival]], it won the Gold Award. The film was nominated for the [[Grand Prix (Belgian Syndicate of Cinema Critics)|Grand Prix]] of the [[Belgian Syndicate of Cinema Critics]]. It also received nominations for those award ceremonies as well as for the BAFTAs.
The film won several prestigious European film awards. At the [[17th César Awards|César Awards]], it won for [[César Award for Best Editing|Best Editing]], [[César Award for Best First Feature Film|Best Debut]], [[César Award for Best Production Design|Best Production Design]], and [[César Award for Best Writing|Best Writing]].<ref>{{cite web |title=César Awards 1992 |url=https://en.unifrance.org/festivals-and-markets/620/cesar-awards-french-film-industry-awards/1992 |website=UniFrance |access-date=22 May 2023}}</ref> It won for Best Set Design at the [[European Film Awards]];<ref>{{cite web |title=Delicatessen |url=https://europeanfilmawards.eu/en_EN/film/delicatessen.5336 |website=European Film Awards |access-date=22 May 2023}}</ref> the Audience Jury Award at [[Fantasporto]];<ref>{{cite web |title=A look back at some Fantasporto prestigious winners |url=https://www.filmfestivals.com/blog/fantasporto/a_look_back_at_some_fantasporto_prestigious_winners |website=filmfestivals.com |access-date=22 May 2023 |date=October 27, 2008}}</ref> Best Foreign Film at the Guild of German Art House Cinemas; and Best Director, Best Actor, Best Original Soundtrack, and the Prize of Catalan Screenwriter's Critic and Writer's Association at the [[Sitges Film Festival]].<ref>{{cite web |title=24th International Film Festival of Catalonia - Sitges 1991 |url=https://www.filmaffinity.com/en/award-edition-movie.php?edition-id=sitges_1991&movie-id=200350 |website=Film Affinity |access-date=22 May 2023}}</ref> At the [[Tokyo International Film Festival]], it won the Gold Award.<ref>{{cite web |title=List of TIFF Awards |url=http://history.tiff-jp.net/en/prizes#award_1991 |website=[[Tokyo International Film Festival]] |access-date=22 May 2023}}</ref> The film was nominated for the [[Grand Prix (Belgian Syndicate of Cinema Critics)|Grand Prix]] of the [[Belgian Syndicate of Cinema Critics]]. At the [[46th British Academy Film Awards|BAFTA Awards]], it was nominated for [[BAFTA Award for Best Film Not in the English Language|Best Film Not in the English Language]].<ref>{{cite web |title=Film in 1993 |url=http://awards.bafta.org/award/1993/film |website=BAFTA Awards |access-date=22 May 2023}}</ref>

==See also==
*[[List of cult films]]


==References==
==References==
Line 83: Line 98:
==External links==
==External links==
{{Wikiquote}}
{{Wikiquote}}
* {{IMDb title|0101700|Delicatessen}}
* {{IMDb title|0101700}}
* {{Mojo title|delicatessen}}
* {{Mojo title|delicatessen}}
* {{Amg movie|13135|Delicatessen}}


⚫
{{Portal bar|France|1990s|Film}}
{{Jean-Pierre Jeunet}}
{{Jean-Pierre Jeunet}}
{{Marc Caro}}
{{Marc Caro}}
{{César Award for Best First Feature Film}}
{{César Award for Best First Feature Film}}
{{Gold Hugo}}
⚫
{{Portal bar|France|1990s|Film}}


{{Authority Control}}
{{Authority control}}


[[Category:1991 films]]
[[Category:1991 films]]
[[Category:1990s black comedy films]]
[[Category:1991 black comedy films]]
⚫
[[Category:1990s science fiction films]]
⚫
[[Category:French films]]
[[Category:French science fiction comedy-drama films]]
[[Category:French science fiction comedy-drama films]]
[[Category:French post-apocalyptic films]]
[[Category:French post-apocalyptic films]]
[[Category:French black comedy films]]
[[Category:French black comedy films]]
[[Category:French independent films]]
[[Category:Films directed by Jean-Pierre Jeunet]]
[[Category:Films directed by Jean-Pierre Jeunet]]
[[Category:Films directed by Marc Caro]]
[[Category:Films directed by Marc Caro]]
Line 108: Line 122:
[[Category:Miramax films]]
[[Category:Miramax films]]
[[Category:1990s dystopian films]]
[[Category:1990s dystopian films]]
[[Category:Survival films]]
[[Category:French survival films]]
[[Category:1991 directorial debut films]]
[[Category:1991 directorial debut films]]
[[Category:1991 comedy films]]
[[Category:1991 independent films]]
⚫
[[Category:1990s French films]]
[[Category:Films scored by Carlos d'Alessio]]
⚫
[[Category:1991 science fiction films]]
[[Category:1990s French-language films]]

Latest revision as of 20:13, 21 December 2024

Delicatessen
Original theatrical poster
Directed byJean-Pierre Jeunet
Marc Caro
Written byGilles Adrien
Marc Caro
Jean-Pierre Jeunet
Produced byClaudie Ossard
Starring
CinematographyDarius Khondji
Edited byHervé Schneid
Music byCarlos d'Alessio
Production
companies
  • UGC
  • Hachette Première
  • Constellation
  • Victoires Productions
Distributed byUGC Distribution[1]
Release date
  • April 17, 1991 (1991-04-17) (France)
Running time
99 minutes
CountryFrance
LanguageFrench
Budget$3.8 million
Box office$12.4 million[2]

Delicatessen is a 1991 French post-apocalyptic science fiction black comedy film directed by Jean-Pierre Jeunet and Marc Caro, starring Dominique Pinon, Marie-Laure Dougnac, and Jean-Claude Dreyfus. It was released in North America as "presented by Terry Gilliam."[3]

Plot

[edit]

In a dilapidated apartment building in post-apocalyptic France, food is in short supply and grain is used as currency. On the ground floor is a butcher's shop, run by the landlord, Clapet, who posts job opportunities in the newspaper to lure victims to the building, whom he murders and butchers as a cheap source of meat to sell to his tenants.

Following the murder of the last worker, unemployed circus clown Louison applies for the vacant position. Louison proves to be a superb worker with a spectacular trick knife, and the butcher is reluctant to kill him too quickly. During Louison's routine maintenance, he acquires a package dropped by a mailman. Louison delivers the package to Clapet's daughter, Julie, who says the package contains confections and invites him to join her that evening. Louison and Julie's relationship blossoms into romance. At the same time, several of the tenants fall under Louison's boyish charms, worrying others who are more anxious for their own safety should they require meat.

Clapet tells apartment tenant Marcel Tapioca that his rent is late and he must give up his mother-in-law as payment. That evening, Julie begs her father to let Louison go, knowing that Clapet is killing tenants for meat. She goes to her apartment, unwraps a newspaper in her refrigerator and sees an article about the Troglodistes, a group of vegetarian rebels who live underground. Julie descends into the sewers to make contact with the feared Troglodistes, whom she persuades to help rescue Louison.[4]

Following the apparent butchering of Tapioca's mother-in-law, the Troglodistes go through the sewer pipes and attempt to capture Louison, but end up mistakenly capturing tenant Mademoiselle Plusse instead. Meanwhile, as Julie and Louison watch television, Clapet ascends to the roof, shaking the television antenna to lure Louison into going up to fix it. Attacking Louison with a cleaver, Clapet's attempt to kill him is foiled by an unexpected electrical explosion in one of the apartments.

Clapet, along with some tenants, storms Louison's room in another attempt to murder him. Louison and Julie take refuge in a bathroom and flood it, floor to ceiling, until Clapet opens the door, releasing the flood and washing the attackers away. Mademoiselle Plusse escapes the sewers, finds Louison's boomerang knife, and gives it to Clapet. Clapet throws the knife towards Louison, but inadvertently kills himself.

Louison and Julie play music together on the roof of the now peaceful apartment building, and the butcher's shop closed for good.[5]

Cast

[edit]
  • Pascal Benezech as an Attempted Escapee
  • Dominique Pinon as Louison
  • Marie-Laure Dougnac as Julie Clapet
  • Jean-Claude Dreyfus as Clapet
  • Karin Viard as Mademoiselle Plusse
  • Ticky Holgado as Marcel Tapioca
  • Anne-Marie Pisani as Tapioca's Wife
  • Boban Janevski and Mikaël Todde as the Tapioca Children
  • Edith Ker as Grandmother
  • Rufus as Robert Kube
  • Jacques Mathou as Roger
  • Howard Vernon as Frog Man
  • Chick Ortega as The Postman
  • Silvie Laguna as Aurore Interligator
  • Jean-François Perrier as Georges Interligator
  • Patrick Paroux as Puk
  • Maurice Lamy as Pank
  • Marc Caro as Fox
  • Eric Averlant as Tourneur
  • Dominique Bettenfeld, Jean-Luc Caron, Bernard Flavien, Bernard Flavien, David Defever, Raymond Forestier, Robert Baud as the Troglodistes
  • Clara, a chimpanzee as Livingstone

Reception

[edit]

The film was received well critically. Variety called it "a zany little film that's a startling and clever debut."[6] Empire called it a "fair bet for cultdom, a lot more likeable than its subject matter suggests, and simply essential viewing for vegetarians". Inverse described the movie as having "striking visual aesthetic inspired by the monochrome photography of French-Hungarian photographer Brassaï, and the fantasy films of Terry Gilliam".[7]

Not all reviews were positive, however, with Janet Maslin of The New York Times saying "its last half-hour is devoted chiefly to letting the characters wreck the sets, and quite literally becomes a washout when the bathtub overflows."[8] Caryn James, also of The New York Times, was more positive; she wrote, "at times the film becomes too whimsical for its own good...Despite these minor flaws, as the film meanders from one set piece to another it makes good use of its directors' experience with short video forms".[9]

Although Delicatessen examines the resistance movement in German-occupied Europe, few film critics commented on this theme upon its initial release.[10]

Review aggregator Rotten Tomatoes gave it an approval rating of 90% from a total of 58 reviews with an average rating of 7.8/10. The website's critical consensus reads, "Director Jean-Pierre Jeunet deftly combines horror, sci-fi, and humor in Delicatessen, a morbid comedy set in a visually ravishing futuristic dystopia."[11] Metacritic gave it 66 out of 100 out of a total of 17 reviews, indicating "generally favorable reviews".[12]

Accolades

[edit]

The film won several prestigious European film awards. At the César Awards, it won for Best Editing, Best Debut, Best Production Design, and Best Writing.[13] It won for Best Set Design at the European Film Awards;[14] the Audience Jury Award at Fantasporto;[15] Best Foreign Film at the Guild of German Art House Cinemas; and Best Director, Best Actor, Best Original Soundtrack, and the Prize of Catalan Screenwriter's Critic and Writer's Association at the Sitges Film Festival.[16] At the Tokyo International Film Festival, it won the Gold Award.[17] The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. At the BAFTA Awards, it was nominated for Best Film Not in the English Language.[18]

See also

[edit]

References

[edit]
  1. ^ "Film #1907: Delicatessen". Lumiere. Retrieved 27 April 2021.
  2. ^ JP. "Delicatessen". JP's Box-Office. Retrieved 27 November 2016.
  3. ^ Clark, Mike (5 May 2006). "New on DVD". USA Today. Gannett Company. Retrieved 27 November 2016.
  4. ^ McGrath, James F. (2012). "Introduction". Religion and Science Fiction. The Lutterworth Press. pp. 1–8. doi:10.2307/j.ctt1cgdw1p.4. ISBN 978-0-7188-4096-9.
  5. ^ Jeunet, Jean-Pierre and Caro, Marc (directors) (2010). Delicatessen. Optimum Releasing. OCLC 626733305. Retrieved April 3, 2021 – via WorldCat.
  6. ^ "Delicatessen". Variety. December 31, 1990. Retrieved May 22, 2023.
  7. ^ Balmont, James (15 April 2021). "The French father of Hollywood sci-fi is still planning his masterpiece (Exclusive)". Inverse. Retrieved 2021-04-20.
  8. ^ "Review/Film; From France, a Microcosm of Society Gone Wild". The New York Times. April 5, 1992. Retrieved May 22, 2023.
  9. ^ James, Caryn (May 3, 1992). "FILM VIEW; This 'Deli' Thrives On Its Blender". The New York Times. ISSN 0362-4331. Retrieved May 22, 2023.
  10. ^ Hayes, Graeme (1999). "Replaying history as farce: Postmodernism and the construction of Vichy in Delicatessen". Modern & Contemporary France. 7 (2): 197–207. doi:10.1080/09639489908456486. ISSN 0963-9489.
  11. ^ "Delicatessen". Rotten Tomatoes. Retrieved 22 May 2023.
  12. ^ "Delicatessen". Metacritic. Retrieved 22 May 2023.
  13. ^ "César Awards 1992". UniFrance. Retrieved 22 May 2023.
  14. ^ "Delicatessen". European Film Awards. Retrieved 22 May 2023.
  15. ^ "A look back at some Fantasporto prestigious winners". filmfestivals.com. October 27, 2008. Retrieved 22 May 2023.
  16. ^ "24th International Film Festival of Catalonia - Sitges 1991". Film Affinity. Retrieved 22 May 2023.
  17. ^ "List of TIFF Awards". Tokyo International Film Festival. Retrieved 22 May 2023.
  18. ^ "Film in 1993". BAFTA Awards. Retrieved 22 May 2023.
[edit]
Wikiquote has quotations related to Delicatessen (1991 film).
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Delicatessen_(1991_film)&oldid=1264380437"