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{{Short description|1998 Japanese horror film by Hideo Nakata}}
{{Short description|1998 Japanese horror film by Hideo Nakata}}
{{about|the 1998 Japanese horror film|other uses|Ring (disambiguation)}}
{{about|the 1998 Japanese horror film|other uses|Ring (disambiguation)}}
{{redirect-distinguish|Towel-Headed Man|Towelhead (disambiguation){{!}}Towelhead}}
{{Infobox film
{{Infobox film
| name = Ring
| name = Ring
| image = File:Ringu (1998) Japanese theatrical poster.jpg
| image = Ringu (1998) Japanese theatrical poster.jpg
| alt =
| alt =
| caption = Japanese theatrical release poster
| caption = Japanese theatrical release poster
| native_name = {{Infobox Japanese| kanji=リング | revhep=Ringu}}
| native_name = {{Infobox Japanese| katakana=リング | revhep=Ringu}}
| director = [[Hideo Nakata]]
| director = [[Hideo Nakata]]
| producers = {{plainlist|
| producer = {{plainlist|
* Shinya Kawai
* Shinya Kawai
* Taka Ichise
* Taka Ichise
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* [[Yutaka Matsushige]]
* [[Yutaka Matsushige]]
}}
}}
| music = [[Kenji Kawai]]{{sfn|Galbraith IV|2008|p=402}}
| music = [[Kenji Kawai]]{{sfn|Galbraith IV|2008|p=402}}(soundtrack) <br>HIIH (theme song: feels like 'HEAVEN')
| cinematography = Junichiro Hayashi<ref name=back />
| cinematography = Junichiro Hayashi<ref name=back />
| editing = Nobuyuki Takahashi{{sfn|Galbraith IV|2008|p=402}}
| editing = Nobuyuki Takahashi{{sfn|Galbraith IV|2008|p=402}}
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| language = Japanese
| language = Japanese
| budget = $1.5 million<ref>{{Cite web |title=The "Ring" Master: Interview with Hideo Nakata |url=https://offscreen.com/view/hideo_nakata |access-date=2022-11-16 |website=offscreen.com |language=en}}</ref>
| budget = $1.5 million<ref>{{Cite web |title=The "Ring" Master: Interview with Hideo Nakata |url=https://offscreen.com/view/hideo_nakata |access-date=2022-11-16 |website=offscreen.com |language=en}}</ref>
| gross = $19.4 million ({{estimation}})
| gross = $19.5 million ({{estimation}})
}}
}}
{{nihongo|'''''Ring'''''|リング|Ringu}} is a 1998 Japanese [[psychological]] [[supernatural horror film]] directed by [[Hideo Nakata]], based on the [[Ring (Suzuki novel)|1991 novel]] by [[Koji Suzuki (writer)|Koji Suzuki]]. The film stars [[Nanako Matsushima]], [[Miki Nakatani]] and [[Hiroyuki Sanada]], and follows a reporter who is racing to investigate the mystery behind a cursed [[video tape]]; whoever watches the tape dies seven days after doing so. The film is titled '''''The Ring''''' (stylized as '''''the Ring''''') in English in Japan and released as '''''Ringu''''' in North America.
{{nihongo|'''''Ring'''''|リング|Ringu}} is a 1998 Japanese [[supernatural horror film|supernatural]] [[psychological horror]] film directed by [[Hideo Nakata]] and written by Hiroshi Takahashi, based on the [[Ring (Suzuki novel)|1991 novel]] by [[Koji Suzuki (writer)|Koji Suzuki]]. The film stars [[Nanako Matsushima]], [[Miki Nakatani]], and [[Hiroyuki Sanada]], and follows a reporter who is racing to investigate the mystery behind a cursed [[video tape]]; whoever watches the tape dies seven days after doing so. The film is also titled '''''The Ring''''' (stylized as '''''the Ring''''') in Japan and was released in North America as '''''Ringu'''''.


Production took approximately nine months.<ref name="nakatainterview" /> ''Ring'' and its sequel ''[[Spiral (1998 film)|Spiral]]'' were released in Japan at the same time. After its release, ''Ring'' was a huge box office success in Japan and was acclaimed by critics. It inspired numerous follow-ups in the [[The Ring (franchise)|''Ring'' franchise]], popularized [[Japanese horror]] (or "J-horror") internationally, and triggered a trend of Western [[remakes]] of J-horror films, including the 2002 American film ''[[The Ring (2002 film)|The Ring]]''.
Production took approximately nine months, and the film was shot back-to-back with a sequel, ''[[Spiral (1998 film)|Spiral]]'', featuring much of the same cast but involving neither Nakata or Takahashi; both films were released together in Japan on January 31, 1998, with the studio hoping for the popularity of the novel to make both films successful.<ref name="nakatainterview" /> After its release, ''Ring'' was a box office hit in Japan and internationally and was acclaimed by critics, who praised its atmosphere, slow-paced horror and themes.

Spawning a popular [[The Ring (franchise)|franchise]], the film has been deemed very influential, triggering both a western popularization of [[Japanese horror]], including with its own English-language adaptations starting with 2002's ''[[The Ring (2002 film)|The Ring]]'', and a renaissance of Japanese horror films, inspiring other successful franchises such as ''[[Ju-On]]'' and ''[[The Grudge (film series)|The Grudge]]'' and spearheading Hollywood's transition from [[Slasher film|slashers]] into more atmospheric films in the 2000s. Despite the success of the original film, ''Spiral'' was largely ignored upon release, leading to Nakata and Takahashi making ''[[Ring 2]]'' (1999), another sequel ignoring the events of ''Spiral''.


==Plot==
==Plot==
During a sleepover, high schoolers Tomoko and Masami discuss an urban legend about a video tape that curses its viewers to die in seven days after a foreboding phone call. Tomoko then confesses that last week she and her friends watched a strange video tape and received an inexplicable phone call afterwards. They receive a false alarm phone call, then Masami goes to the toilet. Tomoko witnesses the TV turn on by itself and is killed by an unseen presence.
During a sleepover, high schoolers Tomoko and Masami discuss an urban legend about a [[VHS|video tape]] that curses its viewers to die in seven days after a foreboding phone call. Tomoko then confesses that last week, she and her friends watched a strange videotape and received an inexplicable phone call afterwards. They receive a false alarm phone call, then Masami goes to the toilet. Tomoko witnesses the TV turn on by itself and is killed by an unseen presence.

[[Reiko Asakawa]], Tomoko's aunt and a journalist investigating this urban legend, attends her funeral and learns that three of Tomoko's friends, who watched the tape with her, all died at the same time she did. Reiko finds an unmarked video tape in the resort cabin where the four stayed. It contains brief, seemingly unrelated scenes accompanied by screeching sounds, and ends with a shot of a well. After watching, Reiko sees an apparition and receives a phone call emitting the screeching sounds from the tape. Convinced she has been cursed, Reiko takes the tape and leaves the cabin.


Reiko enlists the help of her psychic ex-husband [[List of Ring characters#Ryuji Takayama|Ryūji Takayama]]. Examining a copy of the tape that Reiko made, the pair find a cryptic message spoken in an [[Izu Ōshima|Ōshima]] dialect and prepare to go to Ōshima. Before departing, Reiko catches [[Yoichi Asakawa|Yōichi]], her son with Ryūji, watching the tape after being urged by "Tomoko."
Tomoko's aunt, journalist [[Reiko Asakawa]], investigates this legend and learns during Tomoko's funeral that the three friends who watched the tape with Tomoko died at the same time as her. Reiko visits Izu Pacific Land Resort, where the four friends were staying, and discovers an unmarked video tape. It contains brief, seemingly unrelated scenes accompanied by screeching sounds, and ends with a shot of a well. After watching, Reiko sees an apparition and receives a phone call that emits the screeching sounds from the tape.


Convinced that she has been cursed, Reiko enlists the help of her psychic ex-husband [[List of Ring characters#Ryuji Takayama|Ryūji Takayama]]. Ryūji watches the tape despite Reiko's concerns and agrees to help her. Dissecting a copy of the tape Reiko made, the pair find a cryptic message spoken in an [[Izu Ōshima|Ōshima]] dialect. Before departing to Ōshima, Reiko catches her and Ryūji’s seven-year-old son [[Yoichi Asakawa|Yōichi]] watching the tape after being told to do so by "Tomoko". In Ōshima, Reiko and Ryūji learn about Shizuko Yamamura, who, prior to her suicide, gained notoriety following a public demonstration of her psychic ability organised by [[Extrasensory perception|ESP]] researcher Dr Heihachiro Ikuma, with whom she had an affair. When confronting Shizuko's brother Takashi, who had attempted to make money off of Shizuko's abilities, the pair learn through a vision that during the demonstration, Shizuko's young daughter [[Sadako Yamamura|Sadako]] psychically killed a journalist who decried Shizuko's abilities. After failing to track down Sadako, Reiko realises that Ryūji never received a phone call after watching the tape as she did at the cabin in Izu. After a boat ride back to the mainland provided by Takashi, the pair rush to the cabin to investigate.
In Ōshima, Reiko and Ryūji learn about Shizuko Yamamura, the woman in the tape. Before her suicide, Shizuko gained notoriety following a public demonstration of her psychic ability organized by [[Extrasensory perception|ESP]] researcher Dr. Heihachiro Ikuma, with whom she had an affair. When confronting Shizuko's cousin Takashi, the pair learn through a vision that during the demonstration, Shizuko's young daughter [[Sadako Yamamura|Sadako]], whose name is hinted in the tape, psychically killed a journalist who decried Shizuko's abilities. After failing to track down Sadako, Reiko realizes that Ryūji never received a phone call after watching the tape as she did at the cabin in Izu. They rush back to the cabin.


Reiko and Ryūji find a sealed well in the cabin's crawlspace and, through another vision, learn that Dr Ikuma bludgeoned Sadako, pushed her into this well, and trapped her inside. They conclude that Sadako remained alive and that the curse was born when a video tape "recorded" [[Thoughtography|the rage she had projected]]. When draining the water, they find Sadako's remains, and, since Reiko does not die despite having passed her deadline, believe the curse is broken.
Reiko and Ryūji find a sealed well in the cabin's crawlspace. Through another vision, they learn that Dr. Ikuma trapped Sadako inside the well. They conclude that Sadako remained alive and that the curse was born when a videotape "recorded" [[Thoughtography|the rage she had projected]]. When draining the water, they find Sadako's remains. Reiko's seven-day deadline passes, and she remains alive, leading them to believe the curse is broken.


The next day, Ryūji finds his TV turn on by itself, showing the well at the end of the video tape. Sadako's [[Onryō|vengeful spirit]] staggers from the well and out of the TV, advancing toward him and frightening him to death. Reiko, who had been trying to call Ryūji at the time, hears his last moments over the phone. Guided by an apparition, she deduces the actual way to break the curse: copying the tape and showing it to someone else within seven days, effectively letting the curse spread. Reiko realises that while she did this, Ryūji did not. Desperate to save Yōichi, Reiko drives to her father's home to show him the tape.
The next day, Ryūji's TV turns on by itself, showing the well at the end of the tape. Sadako's [[Onryō|vengeful spirit]] staggers from the well and out of the TV, advancing toward Ryūji and killing him. Reiko, who has been trying to call Ryūji, hears his last moments over the phone. Guided by an apparition, Reiko realizes that she unwittingly found the actual way to survive the curse: copying the tape and showing it to someone else within seven days. Desperate to save Yōichi, Reiko drives to her father's home to show him the tape.


==Cast==
==Cast==
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| width1 = 122
| width1 = 122
| width2 = 155
| width2 = 155
| footer = [[Nanako Matsushima]] (left) who played the role as the major protagonist, journalist Reiko Asakawa and [[Hiroyuki Sanada]] (right) who played the role as Reiko former husband and university professor, Ryūji Takayama. Ring was also Nanako Matsushima and Hiroyuki Sanada second collaboration, following their first collaboration in a 1997 TV Drama ''[[Konna Koi no Hanashi]]''.
| footer = [[Nanako Matsushima]] (left) who played the role as the major protagonist, journalist Reiko Asakawa and [[Hiroyuki Sanada]] (right) who played the role as Reiko's former husband and university professor, Ryūji Takayama. ''Ring'' was also Nanako Matsushima and Hiroyuki Sanada second collaboration, following their first collaboration in a 1997 TV drama ''[[Konna Koi no Hanashi]]''.
}}
}}
* [[Nanako Matsushima]] as [[Reiko Asakawa]], a journalist who investigates her niece's death and finds the cursed video tape.
* [[Nanako Matsushima]] as [[Reiko Asakawa]], a journalist who investigates her niece's death and finds the cursed video tape.
Line 93: Line 96:
With the budget of US$1.5 million, the entire production took nine months and one week. According to director Nakata, the script and pre-production process took three or four months, shooting five weeks and post-production four months.<ref name="nakatainterview">{{cite web|url=http://www.horschamp.qc.ca/new_offscreen/nakata.html|title=The "Ring" Master: Interview with Hideo Nakata}}</ref>
With the budget of US$1.5 million, the entire production took nine months and one week. According to director Nakata, the script and pre-production process took three or four months, shooting five weeks and post-production four months.<ref name="nakatainterview">{{cite web|url=http://www.horschamp.qc.ca/new_offscreen/nakata.html|title=The "Ring" Master: Interview with Hideo Nakata}}</ref>


The special effects on the cursed video tape and some parts in the film were shot on a 35&nbsp;mm film which was passed on to a laboratory in which a computer added a [[Film grain|"grainy" effect]].<ref name="nakatainterview" /> Extended visual effects were used in the scene in which the ghost of Sadako Yamamura climbs out of the television. First, they shot the [[kabuki]] actress Rie Inoo walking backwards in a jerky, exaggerated motion. They then played the film in reverse to portray an unnatural-looking walk for Sadako.<ref name="autogenerated1">{{cite web|url=https://www.imdb.com/title/tt0178868/trivia|title=Ringu (1998)|via=www.imdb.com}}</ref>
The special effects on the cursed video tape and some parts in the film were shot on a 35 mm film which was passed on to a laboratory in which a computer added a [[Film grain|"grainy" effect]].<ref name="nakatainterview" /> Extended visual effects were used in the scene in which the ghost of Sadako Yamamura climbs out of the television. First, they shot the [[kabuki]] actress Rie Inoo walking backwards in a jerky, exaggerated motion. They then played the film in reverse to portray an unnatural-looking walk for Sadako.<ref name="autogenerated1">{{cite web|url=https://www.imdb.com/title/tt0178868/trivia|title=Ringu (1998)|via=www.imdb.com}}</ref>


==Release==
==Release==
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===Box office===
===Box office===
In Japan, the film earned a distribution income ([[Gross rental|rentals]]) of {{JPY|1 billion|link=yes}} in 1998, making it one of the top ten [[List of highest-grossing Japanese live-action films|highest-grossing Japanese films]] of the year.<ref name="eiren">{{cite web|url=http://www.eiren.org/toukei/1998.html|title=1998年(1月~12月)|access-date=October 13, 2015|language=ja|publisher=Motion Picture Producers Association of Japan, Inc.}}</ref> The film grossed a total Japanese box office revenue of {{JPY|1.7 billion}}<ref name="databank">{{cite web |title=邦画興行収入ランキング |url=http://www.generalworks.com/databank/movie/rank04.html |website=SF MOVIE DataBank |publisher=General Works |access-date=19 February 2019}}</ref> ({{US$|{{#expr:1700/130.905 round 1}} million|link=yes}}).<ref>{{cite book |last1=Balmain |first1=Colette |title=Introduction to Japanese Horror Film |date=14 October 2008 |publisher=[[Edinburgh University Press]] |isbn=978-0-7486-3059-2 |page=2 |url=https://books.google.com/books?id=POWqBgAAQBAJ&pg=PA2 |language=en}}</ref>
In Japan, the film earned a distribution income ([[Gross rental|rentals]]) of {{JPY|1 billion|link=yes}} in 1998, making it one of the top ten [[List of highest-grossing Japanese films|highest-grossing Japanese films]] of the year.<ref name="eiren">{{cite web|url=http://www.eiren.org/toukei/1998.html|title=1998年(1月~12月)|access-date=October 13, 2015|language=ja|publisher=Motion Picture Producers Association of Japan, Inc.}}</ref> The film grossed a total Japanese box office revenue of {{JPY|1.7 billion}}<ref name="databank">{{cite web |title=邦画興行収入ランキング |url=http://www.generalworks.com/databank/movie/rank04.html |website=SF MOVIE DataBank |publisher=General Works |access-date=19 February 2019}}</ref> ({{US$|{{#expr:1700/130.905 round 1}} million|link=yes}}).<ref>{{cite book |last1=Balmain |first1=Colette |title=Introduction to Japanese Horror Film |date=14 October 2008 |publisher=[[Edinburgh University Press]] |isbn=978-0-7486-3059-2 |page=2 |url=https://books.google.com/books?id=POWqBgAAQBAJ&pg=PA2 |language=en}}</ref>


''Variety'' stated that ''Ring''{{'}}s "most notable success" has been in Hong Kong, where it became the biggest grosser during the first half of the year, beating popular American films such as ''[[The Matrix]]''.<ref>{{cite magazine|magazine=[[Variety (magazine)|Variety]]|title=The Ring 2|volume=375|issue=11|date=August 2, 1999}}</ref> On its 1999 Hong Kong release, ''Ring'' earned {{Currency|31.2 million|HKD|passthrough=yes}} (US$4.03 million) during its two-month theatrical run making it Hong Kong's highest-grossing Japanese-language film.<ref name="fba-doraemon">{{cite web|url=http://www.filmbiz.asia/news/doraemon-sets-box-office-record-in-hong-kong|publisher=[[Film Business Asia]]|title=Doraemon sets box office record in Hong Kong|access-date=March 4, 2015|last=Ma|first=Kevin|archive-url=https://web.archive.org/web/20160303222731/http://www.filmbiz.asia/news/doraemon-sets-box-office-record-in-hong-kong|archive-date=3 March 2016|url-status=dead}}</ref> This record was later beaten by ''[[Stand By Me Doraemon]]'' in 2015.<ref name="fba-doraemon"/> In Taiwan, where it released in 1999, the film grossed {{Currency|50.83 million|TWD|passthrough=yes}}<ref>{{cite news |title=破鬼后貞子17年紀錄 《你的名字》稱霸台北日片票房 – 自由娛樂 |url=http://ent.ltn.com.tw/news/breakingnews/1877156 |access-date=1 February 2019 |work=[[Liberty Times]] |date=4 November 2016}}</ref> ({{US$|1.619 million}}).<ref>{{cite web |title=Historical currency converter with official exchange rates (TWD) |url=https://fxtop.com/en/historical-currency-converter.php?A=50830000&C1=TWD&C2=USD&DD=31&MM=12&YYYY=1999 |website=fxtop.com |date=31 December 1999 |access-date=27 May 2020}}</ref>
''Variety'' stated that ''Ring''{{'}}s "most notable success" has been in Hong Kong, where it became the biggest grosser during the first half of the year, beating popular American films such as ''[[The Matrix]]''.<ref>{{cite magazine|magazine=[[Variety (magazine)|Variety]]|title=The Ring 2|volume=375|issue=11|date=August 2, 1999}}</ref> On its 1999 Hong Kong release, ''Ring'' earned {{Currency|31.2 million|HKD|passthrough=yes}} (US$4.03 million) during its two-month theatrical run making it Hong Kong's highest-grossing Japanese-language film.<ref name="fba-doraemon">{{cite web|url=http://www.filmbiz.asia/news/doraemon-sets-box-office-record-in-hong-kong|publisher=[[Film Business Asia]]|title=Doraemon sets box office record in Hong Kong|access-date=March 4, 2015|last=Ma|first=Kevin|archive-url=https://web.archive.org/web/20160303222731/http://www.filmbiz.asia/news/doraemon-sets-box-office-record-in-hong-kong|archive-date=3 March 2016|url-status=dead}}</ref> This record was later beaten by ''[[Stand By Me Doraemon]]'' in 2015.<ref name="fba-doraemon"/> In Taiwan, where it released in 1999, the film grossed {{Currency|50.83 million|TWD|passthrough=yes}}<ref>{{cite news |title=破鬼后貞子17年紀錄 《你的名字》稱霸台北日片票房 – 自由娛樂 |url=http://ent.ltn.com.tw/news/breakingnews/1877156 |access-date=1 February 2019 |work=[[Liberty Times]] |date=4 November 2016}}</ref> ({{US$|1.619 million}}).<ref>{{cite web |title=Historical currency converter with official exchange rates (TWD) |url=https://fxtop.com/en/historical-currency-converter.php?A=50830000&C1=TWD&C2=USD&DD=31&MM=12&YYYY=1999 |website=fxtop.com |date=31 December 1999 |access-date=27 May 2020}}</ref>


In France, the film sold 94,257 tickets,<ref>{{cite web |title=Ring (1998) |url=http://www.jpbox-office.com/fichfilm.php?id=3198 |website=JP's Box Office |access-date=1 February 2019}}</ref> equivalent to an estimated gross revenue of approximately {{Currency|{{#expr:94257*5.37 round 0}}|Euro}}<ref name="euro">{{cite web |title=Dissemination of European cinema in the European Union and the international market |url=https://institutdelors.eu/wp-content/uploads/2018/01/disseminationeuropeanfilm-wutzperez-ne-jdi-ifa-unifr-nov14.pdf#page=28 |website=[[Jacques Delors Institute]] |publisher=[[UniFrance]] |date=November 2014 |page=28 |access-date=11 February 2019}}</ref> ({{US$|{{#expr:506160/1.118 round 0}}|long=yes}}).<ref name="bank">{{cite web |title=Official exchange rate (LCU per US$, period average) |url=https://data.worldbank.org/indicator/PA.NUS.FCRF?end=2003&locations=KR-XC&start=1999 |publisher=[[World Bank]] |access-date=11 February 2019}}</ref> In South Korea, 56,983 tickets were sold in the capital city of [[Seoul]],<ref>{{cite web |title=영화정보 |url=http://www.kobis.or.kr/kobis/business/mast/mvie/searchMovieList.do |website=KOFIC |publisher=[[Korean Film Council]] |access-date=1 February 2019 |quote=The Ring}}</ref> equivalent to an estimated gross revenue of approximately {{Currency|{{#expr:(56983+41-29)*6000}}|KRW}}<ref name="korea-price">{{cite book |last=Park |first=Seung Hyun |title=A Cultural Interpretation of Korean Cinema, 1988–1997 |date=2000 |publisher=[[Indiana University]] |page=119 |url=https://books.google.com/books?id=ilEeAQAAMAAJ |chapter=Average Ticket Prices in Korea, 1974–1997 |quote=1997 […] Foreign […] 6,000}}</ref> ({{US$|{{#expr:341970000/1188.817 round 0}}|long=no}}).<ref name="bank"/> The film also grossed $59,001 in Chile and the United Kingdom,<ref>{{cite web |title=Ringu |url=https://www.boxofficemojo.com/title/tt0178868/ |website=[[Box Office Mojo]] |access-date=9 May 2020}}</ref> adding up to an estimated worldwide gross revenue of approximately {{US$|{{#expr:13000000+4030000+1619000+452737+287656+59001}}|long=no}}.
In France, the film sold 94,257 tickets,<ref>{{cite web |title=Ring (1998) |url=http://www.jpbox-office.com/fichfilm.php?id=3198 |website=JP's Box Office |access-date=1 February 2019}}</ref> equivalent to an estimated gross revenue of approximately {{Currency|{{#expr:94257*5.37 round 0}}|Euro}}<ref name="euro">{{cite web |title=Dissemination of European cinema in the European Union and the international market |url=https://institutdelors.eu/wp-content/uploads/2018/01/disseminationeuropeanfilm-wutzperez-ne-jdi-ifa-unifr-nov14.pdf#page=28 |website=[[Jacques Delors Institute]] |publisher=[[UniFrance]] |date=November 2014 |page=28 |access-date=11 February 2019}}</ref> ({{US$|{{#expr:506160/1.118 round 0}}|long=yes}}).<ref name="bank">{{cite web |title=Official exchange rate (LCU per US$, period average) |url=https://data.worldbank.org/indicator/PA.NUS.FCRF?end=2003&locations=KR-XC&start=1999 |publisher=[[World Bank]] |access-date=11 February 2019}}</ref> In South Korea, 56,983 tickets were sold in the capital city of [[Seoul]],<ref>{{cite web |title=영화정보 |url=http://www.kobis.or.kr/kobis/business/mast/mvie/searchMovieList.do |website=KOFIC |publisher=[[Korean Film Council]] |access-date=1 February 2019 |quote=The Ring}}</ref> equivalent to an estimated gross revenue of approximately {{Currency|{{#expr:(56983+41-29)*6000}}|KRW}}<ref name="korea-price">{{cite book |last=Park |first=Seung Hyun |title=A Cultural Interpretation of Korean Cinema, 1988–1997 |date=2000 |publisher=[[Indiana University]] |page=119 |url=https://books.google.com/books?id=ilEeAQAAMAAJ |chapter=Average Ticket Prices in Korea, 1974–1997 |quote=1997 […] Foreign […] 6,000}}</ref> ({{US$|{{#expr:341970000/1188.817 round 0}}|long=no}}).<ref name="bank"/> The film also grossed $150,893 in Chile, the United Kingdom, Russia and New Zealand adding up to an estimated worldwide gross revenue of approximately $19,540,286.<ref>{{cite web |title=Ringu |url=https://www.boxofficemojo.com/title/tt0178868/ |website=[[Box Office Mojo]] |access-date=9 May 2020}}</ref>


===Home media===
===Home media===
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==Reception==
==Reception==
{{expand section|date=November 2016}}
{{expand section|date=November 2016}}
The [[review aggregator]] website [[Rotten Tomatoes]] gives the film an approval rating of 97% based on 38 reviews, with a weighted average of 7.5 out of 10. The site's critical consensus reads: "''Ringu'' combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way".<ref name="rottentomatoesrating">{{cite web |url=https://www.rottentomatoes.com/m/ringu/ |title=Ringu (Ring) (1998) |website=[[Rotten Tomatoes]] |date=31 January 1998 |publisher=[[CBS Interactive]] |access-date=8 April 2019}}</ref>
The [[review aggregator]] website [[Rotten Tomatoes]] gives the film an approval rating of 98% based on 43 reviews, with a weighted average of 7.5 out of 10. The site's critical consensus reads: "''Ringu'' combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way".<ref name="rottentomatoesrating">{{cite web |url=https://www.rottentomatoes.com/m/ringu/ |title=Ringu (Ring) (1998) |website=[[Rotten Tomatoes]] |date=31 January 1998 |publisher=[[CBS Interactive]] |access-date=8 April 2019}}</ref>


''[[Sight & Sound]]'' critic [[Mark Kermode]] praised the film's "timeless terror", with its "combination of old folk devils and contemporary [[moral panics]]" which appeal to both teen and adult audiences alike.<ref name="sightandsound" /> While Adam Smith of ''[[Empire (film magazine)|Empire]]'' Online finds the film "throttled by its over complexity, duff plotting and a distinct lack of actual action",<ref>Smith, Adam (n.d.), [https://empireonline.com/reviews/reviewcomplete.asp?FID=6075 'Review of Ring'], ''Empire Online''.</ref> Kermode emphasizes that "one is inclined to conclude that it is the telling, rather than the content of the tale, that is all-important".<ref name="sightandsound" /> ''[[Variety (magazine)|Variety]]'' agrees that the slow pace, with "its gradual evocation of evil lying await beneath the surface of normality", is one of the film's biggest strengths.<ref name="varietymag">(1999), [https://variety.com/1999/film/reviews/the-ring-3-1200458829/v 'Review: The Ring'], ''Variety Magazine''.</ref> ''Ring'' was listed as the twelfth best horror film of all time by ''[[The Guardian]]''<ref>{{cite web |url=https://www.theguardian.com/film/2010/oct/22/ring-nakata-ringu-horror |title=Ring: No 12 best horror film of all time |last=Heritage |first=Stuart |website=[[TheGuardian.com]] |date=October 22, 2010 |access-date=September 12, 2016}}</ref> and also picked by Stuart Heritage in the same paper as the film that frightened him most.<ref>[https://www.theguardian.com/film/filmblog/2014/oct/21/ring-ringu-the-film-that-frightened-me-most-halloween Ring: the film that frightened me most], The Guardian, Tuesday 21 October 2014</ref>
''[[Sight & Sound]]'' critic [[Mark Kermode]] praised the film's "timeless terror", with its "combination of old folk devils and contemporary [[moral panics]]" which appeal to both teen and adult audiences alike.<ref name="sightandsound" /> While Adam Smith of ''[[Empire (film magazine)|Empire]]'' Online finds the film "throttled by its over complexity, duff plotting and a distinct lack of actual action",<ref>Smith, Adam (n.d.), [https://empireonline.com/reviews/reviewcomplete.asp?FID=6075 'Review of Ring'], ''Empire Online''.</ref> Kermode emphasizes that "one is inclined to conclude that it is the telling, rather than the content of the tale, that is all-important".<ref name="sightandsound" /> ''[[Variety (magazine)|Variety]]'' agrees that the slow pace, with "its gradual evocation of evil lying await beneath the surface of normality", is one of the film's biggest strengths.<ref name="varietymag">(1999), [https://variety.com/1999/film/reviews/the-ring-3-1200458829/v 'Review: The Ring'], ''Variety Magazine''.</ref> ''Ring'' was listed as the twelfth best horror film of all time by ''[[The Guardian]]''<ref>{{cite web |url=https://www.theguardian.com/film/2010/oct/22/ring-nakata-ringu-horror |title=Ring: No 12 best horror film of all time |last=Heritage |first=Stuart |website=[[TheGuardian.com]] |date=October 22, 2010 |access-date=September 12, 2016}}</ref> and also picked by Stuart Heritage in the same paper as the film that frightened him most.<ref>[https://www.theguardian.com/film/filmblog/2014/oct/21/ring-ringu-the-film-that-frightened-me-most-halloween Ring: the film that frightened me most], The Guardian, Tuesday 21 October 2014</ref>
Line 123: Line 126:


==Influence==
==Influence==
The international success of the Japanese films launched a revival of horror filmmaking in Japan that resulted in such pictures as [[Kiyoshi Kurosawa]]'s [[2001 in film|2001]] film ''[[Kairo (film)|Pulse]]'' (known as {{nihongo|Kairo|回路||{{lit}} "Circuit"}} in Japan), [[Takashi Shimizu]]'s {{nihongo|''[[Ju-on|The Grudge]]''|呪怨|Juon}} (2000), Hideo Nakata's {{nihongo|''[[Dark Water (2002 film)|Dark Water]]''|仄暗い水の底から|Honogurai Mizu no Soko kara|{{lit}} "From the Depths of Dark Water"}}, also based on a short story by Suzuki), and Higuchinsky's ''[[Uzumaki (film)|Uzumaki]]'' (2000, a.k.a. ''Vortex'', based on the [[Junji Ito]] horror [[manga]] of the same name).{{Citation needed|date=April 2007}}
The international success of the Japanese films launched a revival of horror filmmaking in Japan that resulted in such pictures as [[Kiyoshi Kurosawa]]'s [[2001 in film|2001]] film ''[[Kairo (film)|Pulse]]'' (known as {{nihongo|Kairo|回路||{{lit}} "Circuit"}} in Japan), [[Takashi Shimizu]]'s {{nihongo|''[[Ju-on|The Grudge]]''|呪怨|Juon}} (2000), Hideo Nakata's {{nihongo|''[[Dark Water (2002 film)|Dark Water]]''|仄暗い水の底から|Honogurai Mizu no Soko kara|{{lit}} "From the Depths of Dark Water"}}, also based on a short story by Suzuki), and Higuchinsky's ''[[Uzumaki (film)|Uzumaki]]'' (2000, a.k.a. ''Vortex'', based on the [[Junji Ito]] horror [[manga]] of the same name).


===Influence on Western cinema===
===Influence on Western cinema===
Line 136: Line 139:
The original sequel was ''[[Spiral (1998 film)|Spiral]]'', released in 1998, but due to its poor reception, a new sequel, ''[[Ring 2]]'', was released in 1999 which continued the storyline of this film. It was followed by a 2000 prequel, ''[[Ring 0: Birthday]]'', followed by ''[[Sadako (2019 film)|Sadako]]'' in 2019. ''Spiral'' in turn was followed by ''[[Sadako 3D]]'' in 2012 and ''[[Sadako 3D 2]]'' in 2013. Another installment, ''[[Sadako DX]]'', was released in 2022.
The original sequel was ''[[Spiral (1998 film)|Spiral]]'', released in 1998, but due to its poor reception, a new sequel, ''[[Ring 2]]'', was released in 1999 which continued the storyline of this film. It was followed by a 2000 prequel, ''[[Ring 0: Birthday]]'', followed by ''[[Sadako (2019 film)|Sadako]]'' in 2019. ''Spiral'' in turn was followed by ''[[Sadako 3D]]'' in 2012 and ''[[Sadako 3D 2]]'' in 2013. Another installment, ''[[Sadako DX]]'', was released in 2022.


A television series, ''[[Ring: The Final Chapter]]'', was made, with a similar storyline but many changes in characters and their backstories. A South Korean remake ''[[The Ring Virus]]'' was made in 1999; as well as an American remake, ''[[The Ring (2002 film)|The Ring]]'', in 2002.
A television series, ''[[Ring: The Final Chapter]]'', was made, with a similar storyline but many changes in characters and their backstories. A South Korean remake ''[[The Ring Virus]]'' was made in 1999, as well as an American remake, ''[[The Ring (2002 film)|The Ring]]'', in 2002.


==See also==
==See also==
{{Portal|Japan|Film|1990s}}
{{Portal|Japan|Film|1990s}}
* [[List of cult films]]
* [[List of ghost films]]
* [[List of ghost films]]
* [[Don't Look Up (1996 film)|''Don't Look Up'' (1996 film)]]
* [[Don't Look Up (1996 film)|''Don't Look Up'' (1996 film)]]
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==External links==
==External links==
* {{IMDb title|0178868|Ring}}
* {{IMDb title|0178868|Ring}}
* {{AllMovie title|180670|Ring}}
* {{rottentomatoes|ringu|Ring}}
* {{rottentomatoes|ringu|Ring}}
* [http://www.mandiapple.com/snowblood/theringcycle.htm Snowblood Apple's Ring Cycle article], an overview of all ''Ring'' films.
* [http://www.mandiapple.com/snowblood/theringcycle.htm Snowblood Apple's Ring Cycle article], an overview of all ''Ring'' films.
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[[Category:Techno-horror films]]
[[Category:Techno-horror films]]
[[Category:Japanese ghost films]]
[[Category:Japanese ghost films]]
[[Category:Filicide in fiction]]
[[Category:Films about filicide]]
[[Category:1990s Japanese films]]
[[Category:1990s Japanese films]]
[[Category:1990s mystery horror films]]
[[Category:1990s mystery horror films]]
[[Category:Films about journalists]]
[[Category:Japanese psychological horror films]]
[[Category:Fiction about well-related accidents]]

Latest revision as of 04:58, 22 December 2024

Ring
Japanese theatrical release poster
Japanese name
Katakanaリング
Transcriptions
Revised HepburnRingu
Directed byHideo Nakata
Screenplay byHiroshi Takahashi[1]
Based onRing
by Koji Suzuki
Produced by
  • Shinya Kawai
  • Taka Ichise
  • Takenori Sento[2]
Starring
CinematographyJunichiro Hayashi[2]
Edited byNobuyuki Takahashi[1]
Music byKenji Kawai[1](soundtrack)
HIIH (theme song: feels like 'HEAVEN')
Production
company
Ringu/Rasen Production Committee[1]
Distributed byToho
Release date
  • January 31, 1998 (1998-01-31) (Japan)
Running time
95 minutes[1]
CountryJapan
LanguageJapanese
Budget$1.5 million[3]
Box office$19.5 million (est.)

Ring (リング, Ringu) is a 1998 Japanese supernatural psychological horror film directed by Hideo Nakata and written by Hiroshi Takahashi, based on the 1991 novel by Koji Suzuki. The film stars Nanako Matsushima, Miki Nakatani, and Hiroyuki Sanada, and follows a reporter who is racing to investigate the mystery behind a cursed video tape; whoever watches the tape dies seven days after doing so. The film is also titled The Ring (stylized as the Ring) in Japan and was released in North America as Ringu.

Production took approximately nine months, and the film was shot back-to-back with a sequel, Spiral, featuring much of the same cast but involving neither Nakata or Takahashi; both films were released together in Japan on January 31, 1998, with the studio hoping for the popularity of the novel to make both films successful.[4] After its release, Ring was a box office hit in Japan and internationally and was acclaimed by critics, who praised its atmosphere, slow-paced horror and themes.

Spawning a popular franchise, the film has been deemed very influential, triggering both a western popularization of Japanese horror, including with its own English-language adaptations starting with 2002's The Ring, and a renaissance of Japanese horror films, inspiring other successful franchises such as Ju-On and The Grudge and spearheading Hollywood's transition from slashers into more atmospheric films in the 2000s. Despite the success of the original film, Spiral was largely ignored upon release, leading to Nakata and Takahashi making Ring 2 (1999), another sequel ignoring the events of Spiral.

Plot

[edit]

During a sleepover, high schoolers Tomoko and Masami discuss an urban legend about a video tape that curses its viewers to die in seven days after a foreboding phone call. Tomoko then confesses that last week, she and her friends watched a strange videotape and received an inexplicable phone call afterwards. They receive a false alarm phone call, then Masami goes to the toilet. Tomoko witnesses the TV turn on by itself and is killed by an unseen presence.

Reiko Asakawa, Tomoko's aunt and a journalist investigating this urban legend, attends her funeral and learns that three of Tomoko's friends, who watched the tape with her, all died at the same time she did. Reiko finds an unmarked video tape in the resort cabin where the four stayed. It contains brief, seemingly unrelated scenes accompanied by screeching sounds, and ends with a shot of a well. After watching, Reiko sees an apparition and receives a phone call emitting the screeching sounds from the tape. Convinced she has been cursed, Reiko takes the tape and leaves the cabin.

Reiko enlists the help of her psychic ex-husband Ryūji Takayama. Examining a copy of the tape that Reiko made, the pair find a cryptic message spoken in an Ōshima dialect and prepare to go to Ōshima. Before departing, Reiko catches Yōichi, her son with Ryūji, watching the tape after being urged by "Tomoko."

In Ōshima, Reiko and Ryūji learn about Shizuko Yamamura, the woman in the tape. Before her suicide, Shizuko gained notoriety following a public demonstration of her psychic ability organized by ESP researcher Dr. Heihachiro Ikuma, with whom she had an affair. When confronting Shizuko's cousin Takashi, the pair learn through a vision that during the demonstration, Shizuko's young daughter Sadako, whose name is hinted in the tape, psychically killed a journalist who decried Shizuko's abilities. After failing to track down Sadako, Reiko realizes that Ryūji never received a phone call after watching the tape as she did at the cabin in Izu. They rush back to the cabin.

Reiko and Ryūji find a sealed well in the cabin's crawlspace. Through another vision, they learn that Dr. Ikuma trapped Sadako inside the well. They conclude that Sadako remained alive and that the curse was born when a videotape "recorded" the rage she had projected. When draining the water, they find Sadako's remains. Reiko's seven-day deadline passes, and she remains alive, leading them to believe the curse is broken.

The next day, Ryūji's TV turns on by itself, showing the well at the end of the tape. Sadako's vengeful spirit staggers from the well and out of the TV, advancing toward Ryūji and killing him. Reiko, who has been trying to call Ryūji, hears his last moments over the phone. Guided by an apparition, Reiko realizes that she unwittingly found the actual way to survive the curse: copying the tape and showing it to someone else within seven days. Desperate to save Yōichi, Reiko drives to her father's home to show him the tape.

Cast

[edit]
Nanako Matsushima (left) who played the role as the major protagonist, journalist Reiko Asakawa and Hiroyuki Sanada (right) who played the role as Reiko's former husband and university professor, Ryūji Takayama. Ring was also Nanako Matsushima and Hiroyuki Sanada second collaboration, following their first collaboration in a 1997 TV drama Konna Koi no Hanashi.
  • Nanako Matsushima as Reiko Asakawa, a journalist who investigates her niece's death and finds the cursed video tape.
  • Hiroyuki Sanada as Ryūji Takayama, Reiko's former husband, a former medical student turned university professor. He has a degree of sixth sense that detects supernatural auras.
  • Rikiya Ōtaka as Yōichi Asakawa, Reiko's young son who also has a sixth sense like his father.
  • Miki Nakatani as Mai Takano, Ryuji's student.
  • Yuko Takeuchi as Tomoko Ōishi, Reiko's niece who watches the cursed video tape and is amongst its first victims.
  • Hitomi Sato as Masami Kurahashi, Tomoko's best friend.
  • Daisuke Ban as Dr. Heihachiro Ikuma, Sadako's father who threw her down a well.
  • Rie Inō as Sadako Yamamura, a young woman with psychic powers who was thrown down a well where she died; her spirit lived on within a video tape.
  • Masako as Shizuko Yamamura, Sadako's mother. She too had psychic powers but a disastrous press demonstration led to her suicide.
  • Yōichi Numata as Takashi Yamamura, Sadako's uncle who runs an inn on Oshima Island.
  • Yutaka Matsushige as Yoshino, a journalist associate of Reiko.
  • Katsumi Muramatsu as Kōichi Asakawa, Reiko's father.

Themes and interpretations

[edit]

Critics have discussed Ring's preoccupations with Japanese tradition's collision with modernity. Colette Balmain identifies: "In the figure of Sadako, Ring [utilises the] vengeful yūrei archetype of conventional Japanese horror". She argues how this traditional Japanese figure is expressed via a video tape which "embodies contemporary anxieties, in that it is technology through which the repressed past reasserts itself".[5]

Ruth Goldberg argues that Ring expresses "ambivalence about motherhood". She reads Reiko as a mother who – due to the new potential for women's independence – neglects her "natural" role as martyred homemaker in pursuit of an independent identity, subsequently neglecting her child. Goldberg identifies a doubling effect whereby the unconscious conflicts of Reiko's family are expressed via the supernatural in the other family under Reiko's investigation.[6]

Jay McRoy reads the ending hopefully: if the characters therapeutically understand their conflicts, they can live on.[7] Balmain, however, is not optimistic; she reads the replication of the video as technology spreading, virus-like, throughout Japan.[5]

Title

[edit]

The film's title, Ring, can be interpreted in several ways, such as alluding to the never ending cyclical nature of the ring curse/virus. Another interpretation is that "ring" relates to the phone call which warns those that view the video tape that they will die in seven days,[8] as well as to the view of the ring of light seen from the bottom of the well where Sadako's body was left to decompose.[9]

Production

[edit]

After the moderate success of the 1991 novel Ring by Koji Suzuki, Kadokawa Shoten decided to adapt it into a motion picture.

Screenwriter Hiroshi Takahashi and director Hideo Nakata collaborated to work on the script after reading Suzuki's novel and watching Fuji Television's 1995 made-for-TV film, directed by Chisui Takigawa.[10] The broadcast version of the 1995 film was re-edited and released on home video under a new title, Ring: Kanzenban (lit. "Ring: The Complete Edition";[10] Nakata did not state which version of it he and Takahashi watched.

In their film script, Takashi and Nakata changed the protagonist's gender (from male to female), name (from Kazuyuki Asakawa to Reiko Asakawa), marital status (from married to divorced) and child's gender and name (from daughter Yoko to son Yoichi).[10]

With the budget of US$1.5 million, the entire production took nine months and one week. According to director Nakata, the script and pre-production process took three or four months, shooting five weeks and post-production four months.[4]

The special effects on the cursed video tape and some parts in the film were shot on a 35 mm film which was passed on to a laboratory in which a computer added a "grainy" effect.[4] Extended visual effects were used in the scene in which the ghost of Sadako Yamamura climbs out of the television. First, they shot the kabuki actress Rie Inoo walking backwards in a jerky, exaggerated motion. They then played the film in reverse to portray an unnatural-looking walk for Sadako.[11]

Release

[edit]

Ring was released in Japan on January 31, 1998, where it was distributed by Toho.[1] Upon release in Japan, Ring became the highest-grossing horror film in the country.[12] The film was shown at the 1999 Fantasia Film Festival where it won the first place award for Best Feature in the Asian films section.[13]

In the Philippines, the film was given limited releases as Ring: Circle of Evil on both December 4, 2002,[14] and January 11, 2003,[15] to coincide with the North American remake's release on January 17.

Box office

[edit]

In Japan, the film earned a distribution income (rentals) of ¥1 billion in 1998, making it one of the top ten highest-grossing Japanese films of the year.[16] The film grossed a total Japanese box office revenue of ¥1.7 billion[17] (US$13 million).[18]

Variety stated that Ring's "most notable success" has been in Hong Kong, where it became the biggest grosser during the first half of the year, beating popular American films such as The Matrix.[19] On its 1999 Hong Kong release, Ring earned HK$31.2 million (US$4.03 million) during its two-month theatrical run making it Hong Kong's highest-grossing Japanese-language film.[20] This record was later beaten by Stand By Me Doraemon in 2015.[20] In Taiwan, where it released in 1999, the film grossed NT$50.83 million[21] (US$1.619 million).[22]

In France, the film sold 94,257 tickets,[23] equivalent to an estimated gross revenue of approximately 506,160[24] (US$452,737).[25] In South Korea, 56,983 tickets were sold in the capital city of Seoul,[26] equivalent to an estimated gross revenue of approximately 341,970,000[27] ($287,656).[25] The film also grossed $150,893 in Chile, the United Kingdom, Russia and New Zealand adding up to an estimated worldwide gross revenue of approximately $19,540,286.[28]

Home media

[edit]

Ring was released directly to home video in the United States and Canada by DreamWorks with English, Spanish, and French subtitles on March 4, 2003,[1] under the transliterated title Ringu.[29]

In the United Kingdom, it was watched by 390,000 viewers on television during the first half of 2005, making it the sixth most-watched foreign-language film on UK television during that period. Ring 2 also drew 360,000 viewers on UK television during the same period, adding up to a combined 750,000 UK television viewership for both Ring films during the first half of 2005.[30]

To coincide with its 20th anniversary, Arrow Films under their Arrow Video imprint issued a Blu-ray Disc of Ring on March 18, 2019, in the UK and Ireland. Additionally, a Blu-ray box set featuring Ring, the sequels Spiral and Ring 2, and prequel Ring 0, was also released. The transfer features a 4K resolution restoration that was scanned from the film's original camera negative. The picture grading and restoration, which took place at Imagica Labs in Tokyo, was supervised and approved by Ring cinematographer Jun'ichirō Hayashi.[31] Both Arrow's single Blu-ray Disc and Blu-ray box set were later released in the United States and Canada on October 29, again under the transliterated title Ringu.[32]

Reception

[edit]

The review aggregator website Rotten Tomatoes gives the film an approval rating of 98% based on 43 reviews, with a weighted average of 7.5 out of 10. The site's critical consensus reads: "Ringu combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way".[33]

Sight & Sound critic Mark Kermode praised the film's "timeless terror", with its "combination of old folk devils and contemporary moral panics" which appeal to both teen and adult audiences alike.[12] While Adam Smith of Empire Online finds the film "throttled by its over complexity, duff plotting and a distinct lack of actual action",[34] Kermode emphasizes that "one is inclined to conclude that it is the telling, rather than the content of the tale, that is all-important".[12] Variety agrees that the slow pace, with "its gradual evocation of evil lying await beneath the surface of normality", is one of the film's biggest strengths.[35] Ring was listed as the twelfth best horror film of all time by The Guardian[36] and also picked by Stuart Heritage in the same paper as the film that frightened him most.[37]

Ring was ranked No. 69 in Empire magazine's "The 100 Best Films of World Cinema" in 2010.[38] In the early 2010s, Time Out conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films.[39] Ring placed at number 61 on their top 100 list.[40]

Influence

[edit]

The international success of the Japanese films launched a revival of horror filmmaking in Japan that resulted in such pictures as Kiyoshi Kurosawa's 2001 film Pulse (known as Kairo (回路, lit. "Circuit") in Japan), Takashi Shimizu's The Grudge (呪怨, Juon) (2000), Hideo Nakata's Dark Water (仄暗い水の底から, Honogurai Mizu no Soko kara, lit. "From the Depths of Dark Water"), also based on a short story by Suzuki), and Higuchinsky's Uzumaki (2000, a.k.a. Vortex, based on the Junji Ito horror manga of the same name).

Influence on Western cinema

[edit]

Ring had some influence on Western cinema and gained cult status in the West.[41]

Throughout the 1980s and 1990s, Hollywood horror had largely been dominated by the slasher sub-genre, which relied on on-screen violence, shock tactics, and gore.[41] Ring, whose release in Japan roughly coincided with The Blair Witch Project in the United States, helped to revitalise the genre by taking a more restrained approach to horror, leaving much of the terror to the audience's imagination.[41] The film initiated global interest in Japanese cinema in general and Japanese horror cinema in particular, a renaissance which led to the coining of the term J-Horror in the West. This "New Asian Horror"[5] resulted in further successful releases, such as Ju-on: The Grudge and Dark Water.[7] In addition to Japanese productions this boom also managed to bring attention to similar films made in East Asia at the same time such as A Tale of Two Sisters from South Korea and The Eye from Hong Kong.

All of these films were later remade in English. Released in 2002, The Ring reached number 1 at the box office and grossed slightly more in Japan than the original.[5] The original Ring grossed ¥1.7 billion in 1998,[17] while The Ring remake grossed ¥1.75 billion in 2002.[42]

Sequels and remakes

[edit]

The original sequel was Spiral, released in 1998, but due to its poor reception, a new sequel, Ring 2, was released in 1999 which continued the storyline of this film. It was followed by a 2000 prequel, Ring 0: Birthday, followed by Sadako in 2019. Spiral in turn was followed by Sadako 3D in 2012 and Sadako 3D 2 in 2013. Another installment, Sadako DX, was released in 2022.

A television series, Ring: The Final Chapter, was made, with a similar storyline but many changes in characters and their backstories. A South Korean remake The Ring Virus was made in 1999, as well as an American remake, The Ring, in 2002.

See also

[edit]

References

[edit]
  1. ^ a b c d e f g Galbraith IV 2008, p. 402.
  2. ^ a b "Back cover of Ring Blu-ray". Blu-ray.com. Retrieved 15 December 2020.
  3. ^ "The "Ring" Master: Interview with Hideo Nakata". offscreen.com. Retrieved 2022-11-16.
  4. ^ a b c "The "Ring" Master: Interview with Hideo Nakata".
  5. ^ a b c d Balmain, Colette (2008). Introduction to Japanese Horror Film. Edinburgh: Edinburgh University Press. ISBN 978-0748624751.
  6. ^ Goldberg, Ruth (2004). "Demons in the Family". In Grant, Barry Keith; Sharrett, Christopher (eds.). Planks of Reason. Scarecrow Press. pp. 370–385.
  7. ^ a b McRoy, Jay (2007). Nightmare Japan: Contemporary Japanese Horror Cinema. Rodopi. ISBN 978-9042023314.
  8. ^ Sherman, Dale (2013). Armageddon Films FAQ: All That's Left to Know About Zombies, Contagions, Aliens and the End of the World as We Know It!. Applause Books. ISBN 978-1617131196. The story goes that seven days after viewing the tape, those who watch will receive a phone call (hence the first interpretation of 'the ring') [...]
  9. ^ Silverblatt, Art; Zlobin, Nikolai (2004). International Communications: A Media Literacy Approach. Routledge. ISBN 978-0765609748.
  10. ^ a b c Meikle, Dennis (2005), The Ring Companion (London: Titan Books).
  11. ^ "Ringu (1998)" – via www.imdb.com.
  12. ^ a b c Kermode, Mark (2011), 'Review of Ring', BFI | Sight and Sound.
  13. ^ "Movie Listings 1999". Fantasia Film Festival. Archived from the original on October 6, 2001. Retrieved February 3, 2016.
  14. ^ "The "Video Curse" Starts Its Killing Spree on Dec. 04! Exclusively at SM Megamall and Glorietta 4!". Philippine Daily Inquirer. The Philippine Daily Inquirer, Inc. 1 December 2002. p. A29. Retrieved 15 April 2022.
  15. ^ "Watch It Where It All Started". Philippine Daily Inquirer. The Philippine Daily Inquirer, Inc. 11 January 2003. p. A22. Retrieved 15 April 2022.
  16. ^ "1998年(1月~12月)" (in Japanese). Motion Picture Producers Association of Japan, Inc. Retrieved October 13, 2015.
  17. ^ a b "邦画興行収入ランキング". SF MOVIE DataBank. General Works. Retrieved 19 February 2019.
  18. ^ Balmain, Colette (14 October 2008). Introduction to Japanese Horror Film. Edinburgh University Press. p. 2. ISBN 978-0-7486-3059-2.
  19. ^ "The Ring 2". Variety. Vol. 375, no. 11. August 2, 1999.
  20. ^ a b Ma, Kevin. "Doraemon sets box office record in Hong Kong". Film Business Asia. Archived from the original on 3 March 2016. Retrieved March 4, 2015.
  21. ^ "破鬼后貞子17年紀錄 《你的名字》稱霸台北日片票房 – 自由娛樂". Liberty Times. 4 November 2016. Retrieved 1 February 2019.
  22. ^ "Historical currency converter with official exchange rates (TWD)". fxtop.com. 31 December 1999. Retrieved 27 May 2020.
  23. ^ "Ring (1998)". JP's Box Office. Retrieved 1 February 2019.
  24. ^ "Dissemination of European cinema in the European Union and the international market" (PDF). Jacques Delors Institute. UniFrance. November 2014. p. 28. Retrieved 11 February 2019.
  25. ^ a b "Official exchange rate (LCU per US$, period average)". World Bank. Retrieved 11 February 2019.
  26. ^ "영화정보". KOFIC. Korean Film Council. Retrieved 1 February 2019. The Ring
  27. ^ Park, Seung Hyun (2000). "Average Ticket Prices in Korea, 1974–1997". A Cultural Interpretation of Korean Cinema, 1988–1997. Indiana University. p. 119. 1997 […] Foreign […] 6,000
  28. ^ "Ringu". Box Office Mojo. Retrieved 9 May 2020.
  29. ^ "Ringu". Amazon.
  30. ^ "4. Film on UK Television in the First Half of 2005". Research and Statistics Bulletin. 3 (1). British Film Institute, UK Film Council: 20-34 (26-7). September 2005. Retrieved 21 April 2022 – via Yumpu.
  31. ^ Miska, Brad (February 25, 2019). "'Ringu's Original DP Helped Restore the Japanese Classic to its Original Horrific Glory!". Bloody Disgusting. Retrieved February 26, 2019.
  32. ^ "The Ringu Collection". Amazon. 29 October 2019.
  33. ^ "Ringu (Ring) (1998)". Rotten Tomatoes. CBS Interactive. 31 January 1998. Retrieved 8 April 2019.
  34. ^ Smith, Adam (n.d.), 'Review of Ring', Empire Online.
  35. ^ (1999), 'Review: The Ring', Variety Magazine.
  36. ^ Heritage, Stuart (October 22, 2010). "Ring: No 12 best horror film of all time". TheGuardian.com. Retrieved September 12, 2016.
  37. ^ Ring: the film that frightened me most, The Guardian, Tuesday 21 October 2014
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Works cited

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