Talking Heads: Difference between revisions
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| name = Talking Heads |
| name = Talking Heads |
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| background = group_or_band |
| background = group_or_band |
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| image = Talking Heads Remain In Light (1980 Sire publicity photo).jpg |
| image = Talking Heads Remain In Light (1980 Sire publicity photo) (5-4 cropped).jpg |
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| caption = Talking Heads {{circa|1980}}. Left to right: [[David Byrne]], [[Jerry Harrison]], [[Tina Weymouth]], [[Chris Frantz]] |
| caption = Talking Heads {{circa|1980}}. Left to right: [[David Byrne]], [[Jerry Harrison]], [[Tina Weymouth]], [[Chris Frantz]] |
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| origin = {{ubl|[[Providence, Rhode Island]], U.S.{{r|Gans_198512|page=[https://archive.org/details/talkingheads0000gans/page/24/ 24]}}|[[New York City]], U.S.}} |
| origin = {{ubl|[[Providence, Rhode Island]], U.S.{{r|Gans_198512|page=[https://archive.org/details/talkingheads0000gans/page/24/ 24]}}|[[New York City]], U.S.}} |
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| discography = [[Talking Heads discography]] |
| discography = [[Talking Heads discography]] |
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| years_active = {{hlist|1975–1991 |
| years_active = {{hlist|1975–1991}} |
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<tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Manager</th><td class="infobox-data">[[Gary Kurfirst]]</td></tr> |
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| label = {{flatlist| |
| label = {{flatlist| |
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* [[Sire Records|Sire]] |
* [[Sire Records|Sire]] |
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* [[Tina Weymouth]] |
* [[Tina Weymouth]] |
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* [[Jerry Harrison]] |
* [[Jerry Harrison]] |
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| alias = The Artistics |
| alias = |
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*The Artistics |
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*Shrunken Heads |
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*The Heads |
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| website = {{URL|https://talkingheadsofficial.com/}} |
| website = {{URL|https://talkingheadsofficial.com/}} |
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| data2 = [[File:Talking Heads Remain in Light band logo.svg|240px]] |
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'''Talking Heads''' were<!--Proper nouns that are plural in form take a plural verb in both American English and British English. Please do not change "were" to "was".--> an American [[ |
'''Talking Heads''' were<!--Proper nouns that are plural in form take a plural verb in both American English and British English. Please do not change "were" to "was".--> an American [[Rock music|rock]] band formed in [[New York City]] in 1975.<ref name="halloffame2">[https://www.rockhall.com/inductees/talking-heads Talking Heads] ''[[Rock and Roll Hall of Fame]]'', retrieved November 23, 2008</ref> The band was composed of [[David Byrne]] (lead vocals, guitar), [[Chris Frantz]] (drums), [[Tina Weymouth]] (bass), and [[Jerry Harrison]] (keyboards, guitar). Described as "one of the most critically acclaimed groups of the '80s," Talking Heads helped to pioneer [[New wave music|new wave]] music by combining elements of [[punk rock|punk]], [[art rock]], [[funk]], and [[world music]] with "an anxious yet clean-cut image";<ref name="allmusic_bio">{{cite web|last=Erlewine|first=Stephen Thomas|title=Talking Heads: Biography|url=http://www.allmusic.com/artist/talking-heads-mn0000131650/biography|work=[[AllMusic]]|access-date=April 27, 2014}}</ref> they have been called "a properly [[Postmodernism|postmodernist]] band."<ref name=":0">{{Cite journal |last=Mitchell |first=Tony |date=Oct 1989 |title=Performance and the Postmodern in Pop Music |url=https://www.jstor.org/stable/3208181 |journal=Theatre Journal |volume=41 |issue=3 |pages=284 |doi=10.2307/3208181|jstor=3208181 }}</ref> |
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Byrne, Frantz, and Weymouth met as freshmen at the [[Rhode Island School of Design]], where Byrne and Frantz were part of a band called the Artistics.{{r|Gans_198512|page=[https://archive.org/details/talkingheads0000gans/page/24/ 24]}} The trio moved to New York City in 1975, adopted the name Talking Heads, joined the [[Music of New York City|New York punk scene]], and recruited Harrison to round out the band. Their debut album, ''[[Talking Heads: 77]]'', was released in 1977 to positive reviews.<ref>{{Cite magazine|url=https://www.rollingstone.com/music/music-album-reviews/talking-heads-77-202805/|title=Talking Heads '77|last=Demorest|first=Stephen|date=November 3, 1977|magazine=Rolling Stone|language=en-US|access-date=August 3, 2019}}</ref> They collaborated with the British producer [[Brian Eno]] on the acclaimed albums ''[[More Songs About Buildings and Food]]'' (1978), ''[[Fear of Music]]'' (1979), and ''[[Remain in Light]]'' (1980), which blended their art school sensibilities with influence from artists such as [[Parliament-Funkadelic]] and [[Fela Kuti]].<ref name="allmusic_bio" /> From the early 1980s, they included additional musicians in their recording sessions and shows, including guitarist [[Adrian Belew]], keyboardist [[Bernie Worrell]], singer [[Nona Hendryx]], and bassist [[Busta Jones]]. |
Byrne, Frantz, and Weymouth met as freshmen at the [[Rhode Island School of Design]], where Byrne and Frantz were part of a band called the Artistics.{{r|Gans_198512|page=[https://archive.org/details/talkingheads0000gans/page/24/ 24]}} The trio moved to New York City in 1975, adopted the name Talking Heads, joined the [[Music of New York City|New York punk scene]], and recruited Harrison to round out the band. Their debut album, ''[[Talking Heads: 77]]'', was released in 1977 to positive reviews.<ref>{{Cite magazine|url=https://www.rollingstone.com/music/music-album-reviews/talking-heads-77-202805/|title=Talking Heads '77|last=Demorest|first=Stephen|date=November 3, 1977|magazine=Rolling Stone|language=en-US|access-date=August 3, 2019}}</ref> They collaborated with the British producer [[Brian Eno]] on the acclaimed albums ''[[More Songs About Buildings and Food]]'' (1978), ''[[Fear of Music]]'' (1979), and ''[[Remain in Light]]'' (1980), which blended their art school sensibilities with influence from artists such as [[Parliament-Funkadelic]] and [[Fela Kuti]].<ref name="allmusic_bio" /> From the early 1980s, they included additional musicians in their recording sessions and shows, including guitarist [[Adrian Belew]], keyboardist [[Bernie Worrell]], singer [[Nona Hendryx]], and bassist [[Busta Jones]]. |
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Talking Heads reached their commercial peak in 1983 with the [[Pop 100|U.S. Top 10]] hit "[[Burning Down the House]]" from the album ''[[Speaking in Tongues (Talking Heads album)|Speaking in Tongues]]''. In 1984, they released the concert film ''[[Stop Making Sense]]'', directed by [[Jonathan Demme]]. For these performances, they were joined by Worrell, |
Talking Heads reached their commercial peak in 1983 with the [[Pop 100|U.S. Top 10]] hit "[[Burning Down the House]]" from the album ''[[Speaking in Tongues (Talking Heads album)|Speaking in Tongues]]''. In 1984, they released the concert film ''[[Stop Making Sense]]'', which was directed by [[Jonathan Demme]]. For these performances, they were joined by Worrell, guitarist [[Alex Weir (musician)|Alex Weir]], percussionist Steve Scales, and singers [[Lynn Mabry]] and Ednah Holt.<ref name="allmusic_bio" /> In 1985, Talking Heads released their best-selling album, ''[[Little Creatures]]''. They produced [[True Stories (Talking Heads album)|a soundtrack album]] for Byrne's film ''[[True Stories (film)|True Stories]]'' (1986), and released their final album, the [[worldbeat]]-influenced ''[[Naked (Talking Heads album)|Naked]]'' (1988), before disbanding in 1991. Without Byrne, the other band members performed under the name '''Shrunken Heads''', and released an album, ''[[No Talking, Just Head]]'', as '''the Heads''' in 1996. |
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In 2002, Talking Heads were inducted into the [[Rock and Roll Hall of Fame]]. Four of their albums appeared |
In 2002, Talking Heads were inducted into the [[Rock and Roll Hall of Fame]]. Four of their albums appeared on ''[[Rolling Stone]]''{{'}}s 2003 list of the "[[Rolling Stone's 500 Greatest Albums of All Time|500 Greatest Albums of All Time]]", and three of their songs—"[[Psycho Killer]]", "[[Life During Wartime (song)|Life During Wartime]]", and "[[Once in a Lifetime (Talking Heads song)|Once in a Lifetime]]"—were included among the Rock and Roll Hall of Fame's [[500 Songs That Shaped Rock and Roll]].<ref>{{cite web |url=http://rockhall.com/exhibits/500-songs-that-shaped-rock-and/ |title= The Songs That Shaped Rock and Roll |website= The Rock and Roll Hall of Fame and Museum |access-date= January 12, 2008 |url-status= dead |archive-url=https://web.archive.org/web/20100317150057/http://rockhall.com/exhibits/500-songs-that-shaped-rock-and/ |archive-date= March 17, 2010}}</ref> The band also ranked number 64 on [[VH1]]'s list of the "100 Greatest Artists of All Time".<ref>{{cite web |title=The Greatest – Ep. 215 |website= [[vh1.com]] |url=http://www.vh1.com/shows/the_greatest/episode.jhtml?episodeID=171750 |access-date= April 29, 2015 |url-status= dead |archive-url=https://web.archive.org/web/20150910071803/http://www.vh1.com/shows/the_greatest/episode.jhtml?episodeID=171750 |archive-date= September 10, 2015}}</ref> In the 2011 update of ''Rolling Stone''{{'}}s list of the "[[Rolling Stone's 100 Greatest Artists of All Time|100 Greatest Artists of All Time]]", they were ranked number 100.<ref name="2011-rs-update">{{cite magazine|url=https://www.rollingstone.com/music/lists/100-greatest-artists-of-all-time-19691231/talking-heads-20110426|title=100 Greatest Artists of All Time|year=2011|magazine=Rolling Stone|access-date=January 8, 2016}}</ref> |
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==History== |
==History== |
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===1973–1977: Early years=== |
=== 1973–1977: Early years === |
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{{main|Talking Heads: 77}} |
{{main|Talking Heads: 77}} |
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In 1973, [[Rhode Island School of Design]] students [[David Byrne]] (guitar and vocals) and [[Chris Frantz]] (drums) formed a band, the Artistics.{{r|Gans_198512|page=[https://archive.org/details/talkingheads0000gans/page/28/ 28]|quote=It was called the Artistics. We played real loud. It had more pieces than we have now.}}<ref>Gittins, Ian, ''Talking Heads: Once in a Lifetime: the Stories Behind Every Song'', Hal Leonard Corporation, 2004, p. 140. {{ISBN|0-634-08033-4}}, {{ISBN|978-0-634-08033-3}}.</ref> Fellow student [[Tina Weymouth]], Frantz's girlfriend, often provided transportation. The Artistics dissolved the following year, and the three moved to New York City, eventually sharing a communal loft.<ref>Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) p. 159.</ref> After they were unable to find a bassist, Weymouth took up the role. Frantz encouraged Weymouth to learn to play bass by listening to [[Suzi Quatro]] albums.<ref name="Bass Player">[https://web.archive.org/web/20081206031839/http://www.bassplayer.com/article/tina-weymouth/mar-97/5958 Tina Talks Heads, Tom Toms, and How to Succeed at Bass Without Really Trying] Gregory Isola, ''[[Bass Player (magazine)|Bass Player]]'', retrieved December 6, 2008.</ref> Byrne asked Weymouth to audition three times before she joined the band.<ref>{{Cite news|url=https://www.independent.co.uk/news/people/profiles/how-we-met-chris-frantz-tina-weymouth-8533427.html |archive-url=https://ghostarchive.org/archive/20220526/https://www.independent.co.uk/news/people/profiles/how-we-met-chris-frantz-tina-weymouth-8533427.html |archive-date=May 26, 2022 |url-access=subscription |url-status=live|title=How We Met: Chris Frantz & Tina Weymouth|last=Jacques|first=Adam|date=March 17, 2013|work=The Independent|access-date=December 3, 2020|language=en}}</ref> |
In 1973, [[Rhode Island School of Design]] students [[David Byrne]] (guitar and vocals) and [[Chris Frantz]] (drums) formed a band, the Artistics.{{r|Gans_198512|page=[https://archive.org/details/talkingheads0000gans/page/28/ 28]|quote=It was called the Artistics. We played real loud. It had more pieces than we have now.}}<ref>Gittins, Ian, ''Talking Heads: Once in a Lifetime: the Stories Behind Every Song'', Hal Leonard Corporation, 2004, p. 140. {{ISBN|0-634-08033-4}}, {{ISBN|978-0-634-08033-3}}.</ref> Fellow student [[Tina Weymouth]], Frantz's girlfriend, often provided transportation. The Artistics dissolved the following year, and the three moved to New York City, eventually sharing a communal loft.<ref>Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) p. 159.</ref> After they were unable to find a bassist, Weymouth took up the role. Frantz encouraged Weymouth to learn to play bass by listening to [[Suzi Quatro]] albums.<ref name="Bass Player">[https://web.archive.org/web/20081206031839/http://www.bassplayer.com/article/tina-weymouth/mar-97/5958 Tina Talks Heads, Tom Toms, and How to Succeed at Bass Without Really Trying] Gregory Isola, ''[[Bass Player (magazine)|Bass Player]]'', retrieved December 6, 2008.</ref> Byrne asked Weymouth to audition three times before she joined the band.<ref>{{Cite news|url=https://www.independent.co.uk/news/people/profiles/how-we-met-chris-frantz-tina-weymouth-8533427.html |archive-url=https://ghostarchive.org/archive/20220526/https://www.independent.co.uk/news/people/profiles/how-we-met-chris-frantz-tina-weymouth-8533427.html |archive-date=May 26, 2022 |url-access=subscription |url-status=live|title=How We Met: Chris Frantz & Tina Weymouth|last=Jacques|first=Adam|date=March 17, 2013|work=The Independent|access-date=December 3, 2020|language=en}}</ref> |
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[[File:Harrison and Byrne-Talking Heads.jpg|left|thumb|Jerry Harrison & David Byrne on guitars Minneapolis in 1977]] |
[[File:Harrison and Byrne-Talking Heads.jpg|left|thumb|Jerry Harrison & David Byrne on guitars Minneapolis in 1977]] |
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The band played their first gig as Talking |
The band played their first gig as Talking Heads—opening for the [[Ramones]] at the [[CBGB]] club—on June 5, 1975.<ref name="halloffame2"/> According to Weymouth, the name Talking Heads came from an issue of ''[[TV Guide]]'', which "explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. It fit."<ref>Weymouth, Tina (1992). In ''Sand in the Vaseline''. CD liner notes, p. 12. New York: Sire Records Company</ref> Later that year, the band recorded a series of demos for [[CBS Records International|CBS]], but did not receive a record contract. However, they drew a following and signed to [[Sire Records]] in November 1976. They released their first single in February the following year, "[[Love → Building on Fire]]". In March 1977, they added [[Jerry Harrison]], formerly of [[Jonathan Richman]]'s band the [[The Modern Lovers|Modern Lovers]], on keyboards, guitar, and backing vocals.<ref name="rs_flashback">{{cite magazine|last=Greene|first=Andy|title=Flashback: Talking Heads Perform 'Psycho Killer' at CBGB in 1975|url=https://www.rollingstone.com/music/videos/flashback-talking-heads-perform-psycho-killer-at-cbgb-in-1975-20130711|magazine=[[Rolling Stone]]|date=July 11, 2013|access-date=April 23, 2014}}</ref> [[Gary Kurfirst]] started managing Talking Heads in 1977.<ref>{{citation |title=Ramones, Jane's Addiction, Talking Heads manager passes away |
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|url=https://www.nme.com/news/music/talking-heads-5-1320331|work=[[NME Networks]]|access-date=January 14, 2009}}</ref> |
|url=https://www.nme.com/news/music/talking-heads-5-1320331|work=[[NME Networks]]|date=January 14, 2009 |access-date=January 14, 2009}}</ref> |
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The first Talking Heads album, ''[[Talking Heads: 77]]'', received acclaim and produced their first charting single, "[[Psycho Killer]]".<ref name="allmusic_77">{{cite web|last=Ruhlmann|first=William|title=Talking Heads 77|url=http://www.allmusic.com/album/talking-heads-77-mw0000650867|work=[[AllMusic]]|access-date=April 23, 2014}}</ref> Many connected the song to the [[serial killer]] known as the [[Son of Sam]], who had been terrorizing New York City months earlier; however, Byrne said he had written the song years prior.<ref name="Gittins2004">{{cite book|author=Ian Gittins|title=Talking Heads: Once in a Lifetime: The Stories Behind Every Song|url=https://books.google.com/books?id=ZvhoZyTzspYC&pg=PA30|year=2004|publisher=Hal Leonard|isbn=978-0-634-08033-3|page=30}}</ref> Weymouth and Frantz married in 1977.<ref name="rs_tomtom">{{cite magazine|last=Clarke|first=John|title=Rockers Chris Frantz and Tina Weymouth Talk Marriage|url=https://www.rollingstone.com/music/news/q-a-talking-heads-and-tom-tom-clubs-chris-frantz-and-tina-weymouth-on-their-rock-roll-marriage-20130704|access-date=May 1, 2014|magazine=Rolling Stone|date=July 4, 2013}}</ref> |
The first Talking Heads album, ''[[Talking Heads: 77]]'', received acclaim and produced their first charting single, "[[Psycho Killer]]".<ref name="allmusic_77">{{cite web|last=Ruhlmann|first=William|title=Talking Heads 77|url=http://www.allmusic.com/album/talking-heads-77-mw0000650867|work=[[AllMusic]]|access-date=April 23, 2014}}</ref> Many connected the song to the [[serial killer]] known as the [[Son of Sam]], who had been terrorizing New York City months earlier; however, Byrne said he had written the song years prior.<ref name="Gittins2004">{{cite book|author=Ian Gittins|title=Talking Heads: Once in a Lifetime: The Stories Behind Every Song|url=https://books.google.com/books?id=ZvhoZyTzspYC&pg=PA30|year=2004|publisher=Hal Leonard|isbn=978-0-634-08033-3|page=30}}</ref> Weymouth and Frantz married in 1977.<ref name="rs_tomtom">{{cite magazine|last=Clarke|first=John|title=Rockers Chris Frantz and Tina Weymouth Talk Marriage|url=https://www.rollingstone.com/music/news/q-a-talking-heads-and-tom-tom-clubs-chris-frantz-and-tina-weymouth-on-their-rock-roll-marriage-20130704|access-date=May 1, 2014|magazine=Rolling Stone|date=July 4, 2013}}</ref> |
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===1978–1980: Collaborations with Brian Eno=== |
===1978–1980: Collaborations with Brian Eno=== |
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{{main|More Songs About Buildings and Food|Fear of Music|Remain in Light}} |
{{main|More Songs About Buildings and Food|Fear of Music|Remain in Light}} |
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''[[More Songs About Buildings and Food]]'' (1978) was Talking Heads' first collaboration with the producer [[Brian Eno]], who had previously worked with [[Roxy Music]], [[David Bowie]], [[John Cale]] and [[Robert Fripp]];<ref name=eno_credits>{{cite web|title=Brian Eno {{!}} Credits|url=http://www.allmusic.com/artist/brian-eno-mn0000617196/credits|work=Allmusic|access-date=April 25, 2014}}</ref> the title of Eno's 1977 song "King's Lead Hat" is an [[anagram]] of the band's name. Eno's unusual style meshed with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical |
''[[More Songs About Buildings and Food]]'' (1978) was Talking Heads' first collaboration with the producer [[Brian Eno]], who had previously worked with [[Roxy Music]], [[David Bowie]], [[John Cale]], and [[Robert Fripp]];<ref name="eno_credits">{{cite web|title=Brian Eno {{!}} Credits|url=http://www.allmusic.com/artist/brian-eno-mn0000617196/credits|work=Allmusic|access-date=April 25, 2014}}</ref> the title of Eno's 1977 song "King's Lead Hat" is an [[anagram]] of the band's name. Eno's unusual style meshed with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions—from [[psychedelic funk]] to [[African music]], influenced prominently by [[Fela Kuti]] and [[Parliament-Funkadelic]].<ref name="Ricchini">{{cite news |first= William |last= Ricchini |title= Napolitano Brings Out Best Of Heads |newspaper= [[The Philadelphia Inquirer]] |url=http://articles.philly.com/1996-11-12/entertainment/25650345_1_heads-keyboardist-jerry-harrison-performance |date= November 12, 1996 |access-date= April 24, 2015 |archive-url=https://web.archive.org/web/20151230030048/http://articles.philly.com/1996-11-12/entertainment/25650345_1_heads-keyboardist-jerry-harrison-performance |archive-date=December 30, 2015 |url-status=dead}}</ref><ref name="Pilchak">{{cite book|first= Angela M. |last= Pilchak |title= Contemporary Musicians |volume= 49 |year= 2005 |publisher= [[Gale (publisher)|Gale]] |isbn= 978-0-7876-8062-6 |page= 77}}</ref><ref name="Simon Reynolds 2005 p. 163">Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) p. 163.</ref> This recording also established the band's relationship with [[Compass Point Studios]] in [[Nassau, Bahamas]]. ''More Songs About Buildings and Food'' included a cover of [[Al Green]]'s "[[Take Me to the River]]", which brought Talking Heads into the public consciousness and gave them their first ''Billboard'' Top 30 hit.<ref name="Simon Reynolds 2005 p. 163"/> |
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[[File:Talkin'HeadsELMO.jpg|thumb|Talking Heads perform. Pictured: Harrison (left) and Byrne.]] |
[[File:Talkin'HeadsELMO.jpg|thumb|Talking Heads perform. Pictured: Harrison (left) and Byrne.]] |
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[[File:Talking Heads band1.jpg|thumb|Harrison (left), Frantz (middle) and Byrne (right) performing with Talking Heads in 1978]] |
[[File:Talking Heads band1.jpg|thumb|Harrison (left), Frantz (middle) and Byrne (right) performing with Talking Heads in 1978]] |
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The collaboration continued with ''[[Fear of Music]]'' (1979), |
The collaboration continued with ''[[Fear of Music]]'' (1979), which mixed the darker stylings of post-punk rock with white [[funkadelia]] and subliminal references to the geopolitical instability of the late 1970s.<ref name="Simon Reynolds 2005 p. 163"/> Music journalist [[Simon Reynolds]] cited ''Fear of Music'' as representing the Eno–Talking Heads collaboration "at its most mutually fruitful and equitable".<ref>Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) pp. 163–164.</ref> The single "[[Life During Wartime (song)|Life During Wartime]]" produced the catchphrase "This ain't no party, this ain't no disco".<ref>{{cite web|last=Janovitz|first=Bill|title=Life During Wartime – Song Review|url=http://www.allmusic.com/song/life-during-wartime-mt0031644471|work=Allmusic|access-date=April 25, 2014}}</ref> The song refers to the [[Mudd Club]] and [[CBGB]], two popular New York nightclubs of the time.<ref name=latimes_20years>{{cite web|last=Robbins|first=Ira|title=20 Years Later, CBGB Ain't No Disco: Clubs: A look back as the Bowery bar concludes a monthlong celebration of its commitment to underground rock's trends|url=https://www.latimes.com/archives/la-xpm-1993-12-31-ca-7219-story.html|work=[[Los Angeles Times]]|date=December 31, 1993 |access-date=April 25, 2014}}</ref> |
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''[[Remain in Light]]'' (1980) was heavily influenced by the [[ |
''[[Remain in Light]]'' (1980) was heavily influenced by the [[Afrobeat]] of Nigerian bandleader [[Fela Kuti]], whose music had been introduced to the band by Eno. It explored West African [[polyrhythm]]s, weaving these together with Arabic music from North Africa, disco funk, and "found" voices.<ref>Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) p. 165.</ref> These combinations foreshadowed Byrne's later interest in [[world music]].<ref name=allmusic_byrne_bio>{{cite web|last=Ankeny|first=Jason|title=David Byrne {{!}} Biography|url=http://www.allmusic.com/artist/david-byrne-mn0000197364/biography|work=Allmusic|access-date=April 25, 2014}}</ref> In order to perform these more complex arrangements, the band toured with an expanded group, including [[Adrian Belew]] and [[Bernie Worrell]], among others, first at the [[Heatwave (festival)|Heatwave]] festival in August,<ref name=michigan_daily_heatwave>{{cite news|last=Robins|first=Jim|title=Expanded Talking Heads Climax Canadian New Wave Festival|url=https://news.google.com/newspapers?nid=2706&dat=19800906&id=UhNKAAAAIBAJ&sjid=bx4NAAAAIBAJ&pg=1428,170371|newspaper=[[The Michigan Daily]]|date=September 6, 1980}}</ref> and later in their concert film ''[[Stop Making Sense]]''.{{Citation needed|date=April 2023}} |
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During this period, Weymouth and Frantz formed a commercially successful splinter group, [[Tom Tom Club]], influenced by the foundational elements of [[hip hop]],<ref name=latimes_tomtomclub>{{cite news|last=Boehm|first=Mike|title=x-Heads Say They Got Byrned: Split Still Miffs Frantz, Weymouth, Even Though Tom Tom Club Keeps Them Busy|url= |
During this period, Weymouth and Frantz formed a commercially successful splinter group, [[Tom Tom Club]], influenced by the foundational elements of [[hip hop]],<ref name=latimes_tomtomclub>{{cite news|last=Boehm|first=Mike|title=x-Heads Say They Got Byrned: Split Still Miffs Frantz, Weymouth, Even Though Tom Tom Club Keeps Them Busy|url=https://www.latimes.com/archives/la-xpm-1992-09-10-ca-490-story.html|newspaper=Los Angeles Times|date=September 10, 1992}}</ref> and Harrison released his first solo album, ''[[The Red and the Black (album)|The Red and the Black]]''.<ref name=nytimes_poplife>{{cite news|last=Palmer|first=Robert|title=The Pop Life|url=https://www.nytimes.com/1981/11/18/arts/the-pop-life-097396.html|newspaper=[[The New York Times]]|date=November 18, 1981}}</ref> Byrne and Eno released ''[[My Life in the Bush of Ghosts (album)|My Life in the Bush of Ghosts]]'', which incorporated world music, found sounds and a number of other prominent international and post-punk musicians.<ref>{{cite web|last=Bush|first=John|title=My Life in the Bush of Ghosts|url=http://www.allmusic.com/album/my-life-in-the-bush-of-ghosts-mw0000651183|work=Allmusic|access-date=April 25, 2014}}</ref> |
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{{Listen |
{{Listen |
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|description=The fourth song from ''Remain in Light'' utilized Eno's [[Oblique Strategies]] technique and featured Byrne's alienated meditation on life. The song was named one of the 100 most important American musical works of the 20th century by NPR.<ref>{{cite web|title=The 100 most important American musical works of the 20th century|url=https://www.npr.org/programs/specials/vote/list100.html|work=[[NPR]]|access-date=May 5, 2014}}</ref> |
|description=The fourth song from ''Remain in Light'' utilized Eno's [[Oblique Strategies]] technique and featured Byrne's alienated meditation on life. The song was named one of the 100 most important American musical works of the 20th century by NPR.<ref>{{cite web|title=The 100 most important American musical works of the 20th century|url=https://www.npr.org/programs/specials/vote/list100.html|work=[[NPR]]|access-date=May 5, 2014}}</ref> |
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|format=[[Ogg]]}} |
|format=[[Ogg]]}} |
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''Remain in Light''{{'}}s lead single, "[[Once in a Lifetime (Talking Heads song)|Once in a Lifetime]]", became a Top 20 hit in the UK, but initially failed to make an impression in the US. It grew into a popular standard over the next few years on the strength of its music video, which [[Time (magazine)|''Time'']] named one of the greatest of all time.<ref>Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) p. 169.</ref><ref>{{cite magazine|last=Sanburn|first=Josh|title=The 30 All-TIME Best Music Videos|url= |
''Remain in Light''{{'}}s lead single, "[[Once in a Lifetime (Talking Heads song)|Once in a Lifetime]]", became a Top 20 hit in the UK, but initially failed to make an impression in the US. It grew into a popular standard over the next few years on the strength of its music video, which [[Time (magazine)|''Time'']] named one of the greatest of all time.<ref>Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) p. 169.</ref><ref>{{cite magazine |last=Sanburn |first=Josh |title=The 30 All-TIME Best Music Videos - Talking Heads, 'Once in a Lifetime' (1980) |url=https://entertainment.time.com/2011/07/28/the-30-all-time-best-music-videos/slide/talking-heads-once-in-a-lifetime-1980/ |magazine=[[Time (magazine)|Time]] |date=July 26, 2011|access-date=October 19, 2024}}</ref> |
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===1981–1991: Commercial peak and breakup=== |
===1981–1991: Commercial peak and breakup=== |
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{{main|Speaking in Tongues (Talking Heads album)|Little Creatures|True Stories (Talking Heads album)|Naked (Talking Heads album)}} |
{{main|Speaking in Tongues (Talking Heads album)|Little Creatures|True Stories (Talking Heads album)|Naked (Talking Heads album)}} |
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After releasing four albums in barely four years, the group went on a recording hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with |
After releasing four albums in barely four years, the group went on a recording hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with Tom Tom Club. In the meantime, Talking Heads released the live album ''[[The Name of This Band Is Talking Heads]]'', toured the United States and Europe as an eight-piece group, and parted ways with Eno,<ref>Simon Reynolds. ''Rip It up and Start Again: Postpunk 1978–1984''. Penguin Books (2005) pp. 169–170.</ref> who went on to produce albums with [[U2]].<ref name=eno_credits /> |
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1983 saw the release of ''[[Speaking in Tongues (Talking Heads album)|Speaking in Tongues]]'', a commercial breakthrough that produced the band's only American Top 10 hit, "[[Burning Down the House]]".<ref>{{cite web|last=DeGagne|first=Mike|title=Burning Down the House – Talking Heads – Song Review|url=http://www.allmusic.com/song/burning-down-the-house-mt0011948974|work=Allmusic|access-date=April 25, 2014}}</ref> Once again, a striking video was inescapable owing to its heavy rotation on MTV.<ref>{{cite web|last=Johnston|first=Maura|author-link=Maura Johnston |title=Sick Of It All (16) Battles Talking Heads (8) As SOTC's March Madness Takes A Trip To CBGB|url=http://blogs.villagevoice.com/music/2012/03/new_york_musician_tournament_talking_heads_sick_of_it_all.php|work=[[Village Voice]]|access-date=April 25, 2014}}</ref> The following tour was documented in [[Jonathan Demme]]'s ''[[Stop Making Sense]]'', which generated another [[Stop Making Sense (album)|live album of the same name]].<ref>{{cite magazine|last=Light|first=Alan|title=All-TIME 100 Albums|url= |
1983 saw the release of ''[[Speaking in Tongues (Talking Heads album)|Speaking in Tongues]]'', a commercial breakthrough that produced the band's only American Top 10 hit, "[[Burning Down the House]]".<ref>{{cite web|last=DeGagne|first=Mike|title=Burning Down the House – Talking Heads – Song Review|url=http://www.allmusic.com/song/burning-down-the-house-mt0011948974|work=Allmusic|access-date=April 25, 2014}}</ref> Once again, a striking video was inescapable, owing to its heavy rotation on MTV.<ref>{{cite web|last=Johnston|first=Maura|author-link=Maura Johnston |title=Sick Of It All (16) Battles Talking Heads (8) As SOTC's March Madness Takes A Trip To CBGB|url=http://blogs.villagevoice.com/music/2012/03/new_york_musician_tournament_talking_heads_sick_of_it_all.php|work=[[Village Voice]]|access-date=April 25, 2014}}</ref> The following tour was documented in [[Jonathan Demme]]'s ''[[Stop Making Sense]]'', which generated another [[Stop Making Sense (album)|live album of the same name]].<ref>{{cite magazine|last=Light|first=Alan|title=All-TIME 100 Albums|url=https://entertainment.time.com/2006/11/02/the-all-time-100-albums/slide/stop-making-sense/|magazine=[[Time (magazine)|Time]]|date=January 25, 2010|access-date=April 25, 2014}}</ref> The tour in support of ''Speaking in Tongues'' was their last.<ref name=philly_milward>{{cite web|last=Milward|first=John|title=The Many Faces And Artistic Endeavors Of The Talking Heads David Byrne And His Mates In The Band Are Keeping Busy – Together, With 'Naked', And On Their Own.|url=http://articles.philly.com/1988-04-14/entertainment/26253138_1_videos-heads-david-byrne|archive-url=https://archive.today/20140425033500/http://articles.philly.com/1988-04-14/entertainment/26253138_1_videos-heads-david-byrne|url-status=dead|archive-date=April 25, 2014|work=[[Philly.com]]|access-date=April 25, 2014}}</ref> |
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{{quote box|align=left|width=25em|quote=I try to write about small things. Paper, animals, a house… love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.|source = —[[David Byrne]], interviewing himself in ''[[Stop Making Sense]]''<ref>{{cite web|last=Harvey|first=Eric|title=David Byrne: Live From Austin TX|url=http://pitchfork.com/reviews/albums/10783-live-from-austin-tx/|work=[[Pitchfork Media]]|access-date=May 5, 2014}}</ref>}} |
{{quote box|align=left|width=25em|quote=I try to write about small things. Paper, animals, a house… love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.|source = —[[David Byrne]], interviewing himself in ''[[Stop Making Sense]]''<ref>{{cite web|last=Harvey|first=Eric|title=David Byrne: Live From Austin TX|url=http://pitchfork.com/reviews/albums/10783-live-from-austin-tx/|work=[[Pitchfork Media]]|access-date=May 5, 2014}}</ref>}} |
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Three more albums followed: 1985's ''[[Little Creatures (album)|Little Creatures]]'' (which featured the hit singles "[[And She Was]]" and "[[Road to Nowhere]]"),<ref>{{cite web|title=Little Creatures – Talking Heads|url=http://www.allmusic.com/album/little-creatures-mw0000191997/awards|work=Allmusic|access-date=April 27, 2014}}</ref> 1986's ''[[True Stories (Talking Heads album)|True Stories]]'' (Talking Heads covering all the soundtrack songs of Byrne's [[True Stories (film)|musical comedy film]], in which the band also appeared),<ref name=nytimes_true_stories>{{cite news|last=Maslin|first=Janet|title=True Stories (1986) DAVID BYRNE IN 'TRUE STORIES'|url=https://www.nytimes.com/movie/review?res=9D05E0DF153AF937A35753C1A960948260|work=The New York Times|access-date=April 27, 2014}}</ref> and 1988's ''[[Naked (Talking Heads album)|Naked]]''. ''Little Creatures'' offered a much more American pop-rock sound as opposed to previous efforts.<ref>{{cite web|last=Ruhlmann|first=William|title=Little Creatures|url=http://www.allmusic.com/album/little-creatures-mw0000191997|work=Allmusic|access-date=April 27, 2014}}</ref> Similar in genre, ''True Stories'' hatched one of the group's most successful hits, "[[Wild Wild Life]]", and the accordion-driven track "Radio Head".<ref>{{cite web|last=Hastings|first=Michael|title=Talking Heads – True Stories|url=http://www.allmusic.com/album/true-stories-mw0000192119|work=Allmusic|access-date=April 27, 2014}}</ref> ''Naked'' explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on ''Remain in Light''.<ref>{{cite news|last=Pareles|first=Jon|title=Talking Heads get 'Naked'|url=https://news.google.com/newspapers?nid=2519&dat=19880320&id=tKldAAAAIBAJ&sjid=VV0NAAAAIBAJ&pg=1938,5020831|newspaper=[[Observer-Reporter]]|date=March 20, 1988}}</ref> During that time, the group was falling increasingly under David Byrne's control and |
Three more albums followed: 1985's ''[[Little Creatures (album)|Little Creatures]]'' (which featured the hit singles "[[And She Was]]" and "[[Road to Nowhere]]"),<ref>{{cite web|title=Little Creatures – Talking Heads|url=http://www.allmusic.com/album/little-creatures-mw0000191997/awards|work=Allmusic|access-date=April 27, 2014}}</ref> 1986's ''[[True Stories (Talking Heads album)|True Stories]]'' (Talking Heads covering all the soundtrack songs of Byrne's [[True Stories (film)|musical comedy film]], in which the band also appeared),<ref name=nytimes_true_stories>{{cite news|last=Maslin|first=Janet|title=True Stories (1986) DAVID BYRNE IN 'TRUE STORIES'|url=https://www.nytimes.com/movie/review?res=9D05E0DF153AF937A35753C1A960948260|work=The New York Times|access-date=April 27, 2014}}</ref> and 1988's ''[[Naked (Talking Heads album)|Naked]]''. ''Little Creatures'' offered a much more American pop-rock sound as opposed to previous efforts.<ref>{{cite web|last=Ruhlmann|first=William|title=Little Creatures|url=http://www.allmusic.com/album/little-creatures-mw0000191997|work=Allmusic|access-date=April 27, 2014}}</ref> Similar in genre, ''True Stories'' hatched one of the group's most successful hits, "[[Wild Wild Life]]", and the accordion-driven track "Radio Head".<ref>{{cite web|last=Hastings|first=Michael|title=Talking Heads – True Stories|url=http://www.allmusic.com/album/true-stories-mw0000192119|work=Allmusic|access-date=April 27, 2014}}</ref> ''Naked'' explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on ''Remain in Light''.<ref>{{cite news|last=Pareles|first=Jon|title=Talking Heads get 'Naked'|url=https://news.google.com/newspapers?nid=2519&dat=19880320&id=tKldAAAAIBAJ&sjid=VV0NAAAAIBAJ&pg=1938,5020831|newspaper=[[Observer-Reporter]]|date=March 20, 1988}}</ref> During that time, the group was falling increasingly under David Byrne's control, and after ''Naked'', the band went on "hiatus".<ref name=allmusic_bio /> In 1987, Talking Heads released a book by David Byrne, ''What the Songs Look Like: Contemporary Artists Interpret Talking Heads Songs'', with [[HarperCollins]] that contained artwork by some of the top New York visual artists of the decade. |
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[[File:Tina weymouth tom tom club.png|alt=|thumb|upright=0.8|Tina Weymouth, pictured here performing in 1986, and her husband Chris Frantz formed the side project [[Tom Tom Club]].]] |
[[File:Tina weymouth tom tom club.png|alt=|thumb|upright=0.8|Tina Weymouth, pictured here performing in 1986, and her husband Chris Frantz formed the side project [[Tom Tom Club]].]] |
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In December 1991, Talking Heads announced that they had disbanded.<ref name=allmusic_bio /> Frantz said |
In December 1991, Talking Heads announced that they had disbanded.<ref name=allmusic_bio /> Frantz said he learned that Byrne had left from an article in the ''Los Angeles Times'', and said: "As far as we're concerned, the band never really broke up. David just decided to leave."<ref>Boehm, Mike (September 10, 1992). "x-Heads Say They Got Byrned: Split Still Miffs Frantz, Weymouth, Even Though Tom Tom Club Keeps Them Busy". ''Los Angeles Times''.</ref> Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to [[Wim Wenders]]' ''[[Until the End of the World]]''. Byrne continued his solo career, releasing ''[[Rei Momo]]'' in 1989 and [[The Forest (album)|''The Forest'']] in 1991.<ref name=allmusic_byrne_bio /> This period also saw a revived flourish from both Tom Tom Club (''[[Boom Boom Chi Boom Boom]]'' and ''[[Dark Sneak Love Action]]'')<ref>{{cite web|last=Ruhlmann|first=William|title=Tom Tom Club {{!}} Biography|url=http://www.allmusic.com/artist/tom-tom-club-mn0000611929/biography|work=Allmusic|access-date=April 27, 2014}}</ref> and Harrison (''[[Casual Gods]]'' and ''[[Walk on Water (Jerry Harrison album)|Walk on Water]]''), who toured together in 1990.<ref>{{cite news|last=Christensen|first=Thor|title=Harrison starts to find own voice|url=https://news.google.com/newspapers?nid=1499&dat=19900522&id=fiohAAAAIBAJ&sjid=5H4EAAAAIBAJ&pg=7137,8383973|newspaper=[[The Milwaukee Journal]]|date=May 22, 1990|access-date=January 12, 2016|archive-date=May 4, 2016|archive-url=https://web.archive.org/web/20160504184239/https://news.google.com/newspapers?nid=1499&dat=19900522&id=fiohAAAAIBAJ&sjid=5H4EAAAAIBAJ&pg=7137,8383973|url-status=dead}}</ref> |
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===1992–present: Post-breakup and reunions=== |
===1992–present: Post-breakup and reunions=== |
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Weymouth, Frantz, and Harrison toured without Byrne as Shrunken Heads in the early 1990s.<ref>{{Cite web|last=Wilonsky|first=Robert|date=October 21, 1999|title=Heads up|url=https://www.dallasobserver.com/music/heads-up-6397139|access-date=August 1, 2020|website=Dallas Observer}}</ref> In 1996, they released an album, ''[[No Talking, Just Head]]'', under the name the Heads. The album featured a number of vocalists, including [[Gavin Friday]] of [[the Virgin Prunes]], [[Debbie Harry]] of [[Blondie (band)|Blondie]], [[Johnette Napolitano]] of [[Concrete Blonde]], [[Andy Partridge]] of [[XTC]], [[Gordon Gano]] of [[Violent Femmes]], [[Michael Hutchence]] of [[INXS]], [[Ed Kowalczyk]] of [[Live (band)|Live]], [[Shaun Ryder]] of [[Happy Mondays]], [[Richard Hell]], and [[Maria McKee]].<ref name=allmusic_notalking>{{cite web|last=Erlewine|first=Stephen Thomas|title=No Talking Just Head – The Heads|url=http://www.allmusic.com/album/no-talking-just-head-mw0000079013|work=Allmusic|access-date=May 1, 2014}}</ref> It was accompanied by a tour with Napolitano as the vocalist. Byrne took legal action to prevent the band using the name The Heads, which he saw as "a pretty obvious attempt to cash in on the Talking Heads name".<ref name="rs-byrne-ing">{{cite magazine |url=http://www.davidbyrne.com/music/cds/feelings/feelings_press/feelings_RollingStone_interview.php |title=Byrne-ing Down the House|author=Levine, Robert |date=June 26, 1997|magazine=Rolling Stone |via=DavidByrne.com |access-date=October 31, 2009}}</ref> The band briefly reunited in 1999 to promote the 15th anniversary re-release of ''Stop Making Sense'', but did not perform together.<ref>{{cite web |last1=Sragow |first1=Michael |title=Talking Heads talk again |url=https://www.salon.com/1999/04/27/heads/ |website=Salon |date=April 27, 1999 |access-date=December 3, 2021}}</ref> |
Weymouth, Frantz, and Harrison toured without Byrne as Shrunken Heads in the early 1990s.<ref>{{Cite web|last=Wilonsky|first=Robert|date=October 21, 1999|title=Heads up|url=https://www.dallasobserver.com/music/heads-up-6397139|access-date=August 1, 2020|website=Dallas Observer}}</ref> In 1996, they released an album, ''[[No Talking, Just Head]]'', under the name the Heads. The album featured a number of vocalists, including [[Gavin Friday]] of [[the Virgin Prunes]], [[Debbie Harry]] of [[Blondie (band)|Blondie]], [[Johnette Napolitano]] of [[Concrete Blonde]], [[Andy Partridge]] of [[XTC]], [[Gordon Gano]] of [[Violent Femmes]], [[Michael Hutchence]] of [[INXS]], [[Ed Kowalczyk]] of [[Live (band)|Live]], [[Shaun Ryder]] of [[Happy Mondays]], [[Richard Hell]], and [[Maria McKee]].<ref name=allmusic_notalking>{{cite web|last=Erlewine|first=Stephen Thomas|title=No Talking Just Head – The Heads|url=http://www.allmusic.com/album/no-talking-just-head-mw0000079013|work=Allmusic|access-date=May 1, 2014}}</ref> It was accompanied by a tour with Napolitano as the vocalist. Byrne took legal action to prevent the band using the name The Heads, which he saw as "a pretty obvious attempt to cash in on the Talking Heads name".<ref name="rs-byrne-ing">{{cite magazine |url=http://www.davidbyrne.com/music/cds/feelings/feelings_press/feelings_RollingStone_interview.php |title=Byrne-ing Down the House|author=Levine, Robert |date=June 26, 1997|magazine=Rolling Stone |via=DavidByrne.com |access-date=October 31, 2009}}</ref> The band briefly reunited in 1999 to promote the 15th anniversary re-release of ''Stop Making Sense'', but did not perform together.<ref>{{cite web |last1=Sragow |first1=Michael |title=Talking Heads talk again |url=https://www.salon.com/1999/04/27/heads/ |website=Salon |date=April 27, 1999 |access-date=December 3, 2021}}</ref> |
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Harrison produced records |
Harrison produced records such as the [[Violent Femmes]]' ''[[The Blind Leading the Naked]];'' the [[Fine Young Cannibals]]' ''[[The Raw and the Cooked (album)|The Raw and the Cooked]];'' [[General Public]]'s ''[[Rub It Better]];'' [[Crash Test Dummies]]' ''[[God Shuffled His Feet]];'' [[Live (band)|Live]]'s ''[[Mental Jewelry]]'', ''[[Throwing Copper]]'', and ''[[The Distance to Here]];'' and [[No Doubt]]'s song "New" from ''[[Return of Saturn]]''.<ref>{{cite web|title=Jerry Harrison {{!}} Credits|url=http://www.allmusic.com/artist/jerry-harrison-mn0000330961/credits|work=Allmusic|access-date=May 1, 2014}}</ref> Frantz and Weymouth have produced for several artists, including [[Happy Mondays]] and [[Ziggy Marley]]. Tom Tom Club continues to record and tour intermittently.<ref name="allmusic_tomtom_bio">{{cite web|last=Ruhlmann|first=William|title=Tom Tom Club – Biography|url=http://www.allmusic.com/artist/tom-tom-club-mn0000611929/biography|access-date=May 4, 2014|work=Allmusic}}</ref>[[File:Talking Heads SXSW by Ron Baker.jpg|alt=|thumb|left|Weymouth, Frantz, and Harrison at [[SXSW]] in 2010]] |
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Talking Heads reunited to play "Life During Wartime", "Psycho Killer", and "Burning Down the House" on March 18, 2002, at the ceremony of their induction into the [[Rock and Roll Hall of Fame]], joined |
Talking Heads reunited to play "Life During Wartime", "Psycho Killer", and "Burning Down the House" on March 18, 2002, at the ceremony of their induction into the [[Rock and Roll Hall of Fame]], joined onstage by former touring members [[Bernie Worrell]] and Steve Scales.<ref>{{cite magazine|last=Greene|first=Andy|title=Flashback: Talking Heads Reunite for One Night Only |url=https://www.rollingstone.com/music/videos/flashback-the-talking-heads-reunite-for-one-night-only-20121023|magazine=Rolling Stone|date=October 23, 2012|access-date=May 4, 2014}}</ref> Byrne said further work together was unlikely, due to "bad blood" and being musically "miles apart".<ref name="age">{{cite news |last=Blackman |first=Guy |url=http://www.theage.com.au/news/Music/Byrning-down-the-house/2005/02/04/1107476787488.html |title=Byrning down the house |work=The Age |location=Australia|date=February 6, 2005|access-date=October 3, 2009}}</ref> Weymouth has been critical of Byrne, describing him as "a man incapable of returning friendship"<ref name="age" /> and saying that he did not "love" her, Frantz, and Harrison.<ref name="Bass Player" /> In 2020, Frantz published a memoir about his relationship with Weymouth, ''Remain in Love'', which covered the band's conflicts.<ref name=rollingstone-aug16-2023>{{Cite magazine |last=Greene |first=Andy |date=August 16, 2023 |title=Talking Heads to Appear Together for First Time in 21 Years |url=https://www.rollingstone.com/music/music-news/talking-heads-appear-together-first-time-21-years-1234807644/ |access-date=August 17, 2023 |magazine=Rolling Stone |language=en-US}}</ref> |
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In September 2023, ''Stop Making Sense'' was rereleased in [[IMAX]] with remastered sound and picture to coincide with the film's 40th anniversary.<ref>{{Cite web |title=Stop Making Sense |url=https://www.imax.com/movies/stop-making-sense |access-date=2023-09-24 |website=imax.com |date=August 16, 2023 |language=en}}</ref> The band members reunited that month for a Q&A at the [[Toronto International Film Festival]], following limited showings of the film in theaters,<ref name=rollingstone-aug16-2023/><ref>{{cite web |last=Inskeep |first=Steve and Reena Advani, Phil Harrell, Daoud Tyler-Ameen |date=September 22, 2023 |title=The everyday can be just fine |url=https://www.npr.org/2023/09/22/1200623785/talking-heads-stop-making-sense-interview |access-date=September 22, 2023 |website=Morning Edition |publisher=NPR |quote=the new release's remastered sound and picture, projected in... IMAX}}</ref> and gave subsequent interviews together to promote the |
In September 2023, ''Stop Making Sense'' was rereleased in [[IMAX]] with remastered sound and picture to coincide with the film's 40th anniversary.<ref>{{Cite web |title=Stop Making Sense |url=https://www.imax.com/movies/stop-making-sense |access-date=2023-09-24 |website=imax.com |date=August 16, 2023 |language=en}}</ref> The band members reunited that month for a Q&A at the [[Toronto International Film Festival]], following limited showings of the film in theaters,<ref name=rollingstone-aug16-2023/><ref>{{cite web |last=Inskeep |first=Steve and Reena Advani, Phil Harrell, Daoud Tyler-Ameen |date=September 22, 2023 |title=The everyday can be just fine |url=https://www.npr.org/2023/09/22/1200623785/talking-heads-stop-making-sense-interview |access-date=September 22, 2023 |website=Morning Edition |publisher=NPR |quote=the new release's remastered sound and picture, projected in... IMAX}}</ref> and gave subsequent interviews together to promote the re-release.<ref>{{Cite web |title=Talking Heads on the return of 'Stop Making Sense' |url=https://www.cbsnews.com/video/talking-heads-on-the-return-of-stop-making-sense/ |date=September 24, 2023|access-date=2023-10-05 |publisher=CBS News|website=CBS Sunday Morning|language=en}}</ref> With regard to the possibility of a reunion tour, Harrison told the ''[[Los Angeles Times]]'': "Right now, we're concentrating on ''Stop Making Sense'' and how much fun we're having revisiting the film. We're living in the moment, so that's all we're thinking about."<ref>{{cite news|last1=Tannenbaum|first1=Rob|title=A once-in-a-lifetime reunion: Talking Heads on 'Stop Making Sense,' the Big Suit and their future|url=https://www.latimes.com/entertainment-arts/music/story/2023-09-20/talking-heads-stop-making-sense-rerelease |access-date=24 September 2023|work=[[Los Angeles Times]]|date=20 September 2023}}</ref> In January 2024, ''[[Billboard (magazine)|Billboard]]'' reported that Talking Heads had turned down an $80 million offer for a reunion tour, which would have included a performance at [[Coachella (festival)|Coachella]].<ref>{{cite magazine |last1=Brooks |first1=Dave |title=Coachella Wanted a Talking Heads Reunion, Too |url=https://www.billboard.com/business/touring/coachella-wanted-talking-heads-reunion-1235593270/ |magazine=Billboard |access-date=1 February 2024}}</ref> |
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== |
==Musical style== |
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[[AllMusic]] stated that Talking Heads, one of the most celebrated bands of the 1970s and 1980s,<ref name=allmusic_bio /> by the time of their breakup "had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop".<ref name=allmusic_bio /> |
[[AllMusic]] stated that Talking Heads, one of the most celebrated bands of the 1970s and 1980s,<ref name=allmusic_bio /> by the time of their breakup "had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop".<ref name=allmusic_bio /> In [[Pitchfork (website)|''Pitchfork'']], Andy Cush described the band as "New York art-punks" whose "blend of nervy postmodernism and undeniable groove made them one of the defining rock bands of the late 1970s and ’80s."<ref>{{Cite web |last=Cush |first=Andy |date=Sep 21, 2023 |title=Talking Heads' Original Lineup on Stop Making Sense, Their Early Days, and the Future |url=https://pitchfork.com/features/interview/talking-heads-reunion-2023-stop-making-sense/ |access-date=Sep 25, 2024 |website=[[Pitchfork (magazine)|Pitchfork]]}}</ref> [[Media studies|Media theorist]] [[Dick Hebdige]] said the group "draw eclectically on a wide range of visual and aural sources to create a distinctive pastiche or hybrid 'house style' which they have used since their formation in the mid-1970s deliberately to stretch received (industrial) definitions of what rock/pop/video/Art/ performance/audience are", calling them "a properly postmodernist band."<ref name=":0" /> Talking Heads' [[art pop]] innovations have had a long-lasting impact.<ref>{{Cite web |title=Talking Heads | Biography, Albums, Streaming Links |url=https://www.allmusic.com/artist/talking-heads-mn0000131650 |access-date=June 21, 2021 |website=[[AllMusic]]}}</ref> Along with other groups such as [[Devo]], [[Ramones]], and [[Blondie (band)|Blondie]], they helped define the new wave genre in the United States.<ref>{{cite web |last=Gendron |first=Bernard |title=Origins of the First Wave: The CBGB Scene (1974–75) |url=http://press.uchicago.edu/Misc/Chicago/287378.html |access-date=May 11, 2014 |work=Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde |publisher=University of Chicago Press}}</ref> Meanwhile, their more cosmopolitan hits like 1980's ''Remain in Light'' helped bring African rock to the Western world.<ref>{{cite news |last=Pareles |first=Jon |date=November 8, 1988 |title=Review/Music; How African Rock Won the West, And on the Way Was Westernized |url=https://www.nytimes.com/1989/11/08/arts/review-music-how-african-rock-won-the-west-and-on-the-way-was-westernized.html |access-date=May 11, 2014 |newspaper=New York Times}}</ref> |
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==Legacy and influence== |
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Talking Heads have been cited as an influence by many artists, including [[Eddie Vedder]],<ref>{{cite magazine|url=https://www.spin.com/2003/07/my-life-music-eddie-vedder/|title=My Life in Music: Eddie Vedder|author=SPIN staff|magazine=[[Spin (magazine)|SPIN]]|date=July 15, 2003}}</ref> [[LCD Soundsystem]],<ref>{{cite web|title=James Murphy on LCD Soundsystem|author=David Marchese|work=Vulture|date=August 21, 2017|url=https://www.vulture.com/2017/08/james-murphy-on-lcd-soundsystems-return.html|access-date=March 30, 2022}}</ref> [[Foals (band)|Foals]],<ref>{{cite web|title=Foals Total Life Forever Review|url=https://www.bbc.co.uk/music/reviews/h9m5|publisher=BBC|access-date=November 15, 2013}}</ref> [[the Weeknd]],<ref name="bruce">{{cite web |title=The Weeknd's New Album Is Inspired by Bad Brains, Talking Heads and the Smiths|author=Calum Slingerland|work=[[Exclaim!]]|date=February 6, 2016|url=http://exclaim.ca/music/article/the_weeknds_new_album_is_inspired_by_bad_brains_talking_heads_and_the_smiths|access-date=September 6, 2016}}</ref> [[Vampire Weekend]],<ref>{{cite news|last=Burrows|first=Tim|title=Vampire Weekend: fresh blood on campus|url=https://www.telegraph.co.uk/culture/music/3673202/Vampire-Weekend-fresh-blood-on-campus.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/culture/music/3673202/Vampire-Weekend-fresh-blood-on-campus.html |archive-date=January 10, 2022 |url-access=subscription |url-status=live|access-date=May 11, 2014|newspaper=[[The Daily Telegraph]]|date=May 8, 2008}}{{cbignore}}</ref> [[Primus (band)|Primus]],<ref>[http://www.ram.org/music/primus/articles/mackerel_bio.html Primus press release]. Retrieved August 12, 2012.</ref> [[Bell X1 (band)|Bell X1]],<ref>{{cite web|author=Matthew Magee|url=http://www.tribune.ie/article/2003/jul/27/clear-as-a-bell-x1/|title=Clear as a Bell X1|date=July 27, 2003|access-date=March 4, 2011|work=[[Sunday Tribune]]|url-status=dead|archive-url=https://web.archive.org/web/20110721133524/http://www.tribune.ie/article/2003/jul/27/clear-as-a-bell-x1/|archive-date=July 21, 2011}}</ref> [[the 1975]],<ref name="GoldenPlec">{{cite web |url=http://www.goldenplec.com/the-1975-interview/ |title = The 1975 – Interview |publisher = GoldenPlec |first = Darragh |last = Faughey |date = December 11, 2012 |access-date = February 11, 2016}}</ref> [[the Ting Tings]],<ref name="The Ting Tings">{{cite news|first=Eric|last=Walden|url=http://www.sltrib.com/home/2284030-155/concert-preview-ting-tings-feeling-a|title=Concert preview: Ting Tings feeling a bit less 'Super Critical' now|date=March 27, 2015 |newspaper=[[The Salt Lake Tribune]]|access-date=November 27, 2015}}</ref> [[Nelly Furtado]],<ref>{{cite web|url=http://www.universalmusic.at/pop/contributor/338213/biography/Nelly+Furtado|title=NELLY FURTADO – Loose – ''The Story''|publisher=[[Universal Music]]|access-date=December 2, 2015|url-status=dead|archive-url=https://web.archive.org/web/20151003050822/http://www.universalmusic.at/pop/contributor/338213/biography/Nelly+Furtado|archive-date=October 3, 2015}}</ref> [[Kesha]],<ref>{{cite web|last1=Garland|first1=Emma|title=Kesha's MySpace Profile from 2008 is Better Than DJ Khaled's Snapchat|url=https://noisey.vice.com/en_us/article/keshas-myspace-profile-from-2008-is-better-than-dj-khaleds-snapchat|website=Noisey|publisher=Vice Media|date=January 8, 2017|access-date=January 20, 2017}}</ref> [[St. Vincent (musician)|St. Vincent]],<ref>{{cite web |title= Interview: ANNIE CLARK a.k.a. ST. VINCENT on 'Strange Mercy' |first= Shahlin |last= Graves |publication-date= May 26, 2012 |website= coupdemainmagazine.com |url=http://www.coupdemainmagazine.com/annie-clark/interview-annie-clark-aka-st-vincent-%E2%80%98strange-mercy |access-date= March 25, 2017 |url-status= dead |archive-url=https://web.archive.org/web/20130207191202/http://www.coupdemainmagazine.com/annie-clark/interview-annie-clark-aka-st-vincent-%E2%80%98strange-mercy |archive-date= February 7, 2013}}</ref> [[Danny Brown]],<ref>{{cite web |url=https://www.nme.com/news/music/various-artists-211-1199664 | title = Danny Brown talks Talking Heads and Radiohead influence | last1=Moore | first1=Sam | website=[[NME]] | date = June 15, 2016}}</ref> [[Trent Reznor]]<ref>{{cite web |url=https://vinylwriters.com/trent-reznor-on-talking-heads-remain-in-light-1980/ | title = Trent Reznor on Talking Heads – Remain in Light (1980) | last1=Reznor | first1=Trent | website=Vinyl Writers | date = September 26, 2020 | access-date = December 17, 2020}}</ref> and [[Franz Ferdinand (band)|Franz Ferdinand]].<ref>{{Cite news|url=https://www.npr.org/2013/08/24/214476665/franz-ferdinands-alex-kapranos-on-the-importance-of-structure|title=Franz Ferdinand's Alex Kapranos On The Importance Of Structure|website=Npr.org|access-date=June 21, 2021}}</ref> [[Radiohead]] took their name from the 1986 Talking Heads song "Radio Head",<ref name="ROSS">{{cite news |last=Ross |first=Alex |date=August 20, 2001 |title=The Searchers |newspaper=[[The New Yorker]] |url=https://www.newyorker.com/archive/2001/08/20/010820fa_FACT1 |access-date=March 16, 2011 |archive-url=https://web.archive.org/web/20080214053947/http://www.therestisnoise.com/2004/04/mahler_1.html |archive-date=February 14, 2008}}</ref> and cited ''Remain in Light'' as a critical influence on their 2000 album ''[[Kid A]]''.<ref>{{cite web |date=November 1, 2000 |title=No more Thom for guitar rock |url=https://www.nme.com/news/music/radiohead-393-1309133 |url-status=live |archive-url=https://web.archive.org/web/20171201182054/http://www.nme.com/news/music/radiohead-393-1309133 |archive-date=December 1, 2017 |access-date=November 30, 2017 |website=[[NME]]}}</ref> |
Talking Heads have been cited as an influence by many artists, including [[Eddie Vedder]],<ref>{{cite magazine|url=https://www.spin.com/2003/07/my-life-music-eddie-vedder/|title=My Life in Music: Eddie Vedder|author=SPIN staff|magazine=[[Spin (magazine)|SPIN]]|date=July 15, 2003}}</ref> [[LCD Soundsystem]],<ref>{{cite web|title=James Murphy on LCD Soundsystem|author=David Marchese|work=Vulture|date=August 21, 2017|url=https://www.vulture.com/2017/08/james-murphy-on-lcd-soundsystems-return.html|access-date=March 30, 2022}}</ref> [[Foals (band)|Foals]],<ref>{{cite web|title=Foals Total Life Forever Review|url=https://www.bbc.co.uk/music/reviews/h9m5|publisher=BBC|access-date=November 15, 2013}}</ref> [[the Weeknd]],<ref name="bruce">{{cite web |title=The Weeknd's New Album Is Inspired by Bad Brains, Talking Heads and the Smiths|author=Calum Slingerland|work=[[Exclaim!]]|date=February 6, 2016|url=http://exclaim.ca/music/article/the_weeknds_new_album_is_inspired_by_bad_brains_talking_heads_and_the_smiths|access-date=September 6, 2016}}</ref> [[Vampire Weekend]],<ref>{{cite news|last=Burrows|first=Tim|title=Vampire Weekend: fresh blood on campus|url=https://www.telegraph.co.uk/culture/music/3673202/Vampire-Weekend-fresh-blood-on-campus.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/culture/music/3673202/Vampire-Weekend-fresh-blood-on-campus.html |archive-date=January 10, 2022 |url-access=subscription |url-status=live|access-date=May 11, 2014|newspaper=[[The Daily Telegraph]]|date=May 8, 2008}}{{cbignore}}</ref> [[Primus (band)|Primus]],<ref>[http://www.ram.org/music/primus/articles/mackerel_bio.html Primus press release]. Retrieved August 12, 2012.</ref> [[Bell X1 (band)|Bell X1]],<ref>{{cite web|author=Matthew Magee|url=http://www.tribune.ie/article/2003/jul/27/clear-as-a-bell-x1/|title=Clear as a Bell X1|date=July 27, 2003|access-date=March 4, 2011|work=[[Sunday Tribune]]|url-status=dead|archive-url=https://web.archive.org/web/20110721133524/http://www.tribune.ie/article/2003/jul/27/clear-as-a-bell-x1/|archive-date=July 21, 2011}}</ref> [[the 1975]],<ref name="GoldenPlec">{{cite web |url=http://www.goldenplec.com/the-1975-interview/ |title = The 1975 – Interview |publisher = GoldenPlec |first = Darragh |last = Faughey |date = December 11, 2012 |access-date = February 11, 2016}}</ref> [[the Ting Tings]],<ref name="The Ting Tings">{{cite news|first=Eric|last=Walden|url=http://www.sltrib.com/home/2284030-155/concert-preview-ting-tings-feeling-a|title=Concert preview: Ting Tings feeling a bit less 'Super Critical' now|date=March 27, 2015 |newspaper=[[The Salt Lake Tribune]]|access-date=November 27, 2015}}</ref> [[Nelly Furtado]],<ref>{{cite web|url=http://www.universalmusic.at/pop/contributor/338213/biography/Nelly+Furtado|title=NELLY FURTADO – Loose – ''The Story''|publisher=[[Universal Music]]|access-date=December 2, 2015|url-status=dead|archive-url=https://web.archive.org/web/20151003050822/http://www.universalmusic.at/pop/contributor/338213/biography/Nelly+Furtado|archive-date=October 3, 2015}}</ref> [[Kesha]],<ref>{{cite web|last1=Garland|first1=Emma|title=Kesha's MySpace Profile from 2008 is Better Than DJ Khaled's Snapchat|url=https://noisey.vice.com/en_us/article/keshas-myspace-profile-from-2008-is-better-than-dj-khaleds-snapchat|website=Noisey|publisher=Vice Media|date=January 8, 2017|access-date=January 20, 2017}}</ref> [[St. Vincent (musician)|St. Vincent]],<ref>{{cite web |title= Interview: ANNIE CLARK a.k.a. ST. VINCENT on 'Strange Mercy' |first= Shahlin |last= Graves |publication-date= May 26, 2012 |website= coupdemainmagazine.com |url=http://www.coupdemainmagazine.com/annie-clark/interview-annie-clark-aka-st-vincent-%E2%80%98strange-mercy |access-date= March 25, 2017 |url-status= dead |archive-url=https://web.archive.org/web/20130207191202/http://www.coupdemainmagazine.com/annie-clark/interview-annie-clark-aka-st-vincent-%E2%80%98strange-mercy |archive-date= February 7, 2013}}</ref> [[Danny Brown]],<ref>{{cite web |url=https://www.nme.com/news/music/various-artists-211-1199664 | title = Danny Brown talks Talking Heads and Radiohead influence | last1=Moore | first1=Sam | website=[[NME]] | date = June 15, 2016}}</ref> [[Trent Reznor]],<ref>{{cite web |url=https://vinylwriters.com/trent-reznor-on-talking-heads-remain-in-light-1980/ | title = Trent Reznor on Talking Heads – Remain in Light (1980) | last1=Reznor | first1=Trent | website=Vinyl Writers | date = September 26, 2020 | access-date = December 17, 2020}}</ref> and [[Franz Ferdinand (band)|Franz Ferdinand]].<ref>{{Cite news|url=https://www.npr.org/2013/08/24/214476665/franz-ferdinands-alex-kapranos-on-the-importance-of-structure|title=Franz Ferdinand's Alex Kapranos On The Importance Of Structure|website=Npr.org|access-date=June 21, 2021}}</ref> [[Radiohead]] took their name from the 1986 Talking Heads song "Radio Head",<ref name="ROSS">{{cite news |last=Ross |first=Alex |date=August 20, 2001 |title=The Searchers |newspaper=[[The New Yorker]] |url=https://www.newyorker.com/archive/2001/08/20/010820fa_FACT1 |access-date=March 16, 2011 |archive-url=https://web.archive.org/web/20080214053947/http://www.therestisnoise.com/2004/04/mahler_1.html |archive-date=February 14, 2008}}</ref> and cited ''Remain in Light'' as a critical influence on their 2000 album, ''[[Kid A]]''.<ref>{{cite web |date=November 1, 2000 |title=No more Thom for guitar rock |url=https://www.nme.com/news/music/radiohead-393-1309133 |url-status=live |archive-url=https://web.archive.org/web/20171201182054/http://www.nme.com/news/music/radiohead-393-1309133 |archive-date=December 1, 2017 |access-date=November 30, 2017 |website=[[NME]]}}</ref> Italian filmmaker and director [[Paolo Sorrentino]], receiving the Oscar for his film ''[[La Grande Bellezza]]'' in 2014, thanked Talking Heads, among others, as his sources of inspiration.<ref>{{cite web|last=Vivarelli|first=Nick|title=Italy Cheers Foreign Oscar Victory For Paolo Sorrentino's 'Beauty'|url=https://variety.com/2014/film/news/italy-cheers-foreign-oscar-victory-for-paolo-sorrentinos-beauty-1201124195/|work=[[Variety (magazine)|Variety]]|date=March 3, 2014|access-date=May 4, 2014}}</ref> |
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==Members== |
==Members== |
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Latest revision as of 03:54, 29 November 2024
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Talking Heads were an American rock band formed in New York City in 1975.[2] The band was composed of David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass), and Jerry Harrison (keyboards, guitar). Described as "one of the most critically acclaimed groups of the '80s," Talking Heads helped to pioneer new wave music by combining elements of punk, art rock, funk, and world music with "an anxious yet clean-cut image";[6] they have been called "a properly postmodernist band."[8]
Byrne, Frantz, and Weymouth met as freshmen at the Rhode Island School of Design, where Byrne and Frantz were part of a band called the Artistics.[1]: 24 The trio moved to New York City in 1975, adopted the name Talking Heads, joined the New York punk scene, and recruited Harrison to round out the band. Their debut album, Talking Heads: 77, was released in 1977 to positive reviews.[9] They collaborated with the British producer Brian Eno on the acclaimed albums More Songs About Buildings and Food (1978), Fear of Music (1979), and Remain in Light (1980), which blended their art school sensibilities with influence from artists such as Parliament-Funkadelic and Fela Kuti.[6] From the early 1980s, they included additional musicians in their recording sessions and shows, including guitarist Adrian Belew, keyboardist Bernie Worrell, singer Nona Hendryx, and bassist Busta Jones.
Talking Heads reached their commercial peak in 1983 with the U.S. Top 10 hit "Burning Down the House" from the album Speaking in Tongues. In 1984, they released the concert film Stop Making Sense, which was directed by Jonathan Demme. For these performances, they were joined by Worrell, guitarist Alex Weir, percussionist Steve Scales, and singers Lynn Mabry and Ednah Holt.[6] In 1985, Talking Heads released their best-selling album, Little Creatures. They produced a soundtrack album for Byrne's film True Stories (1986), and released their final album, the worldbeat-influenced Naked (1988), before disbanding in 1991. Without Byrne, the other band members performed under the name Shrunken Heads, and released an album, No Talking, Just Head, as the Heads in 1996.
In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. Four of their albums appeared on Rolling Stone's 2003 list of the "500 Greatest Albums of All Time", and three of their songs—"Psycho Killer", "Life During Wartime", and "Once in a Lifetime"—were included among the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.[10] The band also ranked number 64 on VH1's list of the "100 Greatest Artists of All Time".[11] In the 2011 update of Rolling Stone's list of the "100 Greatest Artists of All Time", they were ranked number 100.[12]
History
[edit]1973–1977: Early years
[edit]In 1973, Rhode Island School of Design students David Byrne (guitar and vocals) and Chris Frantz (drums) formed a band, the Artistics.[1]: 28 [13] Fellow student Tina Weymouth, Frantz's girlfriend, often provided transportation. The Artistics dissolved the following year, and the three moved to New York City, eventually sharing a communal loft.[14] After they were unable to find a bassist, Weymouth took up the role. Frantz encouraged Weymouth to learn to play bass by listening to Suzi Quatro albums.[15] Byrne asked Weymouth to audition three times before she joined the band.[16]
The band played their first gig as Talking Heads—opening for the Ramones at the CBGB club—on June 5, 1975.[2] According to Weymouth, the name Talking Heads came from an issue of TV Guide, which "explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. It fit."[17] Later that year, the band recorded a series of demos for CBS, but did not receive a record contract. However, they drew a following and signed to Sire Records in November 1976. They released their first single in February the following year, "Love → Building on Fire". In March 1977, they added Jerry Harrison, formerly of Jonathan Richman's band the Modern Lovers, on keyboards, guitar, and backing vocals.[18] Gary Kurfirst started managing Talking Heads in 1977.[19]
The first Talking Heads album, Talking Heads: 77, received acclaim and produced their first charting single, "Psycho Killer".[20] Many connected the song to the serial killer known as the Son of Sam, who had been terrorizing New York City months earlier; however, Byrne said he had written the song years prior.[21] Weymouth and Frantz married in 1977.[22]
1978–1980: Collaborations with Brian Eno
[edit]More Songs About Buildings and Food (1978) was Talking Heads' first collaboration with the producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale, and Robert Fripp;[23] the title of Eno's 1977 song "King's Lead Hat" is an anagram of the band's name. Eno's unusual style meshed with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions—from psychedelic funk to African music, influenced prominently by Fela Kuti and Parliament-Funkadelic.[24][25][26] This recording also established the band's relationship with Compass Point Studios in Nassau, Bahamas. More Songs About Buildings and Food included a cover of Al Green's "Take Me to the River", which brought Talking Heads into the public consciousness and gave them their first Billboard Top 30 hit.[26]
The collaboration continued with Fear of Music (1979), which mixed the darker stylings of post-punk rock with white funkadelia and subliminal references to the geopolitical instability of the late 1970s.[26] Music journalist Simon Reynolds cited Fear of Music as representing the Eno–Talking Heads collaboration "at its most mutually fruitful and equitable".[27] The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco".[28] The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the time.[29]
Remain in Light (1980) was heavily influenced by the Afrobeat of Nigerian bandleader Fela Kuti, whose music had been introduced to the band by Eno. It explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices.[30] These combinations foreshadowed Byrne's later interest in world music.[31] In order to perform these more complex arrangements, the band toured with an expanded group, including Adrian Belew and Bernie Worrell, among others, first at the Heatwave festival in August,[32] and later in their concert film Stop Making Sense.[citation needed]
During this period, Weymouth and Frantz formed a commercially successful splinter group, Tom Tom Club, influenced by the foundational elements of hip hop,[33] and Harrison released his first solo album, The Red and the Black.[34] Byrne and Eno released My Life in the Bush of Ghosts, which incorporated world music, found sounds and a number of other prominent international and post-punk musicians.[35]
Remain in Light's lead single, "Once in a Lifetime", became a Top 20 hit in the UK, but initially failed to make an impression in the US. It grew into a popular standard over the next few years on the strength of its music video, which Time named one of the greatest of all time.[37][38]
1981–1991: Commercial peak and breakup
[edit]After releasing four albums in barely four years, the group went on a recording hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with Tom Tom Club. In the meantime, Talking Heads released the live album The Name of This Band Is Talking Heads, toured the United States and Europe as an eight-piece group, and parted ways with Eno,[39] who went on to produce albums with U2.[23]
1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Top 10 hit, "Burning Down the House".[40] Once again, a striking video was inescapable, owing to its heavy rotation on MTV.[41] The following tour was documented in Jonathan Demme's Stop Making Sense, which generated another live album of the same name.[42] The tour in support of Speaking in Tongues was their last.[43]
I try to write about small things. Paper, animals, a house… love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.
—David Byrne, interviewing himself in Stop Making Sense[44]
Three more albums followed: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"),[45] 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy film, in which the band also appeared),[46] and 1988's Naked. Little Creatures offered a much more American pop-rock sound as opposed to previous efforts.[47] Similar in genre, True Stories hatched one of the group's most successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head".[48] Naked explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on Remain in Light.[49] During that time, the group was falling increasingly under David Byrne's control, and after Naked, the band went on "hiatus".[6] In 1987, Talking Heads released a book by David Byrne, What the Songs Look Like: Contemporary Artists Interpret Talking Heads Songs, with HarperCollins that contained artwork by some of the top New York visual artists of the decade.
In December 1991, Talking Heads announced that they had disbanded.[6] Frantz said he learned that Byrne had left from an article in the Los Angeles Times, and said: "As far as we're concerned, the band never really broke up. David just decided to leave."[50] Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the End of the World. Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest in 1991.[31] This period also saw a revived flourish from both Tom Tom Club (Boom Boom Chi Boom Boom and Dark Sneak Love Action)[51] and Harrison (Casual Gods and Walk on Water), who toured together in 1990.[52]
1992–present: Post-breakup and reunions
[edit]Weymouth, Frantz, and Harrison toured without Byrne as Shrunken Heads in the early 1990s.[53] In 1996, they released an album, No Talking, Just Head, under the name the Heads. The album featured a number of vocalists, including Gavin Friday of the Virgin Prunes, Debbie Harry of Blondie, Johnette Napolitano of Concrete Blonde, Andy Partridge of XTC, Gordon Gano of Violent Femmes, Michael Hutchence of INXS, Ed Kowalczyk of Live, Shaun Ryder of Happy Mondays, Richard Hell, and Maria McKee.[54] It was accompanied by a tour with Napolitano as the vocalist. Byrne took legal action to prevent the band using the name The Heads, which he saw as "a pretty obvious attempt to cash in on the Talking Heads name".[55] The band briefly reunited in 1999 to promote the 15th anniversary re-release of Stop Making Sense, but did not perform together.[56]
Harrison produced records such as the Violent Femmes' The Blind Leading the Naked; the Fine Young Cannibals' The Raw and the Cooked; General Public's Rub It Better; Crash Test Dummies' God Shuffled His Feet; Live's Mental Jewelry, Throwing Copper, and The Distance to Here; and No Doubt's song "New" from Return of Saturn.[57] Frantz and Weymouth have produced for several artists, including Happy Mondays and Ziggy Marley. Tom Tom Club continues to record and tour intermittently.[58]
Talking Heads reunited to play "Life During Wartime", "Psycho Killer", and "Burning Down the House" on March 18, 2002, at the ceremony of their induction into the Rock and Roll Hall of Fame, joined onstage by former touring members Bernie Worrell and Steve Scales.[59] Byrne said further work together was unlikely, due to "bad blood" and being musically "miles apart".[60] Weymouth has been critical of Byrne, describing him as "a man incapable of returning friendship"[60] and saying that he did not "love" her, Frantz, and Harrison.[15] In 2020, Frantz published a memoir about his relationship with Weymouth, Remain in Love, which covered the band's conflicts.[61]
In September 2023, Stop Making Sense was rereleased in IMAX with remastered sound and picture to coincide with the film's 40th anniversary.[62] The band members reunited that month for a Q&A at the Toronto International Film Festival, following limited showings of the film in theaters,[61][63] and gave subsequent interviews together to promote the re-release.[64] With regard to the possibility of a reunion tour, Harrison told the Los Angeles Times: "Right now, we're concentrating on Stop Making Sense and how much fun we're having revisiting the film. We're living in the moment, so that's all we're thinking about."[65] In January 2024, Billboard reported that Talking Heads had turned down an $80 million offer for a reunion tour, which would have included a performance at Coachella.[66]
Musical style
[edit]AllMusic stated that Talking Heads, one of the most celebrated bands of the 1970s and 1980s,[6] by the time of their breakup "had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop".[6] In Pitchfork, Andy Cush described the band as "New York art-punks" whose "blend of nervy postmodernism and undeniable groove made them one of the defining rock bands of the late 1970s and ’80s."[67] Media theorist Dick Hebdige said the group "draw eclectically on a wide range of visual and aural sources to create a distinctive pastiche or hybrid 'house style' which they have used since their formation in the mid-1970s deliberately to stretch received (industrial) definitions of what rock/pop/video/Art/ performance/audience are", calling them "a properly postmodernist band."[8] Talking Heads' art pop innovations have had a long-lasting impact.[68] Along with other groups such as Devo, Ramones, and Blondie, they helped define the new wave genre in the United States.[69] Meanwhile, their more cosmopolitan hits like 1980's Remain in Light helped bring African rock to the Western world.[70]
Legacy and influence
[edit]Talking Heads have been cited as an influence by many artists, including Eddie Vedder,[71] LCD Soundsystem,[72] Foals,[73] the Weeknd,[74] Vampire Weekend,[75] Primus,[76] Bell X1,[77] the 1975,[78] the Ting Tings,[79] Nelly Furtado,[80] Kesha,[81] St. Vincent,[82] Danny Brown,[83] Trent Reznor,[84] and Franz Ferdinand.[85] Radiohead took their name from the 1986 Talking Heads song "Radio Head",[86] and cited Remain in Light as a critical influence on their 2000 album, Kid A.[87] Italian filmmaker and director Paolo Sorrentino, receiving the Oscar for his film La Grande Bellezza in 2014, thanked Talking Heads, among others, as his sources of inspiration.[88]
Members
[edit]- David Byrne – lead vocals, guitar (1975–1991, 2002)
- Chris Frantz – drums, percussion, backing vocals (1975–1991, 2002)
- Tina Weymouth – bass, backing vocals (1975–1991, 2002)
- Jerry Harrison – keyboards, guitar, backing vocals (1977–1991, 2002)
Additional musicians
[edit]- Adrian Belew – lead guitar, vocals (1980–1981)
- Alex Weir – guitar, vocals (1982–1984)
- Bernie Worrell – keyboards, backing vocals (1980–1984, 2002; died 2016)
- Raymond Jones – keyboards (1982)
- Busta Jones – bass (1980–1981; died 1995)
- Steve Scales – percussion, backing vocals (1980–1984, 2002)
- Dolette McDonald – vocals, cowbell (1980–1982)
- Nona Hendryx – vocals (1980, 1982)
- Ednah Holt – vocals (1983)
- Lynn Mabry – vocals (1983–1984)
- Stephanie Spruill – vocals (1984)
Timeline
[edit]Discography
[edit]- Talking Heads: 77 (1977)
- More Songs About Buildings and Food (1978)
- Fear of Music (1979)
- Remain in Light (1980)
- Speaking in Tongues (1983)
- Little Creatures (1985)
- True Stories (1986)
- Naked (1988)
See also
[edit]- List of dance-rock artists
- List of funk rock and funk metal bands
- List of new wave artists
- List of post-punk bands
References
[edit]- ^ a b c Gans, David (December 1985). "Chapter One: Providence". Talking Heads: The Band & Their Music (First ed.). Avon Books. ISBN 978-0380899548. LCCN 85047829. OCLC 12938771. OL 2552512M. Retrieved January 4, 2023 – via Internet Archive. p. 24:
When it came time to select a college and a course of study, Byrne eventually chose the Rhode Island School of Design.
- ^ a b c Talking Heads Rock and Roll Hall of Fame, retrieved November 23, 2008
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- Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014.
- Jack, Malcolm (September 21, 2016). "Talking Heads – 10 of the best". The Guardian.
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- Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) p. 163.
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- ^ a b c d e f g h Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014.
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- ^ DeGagne, Mike. "Burning Down the House – Talking Heads – Song Review". Allmusic. Retrieved April 25, 2014.
- ^ Johnston, Maura. "Sick Of It All (16) Battles Talking Heads (8) As SOTC's March Madness Takes A Trip To CBGB". Village Voice. Retrieved April 25, 2014.
- ^ Light, Alan (January 25, 2010). "All-TIME 100 Albums". Time. Retrieved April 25, 2014.
- ^ Milward, John. "The Many Faces And Artistic Endeavors Of The Talking Heads David Byrne And His Mates In The Band Are Keeping Busy – Together, With 'Naked', And On Their Own". Philly.com. Archived from the original on April 25, 2014. Retrieved April 25, 2014.
- ^ Harvey, Eric. "David Byrne: Live From Austin TX". Pitchfork Media. Retrieved May 5, 2014.
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- ^ Ruhlmann, William. "Tom Tom Club | Biography". Allmusic. Retrieved April 27, 2014.
- ^ Christensen, Thor (May 22, 1990). "Harrison starts to find own voice". The Milwaukee Journal. Archived from the original on May 4, 2016. Retrieved January 12, 2016.
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- ^ Sragow, Michael (April 27, 1999). "Talking Heads talk again". Salon. Retrieved December 3, 2021.
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- ^ a b Blackman, Guy (February 6, 2005). "Byrning down the house". The Age. Australia. Retrieved October 3, 2009.
- ^ a b Greene, Andy (August 16, 2023). "Talking Heads to Appear Together for First Time in 21 Years". Rolling Stone. Retrieved August 17, 2023.
- ^ "Stop Making Sense". imax.com. August 16, 2023. Retrieved September 24, 2023.
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the new release's remastered sound and picture, projected in... IMAX
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Further reading
[edit]- Bowman, David (April 3, 2001). This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century (First ed.). New York: HarperEntertainment. ISBN 978-0380978465. LCCN 00046082. OCLC 44914246. OL 7435999M. Retrieved January 3, 2023 – via the Internet Archive.
- Byrne, David (September 12, 2012). How Music Works. San Francisco: McSweeney's. ISBN 978-1936365531. LCCN 2017561795. OCLC 746834427. OL 26882017M. Retrieved January 3, 2023 – via the Internet Archive.
- Frantz, Chris (July 21, 2020). Remain in Love: Talking Heads, Tom Tom Club, Tina (Illustrated ed.). New York: St. Martin's Publishing. ISBN 978-1250209221. LCCN 2020002700. OCLC 1137735530. OL 28244911M.
- Reese, Krista (1982). The Name of This Book Is Talking Heads. London: Proteus Books. ISBN 0-86276-057-7.
- Steenstra, Sytze (2010). Song and Circumstance: The Work of David Byrne from Talking Heads to the Present. New York and London: Continuum Books. ISBN 978-08264-4168-3.
- Talking Heads; Olinsky, Frank (1987). What the Songs Look Like: Contemporary Artists Interpret Talking Heads Songs. New York: Harper & Row. ISBN 0-06-096205-4..
- Wilcox, Tyler (October 3, 2016). "Talking Heads' Road to Remain in Light". Pitchfork.
External links
[edit]- Official website
- Entry at 45cat.com
- Talking Heads at AllMusic
- Talking Heads discography at Discogs
- Talking Heads at IMDb
- Talking Heads discography at MusicBrainz
- Talking Heads
- 1975 establishments in New York City
- American new wave musical groups
- American post-punk music groups
- Art pop groups
- American art rock groups
- American funk rock musical groups
- American dance-rock musical groups
- EMI Records artists
- Grammy Lifetime Achievement Award winners
- Mixed-gender bands
- Musical groups disestablished in 1991
- Musical groups established in 1975
- Musical groups from New York City
- Musical quartets from New York (state)
- Philips Records artists
- Punk rock groups from New York (state)
- Sire Records artists
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