Jump to content

Carnival of Souls: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
Sivingos (talk | contribs)
34 edits
m →External links: Added a link to a Youtube version of the movie
 
(56 intermediate revisions by 37 users not shown)
Line 2: Line 2:
{{other uses}}
{{other uses}}
{{use American English|date=December 2019}}
{{use American English|date=December 2019}}
{{use mdy dates|date=December 2019}}
{{use mdy dates|date=December 2019}}{{Infobox film
{{Infobox film
| name = Carnival of Souls
| name = Carnival of Souls
| image = Carnival of Souls (1962 pressbook cover).jpg
| image = Carnival of Souls (1962 pressbook cover).jpg
Line 12: Line 11:
| writer = John Clifford
| writer = John Clifford
| story = {{plainlist|
| story = {{plainlist|
* '''Uncredited:'''<br>Herk Harvey
* Herk Harvey {{small|(uncredited)}}
* John Clifford<ref name="Clifford">{{cite web|url=https://www.bfi.org.uk/films-tv-people/4ce2b6a72e3c0|title=Carnival of Souls (1962)|publisher=[[BFI]]|accessdate=June 9, 2020}}</ref>
* John Clifford {{small|(uncredited)}}<ref name="Clifford">{{cite web|url=https://www.bfi.org.uk/films-tv-people/4ce2b6a72e3c0|archive-url=https://web.archive.org/web/20170617134222/http://www.bfi.org.uk/films-tv-people/4ce2b6a72e3c0|url-status=dead|archive-date=June 17, 2017|title=Carnival of Souls (1962)|publisher=[[BFI]]|accessdate=June 9, 2020}}</ref>
}}
}}
| starring = {{plainlist|
| starring = {{plainlist|
Line 33: Line 32:
| budget = $33,000
| budget = $33,000
}}
}}
⚫
'''''Carnival of Souls''''' is a 1962 American [[psychological horror]] film{{sfn|Olson|2018|p=36}} produced and directed by [[Herk Harvey]] and written by John Clifford<ref name="Clifford"/> from a story by Clifford and Harvey, and starring [[Candace Hilligoss]]. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout.<ref>{{cite magazine|first=Richard|last=Brody|url=https://www.newyorker.com/culture/richard-brody/the-front-row-carnival-of-souls|title=The Front Row: "Carnival of Souls"|magazine=[[The New Yorker]]|publisher=[[Condé Nast]]|location=New York City|date=September 27, 2016}}</ref> The film is set to an organ score by Gene Moore.
⚫
[[File:Carnival of Souls, 1962.ogv|thumb|thumbtime=130|''Carnival of Souls'']]


⚫
Filmed in [[Lawrence, Kansas]], and [[Salt Lake City]], ''Carnival of Souls'' was shot on a budget of $33,000, and Harvey employed various [[guerrilla filmmaking]] techniques to finish the production. The film is loosely based on the French short ''[[An Occurrence at Owl Creek Bridge (film)|An Occurrence at Owl Creek Bridge]]'' (1961), an adaptation of the 1890 [[An Occurrence at Owl Creek Bridge|story of the same name]] by [[Ambrose Bierce]], and Harvey was inspired by the visual style of filmmakers such as [[Ingmar Bergman]] and [[Jean Cocteau]].{{sfn|Godfrey|Good|Goodall|2009|pages=17–18}} ''Carnival of Souls'' was Harvey's only feature film, and did not gain widespread attention when originally released as a [[double feature]] with the now mostly forgotten ''[[The Devil's Messenger]]'' in 1962.
⚫
'''''Carnival of Souls''''' is a 1962 American [[Independent film|independent]] [[horror film]] produced and directed by [[Herk Harvey]] and written by John Clifford<ref name="Clifford"/> from a story by Clifford and Harvey, and starring [[Candace Hilligoss]]. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout.<ref>{{cite magazine|first=Richard|last=Brody|url=https://www.newyorker.com/culture/richard-brody/the-front-row-carnival-of-souls|title=The Front Row: "Carnival of Souls"|magazine=[[The New Yorker]]|publisher=[[Condé Nast]]|location=New York City|date=September 27, 2016}}</ref>


⚫
Since the 1980s, the film has been noted by critics and film scholars for its cinematography and foreboding atmosphere.<ref>[https://siskelebert.org/?p=4950 Immediate Family, The Bear, Dad, Next of Kin, Carnival of Souls, 1989 – Siskel and Ebert Movie Reviews]</ref> The film has a large [[cult following]] and is occasionally screened at film and Halloween festivals.
⚫
Filmed in Lawrence, Kansas, and Salt Lake City, ''Carnival of Souls'' was shot on a budget of $33,000, and Harvey employed various [[guerrilla filmmaking]] techniques to finish the production. It was Harvey's only feature film, and did not gain widespread attention when originally released as a [[double feature]] with the now mostly forgotten ''[[The Devil's Messenger]]'' in 1962.

⚫
Set to an organ score by Gene Moore, the film has been contemporarily noted by critics and film scholars for its cinematography and foreboding atmosphere.<ref>[https://siskelebert.org/?p=4950 Immediate Family, The Bear, Dad, Next of Kin, Carnival of Souls, 1989 – Siskel and Ebert Movie Reviews]</ref> The film has a large [[cult following]] and is occasionally screened at film and Halloween festivals, and has been cited as a wide-ranging influence on numerous filmmakers, including [[David Lynch]], [[George A. Romero]],<ref name="ebert" /> and [[Lucrecia Martel]].<ref>{{cite web|url=https://www.criterion.com/current/posts/5927-lucrecia-martel-s-closet-picks|title=Lucrecia Martel's Closet Picks|publisher=[[The Criterion Collection]]|accessdate=September 18, 2018}}</ref> The film's plot resembles that of [[Ambrose Bierce]]'s 1890 story ''[[An Occurrence at Owl Creek Bridge]]''.


==Plot==
==Plot==
⚫
[[File:Carnival of Souls (1962) by Herk Harvey.webm | thumb|''Carnival of Souls'' (1962) by Herk Harvey]]
In [[Kansas]], Mary Henry is riding in a car with two other young women when two men challenge them to a road race. During the race, the women's car is nudged by the boy's and plunges off a bridge into a muddy river. Three hours after the police start dredging the water to look for them, Mary miraculously surfaces on the river bank, but cannot remember how she survived.
In [[Kansas]], Mary Henry is riding in a car with two other young women when two men challenge them to a road race. During the race, the women's car is nudged by the boy's and plunges off a bridge into a muddy river. Three hours after the police start dredging the water to look for them, Mary miraculously surfaces on the river bank, but cannot remember how she survived.
[[File:COS 01.JPG|thumb|Still frame of the car falling off the bridge.]]
Mary moves to [[Salt Lake City]], where she has been hired as a church organist. While driving near an [[Saltair (Utah)#Saltair II|abandoned pavilion]] on the shores of the [[Great Salt Lake]], Mary begins experiencing visions of a ghoulish, pale-faced figure (referred to as "The Man" in the credits). A gas station attendant tells her the pavilion was first a bathhouse, then a dance hall, and finally a carnival before it was abandoned. In town, Mary rents a room and visits the church where she will be playing the organ. Mary takes a ride out to the pavilion at the lake with the church's minister who stops her from entering, warning that it is against the law.


Mary continues experiencing visions of The Man and also rejects the repeated advances of John, a neighboring lodger. Mary goes to the pavilion by herself to investigate but does not find anything. Later, Mary begins experiencing terrifying interludes when she becomes invisible and inaudible to the rest of the world, as if she were not there. During one of these episodes, Mary meets Dr. Samuels who offers to help her while acknowledging he is not a [[psychiatrist]]. Mary returns to the church by herself to practice the organ and finds herself shifting from a hymn to eerie music. In a [[trance]], she sees visions of The Man and other [[ghoul]]s dancing at the pavilion. The minister, hearing the strange music, denounces it as [[sacrilege]] and insists that Mary resign.
Mary moves to [[Salt Lake City]], where she has been hired as a church organist. While driving through the desert, Mary's radio starts playing nothing but strange organ music, and she has visions of a ghoulish, pasty-faced figure (simply called "The Man" in dialogue). She also sees a large, [[Saltair (Utah)#Saltair II|abandoned pavilion]] on the shores of the [[Great Salt Lake]]. A gas station attendant tells her the pavilion was first a bathhouse, then a dance hall, and finally a carnival before it closed.

In town, Mary rents a room. She meets the proprietor, who informs her that there is another lodger staying there. Mary unpacks her suitcase and goes to the church where she will be playing the organ. At the church she meets the minister and is invited to play the organ for the first time. At the minister's offer, Mary takes a ride out to the pavilion at the lake. She is stopped from entering by the minister who warns her that it is prohibited to enter.

When she returns to her lodgings Mary meets a creepy man, John, the only other lodger, who wants to become better acquainted. Mary however, retreats as she is not interested. That night, she becomes upset when she sees The Man downstairs and retreats to her room. John brings her coffee and a bottle of whiskey at breakfast time before she goes shopping. Mary begins experiencing terrifying interludes when she becomes invisible and inaudible to the rest of the world, as if she simply were not there. When The Man appears briefly in front of her in a park, she flees, into the nearby arms of a Dr. Samuels. He tries to help her in his nearby office, acknowledging he is not a psychiatrist.

Mary's new employer, the minister, is put off when she declines a reception to meet the congregation. When she practices for the first time, she finds herself shifting from a hymn to eerie music. In a trance, she sees The Man and other ghouls dancing at the pavilion. The minister, hearing the strange music, denounces it as sacrilege and insists upon her resignation.

Mary had agreed to meet John after church and they go to a bar. Terrified of being alone with her nightmares, Mary says she wants John's company. When they return home, he is invited to her bedroom door. John tries to convince Mary to let him stay the night, but she walks away, apparently uninterested. Nevertheless, he follows her to her bedroom, where she sees The Man in the mirror. Frightened, she tells John what has been happening to her. He leaves, believing she is losing her mind.

After going back to Samuels' office, Mary believes she has to go to the pavilion. However, Mary is confronted by The Man and his fellow ghouls. She tries frantically to escape, boarding a bus to leave town, only to find that all the passengers are ghouls.


It is just a nightmare; she awakens in her car. In the end, she is drawn back to the pavilion, where she finds her tormentors dancing, a pale version of herself paired with The Man. When she runs away, the ghouls chase her onto the beach. She collapses as they close in.
That night, Mary accompanies John to a bar. Terrified of being alone with her nightmares, Mary tells John she wants his company. When they return home, John tries to convince Mary to let him stay the night, however Mary becomes [[hysteria|hysterical]] when she sees The Man in the mirror. John leaves, believing Mary to be insane. The following morning, Mary returns to the pavilion where she encounters The Man and his fellow ghouls. She tries frantically to escape, however the locals do not acknowledge her and she only encounters more ghouls until she wakes up, revealing the previous scene to be merely a [[nightmare]]. She is later drawn back to the pavilion once again, where she finds the ghouls dancing, with a ghoul version of herself paired with The Man. She tries to run away but is chased by the ghouls onto the beach, where she collapses as they close in.


The following day, Samuels, the minister, and police go to the pavilion to look for Mary. They find her footprints in the sand and they end abruptly in a complex group of prints. Back in Kansas, the girls' car is pulled from the river. Mary's body is in the front seat alongside the other two women. She was apparently dead all along.
The following day, Dr. Samuels, the minister, and the police go to the pavilion to look for Mary. They find her footprints but note that she has otherwise vanished. Back in Kansas, the submerged car is finally pulled from the river. Mary's body is seen in the front seat alongside the other two women.


==Cast==
==Cast==
Line 77: Line 67:


==Production==
==Production==

===Development===
===Development===
[[File:Saltair.jpg|thumb|right|upright=1|Harvey centered and shot the film around the then-abandoned [[Saltair, Utah|Saltair Pavilion]] in Salt Lake City, Utah]]
Harvey was a director and producer of [[Industrial film|industrial]] and [[educational film]]s based in Lawrence, Kansas, where he worked for the [[Centron Corporation]].<ref>[https://archive.org/details/JohnCliffordInterviewCarnivalOfSouls Clifford, John - Interview, Carnival of Souls, 1999 posted by Demolition Kitchen Media on Internet Archive]</ref> While returning to Kansas after shooting a Centron film in California, Harvey developed the idea for ''Carnival of Souls'' after driving past the abandoned [[Saltair, Utah|Saltair Pavilion]] in Salt Lake City.{{sfn|Crouse|2003|pages=35–38}} "When I got back to Lawrence, I asked my friend and co-worker at Centron Films, John Clifford, who was a writer there, how he'd like to write a feature," Harvey recalled. "The last scene, I told him, had to be a whole bunch of ghouls dancing in that ballroom; the rest was up to him. He wrote it in three weeks."<ref name="champlin" />
Harvey was a director and producer of [[Industrial film|industrial]] and [[educational film]]s based in Lawrence, Kansas, where he worked for the [[Centron Corporation]].<ref>[https://archive.org/details/JohnCliffordInterviewCarnivalOfSouls Clifford, John - Interview, Carnival of Souls, 1999 posted by Demolition Kitchen Media on Internet Archive]</ref> While returning to Kansas after shooting a Centron film in California, Harvey developed the idea for ''Carnival of Souls'' after driving past the abandoned [[Saltair, Utah|Saltair Pavilion]] in Salt Lake City.{{sfn|Crouse|2003|pages=35–38}} "When I got back to Lawrence, I asked my friend and co-worker at Centron Films, John Clifford, who was a writer there, how he'd like to write a feature," Harvey recalled. "The last scene, I told him, had to be a whole bunch of ghouls dancing in that ballroom; the rest was up to him. He wrote it in three weeks."<ref name="champlin" />

The screenplay is loosely based on the French short film ''[[An Occurrence at Owl Creek Bridge (film)|An Occurrence at Owl Creek Bridge]]'' (1961), an adaptation of the 1890 [[An Occurrence at Owl Creek Bridge|story of the same name]] by [[Ambrose Bierce]].{{sfn|Godfrey|Good|Goodall|2009|pages=17–18}}


===Casting===
===Casting===
[[File:Carnival of Souls - Candace Hilligoss profile.jpg|thumb|189x189px|Candace Hilligoss, 1962]]
In New York City, Harvey discovered then-twenty-year-old actress Candace Hilligoss, who had trained with [[Lee Strasberg]], and cast her in the lead role of Mary Henry.<ref name="champlin" /> Hilligoss had been offered a role in the Richard Hilliard-directed horror film ''[[Violent Midnight]]'' (1963), but opted for the role in ''Carnival of Souls''.{{sfn|Weaver|2003|p=146}} She stated that at the time, she took the role as a "take-the-money-and-run type of situation";{{sfn|Weaver|2003|p=147}} she was paid approximately $2,000 for her work in the film.{{sfn|Weaver|2003|p=152}}
In New York City, Harvey discovered then-twenty six year-old actress Candace Hilligoss, who had trained with [[Lee Strasberg]], and cast her in the lead role of Mary Henry.<ref name="champlin" /> Hilligoss had been offered a role in the Richard Hilliard-directed horror film ''[[Violent Midnight]]'' (1963), but opted for the role in ''Carnival of Souls''.{{sfn|Weaver|2003|p=146}} She stated that at the time, she took the role as a "take-the-money-and-run type of situation";{{sfn|Weaver|2003|p=147}} she was paid approximately $2,000 for her work in the film.{{sfn|Weaver|2003|p=152}}


===Filming===
===Filming===
Harvey shot ''Carnival of Souls'' in three weeks on location in Lawrence and Salt Lake City,<ref name="champlin">{{cite news|first=Charles|last=Champlin|url=https://articles.latimes.com/1990-04-19/entertainment/ca-2117_1_industrial-film|title=The Reincarnation of 'Carnival of Souls'|newspaper=[[Los Angeles Times]]|date=April 19, 1990|accessdate=December 27, 2016|url-status=dead|archive-url=https://web.archive.org/web/20190523165838/https://www.latimes.com/archives/la-xpm-1990-04-19-ca-2117-story.html|archive-date=May 23, 2019}}</ref> after taking three weeks off from his job at Centron in order to direct the film,{{sfn|Crouse|2003|pages=35–38}} and starting with an initial production budget of $17,000.{{sfn|Crouse|2003|pages=35–38}} He raised the $17,000 cash budget by asking local businessmen if they were willing to invest $500 in his production.{{sfn|Hillegass|1996|pages=18–33}} The other $13,000 of the total $30,000 budget was deferred.{{sfn|Hillegass|1996|pages=18–33}} Harvey was able to secure the rental of the Saltair Pavilion for $50, and several other scenes, such as the scene featuring Mary in the department store, were shot [[guerrilla filmmaking|guerrilla style]], with Harvey paying off locals to allow the crew to quickly film.<ref name="champlin" /> {{sfn|Weaver|2003|pages=148–149}} Hilligoss described the filming process as brisk, with the cast and crew working seven days a week.{{sfn|Weaver|2003|p=148}}
Harvey shot ''Carnival of Souls'' in three weeks on location in Lawrence and Salt Lake City,<ref name="champlin">{{cite news|first=Charles|last=Champlin|url=https://www.latimes.com/archives/la-xpm-1990-04-19-ca-2117-story.html|title=The Reincarnation of 'Carnival of Souls'|newspaper=[[Los Angeles Times]]|date=April 19, 1990|access-date=December 27, 2016|url-status=live|archive-url=https://web.archive.org/web/20190523165838/https://www.latimes.com/archives/la-xpm-1990-04-19-ca-2117-story.html|archive-date=May 23, 2019}}</ref> after taking three weeks off from his job at Centron in order to direct the film,{{sfn|Crouse|2003|pages=35–38}} and starting with an initial production budget of $17,000.{{sfn|Crouse|2003|pages=35–38}} He raised the $17,000 cash budget by asking local businessmen if they were willing to invest $500 in his production.{{sfn|Hillegass|1996|pages=18–33}} The other $13,000 of the total $30,000 budget was deferred.{{sfn|Hillegass|1996|pages=18–33}} Harvey was able to secure the rental of the Saltair Pavilion for $50, and several other scenes, such as the scene featuring Mary in the department store, were shot [[guerrilla filmmaking|guerrilla style]], with Harvey paying off locals to allow the crew to quickly film.<ref name="champlin" /> {{sfn|Weaver|2003|pages=148–149}} Hilligoss described the filming process as brisk, with the cast and crew working seven days a week.{{sfn|Weaver|2003|p=148}}

Harvey aimed for the film to have "the look of [[Ingmar Bergman|Bergman]] and the feel of [[Jean Cocteau|Cocteau]],"{{sfn|Godfrey|Good|Goodall|2009|p=18}} and employed techniques he had learned in his work on industrial films in order to limit production costs.{{sfn|Crouse|2003|pages=35–38}} There was not enough money for a process screen to create a [[rear projection effect]], which was the method typically used at that time to create the impression that a scene was taking place inside a moving car, by combining footage shot inside a static car with separate footage of a moving background.{{sfn|Crouse|2003|pages=35–38}} Instead, Harvey used a battery-powered hand-held [[Arriflex 35|Arriflex camera]] to film the shots inside moving cars, removing the need for [[compositing]]. The Arriflex, which was at that time more often used by cameramen filming newsreel footage, also allowed them to use a moving camera in other scenes without the need for gear like dollies or cranes.{{sfn|Crouse|2003|pages=35–38}}


Harvey employed techniques he had learned in his work on industrial films in order to limit production costs.{{sfn|Crouse|2003|pages=35–38}} There was not enough money for a process screen to create a [[rear projection effect]], which was the method typically used at that time to create the impression that a scene was taking place inside a moving car, by combining footage shot inside a static car with separate footage of a moving background.{{sfn|Crouse|2003|pages=35–38}} Instead, Harvey used a battery-powered hand-held [[Arriflex 35|Arriflex camera]] to film the shots inside moving cars, removing the need for [[compositing]]. The Arriflex, which was at that time more often used by cameramen filming newsreel footage, also allowed them to use a moving camera in other scenes without the need for gear like dollies or cranes.{{sfn|Crouse|2003|pages=35–38}} Harvey's assistant director was [[Reza Badiyi]], a young Iranian immigrant who was just beginning his film work in the States. At this time, Badiyi had been second-unit director on one other film, [[Robert Altman]]'s directing debut, ''[[The Delinquents (1957 film)|The Delinquents]]'',{{sfn|Weaver|2011|p=88}} but would go on to make (amongst other notable work) some of the best-known, iconic [[television series]] openings and montages, including ''[[Hawaii Five-O (1968 TV series)|Hawaii Five-O]]'', ''[[Get Smart]]'', and ''[[The Mary Tyler Moore Show]]''.<ref>[https://www.imdb.com/name/nm0046172/ Reza Badiyi-IMDB]</ref> The shot in which the face of The Man appears in the car window was accomplished through the use of an angled mirror placed on the far side of the window. The scene at the start of the film in which the car goes off the bridge and into the river was filmed in Lecompton, Kansas. The town did not charge a fee for the use of the bridge, only requiring the film crew to replace the bridge's damaged rails once they were done filming. This was done, at a cost of $12 for the repair.<ref>{{Cite web|title=Interview with Carnival of Souls' director Herk Harvey - YouTube|url=https://www.youtube.com/watch?v=Y1GKYKJtmMo&ab_channel=CandaceHilligoss |archive-url=https://ghostarchive.org/varchive/youtube/20211222/Y1GKYKJtmMo |archive-date=2021-12-22 |url-status=live|access-date=2020-11-09|website=www.youtube.com}}{{cbignore}}</ref>
Harvey's assistant director was [[Reza Badiyi]], a young Iranian immigrant who was just beginning his film work in the States. At this time, Badiyi had been second-unit director on one other film, [[Robert Altman]]'s directing debut, ''[[The Delinquents (1957 film)|The Delinquents]]'',{{sfn|Weaver|2011|p=88}} but would go on to make (amongst other notable work) some of the best-known, iconic [[television series]] openings and montages, including ''[[Hawaii Five-O (1968 TV series)|Hawaii Five-O]]'', ''[[Get Smart]]'', and ''[[The Mary Tyler Moore Show]]''.<ref>[https://www.imdb.com/name/nm0046172/ Reza Badiyi-IMDB]</ref> The shot in which the face of The Man appears in the car window was accomplished through the use of an angled mirror placed on the far side of the window. The scene at the start of the film in which the car goes off the bridge and into the river was filmed in [[Lecompton, Kansas]]. The town did not charge a fee for the use of the bridge, only requiring the film crew to replace the bridge's damaged rails once they were done filming. This was done, at a cost of $12 for the repair.<ref>{{Cite web|title=Interview with Carnival of Souls' director Herk Harvey - YouTube|url=https://www.youtube.com/watch?v=Y1GKYKJtmMo&ab_channel=CandaceHilligoss |archive-url=https://ghostarchive.org/varchive/youtube/20211222/Y1GKYKJtmMo |archive-date=2021-12-22 |url-status=live|access-date=2020-11-09|website=www.youtube.com| date=September 9, 2014 }}{{cbignore}}</ref>


===Musical score===
===Musical score===
[[File:COS 03.JPG|thumb|Hilligoss (as Mary Henry) playing organ.]]
''Carnival of Souls'' features an original organ score by local Kansas City organist and composer [https://www.discogs.com/artist/228013-Gene-Moore Gene Moore]. Film and music scholar Julie Brown comments on the score, noting: "The organ is one of the spectral presences in ''Carnival of Souls'', summoning up, or being summoned up by, the various allusions in the film to cinema's past."{{sfn|Brown|2009|p=3}} Screenwriter John Clifford has stated that the locations Harvey chose for the film (particularly the Saltair Pavilion, and the grand church organ) influenced the decision to use an organ score.{{sfn|Brown|2009|p=3}} The onscreen depiction of the organ played by Mary was implemented by Harvey to add to the film's "Gothic look."{{sfn|Brown|2009|p=4}}
''Carnival of Souls'' features an original organ score by local Kansas City organist and composer Gene Moore. Film and music scholar Julie Brown comments on the score, noting: "The organ is one of the spectral presences in ''Carnival of Souls'', summoning up, or being summoned up by, the various allusions in the film to cinema's past."{{sfn|Brown|2009|p=3}} Screenwriter John Clifford has stated that the locations Harvey chose for the film (particularly the Saltair Pavilion, and the grand [[Organ (music)|church organ]]) influenced the decision to use an organ score.{{sfn|Brown|2009|p=3}} The onscreen depiction of the organ played by Mary was implemented by Harvey to add to the film's "Gothic look."{{sfn|Brown|2009|p=4}}


An original soundtrack album for ''Carnival of Souls'' was released in 1988, featuring Gene Moore's original musical score.<ref>{{cite web|url=https://www.allmusic.com/album/carnival-of-souls-original-motion-picture-soundtrack-mw0000601096|title=Original Soundtrack: Carnival of Souls|website=[[AllMusic]]|accessdate=October 5, 2017}}</ref>
An original soundtrack album for ''Carnival of Souls'' was released in 1988, featuring Gene Moore's original musical score.<ref>{{cite web|url=https://www.allmusic.com/album/carnival-of-souls-original-motion-picture-soundtrack-mw0000601096|title=Original Soundtrack: Carnival of Souls|website=[[AllMusic]]|accessdate=October 5, 2017}}</ref>

In 2023, Waxwork Records released "Carnival Of Souls" as part of the [[Rob Zombie]] Presents soundtrack series. It was pressed on coloured vinyl and housed in special packaging featuring artwork by [[Graham Humphreys]].<ref>{{cite book |title=Nightmare on One Sheet |date=2023 |publisher=Korero Press |isbn=9781912740239 |pages=164, 165 |url=https://www.koreropress.com/nightmare-on-one-sheet/}}</ref>


==Release==
==Release==
''Carnival of Souls'' had its world premiere at the Main Street Theatre in Lawrence, Kansas, in September 1962.{{sfn|Hilligoss|2016|p=187}} While the US release of ''Carnival of Souls'' failed to include a copyright on the prints, automatically placing them in the public domain,<ref name="ew">{{cite web|first=Owen|last=Gleiberman|author-link=Owen Gleiberman|url=https://ew.com/article/2011/04/07/carnival-of-souls-the-original-insidious/|title='Carnival of Souls': The movie that inspired 'Insidious' is the spookiest, weirdest, and maybe greatest horror film you've never seen|magazine=[[Entertainment Weekly]]|date=April 7, 2011|archive-url=https://web.archive.org/web/20171005201813/https://ew.com/article/2011/04/07/carnival-of-souls-the-original-insidious/|archive-date=October 5, 2017|url-status=live}}</ref> the foreign release marketed by Walter Manley did contain a copyright card and was protected for overseas sales. The 35&nbsp;mm theatrical prints were cut by Herz-Lion to 78 minutes <ref>[https://letterboxd.com/film/carnival-of-souls/ Letterboxd]</ref> which trimmed the camera original. However, the 16&nbsp;mm television copies were printed complete and individually cut by each station to fit their time slot, which is why they vary in length.
''Carnival of Souls'' had its world premiere at the Main Street Theatre in Lawrence, Kansas, in September 1962.{{sfn|Hilligoss|2016|p=187}} While the US release of ''Carnival of Souls'' failed to include a copyright on the prints, automatically placing them in the public domain,{{Citation needed|date=May 2024}} the foreign release marketed by Walter Manley did contain a copyright card and was protected for overseas sales. The 35&nbsp;mm theatrical prints were cut by Herz-Lion to 78 minutes <ref>[https://letterboxd.com/film/carnival-of-souls/ Letterboxd]</ref> which trimmed the camera original. However, the 16&nbsp;mm television copies were printed complete and individually cut by each station to fit their time slot, which is why they vary in length.{{Citation needed|date=July 2023}}


[[WWOR-TV|WOR-TV]] in New York City used to broadcast the film intact in a late night timeslot in the 1960s. The scenes cut by the theatrical distributor include a scene where Mary stops at a gas station and discusses the carnival building with the attendant, a longer dialogue sequence between the minister and carpenter and an extra scene where the doctor talks to the landlady. In 1989, the film was screened at festivals across Europe and the United States, affording it renewed public interest,{{sfn|Weaver|2003|pages=154–155}} and it has subsequently appeared at numerous Halloween film festivals.<ref name="niccum">{{cite web|url=http://www2.ljworld.com/news/2004/oct/29/carnival_writer_relishes/|work=Lawrence Journal-World|date=October 29, 2004|last=Niccum|first=Jon|archive-date=December 21, 2016|archive-url=https://web.archive.org/web/20161221095650/http://www2.ljworld.com/news/2004/oct/29/carnival_writer_relishes/|title='Carnival' writer relishes film's rise from the dead}}</ref>
[[WWOR-TV|WOR-TV]] in New York City used to broadcast the film intact in a late night timeslot in the 1960s. The scenes cut by the theatrical distributor include a scene where Mary stops at a gas station and discusses the carnival building with the attendant, a longer dialogue sequence between the organ factory boss and a carpenter and an extra scene where the doctor talks to the landlady. In 1989, the film was screened at festivals across Europe and the United States, affording it renewed public interest,{{sfn|Weaver|2003|pages=154–155}} and it has subsequently appeared at numerous Halloween film festivals.<ref name="niccum">{{cite web|url=http://www2.ljworld.com/news/2004/oct/29/carnival_writer_relishes/|work=Lawrence Journal-World|date=October 29, 2004|last=Niccum|first=Jon|archive-date=December 21, 2016|archive-url=https://web.archive.org/web/20161221095650/http://www2.ljworld.com/news/2004/oct/29/carnival_writer_relishes/|title='Carnival' writer relishes film's rise from the dead}}</ref>


Prints of ''Carnival of Souls'' vary in length from 78 minutes in theatrical release to 84 minutes in the original cut. While some sources have erroneously listed the film at a 91-minute-runtime, Michael Weldon stated in ''[[Psychotronic Video|The Psychotronic Video Guide to Film]]'' that the original theatrical cut of the film ran approximately 80 minutes.{{sfn|Weldon|1996|p=93}} He also stated that the director's cut, which runs 84 minutes, is "the best and most complete version we'll ever see."{{sfn|Weldon|1996|p=93}}
Prints of ''Carnival of Souls'' vary in length from 78 minutes in theatrical release to 84 minutes in the original cut. While some sources have erroneously listed the film at a 91-minute-runtime, Michael Weldon stated in ''[[Psychotronic Video|The Psychotronic Video Guide to Film]]'' that the original theatrical cut of the film ran approximately 80 minutes.{{sfn|Weldon|1996|p=93}} He also stated that the director's cut, which runs 84 minutes, is "the best and most complete version we'll ever see."{{sfn|Weldon|1996|p=93}}


===Reception===
===Reception and legacy===
''Carnival of Souls'' went largely unnoticed by critics upon its initial release and received "delayed acclaim" in the ensuing decades,<ref name="champlin" /> with numerous arthouse screenings in 1989 in conjunction with the Halloween season.<ref name="ebert" /> It has since become regarded by many film schools as a classic, often praised for its lighting and sound design, in which "sight and sound come together... in a horrifying way."{{sfn|Hawkins|2000|p=15}} Some scholars, such as [[Siegbert Salomon Prawer|S. S. Prawer]], consider ''Carnival of Souls'' more an [[art film]] than a straightforward horror film.{{sfn|Hawkins|2000|p=27}} The ''[[Time Out (magazine)|Time Out]]'' film guide commended the film's "striking black-and-white compositions, disorienting dream sequences and eerie atmosphere," adding that the film "has the feel of a silent [[German Expressionism|German expressionist]] movie. Unfortunately, so does some of the acting, which suffers from exaggerated facial expressions and bizarre gesturing. But the mesmerising power of the carnival and dance-hall sequences far outweighs the corniness of the awkward intimate scenes."<ref name="time">{{cite web|url=https://timeout.com/film/reviews/68886/carnival_of_souls.html|work=[[Time Out (magazine)|Time Out]]|title=Carnival of Souls|accessdate=October 4, 2017|url-status=dead|archive-url=https://web.archive.org/web/20121108092059/https://timeout.com/film/reviews/68886/carnival_of_souls.html|archive-date=November 8, 2012}}</ref>
''Carnival of Souls'' went largely unnoticed by critics upon its initial release and received "delayed acclaim" in the ensuing decades,<ref name="champlin" /> with numerous arthouse screenings in 1989 in conjunction with the Halloween season.<ref name="ebert" /> It has since become regarded by many film schools as a classic, often praised for its lighting and sound design, in which "sight and sound come together... in a horrifying way."{{sfn|Hawkins|2000|p=15}} Some scholars, such as [[Siegbert Salomon Prawer|S. S. Prawer]], consider ''Carnival of Souls'' more an [[art film]] than a straightforward horror film.{{sfn|Hawkins|2000|p=27}} The ''[[Time Out (magazine)|Time Out]]'' film guide commended the film's "striking black-and-white compositions, disorienting dream sequences and eerie atmosphere," adding that the film "has the feel of a silent [[German expressionist cinema|German expressionist]] movie. Unfortunately, so does some of the acting, which suffers from exaggerated facial expressions and bizarre gesturing. But the mesmerising power of the carnival and dance-hall sequences far outweighs the corniness of the awkward intimate scenes."<ref name="time">{{cite web|url=https://timeout.com/film/reviews/68886/carnival_of_souls.html|work=[[Time Out (magazine)|Time Out]]|title=Carnival of Souls|accessdate=October 4, 2017|url-status=dead|archive-url=https://web.archive.org/web/20121108092059/https://timeout.com/film/reviews/68886/carnival_of_souls.html|archive-date=November 8, 2012}}</ref>


[[Leonard Maltin]] gave ''Carnival of Souls'' a score of two-and-a-half out of four stars, calling the film an "eerie" and "imaginative low budget effort."{{sfn|Maltin|2014|p=218}} Critic [[Roger Ebert]], possibly referring to the similarly-themed [[The Hitch-Hiker (The Twilight Zone)|The Hitch-Hiker]] episode aired two years earlier, likened the film to a "lost episode of ''[[The Twilight Zone]]''," and noted that it possessed an "intriguing power."<ref name="ebert">{{cite web|first=Roger|last=Ebert|author-link=Roger Ebert|title=Carnival of Souls|url=https://rogerebert.com/reviews/carnival-of-souls-1989|work=[[Chicago Sun-Times]]|date=October 27, 1989|access-date=December 27, 2016}}</ref> Joe Brown of ''[[The Washington Post]]'' remarked upon the film's cinematography, writing: "Harvey's camerawork gives a new twist to the word 'deadpan,' making the most mundane places and people imaginable seem like ghastly hallucinations, and the director shows a flair for elegantly employing existing locations and lighting for maximum disorientation value."<ref name="washintonrev">{{cite news|first=Joe|last=Brown|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/carnivalofsoulsnrbrown_a0adb1.htm |title=Carnival of Souls|newspaper=[[The Washington Post]]|date=October 6, 1989|accessdate=October 5, 2017}}</ref> [[Stephen Holden]] of ''[[The New York Times]]'' saw the 1989 screening at the Fantasy Festival and wrote: "What has earned ''Carnival of Souls'' its reputation is the director's knack for building a mood of fatalistic angst."<ref>{{cite news |first=Stephen|last=Holden |author-link=Stephen Holden|title= 'Carnival of Souls' Opens Fantasy Festival |url= https://www.nytimes.com/1989/07/19/movies/review-film-carnival-of-souls-opens-fantasy-festival.html|newspaper=[[The New York Times]]|date=July 19, 1989 }}</ref> The ''[[Los Angeles Times]]''{{'}} Peter Rainer perceived the film's cinematography to be inconsistent in merit, called the acting "fairly amateurish to begin with, [and] has a one-take-only quality", and noted the "inept [[Dubbing (filmmaking)|post-dubbing]]"; however, he wrote that "these rinky-dink elements only add to the horror."<ref>{{cite web|url=https://www.latimes.com/archives/la-xpm-1990-04-20-ca-1330-story.html|title=Movie Review : 'Carnival' Profits From Its Limitations|last=Rainer|first=Peter|date=April 20, 1990|website=[[Los Angeles Times]]|access-date=June 16, 2021}}</ref>
[[Leonard Maltin]] gave ''Carnival of Souls'' a score of two-and-a-half out of four stars, calling the film an "eerie" and "imaginative low budget effort."{{sfn|Maltin|2014|p=218}} Critic [[Roger Ebert]] likened the film to a "lost episode of ''[[The Twilight Zone]]''," and noted that it possessed an "intriguing power."<ref name="ebert">{{cite web|first=Roger|last=Ebert|author-link=Roger Ebert|title=Carnival of Souls|url=https://rogerebert.com/reviews/carnival-of-souls-1989|work=[[Chicago Sun-Times]]|date=October 27, 1989|access-date=December 27, 2016}}</ref> Joe Brown of ''[[The Washington Post]]'' remarked upon the film's cinematography, writing: "Harvey's camerawork gives a new twist to the word 'deadpan,' making the most mundane places and people imaginable seem like ghastly hallucinations, and the director shows a flair for elegantly employing existing locations and lighting for maximum disorientation value."<ref name="washintonrev">{{cite news|first=Joe|last=Brown|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/carnivalofsoulsnrbrown_a0adb1.htm |title=Carnival of Souls|newspaper=[[The Washington Post]]|date=October 6, 1989|accessdate=October 5, 2017}}</ref> [[Stephen Holden]] of ''[[The New York Times]]'' saw the 1989 screening at the Fantasy Festival and wrote: "What has earned ''Carnival of Souls'' its reputation is the director's knack for building a mood of fatalistic angst."<ref>{{cite news |first=Stephen|last=Holden |author-link=Stephen Holden|title= 'Carnival of Souls' Opens Fantasy Festival |url= https://www.nytimes.com/1989/07/19/movies/review-film-carnival-of-souls-opens-fantasy-festival.html|newspaper=[[The New York Times]]|date=July 19, 1989 }}</ref> The ''[[Los Angeles Times]]''{{'}} Peter Rainer perceived the film's cinematography to be inconsistent in merit, called the acting "fairly amateurish to begin with, [and] has a one-take-only quality", and noted the "inept [[Dubbing (filmmaking)|post-dubbing]]"; however, he wrote that "these rinky-dink elements only add to the horror."<ref>{{cite web|url=https://www.latimes.com/archives/la-xpm-1990-04-20-ca-1330-story.html|title=Movie Review : 'Carnival' Profits From Its Limitations|last=Rainer|first=Peter|date=April 20, 1990|website=[[Los Angeles Times]]|access-date=June 16, 2021}}</ref>


''[[TV Guide]]'' gave ''Carnival of Souls'' a score of three stars out of four, praising the film's atmosphere, acting, and eerie score, calling it, "A chilling ghost story with artistic pretensions."<ref name="TVGuide">{{cite magazine|url=http://www.tvguide.com/movies/carnival-of-souls/review/110390/ |title=Carnival of Souls Review |magazine=[[TV Guide]]|accessdate=October 4, 2017}}</ref> ''Film Reel.com'' gave ''Carnival of Souls'' a positive review, praising the film's atmosphere, slow-building tension, and disturbing visuals.<ref>[http://www.the-filmreel.com/2010/10/03/carnival-of-souls-film-reel-reviews/ Carnival Of Souls-Film Reel Reviews-The Film Reel]</ref>
''[[TV Guide]]'' gave ''Carnival of Souls'' a score of three stars out of four, praising the film's atmosphere, acting, and eerie score, calling it, "A chilling ghost story with artistic pretensions."<ref name="TVGuide">{{cite magazine|url=http://www.tvguide.com/movies/carnival-of-souls/review/110390/ |title=Carnival of Souls Review |magazine=[[TV Guide]]|accessdate=October 4, 2017}}</ref> ''Film Reel.com'' gave ''Carnival of Souls'' a positive review, praising the film's atmosphere, slow-building tension, and disturbing visuals.<ref>[http://www.the-filmreel.com/2010/10/03/carnival-of-souls-film-reel-reviews/ Carnival Of Souls-Film Reel Reviews-The Film Reel]</ref>


On [[Rotten Tomatoes]], the film has an approval rating of 86% based on {{nowrap|63 reviews}}, with a rating average of 7.1/10. The site's consensus states that the film "offers delightfully chilling proof that when it comes to telling an effective horror story, less can often be much, much more".<ref>{{cite web|url=https://www.rottentomatoes.com/m/1003612-carnival_of_souls/|title=Carnival of Souls (1962) – Rotten Tomatoes|website=[[Rotten Tomatoes]]|publisher=[[Fandango Media]]|location=San Francisco, California|access-date=September 27, 2022}}</ref>
On [[Rotten Tomatoes]], the film has an approval rating of 87% based on {{nowrap|67 reviews}}, with a rating average of 7.2/10. The site's consensus states that the film "offers delightfully chilling proof that when it comes to telling an effective horror story, less can often be much, much more".<ref>{{cite web|url=https://www.rottentomatoes.com/m/1003612-carnival_of_souls/|title=Carnival of Souls (1962) – Rotten Tomatoes|website=[[Rotten Tomatoes]]|publisher=[[Fandango Media]]|location=San Francisco, California|access-date=November 21, 2022}}</ref>


===Home media===
===Home media===
Due to its public domain status in the United States, ''Carnival of Souls'' has been released in a significant number of formats through numerous distributors, which, according to film scholars Chris Vander Kaay and Kathleen Fernandez-Vander Kaay, has ensured it "a constant presence in the video market and [contributed to] its enduring cult popularity."{{sfn|Vander Kaay|Fernandez-Vander Kaay|2016|p=48}} [[The Criterion Collection]] issued a 2-disc [[DVD]] set of the film in 2000, featuring both a 78-minute theatrical version and an extended 84-minute director's cut.<ref>{{cite book|title=Carnival of Souls (The Criterion Collection)|isbn=1559409002}}</ref> In 2009, [[Legend Films]] released the film on DVD featuring both the black-and-white and a [[Film colorization|colorized]] version of the directors cut, including an [[Audio commentary (DVD)|audio commentary track]] by comedian [[Michael J. Nelson]], a former writer and host of ''[[Mystery Science Theater 3000]]''.<ref>{{cite web|work=[[DVD Talk]]|url=https://www.dvdtalk.com/reviews/37618/rifftrax-carnival-of-souls-from-the-stars-of-mystery-science-theater-3000/|title=RiffTrax: Carnival of Souls|last=Jane|first=Ian|date=June 17, 2009|url-status=live|archive-url=https://web.archive.org/web/20190904094942/https://www.dvdtalk.com/reviews/37618/rifftrax-carnival-of-souls-from-the-stars-of-mystery-science-theater-3000/|archive-date=September 4, 2019}}</ref> In 2016, the Criterion Collection reissued the film on DVD, as well as premiering it on [[Blu-ray]], featuring a new restoration.<ref>{{cite web|url=https://www.slantmagazine.com/dvd/carnival-of-souls/|work=[[Slant Magazine]]|last=Bowen|first=Chuck|date=July 12, 2016|url-status=live|title=Blu-ray Review: Carnival of Souls|archive-url=https://web.archive.org/web/20200513104345/https://www.slantmagazine.com/dvd/carnival-of-souls/|archive-date=May 13, 2020}}</ref>
[[File:Carnival of Souls, 1962.ogv|thumb|thumbtime=130|''Carnival of Souls'']]Due to its public domain status in the United States, ''Carnival of Souls'' has been released in a significant number of formats through numerous distributors, which, according to film scholars Chris Vander Kaay and Kathleen Fernandez-Vander Kaay, has ensured it "a constant presence in the video market and [contributed to] its enduring cult popularity."{{sfn|Vander Kaay|Fernandez-Vander Kaay|2016|p=48}} [[The Criterion Collection]] issued a 2-disc [[DVD]] set of the film in 2000, featuring both a 78-minute theatrical version and an extended 84-minute director's cut.<ref>{{cite book|title=Carnival of Souls (The Criterion Collection)|isbn=1559409002}}</ref> In 2009, [[Legend Films]] released the film on DVD featuring both the black-and-white and a [[Film colorization|colorized]] version of the directors cut, including an [[Audio commentary (DVD)|audio commentary track]] by comedian [[Michael J. Nelson]], a former writer and host of ''[[Mystery Science Theater 3000]]''.<ref>{{cite web|work=[[DVD Talk]]|url=https://www.dvdtalk.com/reviews/37618/rifftrax-carnival-of-souls-from-the-stars-of-mystery-science-theater-3000/|title=RiffTrax: Carnival of Souls|last=Jane|first=Ian|date=June 17, 2009|url-status=live|archive-url=https://web.archive.org/web/20190904094942/https://www.dvdtalk.com/reviews/37618/rifftrax-carnival-of-souls-from-the-stars-of-mystery-science-theater-3000/|archive-date=September 4, 2019}}</ref> In 2016, the Criterion Collection reissued the film on DVD, as well as premiering it on [[Blu-ray]], featuring a new restoration.<ref>{{cite web|url=https://www.slantmagazine.com/dvd/carnival-of-souls/|work=[[Slant Magazine]]|last=Bowen|first=Chuck|date=July 12, 2016|url-status=live|title=Blu-ray Review: Carnival of Souls|archive-url=https://web.archive.org/web/20200513104345/https://www.slantmagazine.com/dvd/carnival-of-souls/|archive-date=May 13, 2020}}</ref>


==Legacy==
''Carnival of Souls'' has gradually developed a [[cult following]] since its release and is now considered a low-budget classic.<ref name="washintonrev" /><ref name="ebert" /><ref name="TVGuide" /> The film has since been included in multiple lists by various media outlets as one of the [[Films considered the best|greatest horror films ever made]]. [[Complex (magazine)|''Complex'' magazine]] ranked ''Carnival of Souls'' number 39 on its list of the 50 scariest movies ever made.<ref>{{cite magazine|first=Matt|last=Barone|url=http://www.complex.com/pop-culture/2013/07/scariest-movies-all-time/carnival-of-souls|title=The 50 Scariest Movies of All Time|magazine=[[Complex (magazine)|Complex]]|display-authors=et al|date=July 18, 2013|accessdate=October 4, 2017}}</ref> ''Slant Magazine'' placed the film at #32 on its "100 Best Horror Movies of All Time".<ref name="slantmagazinelist">{{cite web |title=The 100 Best Horror Movies of All Time: ''Carnival of Souls'' |url=https://www.slantmagazine.com/film/the-100-greatest-horror-movies-of-all-time/7/ |website=[[Slant Magazine]] |author=''Slant Magazine'' Staff |url-status=live|archive-url=https://archive.today/20200513102830/https://www.slantmagazine.com/film/100-greatest-horror-movies-of-all-time/|archive-date=May 13, 2020}}</ref> ''Paste'' magazine ranked the film at #85 in its list of "100 Best Horror Movies of All Time".<ref name="vorel19">{{cite web |last1=Vorel |first1=Jim |title=The 100 Best Horror Movies of All Time |url=https://www.pastemagazine.com/movies/horror-movies/best-horror-movies-of-all-time/#85-carnival-of-souls |work=[[Paste (magazine)|Paste]] |archive-url=https://archive.today/20200513102743/https://www.pastemagazine.com/movies/horror-movies/best-horror-movies-of-all-time/|archive-date=May 13, 2020|date=October 14, 2019}}</ref>
''Carnival of Souls'' has gradually developed a [[cult following]] since its release and is now considered a low-budget classic.<ref name="washintonrev" /><ref name="ebert" /><ref name="TVGuide" /> The film has since been included in multiple lists by various media outlets as one of the [[Films considered the best|greatest horror films ever made]]. [[Complex (magazine)|''Complex'' magazine]] ranked ''Carnival of Souls'' number 39 on its list of the 50 scariest movies ever made.<ref>{{cite magazine|first=Matt|last=Barone|url=http://www.complex.com/pop-culture/2013/07/scariest-movies-all-time/carnival-of-souls|title=The 50 Scariest Movies of All Time|magazine=[[Complex (magazine)|Complex]]|display-authors=et al|date=July 18, 2013|accessdate=October 4, 2017}}</ref> ''Slant Magazine'' placed the film at #32 on its "100 Best Horror Movies of All Time".<ref name="slantmagazinelist">{{cite web |title=The 100 Best Horror Movies of All Time: ''Carnival of Souls'' |url=https://www.slantmagazine.com/film/the-100-greatest-horror-movies-of-all-time/7/ |website=[[Slant Magazine]] |author=''Slant Magazine'' Staff |url-status=live|archive-url=https://archive.today/20200513102830/https://www.slantmagazine.com/film/100-greatest-horror-movies-of-all-time/|archive-date=May 13, 2020}}</ref> ''Paste'' magazine ranked the film at #85 in its list of "100 Best Horror Movies of All Time".<ref name="vorel19">{{cite web |last1=Vorel |first1=Jim |title=The 100 Best Horror Movies of All Time |url=https://www.pastemagazine.com/movies/horror-movies/best-horror-movies-of-all-time/#85-carnival-of-souls |work=[[Paste (magazine)|Paste]] |archive-url=https://archive.today/20200513102743/https://www.pastemagazine.com/movies/horror-movies/best-horror-movies-of-all-time/|archive-date=May 13, 2020|date=October 14, 2019}}</ref>


In 2012, the [[Academy Film Archive]] restored ''Carnival of Souls''.<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=Carnival+of+Souls&filmmaker=&category=All&collection=All|website=Academy Film Archive}}</ref> The film has been named as a precursor to the works of various filmmakers, including [[David Lynch]],<ref name="ew" /> [[George A. Romero]], [[Lucrecia Martel]]<ref>[https://www.youtube.com/watch?v=iwhenYVvCVE&t=2s Lucrecia Martel’s Closet Picks-Criterion Collection on YouTube]</ref> and [[James Wan]].<ref name="ew" /><ref>[https://vimeo.com/189262989 CARNIVAL OF SOULS: The Art of Herk Harvey on Vimeo]</ref>
In 2012, the [[Academy Film Archive]] restored ''Carnival of Souls''.<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=Carnival+of+Souls&filmmaker=&category=All&collection=All|website=Academy Film Archive}}</ref> The film has been named as a precursor to the works of various filmmakers, including [[David Lynch]],<ref name="ew">{{cite web|first=Owen|last=Gleiberman|author-link=Owen Gleiberman|url=https://ew.com/article/2011/04/07/carnival-of-souls-the-original-insidious/|title='Carnival of Souls': The movie that inspired 'Insidious' is the spookiest, weirdest, and maybe greatest horror film you've never seen|magazine=[[Entertainment Weekly]]|date=April 7, 2011|archive-url=https://web.archive.org/web/20171005201813/https://ew.com/article/2011/04/07/carnival-of-souls-the-original-insidious/|archive-date=October 5, 2017|url-status=live}}</ref> [[George A. Romero]],<ref>[https://www.criterion.com/current/posts/4143-carnival-of-souls-thinkin-like-that-dont-it-give-you-nightmares Carnival of Souls: “Thinkin’ Like That, Don’t It Give You Nightmares?”|Current|The Criterion Collection]</ref> [[Lucrecia Martel]]<ref>[https://www.youtube.com/watch?v=iwhenYVvCVE&t=2s Lucrecia Martel’s Closet Picks-Criterion Collection on YouTube]</ref> and [[James Wan]].<ref name="ew" /><ref>[https://www.popmatters.com/carnival-of-souls-indie-horror-meets-world-cinema-2495418954.html INDIE HORROR MEETS WORLD CINEMA IN THE CULT ‘CARNIVAL OF SOULS’|PopMatters]</ref><ref>[https://nofilmschool.com/2016/10/how-carnival-souls-bridges-art-house-and-horror How Obscure Horror Film 'Carnival of Souls' Influenced Everything You've Ever Seen - No Film School]</ref>


The film was used for a [[RiffTrax]] Live event in October 2016, where former ''[[Mystery Science Theater 3000]]'' cast members [[Bill Corbett]], [[Kevin Murphy (actor)|Kevin Murphy]] and [[Michael J. Nelson]]<ref>[https://www.dvdtalk.com/reviews/37618/rifftrax-carnival-of-souls-from-the-stars-of-mystery-science-theater-3000/ RiffTrax: Carnival of Souls : DVD Talk Review of the DVD Video]</ref> riffed the film for a live audience and broadcast to other theaters through [[National CineMedia|NCM Fathom]]. Rifftrax's website offers the video downloads of the live performance as well as a studio-recorded riff of the film.<ref>[https://www.rifftrax.com/rifftrax-live-carnival-of-souls RiffTrax]</ref>
The film was used for a [[RiffTrax]] Live event in October 2016, where former ''[[Mystery Science Theater 3000]]'' cast members [[Bill Corbett]], [[Kevin Murphy (actor)|Kevin Murphy]] and [[Michael J. Nelson]]<ref>[https://www.dvdtalk.com/reviews/37618/rifftrax-carnival-of-souls-from-the-stars-of-mystery-science-theater-3000/ RiffTrax: Carnival of Souls : DVD Talk Review of the DVD Video]</ref> riffed the film for a live audience and broadcast to other theaters through [[National CineMedia|NCM Fathom]]. Rifftrax's website offers the video downloads of the live performance as well as a studio-recorded riff of the film.<ref>[https://www.rifftrax.com/rifftrax-live-carnival-of-souls RiffTrax]</ref>
Line 124: Line 121:
===Remakes===
===Remakes===
{{main|Carnival of Souls (1998 film)}}
{{main|Carnival of Souls (1998 film)}}
Negotiations with the writer of ''Carnival of Souls'', John Clifford, and the director [[Herk Harvey]] led in 1998 to a remake directed by Adam Grossman and Ian Kessner and starring [[Bobbie Phillips]]. The remake has little in common with the 1962 film, borrowing little more than the revelation at the end. Sidney Berger, who had appeared in the original film as John Linden, appeared in a cameo in the remake. The remake followed the story of a young woman (Phillips) and her confrontation with her mother's murderer. The filmmakers had asked for Candace Hilligoss, the star of the first film, to also appear, but she declined, feeling that Clifford and the filmmakers of the remake had shown disrespect to her in initiating the film without consulting her or considering her treatment for a sequel to the 1962 version.{{sfn|Weaver|2011|pages=89–91}}<ref>{{cite web|last=Weaver|first=Tom|archive-url=https://web.archive.org/web/20080223083543/http://www.bmonster.com/profile18.html| title=Stolen Souls: Candace Hilligoss left out in the cold|work=The Astounding B Monster | archive-date=February 23, 2008|accessdate= December 10, 2011|url=http://www.bmonster.com/profile18.html}}</ref> The remake was marketed as ''[[Wes Craven]] Presents 'Carnival of Souls{{'}}''. It received negative appraisals from most reviewers <ref>[https://www.rottentomatoes.com/m/wes_craven_presents_carnival_of_souls/ Wes Craven Presents: Carnival of Souls (1998)-Rotten Tomatoes]</ref> and did not manage to secure theatrical release, going [[direct-to-video]].<ref>{{Cite web|url=https://www.imdb.com/title/tt0120627/releaseinfo|title = Carnival of Souls (1998) - IMDb|website = [[IMDb]]}}</ref>
Negotiations with the writer of ''Carnival of Souls'', John Clifford, and the director Herk Harvey led in 1998 to a remake directed by Adam Grossman and Ian Kessner and starring [[Bobbie Phillips]]. The remake has little in common with the 1962 film, borrowing little more than the revelation at the end. Sidney Berger, who had appeared in the original film as John Linden, appeared in a cameo in the remake. The remake followed the story of a young woman (Phillips) and her confrontation with her mother's murderer. The filmmakers had asked for Candace Hilligoss, the star of the first film, to also appear, but she declined, feeling that Clifford and the filmmakers of the remake had shown disrespect to her in initiating the film without consulting her or considering her treatment for a sequel to the 1962 version.{{sfn|Weaver|2011|pages=89–91}}<ref>{{cite web|last=Weaver|first=Tom|archive-url=https://web.archive.org/web/20080223083543/http://www.bmonster.com/profile18.html| title=Stolen Souls: Candace Hilligoss left out in the cold|work=The Astounding B Monster | archive-date=February 23, 2008|accessdate= December 10, 2011|url=http://www.bmonster.com/profile18.html}}</ref> The remake was marketed as ''[[Wes Craven]] Presents 'Carnival of Souls{{'}}''. It received negative appraisals from most reviewers <ref>[https://www.rottentomatoes.com/m/wes_craven_presents_carnival_of_souls/ Wes Craven Presents: Carnival of Souls (1998)-Rotten Tomatoes]</ref> and did not manage to secure theatrical release, going [[direct-to-video]].<ref>{{Cite web|url=https://www.imdb.com/title/tt0120627/releaseinfo|title = Carnival of Souls (1998) - IMDb|website = [[IMDb]]}}</ref>


An unofficial remake of ''Carnival of Souls'' was released in 2008 under the title ''[[Yella (film)|Yella]]'', directed by [[Christian Petzold (director)|Christian Petzold]]. This film is based loosely on the original.<ref>Weintraub, Steve. [https://collider.com/dvd/news/article.asp?aid=9209&tcid=3 "YELLA Movie Review."] ''Collider.com''. Retrieved: November 5, 2013.</ref>
An unofficial remake of ''Carnival of Souls'' was released in 2008 under the title ''[[Yella (film)|Yella]]'', directed by [[Christian Petzold (director)|Christian Petzold]]. This film is based loosely on the original.<ref>Weintraub, Steve. [https://collider.com/dvd/news/article.asp?aid=9209&tcid=3 "YELLA Movie Review."] ''Collider.com''. Retrieved: November 5, 2013.</ref>
Line 131: Line 128:
When Mary is speaking to the manager of the organ factory at the beginning of the film, he says to her: "It takes more than intellect to be a musician. Put your soul into it. OK?" This sample was used on the 1998 song "[[Church of Noise]]" by the [[Northern Irish]] rock band [[Therapy?]].<ref>[https://www.youtube.com/watch?v=Y61cVoGCk6Q Church of Noise by Therapy - Topic on YouTube]</ref>
When Mary is speaking to the manager of the organ factory at the beginning of the film, he says to her: "It takes more than intellect to be a musician. Put your soul into it. OK?" This sample was used on the 1998 song "[[Church of Noise]]" by the [[Northern Irish]] rock band [[Therapy?]].<ref>[https://www.youtube.com/watch?v=Y61cVoGCk6Q Church of Noise by Therapy - Topic on YouTube]</ref>


Mary laments towards the end of the film: "I don't belong in the world, that's what it is. Something separates me from other people. Everywhere I turn, there's something blocking my escape." A sample of this line was used at the beginning of the [[Lana Del Rey]] song "[[13 Beaches]]".<ref>[https://www.youtube.com/watch?v=Mcvz8DnuoGI 13 Beaches on Lana Del Rey's official YouTube channel]</ref>
Mary laments towards the end of the film: "I don't belong in the world, that's what it is. Something separates me from other people. Everywhere I turn, there's something blocking my escape." A sample of this line was used at the beginning of the [[Lana Del Rey]] song "[[13 Beaches]]" on her album ''[[Lust for Life (Lana Del Rey album)|Lust for Life]]'' (2017).<ref>{{cite web|work=Filmhounds Magazine|title=Carnival of Souls' 60 Year Influence on Modern Pop Culture|date=June 30, 2022|last=Paterson|first=Marc|url=https://filmhounds.co.uk/2022/06/i-dont-belong-in-the-world-carnival-of-souls-60-year-influence-on-modern-pop-culture/|url-status=live|archive-url=https://web.archive.org/web/20220707092619/https://filmhounds.co.uk/2022/06/i-dont-belong-in-the-world-carnival-of-souls-60-year-influence-on-modern-pop-culture/|archive-date=July 7, 2022}}</ref>


Clips of the film were used throughout the [[Drake (musician)|Drake]] video "[[Knife Talk]]".<ref>[https://www.youtube.com/watch?v=XqpQpt_cmhE Knife Talk Drake official YouTube channel]</ref>
Clips of the film were used throughout the [[Drake (musician)|Drake]] video "[[Knife Talk]]".<ref>[https://www.youtube.com/watch?v=XqpQpt_cmhE Knife Talk Drake official YouTube channel]</ref>

Clips of the film were also used by the band Why These Coyotes for their song [[Dance Around the Fire]].<ref>{{cite web | url=https://m.youtube.com/watch?v=Ojg8fuLfjoM&pp=ygUnd2h5IHRoZXNlIGNveW90ZXMgZGFuY2UgYXJvdW5kIHRoZSBmaXJl | title=Dance Around the Fire by Why These Coyotes (Unofficial Video) | website=[[YouTube]] | date=October 23, 2017 }}</ref>


The dancehall scenes featured at the end of the film were referenced in the music video for [[Phoebe Bridgers]]' [[Stranger in the Alps|"Smoke Signals"]].<ref>{{Cite news |last=Thompson |first=Stephen |date=2017-01-17 |title=2017's Best New Artist Might Just Be Phoebe Bridgers |language=en |work=NPR |url=https://www.npr.org/sections/allsongs/2017/01/17/510254371/2017s-best-new-artist-might-just-be-phoebe-bridgers |access-date=2022-08-06}}</ref>
The dancehall scenes featured at the end of the film were referenced in the music video for [[Phoebe Bridgers]]' [[Stranger in the Alps|"Smoke Signals"]].<ref>{{Cite news |last=Thompson |first=Stephen |date=2017-01-17 |title=2017's Best New Artist Might Just Be Phoebe Bridgers |language=en |work=NPR |url=https://www.npr.org/sections/allsongs/2017/01/17/510254371/2017s-best-new-artist-might-just-be-phoebe-bridgers |access-date=2022-08-06}}</ref>
Line 150: Line 149:
* {{cite book|last=Brown|first=Julie|editor-last=Lerner|editor-first=Neil|year=2009|title=Music in the Horror Film: Listening to Fear|chapter=''Carnival of Souls'' and The Organs of Horror|publisher=Routledge | location = New York | isbn= 978-1-135-28044-4}}
* {{cite book|last=Brown|first=Julie|editor-last=Lerner|editor-first=Neil|year=2009|title=Music in the Horror Film: Listening to Fear|chapter=''Carnival of Souls'' and The Organs of Horror|publisher=Routledge | location = New York | isbn= 978-1-135-28044-4}}
* {{cite book|last=Crouse|first=Richard|title=The 100 Best Movies You've Never Seen|location=Toronto|publisher=ECW Press|year=2003|isbn=978-1-55022-590-7|url-access=registration|url=https://archive.org/details/100bestmoviesyou0000crou}}
* {{cite book|last=Crouse|first=Richard|title=The 100 Best Movies You've Never Seen|location=Toronto|publisher=ECW Press|year=2003|isbn=978-1-55022-590-7|url-access=registration|url=https://archive.org/details/100bestmoviesyou0000crou}}
*{{cite book|editor1-last=Godfrey|editor1-first=Will|editor2-last=Good|editor2-first=Jill|editor3-last=Goodall|editor3-first=Mark|year=2009|title=Crash Cinema: Representation in Film|publisher=Cambridge Scholars Publishing|location=Cambridge, England|isbn= 978-1-443-81518-5}}
* {{cite book|last=Hawkins|first=Joan|title=Cutting Edge: Art-Horror and the Horrific Avant-Garde|publisher=University of Minnesota Press|year=2000|location=Minneapolis|isbn= 978-1-4529-0430-6}}
* {{cite book|last=Hawkins|first=Joan|title=Cutting Edge: Art-Horror and the Horrific Avant-Garde|publisher=University of Minnesota Press|year=2000|location=Minneapolis|isbn= 978-1-4529-0430-6}}
* {{cite book|last=Hillegass|first=Jeff|chapter=Carnival of Souls|editor-last=Svehla|editor-first=Gary|title=Cinematic Hauntings|location= Baltimore|publisher=Midnight Marquee Press|year= 1996| isbn=978-1-936168-11-8}}
* {{cite book|last=Hillegass|first=Jeff|chapter=Carnival of Souls|editor-last=Svehla|editor-first=Gary|title=Cinematic Hauntings|location= Baltimore|publisher=Midnight Marquee Press|year= 1996| isbn=978-1-936168-11-8}}
* {{cite book|last=Hilligoss|first=Candace|author-link=Candace Hilligoss|year=2016|title=The Odyssey and The Idiocy, Marriage to an Actor, A Memoir|publisher=First Edition Design Publishing | location = Sarasota | isbn=978-1-5069-0334-7}}
* {{cite book|last=Hilligoss|first=Candace|author-link=Candace Hilligoss|year=2016|title=The Odyssey and The Idiocy, Marriage to an Actor, A Memoir|publisher=First Edition Design Publishing | location = Sarasota | isbn=978-1-5069-0334-7}}
* {{cite book|editor-last=Maltin|editor-first=Leonard|editor-link=Leonard Maltin|title=Leonard Maltin's 2014 Movie Guide|edition=1st|location=New York|publisher=Penguin Group|year=2014|isbn=978-0-451-41810-4|url-access=registration|url=https://archive.org/details/isbn_9780451418104}}
*{{cite book|editor-last=Maltin|editor-first=Leonard|editor-link=Leonard Maltin|title=Leonard Maltin's 2014 Movie Guide|edition=1st|location=New York|publisher=Penguin Group|year=2014|isbn=978-0-451-41810-4|url-access=registration|url=https://archive.org/details/isbn_9780451418104}}
*{{cite book|last=Olson|first=Christopher J.|title=100 Greatest Cult Films|location=Lanham, Maryland|publisher=Rowman & Littlefield|year=2018|isbn=978-1-442-21104-9}}
*{{cite book|editor1-last=Vander Kaay|editor1-first=Chris|editor2-last=Fernandez-Vander Kaay|editor2-first=Christine|year=2016|title=Horror Films by Subgenre: A Viewer's Guide|publisher=McFarland|location=Jefferson, North Carolina|isbn= 978-0-786-49837-6}}
*{{cite book|editor1-last=Vander Kaay|editor1-first=Chris|editor2-last=Fernandez-Vander Kaay|editor2-first=Christine|year=2016|title=Horror Films by Subgenre: A Viewer's Guide|publisher=McFarland|location=Jefferson, North Carolina|isbn= 978-0-786-49837-6}}
* {{cite book|last=Weaver|first=Tom|title=Double Feature Creature Attack: A Monster Merger of Two More Volumes of Classic Interviews|publisher=McFarland|year=2003|location=Jefferson, NC|isbn= 978-0-7864-8215-3}}
* {{cite book|last=Weaver|first=Tom|title=Double Feature Creature Attack: A Monster Merger of Two More Volumes of Classic Interviews|publisher=McFarland|year=2003|location=Jefferson, NC|isbn= 978-0-7864-8215-3}}
Line 164: Line 165:
{{Wikiquote}}
{{Wikiquote}}
* {{IMDb title|0055830}}
* {{IMDb title|0055830}}
* {{Amg movie|8310}}
* {{AllMovie title|8310}}
* {{tcmdb title|70341}}
* {{TCMDb title|70341}}
* {{AFI film|21225}}
* {{AFI film|21225}}
* {{rotten-tomatoes|1003612-carnival_of_souls}}
* {{rotten-tomatoes|1003612-carnival_of_souls}}
Line 196: Line 197:
[[Category:Articles containing video clips]]
[[Category:Articles containing video clips]]
[[Category:1962 directorial debut films]]
[[Category:1962 directorial debut films]]
⚫
[[Category:1960s rediscovered films]]
⚫
[[Category:Rediscovered American films]]
[[Category:American exploitation films]]
[[Category:American exploitation films]]
[[Category:1960s American films]]
[[Category:1960s American films]]
⚫
[[Category:American psychological horror films]]
[[Category:Films about death]]
[[Category:Films about personifications of death]]
[[Category:Films about pianos and pianists]]
⚫
[[Category:English-language horror films]]
[[Category:English-language independent films]]
[[Category:Films set in Kansas]]

Latest revision as of 03:02, 1 December 2024

For other uses, see Carnival of Souls (disambiguation).

Carnival of Souls
US film poster by F. Germain
Directed byHerk Harvey
Written byJohn Clifford
Story by
  • Herk Harvey (uncredited)
  • John Clifford (uncredited)[1]
Produced byHerk Harvey
Starring
CinematographyMaurice Prather
Edited by
  • Dan Palmquist
  • Bill de Jarnette
Music byGene Moore
Production
company
Distributed byHerts-Lion International Corp.
Release date
  • September 26, 1962 (1962-09-26)
Running time
80 minutes[2]
CountryUnited States
LanguageEnglish
Budget$33,000

Carnival of Souls is a 1962 American psychological horror film[3] produced and directed by Herk Harvey and written by John Clifford[1] from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout.[4] The film is set to an organ score by Gene Moore.

Filmed in Lawrence, Kansas, and Salt Lake City, Carnival of Souls was shot on a budget of $33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. The film is loosely based on the French short An Occurrence at Owl Creek Bridge (1961), an adaptation of the 1890 story of the same name by Ambrose Bierce, and Harvey was inspired by the visual style of filmmakers such as Ingmar Bergman and Jean Cocteau.[5] Carnival of Souls was Harvey's only feature film, and did not gain widespread attention when originally released as a double feature with the now mostly forgotten The Devil's Messenger in 1962.

Since the 1980s, the film has been noted by critics and film scholars for its cinematography and foreboding atmosphere.[6] The film has a large cult following and is occasionally screened at film and Halloween festivals.

Plot

[edit]
Carnival of Souls (1962) by Herk Harvey

In Kansas, Mary Henry is riding in a car with two other young women when two men challenge them to a road race. During the race, the women's car is nudged by the boy's and plunges off a bridge into a muddy river. Three hours after the police start dredging the water to look for them, Mary miraculously surfaces on the river bank, but cannot remember how she survived.

Still frame of the car falling off the bridge.

Mary moves to Salt Lake City, where she has been hired as a church organist. While driving near an abandoned pavilion on the shores of the Great Salt Lake, Mary begins experiencing visions of a ghoulish, pale-faced figure (referred to as "The Man" in the credits). A gas station attendant tells her the pavilion was first a bathhouse, then a dance hall, and finally a carnival before it was abandoned. In town, Mary rents a room and visits the church where she will be playing the organ. Mary takes a ride out to the pavilion at the lake with the church's minister who stops her from entering, warning that it is against the law.

Mary continues experiencing visions of The Man and also rejects the repeated advances of John, a neighboring lodger. Mary goes to the pavilion by herself to investigate but does not find anything. Later, Mary begins experiencing terrifying interludes when she becomes invisible and inaudible to the rest of the world, as if she were not there. During one of these episodes, Mary meets Dr. Samuels who offers to help her while acknowledging he is not a psychiatrist. Mary returns to the church by herself to practice the organ and finds herself shifting from a hymn to eerie music. In a trance, she sees visions of The Man and other ghouls dancing at the pavilion. The minister, hearing the strange music, denounces it as sacrilege and insists that Mary resign.

That night, Mary accompanies John to a bar. Terrified of being alone with her nightmares, Mary tells John she wants his company. When they return home, John tries to convince Mary to let him stay the night, however Mary becomes hysterical when she sees The Man in the mirror. John leaves, believing Mary to be insane. The following morning, Mary returns to the pavilion where she encounters The Man and his fellow ghouls. She tries frantically to escape, however the locals do not acknowledge her and she only encounters more ghouls until she wakes up, revealing the previous scene to be merely a nightmare. She is later drawn back to the pavilion once again, where she finds the ghouls dancing, with a ghoul version of herself paired with The Man. She tries to run away but is chased by the ghouls onto the beach, where she collapses as they close in.

The following day, Dr. Samuels, the minister, and the police go to the pavilion to look for Mary. They find her footprints but note that she has otherwise vanished. Back in Kansas, the submerged car is finally pulled from the river. Mary's body is seen in the front seat alongside the other two women.

Cast

[edit]
  • Candace Hilligoss as Mary Henry
  • Frances Feist as Mrs. Thomas
  • Sidney Berger as John Linden
  • Art Ellison as Minister
  • Stan Levitt as Dr. Samuels
  • Tom McGinnis as Organ factory boss
  • Forbes Caldwell as Organ factory worker
  • Dan Palmquist as Gas station attendant
  • Bill De Jarnette as Mechanic
  • Steve Boozer as Chip
  • Pamela Ballard as Dress saleslady
  • Herk Harvey as "The Man" (the main ghoul)

Production

[edit]

Development

[edit]
Harvey centered and shot the film around the then-abandoned Saltair Pavilion in Salt Lake City, Utah

Harvey was a director and producer of industrial and educational films based in Lawrence, Kansas, where he worked for the Centron Corporation.[7] While returning to Kansas after shooting a Centron film in California, Harvey developed the idea for Carnival of Souls after driving past the abandoned Saltair Pavilion in Salt Lake City.[8] "When I got back to Lawrence, I asked my friend and co-worker at Centron Films, John Clifford, who was a writer there, how he'd like to write a feature," Harvey recalled. "The last scene, I told him, had to be a whole bunch of ghouls dancing in that ballroom; the rest was up to him. He wrote it in three weeks."[9]

The screenplay is loosely based on the French short film An Occurrence at Owl Creek Bridge (1961), an adaptation of the 1890 story of the same name by Ambrose Bierce.[5]

Casting

[edit]
Candace Hilligoss, 1962

In New York City, Harvey discovered then-twenty six year-old actress Candace Hilligoss, who had trained with Lee Strasberg, and cast her in the lead role of Mary Henry.[9] Hilligoss had been offered a role in the Richard Hilliard-directed horror film Violent Midnight (1963), but opted for the role in Carnival of Souls.[10] She stated that at the time, she took the role as a "take-the-money-and-run type of situation";[11] she was paid approximately $2,000 for her work in the film.[12]

Filming

[edit]

Harvey shot Carnival of Souls in three weeks on location in Lawrence and Salt Lake City,[9] after taking three weeks off from his job at Centron in order to direct the film,[8] and starting with an initial production budget of $17,000.[8] He raised the $17,000 cash budget by asking local businessmen if they were willing to invest $500 in his production.[13] The other $13,000 of the total $30,000 budget was deferred.[13] Harvey was able to secure the rental of the Saltair Pavilion for $50, and several other scenes, such as the scene featuring Mary in the department store, were shot guerrilla style, with Harvey paying off locals to allow the crew to quickly film.[9] [14] Hilligoss described the filming process as brisk, with the cast and crew working seven days a week.[15]

Harvey aimed for the film to have "the look of Bergman and the feel of Cocteau,"[16] and employed techniques he had learned in his work on industrial films in order to limit production costs.[8] There was not enough money for a process screen to create a rear projection effect, which was the method typically used at that time to create the impression that a scene was taking place inside a moving car, by combining footage shot inside a static car with separate footage of a moving background.[8] Instead, Harvey used a battery-powered hand-held Arriflex camera to film the shots inside moving cars, removing the need for compositing. The Arriflex, which was at that time more often used by cameramen filming newsreel footage, also allowed them to use a moving camera in other scenes without the need for gear like dollies or cranes.[8]

Harvey's assistant director was Reza Badiyi, a young Iranian immigrant who was just beginning his film work in the States. At this time, Badiyi had been second-unit director on one other film, Robert Altman's directing debut, The Delinquents,[17] but would go on to make (amongst other notable work) some of the best-known, iconic television series openings and montages, including Hawaii Five-O, Get Smart, and The Mary Tyler Moore Show.[18] The shot in which the face of The Man appears in the car window was accomplished through the use of an angled mirror placed on the far side of the window. The scene at the start of the film in which the car goes off the bridge and into the river was filmed in Lecompton, Kansas. The town did not charge a fee for the use of the bridge, only requiring the film crew to replace the bridge's damaged rails once they were done filming. This was done, at a cost of $12 for the repair.[19]

Musical score

[edit]
Hilligoss (as Mary Henry) playing organ.

Carnival of Souls features an original organ score by local Kansas City organist and composer Gene Moore. Film and music scholar Julie Brown comments on the score, noting: "The organ is one of the spectral presences in Carnival of Souls, summoning up, or being summoned up by, the various allusions in the film to cinema's past."[20] Screenwriter John Clifford has stated that the locations Harvey chose for the film (particularly the Saltair Pavilion, and the grand church organ) influenced the decision to use an organ score.[20] The onscreen depiction of the organ played by Mary was implemented by Harvey to add to the film's "Gothic look."[21]

An original soundtrack album for Carnival of Souls was released in 1988, featuring Gene Moore's original musical score.[22]

In 2023, Waxwork Records released "Carnival Of Souls" as part of the Rob Zombie Presents soundtrack series. It was pressed on coloured vinyl and housed in special packaging featuring artwork by Graham Humphreys.[23]

Release

[edit]

Carnival of Souls had its world premiere at the Main Street Theatre in Lawrence, Kansas, in September 1962.[24] While the US release of Carnival of Souls failed to include a copyright on the prints, automatically placing them in the public domain,[citation needed] the foreign release marketed by Walter Manley did contain a copyright card and was protected for overseas sales. The 35 mm theatrical prints were cut by Herz-Lion to 78 minutes [25] which trimmed the camera original. However, the 16 mm television copies were printed complete and individually cut by each station to fit their time slot, which is why they vary in length.[citation needed]

WOR-TV in New York City used to broadcast the film intact in a late night timeslot in the 1960s. The scenes cut by the theatrical distributor include a scene where Mary stops at a gas station and discusses the carnival building with the attendant, a longer dialogue sequence between the organ factory boss and a carpenter and an extra scene where the doctor talks to the landlady. In 1989, the film was screened at festivals across Europe and the United States, affording it renewed public interest,[26] and it has subsequently appeared at numerous Halloween film festivals.[27]

Prints of Carnival of Souls vary in length from 78 minutes in theatrical release to 84 minutes in the original cut. While some sources have erroneously listed the film at a 91-minute-runtime, Michael Weldon stated in The Psychotronic Video Guide to Film that the original theatrical cut of the film ran approximately 80 minutes.[2] He also stated that the director's cut, which runs 84 minutes, is "the best and most complete version we'll ever see."[2]

Reception and legacy

[edit]

Carnival of Souls went largely unnoticed by critics upon its initial release and received "delayed acclaim" in the ensuing decades,[9] with numerous arthouse screenings in 1989 in conjunction with the Halloween season.[28] It has since become regarded by many film schools as a classic, often praised for its lighting and sound design, in which "sight and sound come together... in a horrifying way."[29] Some scholars, such as S. S. Prawer, consider Carnival of Souls more an art film than a straightforward horror film.[30] The Time Out film guide commended the film's "striking black-and-white compositions, disorienting dream sequences and eerie atmosphere," adding that the film "has the feel of a silent German expressionist movie. Unfortunately, so does some of the acting, which suffers from exaggerated facial expressions and bizarre gesturing. But the mesmerising power of the carnival and dance-hall sequences far outweighs the corniness of the awkward intimate scenes."[31]

Leonard Maltin gave Carnival of Souls a score of two-and-a-half out of four stars, calling the film an "eerie" and "imaginative low budget effort."[32] Critic Roger Ebert likened the film to a "lost episode of The Twilight Zone," and noted that it possessed an "intriguing power."[28] Joe Brown of The Washington Post remarked upon the film's cinematography, writing: "Harvey's camerawork gives a new twist to the word 'deadpan,' making the most mundane places and people imaginable seem like ghastly hallucinations, and the director shows a flair for elegantly employing existing locations and lighting for maximum disorientation value."[33] Stephen Holden of The New York Times saw the 1989 screening at the Fantasy Festival and wrote: "What has earned Carnival of Souls its reputation is the director's knack for building a mood of fatalistic angst."[34] The Los Angeles Times' Peter Rainer perceived the film's cinematography to be inconsistent in merit, called the acting "fairly amateurish to begin with, [and] has a one-take-only quality", and noted the "inept post-dubbing"; however, he wrote that "these rinky-dink elements only add to the horror."[35]

TV Guide gave Carnival of Souls a score of three stars out of four, praising the film's atmosphere, acting, and eerie score, calling it, "A chilling ghost story with artistic pretensions."[36] Film Reel.com gave Carnival of Souls a positive review, praising the film's atmosphere, slow-building tension, and disturbing visuals.[37]

On Rotten Tomatoes, the film has an approval rating of 87% based on 67 reviews, with a rating average of 7.2/10. The site's consensus states that the film "offers delightfully chilling proof that when it comes to telling an effective horror story, less can often be much, much more".[38]

Home media

[edit]
Carnival of Souls

Due to its public domain status in the United States, Carnival of Souls has been released in a significant number of formats through numerous distributors, which, according to film scholars Chris Vander Kaay and Kathleen Fernandez-Vander Kaay, has ensured it "a constant presence in the video market and [contributed to] its enduring cult popularity."[39] The Criterion Collection issued a 2-disc DVD set of the film in 2000, featuring both a 78-minute theatrical version and an extended 84-minute director's cut.[40] In 2009, Legend Films released the film on DVD featuring both the black-and-white and a colorized version of the directors cut, including an audio commentary track by comedian Michael J. Nelson, a former writer and host of Mystery Science Theater 3000.[41] In 2016, the Criterion Collection reissued the film on DVD, as well as premiering it on Blu-ray, featuring a new restoration.[42]

Carnival of Souls has gradually developed a cult following since its release and is now considered a low-budget classic.[33][28][36] The film has since been included in multiple lists by various media outlets as one of the greatest horror films ever made. Complex magazine ranked Carnival of Souls number 39 on its list of the 50 scariest movies ever made.[43] Slant Magazine placed the film at #32 on its "100 Best Horror Movies of All Time".[44] Paste magazine ranked the film at #85 in its list of "100 Best Horror Movies of All Time".[45]

In 2012, the Academy Film Archive restored Carnival of Souls.[46] The film has been named as a precursor to the works of various filmmakers, including David Lynch,[47] George A. Romero,[48] Lucrecia Martel[49] and James Wan.[47][50][51]

The film was used for a RiffTrax Live event in October 2016, where former Mystery Science Theater 3000 cast members Bill Corbett, Kevin Murphy and Michael J. Nelson[52] riffed the film for a live audience and broadcast to other theaters through NCM Fathom. Rifftrax's website offers the video downloads of the live performance as well as a studio-recorded riff of the film.[53]

A novelization of the film titled Nightmare Pavilion written by Andrew J. Rausch was released by Happy Cloud Media in October 2020.[54]

Remakes

[edit]
Main article: Carnival of Souls (1998 film)

Negotiations with the writer of Carnival of Souls, John Clifford, and the director Herk Harvey led in 1998 to a remake directed by Adam Grossman and Ian Kessner and starring Bobbie Phillips. The remake has little in common with the 1962 film, borrowing little more than the revelation at the end. Sidney Berger, who had appeared in the original film as John Linden, appeared in a cameo in the remake. The remake followed the story of a young woman (Phillips) and her confrontation with her mother's murderer. The filmmakers had asked for Candace Hilligoss, the star of the first film, to also appear, but she declined, feeling that Clifford and the filmmakers of the remake had shown disrespect to her in initiating the film without consulting her or considering her treatment for a sequel to the 1962 version.[55][56] The remake was marketed as Wes Craven Presents 'Carnival of Souls'. It received negative appraisals from most reviewers [57] and did not manage to secure theatrical release, going direct-to-video.[58]

An unofficial remake of Carnival of Souls was released in 2008 under the title Yella, directed by Christian Petzold. This film is based loosely on the original.[59]

[edit]

When Mary is speaking to the manager of the organ factory at the beginning of the film, he says to her: "It takes more than intellect to be a musician. Put your soul into it. OK?" This sample was used on the 1998 song "Church of Noise" by the Northern Irish rock band Therapy?.[60]

Mary laments towards the end of the film: "I don't belong in the world, that's what it is. Something separates me from other people. Everywhere I turn, there's something blocking my escape." A sample of this line was used at the beginning of the Lana Del Rey song "13 Beaches" on her album Lust for Life (2017).[61]

Clips of the film were used throughout the Drake video "Knife Talk".[62]

Clips of the film were also used by the band Why These Coyotes for their song Dance Around the Fire.[63]

The dancehall scenes featured at the end of the film were referenced in the music video for Phoebe Bridgers' "Smoke Signals".[64]

See also

[edit]

References

[edit]
  1. ^ a b "Carnival of Souls (1962)". BFI. Archived from the original on June 17, 2017. Retrieved June 9, 2020.
  2. ^ a b c Weldon 1996, p. 93.
  3. ^ Olson 2018, p. 36.
  4. ^ Brody, Richard (September 27, 2016). "The Front Row: "Carnival of Souls"". The New Yorker. New York City: Condé Nast.
  5. ^ a b Godfrey, Good & Goodall 2009, pp. 17–18.
  6. ^ Immediate Family, The Bear, Dad, Next of Kin, Carnival of Souls, 1989 – Siskel and Ebert Movie Reviews
  7. ^ Clifford, John - Interview, Carnival of Souls, 1999 posted by Demolition Kitchen Media on Internet Archive
  8. ^ a b c d e f Crouse 2003, pp. 35–38.
  9. ^ a b c d e Champlin, Charles (April 19, 1990). "The Reincarnation of 'Carnival of Souls'". Los Angeles Times. Archived from the original on May 23, 2019. Retrieved December 27, 2016.
  10. ^ Weaver 2003, p. 146.
  11. ^ Weaver 2003, p. 147.
  12. ^ Weaver 2003, p. 152.
  13. ^ a b Hillegass 1996, pp. 18–33.
  14. ^ Weaver 2003, pp. 148–149.
  15. ^ Weaver 2003, p. 148.
  16. ^ Godfrey, Good & Goodall 2009, p. 18.
  17. ^ Weaver 2011, p. 88.
  18. ^ Reza Badiyi-IMDB
  19. ^ "Interview with Carnival of Souls' director Herk Harvey - YouTube". www.youtube.com. September 9, 2014. Archived from the original on December 22, 2021. Retrieved November 9, 2020.
  20. ^ a b Brown 2009, p. 3.
  21. ^ Brown 2009, p. 4.
  22. ^ "Original Soundtrack: Carnival of Souls". AllMusic. Retrieved October 5, 2017.
  23. ^ Nightmare on One Sheet. Korero Press. 2023. pp. 164, 165. ISBN 9781912740239.
  24. ^ Hilligoss 2016, p. 187.
  25. ^ Letterboxd
  26. ^ Weaver 2003, pp. 154–155.
  27. ^ Niccum, Jon (October 29, 2004). "'Carnival' writer relishes film's rise from the dead". Lawrence Journal-World. Archived from the original on December 21, 2016.
  28. ^ a b c Ebert, Roger (October 27, 1989). "Carnival of Souls". Chicago Sun-Times. Retrieved December 27, 2016.
  29. ^ Hawkins 2000, p. 15.
  30. ^ Hawkins 2000, p. 27.
  31. ^ "Carnival of Souls". Time Out. Archived from the original on November 8, 2012. Retrieved October 4, 2017.
  32. ^ Maltin 2014, p. 218.
  33. ^ a b Brown, Joe (October 6, 1989). "Carnival of Souls". The Washington Post. Retrieved October 5, 2017.
  34. ^ Holden, Stephen (July 19, 1989). "'Carnival of Souls' Opens Fantasy Festival". The New York Times.
  35. ^ Rainer, Peter (April 20, 1990). "Movie Review : 'Carnival' Profits From Its Limitations". Los Angeles Times. Retrieved June 16, 2021.
  36. ^ a b "Carnival of Souls Review". TV Guide. Retrieved October 4, 2017.
  37. ^ Carnival Of Souls-Film Reel Reviews-The Film Reel
  38. ^ "Carnival of Souls (1962) – Rotten Tomatoes". Rotten Tomatoes. San Francisco, California: Fandango Media. Retrieved November 21, 2022.
  39. ^ Vander Kaay & Fernandez-Vander Kaay 2016, p. 48.
  40. ^ Carnival of Souls (The Criterion Collection). ISBN 1559409002.
  41. ^ Jane, Ian (June 17, 2009). "RiffTrax: Carnival of Souls". DVD Talk. Archived from the original on September 4, 2019.
  42. ^ Bowen, Chuck (July 12, 2016). "Blu-ray Review: Carnival of Souls". Slant Magazine. Archived from the original on May 13, 2020.
  43. ^ Barone, Matt; et al. (July 18, 2013). "The 50 Scariest Movies of All Time". Complex. Retrieved October 4, 2017.
  44. ^ Slant Magazine Staff. "The 100 Best Horror Movies of All Time: Carnival of Souls". Slant Magazine. Archived from the original on May 13, 2020.
  45. ^ Vorel, Jim (October 14, 2019). "The 100 Best Horror Movies of All Time". Paste. Archived from the original on May 13, 2020.
  46. ^ "Preserved Projects". Academy Film Archive.
  47. ^ a b Gleiberman, Owen (April 7, 2011). "'Carnival of Souls': The movie that inspired 'Insidious' is the spookiest, weirdest, and maybe greatest horror film you've never seen". Entertainment Weekly. Archived from the original on October 5, 2017.
  48. ^ Carnival of Souls: “Thinkin’ Like That, Don’t It Give You Nightmares?”|Current|The Criterion Collection
  49. ^ Lucrecia Martel’s Closet Picks-Criterion Collection on YouTube
  50. ^ INDIE HORROR MEETS WORLD CINEMA IN THE CULT ‘CARNIVAL OF SOULS’|PopMatters
  51. ^ How Obscure Horror Film 'Carnival of Souls' Influenced Everything You've Ever Seen - No Film School
  52. ^ RiffTrax: Carnival of Souls : DVD Talk Review of the DVD Video
  53. ^ RiffTrax
  54. ^ Amazon.com: Nightmare Pavilion
  55. ^ Weaver 2011, pp. 89–91.
  56. ^ Weaver, Tom. "Stolen Souls: Candace Hilligoss left out in the cold". The Astounding B Monster. Archived from the original on February 23, 2008. Retrieved December 10, 2011.
  57. ^ Wes Craven Presents: Carnival of Souls (1998)-Rotten Tomatoes
  58. ^ "Carnival of Souls (1998) - IMDb". IMDb.
  59. ^ Weintraub, Steve. "YELLA Movie Review." Collider.com. Retrieved: November 5, 2013.
  60. ^ Church of Noise by Therapy - Topic on YouTube
  61. ^ Paterson, Marc (June 30, 2022). "Carnival of Souls' 60 Year Influence on Modern Pop Culture". Filmhounds Magazine. Archived from the original on July 7, 2022.
  62. ^ Knife Talk Drake official YouTube channel
  63. ^ "Dance Around the Fire by Why These Coyotes (Unofficial Video)". YouTube. October 23, 2017.
  64. ^ Thompson, Stephen (January 17, 2017). "2017's Best New Artist Might Just Be Phoebe Bridgers". NPR. Retrieved August 6, 2022.

Sources

[edit]
[edit]
Wikimedia Commons has media related to Carnival of Souls.
Wikiquote has quotations related to Carnival of Souls.

Critical essays

[edit]

View the film

[edit]
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Carnival_of_Souls&oldid=1260499369"