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{{Use mdy dates|date=February 2014}}
{{Use mdy dates|date=February 2014}}
{{Infobox artist
{{Infobox artist
| name = Dustin Yellin
| name = Dustin Yellin
| image = DY portrait edit.jpg
| image = DY portrait edit.jpg
| caption = Dustin Yellin
| caption = Yellin In 2011
| birth_date = {{bda|July 22, 1975}}
| birth_date = {{bda|July 22, 1975}}
| birth_place = Los Angeles, California, US
| birth_place = Los Angeles, California, US
| field = Contemporary Art
| field = Contemporary Art
| works =
| works =
| patrons =
| patrons =
}}
}}
'''Dustin Yellin''' (born July 22, 1975) is an American artist living in [[Brooklyn]], [[New York (state)|New York]].<ref>http://www.artnet.com/artist/424196448/dustin-yellin.html ARTNET</ref> His work embeds "hundreds of little pictures, drawings and images clipped out of magazines, art books and the like"<ref>{{Cite news|url=https://www.nytimes.com/2015/07/21/opinion/david-brooks-modern-community-building.html|title=Opinion {{!}} Dustin Yellin's Modern Community-Building|last=Brooks|first=David|date=2015-07-21|work=The New York Times|access-date=2019-10-07|language=en-US|issn=0362-4331}}</ref> to form [[Tableau vivant|tableaux]] in [[Miniature (illuminated manuscript)|miniature]], which the critic Gilda Williams, writing in ''[[Artforum]]'', noted provides viewers "the ability to occupy a divine vantage point while enjoying an overwhelming sense of discovery and wonder".<ref>{{Cite news|title=Dustin Yellin|last=Williams|first=Gilda|date=March 2017|work=Artforum}}</ref> These works, which the artist refers to as "Frozen Cinema",<ref>{{Cite web|url=https://playjunkie.com/mesmerizing-glass-sculptures-by-artist-dustin-yellin/|title=Mesmerizing Glass Sculptures By Artist Dustin Yellin|last=K|first=Ron|date=2019-08-13|website=PlayJunkie|language=en-US|access-date=2019-10-07|archive-date=April 26, 2021|archive-url=https://web.archive.org/web/20210426214112/https://playjunkie.com/mesmerizing-glass-sculptures-by-artist-dustin-yellin/|url-status=dead}}</ref> have been featured at sites including New York's [[Lincoln Center for the Performing Arts|Lincoln Center]],<ref>{{Cite web|url=https://hyperallergic.com/175736/new-york-city-ballet-art-series-presents-dustin-yellin/|title=New York City Ballet Art Series Presents: Dustin Yellin|date=2015-01-21|website=Hyperallergic|language=en-US|access-date=2019-10-07}}</ref> the [[John F. Kennedy Center for the Performing Arts|Kennedy Center]]<ref>{{Cite news|url=https://www.washingtonpost.com/express/wp/2015/04/09/a-dozen-dancers-trapped-in-glass-dustin-yellins-installation-at-the-kennedy-center/|title=A dozen dancers trapped in glass: Dustin Yellin's installation at the Kennedy Center|last=Dingfelder|first=Sadie|date=2015-04-09|newspaper=Washington Post|access-date=2019-10-07|language=en-US|issn=0190-8286}}</ref> in [[Washington, D.C.|Washington, D.C]], and the [[Brooklyn Museum]], where Yellin's work is part of the permanent collection.<ref>{{Cite web|url=https://www.brooklynmuseum.org/opencollection/objects/218284|title=Brooklyn Museum|website=www.brooklynmuseum.org|access-date=2019-10-07}}</ref> Yellin has likewise participated in [[Metropolitan Museum of Art|The Metropolitan Museum of Art]]'s ''Artist Project''.<ref>{{Citation|title=Dustin Yellin on ancient Near Eastern cylinder seals {{!}} The Artist Project Season 1 {{!}} The Metropolitan Museum of Art|url=http://artistproject.metmuseum.org/5/dustin-yellin/|access-date=2019-10-07}}</ref> According to [[Andrew Durbin]], "Yellin has formalized the central task of art—to archive: feelings, objects, events, selves—in his large glass blocks, recalling in their extreme hermeneutical diversity (forms within forms within forms, images within images within images) both as a past in which the representation of the human form was art's most recognizable enterprise and a future in which that enterprise is deeply complicated by the fact that the human form has been shredded, reformatted, revised, and redesigned, made precarious and permeable by technological and ecological shifts."<ref>Durbin, Andrew. "Archive Fever." ''Dustin Yellin: Heavy Water'', Rizzoli, 2015, pp. 24 -29.</ref>
'''Dustin Yellin''' (born July 22, 1975) is an American artist living in [[Brooklyn]], [[New York (state)|New York]].<ref>http://www.artnet.com/artist/424196448/dustin-yellin.html ARTNET</ref> His work embeds "hundreds of little pictures, drawings and images clipped out of magazines, art books and the like"<ref>{{Cite news|url=https://www.nytimes.com/2015/07/21/opinion/david-brooks-modern-community-building.html|title=Opinion {{!}} Dustin Yellin's Modern Community-Building|last=Brooks|first=David|date=2015-07-21|work=The New York Times|access-date=2019-10-07|language=en-US|issn=0362-4331}}</ref> to form [[Tableau vivant|tableaux]] in [[Miniature (illuminated manuscript)|miniature]], which the critic Gilda Williams, writing in ''[[Artforum]]'', noted provides viewers "the ability to occupy a divine vantage point while enjoying an overwhelming sense of discovery and wonder".<ref>{{Cite news|title=Dustin Yellin|last=Williams|first=Gilda|date=March 2017|work=Artforum}}</ref> These works, which the artist refers to as "Frozen Cinema",<ref>{{Cite web|url=https://playjunkie.com/mesmerizing-glass-sculptures-by-artist-dustin-yellin/|title=Mesmerizing Glass Sculptures By Artist Dustin Yellin|last=K|first=Ron|date=2019-08-13|website=PlayJunkie|language=en-US|access-date=2019-10-07|archive-date=April 26, 2021|archive-url=https://web.archive.org/web/20210426214112/https://playjunkie.com/mesmerizing-glass-sculptures-by-artist-dustin-yellin/|url-status=dead}}</ref> have been featured at sites including New York's [[Lincoln Center for the Performing Arts|Lincoln Center]],<ref>{{Cite web|url=https://hyperallergic.com/175736/new-york-city-ballet-art-series-presents-dustin-yellin/|title=New York City Ballet Art Series Presents: Dustin Yellin|date=2015-01-21|website=Hyperallergic|language=en-US|access-date=2019-10-07}}</ref> the [[John F. Kennedy Center for the Performing Arts|Kennedy Center]]<ref>{{Cite news|url=https://www.washingtonpost.com/express/wp/2015/04/09/a-dozen-dancers-trapped-in-glass-dustin-yellins-installation-at-the-kennedy-center/|title=A dozen dancers trapped in glass: Dustin Yellin's installation at the Kennedy Center|last=Dingfelder|first=Sadie|date=2015-04-09|newspaper=Washington Post|access-date=2019-10-07|language=en-US|issn=0190-8286}}</ref> in [[Washington, D.C.|Washington, D.C]], and the [[Brooklyn Museum]], where Yellin's work is part of the permanent collection.<ref>{{Cite web|url=https://www.brooklynmuseum.org/opencollection/objects/218284|title=Brooklyn Museum|website=www.brooklynmuseum.org|access-date=2019-10-07}}</ref> Yellin has likewise participated in [[Metropolitan Museum of Art|The Metropolitan Museum of Art]]'s ''Artist Project''.<ref>{{Citation|title=Dustin Yellin on ancient Near Eastern cylinder seals {{!}} The Artist Project Season 1 {{!}} The Metropolitan Museum of Art|url=http://artistproject.metmuseum.org/5/dustin-yellin/|access-date=2019-10-07}}</ref> According to [[Andrew Durbin]], "Yellin has formalized the central task of art—to archive: feelings, objects, events, selves—in his large glass blocks, recalling in their extreme hermeneutical diversity (forms within forms within forms, images within images within images) both as a past in which the representation of the human form was art's most recognizable enterprise and a future in which that enterprise is deeply complicated by the fact that the human form has been shredded, reformatted, revised, and redesigned, made precarious and permeable by technological and ecological shifts."<ref>Durbin, Andrew. "Archive Fever." ''Dustin Yellin: Heavy Water'', Rizzoli, 2015, pp. 24 -29.</ref>


In parallel to his [[studio]], Yellin is the Founder and President<ref name=":0" /> of [[Pioneer Works]] (PW), a [[Nonprofit organization|non-profit]] cultural center in [[Red Hook, Brooklyn|Red Hook]], Brooklyn, that "builds community through the arts and sciences to create an open and inspired world".<ref name=":0">{{Cite web|url=https://pioneerworks.org/about/|title=About|website=Pioneer Works|language=en-US|access-date=2019-10-07}}</ref> This "cultural hub and classroom, museum, studio, concert venue, rentable event space and more—spread across 24,000 square feet, three sweeping floors and a 20,000 square-foot garden"<ref>{{Cite web|url=https://www.forbes.com/sites/karastiles/2018/11/16/pioneer-works-an-artists-space-blending-brilliance-and-community-in-brooklyn/|title=Pioneer Works: An Artists' Space Blending Brilliance And Community|last=Stiles|first=Kara|website=Forbes|language=en|access-date=2019-10-07}}</ref> was established as a 501(c)(3) nonprofit in 2012.<ref>{{Diff|en:Pioneer_Works|diff=|oldid=903418001|label=en:Pioneer_Works, oldid 903418001}}{{Circular reference|date=July 2021}}</ref> This "incubator where painters rub elbows with physicists"<ref>{{Cite magazine|url=https://www.wired.com/2014/10/pioneer-works-incubator/|title=A New Kind of Incubator Where Painters Rub Elbows With Physicists|last=Stinson|first=Liz|date=2014-10-16|magazine=Wired|access-date=2019-10-07|issn=1059-1028}}</ref> often collaborates with the likes of [[Google]],<ref>{{Cite news|url=https://www.nytimes.com/2016/04/29/t-magazine/art/dustin-yellin-vr-google-tilt-brush-art.html|title=One Celebrated Brooklyn Artist's Futuristic New Practice|last=Symonds|first=Alexandria|date=2016-04-29|work=The New York Times|access-date=2019-10-07|language=en-US|issn=0362-4331}}</ref> and "features influential, [[Nobel Prize]]–winning scientists discussing some of science’s great answered questions"<ref>{{Cite web|url=https://www.simonsfoundation.org/2018/10/24/watch-a-brooklyn-warehouse-as-a-crucible-for-new-ideas/|title=Watch: A Brooklyn Warehouse as a Crucible for New Ideas|date=2018-10-24|website=Simons Foundation|language=en-US|access-date=2019-10-07}}</ref> next to art exhibitions, such as ''PÒTOPRENS''<ref>{{Cite web|url=https://hyperallergic.com/468542/potoprens-the-urban-artists-of-port-au-prince-pioneer-works/|title=The Transcendent Spirit of Haitian Contemporary Art|date=2018-11-03|website=Hyperallergic|language=en-US|access-date=2019-10-07}}</ref> a survey of Haitian art which displayed "numerous monumental figurative sculptures in Pioneer Work’s yawning main space—a vibrant carnivalesque antidote to the classical sculpture courts of western museums".<ref>{{Cite news|url=https://www.nytimes.com/2018/10/19/arts/design/four-knockout-group-shows-to-see-now.html|title=Four Knockout Group Shows to See Now|last=Smith|first=Roberta|date=2018-10-19|work=The New York Times|access-date=2019-10-07|language=en-US|issn=0362-4331}}</ref>
In parallel to his [[studio]], Yellin is the Founder and President<ref name=":0" /> of [[Pioneer Works]] (PW), a [[Nonprofit organization|non-profit]] cultural center in [[Red Hook, Brooklyn|Red Hook]], Brooklyn, that "builds community through the arts and sciences to create an open and inspired world".<ref name=":0">{{Cite web|url=https://pioneerworks.org/about/|title=About|website=Pioneer Works|language=en-US|access-date=2019-10-07}}</ref> This "cultural hub and classroom, museum, studio, concert venue, rentable event space and more—spread across 24,000 square feet, three sweeping floors and a 20,000 square-foot garden"<ref>{{Cite web|url=https://www.forbes.com/sites/karastiles/2018/11/16/pioneer-works-an-artists-space-blending-brilliance-and-community-in-brooklyn/|title=Pioneer Works: An Artists' Space Blending Brilliance And Community|last=Stiles|first=Kara|website=Forbes|language=en|access-date=2019-10-07}}</ref> was established as a 501(c)(3) nonprofit in 2012.{{CN|date=November 2023}} This "incubator where painters rub elbows with physicists"<ref>{{Cite magazine|url=https://www.wired.com/2014/10/pioneer-works-incubator/|title=A New Kind of Incubator Where Painters Rub Elbows With Physicists|last=Stinson|first=Liz|date=2014-10-16|magazine=Wired|access-date=2019-10-07|issn=1059-1028}}</ref> often collaborates with the likes of [[Google]],<ref>{{Cite news|url=https://www.nytimes.com/2016/04/29/t-magazine/art/dustin-yellin-vr-google-tilt-brush-art.html|title=One Celebrated Brooklyn Artist's Futuristic New Practice|last=Symonds|first=Alexandria|date=2016-04-29|work=The New York Times|access-date=2019-10-07|language=en-US|issn=0362-4331}}</ref> and "features influential, [[Nobel Prize]]–winning scientists discussing some of science’s great answered questions"<ref>{{Cite web|url=https://www.simonsfoundation.org/2018/10/24/watch-a-brooklyn-warehouse-as-a-crucible-for-new-ideas/|title=Watch: A Brooklyn Warehouse as a Crucible for New Ideas|date=2018-10-24|website=Simons Foundation|language=en-US|access-date=2019-10-07}}</ref> next to art exhibitions, such as ''PÒTOPRENS''<ref>{{Cite web|url=https://hyperallergic.com/468542/potoprens-the-urban-artists-of-port-au-prince-pioneer-works/|title=The Transcendent Spirit of Haitian Contemporary Art|date=2018-11-03|website=Hyperallergic|language=en-US|access-date=2019-10-07}}</ref> a survey of Haitian art which displayed "numerous monumental figurative sculptures in Pioneer Work’s yawning main space—a vibrant carnivalesque antidote to the classical sculpture courts of western museums".<ref>{{Cite news|url=https://www.nytimes.com/2018/10/19/arts/design/four-knockout-group-shows-to-see-now.html|title=Four Knockout Group Shows to See Now|last=Smith|first=Roberta|date=2018-10-19|work=The New York Times|access-date=2019-10-07|language=en-US|issn=0362-4331}}</ref>


Yellin is currently working on a piece entitled ''The Bridge'', the work "aims to repurpose a tool of global energy production to influence conservation policy"<ref>{{Cite news|url=https://www.wsj.com/articles/dustin-yellin-tackles-climate-change-with-oil-tanker-tipped-vertically-11558395023|title=Dustin Yellin Tackles Climate Change With Oil Tanker Tipped Vertically|last=Kamping-Carder|first=Leigh|newspaper=Wall Street Journal|date=May 20, 2019 |language=en-US|access-date=2019-10-07}}</ref> by inverting, and anchoring a 1,000 foot long oil [[Oil tanker|supertanker]] vertically in a harbor "with the stern pointed at the sky to remind people of the need for humanity to end the fossil fuel era as quickly as possible."<ref>{{Cite web|url=https://cleantechnica.com/2019/07/02/repurposing-old-oil-tankers-as-renewable-energy-hubs/|title=Repurposing Old Oil Tankers As Renewable Energy Hubs|date=2019-07-02|website=CleanTechnica|language=en-US|access-date=2019-10-07}}</ref> This "[[Found object|ready-made]] artwork, complete with elevators and a viewing platform for visitors, capturing the sheer scale of our energy system"<ref>{{Cite web|date=2019-08-06|title=The Hydrocarbon Era's Spectacular End|url=https://www.bloomberg.com/news/articles/2019-08-06/the-hydrocarbon-era-s-spectacular-end|access-date=2019-10-07|website=Bloomberg.com}}</ref> is currently being developed with "architect [[Bjarke Ingels]] and [[Arup Group|Arup]], the design and engineering firm".<ref>{{Cite news|url=https://www.wsj.com/articles/dustin-yellin-tackles-climate-change-with-oil-tanker-tipped-vertically-11558395023|title=Dustin Yellin Tackles Climate Change With Oil Tanker Tipped Vertically|last=Kamping-Carder|first=Leigh|newspaper=Wall Street Journal|date=May 20, 2019 |language=en-US|access-date=2019-10-07}}</ref>
Yellin is currently working on a piece entitled ''The Bridge'', the work "aims to repurpose a tool of global energy production to influence conservation policy"<ref>{{Cite news|url=https://www.wsj.com/articles/dustin-yellin-tackles-climate-change-with-oil-tanker-tipped-vertically-11558395023|title=Dustin Yellin Tackles Climate Change With Oil Tanker Tipped Vertically|last=Kamping-Carder|first=Leigh|newspaper=Wall Street Journal|date=May 20, 2019 |language=en-US|access-date=2019-10-07}}</ref> by inverting, and anchoring a 1,000 foot long oil [[Oil tanker|supertanker]] vertically in a harbor "with the stern pointed at the sky to remind people of the need for humanity to end the fossil fuel era as quickly as possible."<ref>{{Cite web|url=https://cleantechnica.com/2019/07/02/repurposing-old-oil-tankers-as-renewable-energy-hubs/|title=Repurposing Old Oil Tankers As Renewable Energy Hubs|date=2019-07-02|website=CleanTechnica|language=en-US|access-date=2019-10-07}}</ref> This "[[Found object|ready-made]] artwork, complete with elevators and a viewing platform for visitors, capturing the sheer scale of our energy system"<ref>{{Cite web|date=2019-08-06|title=The Hydrocarbon Era's Spectacular End|url=https://www.bloomberg.com/news/articles/2019-08-06/the-hydrocarbon-era-s-spectacular-end|access-date=2019-10-07|website=Bloomberg.com}}</ref> is currently being developed with "architect [[Bjarke Ingels]] and [[Arup Group|Arup]], the design and engineering firm".<ref>{{Cite news|url=https://www.wsj.com/articles/dustin-yellin-tackles-climate-change-with-oil-tanker-tipped-vertically-11558395023|title=Dustin Yellin Tackles Climate Change With Oil Tanker Tipped Vertically|last=Kamping-Carder|first=Leigh|newspaper=Wall Street Journal|date=May 20, 2019 |language=en-US|access-date=2019-10-07}}</ref>
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[[Category:People from Telluride, Colorado]]
[[Category:Artists from Brooklyn]]
[[Category:Artists from Brooklyn]]
[[Category:Artists from New York City]]

Latest revision as of 04:02, 7 December 2024

Dustin Yellin
Yellin In 2011
Born (1975-07-22) July 22, 1975 (age 49)
Los Angeles, California, US
Known forContemporary Art

Dustin Yellin (born July 22, 1975) is an American artist living in Brooklyn, New York.[1] His work embeds "hundreds of little pictures, drawings and images clipped out of magazines, art books and the like"[2] to form tableaux in miniature, which the critic Gilda Williams, writing in Artforum, noted provides viewers "the ability to occupy a divine vantage point while enjoying an overwhelming sense of discovery and wonder".[3] These works, which the artist refers to as "Frozen Cinema",[4] have been featured at sites including New York's Lincoln Center,[5] the Kennedy Center[6] in Washington, D.C, and the Brooklyn Museum, where Yellin's work is part of the permanent collection.[7] Yellin has likewise participated in The Metropolitan Museum of Art's Artist Project.[8] According to Andrew Durbin, "Yellin has formalized the central task of art—to archive: feelings, objects, events, selves—in his large glass blocks, recalling in their extreme hermeneutical diversity (forms within forms within forms, images within images within images) both as a past in which the representation of the human form was art's most recognizable enterprise and a future in which that enterprise is deeply complicated by the fact that the human form has been shredded, reformatted, revised, and redesigned, made precarious and permeable by technological and ecological shifts."[9]

In parallel to his studio, Yellin is the Founder and President[10] of Pioneer Works (PW), a non-profit cultural center in Red Hook, Brooklyn, that "builds community through the arts and sciences to create an open and inspired world".[10] This "cultural hub and classroom, museum, studio, concert venue, rentable event space and more—spread across 24,000 square feet, three sweeping floors and a 20,000 square-foot garden"[11] was established as a 501(c)(3) nonprofit in 2012.[citation needed] This "incubator where painters rub elbows with physicists"[12] often collaborates with the likes of Google,[13] and "features influential, Nobel Prize–winning scientists discussing some of science’s great answered questions"[14] next to art exhibitions, such as PÒTOPRENS[15] a survey of Haitian art which displayed "numerous monumental figurative sculptures in Pioneer Work’s yawning main space—a vibrant carnivalesque antidote to the classical sculpture courts of western museums".[16]

Yellin is currently working on a piece entitled The Bridge, the work "aims to repurpose a tool of global energy production to influence conservation policy"[17] by inverting, and anchoring a 1,000 foot long oil supertanker vertically in a harbor "with the stern pointed at the sky to remind people of the need for humanity to end the fossil fuel era as quickly as possible."[18] This "ready-made artwork, complete with elevators and a viewing platform for visitors, capturing the sheer scale of our energy system"[19] is currently being developed with "architect Bjarke Ingels and Arup, the design and engineering firm".[20]

References

[edit]
  1. ^ http://www.artnet.com/artist/424196448/dustin-yellin.html ARTNET
  2. ^ Brooks, David (July 21, 2015). "Opinion | Dustin Yellin's Modern Community-Building". The New York Times. ISSN 0362-4331. Retrieved October 7, 2019.
  3. ^ Williams, Gilda (March 2017). "Dustin Yellin". Artforum.
  4. ^ K, Ron (August 13, 2019). "Mesmerizing Glass Sculptures By Artist Dustin Yellin". PlayJunkie. Archived from the original on April 26, 2021. Retrieved October 7, 2019.
  5. ^ "New York City Ballet Art Series Presents: Dustin Yellin". Hyperallergic. January 21, 2015. Retrieved October 7, 2019.
  6. ^ Dingfelder, Sadie (April 9, 2015). "A dozen dancers trapped in glass: Dustin Yellin's installation at the Kennedy Center". Washington Post. ISSN 0190-8286. Retrieved October 7, 2019.
  7. ^ "Brooklyn Museum". www.brooklynmuseum.org. Retrieved October 7, 2019.
  8. ^ Dustin Yellin on ancient Near Eastern cylinder seals | The Artist Project Season 1 | The Metropolitan Museum of Art, retrieved October 7, 2019
  9. ^ Durbin, Andrew. "Archive Fever." Dustin Yellin: Heavy Water, Rizzoli, 2015, pp. 24 -29.
  10. ^ a b "About". Pioneer Works. Retrieved October 7, 2019.
  11. ^ Stiles, Kara. "Pioneer Works: An Artists' Space Blending Brilliance And Community". Forbes. Retrieved October 7, 2019.
  12. ^ Stinson, Liz (October 16, 2014). "A New Kind of Incubator Where Painters Rub Elbows With Physicists". Wired. ISSN 1059-1028. Retrieved October 7, 2019.
  13. ^ Symonds, Alexandria (April 29, 2016). "One Celebrated Brooklyn Artist's Futuristic New Practice". The New York Times. ISSN 0362-4331. Retrieved October 7, 2019.
  14. ^ "Watch: A Brooklyn Warehouse as a Crucible for New Ideas". Simons Foundation. October 24, 2018. Retrieved October 7, 2019.
  15. ^ "The Transcendent Spirit of Haitian Contemporary Art". Hyperallergic. November 3, 2018. Retrieved October 7, 2019.
  16. ^ Smith, Roberta (October 19, 2018). "Four Knockout Group Shows to See Now". The New York Times. ISSN 0362-4331. Retrieved October 7, 2019.
  17. ^ Kamping-Carder, Leigh (May 20, 2019). "Dustin Yellin Tackles Climate Change With Oil Tanker Tipped Vertically". Wall Street Journal. Retrieved October 7, 2019.
  18. ^ "Repurposing Old Oil Tankers As Renewable Energy Hubs". CleanTechnica. July 2, 2019. Retrieved October 7, 2019.
  19. ^ "The Hydrocarbon Era's Spectacular End". Bloomberg.com. August 6, 2019. Retrieved October 7, 2019.
  20. ^ Kamping-Carder, Leigh (May 20, 2019). "Dustin Yellin Tackles Climate Change With Oil Tanker Tipped Vertically". Wall Street Journal. Retrieved October 7, 2019.
[edit]
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