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Added the version found on Cal Tjader’s album, Ritmo Caliente, (1955, Fantasy records). Because there were multiple records from 1955, I put it alphabetically.
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==Composition==
==Composition==
The song is typically played in D minor, and has a 32 bar AABA structure. Harmonically, it starts on the root minor chord, then travels to form a dominant on the minor 6th of the D (Bb dominant 7th functions as the dominant of F minor 7th which is the minor 3 chord) . This is what gives the A section of this piece a slightly blues-orientated tonality, as the dominant 7th of the Bb dominant is an Ab, the b5 of the root minor chord, being the definitive note of a blues scale. It then moves down a semitone to the dominant 5th of the root minor, preparing to go back to the root minor. This repeats for the second A section, although instead of the minor 2-5 back into D minor, there is a major 2-5-1 into Bb Major (leading to the B section.) The B section of the piece is a standard 1-6-2-5 in Bb repeating 3 times, then leading to a Bb dominant, and a minor 2-5 back into the root minor. The A section then repeats once to lead back to the start.<ref>{{cite web|url=http://www.guitarcats.com/realbook-jazz-standards/bernies-tune|title=Bernie's Tune|website=Guitarcats.com|access-date=23 December 2013}}</ref>
The song is typically played in D minor, and has a 32 bar AABA structure. Harmonically, it starts on the root minor chord, then travels to form a dominant on the minor 6th of the D. This is what gives the A section of this piece a slightly blues-orientated tonality, as the flatted 7th of the Bb dominant is an Ab, the b5 of the root minor chord, being the definitive note of a blues scale. It then moves down a semitone to the dominant 5th of the root minor, preparing to go back to the root minor. This repeats for the second A section, although instead of the minor 2-5 back into D minor, there is a major 2-5-1 into Bb Major (leading to the B section.) The B section of the piece is a standard 1-6-2-5 in Bb repeating 3 times, then leading to a Bb dominant, and a minor 2-5 back into the root minor. The A section then repeats once to lead back to the start.<ref>{{cite web|url=http://www.guitarcats.com/realbook-jazz-standards/bernies-tune|title=Bernie's Tune|website=Guitarcats.com|access-date=23 December 2013}}</ref>


The melody of the A section is primarily chromatic and conjunct, except the quaver length four note arpeggios at the end of each second bar. The melody of the B section is far less chromatic but still moves in a predominantly conjunct style.
The melody of the A section is primarily chromatic and conjunct, except the quaver length four note arpeggios at the end of each second bar. The melody of the B section is far less chromatic but still moves in a predominantly conjunct style.
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* [[Red Rodney]], on ''The New Sounds'', 1952 (titled "The Baron").
* [[Red Rodney]], on ''The New Sounds'', 1952 (titled "The Baron").
* [[Konitz Meets Mulligan]], 1953
* [[Konitz Meets Mulligan]], 1953
* [[Cal Tjader]], on ''Ritmo Caliente'', 1955.
* [[Gene Krupa]] and [[Buddy Rich]], on ''Krupa and Rich'', 1955.
* [[Gene Krupa]] and [[Buddy Rich]], on ''Krupa and Rich'', 1955.
* [[Mel Tormé]], on ''Gene Norman presents Mel Tormé at the Lighthouse'', 1955.
* [[Mel Tormé]], on ''Gene Norman presents Mel Tormé at the Lighthouse'', 1955.
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* [[Shelly Manne]] & His Men, on ''[[Swinging Sounds]]'', 1956.
* [[Shelly Manne]] & His Men, on ''[[Swinging Sounds]]'', 1956.
* [[Ella Fitzgerald]], on ''Ella At Zardi's (Live at Zardi's 1956)'', 2018
* [[Ella Fitzgerald]], on ''Ella At Zardi's (Live at Zardi's 1956)'', 2018
* [[Stan Kenton]], on ''[[Kenton Live from the Las Vegan Tropicana]]'', 1958
* [[Stan Kenton]], on ''[[Kenton Live from the Las Vegas Tropicana]]'', 1958
* [[Art Pepper]], on ''[[Art Pepper + Eleven – Modern Jazz Classics]]'', 1959.
* [[Art Pepper]], on ''[[Art Pepper + Eleven – Modern Jazz Classics]]'', 1959.
* [[George Shearing]], on ''[[On the Sunny Side of the Strip]]'', 1960.
* [[George Shearing]], on ''[[On the Sunny Side of the Strip]]'', 1960.
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==See also==
==See also==
*[[List of jazz standards]]
*[[List of jazz standards (disambiguation)|List of jazz standards]]


==References==
==References==

Latest revision as of 17:58, 18 June 2024

"Bernie's Tune" is a 1952 jazz standard. The music was written by Bernie Miller, with lyrics added later by Jerry Leiber and Mike Stoller.[1] It was popularised with a recording by the quartet of the American saxophonist and composer Gerry Mulligan, on the 1952 album of the same name, which also featured Chet Baker on trumpet. Despite this association, the piece was actually composed, as aforementioned, by a slightly unsung composer Bernie Miller, who also wrote the tune "Loaded" which was also covered by Chet Baker and saxophonist Stan Getz (to name a few). The tune was a popular choice for musicians jamming at the time, though information about the composer ("Bernie" Miller) himself is scarce, all that people really know of him is that he was a piano player from Washington DC. Mulligan speculated that by the time he had discovered any of Bernie's tunes, Bernie was dead. Later on in Mulligan's life, he took the same changes but invented a new melody to fit over the piece, entitling it 'Idle Gossip'.

Composition

[edit]

The song is typically played in D minor, and has a 32 bar AABA structure. Harmonically, it starts on the root minor chord, then travels to form a dominant on the minor 6th of the D. This is what gives the A section of this piece a slightly blues-orientated tonality, as the flatted 7th of the Bb dominant is an Ab, the b5 of the root minor chord, being the definitive note of a blues scale. It then moves down a semitone to the dominant 5th of the root minor, preparing to go back to the root minor. This repeats for the second A section, although instead of the minor 2-5 back into D minor, there is a major 2-5-1 into Bb Major (leading to the B section.) The B section of the piece is a standard 1-6-2-5 in Bb repeating 3 times, then leading to a Bb dominant, and a minor 2-5 back into the root minor. The A section then repeats once to lead back to the start.[2]

The melody of the A section is primarily chromatic and conjunct, except the quaver length four note arpeggios at the end of each second bar. The melody of the B section is far less chromatic but still moves in a predominantly conjunct style.

Versions

[edit]

See also

[edit]

References

[edit]
  1. ^ "Bernie's Tune". Jazzstandards.com. Retrieved 23 December 2013.
  2. ^ "Bernie's Tune". Guitarcats.com. Retrieved 23 December 2013.
  3. ^ "Bernie's Tune | Collaborations | Tommy Emmanuel & Martin Taylor". YouTube. Retrieved 30 April 2021.