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{{short description|American singer-songwriter}}
{{Short description|American singer-songwriter (1941–1980)}}
{{distinguish|Tim Harding (disambiguation)|Tim Harden}}
{{distinguish|Tim Harding (disambiguation)|Tim Harden}}

{{Use dmy dates|date=December 2014}}
{{Use dmy dates|date=December 2014}}
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
| name = Tim Hardin
| name = Tim Hardin
| image = Tim Hardin.png
| image = Tim Hardin.png
| caption = Tim Hardin in 1969
| caption = Hardin in 1969
| image_size = 250px
| image_size = 250px
| background = solo_singer
| background = solo_singer
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| birth_place = [[Eugene, Oregon]], U.S.
| birth_place = [[Eugene, Oregon]], U.S.
| death_date = {{death date and age|1980|12|29|1941|12|23}}
| death_date = {{death date and age|1980|12|29|1941|12|23}}
| death_place = [[Los Angeles, California]], U.S.
| death_place = [[Los Angeles]], [[California]], U.S.
| origin =
| origin =
| instrument = Vocals, guitar, piano
| instrument = Vocals, guitar, piano
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}}
}}


'''James Timothy Hardin''' (December 23, 1941 – December 29, 1980){{R|Memorial}}{{R|British Hit Singles & Albums}} was an American [[folk music|folk]] and [[blues music|blues]] musician and composer. As well as releasing his own material, several of his songs, including "[[If I Were a Carpenter (song)|If I Were a Carpenter]]" and "[[Reason to Believe]]", became hits for other artists.{{R|Rough guide}}
'''James Timothy Hardin''' (December 23, 1941 – December 29, 1980){{R|Memorial}}{{R|British Hit Singles & Albums}} was an American [[folk music|folk]] music and [[blues music|blues]] singer-songwriter and guitarist. In addition to his own popularity, several of his songs were hits for other artists including [[If I Were a Carpenter (song)|If I Were a Carpenter]], [[Reason to Believe]] and [[Misty Roses]]. {{R|Rough guide}}


Hardin grew up in [[Oregon]] and joined the [[United States Marine Corps|Marine Corps]]. He started his music career in [[Greenwich Village]] which led to recording several albums in the mid- to late 1960s, and a performance at the [[Woodstock Festival]]. Hardin struggled with [[drug abuse]] throughout most of his adult life, and live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from a [[opioid overdose|heroin overdose]].
Hardin grew up in [[Oregon]] and had no interest in school. He dropped out before graduating high school and joined the [[United States Marine Corps|Marine Corps]]. He started his music career in [[Greenwich Village]] and Cambridge which led to recording several albums in the mid to late 1960s with performances at the [[Newport Folk Festival]] and at [[Woodstock]]. He struggled with [[drug abuse]] throughout most of his adult life and his live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from an accidental [[opioid overdose|heroin overdose]].


==Early life and career==
==Early life and career==
Hardin was born in [[Eugene, Oregon]] to parents who both had musical training. His mother, Molly Small Hardin, was an accomplished violinist who performed with the [[Portland Symphony Orchestra]] and his father played in jazz bands.{{R|Biography}} He attended South Eugene High School but dropped out at age 18 to join the [[United States Marine Corps|Marine Corps]]. Hardin is said to have discovered heroin while posted in Southeast Asia.{{R|AT}}
Hardin was born in [[Eugene, Oregon]] to Hal and Molly Hardin who both had musical backgrounds. His mother was an accomplished violinist and concertmaster of the [[Portland Symphony Orchestra]] and his father, who worked at his wife's family's mill, had played bass in jazz bands in the Army and in college.<ref name="auto">Tattooed on Their Tongues, Colin Escott, 1996, Schirmer Books, p. 2</ref>{{R|Biography}}


It was at the South Eugene High School where Hardin first picked up the guitar. He dropped out at 18 to join the [[United States Marine Corps|Marine Corps]] where he improved his guitar skills and built up a repertoire of folk songs. He also got a taste for heroin while stationed with them in Southeast Asia.{{R|AT}}
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After his discharge he moved to New York City in 1961, where he briefly attended the [[American Academy of Dramatic Arts]].{{R|AT}} He was eventually excluded for poor attendance{{R|Reason to believe in Hardin}} and began to focus on his musical career by performing around [[Greenwich Village]], playing folk and blues numbers. It was during this time that he became friends with [[Cass Elliot|"Mama Cass" Elliot]], [[John Sebastian]] and [[Fred Neil]].<ref name="Zipcon biography">{{cite web|url=http://www.zipcon.net/~highroad/hardinbi.htm |url-status=dead|archive-url=https://web.archive.org/web/19981206205443/http://www.zipcon.net/~highroad/hardinbi.htm|archive-date=6 December 1998|title=Tim Hardin Biography |publisher=Zipcon.net|access-date=2015-10-12}}</ref>


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After his discharge, he moved to New York City in 1961 where he briefly attended the [[American Academy of Dramatic Arts]].{{R|AT}} He was eventually excluded for poor attendance{{R|Reason to believe in Hardin}} and began to focus on his musical career by performing around [[Greenwich Village]] playing folk music and blues. During this time, he became friends with fellow musicians [[Cass Elliot|"Mama Cass" Elliot]], [[John Sebastian]] and [[Fred Neil]].<ref name="Zipcon biography">{{cite web|url=http://www.zipcon.net/~highroad/hardinbi.htm |url-status=dead|archive-url=https://web.archive.org/web/19981206205443/http://www.zipcon.net/~highroad/hardinbi.htm|archive-date=6 December 1998|title=Tim Hardin Biography |publisher=Zipcon.net|access-date=2015-10-12}}</ref>
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After moving to [[Boston]] in 1963 he was discovered by the record producer [[Erik Jacobsen]] (later the producer for [[The Lovin' Spoonful]]), who arranged a meeting with [[Columbia Records]].{{R|Bio and History}} In 1964 he moved back to Greenwich Village to record for his contract with Columbia. The resulting recordings were not released and Columbia terminated Hardin's [[recording contract]].{{R|Turn turn turn}}


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He moved to [[Boston]] in 1963 and became part of a growing folk music scene there. He was discovered by upcoming record producer [[Erik Jacobsen]] (later the producer for [[The Lovin' Spoonful]]) who arranged a meeting at [[Columbia Records]].{{R|Bio and History}} The next year, he moved back to Greenwich Village to record for Columbia making a handful of demos as an audition which they did not release. They soon terminated his contract.{{R|Turn turn turn}} [[Verve Forecast]] would release these tracks in 1969 as [[Tim Hardin 4]] as though they were a newly recorded album.
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After moving to Los Angeles in 1965, he met actress Susan Yardley Morss (known professionally as Susan Yardley),{{R|AT}}{{R|Sheff on Hardin}} and moved back to New York with her. He signed to the [[Verve Forecast]] label, and produced his first authorized album, ''[[Tim Hardin 1]]'' in 1966 which contained "[[How Can We Hang On to a Dream]]", "[[Reason to Believe]]" and the ballad "[[Misty Roses (song)|Misty Roses]]", which received Top 40 radio play.


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After moving to Los Angeles in 1965, he met actress Susan Yardley Morss (known professionally as Susan Yardley){{R|AT}}{{R|Sheff on Hardin}} and moved back to New York with her. He signed to the [[Verve Forecast]] label and released his first album, ''[[Tim Hardin 1]]'' in 1966 which contained "[[How Can We Hang On to a Dream]]", "[[Reason to Believe]]" and the touching ballad "[[Misty Roses (song)|Misty Roses]]" which got Top 40 radio play. That same year, he played at the [[Newport Folk Festival]].
''[[Tim Hardin 2]]'' was released in 1967; it contained "[[If I Were a Carpenter (song)|If I Were a Carpenter]]". A British tour was cut short after Hardin contracted [[pleurisy]].{{R|Pleurisy}}


He was admired for his beautiful voice, "a soft voice, a sweet voice,” a Los Angeles Times reviewer later wrote, “a voice which quavers between the tugs of the blues and the tender side of joy. He can sing nasty, but his forte is gentle songs whose case allows him to slip and slide through a rainbow of emotions.”
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An album entitled ''[[This is Tim Hardin]]'', featuring covers of "[[House of the Rising Sun]]", [[Fred Neil]]'s "Blues on the Ceiling" and [[Willie Dixon]]'s "[[Hoochie Coochie Man]]", among others, appeared in 1967, on the [[Atco Records|Atco]] label. The liner notes indicate that the songs were recorded in 1963–1964, well prior to the release of ''Tim Hardin 1''. In 1968, Verve released ''[[Tim Hardin 3 Live in Concert]]'', a collection of live recordings along with re-makes of previous songs. It was followed by ''[[Tim Hardin 4]]'', another collection of blues-influenced tracks believed to date from the same period as ''This is Tim Hardin''. In September 1968 he and [[Van Morrison]] shared a bill at the [[Cafe Au Go Go]], at which each performed an acoustic set.{{R|With Morrison}}


“I think of myself more as a singer than a songwriter and always did,” he told a reporter in an interview with the Oregon Daily Emerald. “It happened to be that I wrote songs. I’m a jazz singer, really, writing in a different vocabulary mode but still with a jazz feel. I don’t ever sing one song the same way. I’m an improvisational singer and player.”
In 1969, Hardin again signed with Columbia and had one of his few commercial successes, as a non-LP single of [[Bobby Darin]]'s "Simple Song of Freedom" reached the US Top 50. Hardin did not tour in support of this single—his heroin use and [[stage fright]] made his live performances erratic.{{R|AT}}


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''[[Tim Hardin 2]]'' was released in 1967 and contained one of his most famous songs, "[[If I Were a Carpenter (song)|If I Were a Carpenter]]". That year, [[Atco Records|Atco]], a subsidiary of [[Atlantic Records]] released an album of earlier material called ''[[This is Tim Hardin]]'' featuring covers of [[House of the Rising Sun]], [[Fred Neil]]'s Blues on the Ceiling and [[Willie Dixon]]'s [[Hoochie Coochie Man]] plus several of his own songs including the driving, Fast Freight . The liner notes state that he recorded the songs in 1963–1964 well before the release of ''Tim Hardin 1''. In 1968, Verve released ''[[Tim Hardin 3 Live in Concert]]'', a collection of live recordings along with remakes of earlier songs. It was followed by ''[[Tim Hardin 4]]'' which was his unreleased Columbia demos dating from the same period as ''[[This is Tim Hardin]]''.
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Also in 1969 he appeared at the [[Woodstock|Woodstock Festival]], where he sang "[[If I Were a Carpenter (song)|If I Were a Carpenter]]" solo and played a set of his music while backed by a full band.{{R|Woodstock notes}} None of his performances were included in the [[Woodstock (film)|documentary film]] or the [[Woodstock: Music from the Original Soundtrack and More|original soundtrack album]].{{R|AT}} His performance of "If I Were a Carpenter" was included on the 1994 [[box-set]] ''[[Woodstock: Three Days of Peace and Music]]''.


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By 1967, after critical acclaim for his first album and the release of ''[[This is Tim Hardin]]'', his songs were being widely covered and he was in demand to tour Europe and the United States. However, the quality of his work was in decline due in part to "his own combativeness in the studio, addiction to heroin, his drinking problems and his frustration over his lack of commercial success". He began to miss shows and performed poorly reputedly falling asleep on stage at London's [[Royal Albert Hall]] in 1968.{{R|Biography}}{{R|Rock and roll paradise}} At the time, he was viewed as enigmatic, with one journalist stating that while "his position as one of the best songwriters of his generation is unquestioned ... [he] ... courted the scene in the most fumbling manner imaginable". The same writer noted Hardin's ambivalent relationship with his audience, often ignoring them, just singing "at times badly, at times beautifully ... somehow always fascinating".{{R|enigma}} It has been written that Hardin did have an "uninspired stage presence" in spite of having what the reporter said was "not a bad voice".{{R|Stage presence}}. The tour was cut short after he contracted [[pleurisy]].{{R|Pleurisy}}
He recorded three albums for Columbia—''[[Suite for Susan Moore and Damion: We Are One, One, All in One]]''; ''[[Bird on a Wire (Tim Hardin album)|Bird on a Wire]]''; and ''[[Painted Head]]''.

In September of 1968, he and [[Van Morrison]] shared a bill at the [[Cafe Au Go Go]] each performing an acoustic set.{{R|With Morrison}}. In 1969, he signed with Columbia again, recording three albums for them, ''[[Suite for Susan Moore and Damion: We Are One, One, All in One]]''; ''[[Bird on a Wire (Tim Hardin album)|Bird on a Wire]]''; and ''[[Painted Head]]''. He had one of his few commercial successes with a non-lp single, a cover of [[Bobby Darin]]'s "Simple Song of Freedom" reaching number 48 on the US and Canadian Top 50 charts.<ref>{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.6023.pdf| title=RPM Top 100 Singles – August 30, 1969}}</ref> Hardin did not tour in support of the single. His heroin use and [[stage fright]] made his live performances erratic.{{R|AT}}

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That same year, he appeared at the [[Woodstock|Woodstock Festival]] where he sang [[If I Were a Carpenter (song)|If I Were a Carpenter]] solo and played a set of his songs backed by a full band.{{R|Woodstock notes}}. He was scheduled to open the festival though he was in such bad shape that Richie Havens opened instead. None of his performances were included in the [[Woodstock (film)|documentary film]] or the [[Woodstock: Music from the Original Soundtrack and More|original soundtrack album]].{{R|AT}} His performance of If I Were a Carpenter was included on the 1994 [[box set]] ''[[Woodstock: Three Days of Peace and Music]]''.


==Later work and death==
==Later work and death==
During the following years Hardin moved between Britain and the U.S. In 1969 he arrived in England to take a programme for heroin addiction but this was unsuccessful and he became addicted to [[barbiturates]] which were used during the withdrawal stage from heroin.{{R|Reason to believe in Hardin}} His [[Opioid use disorder|heroin addiction]] had taken control of his life by the time his last album, ''[[Nine (Tim Hardin album)|Nine]]'', was released on GM Records in the UK in 1973 (the album did not see a U.S. release until it appeared on [[Antilles Records]] in 1976). He sold the writers' rights to his songs, but accounts of how this transpired differ.{{R|AT}}
During the years that followed, Hardin traveled between Britain and the U.S. In 1969, he went to England for a program to treat heroin addiction but he was unsuccessful and became addicted to [[barbiturates]] which were used during the withdrawal stage from heroin.{{R|Reason to believe in Hardin}} His [[Opioid use disorder|heroin addiction]] had taken control of his life by the time his last album, ''[[Nine (Tim Hardin album)|Nine]]'', was released on GM Records in the UK in 1973 (the album did not see a U.S. release until it appeared on [[Antilles Records]] in 1976). He sold the writers' rights to his songs but accounts of how this happened differ.{{R|AT}}


In late November 1975 Hardin performed as guest lead vocalist with the German experimental rock band [[Can (band)|Can]], for two UK concerts at [[Hatfield Polytechnic]] in Hertfordshire and London's [[Theatre Royal, Drury Lane|Drury Lane Theatre]]. According to author Rob Young, in the book ''[[All Gates Open: The Story of Can]]'', a huge argument between Hardin and Can occurred after the London concert, during which Hardin threw a television set through a car's windshield.{{R|Story of Can}}
In late November 1975, Hardin performed as guest lead vocalist with the German experimental rock band [[Can (band)|Can]] for two UK concerts at [[Hatfield Polytechnic]] in Hertfordshire and at London's [[Theatre Royal, Drury Lane|Drury Lane Theatre]]. According to author Rob Young, in the book ''[[All Gates Open: The Story of Can]]'', Hardin and Can got into a huge argument after the London concert during which Hardin threw a television set through a car's windshield.{{R|Story of Can}}


In early 1980, Hardin returned to the US after several years in Britain, and wrote ten new songs and started recording new material as a comeback. On December 29, he was found on the floor of his Hollywood apartment by longtime friend Ron Daniels. The police said there was no evidence of foul play and it appeared initially that the cause of death was a heart attack.{{R|Found in apartment}} It was later confirmed by the Los Angeles coroner's office that Hardin had died of an accidental [[Opioid overdose|heroin overdose]].{{R|Confirmation of cause}} His remains were buried in Twin Oaks Cemetery in [[Turner, Oregon]].{{R|Burial site}} The new songs were included on the posthumous ''[[Unforgiven (Tim Hardin album)|Unforgiven]]'' and the compilation ''The Shock of Grace''.{{R|Shock of Grace}}
In early 1980, Hardin returned to the US after several years in Britain, wrote ten new songs and started recording them at home for a comeback. However, on December 29, his longtime friend, Ron Daniels found him dead on the floor of his Hollywood apartment. The police said there was no evidence of foul play and it appeared initially that the cause of death was a heart attack.{{R|Found in apartment}} The Los Angeles coroner's office later confirmed that Hardin had died of an accidental [[Opioid overdose|heroin overdose]].{{R|Confirmation of cause}} He buried in Twin Oaks Cemetery in [[Turner, Oregon]].{{R|Burial site}}
The following year, Columbia released his last work, eight unfinished tracks, on the posthumous album ''[[Unforgiven (Tim Hardin album)|Unforgiven]]'' along with a compilation of his previous work for them, ''The Shock of Grace''.{{R|Shock of Grace}}


==Covers==
==Covers==
Hardin wrote the [[Top 40]] hit "[[If I Were a Carpenter (song)|If I Were a Carpenter]]," covered by, among others, [[Bobby Darin]], [[Bob Dylan]], [[Bob Seger]], [[Joan Baez]], [[Johnny Cash]], [[The Four Tops]], [[Robert Plant]], [[Small Faces]], [[Johnny Rivers]], [[Bert Jansch]], [[Willie Nelson]], [[Sheryl Crow]], [[Dolly Parton]] and [[Joe Nichols]]. His song "[[Reason to Believe]]" has also been covered by many artists, notably [[Rod Stewart]] (who had a chart hit with the song), [[Neil Young]], and [[The Carpenters]]. [[The Nice]] also recorded and performed live a popular version of Hardin's song "[[How Can We Hang On to a Dream]]" based on a piano arrangement by [[Keith Emerson]]. [[Morrissey]] covered "Lenny's Tune" on his 2019 album [[California Son]].
Among his successes, Hardin wrote the top 40 hit [[If I Were a Carpenter (song)|If I Were a Carpenter]], covered by [[Bobby Darin]], [[Bob Dylan]], [[Bob Seger]], [[Joan Baez]], [[Johnny Cash]], [[the Four Tops]], [[Robert Plant]], [[Small Faces]], [[Johnny Rivers]], [[Bert Jansch]], [[Willie Nelson]], [[Sheryl Crow]], [[Dolly Parton]] and [[Joe Nichols]] among others.


Many artists covered his song [[Reason to Believe]] notably [[the Carpenters]], [[Neil Young]] and [[Rod Stewart]] who had a chart hit with it, eventually reaching number one in the UK.
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==Tributes and legacy==
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In 2005 the [[indie rock]] band [[Okkervil River]] released a concept studio album entitled ''[[Black Sheep Boy]]'', said to be based on Hardin's life. According to one reviewer, the tribute album is a "collection that should go some way towards rekindling an interest in Hardin's life and work."{{R|Tribute album}} [[Will Sheff]] from Okkervil River said "there is something very disarming about how simple those songs are...a Tim Hardin song never outstays its welcome. It’s very short and pretty: one verse, one chorus, second verse, the song is over and he’s out of there. It’s like a tiny, perfectly cut gem."{{R|UCR}}


[[How Can We Hang On to a Dream]] was covered many times including by [[Cliff Richard]], [[Françoise Hardy]], [[Marianne Faithfull]], [[Fleetwood Mac]], [[Peter Frampton]], [[The Nice]] featuring Keith Emerson and [[Echo and the Bunnymen]].
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Late in 2012 it was announced that a tribute album, ''Reason to Believe:The Songs of Tim Hardin'' featuring [[Indie rock|indie]] and [[alternative rock]] bands from Britain and America, was to be released in January 2013.{{R|Album announced}} [[Mark Lanegan]], who sang the Hardin number ''Red Balloon'' on the album, told ''[[Rolling Stone]]'': "I've always been haunted by his devastating voice and beautiful songs...I can’t imagine anyone hearing him and not feeling the same".{{R|Lanegan tribute}} Another performer on the album, Canadian singer-songwriter [[Ron Sexsmith]], noted of Hardin [that]..."you get what he’s telling you without him spelling it out...when it came time to make my first record I can remember keeping that in mind."{{R|Later tribute album}} Initially the album is described on one music website as appearing "surprisingly mainstream," but later acknowledged in the article as a "comprehensive package...[that]..transcends its limitations...[with the folkier songs]...capturing the fragility of Hardin’s original work without disrupting the moody, maudlin flow."{{R|Impending tribute}} The tribute album has also been described as providing an opportunity to focus more on Hardin's music than the issues with drugs and his early death.{{R|Focus on music}}


[[Morrissey]] and [[Nico]] covered Lenny's Tune, [[Bobby Darin]] and [[Johnny Cash]] both charted hits with [[The Lady Came From Baltimore]] and [[Johnny Mathis]] had a top 40 hit with [[Misty Roses]].
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[[Roger Daltrey]] chose Hardin's song "[[How Can We Hang On to a Dream|Dream]]" for his "commemorative CD of favorite music when he won the 2016 Music Industry Trusts Award for his services to music and charity...''[noting in the CD track notes]''...I was a huge fan of Tim."{{R|Daltry tribute}}


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==Tributes and legacy==
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On his third solo album recorded in 2015, Pete Sando, previously of the 1960s band [[Gandalf (American band)|Gandalf]], included a song called "Misty Roses on a Stone" that he had co-written as a dedication to Hardin and said to be composed after a visit to the singer's grave. He acknowledged that he been very influenced by Hardin, noting in particular..."his lyrical economy and musical balance...just the sheer simplicity and beauty of his songs was so appealing."{{R|Sando tribute}}
⚫
In 2005, the [[indie rock]] band [[Okkervil River]] released a concept studio album called ''[[Black Sheep Boy]]'' said to be based on Hardin's life. According to one reviewer, the tribute album is a "collection that should go some way towards rekindling an interest in Hardin's life and work".{{R|Tribute album}} [[Will Sheff]] from Okkervil River said "There is something very disarming about how simple those songs are ..., a Tim Hardin song never outstays its welcome. It's very short and pretty: one verse, one chorus, second verse, the song is over and he's out of there. It's like a tiny, perfectly cut gem".{{R|UCR}}


⚫
In January of 2013, a tribute album, ''Reason to Believe:The Songs of Tim Hardin'' featuring [[Indie rock|indie]] and [[alternative rock]] bands from Britain and America was released. [[Mark Lanegan]] who sang Hardin's''Red Balloon'' on the album told ''[[Rolling Stone]]'': "I've always been haunted by his devastating voice and beautiful songs ... I can't imagine anyone hearing him and not feeling the same".{{R|Lanegan tribute}} Another performer on the album, Canadian singer-songwriter [[Ron Sexsmith]] said of Hardin that "you get what he’s telling you without him spelling it out ... when it came time to make my first record I can remember keeping that in mind".{{R|Later tribute album}} One music website initially described the album as appearing "surprisingly mainstream" but later acknowledged in the article as a "comprehensive package ... [that] ... transcends its limitations ... [with the folkier songs] ... capturing the fragility of Hardin's original work without disrupting the moody, maudlin flow".{{R|Impending tribute}} The album has been described as providing an opportunity to focus more on Hardin's music than his issues with drugs and his early death.{{R|Focus on music}}
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It has been reported that Bob Dylan said Hardin was "the greatest living songwriter" after hearing his first album.{{R|Dylan's comment}} In a 1980 interview when asked about the Dylan quote Hardin recalled: "Yeah, I played him part of the album one night and he started flipping out, you know. Man, he got down on his knees in front of me and said: Don't change your singing style and don't bleep 'a' blop...."{{R|Heavy Heart}} In the same interview, Hardin did express some mixed feelings about Dylan, but in another article Brian Millar concluded [that] "Dylan was right: for some years Tim Hardin was the greatest songwriter alive. And just as no one sang Dylan like Dylan, no one sings Hardin like Hardin."{{R|Miller review}} Hardin was a direct descendent of [[John Wesley Hardin]], a 19th-century outlaw, and it has been said that this provided the inspiration for Dylan's album ''[[John Wesley Harding]]''.{{R|Found in apartment}}{{R|Melbourne article}}


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[[Roger Daltrey]] chose Hardin's song "[[How Can We Hang On to a Dream]]" for his commemorative CD of favorite music when he won the 2016 Music Industry Trusts Award for his services to music and charity noting in the CD track notes "I was a huge fan of Tim".{{R|Daltry tribute}}
⚫
By 1967 after critical acclaim for his first album and the release of an earlier work entitled ''This is Tim Hardin'', Hardin was in demand to tour Europe and the United States and his songs were being widely covered. However there was evidence of a decline in the quality of his work noted as being due in part to "his own combativeness in the studio, addiction to heroin, drinking problems, and frustration over his lack of commercial success," and he began to miss shows and perform poorly, reputedly falling asleep on stage at London's [[Royal Albert Hall]] in 1968.{{R|Biography}}{{R|Rock and roll paradise}} At the time he was viewed as enigmatic, with one journalist stating that while "his position as one of the best songwriters of his generation is unquestioned...[he]...courted the scene in the most fumbling manner imaginable." The same writer notes Hardin's ambivalent relationship with his audience, often ignoring them, just singing "at times badly, at times beautifully...somehow always fascinating."{{R|enigma}} It has been written that Hardin did have an "uninspired stage presence" in spite of having what the reporter said was "not a bad voice."{{R|Stage presence}}


⚫
On his third solo album recorded in 2015, Pete Sando, previously of the 1960s band [[Gandalf (American band)|Gandalf]], included a song called "Misty Roses on a Stone" that he co-wrote as a dedication to Hardin and after a visit to the singer's grave. He acknowledged that he was very influenced by Hardin noting in particular "his lyrical economy and musical balance ... just the sheer simplicity and beauty of his songs was so appealing".{{R|Sando tribute}}
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After his death in 1980, there was considerable reflective journalism about his impact. It was reported that, along with [[Leonard Cohen]], Hardin was the only musician who could rival Bob Dylan in composing "deeply moving love songs," however the critic also noted that Hardin never gained the attention he deserved and when found dead, not one of his albums was still in print.{{R|Hilburn in 1981}} Jon Marlow writing in the ''[[Miami News]]'' said he was not about to "glorify yet another dead junkie's lifestyle" but held that the ''Tim Hardin Memorial'' album is an "unheralded but still beautiful record of 12 songs that deserve your attention and money...has nothing to do with dead-hero worship...it's simply here to remind us that via his first two albums Tim Hardin made a lot of promises he couldn't keep."{{R|Promises}} Another reviewer wrote of the memorial album that it "firmly establishes Hardin as an enduring and influential artist."{{R|Memories}} The excesses of his lifestyle came under scrutiny and while it was never concluded whether he was a jazz rather than a folk artist, one reviewer noted that "few people who have never heard the poignant, often lonely, tone of [his] body of work would dispute the suggestion that he was one of the most affecting singer-songwriters of the modern pop era."{{R|Recapturing the dream}} It was said in the ''[[Los Angeles Weekly]]'' that Hardin's life showed drugs, alcohol and creativity were not a long-lasting or positive partnership, with the writer concluding: "I don't think Tim Hardin was ever really sure how good he was, and he rocketed from arrogance to despair conscious of the promises he couldn't keep..[he is]...gone, but the songs aren't and they will last."{{R|Delp article}}

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Bob Dylan reportedly said that Hardin was "the greatest living songwriter" after hearing his first album.{{R|Dylan's comment}} In a 1980 interview when asked about the Dylan quote, Hardin recalled: "Yeah, I played him part of the album one night and he started flipping out, you know. Man, he got down on his knees in front of me and said: 'Don't change your singing style and don't bleep 'a' blop...'".{{R|Heavy Heart}} In the same interview, Hardin expressed some mixed feelings about Dylan but in another article, Brian Millar concluded [that] "Dylan was right: for some years, Tim Hardin was the greatest songwriter alive. And just as no one sang Dylan like Dylan, no one sings Hardin like Hardin".{{R|Miller review}} Hardin claimed to be either a distant relative of or direct descendant of [[John Wesley Hardin]], a 19th century outlaw but this has been found to be part of his self-mythologising;<ref>The Tombstone Tourist: Musicians, Scott Stanton, Gallery Books, 2003, p. 323</ref><ref>{{cite web | url=http://mediapias.com/artistes/the-songs-tim-hardin | title=The Songs of Tim Hardin &#124; Pias }}</ref><ref name="auto"/> it has been said that this provided the inspiration for Dylan's album ''[[John Wesley Harding]]''.{{R|Found in apartment}}{{R|Melbourne article}}

⚫
After his death in 1980, there was considerable reflective journalism about his impact. It was reported that, along with [[Leonard Cohen]], Hardin was the only musician who could rival Bob Dylan in composing "deeply moving love songs" however that critic also noted that Hardin never gained the attention he deserved and when found dead, not one of his albums was still in print.{{R|Hilburn in 1981}} Jon Marlow writing in the ''[[Miami News]]'' said he was not about to "glorify yet another dead junkie's lifestyle" but held that the ''Tim Hardin Memorial'' album is an "unheralded but still beautiful record of 12 songs that deserve your attention and money ... and has nothing to do with dead-hero worship ... it's simply here to remind us that via his first two albums Tim Hardin made a lot of promises he couldn't keep".{{R|Promises}} Another reviewer wrote of the memorial album that it "firmly establishes Hardin as an enduring and influential artist".{{R|Memories}} The excesses of his lifestyle came under scrutiny and while it was never concluded whether he was a jazz rather than a folk artist, one reviewer noted that "few people who have never heard the poignant, often lonely, tone of [his] body of work would dispute the suggestion that he was one of the most affecting singer-songwriters of the modern pop era".{{R|Recapturing the dream}} The ''[[Los Angeles Weekly]]'' said' that Hardin's life showed drugs, alcohol and creativity were not a long lasting or positive partnership with the writer concluding: "I don't think Tim Hardin was ever really sure how good he was and he rocketed from arrogance to despair, conscious of the promises he couldn't keep ... [he is] ... gone, but the songs aren't and they will last".{{R|Delp article}}


== Discography ==
== Discography ==
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<ref name="British Hit Singles & Albums">{{cite book| first= David| last= Roberts| year= 2006
<ref name="British Hit Singles & Albums">{{cite book| first= David| last= Roberts| year= 2006
| title= British Hit Singles & Albums| edition= 19th|url=https://www.google.co.nz/books/edition/British_Hit_Singles_Albums/_qqkzQEACAAJ?hl=en|url-status=live|archive-url=https://web.archive.org/web/20220710004326if_/https://www.google.co.nz/books/edition/British_Hit_Singles_Albums/_qqkzQEACAAJ?hl=en|archive-date=10 July 2022| publisher= Guinness World Records Limited
| title= British Hit Singles & Albums| edition= 19th|url=https://books.google.com/books?id=_qqkzQEACAAJ|url-status=live|archive-url=https://web.archive.org/web/20220710004326if_/https://www.google.co.nz/books/edition/British_Hit_Singles_Albums/_qqkzQEACAAJ?hl=en|archive-date=10 July 2022| publisher= Guinness World Records Limited
| location= London| isbn= 1-904994-10-5| page= 243}}</ref>
| location= London| isbn= 1-904994-10-5| page= 243}}</ref>


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<ref name="Turn turn turn">{{cite web|author=Richie Unterberger|author-link=Richie Unterberger|url=http://www.richieunterberger.com/lovin.html |url-status=live|archive-url=https://web.archive.org/web/20020828080101if_/http://www.richieunterberger.com/lovin.html|archive-date=28 August 2002|title=The Roots of the Lovin' Spoonful and the Mamas and the Papas|location=From Chapter 2 of ''Turn! Turn! Turn!''|publisher=Richieunterberger.com |access-date=2015-10-12}}</ref>
<ref name="Turn turn turn">{{cite web|author=Richie Unterberger|author-link=Richie Unterberger|url=http://www.richieunterberger.com/lovin.html |url-status=live|archive-url=https://web.archive.org/web/20020828080101if_/http://www.richieunterberger.com/lovin.html|archive-date=28 August 2002|title=The Roots of the Lovin' Spoonful and the Mamas and the Papas|location=From Chapter 2 of ''Turn! Turn! Turn!''|publisher=Richieunterberger.com |access-date=2015-10-12}}</ref>


<ref name="Sheff on Hardin">{{cite web|title=Will Sheff on Hardin|date=24 August 2005|url=http://www.saidthegramophone.com/archives/said_the_guests_will.php| archive-url=https://web.archive.org/web/20080410235056if_/http://www.saidthegramophone.com/archives/said_the_guests_will.php |url-status=dead|archive-date=24 October 2005|website=saidthegramophone }}</ref>
<ref name="Sheff on Hardin">{{cite web|title=Will Sheff on Hardin|date=24 August 2005|url=http://www.saidthegramophone.com/archives/said_the_guests_will.php| archive-url=https://web.archive.org/web/20080410235056if_/http://www.saidthegramophone.com/archives/said_the_guests_will.php |url-status=dead|archive-date=10 April 2008|website=saidthegramophone }}</ref>


<ref name="Pleurisy">"Tim Hardin Contracts Pleurisy", ''[[Rolling Stone]]'', No. 16, August 24, 1968, p.5</ref>
<ref name="Pleurisy">"Tim Hardin Contracts Pleurisy", ''[[Rolling Stone]]'', No. 16, August 24, 1968, p.5</ref>
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<ref name="With Morrison">{{cite web |url=http://www.originalcafeaugogo.com/test |title=A 60's Tale 7 Years Underground The True Story of Café Au Go Go |access-date=2015-11-10 |url-status=dead |archive-url=https://web.archive.org/web/20150713060414if_/http://www.originalcafeaugogo.com/test |archive-date=13 July 2015 }}</ref>
<ref name="With Morrison">{{cite web |url=http://www.originalcafeaugogo.com/test |title=A 60's Tale 7 Years Underground The True Story of Café Au Go Go |access-date=2015-11-10 |url-status=dead |archive-url=https://web.archive.org/web/20150713060414if_/http://www.originalcafeaugogo.com/test |archive-date=13 July 2015 }}</ref>


<ref name="Woodstock notes">{{Cite web |last1=Lawrence |first1=Wade |last2=Parker|first2=Scott|title=Tim Hardin 50 Years of Peace & Music |url=https://www.bethelwoodscenter.org/blog/tim-hardin |url-status=live |archive-url=https://web.archive.org/web/20200615082059if_/https://www.bethelwoodscenter.org/blog/tim-hardin |archive-date=16 June 2020 |access-date=24 July 2022 |format=Celebrating the 50th anniversary of the Woodstock festival, August 1969–2019|website=Bethel Woods Centre for the Arts}}</ref>
<ref name="Woodstock notes">{{Cite web |last1=Lawrence |first1=Wade |last2=Parker|first2=Scott|title=Tim Hardin 50 Years of Peace & Music |url=https://www.bethelwoodscenter.org/blog/tim-hardin |url-status=live |archive-url=https://web.archive.org/web/20200615082059if_/https://www.bethelwoodscenter.org/blog/tim-hardin |archive-date=15 June 2020 |access-date=24 July 2022 |format=Celebrating the 50th anniversary of the Woodstock festival, August 1969–2019|website=Bethel Woods Centre for the Arts}}</ref>


<ref name="Story of Can">{{cite book|last1=Young|first1=Rob|last2=Schmidt|first2=Irmin|title=All Gates Open: The Story of Can|url=https://schrodingersbooks.co.nz/p/music-all-gates-open-the-story-of-can--13|url-status=live|archive-url=https://web.archive.org/web/20210320114029if_/https://schrodingersbooks.co.nz/p/music-all-gates-open-the-story-of-can--13|archive-date=20 March 2021|publisher=Faber & Faber|year=2018|isbn=978-0-571-31149-1|pages=257–258}}</ref>
<ref name="Story of Can">{{cite book|last1=Young|first1=Rob|last2=Schmidt|first2=Irmin|title=All Gates Open: The Story of Can|url=https://schrodingersbooks.co.nz/p/music-all-gates-open-the-story-of-can--13|url-status=live|archive-url=https://web.archive.org/web/20210320114029if_/https://schrodingersbooks.co.nz/p/music-all-gates-open-the-story-of-can--13|archive-date=20 March 2021|publisher=Faber & Faber|year=2018|isbn=978-0-571-31149-1|pages=257–258}}</ref>


<ref name="Found in apartment">{{Cite news |last=Kennedy |first=Michael J. |date=30 December 1980 |title=Tim Hardin, '60s singer-songwriter, is found dead |work=Des Moines Tribune |url=https://archive.org/details/hardin-found-dead |url-status=live|archive-url=http://archive.today/2022.07.23-221348/https://archive.org/details/hardin-found-dead|archive-date=23 July 2022|via=[[Newspapers.com]]|access-date=24 July 2022}}</ref>
<ref name="Found in apartment">{{Cite news |last=Kennedy |first=Michael J. |date=30 December 1980 |title=Tim Hardin, '60s singer-songwriter, is found dead |work=Des Moines Tribune |url=https://archive.org/details/hardin-found-dead |url-status=live|archive-url=https://archive.today/20220723221348/https://archive.org/details/hardin-found-dead|archive-date=23 July 2022|via=[[Newspapers.com]]|access-date=24 July 2022}}</ref>


<ref name="Confirmation of cause">{{Cite news |date=27 January 1981 |title=Tim Hardin's Death Caused by Overdose |work=Intelligencer Journal |url=https://archive.org/details/death-by-overdose |url-status=live|archive-url=http://archive.today/2022.07.23-222921/https://archive.org/details/death-by-overdose|archive-date=23 July 2022|via=[[Newspapers.com]]|access-date=24 July 2022}}</ref>
<ref name="Confirmation of cause">{{Cite news |date=27 January 1981 |title=Tim Hardin's Death Caused by Overdose |work=Intelligencer Journal |url=https://archive.org/details/death-by-overdose |url-status=live|archive-url=https://archive.today/20220723222921/https://archive.org/details/death-by-overdose|archive-date=23 July 2022|via=[[Newspapers.com]]|access-date=24 July 2022}}</ref>


<ref name="Burial site">{{Cite web |title=Buried Here - Tim Hardin, Singer/Composer of "If I Were a Carpenter" & "Reason to Believe" |url=https://rockandrollroadmap.com/places/burial-sites/other-u-s-locations/twin-oaks-cemetery-buried-here-tim-hardin/ |url-status=live |archive-url=http://archive.today/2022.07.24-010435/https://rockandrollroadmap.com/places/burial-sites/other-u-s-locations/twin-oaks-cemetery-buried-here-tim-hardin/ |archive-date=23 July 2022 |access-date=24 July 2022 |website=Rock & Roll Roadmaps}}</ref>
<ref name="Burial site">{{Cite web |title=Buried Here - Tim Hardin, Singer/Composer of "If I Were a Carpenter" & "Reason to Believe" |url=https://rockandrollroadmap.com/places/burial-sites/other-u-s-locations/twin-oaks-cemetery-buried-here-tim-hardin/ |url-status=live |archive-url=https://archive.today/20220724010435/https://rockandrollroadmap.com/places/burial-sites/other-u-s-locations/twin-oaks-cemetery-buried-here-tim-hardin/ |archive-date=24 July 2022 |access-date=24 July 2022 |website=Rock & Roll Roadmaps|date=19 December 2015 }}</ref>


<ref name="Shock of Grace">{{cite book |url=https://uwpress.wisc.edu/books/0531.htm|url-status=live|archive-date=10 February 2022|archive-url=https://web.archive.org/web/20220210113310if_/https://uwpress.wisc.edu/books/0531.htm |title=The Guide to United States Popular Culture |editor-last=Browne |editor-first=Ray B.|editor2-last= Brown|editor2-first=Pat|year=2001 |page=364|isbn=978-0-879-72821-2}}</ref>
<ref name="Shock of Grace">{{cite book |url=https://uwpress.wisc.edu/books/0531.htm|url-status=live|archive-date=10 February 2022|archive-url=https://web.archive.org/web/20220210113310if_/https://uwpress.wisc.edu/books/0531.htm |title=The Guide to United States Popular Culture |editor-last=Browne |editor-first=Ray B.|editor2-last= Brown|editor2-first=Pat|year=2001 |page=364|publisher=Popular Press |isbn=978-0-879-72821-2}}</ref>


<ref name="Tribute album">{{Cite web |last=Meaghur |first=John |date=26 January 2013 |title=Believe in the talent of tragic singer Hardin |url=https://www.independent.ie/entertainment/music/believe-in-the-talent-of-tragic-singer-hardin-29022877.html |url-status=live |archive-url=https://web.archive.org/web/20220707230400if_/https://www.independent.ie/entertainment/music/believe-in-the-talent-of-tragic-singer-hardin-29022877.html |archive-date=7 July 2022 |access-date=8 July 2022 |website=Independent.ie}}</ref>
<ref name="Tribute album">{{Cite web |last=Meaghur |first=John |date=26 January 2013 |title=Believe in the talent of tragic singer Hardin |url=https://www.independent.ie/entertainment/music/believe-in-the-talent-of-tragic-singer-hardin-29022877.html |url-status=live |archive-url=https://web.archive.org/web/20220707230400if_/https://www.independent.ie/entertainment/music/believe-in-the-talent-of-tragic-singer-hardin-29022877.html |archive-date=7 July 2022 |access-date=8 July 2022 |website=Independent.ie}}</ref>


<ref name ="UCR">{{Cite web |last=Lifton |first=Dave |date=29 December 2014 |title=The Day Songwriter Tim Hardin Died |url=https://ultimateclassicrock.com/tim-hardin-dies/ |url-status=live |archive-url=https://web.archive.org/web/20220125225540if_/https://ultimateclassicrock.com/tim-hardin-dies/ |archive-date=25 January 2022 |access-date=8 July 2022 |website=UCR Classic Rock & Culture}}</ref>
<ref name ="UCR">{{Cite web |last=Lifton |first=Dave |date=29 December 2014 |title=The Day Songwriter Tim Hardin Died |url=https://ultimateclassicrock.com/tim-hardin-dies/ |url-status=live |archive-url=https://web.archive.org/web/20220125225540if_/https://ultimateclassicrock.com/tim-hardin-dies/ |archive-date=25 January 2022 |access-date=8 July 2022 |website=UCR Classic Rock & Culture}}</ref>

<ref name="Album announced">{{Cite web |last=Murray |first=Robin |date=16 November 2012 |title=Tim Hardin Tribute Album Due |url=https://www.clashmusic.com/news/tim-hardin-tribute-album-due/ |url-status=live |archive-url=http://archive.today/2022.07.24-024033/https://www.clashmusic.com/news/tim-hardin-tribute-album-due/ |archive-date=24 July 2022 |access-date=24 July 2022 |website=Clash Music}}</ref>


<ref name="Lanegan tribute">{{Cite magazine |last=Johnson |first=Miles |title=Mark Lanegan Honors His Folk Hero in 'Red Balloon' – Song Premiere Former Screaming Trees frontman covers Tim Hardin |url=https://www.rollingstone.com/music/music-news/mark-lanegan-honors-his-folk-hero-in-red-balloon-song-premiere-181796/ |url-status=live |archive-url=https://web.archive.org/web/20200622204637if_/https://www.rollingstone.com/music/music-news/mark-lanegan-honors-his-folk-hero-in-red-balloon-song-premiere-181796/ |archive-date=22 June 2020 |access-date=24 July 2022 |magazine=Rolling Stone}}</ref>
<ref name="Lanegan tribute">{{Cite magazine |last=Johnson |first=Miles |title=Mark Lanegan Honors His Folk Hero in 'Red Balloon' – Song Premiere Former Screaming Trees frontman covers Tim Hardin |url=https://www.rollingstone.com/music/music-news/mark-lanegan-honors-his-folk-hero-in-red-balloon-song-premiere-181796/ |url-status=live |archive-url=https://web.archive.org/web/20200622204637if_/https://www.rollingstone.com/music/music-news/mark-lanegan-honors-his-folk-hero-in-red-balloon-song-premiere-181796/ |archive-date=22 June 2020 |access-date=24 July 2022 |magazine=Rolling Stone}}</ref>


<ref name="Later tribute album">{{Cite news |last=Thompson |first=Graeme |date=19 January 2013 |title=Tim Hardin: remembering the lost genius of his music |work=The Telegraph |url=https://www.telegraph.co.uk/culture/music/worldfolkandjazz/9809711/Tim-Hardin-remembering-the-lost-genius-of-his-music.html |url-status=|archive-url=http://archive.today/2022.07.22-065744/https://www.telegraph.co.uk/culture/music/worldfolkandjazz/9809711/Tim-Hardin-remembering-the-lost-genius-of-his-music.html|archive-date=22 January 2022|access-date=24 July 2022}}</ref>
<ref name="Later tribute album">{{Cite news |last=Thompson |first=Graeme |date=19 January 2013 |title=Tim Hardin: remembering the lost genius of his music |work=The Telegraph |url=https://www.telegraph.co.uk/culture/music/worldfolkandjazz/9809711/Tim-Hardin-remembering-the-lost-genius-of-his-music.html |url-status=|archive-url=https://archive.today/20220722065744/https://www.telegraph.co.uk/culture/music/worldfolkandjazz/9809711/Tim-Hardin-remembering-the-lost-genius-of-his-music.html|archive-date=22 July 2022|access-date=24 July 2022}}</ref>


<ref name= "Impending tribute">{{Cite web |date=3 April 2013 |title=Spring 2013: New & Impending Tributes Part 3: Tim Hardin & Nick Drake, Revisited |url=https://coverlaydown.com/spring-2013-new-impending-tributes-part-3-tim-hardin-nick-drake-revisited/ |url-status=live |archive-url=https://web.archive.org/web/20210307050925if_/https://coverlaydown.com/spring-2013-new-impending-tributes-part-3-tim-hardin-nick-drake-revisited/ |archive-date=7 March 2021 |access-date=24 July 2022 |website=Cover Lay Down}}</ref>
<ref name= "Impending tribute">{{Cite web |date=3 April 2013 |title=Spring 2013: New & Impending Tributes Part 3: Tim Hardin & Nick Drake, Revisited |url=https://coverlaydown.com/spring-2013-new-impending-tributes-part-3-tim-hardin-nick-drake-revisited/ |url-status=live |archive-url=https://web.archive.org/web/20210307050925if_/https://coverlaydown.com/spring-2013-new-impending-tributes-part-3-tim-hardin-nick-drake-revisited/ |archive-date=7 March 2021 |access-date=24 July 2022 |website=Cover Lay Down}}</ref>


<ref name="Focus on music">{{Cite web |last1=Peel |first1=Hannah |author2=Pinkunoizu|date=29 January 2013 |title=Reason To Believe: Tim Hardin |url=https://www.clashmusic.com/features/reason-to-believe-tim-hardin/ |url-status=live |archive-url=http://archive.today/2022.07.24-022318/https://www.clashmusic.com/features/reason-to-believe-tim-hardin/ |archive-date=24 July 2022 |website=Clash Magazine}}</ref>
<ref name="Focus on music">{{Cite web |last1=Peel |first1=Hannah |author2=Pinkunoizu|date=29 January 2013 |title=Reason To Believe: Tim Hardin |url=https://www.clashmusic.com/features/reason-to-believe-tim-hardin/ |url-status=live |archive-url=https://archive.today/20220724022318/https://www.clashmusic.com/features/reason-to-believe-tim-hardin/ |archive-date=24 July 2022 |website=Clash Magazine}}</ref>


<ref name="Daltry tribute">{{Cite web |last=Sexton |first=Paul |date=23 December 2021 |title=Reason To Believe: The Introspective Brilliance Of Tim Hardin |url=https://www.udiscovermusic.com/stories/tim-hardin-tribute/ |url-status=live |archive-url=https://web.archive.org/web/20211223130716if_/https://www.udiscovermusic.com/stories/tim-hardin-tribute/ |archive-date=23 December 2021 |access-date=8 July 2022 |website=udiscovermusic}}</ref>
<ref name="Daltry tribute">{{Cite web |last=Sexton |first=Paul |date=23 December 2021 |title=Reason To Believe: The Introspective Brilliance Of Tim Hardin |url=https://www.udiscovermusic.com/stories/tim-hardin-tribute/ |url-status=live |archive-url=https://web.archive.org/web/20211223130716if_/https://www.udiscovermusic.com/stories/tim-hardin-tribute/ |archive-date=23 December 2021 |access-date=8 July 2022 |website=udiscovermusic}}</ref>
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<ref name="Sando tribute">{{Cite web |title=Misty Roses On A Stone (Tribute to Tim Hardin) |url=https://petersando.bandcamp.com/track/misty-roses-on-a-stone-tribute-to-tim-hardin |url-status=live |archive-url=https://web.archive.org/web/20220709011402if_/https://petersando.bandcamp.com/track/misty-roses-on-a-stone-tribute-to-tim-hardin |archive-date=9 July 2022 |access-date=9 July 2022 |website=petesando.bandcamp.com}}</ref>
<ref name="Sando tribute">{{Cite web |title=Misty Roses On A Stone (Tribute to Tim Hardin) |url=https://petersando.bandcamp.com/track/misty-roses-on-a-stone-tribute-to-tim-hardin |url-status=live |archive-url=https://web.archive.org/web/20220709011402if_/https://petersando.bandcamp.com/track/misty-roses-on-a-stone-tribute-to-tim-hardin |archive-date=9 July 2022 |access-date=9 July 2022 |website=petesando.bandcamp.com}}</ref>


<ref name="Dylan's comment">{{Cite web |title=Some thoughts on Tim Hardin |url=https://songsfromsodeep.wordpress.com/2013/08/17/some-thoughts-on-tim-hardin/ |url-status=live |archive-url=https://web.archive.org/web/20220709014444if_/https://songsfromsodeep.wordpress.com/2013/08/17/some-thoughts-on-tim-hardin/ |archive-date=9 July 2022 |access-date=9 July 2022 |website=Songs from so deep}}</ref>
<ref name="Dylan's comment">{{Cite web |title=Some thoughts on Tim Hardin |url=https://songsfromsodeep.wordpress.com/2013/08/17/some-thoughts-on-tim-hardin/ |url-status=live |archive-url=https://web.archive.org/web/20220709014444if_/https://songsfromsodeep.wordpress.com/2013/08/17/some-thoughts-on-tim-hardin/ |archive-date=9 July 2022 |access-date=9 July 2022 |website=Songs from so deep|date=17 August 2013 }}</ref>


<ref name="Heavy Heart">{{Cite web |date=September 1980 |title=The Heavy Heart of Tim Hardin |url=https://www.bardachreports.com/tim-hardin |url-status=live |archive-url=http://archive.today/2022.07.09-021822/https://www.bardachreports.com/tim-hardin |archive-date=9 July 2022 |access-date=9 July 2022 |website=Bardach Reports}}</ref>
<ref name="Heavy Heart">{{Cite web |date=September 1980 |title=The Heavy Heart of Tim Hardin |url=https://www.bardachreports.com/tim-hardin |url-status=live |archive-url=https://archive.today/20220709021822/https://www.bardachreports.com/tim-hardin |archive-date=9 July 2022 |access-date=9 July 2022 |website=Bardach Reports}}</ref>


<ref name="Miller review">{{Cite web |last=Miller |first=Brian |date=31 December 2020 |title=Tim Hardin 'Tormented Genius' Gone 40 Years |url=https://www.vivascene.com/tim-hardin-tormented-genius-gone-40-years/ |url-status=live |archive-url=https://web.archive.org/web/20210724172335if_/https://www.vivascene.com/tim-hardin-tormented-genius-gone-40-years/ |archive-date=24 July 2021 |access-date=9 July 2022 |website=vivascene.com}}</ref>
<ref name="Miller review">{{Cite web |last=Miller |first=Brian |date=31 December 2020 |title=Tim Hardin 'Tormented Genius' Gone 40 Years |url=https://www.vivascene.com/tim-hardin-tormented-genius-gone-40-years/ |url-status=live |archive-url=https://web.archive.org/web/20210724172335if_/https://www.vivascene.com/tim-hardin-tormented-genius-gone-40-years/ |archive-date=24 July 2021 |access-date=9 July 2022 |website=vivascene.com}}</ref>


<ref name="Melbourne article">{{Cite news |last=Speelman |first=Paul |date=11 March 1982 |title=One reason to believe in Tim |pages=53 |work=The Age Melbourne |url=https://archive.org/details/melbourne_202207 |url-status=live|archive-url=http://archive.today/2022.07.25-023714/https://archive.org/details/melbourne_202207|archive-date=25 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>
<ref name="Melbourne article">{{Cite news |last=Speelman |first=Paul |date=11 March 1982 |title=One reason to believe in Tim |pages=53 |work=The Age Melbourne |url=https://archive.org/details/melbourne_202207 |url-status=live|archive-url=https://archive.today/20220725023714/https://archive.org/details/melbourne_202207|archive-date=25 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>


<ref name="Rock and roll paradise">{{Cite web |last=Macamba0 |date=20 December 2015 |title=Tim Hardin 12/1980 |url=https://rockandrollparadise.com/tim-hardin-121980/ |url-status=live |archive-url=https://web.archive.org/web/20200928034221if_/https://rockandrollparadise.com/tim-hardin-121980/ |archive-date=28 September 2020 |access-date=24 July 2022 |website=Rock and Roll Paradise}}</ref>
<ref name="Rock and roll paradise">{{Cite web |last=Macamba0 |date=20 December 2015 |title=Tim Hardin 12/1980 |url=https://rockandrollparadise.com/tim-hardin-121980/ |url-status=live |archive-url=https://web.archive.org/web/20200928034221if_/https://rockandrollparadise.com/tim-hardin-121980/ |archive-date=28 September 2020 |access-date=24 July 2022 |website=Rock and Roll Paradise}}</ref>


<ref name="enigma">{{Cite news |last=Rodriguez |first=Juan Rodriguez |date=17 August 1968 |title=Tim Hardin - jazz singer extraordinary |work=The Gazette |url=https://archive.org/details/jazz-singer-extrordi |url-status=live|archive-url=http://archive.today/2022.07.24-222423/https://archive.org/details/jazz-singer-extrordi|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>
<ref name="enigma">{{Cite news |last=Rodriguez |first=Juan Rodriguez |date=17 August 1968 |title=Tim Hardin - jazz singer extraordinary |work=The Gazette |url=https://archive.org/details/jazz-singer-extrordi |url-status=live|archive-url=https://archive.today/20220724222423/https://archive.org/details/jazz-singer-extrordi|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>


<ref name="Stage presence">{{Cite news |last=Lloyd |first=Jack |date=29 December 1972 |title=Hardin Has Knack of Turning Masterpiece into Dullsville |pages=13 |work=Philadelphia Inquirer |url=https://www.newspapers.com/clip/105671730/inquirer/ |access-date=16 July 2022|url-status=live|archive-url=http://archive.today/2022.07.15-222841/https://www.newspapers.com/clip/105671730/inquirer/|via=[[Newspapers.com]]|archive-date=15 July 2022}}</ref>
<ref name="Stage presence">{{Cite news |last=Lloyd |first=Jack |date=29 December 1972 |title=Hardin Has Knack of Turning Masterpiece into Dullsville |pages=13 |work=Philadelphia Inquirer |url=https://www.newspapers.com/clip/105671730/inquirer/ |access-date=16 July 2022|url-status=live|archive-url=https://archive.today/20220715222841/https://www.newspapers.com/clip/105671730/inquirer/|via=[[Newspapers.com]]|archive-date=15 July 2022}}</ref>


<ref name="Hilburn in 1981">{{Cite news |last=Hilburn |first=Robert |date=4 January 1981 |title=In Memoriam: A Reason to Believe in Tim Hardin |pages=369 |work=Los Angeles Times |url=https://archive.org/details/reason-to-believe |url-status=live|archive-url=http://archive.today/2022.07.25-020346/https://archive.org/details/reason-to-believe|archive-date=25 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>
<ref name="Hilburn in 1981">{{Cite news |last=Hilburn |first=Robert |date=4 January 1981 |title=In Memoriam: A Reason to Believe in Tim Hardin |pages=369 |work=Los Angeles Times |url=https://archive.org/details/reason-to-believe |url-status=live|archive-url=https://archive.today/20220725020346/https://archive.org/details/reason-to-believe|archive-date=25 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>


<ref name="Promises">{{Cite news |last=Marlowe |first=John |date=11 November 1981 |title=Tim Hardin made promises he couldn't keep |work=The Miami News |url=https://archive.org/details/promises-not-kept |url-status=live|archive-url=http://archive.today/2022.07.24-224332/https://archive.org/details/promises-not-kept|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>
<ref name="Promises">{{Cite news |last=Marlowe |first=John |date=11 November 1981 |title=Tim Hardin made promises he couldn't keep |work=The Miami News |url=https://archive.org/details/promises-not-kept |url-status=live|archive-url=https://archive.today/20220724224332/https://archive.org/details/promises-not-kept|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>


<ref name="Memories">{{Cite news |last=Kanzler |first=George |date=12 November 1981 |title=Melancholy memories of Tim Hardin |pages=34 |work=Edmonton Journal |url=https://archive.org/details/melancholy-memories-of-tim-hardin |url-status=live|archive-url=http://archive.today/2022.07.24-231049/https://archive.org/details/melancholy-memories-of-tim-hardin|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>
<ref name="Memories">{{Cite news |last=Kanzler |first=George |date=12 November 1981 |title=Melancholy memories of Tim Hardin |pages=34 |work=Edmonton Journal |url=https://archive.org/details/melancholy-memories-of-tim-hardin |url-status=live|archive-url=https://archive.today/20220724231049/https://archive.org/details/melancholy-memories-of-tim-hardin|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>


<ref name="Recapturing the dream">{{Cite news |last=Hilburn |first=Robert |date=18 March 1994 |title=Recapturing Tim Hardin's 'Dream' |work=The Los Angeles Times |url=https://archive.org/details/recapturing-the-drea |url-status=live|archive-url=http://archive.today/2022.07.24-233059/https://archive.org/details/recapturing-the-drea|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>
<ref name="Recapturing the dream">{{Cite news |last=Hilburn |first=Robert |date=18 March 1994 |title=Recapturing Tim Hardin's 'Dream' |work=The Los Angeles Times |url=https://archive.org/details/recapturing-the-drea |url-status=live|archive-url=https://archive.today/20220724233059/https://archive.org/details/recapturing-the-drea|archive-date=24 July 2022|via=[[Newspapers.com]]|access-date=25 July 2022}}</ref>


<ref name="Delp article">{{Cite news |last=Delp |first=Lauren |date=16 January 1981 |title=Hello Tim Hardin, Goodbye Tim Hardin |work=LA Weekly |url=https://archive.org/details/hello-tim-hadin-goodbye-tim-hardin |url-status=live|archive-url=http://archive.today/2022.07.15-231308/https://archive.org/details/hello-tim-hadin-goodbye-tim-hardin|archive-date=15 July 2022|via=[[Newspapers.com]]|access-date=16 July 2022}}</ref>
<ref name="Delp article">{{Cite news |last=Delp |first=Lauren |date=16 January 1981 |title=Hello Tim Hardin, Goodbye Tim Hardin |work=LA Weekly |url=https://archive.org/details/hello-tim-hadin-goodbye-tim-hardin |url-status=live|archive-url=https://archive.today/20220715231308/https://archive.org/details/hello-tim-hadin-goodbye-tim-hardin|archive-date=15 July 2022|via=[[Newspapers.com]]|access-date=16 July 2022}}</ref>


<ref name="Allmusic">{{cite web|author=Richie Unterberger|author-link=Richie Unterberger|url=http://www.allmusic.com/album/suite-for-susan-moore-and-damion-we-are-one-one-all-in-one-mw0002296354 |url-status=live|archive-url=https://web.archive.org/web/20220317171050if_/https://www.allmusic.com/album/suite-for-susan-moore-and-damion-we-are-one-one-all-in-one-mw0002296354|archive-date=17 March 2022|title=Suite for Susan Moore and Damion: We Are One, One, All in One - Tim Hardin &#124; Songs, Reviews, Credits |publisher=[[AllMusic]] |access-date=2015-10-12}}</ref>
<ref name="Allmusic">{{cite web|author=Richie Unterberger|author-link=Richie Unterberger|url=http://www.allmusic.com/album/suite-for-susan-moore-and-damion-we-are-one-one-all-in-one-mw0002296354 |url-status=live|archive-url=https://web.archive.org/web/20220317171050if_/https://www.allmusic.com/album/suite-for-susan-moore-and-damion-we-are-one-one-all-in-one-mw0002296354|archive-date=17 March 2022|title=Suite for Susan Moore and Damion: We Are One, One, All in One - Tim Hardin &#124; Songs, Reviews, Credits |publisher=[[AllMusic]] |access-date=2015-10-12}}</ref>
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* [http://www.songsinger.info/th Detailed fan site]
* [http://www.songsinger.info/th Detailed fan site]
* [https://www.youtube.com/watch?v=gIYF_OttHls Woodstock performance--If I Were a Carpenter]
* [https://www.youtube.com/watch?v=gIYF_OttHls Woodstock performance--If I Were a Carpenter]
* [http://www.martin-kingsbury.co.uk/articles/tim%20hardin.htm Tim Hardin Review - Martin & Kingsbury]


{{Tim Hardin}}
{{Tim Hardin}}
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[[Category:South Eugene High School alumni]]
[[Category:Atco Records artists]]
[[Category:Atco Records artists]]
[[Category:20th-century American singers]]
[[Category:20th-century American singer-songwriters]]
[[Category:Singer-songwriters from Oregon]]
[[Category:Singer-songwriters from Oregon]]
[[Category:Columbia Records artists]]
[[Category:Columbia Records artists]]
[[Category:American pianists]]
[[Category:Verve Records artists]]
[[Category:Verve Records artists]]
[[Category:Guitarists from Oregon]]
[[Category:Guitarists from Oregon]]

Latest revision as of 21:12, 1 December 2024

Not to be confused with Tim Harding (disambiguation) or Tim Harden.

Tim Hardin
Hardin in 1969
Hardin in 1969
Background information
Birth nameJames Timothy Hardin
Born(1941-12-23)December 23, 1941
Eugene, Oregon, U.S.
DiedDecember 29, 1980(1980-12-29) (aged 39)
Los Angeles, California, U.S.
GenresFolk
Occupation(s)Singer, songwriter
Instrument(s)Vocals, guitar, piano
Years active1964–1980
LabelsVerve, Columbia

James Timothy Hardin (December 23, 1941 – December 29, 1980)[1][2] was an American folk music and blues singer-songwriter and guitarist. In addition to his own popularity, several of his songs were hits for other artists including If I Were a Carpenter, Reason to Believe and Misty Roses. [3]

Hardin grew up in Oregon and had no interest in school. He dropped out before graduating high school and joined the Marine Corps. He started his music career in Greenwich Village and Cambridge which led to recording several albums in the mid to late 1960s with performances at the Newport Folk Festival and at Woodstock. He struggled with drug abuse throughout most of his adult life and his live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from an accidental heroin overdose.

Early life and career

[edit]

Hardin was born in Eugene, Oregon to Hal and Molly Hardin who both had musical backgrounds. His mother was an accomplished violinist and concertmaster of the Portland Symphony Orchestra and his father, who worked at his wife's family's mill, had played bass in jazz bands in the Army and in college.[4][5]

It was at the South Eugene High School where Hardin first picked up the guitar. He dropped out at 18 to join the Marine Corps where he improved his guitar skills and built up a repertoire of folk songs. He also got a taste for heroin while stationed with them in Southeast Asia.[6]

After his discharge, he moved to New York City in 1961 where he briefly attended the American Academy of Dramatic Arts.[6] He was eventually excluded for poor attendance[7] and began to focus on his musical career by performing around Greenwich Village playing folk music and blues. During this time, he became friends with fellow musicians "Mama Cass" Elliot, John Sebastian and Fred Neil.[8]

He moved to Boston in 1963 and became part of a growing folk music scene there. He was discovered by upcoming record producer Erik Jacobsen (later the producer for The Lovin' Spoonful) who arranged a meeting at Columbia Records.[9] The next year, he moved back to Greenwich Village to record for Columbia making a handful of demos as an audition which they did not release. They soon terminated his contract.[10] Verve Forecast would release these tracks in 1969 as Tim Hardin 4 as though they were a newly recorded album.

After moving to Los Angeles in 1965, he met actress Susan Yardley Morss (known professionally as Susan Yardley)[6][11] and moved back to New York with her. He signed to the Verve Forecast label and released his first album, Tim Hardin 1 in 1966 which contained "How Can We Hang On to a Dream", "Reason to Believe" and the touching ballad "Misty Roses" which got Top 40 radio play. That same year, he played at the Newport Folk Festival.

He was admired for his beautiful voice, "a soft voice, a sweet voice,” a Los Angeles Times reviewer later wrote, “a voice which quavers between the tugs of the blues and the tender side of joy. He can sing nasty, but his forte is gentle songs whose case allows him to slip and slide through a rainbow of emotions.”

“I think of myself more as a singer than a songwriter and always did,” he told a reporter in an interview with the Oregon Daily Emerald. “It happened to be that I wrote songs. I’m a jazz singer, really, writing in a different vocabulary mode but still with a jazz feel. I don’t ever sing one song the same way. I’m an improvisational singer and player.”

Tim Hardin 2 was released in 1967 and contained one of his most famous songs, "If I Were a Carpenter". That year, Atco, a subsidiary of Atlantic Records released an album of earlier material called This is Tim Hardin featuring covers of House of the Rising Sun, Fred Neil's Blues on the Ceiling and Willie Dixon's Hoochie Coochie Man plus several of his own songs including the driving, Fast Freight . The liner notes state that he recorded the songs in 1963–1964 well before the release of Tim Hardin 1. In 1968, Verve released Tim Hardin 3 Live in Concert, a collection of live recordings along with remakes of earlier songs. It was followed by Tim Hardin 4 which was his unreleased Columbia demos dating from the same period as This is Tim Hardin.

By 1967, after critical acclaim for his first album and the release of This is Tim Hardin, his songs were being widely covered and he was in demand to tour Europe and the United States. However, the quality of his work was in decline due in part to "his own combativeness in the studio, addiction to heroin, his drinking problems and his frustration over his lack of commercial success". He began to miss shows and performed poorly reputedly falling asleep on stage at London's Royal Albert Hall in 1968.[5][12] At the time, he was viewed as enigmatic, with one journalist stating that while "his position as one of the best songwriters of his generation is unquestioned ... [he] ... courted the scene in the most fumbling manner imaginable". The same writer noted Hardin's ambivalent relationship with his audience, often ignoring them, just singing "at times badly, at times beautifully ... somehow always fascinating".[13] It has been written that Hardin did have an "uninspired stage presence" in spite of having what the reporter said was "not a bad voice".[14]. The tour was cut short after he contracted pleurisy.[15]

In September of 1968, he and Van Morrison shared a bill at the Cafe Au Go Go each performing an acoustic set.[16]. In 1969, he signed with Columbia again, recording three albums for them, Suite for Susan Moore and Damion: We Are One, One, All in One; Bird on a Wire; and Painted Head. He had one of his few commercial successes with a non-lp single, a cover of Bobby Darin's "Simple Song of Freedom" reaching number 48 on the US and Canadian Top 50 charts.[17] Hardin did not tour in support of the single. His heroin use and stage fright made his live performances erratic.[6]

That same year, he appeared at the Woodstock Festival where he sang If I Were a Carpenter solo and played a set of his songs backed by a full band.[18]. He was scheduled to open the festival though he was in such bad shape that Richie Havens opened instead. None of his performances were included in the documentary film or the original soundtrack album.[6] His performance of If I Were a Carpenter was included on the 1994 box set Woodstock: Three Days of Peace and Music.

Later work and death

[edit]

During the years that followed, Hardin traveled between Britain and the U.S. In 1969, he went to England for a program to treat heroin addiction but he was unsuccessful and became addicted to barbiturates which were used during the withdrawal stage from heroin.[7] His heroin addiction had taken control of his life by the time his last album, Nine, was released on GM Records in the UK in 1973 (the album did not see a U.S. release until it appeared on Antilles Records in 1976). He sold the writers' rights to his songs but accounts of how this happened differ.[6]

In late November 1975, Hardin performed as guest lead vocalist with the German experimental rock band Can for two UK concerts at Hatfield Polytechnic in Hertfordshire and at London's Drury Lane Theatre. According to author Rob Young, in the book All Gates Open: The Story of Can, Hardin and Can got into a huge argument after the London concert during which Hardin threw a television set through a car's windshield.[19]

In early 1980, Hardin returned to the US after several years in Britain, wrote ten new songs and started recording them at home for a comeback. However, on December 29, his longtime friend, Ron Daniels found him dead on the floor of his Hollywood apartment. The police said there was no evidence of foul play and it appeared initially that the cause of death was a heart attack.[20] The Los Angeles coroner's office later confirmed that Hardin had died of an accidental heroin overdose.[21] He buried in Twin Oaks Cemetery in Turner, Oregon.[22]

The following year, Columbia released his last work, eight unfinished tracks, on the posthumous album Unforgiven along with a compilation of his previous work for them, The Shock of Grace.[23]

Covers

[edit]

Among his successes, Hardin wrote the top 40 hit If I Were a Carpenter, covered by Bobby Darin, Bob Dylan, Bob Seger, Joan Baez, Johnny Cash, the Four Tops, Robert Plant, Small Faces, Johnny Rivers, Bert Jansch, Willie Nelson, Sheryl Crow, Dolly Parton and Joe Nichols among others.

Many artists covered his song Reason to Believe notably the Carpenters, Neil Young and Rod Stewart who had a chart hit with it, eventually reaching number one in the UK.

How Can We Hang On to a Dream was covered many times including by Cliff Richard, Françoise Hardy, Marianne Faithfull, Fleetwood Mac, Peter Frampton, The Nice featuring Keith Emerson and Echo and the Bunnymen.

Morrissey and Nico covered Lenny's Tune, Bobby Darin and Johnny Cash both charted hits with The Lady Came From Baltimore and Johnny Mathis had a top 40 hit with Misty Roses.

Tributes and legacy

[edit]

In 2005, the indie rock band Okkervil River released a concept studio album called Black Sheep Boy said to be based on Hardin's life. According to one reviewer, the tribute album is a "collection that should go some way towards rekindling an interest in Hardin's life and work".[24] Will Sheff from Okkervil River said "There is something very disarming about how simple those songs are ..., a Tim Hardin song never outstays its welcome. It's very short and pretty: one verse, one chorus, second verse, the song is over and he's out of there. It's like a tiny, perfectly cut gem".[25]

In January of 2013, a tribute album, Reason to Believe:The Songs of Tim Hardin featuring indie and alternative rock bands from Britain and America was released. Mark Lanegan who sang Hardin'sRed Balloon on the album told Rolling Stone: "I've always been haunted by his devastating voice and beautiful songs ... I can't imagine anyone hearing him and not feeling the same".[26] Another performer on the album, Canadian singer-songwriter Ron Sexsmith said of Hardin that "you get what he’s telling you without him spelling it out ... when it came time to make my first record I can remember keeping that in mind".[27] One music website initially described the album as appearing "surprisingly mainstream" but later acknowledged in the article as a "comprehensive package ... [that] ... transcends its limitations ... [with the folkier songs] ... capturing the fragility of Hardin's original work without disrupting the moody, maudlin flow".[28] The album has been described as providing an opportunity to focus more on Hardin's music than his issues with drugs and his early death.[29]

Roger Daltrey chose Hardin's song "How Can We Hang On to a Dream" for his commemorative CD of favorite music when he won the 2016 Music Industry Trusts Award for his services to music and charity noting in the CD track notes "I was a huge fan of Tim".[30]

On his third solo album recorded in 2015, Pete Sando, previously of the 1960s band Gandalf, included a song called "Misty Roses on a Stone" that he co-wrote as a dedication to Hardin and after a visit to the singer's grave. He acknowledged that he was very influenced by Hardin noting in particular "his lyrical economy and musical balance ... just the sheer simplicity and beauty of his songs was so appealing".[31]

Bob Dylan reportedly said that Hardin was "the greatest living songwriter" after hearing his first album.[32] In a 1980 interview when asked about the Dylan quote, Hardin recalled: "Yeah, I played him part of the album one night and he started flipping out, you know. Man, he got down on his knees in front of me and said: 'Don't change your singing style and don't bleep 'a' blop...'".[33] In the same interview, Hardin expressed some mixed feelings about Dylan but in another article, Brian Millar concluded [that] "Dylan was right: for some years, Tim Hardin was the greatest songwriter alive. And just as no one sang Dylan like Dylan, no one sings Hardin like Hardin".[34] Hardin claimed to be either a distant relative of or direct descendant of John Wesley Hardin, a 19th century outlaw but this has been found to be part of his self-mythologising;[35][36][4] it has been said that this provided the inspiration for Dylan's album John Wesley Harding.[20][37]

After his death in 1980, there was considerable reflective journalism about his impact. It was reported that, along with Leonard Cohen, Hardin was the only musician who could rival Bob Dylan in composing "deeply moving love songs" however that critic also noted that Hardin never gained the attention he deserved and when found dead, not one of his albums was still in print.[38] Jon Marlow writing in the Miami News said he was not about to "glorify yet another dead junkie's lifestyle" but held that the Tim Hardin Memorial album is an "unheralded but still beautiful record of 12 songs that deserve your attention and money ... and has nothing to do with dead-hero worship ... it's simply here to remind us that via his first two albums Tim Hardin made a lot of promises he couldn't keep".[39] Another reviewer wrote of the memorial album that it "firmly establishes Hardin as an enduring and influential artist".[40] The excesses of his lifestyle came under scrutiny and while it was never concluded whether he was a jazz rather than a folk artist, one reviewer noted that "few people who have never heard the poignant, often lonely, tone of [his] body of work would dispute the suggestion that he was one of the most affecting singer-songwriters of the modern pop era".[41] The Los Angeles Weekly said' that Hardin's life showed drugs, alcohol and creativity were not a long lasting or positive partnership with the writer concluding: "I don't think Tim Hardin was ever really sure how good he was and he rocketed from arrogance to despair, conscious of the promises he couldn't keep ... [he is] ... gone, but the songs aren't and they will last".[42]

Discography

[edit]

References

[edit]
  1. ^ Moody, Rod (21 March 2002). "Memorial Page for Tim Hardin" (Data base and images). Find a Grave. Archived from the original on 14 September 2019. Retrieved 24 July 2022.
  2. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 243. ISBN 1-904994-10-5. Archived from the original on 10 July 2022.
  3. ^ Unterberger, Richie (2003). The Rough Guide to Rock. Rough Guides. p. 467. ISBN 9781858284576 – via Google Books.
  4. ^ a b Tattooed on Their Tongues, Colin Escott, 1996, Schirmer Books, p. 2
  5. ^ a b Decker, Ed. "Tim Hardin Biography". Musicianguide.com - Index of Musician Biographies. Archived from the original on 22 May 2022. Retrieved 8 July 2022.
  6. ^ a b c d e f Brend, Mark (2001). American Troubadours: Groundbreaking Singer-Songwriters of the '60s. Hal Leonard Corporation. p. 176. ISBN 978-0-87930-641-0.
  7. ^ a b Sharrock, Ian. "A Reason to Believe in Tim Hardin". triste archive. Archived from the original on 7 May 2021. Retrieved 8 July 2022.
  8. ^ "Tim Hardin Biography". Zipcon.net. Archived from the original on 6 December 1998. Retrieved 12 October 2015.
  9. ^ Richie Unterberger. "Tim Hardin | Biography & History". AllMusic. Archived from the original on 19 September 2020. Retrieved 12 October 2015.
  10. ^ Richie Unterberger. "The Roots of the Lovin' Spoonful and the Mamas and the Papas". From Chapter 2 of Turn! Turn! Turn!: Richieunterberger.com. Archived from the original on 28 August 2002. Retrieved 12 October 2015.{{cite web}}: CS1 maint: location (link)
  11. ^ "Will Sheff on Hardin". saidthegramophone. 24 August 2005. Archived from the original on 10 April 2008.
  12. ^ Macamba0 (20 December 2015). "Tim Hardin 12/1980". Rock and Roll Paradise. Archived from the original on 28 September 2020. Retrieved 24 July 2022.{{cite web}}: CS1 maint: numeric names: authors list (link)
  13. ^ Rodriguez, Juan Rodriguez (17 August 1968). "Tim Hardin - jazz singer extraordinary". The Gazette. Archived from the original on 24 July 2022. Retrieved 25 July 2022 – via Newspapers.com.
  14. ^ Lloyd, Jack (29 December 1972). "Hardin Has Knack of Turning Masterpiece into Dullsville". Philadelphia Inquirer. p. 13. Archived from the original on 15 July 2022. Retrieved 16 July 2022 – via Newspapers.com.
  15. ^ "Tim Hardin Contracts Pleurisy", Rolling Stone, No. 16, August 24, 1968, p.5
  16. ^ "A 60's Tale 7 Years Underground The True Story of Café Au Go Go". Archived from the original on 13 July 2015. Retrieved 10 November 2015.
  17. ^ "RPM Top 100 Singles – August 30, 1969" (PDF).
  18. ^ Lawrence, Wade; Parker, Scott. "Tim Hardin 50 Years of Peace & Music" (Celebrating the 50th anniversary of the Woodstock festival, August 1969–2019). Bethel Woods Centre for the Arts. Archived from the original on 15 June 2020. Retrieved 24 July 2022.
  19. ^ Young, Rob; Schmidt, Irmin (2018). All Gates Open: The Story of Can. Faber & Faber. pp. 257–258. ISBN 978-0-571-31149-1. Archived from the original on 20 March 2021.
  20. ^ a b Kennedy, Michael J. (30 December 1980). "Tim Hardin, '60s singer-songwriter, is found dead". Des Moines Tribune. Archived from the original on 23 July 2022. Retrieved 24 July 2022 – via Newspapers.com.
  21. ^ "Tim Hardin's Death Caused by Overdose". Intelligencer Journal. 27 January 1981. Archived from the original on 23 July 2022. Retrieved 24 July 2022 – via Newspapers.com.
  22. ^ "Buried Here - Tim Hardin, Singer/Composer of "If I Were a Carpenter" & "Reason to Believe"". Rock & Roll Roadmaps. 19 December 2015. Archived from the original on 24 July 2022. Retrieved 24 July 2022.
  23. ^ Browne, Ray B.; Brown, Pat, eds. (2001). The Guide to United States Popular Culture. Popular Press. p. 364. ISBN 978-0-879-72821-2. Archived from the original on 10 February 2022.
  24. ^ Meaghur, John (26 January 2013). "Believe in the talent of tragic singer Hardin". Independent.ie. Archived from the original on 7 July 2022. Retrieved 8 July 2022.
  25. ^ Lifton, Dave (29 December 2014). "The Day Songwriter Tim Hardin Died". UCR Classic Rock & Culture. Archived from the original on 25 January 2022. Retrieved 8 July 2022.
  26. ^ Johnson, Miles. "Mark Lanegan Honors His Folk Hero in 'Red Balloon' – Song Premiere Former Screaming Trees frontman covers Tim Hardin". Rolling Stone. Archived from the original on 22 June 2020. Retrieved 24 July 2022.
  27. ^ Thompson, Graeme (19 January 2013). "Tim Hardin: remembering the lost genius of his music". The Telegraph. Archived from the original on 22 July 2022. Retrieved 24 July 2022.
  28. ^ "Spring 2013: New & Impending Tributes Part 3: Tim Hardin & Nick Drake, Revisited". Cover Lay Down. 3 April 2013. Archived from the original on 7 March 2021. Retrieved 24 July 2022.
  29. ^ Peel, Hannah; Pinkunoizu (29 January 2013). "Reason To Believe: Tim Hardin". Clash Magazine. Archived from the original on 24 July 2022.
  30. ^ Sexton, Paul (23 December 2021). "Reason To Believe: The Introspective Brilliance Of Tim Hardin". udiscovermusic. Archived from the original on 23 December 2021. Retrieved 8 July 2022.
  31. ^ "Misty Roses On A Stone (Tribute to Tim Hardin)". petesando.bandcamp.com. Archived from the original on 9 July 2022. Retrieved 9 July 2022.
  32. ^ "Some thoughts on Tim Hardin". Songs from so deep. 17 August 2013. Archived from the original on 9 July 2022. Retrieved 9 July 2022.
  33. ^ "The Heavy Heart of Tim Hardin". Bardach Reports. September 1980. Archived from the original on 9 July 2022. Retrieved 9 July 2022.
  34. ^ Miller, Brian (31 December 2020). "Tim Hardin 'Tormented Genius' Gone 40 Years". vivascene.com. Archived from the original on 24 July 2021. Retrieved 9 July 2022.
  35. ^ The Tombstone Tourist: Musicians, Scott Stanton, Gallery Books, 2003, p. 323
  36. ^ "The Songs of Tim Hardin | Pias".
  37. ^ Speelman, Paul (11 March 1982). "One reason to believe in Tim". The Age Melbourne. p. 53. Archived from the original on 25 July 2022. Retrieved 25 July 2022 – via Newspapers.com.
  38. ^ Hilburn, Robert (4 January 1981). "In Memoriam: A Reason to Believe in Tim Hardin". Los Angeles Times. p. 369. Archived from the original on 25 July 2022. Retrieved 25 July 2022 – via Newspapers.com.
  39. ^ Marlowe, John (11 November 1981). "Tim Hardin made promises he couldn't keep". The Miami News. Archived from the original on 24 July 2022. Retrieved 25 July 2022 – via Newspapers.com.
  40. ^ Kanzler, George (12 November 1981). "Melancholy memories of Tim Hardin". Edmonton Journal. p. 34. Archived from the original on 24 July 2022. Retrieved 25 July 2022 – via Newspapers.com.
  41. ^ Hilburn, Robert (18 March 1994). "Recapturing Tim Hardin's 'Dream'". The Los Angeles Times. Archived from the original on 24 July 2022. Retrieved 25 July 2022 – via Newspapers.com.
  42. ^ Delp, Lauren (16 January 1981). "Hello Tim Hardin, Goodbye Tim Hardin". LA Weekly. Archived from the original on 15 July 2022. Retrieved 16 July 2022 – via Newspapers.com.
  43. ^ Richie Unterberger. "Suite for Susan Moore and Damion: We Are One, One, All in One - Tim Hardin | Songs, Reviews, Credits". AllMusic. Archived from the original on 17 March 2022. Retrieved 12 October 2015.
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