Academy Award for Best Cinematography: Difference between revisions
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| name = Academy Award for Best Cinematography |
| name = Academy Award for Best Cinematography |
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| presenter = [[Academy of Motion Picture Arts and Sciences]] (AMPAS) |
| presenter = [[Academy of Motion Picture Arts and Sciences]] (AMPAS) |
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| image = |
| image = Hoyte van Hoytema 2012 Sweden.jpg |
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| caption = The |
| caption = The 2023<!--This number is not related to the year the actor received the award. This number refers to the year OF FILMS in which that actor was "the best actor"--> recipient: [[Hoyte van Hoytema]] |
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| country = [[United States]] |
| country = [[United States]] |
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| year = [[1st Academy Awards|1929]] |
| year = [[1st Academy Awards|1929]] |
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| holder_label = Most recent winner |
| holder_label = Most recent winner |
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| holder = [[ |
| holder = [[Hoyte van Hoytema]] <br /> ''[[Oppenheimer (film)|Oppenheimer]]'' ([[96th Academy Awards|2023]]) |
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| website = {{ |
| website = {{URL|oscars.org}} |
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}} |
}} |
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In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since [[Karl Struss]] and [[Charles Rosher]] were nominated for their work together on ''[[Sunrise: A Song of Two Humans|Sunrise]].'' Still, three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. |
In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since [[Karl Struss]] and [[Charles Rosher]] were nominated for their work together on ''[[Sunrise: A Song of Two Humans|Sunrise]].'' Still, three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. |
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Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film was adopted in all profession-related categories. From 1939 to |
Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film was adopted in all profession-related categories. From 1939 to 1966 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After ''[[Who's Afraid of Virginia Woolf? (film)|Who's Afraid of Virginia Woolf?]]'' (1966), the most recent black-and-white films to win since then are ''[[Schindler's List]]'' (1993), ''[[Roma (2018 film)|Roma]]'' (2018) and ''[[Mank]]'' (2020). |
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[[Floyd Crosby]] won the award for ''[[Tabu: A Story of the South Seas|Tabu]]'' in 1931, which was the last silent film to win in this category. [[Hal Mohr]] won the only write-in Academy Award ever, in 1935 for ''[[A Midsummer Night's Dream (1935 film)|A Midsummer Night's Dream]]''. Mohr was also the first person to win for both black-and-white and color cinematography. |
[[Floyd Crosby]] won the award for ''[[Tabu: A Story of the South Seas|Tabu]]'' in 1931, which was the last silent film to win in this category. [[Hal Mohr]] won the only write-in Academy Award ever, in 1935 for ''[[A Midsummer Night's Dream (1935 film)|A Midsummer Night's Dream]]''. Mohr was also the first person to win for both black-and-white and color cinematography. |
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In 2018, [[Rachel Morrison]] became the first woman to receive a nomination.<ref>[https://www.oscars.org/oscars/ceremonies/2018 2018|Oscars.org]</ref> Prior to that, it had been the last non-acting Academy Award category to never nominate a woman.<ref>{{Cite news|url=http://www.indiewire.com/article/8-female-cinematographers-you-should-know-about-20141104/|title=8 Female Cinematographers You Should Know About|last=Bernstein|first=Paula|date=2014-11-04|work=IndieWire|access-date=2018-01-25|language=en-US}}</ref><ref>{{Cite news|url=https://variety.com/2018/film/in-contention/oscars-first-female-cinematographer-mudbound-cinematographer-rachel-morrison-1202673355/|title=Oscars: 'Mudbound's' Rachel Morrison Makes History as First Female Cinematographer Nominee|last=Tapley|first=Kristopher|date=2018-01-23|work=Variety|access-date=2018-01-25|language=en-US}}</ref> |
In 2018, [[Rachel Morrison]] became the first woman to receive a nomination.<ref>[https://www.oscars.org/oscars/ceremonies/2018 2018|Oscars.org]</ref> Prior to that, it had been the last non-acting Academy Award category to never nominate a woman.<ref>{{Cite news|url=http://www.indiewire.com/article/8-female-cinematographers-you-should-know-about-20141104/|title=8 Female Cinematographers You Should Know About|last=Bernstein|first=Paula|date=2014-11-04|work=IndieWire|access-date=2018-01-25|language=en-US}}</ref><ref>{{Cite news|url=https://variety.com/2018/film/in-contention/oscars-first-female-cinematographer-mudbound-cinematographer-rachel-morrison-1202673355/|title=Oscars: 'Mudbound's' Rachel Morrison Makes History as First Female Cinematographer Nominee|last=Tapley|first=Kristopher|date=2018-01-23|work=Variety|access-date=2018-01-25|language=en-US}}</ref> |
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In January 2017, [[Bradford Young]] became the first African-American cinematographer to be nominated for an Academy Award, for his work on ''Arrival''. |
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In 2019, [[Alfonso Cuarón]] became the first winner of this category to have also served as director on the film, for ''[[Roma (2018 film)|Roma]]''.<ref>{{cite web |url=https://www.indiewire.com/2019/02/roma-alfonso-cuaron-wins-oscar-best-cinematography-1202046563/ |title=Director Alfonso Cuaron Wins Best Cinematography Oscar for 'Roma |last=O'Falt |first=Chris |date=Feb 24, 2019 |website=IndieWire |access-date=Feb 25, 2019}}</ref> This followed a public dispute between Cuarón and the Academy over the Academy's plan to shorten the Oscars broadcast by relegating four awards, including cinematography, to the commercial breaks in the show. Cuarón objected by saying, "In the history of cinema, masterpieces have existed without sound, without color, without a story, without actors and without music. No single film has ever existed without cinematography ..."<ref>{{cite news | url=https://www.latimes.com/entertainment/arts/miranda/la-et-mn-oscars-roma-20190225-story.html | title=How Alfonso Cuarón's 'Roma' Oscars spark a dialogue about the faces we see on-screen | author-first=Carolina A. | author-last=Miranda | newspaper=Los Angeles Times | date=February 25, 2019}}</ref> |
In 2019, [[Alfonso Cuarón]] became the first winner of this category to have also served as director on the film, for ''[[Roma (2018 film)|Roma]]''.<ref>{{cite web |url=https://www.indiewire.com/2019/02/roma-alfonso-cuaron-wins-oscar-best-cinematography-1202046563/ |title=Director Alfonso Cuaron Wins Best Cinematography Oscar for 'Roma |last=O'Falt |first=Chris |date=Feb 24, 2019 |website=IndieWire |access-date=Feb 25, 2019}}</ref> This followed a public dispute between Cuarón and the Academy over the Academy's plan to shorten the Oscars broadcast by relegating four awards, including cinematography, to the commercial breaks in the show. Cuarón objected by saying, "In the history of cinema, masterpieces have existed without sound, without color, without a story, without actors and without music. No single film has ever existed without cinematography ..."<ref>{{cite news | url=https://www.latimes.com/entertainment/arts/miranda/la-et-mn-oscars-roma-20190225-story.html | title=How Alfonso Cuarón's 'Roma' Oscars spark a dialogue about the faces we see on-screen | author-first=Carolina A. | author-last=Miranda | newspaper=Los Angeles Times | date=February 25, 2019}}</ref> |
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|- |
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| Oldest winner |
| Oldest winner |
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| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
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| Age 76 |
| Age 76 |
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| 2002 |
| 2002 |
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! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
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|- |
|- |
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| rowspan=5 style="text-align:center" | |
| rowspan="5" style="text-align:center" | [[1928 in film|1927/28]]<br /><small>[[1st Academy Awards|(1st)]]</small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[Sunrise: A Song of Two Humans]]''''' |
| '''''[[Sunrise: A Song of Two Humans]]''''' |
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| ''[[Sadie Thompson (film)|Sadie Thompson]]'' |
| ''[[Sadie Thompson (film)|Sadie Thompson]]'' |
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|- |
|- |
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| rowspan=7 style="text-align:center" | |
| rowspan="7" style="text-align:center" | [[1929 in film|1928/29]]<br /><small>[[2nd Academy Awards|(2nd)]]<br><ref group="note" name="twentynine">The 2nd Academy Awards is unique in being the only occasion where there were no official nominees. Subsequent research by AMPAS has resulted in a list of unofficial or de facto nominees, based on records of which films were evaluated by the judges.</ref></small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[White Shadows in the South Seas]]''''' |
| '''''[[White Shadows in the South Seas]]''''' |
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! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
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|- |
|- |
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| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1930 in film|1929/30]]<br /><small>[[3rd Academy Awards|(3rd)]]</small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[With Byrd at the South Pole]]''''' |
| '''''[[With Byrd at the South Pole]]''''' |
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| [[Victor Milner]] |
| [[Victor Milner]] |
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|- |
|- |
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| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1931 in film|1930/31]]<br /><small>[[4th Academy Awards|(4th)]]</small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[Tabu: A Story of the South Seas]]''''' |
| '''''[[Tabu: A Story of the South Seas]]''''' |
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| [[Barney McGill]] |
| [[Barney McGill]] |
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|- |
|- |
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| rowspan=4 style="text-align:center" | |
| rowspan="4" style="text-align:center" | [[1932 in film|1931/32]]<br /><small>[[5th Academy Awards|(5th)]]</small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[Shanghai Express (film)|Shanghai Express]]''''' |
| '''''[[Shanghai Express (film)|Shanghai Express]]''''' |
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| [[Karl Struss]] |
| [[Karl Struss]] |
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|- |
|- |
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| rowspan=4 style="text-align:center" | |
| rowspan="4" style="text-align:center" | [[1933 in film|1932/33]]<br /><small>[[6th Academy Awards|(6th)]]</small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[A Farewell to Arms (1932 film)|A Farewell to Arms]]''''' |
| '''''[[A Farewell to Arms (1932 film)|A Farewell to Arms]]''''' |
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| [[Karl Struss]] |
| [[Karl Struss]] |
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|- |
|- |
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| rowspan=4 style="text-align:center" | |
| rowspan="4" style="text-align:center" | [[1934 in film|1934]]<br /><small>[[7th Academy Awards|(7th)]]</small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[Cleopatra (1934 film)|Cleopatra]]''''' |
| '''''[[Cleopatra (1934 film)|Cleopatra]]''''' |
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| [[George Folsey]] |
| [[George Folsey]] |
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|- |
|- |
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| rowspan=5 style="text-align:center" | |
| rowspan="5" style="text-align:center" | [[1935 in film|1935]]<br /><small>[[8th Academy Awards|(8th)]]</small> |
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|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
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| '''''[[A Midsummer Night's Dream (1935 film)|A Midsummer Night's Dream]]''''' |
| '''''[[A Midsummer Night's Dream (1935 film)|A Midsummer Night's Dream]]''''' |
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Line 245: | Line 247: | ||
| [[Gregg Toland]] |
| [[Gregg Toland]] |
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|- |
|- |
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| rowspan=7 style="text-align:center" | |
| rowspan="7" style="text-align:center" | [[1936 in film|1936]]<br /><small>[[9th Academy Awards|(9th)]]</small> |
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|- |
|- |
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| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 263: | Line 265: | ||
| style="background:#FCD0D0;" | '''[[W. Howard Greene]] and [[Harold Rosson]]''' |
| style="background:#FCD0D0;" | '''[[W. Howard Greene]] and [[Harold Rosson]]''' |
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|- |
|- |
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| rowspan=7 style="text-align:center" | |
| rowspan="7" style="text-align:center" | [[1937 in film|1937]]<br /><small>[[10th Academy Awards|(10th)]]</small> |
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|- |
|- |
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| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 281: | Line 283: | ||
| style="background:#FCD0D0;" | '''[[W. Howard Greene]]''' |
| style="background:#FCD0D0;" | '''[[W. Howard Greene]]''' |
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|- |
|- |
||
| rowspan=15 style="text-align:center" | |
| rowspan="15" style="text-align:center" | [[1938 in film|1938]]<br /><small>[[11th Academy Awards|(11th)]]</small> |
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|- |
|- |
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| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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| '''[[Joseph Ruttenberg]]''' |
| '''[[Joseph Ruttenberg]]''' |
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|- |
|- |
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| ''[[Algiers (film)|Algiers]]'' |
| ''[[Algiers (1938 film)|Algiers]]'' |
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| [[James Wong Howe]] |
| [[James Wong Howe]] |
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|- |
|- |
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| style="background:#FCD0D0;" | '''[[Oliver T. Marsh]] and [[Allen M. Davey|Allen Davey]]''' |
| style="background:#FCD0D0;" | '''[[Oliver T. Marsh]] and [[Allen M. Davey|Allen Davey]]''' |
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|- |
|- |
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| rowspan=7 style="text-align:center" | |
| rowspan="7" style="text-align:center" | [[1939 in film|1939]]<br /><small>[[12th Academy Awards|(12th)]]</small> |
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|- |
|- |
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| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' <ref group=note name=thirtyninebw>A preliminary list of submissions from the studios included the following titles, which were not official nominees: ''[[First Love (1939 film)|First Love]]'' ([[Joseph Valentine]]), ''[[The Great Victor Herbert]]'' ([[Victor Milner]]), ''[[Gunga Din (film)|Gunga Din]]'' ([[Joseph H. August]]), ''[[Intermezzo (1939 film)|Intermezzo]]'' ([[Gregg Toland]]), ''[[Juarez (film)|Juarez]]'' ([[Tony Gaudio]]), ''[[Lady of the Tropics]]'' ([[Norbert Brodine]]), ''[[Only Angels Have Wings]]'' ([[Joseph Walker (cinematographer)|Joseph Walker]]) and ''[[The Rains Came]]'' ([[Arthur Miller (cinematographer)|Arthur C. Miller]]).</ref><ref name=Database>{{cite web |url=http://awardsdatabase.oscars.org/ |title=The Official Academy Awards Database |author=<!--Not stated--> |publisher=[[Academy of Motion Picture Arts and Sciences]] |access-date=January 9, 2018 |archive-url=https://web.archive.org/web/20090227145302/http://awardsdatabase.oscars.org/ |archive-date=February 27, 2009 |url-status=dead }}</ref> |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' <ref group=note name=thirtyninebw>A preliminary list of submissions from the studios included the following titles, which were not official nominees: ''[[First Love (1939 film)|First Love]]'' ([[Joseph Valentine]]), ''[[The Great Victor Herbert]]'' ([[Victor Milner]]), ''[[Gunga Din (film)|Gunga Din]]'' ([[Joseph H. August]]), ''[[Intermezzo (1939 film)|Intermezzo]]'' ([[Gregg Toland]]), ''[[Juarez (film)|Juarez]]'' ([[Tony Gaudio]]), ''[[Lady of the Tropics]]'' ([[Norbert Brodine]]), ''[[Only Angels Have Wings]]'' ([[Joseph Walker (cinematographer)|Joseph Walker]]) and ''[[The Rains Came]]'' ([[Arthur Miller (cinematographer)|Arthur C. Miller]]).</ref><ref name=Database>{{cite web |url=http://awardsdatabase.oscars.org/ |title=The Official Academy Awards Database |author=<!--Not stated--> |publisher=[[Academy of Motion Picture Arts and Sciences]] |access-date=January 9, 2018 |archive-url=https://web.archive.org/web/20090227145302/http://awardsdatabase.oscars.org/ |archive-date=February 27, 2009 |url-status=dead }}</ref> |
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! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
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|- |
|- |
||
| rowspan=19 style="text-align:center" | |
| rowspan="19" style="text-align:center" | [[1940 in film|1940]]<br /><small>[[13th Academy Awards|(13th)]]</small> |
||
|- |
|- |
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| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 403: | Line 405: | ||
| [[Sidney Wagner (cinematographer)|Sidney Wagner]] and [[William V. Skall]] |
| [[Sidney Wagner (cinematographer)|Sidney Wagner]] and [[William V. Skall]] |
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|- |
|- |
||
| rowspan=19 style="text-align:center" | |
| rowspan="19" style="text-align:center" | [[1941 in film|1941]]<br /><small>[[14th Academy Awards|(14th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 457: | Line 459: | ||
| [[Harry Hallenberger]] and [[Ray Rennahan]] |
| [[Harry Hallenberger]] and [[Ray Rennahan]] |
||
|- |
|- |
||
| rowspan=19 style="text-align:center" | |
| rowspan="19" style="text-align:center" | [[1942 in film|1942]]<br /><small>[[15th Academy Awards|(15th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 511: | Line 513: | ||
| [[Edward Cronjager]] and [[William V. Skall]] |
| [[Edward Cronjager]] and [[William V. Skall]] |
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|- |
|- |
||
| rowspan=19 style="text-align:center" | |
| rowspan="19" style="text-align:center" | [[1943 in film|1943]]<br /><small>[[16th Academy Awards|(16th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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| [[George Folsey]] |
| [[George Folsey]] |
||
|- |
|- |
||
| rowspan=19 style="text-align:center" | |
| rowspan="19" style="text-align:center" | [[1944 in film|1944]]<br /><small>[[17th Academy Awards|(17th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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| [[George Folsey]] |
| [[George Folsey]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1945 in film|1945]]<br /><small>[[18th Academy Awards|(18th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 655: | Line 657: | ||
| [[George Barnes (cinematographer)|George Barnes]] |
| [[George Barnes (cinematographer)|George Barnes]] |
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|- |
|- |
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| rowspan=7 style="text-align:center" | |
| rowspan="7" style="text-align:center" | [[1946 in film|1946]]<br /><small>[[19th Academy Awards|(19th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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| [[Joseph Walker (cinematographer)|Joseph Walker]] |
| [[Joseph Walker (cinematographer)|Joseph Walker]] |
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|- |
|- |
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| rowspan=9 style="text-align:center" | |
| rowspan="9" style="text-align:center" | [[1947 in film|1947]]<br /><small>[[20th Academy Awards|(20th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 697: | Line 699: | ||
| [[Harry Jackson (cinematographer)|Harry Jackson]] |
| [[Harry Jackson (cinematographer)|Harry Jackson]] |
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|- |
|- |
||
| rowspan=12 style="text-align:center" | |
| rowspan="12" style="text-align:center" | [[1948 in film|1948]]<br /><small>[[21st Academy Awards|(21st)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 730: | Line 732: | ||
| [[Robert H. Planck]] |
| [[Robert H. Planck]] |
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|- |
|- |
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| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1949 in film|1949]]<br /><small>[[22nd Academy Awards|(22nd)]]</small> |
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|- |
|- |
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| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
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|- |
|- |
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| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1950 in film|1950]]<br /><small>[[23rd Academy Awards|(23rd)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 810: | Line 812: | ||
| [[George Barnes (cinematographer)|George Barnes]] |
| [[George Barnes (cinematographer)|George Barnes]] |
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|- |
|- |
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| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1951 in film|1951]]<br /><small>[[24th Academy Awards|(24th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
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Line 846: | Line 848: | ||
| [[John F. Seitz]] and [[W. Howard Greene]] |
| [[John F. Seitz]] and [[W. Howard Greene]] |
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|- |
|- |
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| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1952 in film|1952]]<br /><small>[[25th Academy Awards|(25th)]]</small> |
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|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 882: | Line 884: | ||
| [[Leon Shamroy]] |
| [[Leon Shamroy]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1953 in film|1953]]<br /><small>[[26th Academy Awards|(26th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 918: | Line 920: | ||
| [[Leon Shamroy]] |
| [[Leon Shamroy]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1954 in film|1954]]<br /><small>[[27th Academy Awards|(27th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 954: | Line 956: | ||
| [[William V. Skall]] |
| [[William V. Skall]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1955 in film|1955]]<br /><small>[[28th Academy Awards|(28th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 970: | Line 972: | ||
| [[Joseph LaShelle]] |
| [[Joseph LaShelle]] |
||
|- |
|- |
||
| ''[[Queen Bee (film)|Queen Bee]]'' |
| ''[[Queen Bee (1955 film)|Queen Bee]]'' |
||
| [[Charles Lang]] |
| [[Charles Lang]] |
||
|- |
|- |
||
Line 990: | Line 992: | ||
| [[Robert Surtees (cinematographer)|Robert Surtees]] |
| [[Robert Surtees (cinematographer)|Robert Surtees]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1956 in film|1956]]<br /><small>[[29th Academy Awards|(29th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,026: | Line 1,028: | ||
| [[Jack Cardiff]] |
| [[Jack Cardiff]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1957 in film|1957]]<br /><small>[[30th Academy Awards|(30th)]]</small> <br /> <ref group="note" name="fiftyseven">In 1957, black-and-white and color films competed in a combined Best Cinematography category.</ref> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Bridge on the River Kwai]]''''' |
| '''''[[The Bridge on the River Kwai]]''''' |
||
Line 1,043: | Line 1,045: | ||
| [[Ellsworth Fredricks]] |
| [[Ellsworth Fredricks]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1958 in film|1958]]<br /><small>[[31st Academy Awards|(31st)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,079: | Line 1,081: | ||
| [[Leon Shamroy]] |
| [[Leon Shamroy]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1959 in film|1959]]<br /><small>[[32nd Academy Awards|(32nd)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,123: | Line 1,125: | ||
! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1960 in film|1960]]<br /><small>[[33rd Academy Awards|(33rd)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,156: | Line 1,158: | ||
| [[Sam Leavitt]] |
| [[Sam Leavitt]] |
||
|- |
|- |
||
| ''[[Pepe (film)|Pepe]]'' |
| ''[[Pepe (1960 film)|Pepe]]'' |
||
| [[Joseph MacDonald]] |
| [[Joseph MacDonald]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1961 in film|1961]]<br /><small>[[34th Academy Awards|(34th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,195: | Line 1,197: | ||
| [[Charles Lang]] |
| [[Charles Lang]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1962 in film|1962]]<br /><small>[[35th Academy Awards|(35th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,231: | Line 1,233: | ||
| [[Paul C. Vogel]] |
| [[Paul C. Vogel]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1963 in film|1963]]<br /><small>[[36th Academy Awards|(36th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,267: | Line 1,269: | ||
| [[Ernest Laszlo]] |
| [[Ernest Laszlo]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1964 in film|1964]]<br /><small>[[37th Academy Awards|(37th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,303: | Line 1,305: | ||
| [[Daniel L. Fapp]] |
| [[Daniel L. Fapp]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1965 in film|1965]]<br /><small>[[38th Academy Awards|(38th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,317: | Line 1,319: | ||
|- |
|- |
||
| ''[[Morituri (1965 film)|Morituri]]'' |
| ''[[Morituri (1965 film)|Morituri]]'' |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| ''[[A Patch of Blue]]'' |
| ''[[A Patch of Blue]]'' |
||
Line 1,339: | Line 1,341: | ||
| [[Ted McCord (cinematographer)|Ted D. McCord]] |
| [[Ted McCord (cinematographer)|Ted D. McCord]] |
||
|- |
|- |
||
| rowspan=13 style="text-align:center" | |
| rowspan="13" style="text-align:center" | [[1966 in film|1966]]<br /><small>[[39th Academy Awards|(39th)]]</small> |
||
|- |
|- |
||
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
| colspan=2 style="text-align:center; background:#EBECF0" | '''Black-and-White''' |
||
Line 1,370: | Line 1,372: | ||
|- |
|- |
||
| ''[[The Professionals (1966 film)|The Professionals]]'' |
| ''[[The Professionals (1966 film)|The Professionals]]'' |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| ''[[The Sand Pebbles (film)|The Sand Pebbles]]'' |
| ''[[The Sand Pebbles (film)|The Sand Pebbles]]'' |
||
| [[Joseph MacDonald]] |
| [[Joseph MacDonald]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1967 in film|1967]]<br /><small>[[40th Academy Awards|(40th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Bonnie and Clyde (film)|Bonnie and Clyde]]''''' |
| '''''[[Bonnie and Clyde (film)|Bonnie and Clyde]]''''' |
||
Line 1,389: | Line 1,391: | ||
|- |
|- |
||
| ''[[In Cold Blood (film)|In Cold Blood]]'' |
| ''[[In Cold Blood (film)|In Cold Blood]]'' |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1968 in film|1968]]<br /><small>[[41st Academy Awards|(41st)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Romeo and Juliet (1968 film)|Romeo and Juliet]]''''' |
| '''''[[Romeo and Juliet (1968 film)|Romeo and Juliet]]''''' |
||
Line 1,408: | Line 1,410: | ||
| [[Ernest Laszlo]] |
| [[Ernest Laszlo]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1969 in film|1969]]<br /><small>[[42nd Academy Awards|(42nd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Butch Cassidy and the Sundance Kid]]''''' |
| '''''[[Butch Cassidy and the Sundance Kid]]''''' |
||
| '''[[Conrad Hall]]''' |
| '''[[Conrad Hall|Conrad L. Hall]]''' |
||
|- |
|- |
||
| ''[[Anne of the Thousand Days]]'' |
| ''[[Anne of the Thousand Days]]'' |
||
Line 1,434: | Line 1,436: | ||
! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1970 in film|1970]]<br /><small>[[43rd Academy Awards|(43rd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Ryan's Daughter]]''''' |
| '''''[[Ryan's Daughter]]''''' |
||
Line 1,451: | Line 1,453: | ||
| [[Billy Williams (cinematographer)|Billy Williams]] |
| [[Billy Williams (cinematographer)|Billy Williams]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1971 in film|1971]]<br /><small>[[44th Academy Awards|(44th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Fiddler on the Roof (film)|Fiddler on the Roof]]''''' |
| '''''[[Fiddler on the Roof (film)|Fiddler on the Roof]]''''' |
||
Line 1,468: | Line 1,470: | ||
| Robert Surtees |
| Robert Surtees |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1972 in film|1972]]<br /><small>[[45th Academy Awards|(45th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Cabaret (1972 film)|Cabaret]]''''' |
| '''''[[Cabaret (1972 film)|Cabaret]]''''' |
||
Line 1,485: | Line 1,487: | ||
| [[Douglas Slocombe]] |
| [[Douglas Slocombe]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1973 in film|1973]]<br /><small>[[46th Academy Awards|(46th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Cries and Whispers]]''''' |
| '''''[[Cries and Whispers]]''''' |
||
Line 1,502: | Line 1,504: | ||
| [[Harry Stradling Jr.]] |
| [[Harry Stradling Jr.]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1974 in film|1974]]<br /><small>[[47th Academy Awards|(47th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Towering Inferno]]''''' |
| '''''[[The Towering Inferno]]''''' |
||
Line 1,519: | Line 1,521: | ||
| [[Geoffrey Unsworth]] |
| [[Geoffrey Unsworth]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1975 in film|1975]]<br /><small>[[48th Academy Awards|(48th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Barry Lyndon]]''''' |
| '''''[[Barry Lyndon]]''''' |
||
Line 1,525: | Line 1,527: | ||
|- |
|- |
||
| ''[[The Day of the Locust (film)|The Day of the Locust]]'' |
| ''[[The Day of the Locust (film)|The Day of the Locust]]'' |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| ''[[Funny Lady]]'' |
| ''[[Funny Lady]]'' |
||
Line 1,536: | Line 1,538: | ||
| [[Haskell Wexler]] and [[Bill Butler (cinematographer)|Bill Butler]] |
| [[Haskell Wexler]] and [[Bill Butler (cinematographer)|Bill Butler]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1976 in film|1976]]<br /><small>[[49th Academy Awards|(49th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Bound for Glory (1976 film)|Bound for Glory]]''''' |
| '''''[[Bound for Glory (1976 film)|Bound for Glory]]''''' |
||
Line 1,553: | Line 1,555: | ||
| [[Robert Surtees (cinematographer)|Robert Surtees]] |
| [[Robert Surtees (cinematographer)|Robert Surtees]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1977 in film|1977]]<br /><small>[[50th Academy Awards|(50th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Close Encounters of the Third Kind]]''''' |
| '''''[[Close Encounters of the Third Kind]]''''' |
||
Line 1,570: | Line 1,572: | ||
| [[Robert Surtees (cinematographer)|Robert Surtees]] |
| [[Robert Surtees (cinematographer)|Robert Surtees]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1978 in film|1978]]<br /><small>[[51st Academy Awards|(51st)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Days of Heaven]]''''' |
| '''''[[Days of Heaven]]''''' |
||
Line 1,587: | Line 1,589: | ||
| [[Oswald Morris]] |
| [[Oswald Morris]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1979 in film|1979]]<br /><small>[[52nd Academy Awards|(52nd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Apocalypse Now]]''''' |
| '''''[[Apocalypse Now]]''''' |
||
Line 1,613: | Line 1,615: | ||
! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1980 in film|1980]]<br /><small>[[53rd Academy Awards|(53rd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Tess (1979 film)|Tess]]''''' |
| '''''[[Tess (1979 film)|Tess]]''''' |
||
Line 1,630: | Line 1,632: | ||
| [[Michael Chapman (cinematographer)|Michael Chapman]] |
| [[Michael Chapman (cinematographer)|Michael Chapman]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1981 in film|1981]]<br /><small>[[54th Academy Awards|(54th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Reds (film)|Reds]]''''' |
| '''''[[Reds (film)|Reds]]''''' |
||
Line 1,647: | Line 1,649: | ||
| [[Douglas Slocombe]] |
| [[Douglas Slocombe]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1982 in film|1982]]<br /><small>[[55th Academy Awards|(55th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Gandhi (film)|Gandhi]]''''' |
| '''''[[Gandhi (film)|Gandhi]]''''' |
||
Line 1,664: | Line 1,666: | ||
| [[Owen Roizman]] |
| [[Owen Roizman]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1983 in film|1983]]<br /><small>[[56th Academy Awards|(56th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Fanny and Alexander]]''''' |
| '''''[[Fanny and Alexander]]''''' |
||
Line 1,681: | Line 1,683: | ||
| [[Gordon Willis]] |
| [[Gordon Willis]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1984 in film|1984]]<br /><small>[[57th Academy Awards|(57th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Killing Fields (film)|The Killing Fields]]''''' |
| '''''[[The Killing Fields (film)|The Killing Fields]]''''' |
||
Line 1,698: | Line 1,700: | ||
| [[Vilmos Zsigmond]] |
| [[Vilmos Zsigmond]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1985 in film|1985]]<br /><small>[[58th Academy Awards|(58th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Out of Africa (film)|Out of Africa]]''''' |
| '''''[[Out of Africa (film)|Out of Africa]]''''' |
||
Line 1,710: | Line 1,712: | ||
|- |
|- |
||
| ''[[Ran (film)|Ran]]'' |
| ''[[Ran (film)|Ran]]'' |
||
| [[Takao Saito (cinematographer)|Takao Saito]], [[ |
| [[Takao Saito (cinematographer)|Takao Saito]], [[Shoji Ueda (cinematographer)|Shoji Ueda]], and [[Asakazu Nakai]] |
||
|- |
|- |
||
| ''[[Witness (1985 film)|Witness]]'' |
| ''[[Witness (1985 film)|Witness]]'' |
||
| [[John Seale]] |
| [[John Seale]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1986 in film|1986]]<br /><small>[[59th Academy Awards|(59th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Mission (1986 film)|The Mission]]''''' |
| '''''[[The Mission (1986 film)|The Mission]]''''' |
||
Line 1,732: | Line 1,734: | ||
| [[Donald Peterman|Don Peterman]] |
| [[Donald Peterman|Don Peterman]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1987 in film|1987]]<br /><small>[[60th Academy Awards|(60th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Last Emperor]]''''' |
| '''''[[The Last Emperor]]''''' |
||
Line 1,749: | Line 1,751: | ||
| [[Haskell Wexler]] |
| [[Haskell Wexler]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1988 in film|1988]]<br /><small>[[61st Academy Awards|(61st)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Mississippi Burning]]''''' |
| '''''[[Mississippi Burning]]''''' |
||
Line 1,758: | Line 1,760: | ||
|- |
|- |
||
| ''[[Tequila Sunrise (film)|Tequila Sunrise]]'' |
| ''[[Tequila Sunrise (film)|Tequila Sunrise]]'' |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| ''[[The Unbearable Lightness of Being (film)|The Unbearable Lightness of Being]]'' |
| ''[[The Unbearable Lightness of Being (film)|The Unbearable Lightness of Being]]'' |
||
Line 1,766: | Line 1,768: | ||
| [[Dean Cundey]] |
| [[Dean Cundey]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1989 in film|1989]]<br /><small>[[62nd Academy Awards|(62nd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Glory (1989 film)|Glory]]''''' |
| '''''[[Glory (1989 film)|Glory]]''''' |
||
Line 1,791: | Line 1,793: | ||
! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1990 in film|1990]]<br /><small>[[63rd Academy Awards|(63rd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Dances with Wolves]]''''' |
| '''''[[Dances with Wolves]]''''' |
||
Line 1,808: | Line 1,810: | ||
| [[Philippe Rousselot]] |
| [[Philippe Rousselot]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1991 in film|1991]]<br /><small>[[64th Academy Awards|(64th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[JFK (film)|JFK]]''''' |
| '''''[[JFK (film)|JFK]]''''' |
||
Line 1,825: | Line 1,827: | ||
| [[Adrian Biddle]] |
| [[Adrian Biddle]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1992 in film|1992]]<br /><small>[[65th Academy Awards|(65th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[A River Runs Through It (film)|A River Runs Through It]]''''' |
| '''''[[A River Runs Through It (film)|A River Runs Through It]]''''' |
||
Line 1,842: | Line 1,844: | ||
| [[Jack N. Green]] |
| [[Jack N. Green]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1993 in film|1993]]<br /><small>[[66th Academy Awards|(66th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Schindler's List]]''''' |
| '''''[[Schindler's List]]''''' |
||
Line 1,857: | Line 1,859: | ||
|- |
|- |
||
| ''[[Searching for Bobby Fischer]]'' |
| ''[[Searching for Bobby Fischer]]'' |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1994 in film|1994]]<br /><small>[[67th Academy Awards|(67th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Legends of the Fall]]''''' |
| '''''[[Legends of the Fall]]''''' |
||
Line 1,876: | Line 1,878: | ||
| [[Owen Roizman]] |
| [[Owen Roizman]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1995 in film|1995]]<br /><small>[[68th Academy Awards|(68th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Braveheart]]''''' |
| '''''[[Braveheart]]''''' |
||
Line 1,893: | Line 1,895: | ||
| [[Lü Yue (cinematographer)|Lü Yue]] |
| [[Lü Yue (cinematographer)|Lü Yue]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1996 in film|1996]]<br /><small>[[69th Academy Awards|(69th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The English Patient (film)|The English Patient]]''''' |
| '''''[[The English Patient (film)|The English Patient]]''''' |
||
Line 1,910: | Line 1,912: | ||
| [[Chris Menges]] |
| [[Chris Menges]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1997 in film|1997]]<br /><small>[[70th Academy Awards|(70th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Titanic (1997 film)|Titanic]]''''' |
| '''''[[Titanic (1997 film)|Titanic]]''''' |
||
Line 1,927: | Line 1,929: | ||
| [[Eduardo Serra]] |
| [[Eduardo Serra]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1998 in film|1998]]<br /><small>[[71st Academy Awards|(71st)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Saving Private Ryan]]''''' |
| '''''[[Saving Private Ryan]]''''' |
||
Line 1,933: | Line 1,935: | ||
|- |
|- |
||
| ''[[A Civil Action (film)|A Civil Action]]'' |
| ''[[A Civil Action (film)|A Civil Action]]'' |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| ''[[Elizabeth (film)|Elizabeth]]'' |
| ''[[Elizabeth (film)|Elizabeth]]'' |
||
Line 1,944: | Line 1,946: | ||
| [[John Toll]] |
| [[John Toll]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[1999 in film|1999]]<br /><small>[[72nd Academy Awards|(72nd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[American Beauty (1999 film)|American Beauty]]''''' |
| '''''[[American Beauty (1999 film)|American Beauty]]''''' |
||
| '''[[Conrad Hall]]''' |
| '''[[Conrad Hall|Conrad L. Hall]]''' |
||
|- |
|- |
||
| ''[[The End of the Affair (1999 film)|The End of the Affair]]'' |
| ''[[The End of the Affair (1999 film)|The End of the Affair]]'' |
||
Line 1,969: | Line 1,971: | ||
! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2000 in film|2000]]<br /><small>[[73rd Academy Awards|(73rd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Crouching Tiger, Hidden Dragon]]''''' |
| '''''[[Crouching Tiger, Hidden Dragon]]''''' |
||
Line 1,986: | Line 1,988: | ||
| [[Caleb Deschanel]] |
| [[Caleb Deschanel]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2001 in film|2001]]<br /><small>[[74th Academy Awards|(74th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Lord of the Rings: The Fellowship of the Ring]]''''' |
| '''''[[The Lord of the Rings: The Fellowship of the Ring]]''''' |
||
Line 2,003: | Line 2,005: | ||
| [[Donald McAlpine]] |
| [[Donald McAlpine]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2002 in film|2002]]<br /><small>[[75th Academy Awards|(75th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Road to Perdition]]''''' |
| '''''[[Road to Perdition]]''''' |
||
| '''[[Conrad Hall]] <small>([[List of posthumous Academy Award winners and nominees|posthumously]])</small>''' |
| '''[[Conrad Hall|Conrad L. Hall]] <small>([[List of posthumous Academy Award winners and nominees|posthumously]])</small>''' |
||
|- |
|- |
||
| ''[[Chicago (2002 film)|Chicago]]'' |
| ''[[Chicago (2002 film)|Chicago]]'' |
||
Line 2,020: | Line 2,022: | ||
| [[Paweł Edelman]] |
| [[Paweł Edelman]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2003 in film|2003]]<br /><small>[[76th Academy Awards|(76th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Master and Commander: The Far Side of the World]]''''' |
| '''''[[Master and Commander: The Far Side of the World]]''''' |
||
Line 2,037: | Line 2,039: | ||
| [[John Schwartzman]] |
| [[John Schwartzman]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2004 in film|2004]]<br /><small>[[77th Academy Awards|(77th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Aviator (2004 film)|The Aviator]]''''' |
| '''''[[The Aviator (2004 film)|The Aviator]]''''' |
||
Line 2,054: | Line 2,056: | ||
| [[Bruno Delbonnel]] |
| [[Bruno Delbonnel]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2005 in film|2005]]<br /><small>[[78th Academy Awards|(78th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Memoirs of a Geisha (film)|Memoirs of a Geisha]]''''' |
| '''''[[Memoirs of a Geisha (film)|Memoirs of a Geisha]]''''' |
||
Line 2,071: | Line 2,073: | ||
| [[Emmanuel Lubezki]] |
| [[Emmanuel Lubezki]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2006 in film|2006]]<br /><small>[[79th Academy Awards|(79th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Pan's Labyrinth]]''''' |
| '''''[[Pan's Labyrinth]]''''' |
||
Line 2,088: | Line 2,090: | ||
| [[Wally Pfister]] |
| [[Wally Pfister]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2007 in film|2007]]<br /><small>[[80th Academy Awards|(80th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[There Will Be Blood]]''''' |
| '''''[[There Will Be Blood]]''''' |
||
Line 2,105: | Line 2,107: | ||
| [[Roger Deakins]] |
| [[Roger Deakins]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2008 in film|2008]]<br /><small>[[81st Academy Awards|(81st)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Slumdog Millionaire]]''''' |
| '''''[[Slumdog Millionaire]]''''' |
||
Line 2,122: | Line 2,124: | ||
| [[Roger Deakins]] and [[Chris Menges]] |
| [[Roger Deakins]] and [[Chris Menges]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2009 in film|2009]]<br /><small>[[82nd Academy Awards|(82nd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Avatar (2009 film)|Avatar]]''''' |
| '''''[[Avatar (2009 film)|Avatar]]''''' |
||
Line 2,147: | Line 2,149: | ||
! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2010 in film|2010]]<br /><small>[[83rd Academy Awards|(83rd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Inception]]''''' |
| '''''[[Inception]]''''' |
||
Line 2,164: | Line 2,166: | ||
| [[Roger Deakins]] |
| [[Roger Deakins]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2011 in film|2011]]<br /><small>[[84th Academy Awards|(84th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Hugo (film)|Hugo]]''''' |
| '''''[[Hugo (film)|Hugo]]''''' |
||
Line 2,181: | Line 2,183: | ||
| [[Janusz Kamiński]] |
| [[Janusz Kamiński]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2012 in film|2012]]<br /><small>[[85th Academy Awards|(85th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Life of Pi (film)|Life of Pi]]''''' |
| '''''[[Life of Pi (film)|Life of Pi]]''''' |
||
Line 2,198: | Line 2,200: | ||
| [[Roger Deakins]] |
| [[Roger Deakins]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2013 in film|2013]]<br /><small>[[86th Academy Awards|(86th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Gravity (2013 film)|Gravity]]''''' |
| '''''[[Gravity (2013 film)|Gravity]]''''' |
||
Line 2,215: | Line 2,217: | ||
| [[Roger Deakins]] |
| [[Roger Deakins]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2014 in film|2014]]<br /><small>[[87th Academy Awards|(87th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Birdman (film)|Birdman or (The Unexpected Virtue of Ignorance)]]''''' |
| '''''[[Birdman (film)|Birdman or (The Unexpected Virtue of Ignorance)]]''''' |
||
Line 2,232: | Line 2,234: | ||
| [[Roger Deakins]] |
| [[Roger Deakins]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2015 in film|2015]]<br /><small>[[88th Academy Awards|(88th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[The Revenant (2015 film)|The Revenant]]''''' |
| '''''[[The Revenant (2015 film)|The Revenant]]''''' |
||
Line 2,249: | Line 2,251: | ||
| [[Roger Deakins]] |
| [[Roger Deakins]] |
||
|- |
|- |
||
| rowspan=6 style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2016 in film|2016]]<br /><small>[[89th Academy Awards|(89th)]]</small> <br /> <ref>{{cite news |url=http://www.latimes.com/entertainment/movies/la-et-mn-oscars-2017-nominees-winners-list-20170123-story.html |title=Academy Awards 2017: Complete list of Oscar winners and nominees |author=<!--Not stated--> |date=February 26, 2017 |newspaper=[[Los Angeles Times]] |access-date=January 8, 2018 }}</ref> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[La La Land]]''''' |
| '''''[[La La Land]]''''' |
||
Line 2,266: | Line 2,268: | ||
| [[Rodrigo Prieto]] |
| [[Rodrigo Prieto]] |
||
|- |
|- |
||
| rowspan="5" style="text-align:center" | |
| rowspan="5" style="text-align:center" | [[2017 in film|2017]]<br /><small>[[90th Academy Awards|(90th)]]</small> |
||
| style="background:#FAEB86"| '''''[[Blade Runner 2049]]''''' |
| style="background:#FAEB86" | '''''[[Blade Runner 2049]]''''' |
||
| style="background:#FAEB86"|'''[[Roger Deakins]]''' |
| style="background:#FAEB86"|'''[[Roger Deakins]]''' |
||
|- |
|- |
||
Line 2,282: | Line 2,284: | ||
| [[Dan Laustsen]] |
| [[Dan Laustsen]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2018 in film|2018]]<br /><small>[[91st Academy Awards|(91st)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Roma (2018 film)|Roma]]''''' |
| '''''[[Roma (2018 film)|Roma]]''''' |
||
Line 2,293: | Line 2,295: | ||
| [[Robbie Ryan (cinematographer)|Robbie Ryan]] |
| [[Robbie Ryan (cinematographer)|Robbie Ryan]] |
||
|- |
|- |
||
| ''[[Never Look Away]]'' |
| ''[[Never Look Away (2018 film)|Never Look Away]]'' |
||
| [[Caleb Deschanel]] |
| [[Caleb Deschanel]] |
||
|- |
|- |
||
Line 2,299: | Line 2,301: | ||
| [[Matthew Libatique]] |
| [[Matthew Libatique]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2019 in film|2019]]<br /><small>[[92nd Academy Awards|(92nd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[1917 (2019 film)|1917]]''''' |
| '''''[[1917 (2019 film)|1917]]''''' |
||
Line 2,324: | Line 2,326: | ||
! style="width:50%;"| Nominees |
! style="width:50%;"| Nominees |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2020 in film|2020/21]]<br /><small>[[93rd Academy Awards|(93rd)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Mank]]''''' |
| '''''[[Mank]]''''' |
||
Line 2,341: | Line 2,343: | ||
| [[Phedon Papamichael]] |
| [[Phedon Papamichael]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2021 in film|2021]]<br /><small>[[94th Academy Awards|(94th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[Dune (2021 film)|Dune]]''''' |
| '''''[[Dune (2021 film)|Dune]]''''' |
||
Line 2,358: | Line 2,360: | ||
| [[Janusz Kamiński]] |
| [[Janusz Kamiński]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2022 in film|2022]]<br /><small>[[95th Academy Awards|(95th)]]</small> |
||
|- style="background:#FAEB86" |
|- style="background:#FAEB86" |
||
| '''''[[All Quiet on the Western Front (2022 film)|All Quiet on the Western Front]]''''' |
| '''''[[All Quiet on the Western Front (2022 film)|All Quiet on the Western Front]]''''' |
||
Line 2,375: | Line 2,377: | ||
| [[Florian Hoffmeister]] |
| [[Florian Hoffmeister]] |
||
|- |
|- |
||
| rowspan="6" style="text-align:center" | |
| rowspan="6" style="text-align:center" | [[2023 in film|2023]]<br /><small>[[96th Academy Awards|(96th)]]</small> |
||
|- style="background:#FAEB86" |
|||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
| ''[[El Conde (film)|El Conde]]'' |
| ''[[El Conde (film)|El Conde]]'' |
||
| [[Edward Lachman]] |
| [[Edward Lachman]] |
||
Line 2,385: | Line 2,390: | ||
| ''[[Maestro (2023 film)|Maestro]]'' |
| ''[[Maestro (2023 film)|Maestro]]'' |
||
| [[Matthew Libatique]] |
| [[Matthew Libatique]] |
||
⚫ | |||
⚫ | |||
⚫ | |||
|- |
|- |
||
| ''[[Poor Things (film)|Poor Things]]'' |
| ''[[Poor Things (film)|Poor Things]]'' |
||
Line 2,415: | Line 2,417: | ||
|- |
|- |
||
| style="text-align: center;" | 10 |
| style="text-align: center;" | 10 |
||
| [[Conrad Hall]] |
| [[Conrad Hall|Conrad L. Hall]] |
||
|- |
|- |
||
| style="text-align: center;" | 10 |
| style="text-align: center;" | 10 |
||
Line 2,488: | Line 2,490: | ||
! Recipient |
! Recipient |
||
|- |
|- |
||
| rowspan=" |
| rowspan="54" style="text-align: center;" | 1 |
||
| style="text-align: center;" | 18 |
| style="text-align: center;" | 18 |
||
| [[Charles Lang]] |
| [[Charles Lang]] |
||
Line 2,620: | Line 2,622: | ||
| style="text-align: center;" | 2 |
| style="text-align: center;" | 2 |
||
| [[Georges Périnal]] |
| [[Georges Périnal]] |
||
⚫ | |||
⚫ | |||
⚫ | |||
|- |
|- |
||
| style="text-align: center;" | 2 |
| style="text-align: center;" | 2 |
||
Line 2,647: | Line 2,652: | ||
| style="text-align: center;" | 1 |
| style="text-align: center;" | 1 |
||
| [[Linus Sandgren]] |
| [[Linus Sandgren]] |
||
⚫ | |||
|} |
|} |
||
| valign="top" | |
| valign="top" | |
||
Line 2,655: | Line 2,661: | ||
! Recipient |
! Recipient |
||
|- |
|- |
||
| rowspan=" |
| rowspan="54" style="text-align: center;" |0 |
||
| style="text-align: center;" | 13 |
| style="text-align: center;" | 13 |
||
| [[George Folsey]] |
| [[George Folsey]] |
||
Line 2,808: | Line 2,814: | ||
| style="text-align: center;" | 2 |
| style="text-align: center;" | 2 |
||
| [[Leo Tover]] |
| [[Leo Tover]] |
||
⚫ | |||
⚫ | |||
⚫ | |||
|- |
|- |
||
| style="text-align: center;" | 2 |
| style="text-align: center;" | 2 |
||
Line 2,820: | Line 2,823: | ||
| style="text-align: center;" | 2 |
| style="text-align: center;" | 2 |
||
| [[Łukasz Żal]] |
| [[Łukasz Żal]] |
||
|} |
|||
|} |
|} |
||
Line 2,828: | Line 2,832: | ||
* [[American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases]] |
* [[American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases]] |
||
* [[Satellite Award for Best Cinematography]] |
* [[Satellite Award for Best Cinematography]] |
||
* [[List of Academy Award–nominated films]] |
|||
==Notes== |
==Notes== |
||
Line 2,837: | Line 2,842: | ||
==External links== |
==External links== |
||
* [http://www.oscars.org/ Academy of Motion Picture Arts and Sciences official site] |
* [http://www.oscars.org/ Academy of Motion Picture Arts and Sciences official site] |
||
* [https:// |
* [https://www.oscars.org/oscars/awards-databases The Official Academy Awards Database], listing all past nominees and winners |
||
{{Academy Awards}} |
{{Academy Awards}} |
Latest revision as of 22:18, 18 December 2024
Academy Award for Best Cinematography | |
---|---|
Country | United States |
Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
First awarded | 1929 |
Most recent winner | Hoyte van Hoytema Oppenheimer (2023) |
Website | oscars |
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture.
History
[edit]In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise. Still, three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film was adopted in all profession-related categories. From 1939 to 1966 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.
No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and 4 Devils (1928). The Right to Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.
David Lean holds the record for the director with the most films that won the Academy Award for Best Cinematography at the Oscars with five wins out of six nominations for Great Expectations, The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and Ryan's Daughter.
The first nominees shot primarily on digital video were The Curious Case of Benjamin Button and Slumdog Millionaire in 2009, with Slumdog Millionaire being the first winner.[1] The following year, Avatar was the first nominee and winner to be shot entirely on digital video.[2]
In 2018, Rachel Morrison became the first woman to receive a nomination.[3] Prior to that, it had been the last non-acting Academy Award category to never nominate a woman.[4][5]
In January 2017, Bradford Young became the first African-American cinematographer to be nominated for an Academy Award, for his work on Arrival.
In 2019, Alfonso Cuarón became the first winner of this category to have also served as director on the film, for Roma.[6] This followed a public dispute between Cuarón and the Academy over the Academy's plan to shorten the Oscars broadcast by relegating four awards, including cinematography, to the commercial breaks in the show. Cuarón objected by saying, "In the history of cinema, masterpieces have existed without sound, without color, without a story, without actors and without music. No single film has ever existed without cinematography ..."[7]
Superlatives
[edit]Category | Name | Superlative | Year | Notes |
---|---|---|---|---|
Most awards | Leon Shamroy | 4 awards | 1942 | Awards resulted from 18 nominations. |
Joseph Ruttenberg | 1958 | Awards resulted from 10 nominations. | ||
Most nominations | Leon Shamroy | 18 nominations | 1965 | Nominations resulted in 4 awards. |
Charles Lang | 1972 | Nominations resulted in 1 award. | ||
Most consecutive awards | Emmanuel Lubezki | 3 consecutive awards | 2013, 2014, 2015 | Awards resulted from 8 nominations. |
Oldest winner | Conrad L. Hall | Age 76 | 2002 | Hall died just two months before the awards ceremony. Hall is also the oldest non-posthumous winner, at age 73, in 1999. |
Oldest nominee | Asakazu Nakai | Age 84 | 1985 | Nakai shared the nomination with two others. |
Youngest winner | Floyd Crosby | Age 31 | 1930/1931 | |
Youngest nominee | Edward Cronjager | Age 27 | 1930/1931 | |
Most nominations without an award | George Folsey | 13 nominations | 1963 | |
First female nominee | Rachel Morrison[8] | 2017 | ||
Nominee/winner who also directed the film | Alfonso Cuarón | Cuarón served as director and director of photography for Roma | 2018 |
Winners and nominees
[edit]Winners are listed first in colored row, followed by the other nominees.
1920s
[edit]1930s
[edit]1940s
[edit]1950s
[edit]1960s
[edit]1970s
[edit]1980s
[edit]1990s
[edit]2000s
[edit]2010s
[edit]2020s
[edit]Multiple awards and nominations
[edit]See also
[edit]- BAFTA Award for Best Cinematography
- Independent Spirit Award for Best Cinematography
- Critics' Choice Movie Award for Best Cinematography
- American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases
- Satellite Award for Best Cinematography
- List of Academy Award–nominated films
Notes
[edit]- ^ The 2nd Academy Awards is unique in being the only occasion where there were no official nominees. Subsequent research by AMPAS has resulted in a list of unofficial or de facto nominees, based on records of which films were evaluated by the judges.
- ^ Having not been officially nominated, Hal Mohr was a write-in candidate and became the only write-in to ever win an Academy Award.
- ^ A preliminary list of submissions from the studios included the following titles, which were not official nominees: First Love (Joseph Valentine), The Great Victor Herbert (Victor Milner), Gunga Din (Joseph H. August), Intermezzo (Gregg Toland), Juarez (Tony Gaudio), Lady of the Tropics (Norbert Brodine), Only Angels Have Wings (Joseph Walker) and The Rains Came (Arthur C. Miller).
- ^ A preliminary list of submissions from the studios included the following titles, which were not official nominees: Drums Along the Mohawk (Ray Rennahan and Bert Glennon), The Four Feathers (Georges Périnal and Osmond Borradaile), The Mikado (William V. Skall) and The Wizard of Oz (Harold Rosson).
- ^ In 1957, black-and-white and color films competed in a combined Best Cinematography category.
References
[edit]- ^ "Oscar nominations". January 24, 2009.
- ^ "Oscar Breakdown: Best Cinematography". Archived from the original on April 25, 2014. Retrieved April 25, 2014.
- ^ 2018|Oscars.org
- ^ Bernstein, Paula (November 4, 2014). "8 Female Cinematographers You Should Know About". IndieWire. Retrieved January 25, 2018.
- ^ Tapley, Kristopher (January 23, 2018). "Oscars: 'Mudbound's' Rachel Morrison Makes History as First Female Cinematographer Nominee". Variety. Retrieved January 25, 2018.
- ^ O'Falt, Chris (February 24, 2019). "Director Alfonso Cuaron Wins Best Cinematography Oscar for 'Roma". IndieWire. Retrieved February 25, 2019.
- ^ Miranda, Carolina A. (February 25, 2019). "How Alfonso Cuarón's 'Roma' Oscars spark a dialogue about the faces we see on-screen". Los Angeles Times.
- ^ Tapley, Kristopher (September 12, 2017). "Oscars: 'Mudbound' Cinematographer Is First Female Nominated – Variety". Variety.com. Retrieved January 23, 2018.
- ^ a b "The Official Academy Awards Database". Academy of Motion Picture Arts and Sciences. Archived from the original on February 27, 2009. Retrieved January 9, 2018.
- ^ "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.
External links
[edit]- Academy of Motion Picture Arts and Sciences official site
- The Official Academy Awards Database, listing all past nominees and winners